And it has an undeniable power to move us in ways that enrich our lives - provided it is understood.If you have ever longed to appreciate great concert music, to learn its glorious language and share in its sublime pleasures, the way is now open to you, through this series of 48 wonderful lectures designed to make music accessible to everyone who yearns to know it, regardless of prior training or knowledge. It's a lecture series that will enable you to first grasp music's forms, techniques, and terms - the grammatical elements that make you fluent in its language - and then use that newfound fluency to finally hear and understand what the greatest composers in history are actually saying to us.And as you learn the gifts given us by nearly every major composer, you'll come to know there is one we share with each of them - a common humanity that lets us finally understand that these were simply people speaking to us, sharing their passion and wanting desperately to be heard. Using digitally recorded musical passages to illustrate his points, Professor Greenberg will take you inside magnificent compositions by Bach, Handel, Haydn, Mozart, Beethoven, Chopin, Verdi, Wagner, Brahms, Tchaikovsky, Stravinsky, and more. Even if you have listened to many of these illustrative pieces throughout your life - as so many of us have - you will never hear them the same way again after experiencing these lectures.

    Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude Ma Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture.The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith--published here in their entirety for the first time--Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a conciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph.

    In 1993, Modern Drummer magazine named it first in the top 25 drumming books of all-time. In the words of the author, this is the ideal book for improving "control, speed, flexibility, touch, rhythm, lightness, delicacy, power, endurance, preciseness of execution, and muscular coordination," with extra attention given to the development of the weak hand. This indispensable book for drummers of all

    Duke Ellington. As a child, he said piano made an umpy-dump sound that was headed nowhere worth following. But, years later, he heard the piano played a whole new way. People called the music "ragtime", and soon the sound had Duke's fingers riding the piano keys.Duke began to compose his own melodies, which led him to form a band, The Washingtonians. Before long, the group was performing at the swankiest hangouts in Harlem, including The Cotton Club, but under a new name: Duke Ellington and His Orchestra. Soon the whole country swung to Duke's beat.This is the story of one of the greatest composers of the twentieth century - the king of the keys - Duke Ellington.

    I grieved for him for a very long time. And then, as time passed, the icy wall of grief surrounding my heart began to thaw and I began to heal. I remarried, had more children, and continued to record and release more music. I continued to live my life. And while I can never discount the time I spent with Big, I've never felt the need to live in the past. But sometimes, I still find myself thinking about Big being rushed the hospital, and I break down in tears. It's not just because we hung up on each other during what would be our last telephone conversation. And it's not because I am raising our son, a young man who has never known his father. It's partly all of those things. But mainly it's because he wasn't ready to go. His debut album was called Ready to Die. But in the end, he wasn't. Big never got a chance to tell his story. It's been left to others to tell it for him. In making the decision to tell my own story, it means that I've become one of those who can give insight to who Big really was. But I can only speak on what he meant to me. Yet I also want people to understand that although he was a large part of my life, my story doesn't actually begin or end with Big's death. My journey has been complicated on many levels. And since I am always linked to Big, there are a lot of misconceptions about who I really am. I hope that in reading my words, there is inspiration to be found. Perhaps you can duplicate my success or achieve where I have failed. Maybe you can skip over the mistakes I've made. Use my life as an example - of what to do and in some cases, what not to do. It's not easy putting your life out there for the masses. But I've decided I'll tell my own story. For Big. For my children. And for myself.

    Her first album, Horses, was a landmark album of power, bravado, beauty, and grace. Its famous cover portrait, photographed by Robert Mapplethorpe, "was the first to claim both vision and authority," wrote Camille Paglia. "No female rocker had ever dominated an image in this aggressive, uncompromising way."Seven albums later, and a life punctuated by a long hiatus during which Smith raised her two children and suffered the tragic losses of her husband, Fred Sonic Smith, her dear friend, Robert Mapplethorpe, and her beloved brother, Smith is ready to mark her first fifty years on the planet with a book her fans have long awaited: the complete lyrics. With never-before-seen photographs by Robert Mapplethorpe, Annie Liebovitz, Kate Simon, and others, plus original artwork and text by Smith, Patti Smith Complete is a living commemoration of Smith's unique contribution to music and the empowerment of people through her message of work, love, and charity.

    If we had lost Malcolm X at 25, we would have lost a hustler nicknamed Detroit Red. And if I had left the world at 25, we would have lost a big-band trumpet player and aspiring composer--just a sliver of my eventual life potential."                        From the Foreword by Quincy JonesThe real story of Tupac's murder may not ever emerge.  This may be the only lasting testament to the many faces of Tupac Shakur--of a life lived fast and hard, of a man cloaked in contradictions.  A young man who was just starting to come into his own."I believe that everything you do bad comes back to you. So everything that I do that's bad, I'm going to suffer for it. But in my heart, I believe what I'm doing is right. So I feel like I'm going to heaven."        Tupac Shakur, June 1996

    From Jim Marchese's informal backstage shots during the European leg of the 1980 "The River" tour to Neal Preston's amazing documentation of the "Born in the U.S.A." days to Pam Springsteen's portraits showing a side of the musician rarely seen by the public, this is the most intimate look at Bruce Springsteen ever published. The photos and lyrics are accompanied by original commentary by Springsteen, in which he reflects on the songs, the performances, and the quarter-century career that for many defines the American dream.

    He was also a musical genius who inspired whole generations of artists, a generous friend to nearly everyone who crossed his path, a guileless man of immense personal charm to whom the sweetest sound on earth was surf music.A generation after his death, Moon is still revered as the greatest drummer in rock history and the single wildest personality in an age of pop excess. Here is the truth behind the legend, the result of more than three years of research in which music journalist Tony Fletcher interviewed dozens of Moon's friends, colleagues, and associates. The result is an instant classic that brilliantly illuminates both the tender and self-destructive sides of this singular personality. This is the story of one of the most outrageous rock stars ever born -- and Moon is one of the greatest rock biographies ever written.

