His brilliant and provocative essays made him the literary voice of the Civil Rights Era, and they continue to speak with powerful urgency to us today, whether in the swirling debate over the Black Lives Matter movement or in the words of Raoul Peck’s documentary “I Am Not Your Negro.” Edited by Nobel laureate Toni Morrison, the Library of America’s Collected Essays is the most comprehensive gathering of Baldwin’s nonfiction ever published.With burning passion and jabbing, epigrammatic wit, Baldwin fearlessly articulated issues of race and democracy and American identity in such famous essays as “The Harlem Ghetto,” “Everybody’s Protest Novel,” “Many Thousands Gone,” and “Stranger in the Village.”Here are the complete texts of his early landmark collections, Notes of a Native Son (1955) and Nobody Knows My Name (1961), which established him as an essential intellectual voice of his time, fusing in unique fashion the personal, the literary, and the political. “One writes,” he stated, “out of one thing only—one’s own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give.” With singular eloquence and unblinking sharpness of observation he lived up to his credo: “I want to be an honest man and a good writer.”The classic The Fire Next Time (1963), perhaps the most influential of his writings, is his most penetrating analysis of America’s racial divide and an impassioned call to “end the racial nightmare…and change the history of the world.” The later volumes No Name in the Street (1972) and The Devil Finds Work (1976) chart his continuing response to the social and political turbulence of his era and include his remarkable works of film criticism. A further 36 essays—nine of them previously uncollected—include some of Baldwin’s earliest published writings, as well as revealing later insights into the language of Shakespeare, the poetry of Langston Hughes, and the music of Earl Hines.

    'Santaland Diaries' contains six of David Sedaris' most profound Christmas stories, from Dinah, the Christmas Whore to Season's Greetings to our Friends and Family.

    With more than 23,500 copies sold, this witty, accessible, and engaging book has become the new classic reference work praised by professional copyeditors as well as the general public looking for clear advice on how to write more effectively. In 1999, Choice magazine named it an Outstanding Academic Book and the American Library Association dubbed it an Outstanding Reference Source. With thousands of succinct entries, longer essays on key issues and problematic areas, and up-to-the-minute judgments on everything from trendy words to the debate over personal pronouns, GMAU is approachable yet authoritative. Since the book first appeared in 1998, Bryan Garner has diligently continued tracking how we use our language. The second edition includes hundreds of new entries ranging from Dubya to weaponize (coined in 1984 but used extensively since 9/11) to foot-and-mouth, plethora (a highfalutin equivalent of too many), Slang, Standard English, and Dialects. It also updates hundreds of existing entries. Meanwhile, Garner has written a major essay on the great grammar debate between descriptivists and prescriptivists. Painstakingly researched with copious citations from books and newspapers and newsmagazines, this new edition furthers Garner's mission to help everyone become a better writer, and to enjoy it in the process.

    Magisterial in scope, with a strong you-are-there quality, The Children is a story one of America's preeminent journalists has waited years to write, a powerful book about one of the most dramatic movements in American history. They came together as part of Rev. James Lawson's workshops on nonviolence, eight idealistic black students whose families had sacrificed much so that they could go to college. They risked it all, & their lives besides, when they joined the growing civil rights movement. Halberstam shows how Martin Luther King Jr recruited Lawson to come to Nashville to train students in Gandhian techniques of nonviolence. We see the strength of the families the Children came from, moving portraits of several generations of the black experience in America. We feel Diane Nash's fear before the first sit-in to protest segregation of Nashville lunch counters. Then we see how Diane Nash & others--John Lewis, Gloria Johnson, Bernard Lafayette, Marion Barry, Curtis Murphy, James Bevel, Rodney Powell--persevered until they ultimately accomplished that goal. After the sit-ins, when the Freedom Rides to desegregate interstate buses were in danger of being stopped because of violence, it was these same young people who led the bitter battle into the Deep South. Halberstam takes us into those buses, lets us witness the violence the students encountered in Montgomery, Birmingham, Selma. He shows what has happened to the Children since the 60s, as they have gone on with their lives.

    His historical importance is indisputable.” Here, in a Library of America volume edited by Nobel laureate Toni Morrison, is the fiction that established James Baldwin’s reputation as a writer who fused unblinking realism and rare verbal eloquence.His first novel, Go Tell It on the Mountain (1953), tells the story, rooted in Baldwin’s own experience, of a preacher’s son coming of age in 1930’s Harlem. Ten years in the writing, its exploration of religious, sexual, and generational conflicts was described by Baldwin as “an attempt to exorcise something, to find out what happened to my father, what happened to all of us.”Giovanni’s Room (1956) is a searching, and in its day controversial, treatment of the tragic self-delusions of a young American expatriate at war with his own homosexuality. Another Country (1962), a wide-ranging exploration of America’s racial and sexual boundaries, depicts the suicide of a gifted jazz musician and its ripple effect on those who knew him. Complex in structure and turbulent in mood, it is in many ways Baldwin’s most ambitious novel.Going to Meet the Man (1965) collects Baldwin’s short fiction, including the masterful “Sonny’s Blues,” the unforgettable portrait of a jazz musician struggling with drug addiction in which Baldwin came closest to defining his goal as a writer: “For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it must be heard. There isn’t any other tale to tell, it’s the only light we’ve got in all this darkness.”