    Here is its story from the inside--a story filled with drama, humor, danger, compassion, and, of course, glorious music.A player who studies and performs the exalted string-quartet repertoire has opted for a very special life. Arnold Steinhardt, tracing his own development as a student, orchestra player, and budding young soloist, gives a touching account of how he and his intrepid colleagues were converted to chamber music despite the daunting odds against success. And he reveals, as no one has before, the intensely difficult process by which--on the battlefield of daily three-hour rehearsals--four individualists master and then overcome the confining demands of ensemble playing.

    Featuring the complete lyrics and musical notation to the beloved anthem "This Land is Your Land," as well as a photo-essay about Woody, a note from his daughter Nora Guthrie, and a tribute by beloved folk singer Pete Seeger, this stunning book paints an unforgettable picture of our diverse land. Now an award-winning CD containing nine popular folk songs performed by Woody and Arlo Guthrie is bound into the book, making this a treasure for the whole family or classroom to share.

    A celebration of rave's quest for the perfect beat definitive chronicle of rave culture and electronic dance music

    With exclusive access to the RCA vaults, producer Ernst Jorgensen brings to intimate life every moment that Elvis spent in the studio--from the spontaneous joy of his early sessions to the intensely creative periods of his later career. At once the definitive recording session guide and a compellingly readable narrative, this is the ultimate companion to the singer and his songs.

    The first and only authorized book about the band, The Phish Book is an extraordinary verbal and visual chronicle of a year in the life of Phish, featuring extensive interviews with the four band members--Trey Anastasio, Jon Fishman, Mike Gordon, and Page McConnell--conducted by writer Richard Gehr, who also serves as guide to the history, mythology, musical context, and unique audience-band relationship in which the Vermont quartet flourishes.        While it contains many of the trappings of other lavish rock monuments--including more than two hundred pieces of previously unpublished art and photography from the band's private archive--The Phish Book elevates the form by means of an innovative roundtable-style discussion format. Richard Gehr and Phish use the events of 1997 as a jumping-off point from which the band members free-associate about themselves, their music, and the dedicated and colorful community that springs up wherever they perform.        Beginning with the backstage scene at Boston's Fleet Center on New Year's Eve, 1996, The Phish Book explores the band's earliest days in Burlington, Vermont; their musical influences, which include James Brown, Frank Zappa, and the Grateful Dead; their legendary Halloween shows; the two European and two American tours the group undertook in 1997; the stories behind their 1996 studio album, Billy Breathes, and the following year's live Slip Stitch and Pass; life onstage and off; the sixty-thousand-fan Maine campout and art project known as the Great Went; and the experimental recording and performing techniques that informed the band's most recent studio album, The Story of the Ghost.        More than a retrospective journal of the group's evolution, The Phish Book is a glorious snapshot of a band much bigger than its parts and at the height of its collective power.

    But Papa, manager of the Dukes, the worst team in the Negro National League, needs a bat boy, not a "fiddler," and traveling with the Dukes doesn't leave Reginald much time for practicing. Soon the Dukes' dugout is filled with Beethoven, Mozart, and Bach -- and the bleachers are filled with the sound of the Dukes' bats. Has Reginald's violin changed the Dukes' luck -- and can his music pull off a miracle victory against the powerful Monarchs? Gavin Curtis's beautifully told story of family ties and team spirit and E. B. Lewis's lush watercolor paintings capture a very special period in history.

    From Louis Armstrong's renegade-style trumpet playing to Sarah Vaughan's operatic crooning, and from theswinging elegance of Duke Ellington to the pioneering experiments of Ornette Coleman, jazz critic Gary Giddins continually astonishes the reader with his unparalleled insight. Writing with the grace and wit that have endeared his prose to Village Voice readers for decades, Giddins also widens thescope of jazz to include such crucial American musicians as Irving Berlin, Rosemary Clooney, and Frank Sinatra, all primarily pop performers who are often dismissed by fans and critics as mere derivatives of the true jazz idiom. And he devotes an entire quarter of this landmark volume to young, still-active jazz artists, boldly expanding the horizons of jazz--and charting and exploring the music's influences as no other book has done.

    Millions of fans wept, while many critics claimed it was the inevitable result of a thugged-out lifestyle. The mystery surrounding the shooting-a suspect has yet to be named-has increased, and rumors of gang wars, disloyalty, and government conspiracies continue to linger. Only Frank Alexander, Tupac's bodyguard druing the last year of his life, knows the real story.Got Your Back details the exploits of one of the most famous rappers of all time. The drugs, the women, the violence, the money-all provided fuel to the fire that was Tupac's life. As his platinum-selling, posthumously released albums prove, Tupac lives on through his music. Complete with exclusive new interview material with Tupac's mother, Afeni, Got Your Back provides an insider's view of a life gone awry.

    This new biography, the first by a professional jazz scholar and performer, presents a huge amount of never-before-published material, including interviews with Coltrane, photos, genealogical documents, and innovative musical analysis that offers a fresh view of Coltrane's genius.Compiled from scratch with the assistance of dozens of Coltrane's colleagues, friends, and family, John Coltrane: His Life and Music corrects numerous errors from previous biographies. The significant people in Coltrane's life were reinterviewed, yielding new insights; some were interviewed for the first time ever.The musical analysis, which is accessible to the nonspecialist, makes its own revelations--for example, that some of Coltrane's well-known pieces are based on previously unrecognized sources. The Appendix is the most detailed chronology of Coltrane's performing career ever compiled, listing scores of previously unknown performances from the 1940s and early 1950s.Coltrane has become a musical inspiration for thousands of fans and musicians and a personal inspiration to as many more. For all of these, Porter's book will become the definitive resource--a reliable guide to the events of Coltrane's life and an insightful look into his musical practices.". . . well researched, musically knowledgeable, and enormously interesting to read. Porter is a jazz scholar with deep knowledge of the tradition he is studying, both conceptually and technically." --Richard Crawford, University of Michigan"Lewis Porter is a meticulous person with love and respect for Afro-American classical music. I applaud this definitive study of my friend John Coltrane's life adn achievements." --Jimmy Heath, jazz saxophonist, composer, educatorLewis Porter is Associate Professor of Music, Rutgers University in Newark. A leading jazz scholar, he is the author of Jazz Readings from a Century of Change and coauthor of Jazz: From Its Origins to the Present. He was a project consultant on The Complete Atlantic Recordings of John Coltrane, which was nominated for a Grammy Award for Best Historical Reissue, and an editor and assisting author of the definitive Coltrane discography by Y. Fujioka.

    Woods traces the decline and resurrection of plantation ideology in national public policy debates, showing the ways in which African Americans in the Delta have continued to push forward their agenda for social and economic justice despite having suffered countless defeats under the planter regime. Woods interweaves the role of music in sustaining their efforts, surveying a musical tradition that embraced a radical vision of social change.

    In this new book, Small outlines a theory of what he terms "musicking," a verb that encompasses all musical activity from composing to performing to listening to a Walkman to singing in the shower.Using Gregory Bateson's philosophy of mind and a Geertzian thick description of a typical concert in a typical symphony hall, Small demonstrates how musicking forms a ritual through which all the participants explore and celebrate the relationships that constitute their social identity. This engaging and deftly written trip through the concert hall will have readers rethinking every aspect of their musical worlds.

    . . extraordinarily far-reaching. . . . highly accessible."-Notes"No one has written this way about music in a long, long time. Lucid, insightful, with real spiritual, political, intellectual, and emotional grasp of the whole picture. A book about why music matters, and how, and to whom."-Dave Marsh, author of Louie, Louie and Born to Run: The Bruce Springsteen Story"This book is urgently needed: a comprehensive look at the various forms of black popular music, both as music and as seen in a larger social context. No one can do this better than Craig Werner."-Henry Louis Gates, Jr., W.E.B. Du Bois Professor of the Humanities, Harvard University"[Werner has] mastered the extremely difficult art of writing about music as both an aesthetic and social force that conveys, implies, symbolizes, and represents ideas as well as emotion, but without reducing its complexities and ambiguities to merely didactic categories."-African American ReviewA Change Is Gonna Come is the story of more than four decades of enormously influential black music, from the hopeful, angry refrains of the Freedom movement, to the slick pop of Motown; from the disco inferno to the Million Man March; from Woodstock's "Summer of Love" to the war in Vietnam and the race riots that inspired Marvin Gaye to write "What's Going On."Originally published in 1998, A Change Is Gonna Come drew the attention of scholars and general readers alike. This new edition, featuring four new and updated chapters, will reintroduce Werner's seminal study of black music to a new generation of readers.Craig Werner is Professor of Afro-American Studies at the University of Wisconsin, and author of many books, including Playing the Changes: From Afro-Modernism to the Jazz Impulse and Up Around the Bend: An Oral History of Creedence Clearwater Revival. His most recent book is Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul.

    Students learn the chromatic scale, the 7th, one-octave arpeggios, and explore the key of D major. Contents include: Amazing Grace * Campbells are Coming * Cool Walkin' Bass * Cossak Ride * Echoes of the Harp * Eine Kleine Nachtmusik * Ice Dancing * Joshua Fought the Battle of Jericho * Land of the Silver Birch * Looking-Glass River * Lunar Eclipse * March Slav * and more.

    Having sold over 30 million albums since its triumphant 1991 debut 10, Pearl Jam brought the hard-edged, estranged and oftentimes angry sound of Seattle to the musical forefront. They pioneered a movement in music and culture that quickly became known as grunge. Imitators followed, and the band could have quickly lost touch with its fans and unpretentious ideals and become simply a money-making celebrity group. Instead, Eddie Vedder and the members of Pearl Jam took on the establishment: challenging Ticketmaster's control over concert venues and ticket prices and refusing media any access to the band--even through music videos--during the peak of their success. Pearl Jam's disappearance from media and from traditional touring has intensified the loyalty of its fans and has refocused the band's attention on its original musical center. Despite the lack of advertising and recent shifts in musical trends, Pearl Jam concerts repeatedly sell out within hours for the hundreds of thousands who remain devoted to a group that continues to uphold its musical and political integrity. Allowed access to the concerts, jam sessions, and private moments of Pearl Jam's members, photographers Charles Peterson and Lance Mercer provide a heretofore unseen record of the Pearl Jam experience for new and diehard fans alike.

    This is the true story of the romance of legendary Doors frontman Jim Morrison and Pamela Courson Morrison.

    Matthew Passion remains an immensely popular, oft-recorded work. First performed in the late 1720s, the great choral masterpiece was scored for a vast ensemble of double chorus, soloists, double orchestra, and two organs. Richly dramatic and theatrical, its deeply moving story unfolds in recitatives, ariosos, arias, and majestic choral movements.Reproduced here from an authoritative early edition, the score appears with bar-numbered movements. Ideal for study in the classroom, at home, or in the concert hall, this affordable, high-quality, conveniently sized volume will be the edition of choice for music students and music lovers alike.

    He tells you all you need to know to become a true Wagnerite--from story lines to historical background; from when to visit the rest room to how to sound smart during intermission; from the Jewish legend that possibly inspired Lohengrin to the tragic death of the first Tristan. Funny, informative, and always a pleasure to read, Wagner Without Fear proves that the art of Wagner can be accessible to everyone.Includes:- The strange life of Richard Wagner--German patriot (and exile), friend (and enemy) of Liszt and Nietzsche- Essential opera lore and "lobby talk"- A scene-by-scene analysis of each opera- What to listen for to get the most from the music- Recommended recordings, films, and sound tracks

    This is a story of excess, speed and the music media.

    The catalogue of current classical CDs runs to more than two and half thousand tightly packed pages, and lists nearly three hundred composers before reaching the second letter of the alphabet. An average month sees some four hundred recordings and re-issues added to the pile. The Rough Guide to Classical Music attempts to make sense of this overwhelming volume of music, giving you the information that's essential whether you're starting from the beginning or have already begun exploring. As well as being a buyer's guide to CDs, this book is a who's who of classical music, ranging from Hildegard of Bingen, one of the great figures of eleventh-century European culture, to Thomas Adès, born in London in 1971. Of course we've had to be selective, both with the composers and with their output - Domenico Scarlatti, for example, was a fascinating musician, but no book of this scope could do justice to each of his five hundred keyboard sonatas. Gaetano Donizetti wrote more than seventy operas, but you wouldn't want to listen to all of them. We've gone for what we think are the best works by the most interesting composers, mixing some underrated people with the big names, and highlighting some we think you should keep an eye on. When it comes to CDs the situation requires even greater ruthlessness. Beethoven may have written only nine symphonies, but there are more than one hundred versions of the fifth in the catalogue, and scores of recordings of all the others. Several of these CDs should never have been issued - they are there simply because any up-and-coming conductor has to make a Beethoven recording as a kind of calling card, regardless of any aptitude for the music. However, a fair proportion of the Beethoven CDs are worth listening to, because a piece of music as complex as a Beethoven symphony will bear as many different readings as a Shakespeare play. Although there are recordings that stand head and shoulders above the competition, no performance can be described as definitive, which is one reason why we have often recommended more than one account of a work. Whereas all our first-choice CDs make persuasive cases for the music, some of the additional recommendations are included because they make provocative counter-arguments. Where price is a consideration, we've also listed a lower-cost alternative whenever appropriate - thus we might suggest a mid-price boxed set of symphonies as an alternative to buying them as full-price individual CDs. Finally, in many instances we've picked an outstanding pre-stereo performance as a complement to a modern recording. These `historic' reissues are the one reliable growth area in the classical music industry, and their success is not due to mere nostalgia. There are some great musicians around today, but there's also a lot of hype in the business, with many soloists owing their success more to the way they look than to the way they play - and conversely, many superlative musicians who remain obscure because they don't project the requisite glamour. It's in the area of orchestral music and opera that the situation is especially bad, notwithstanding the technically immaculate quality of many digital recordings. Orchestral musicians are now trained to a very high standard, but only a few of the top-class orchestras enjoy the sort of long-term relationship with an individual conductor that can mould a distinctive identity. The same goes for opera companies, which used to have a stable core of singers and musicians working under the same conductor for years. Now there's a system based on jet-setting stars, who might be performing in London one night, New York the next, then in the recording studio for a few days to record something with people they hadn't met until the day the session started. You don't necessarily get a good football team by paying millions for a miscellaneous batch of top-flight players, and you don't build a good musical team that way either. Musically, then, new is not always best. And don't assume that a recording made more than thirty years ago will sound terrible. Sound quality won't match that of digital CDs, but you'll be surprised at how good it can be - indeed, many people prefer the warmth of the old analogue sound to the often chilly precision produced by modern studios. (We've warned you if surface noise or tinny quality might be a hindrance to enjoyment.) In short, you'll be missing a lot if you insist on hi-tech - few recent releases can match Vladimir Horowitz's 1940 account of Tchaikovsky's Piano Concerto No. 1, for instance, or Josef Hofmann's versions of the Chopin piano concertos from the 1930s.

    Peter Pettinger, himself a concert pianist, describes Evans’s life (the personal tragedies and commercial successes), his musicmaking (technique, compositional methods, and approach to group playing), and his legacy. The book also includes a full discography and dozens of photographs.

    Book by Harry Smith

    It demonstrates the artistic validity of Iron Maiden as much as their commercial impact.

    Every entry includes: * the date and location of the show * a complete list of all the songs played and the tape length * the source of the tape and a rating of its quality * a comprehensive review of the show, often song-by-song, that captures the special moments of each concert Also featured are rare and exclusive interviews with legendary early Dead soundman Oswley ("Bear") Stanley and Dick Latvala, the official archivist of the Grateful Dead. More than seventy-five never-before-published photos of the Dead make this among the most lavish and indispensable books on the Dead yet--a bible for Deadheads for years to come.

     It presents a highly sequential music program in which singing, moving, listening, musical reading and writing, improvising and composing are the means through which children develop skills and acquire knowledge about melody, harmony, rhythm, form, tempo, timbre, and dynamics.

    In this all-in-one theory course, you will learn the essentials of music through concise lessons, practice your music reading and writing skills in the exercises, improve your listening skills with the ear-training CDs (available separately or as a Book & CD combo), and test your knowledge with a review that completes each unit.The Student Complete Book includes Books 1-3 in a spiral-bound format.Book 1 (Lessons 1-25): Staff, Notes and Pitches * Treble & Bass Clefs * Grand Staff & Ledger Lines * Note Values * Measure, Bar Line and Double Bar * 2/4, 3/4 & 4/4 Time Signatures * Whole, Half & Quarter Notes/Rests * Dotted Half & Quarter Notes * Ties & Slurs * Repeat Sign, 1st & 2nd Endings * Eighth Notes & Rests * Dynamic Signs, Tempo Marks & Articulation * D.C., D.S., Coda & Fine * Flats, Sharps & Naturals * Whole & Half Step, Enharmonic Notes.Book 2 (Lessons 25-50): Tetrachords & Major Scales * Key Signatures * Chromatic Scale * Intervals, Circle of Fifths * Perfect, Major & Minor Intervals * Augmented & Diminished Intervals * Solf�ge & Transposition * Sixteenth Notes & Rests * Dotted Eighth Notes & Eighth Note Triplets * Common Time & Cut Time * 3/8 & 6/8 Time Signatures * Pick-up Notes & Syncopation * Primary & Major Triads * Scale Degree Names * Dominant 7th Chord.Book 3 (Lessons 51-75): 1st & 2nd Inversions of Triads * Inversions of V7 Chords * Figured Bass * Major Chord Progressions * Minor Scales, Minor Triads * Augmented & Diminished Triads * Primary Triads in Minor Keys * Minor Chord Progressions * Modes * Harmonizing a Melody in Major and Minor Keys * Broken Chords & Arpeggiated Accompaniments * Passing and Neighboring Tones * Composing a Melody in Major and Minor Keys * 12-Bar Blues Chord Progression & Blues Scale * Basic Forms of Music.T

    Includes 16 pages of photos."A refreshingly candid read...a Doors bio worth opening." --Entertainment WeeklyNo other band has ever sounded quite like the Doors, and no other frontman has ever transfixed an audience quite the way Jim Morrison did. Ray Manzarek, the band's co-founder and keyboard player, was there from the very start--and until the sad dissolution--of the Doors. In this heartfelt and colorfully detailed memoir, complete with 16 pages of photographs, he brings us an insider's view of the brief, brilliant history...from the beginning to the end."An engaging read." --Washington Post Book World

    A riotously funny, fiercely energetic romp, this no-holds-barred autobiography takes readers through the highs and lows of an extraordinary career, chronicling nearly four decades of dynamic music history.

    It is part of the Family Trees series by rock journalist Pete Frame, and it contains maps, chronologies and flow charts.

    Includes: Silent All These Years, Mother, Precious Things, Winter, Cornflake Girl, Baker Baker, The Waitress, Caught A Light Sneeze, Professional Widow, Father Lucifer, Hey Jupiter, Floating City, Etienne, Sweet Dreams, Take To The Sky, Honey, Mary, Baltimore, Rubies And Gold, Spark, and Northern Lad.

    Every entry includes: -- the date and location of the show-- a complete list of all the songs played and the tape length-- the source of the tape and a rating of its quality-- a comprehensive review of the show, often song-by-song, that captures the special moments of each concertAlso featured are rare and exclusive interviews with legendary early Dead soundman Oswley ("Bear") Stanley and Dick Latvala, the official archivist of the Grateful Dead. More than seventy-five never-before-published photos of the Dead make this among the most lavish and indispensable books on the Dead yet -- a bible for Deadheads for years to come.

    Charming lyrics and teacher duets enrich the learning experience. Contents include: Persian Market * Carnival of Venice * Allegretto * Vivace * Morning Has Broken * Hot Summer Blues * Funiculi, Funicula * Malaguena * America, the Beautiful * The Erie Canal * The Great Wall of China * The Fly's Adventure * Song of Kilimanjaro * and more.

    Kooper's quirky keyboard style was a seminal force in popularizing the Hammond B3 organ as a major voice in rock music. Bob Dylan, Jimi Hendrix, The Rolling Stones, B.B. King, George Harrison, The Who, Trisha Yearwood, and a plethora of other artists have benefited from having Kooper perform on their albums and singles. Backstage Passes & Backstabbing Bastards, Kooper's insightful and amusing autobiography, puts you in the passenger seat as you cruise the entire history of rock 'n roll as well as the various cultural landmarks and idiosyncrasies of the '50s, '60s, '70s, '80s, and '90s.

    The author/illustrator of the highly successful Getting to Know the World's Greatest Artists series lends his creative talents to another fun, informative series, this one featuring world-famous composers.

    MI instructors, some of the finest musicians in the world, share their vast knowlege and experience with you no matter what your current level.

    The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.

    Precariously, they straddled the chasm between the singles charts and experimental music. Two decades of pushing back the musical boundaries have created a mythical quality around the band that never tours and rarely records. Despite their relative invisibility in this media-hungry industry, XTC remains of the most dynamic and influential forces in music. Experts debate their every word, every note. Two of the unofficial XTC websites are in the top five percent of the most hit sites in the world. Conventions and tribute bands abound. Now, at last, XTC have decided to own up about the truth behind their songs.

    

    This new text and online audio combination was put together by John Ramsay, a prominent drummer in his own right and a former student of Dawson's. The book contains all the important techniques and concepts that Alan Dawson embraced in his own playing and subsequently taught to his students. The recordings include some remastered audio examples from actual lessons taught by Dawson himself over the years. This is a highly comprehensive textbook from a jazz master.

    

    From cult figures such as Pink Floyd's Syd Barrett (the most famous musician included here) to virtually undiscovered artists, this behind-the-scenes book wit

    More than 18,000 sizzling recordings by over 1,700 artists are now identified in this definitive guide. You get the inside into on New Orleans traditional jazz, swing, fusion, bebop, new age, big band and much more, direct from noted jazz critics and journalists who write for publications such as Cadence, Down Beat, Jazz Times, and Coda.

    A colour poster is also included.

    Stretching from the prairies of Louisiana to the oil towns of East Texas, it is ruled over by accordion-squeezing, washboard-wielding musicians like Clifton Chenier, Buckwheat Zydeco, and Boozoo Chavis. This is the kingdom of zydeco. Eh toi!

    Complete story of the Beatles records on Vee-Jay - how creative marketing turned 16 Beatles songs into a comprehensive catalog of multiple 45, EP, and album releases that, taken together, are worth more today than all other American Beatles records combined. DID YOU KNOW... Capitol Records initially passed on the Beatles 4 times? When the Beatles first two US singles were released by Vee-Jay Records in 1963, they were virtually ignored? When Vee-Jay released Please Please Me as the first Beatles single in the US, the group's name was misspelled as "The BEATLES"? Learn all this and much more in Songs, Pictures and Stories of the fabulous Beatles Records on Vee-Jay. This entertaining and informative book compiles the history and images of the most misunderstood and colorful period of the Beatles American records. Hundreds of color pictures, including all known variations of album covers, picture sleeves and record labels, Billboard and Cash Box trade ads, royalty statements and checks issued to Capitol Records, promotional mailers, catalogs, posters and other cool stuff! Contributors include Dave Askamit, Jason Anjoorian, Dale Aronson, Jeff Augsburger, Bob Avellino, Deborah Bonhart, Frank Caiazzo, Mike Calahan, Lou Calitri, Betty Chiapetta, Ken Clee, Sherman Cohen, Thomas Cook, Perry Cox, Andy Davis, Vance DeGeneres, Ricki Filiar, Chris Fonvielle, Rob Friedman, Mark Galloway, John Guarnieri, Jim Hansen, Gary Hein, Dan Hildebrand, Lin Holland, Pete Howard, Phillip Hunott, Matt Hurwitz, Todd Jackson, Gary Johnson, Christopher Kennel, Mark Lewisohn, Carol Luna, Phillip Marks, Susan McDaniel, Mitch McGeary, Tim Neely, Bob Nichols, Jerry Osborne, Martin Paul, Stanley Penenka, Casey Piotrowski, Marina Poch, Debra Poe Cary Pollack, Simon Postbrief, Shirley Rambeau, Rick Randell, Chris Ridges, Kate Riley, Wayne Rogers, Tom Schalk, David Schwartz, Jan Seltzer, Barry Spizer, Julie Stein, John Tefteller, Rebecca Tran, Enrico Venuti, Michael White, Craig Winston, Gordon Wrubel, Cliff Yamasaki, Robert W. York.

    Performed for a live audience and broadcast nationally over the CBS Radio network, the show became known as the "Cradle of the Stars." In this affectionate memoir, Hoss Logan recalls the Hayride's heyday with behind-the-scenes anecdotes about the dozens of musicians he knew and nurtured, including Johnny Cash, Johnny Horton, George Jones, Willie Nelson, Elvis Presley, Jim Reeves, Kitty Wells, Slim Whitman, Hank Williams, Faron Young, and many more. As producer, emcee, and friend to the Hayride performers, Logan gives us a personal look into musical history - from Hank Williams's ups and downs to the teenage Elvis's first performance on national radio to the ways the Hayride's many emerging stars expanded our idea about what country music could be.

    

    Any teacher, student or professional musician, whether a composer, orchestrator, arranger, performer or enthusiast will find this thoroughly comprehensive dictionary full of the most needed information on over 150 instruments. Designed for quick and easy reference, the Essential Dictionary of Orchestration includes those much-needed instrument ranges, general characteristics, tone quality descriptions, technical pitfalls, useful scoring tips and much more!

    Improv and composing techniques are explained and interwoven throughout. 282 pages.

    Combining specially designed self-tests and real-life examples from the careers of two performers, Audition Success will help performers understand what prevents them from nailing an audition and give them the tools to reach their goals.

    With a combination of anecdotes, meditation, and advice, he breaks down the creative process from beginning to end--from coping with writer's block, to song construction, chords, and even self-promotion. Webb also gives readers a glimpse into the professional music world.

    As the young Karajan told his brother, "Whether it's conducting, skiing, or motor racing, I simply want to be the best." Richard Osborne draws on his own extensive conversations with Karajan, interviews with those who knew the conductor, and a treasure trove of primary sources to bring into focus the flamboyance and flaws of an extraordinary musician as well as the turbulent international music scene over six decades. The author debunks many legends about Karajan, particularly those relating to his membership in the Nazi Party, which he opportunistically joined in 1935 to obtain a conducting appointment. While the decision haunted him throughout his life, Karajan's career flourished after the war. A jet-setting superstar, he once held, simultaneously, six of the world's most prestigious musical posts, including director of the Salzburg Festival, artistic director of the Vienna State Opera, and conductor for life of the Berlin Philharmonic. After signing with legendary producer Walter Legge, Karajan achieved international fame through his best-selling recordings. He also embraced the challenge of adapting to rapidly changing technologies, and quickly mastered each new medium -- television, vinyl LPs, tapes, and CDs. This comprehensive, well-balanced, and objective biography will stand as the definitive work on this exceptional maestro.

    Complete score transcriptions of the 12 songs from the album: Battle of Who Could Care Less * Brick * Cigarette * Evaporated * Fair * Kate * Missing the War * One Angry Dwarf and 200 Solemn Faces * Selfless, Cold and Composed * Smoke * Song for the Dumped * Steven's Last Night in Town. Includes band photos and a notation legend.

    This deluxe songbook includes six songs from their famous Fillmore East gig on New Year's Eve, 1969: Changes * Machine Gun * Message to Love * Power to Love * We Gotta Live Together * Who Knows. Features a special 24-page section of full-color photos and the interesting story behind this recording.

    Why, then, do singers with less technical skill sometimes out-perform stars? Why do some stars suddenly stop performing? What is that mysterious factor that makes an electric performance? Consistent, competent performances do not depend solely upon superior vocal skills, nor are they amatter of luck. On the contrary, the best performances result from a combination of mental attitude, concrete performing skills, and excellent technical skills in that order. Yet most singers have never had the opportunity to acquire the essential skills that make for a successful career.Written as a self-help manual for singers at all levels of expertise, Power Performance for Singers is designed to teach performing artists, and especially singers, how to experience elite performance at their level. The skills outlined in this book will help singers use what they have, to enjoytheir voices during performance, and to perform consistently to the best of their present ability.

    In search of the truth about Alma and Alexander Zemlinsky, Antony Beaumont read them and found what he was looking for. But he found far more: the authentic saga of one of the century's most charismatic personalities. The Diaries depict in intimate detail the four years during which Alma grew from adolescence into womanhood. Opening with her first, heady affair with Gustav Klimt, they break off shortly before her marriage to Gustav Mahler. "To me," writes Beaumont, "reading The Diaries is like raising a curtain, behind which stands the Vienna of 1900 in all its majesty, and so close that one can almost reach out and touch it. The vitality of everyday life, eye-witness accounts of significant artistic events, unique insights into the behavioral patterns and linguistic conventions of homo austriacus all these serve to make the book unique."Having come to grips with Alma's handwriting, Beaumont and his coeditor for the German edition, Susanne Rode-Breymann, added meticulously researched commentaries and annotations. The German edition was published in the autumn of 1997."

    

    Titles include: Burn On * I Love L.A. * Mama Told Me Not to Come * Short People * Sail Away * You Can Leave Your Hat On * Bleeding All Over the Place * I Love to See You Smile * It's Money That I Love * Miami and more.

    Since the invention of the microphone, people have experimented with sound, putting everything from thunderstorms and dolphin sounds, medical operations, native jungle drums and junkyard trash down on vinyl. Notions of the exotic have inspired popular music and musicians in all fields from classical, through easy listening to rap - from Stravinsky to the Boo-Yah T.R.I.B.E

    This terrific collection features 45 grooving favorites from the King of Reggae: Buffalo Soldier * Coming In from the Cold * Could You Be Loved * Exodus * Get Up Stand Up * I Shot the Sheriff * Is This Love * Jammin' * No Woman No Cry * Redemption Song * Three Little Birds * Trench Town Rock * Waiting in Vain * more.

    Soxx & the Blue Jeans she toured the country.Later, she sang backup—and collected numerous scintillating backstage stories—with, among others, Dionne Warwick, the Mamas and the Papas, and Sonny and Cher. Now in My Name Is Love, Darlene is ready to tell her tales about Elvis coming on to her backstage during his famous '68 Comeback Special, about wild parties she witnessed at Tom Jones's house, and about her love affair with Bill Medley of the Righteous Brothers. She also recalls how she found herself cleaning houses in Beverly Hills, heard herself on the radio, and vowed to make a comeback. That comeback has included roles in all of the Lethal Weapon movies, starring roles on Broadway, and headlining concert appearances worldwide.A dishy, behind-the-scenes showbiz memoir, My Name Is Love is also the inspiring story of a woman who refused to give up.

    This fully updated and expanded book is not about how the music business should work, but how it does work. Industry insider Moses Avalon tells it like it is how producers dip into budgets, artists steal songs, lawyers write contracts in code and shows you how to survive these and other career-stifling situations. Deconstructing actual major and indie-label record deals, this book dissects each party's involvement and offers perspective on their actual roles, how much they get paid, and what their agendas really are. Engineers, managers, producers, artists, labels and lawyers each take their turn in the hot seat. It also outlines realistic alternatives for newcomers, such as "baby" production deals and vanity labels. This third edition includes: an entire chapter comparing ASCAP and BMI a publishing first * new insights for indie artists, including the lowdown on digital-distribution scams and independent A&R * information on new legislation and its impact on sampling and other legal matters * new music-industry "family trees" that reflect recent consolidation and reorganization * 80 pages of new material * and much more.

    Unfortunately it didn't happen that way. A series of dreadful career decisions, financial blunders and bad records left Otway down but not out. This is his true story in his own words. It is the story of a man who has never repaid a record company advance in his life, once put on a benefit concert for his record company after they had cancelled his contract, and signed himself to the mighty Warner Bros label simply by pressing his own records with the WB logo. This book is Otway's hilarious yet moving account of his insane assault on the music industry, a tale of blind ambition and rank incompetence, and a salutary lesson for aspiring musicians on how not to achieve greatness.

    It is not intended as a manual of voice production, and does notconcern itself with medical matters, nor directly with anatomy, physiology, and acoustics.While not belittling the value of appropriate scientific investigation, Thomas Hemsley believes that modern methods of training have gone too far in the direction of the materialistic approach; that singing in all its aspects and at all times should be guided by the imagination, the feelings, andthe intuition; that we have become so pre-occupied by voice per se and the vocal function since the advent of vocal science, that we too easily forget that singing is not voice, but modification of voice - not only a language through which we understand the emotions of others, but also a means ofexciting our sympathy with such emotions, (H. Spencer). This book can be seen as an attempt to redress the balance.

    The general public has followed her every move for almost thirty years and her records have crossed over from country to pop again and again. She's been featured in movies. on TV, and has her own theme park -- Dollywood. This volume chronicles this stunning performer's rise from poverty to incredible stardom, discussing the high and low points along the way. Here is the story of: -- Dolly's childhood and how she realized that music would become her life-- Dolly's relationship with Carl Thomas Dean -- a romance that has become a country legend-- Dolly's big break, followed by her skyrocketing to famePacked with photos and information about this music legend, Dolly Parton is a book for fans to cherish.

    Over 550 are included, virtually all uncut, and there are over a dozen published here for the first time in any language. Although he corresponded throughout his life with some of the great performers, composers, musicologists, writers, scientists, and artists of the day, and although thousands of his letters have survived, English readers have until now had scant opportunity to meet Brahms in person, through his words, and in his own voice.The letters in this volume range from 1848 to just before his death. They include most of Brahm's letters to Robert Schumann, over a hundred letters to Clara Schumann, and the complete Brahms-Wagner correspondence. They are joined by a running commentary to form an absorbing narrative, documented with scholarly care, provided with comprehensive notes, but written for the general music lover--the result is a lively biography. The work is generously illustrated, and contains several detailed appendices and an index.

    Matching folio includes all 15 songs from the best-selling album, including the title song plus: Love Thing * Raspberry Jam Delta-V * Secret Prayer * and Z.Z.'s Song. Plus photos from the recording.

    This outstandingly original work broke new musical ground with its compact, concise style, using unusual combinations of instruments with vocal accompaniment rather than a large orchestra. Reproduced from an authoritative score, this handsome, inexpensive volume incorporates new lists of contents and instrumentation; a glossary and preface (with illustrations); a Note on the Translation and Translation of the French Text.

    And during the band's most formidable year, 1977, they had just one official photographer who documented and consequently defined this pivotal era-Dennis Morris."Destory" is a unique collection that has become a landmark work in music history. With unlimited access to the band, Morris documented their video shoots, the infamous Thames River boat-trip and their chaotic Swedish and UK Spots tours, right up to their departure for America in 1978-where it all fell apart.Confrontational and anarchic live shots are interwoven with previously unglimpsed moments of the band; Johnny, Sid, Steve and Paul, backstage and off the road. The book also contains candid shots of band associates ranging from manager Malcolm McLaren to future PIL bassist Jah Wobble and the ill-fated Nancy SpungenDocumenting the originators of an iconoclastic period in youth culture, music and fashion in over 170 classic b/w photographs, "Destory" is the ultimate Sex Pistols photo book." New colour cover, new ISBN, new lower price" Released to tie in with the "25 Years Of Punk" celebrations" New expanded edition includes an original interview with photographer, Dennis Morris" Book launch/photo exhibition in New York, May 2002" Full online promotion" National press coverage" Promotional posters/ postcards available"The most charismatic band of all time at their chaotic, royalty-baiting best"-"Bizarre"

    Complete lessons and analysis including:

    Written for English-speaking singers and offering thorough, consistentexplanations, it is an ideal tool for students and an invaluable reference for voice teachers, vocal coaches, and conductors. The book combines traditional approaches proven successful in the teaching of diction with important new material not readily available elsewhere, presenting the sounds ofeach language in logical order, along with essential information on matters such as diacritical marks, syllabification, word stress, and effective use of the variety of foreign-language dictionaries.Presented in an attractively concise format, the book goes into greater detail than comparable texts, providing specific information to clarify concepts typically difficult for English-speaking singers. Particular emphasis is placed on the characteristics of vowel length, the sequencing of soundsbetween words, as well as the differences between spoken and sung sounds in all three languages. Featuring significantly expanded coverage of each of the three languages and illustrated with numerous examples, this second edition of A Handbook of Diction for Singers is an exceptional text forcourses in diction and a valuable reference source for all vocalists.

    Every single U2 show is covered in detail, from the early Dublin clubs through to the present day. Features anecdotes and facts from virtually every concert, dates, venues, set lists, radio and TV broadcasts. Nearly 300 photographs, many previously unseen.

    Featuring "My Heart Will Go On," the Oscar-winning theme from Titanic, this album-matching folio contains: I Hate You Then I Love You (a duet with Luciano Pavarotti) • Immortality • Just a Little Bit of Love • Let's Talk About Love • Love Is on the Way • Miles to Go (Before I Sleep) • My Heart Will Go On • The Reason • Tell Him (a duet with Barbra Streisand) • To Love You More • Treat Her Like a Lady • Us • When I Need You • Where Is the Love • Why Oh Why.

    The sports and racing cars he's chosen to own form a unique stable, not just because of their diversity, but because every car is meant to be driven, and driven hard. These are not museum pieces sitting tamely in glass cases.With test driver Mark Hales, Nick Mason has pushed twenty-two of his cars to the limit and created Into The Red, a book which captures the power, the exhilaration and the feel of the actual cars driven by the worlds greatest racing drivers, including Enzo Ferrari, Stirling Moss, Jacky Ickx and Mario Andretti.Some are incredibly fast: the powerhouse Porsche 935, the limited edition McLaren F1. Some extremely rare: the legendary V16 BRM is one of only three known to exist. Some highly expensive: the Ferrari 250GTO had a value of £10 million at its peak. And others are all-time classics, including the Bugatti T35B, the Maserati 250F, and the Ferrari T3 that brought Gilles Villeneuve victory in the 1978 Montreal Grand Prix.But although their past is what makes the cars so special, each car has been put through the same demanding test sequence at Silverstone, using the latest equipment, no quarter given. The results are often surprising.Mark Hales details the distinctive sensations, sounds and vibrations of each car's handling ability, down to the feel of the gears and the response of the brakes. Nick Mason gives his personal view of the history and heritage of each model, with the inside track on the ups and downs of collecting classic cars.

    The book sees the key to Acid House as fun, and presents a year-by-year celebration of the decade in anecdotal style.

    In preparing the material for publication, Chanterelle strove to maintain a close adherence to the composer's own statements regarding the pieces as they appear in his various writings. At the same time, each individual reference was evaluated against other available historical evidence to determine the extent to which it truly repesents Sor's applied technique, the way he actually performed these pieces himself. Opp.6, 12, 29, 31, 35, 44 & 60, with Historical Notes, Full Commentary, Thematic Index, and Playing Suggestions.

    

    This pop phenomenon is here to stay.

    Clark 's diaries are filled with sketches, records of conversations, thoughts and ideas, details of everything he did and character assassinations of the famous people he came into contact with. Providing a portrait of the British revolution in music, art and design.

    A deluxe hardcover collection of over 1,500 rare and unpublished photos, memorabilia and memories from the early days of the most successful theatrical rock band of all time...KISS.

    Drawing on interviews with many of Partch's associates and on the complete archives of the Harry Partch Estate, Bob Gilmore provides a full and sympathetic portrait of this extraordinary creative artist. 30 illustrations.

    This matching folio features exact transcriptions for every instrument played on 20 of Hendrix's best: All Along the Watchtower * Angel * Bold as Love * Castles Made of Sand * Dolly Dagger * Fire * Foxey Lady * Hey Joe * Little Wing * Manic Depression * Night Bird Flying * Purple Haze * Red House * Star Spangled Banner * Stone Free * Voodoo Child (Slight Return) * The Wind Cries Mary * more. Includes brief intros to each song.

    This book documents the album by featuring interviews with the band members and producers and recontructs how the album was made.

    Major and minor pentascales; intervals through the 6th; C. G, and F major scales. Contents include: Almost Like a Dream * America * American Fiddle Tune * Beach Party * Beethoven's Fifth Symphony Theme * Blues Train * The Boogie Machine * Brahms' Lullaby * Can-Can * Cathedral Chimes * Chord Jumps * Classical Dance * Cross-Hand Arpeggios * El Matado.

    This piano solo keepsake edition features classics from Volumes 1, 2 & 3 plus 3 new "bonus" arrangements. Includes: Change My Heart, Oh God * Doxology * Give Thanks * He Is Exalted * Lamb of God * Lord, Be Glorified * Thy Word * We Bow Down * We Worship and Adore You * more. Spiral bound.

    Band music how to

    They show him in performance, relaxing backstage, and at the new house which he bought for his parents in Memphis. A brief essay on the photographer's work in included.

    A close study of each album is accompanied by an exhaustive listing of their songs, cover art, production credits, recording and sales information, and U.S. and U.K. release dates. The promotional art of each concert and tour is also provided, along with details on independent solo concerts and albums produced by individual band members, six appendices providing the dates of every performance arranged in chronological order, and an equipment appendix describing the make and model of every Pink Floyd amplifier, guitar, and cymbal since the band's creation. This new edition features thousands of new band-related facts and a bonus CD featuring a rare version of "Interstellar Overdrive" and tracks from the British sci-fi band Hawkwind.

    Now in its fourth edition, this concise edition of the groundbreaking Encyclopedia of Popular Music has been completely revised and updated. Artists such as Eminem and Limp Bizkit are among the 384 new entries. The inclusion of others whose work has failed to stand the test of time has been re-assessed and tributes have been made to the careers of those who have recently died. Completely revised and updated for the Fourth Edition One edition that is compact, portable and accessible.

    Book 1 covers fundamental rhythms, all the notes of the grand staff, C position, G position. Contents include: Aloha Oe * Amazing Grace * Bagpipes * Bus Stop Boogie * Camptown Races * Chant of the Monk * Chant of the Monks * Chinese Dragon * Chord Crossings * Dreamscape * Eine Kleine Nachtmusik * English Minuet * Fife and Drums * Forest Drums * French Minuet.

    Correlated with the 12 units of the Lesson Book, this book provides valuable reinforcement of theory, concepts through writing, sightreding, and ear training activities