    Now available in paperback, Tristan Egolf's manic, inventive, and painfully funny debut novel is the story of a town's dirty laundry -- and a garbagemen's strike that lets it all hang out. Lord of the Barnyard begins with the death of a woolly mammoth in the last Ice Age and concludes with a greased-pig chase at a funeral in the modern-day Midwest. In the interim there are two hydroelectric dam disasters, fourteen tavern brawls, one shoot-out in the hills, three cases of probable arson, a riot in the town hall, and a lone tornado, as well as appearances by a coven of Methodist crones, an encampment of Appalachian crop thieves, six renegade coal-truck operators, an outraged mob of factory rats, a dysfunctional poultry plant, and one autodidact goat-roping farm boy by the name of John Kaltenbrunner. Lord of the Barnyard is a brilliantly comic tapestry of a Middle America still populated by river rats and assembly-line poultry killers, measuring into shot glasses the fruits of years of quiet desperation on the factory floor. Unforgettable and linguistically dizzying, it goes much farther than postal.

    Stories remarkable in their range, emotional force, and dark laughter, and in the sheer beauty and power of their language.From the opening story, "Willing", about a second-rate movie actress in her thirties who has moved back to Chicago, where she makes a seedy motel room her home and becomes involved with a mechanic who has not the least idea of who she is as a human being, Birds of America unfolds a startlingly brilliant series of portraits of the unhinged, the lost, the unsettled of our America. In the story "Which Is More Than I Can Say About Some People" ("There is nothing as complex in the world--no flower or stone--as a single hello from a human being"), a woman newly separated from her husband is on a long-planned trip through Ireland with her mother. When they set out on an expedition to kiss the Blarney Stone, the image of wisdom and success that her mother has always put forth slips away to reveal the panicky woman she really is. In "Charades," a family game at Christmas is transformed into a hilarious and insightful (and fundamentally upsetting) revelation of crumbling family ties. In "Community Life,"a shy, almost reclusive, librarian, Transylvania-born and Vermont-bred, moves in with her boyfriend, the local anarchist in a small university town, and all hell breaks loose. And in "Four Calling Birds, Three French Hens," a woman who goes through the stages of grief as she mourns the death of her cat (Anger, Denial, Bargaining, Haagen Dazs, Rage) is seen by her friends as really mourning other issues: the impending death of her parents, the son she never had, Bosnia.In what may be her most stunning book yet, Lorrie Moore explores the personal and the universal, the idiosyncratic and the mundane, with all the wit, brio, and verve that have made her one of the best storytellers of our time.

    "The Depressed Person" was published in Harper's Magazine, January 1998.

    All through her life Laura saved mementos of her past, including early writings, letters, drawings, and photographs, which have been lovingly preserved in private and public collections across the country.Now, for the first time ever, these photographs, writings, and memorabilia have been gathered together in one incredible volume by noted Little House historian William Anderson. Each gorgeous page of LAURA'S ALBUM is a doorway into the private world of Laura Ingalls Wilder, and offers a unique glimpse of what her life was like. Here is the fascinating true story of this remarkable pioneer woman's life as well as an unforgettable tale of our own American past.

    But awakened one morning by the crackle of musket fire, Horwitz starts filing front-line dispatches again this time from a war close to home, and to his own heart.Propelled by his boyhood passion for the Civil War, Horwitz embarks on a search for places and people still held in thrall by America's greatest conflict. The result is an adventure into the soul of the unvanquished South, where the ghosts of the Lost Cause are resurrected through ritual and remembrance.In Virginia, Horwitz joins a band of 'hardcore' reenactors who crash-diet to achieve the hollow-eyed look of starved Confederates; in Kentucky, he witnesses Klan rallies and calls for race war sparked by the killing of a white man who brandishes a rebel flag; at Andersonville, he finds that the prison's commander, executed as a war criminal, is now exalted as a martyr and hero; and in the book's climax, Horwitz takes a marathon trek from Antietam to Gettysburg to Appomattox in the company of Robert Lee Hodge, an eccentric pilgrim who dubs their odyssey the 'Civil Wargasm.'Written with Horwitz's signature blend of humor, history, and hard-nosed journalism, Confederates in the Attic brings alive old battlefields and new ones 'classrooms, courts, country bars' where the past and the present collide, often in explosive ways. Poignant and picaresque, haunting and hilarious, it speaks to anyone who has ever felt drawn to the mythic South and to the dark romance of the Civil War.

    In 2001, the mesmerizing film adaptation was released to equally glowing reviews. Brilliantly innovative and oddly endearing, Hedwig and the Angry Inch—inspired by Plato’s Symposium—is the story of “internationally ignored song stylist” Hedwig Schmidt, the victim of a gruesomely botched sex-change operation, as dazzlingly recounted by Hedwig (née Hansel) herself in the form of a lounge act, backed by the rock band The Angry Inch.

    trying to do the right thing. Like the award winning Fargo, The Big Lebowski is suffused with a droll humor and a verbal felicity that is as delightful as it is startling.

    The sisters are so close that they have created a private language, yet to the outside world they can't be sisters: Birdie appears to be white, while Cole is dark enough to fit in with the other kids at the Afrocentric school they attend. For Birdie, Cole is the mirror in which she can see her own blackness. Then their parents' marriage falls apart. Their father's new black girlfriend won't even look at Birdie, while their mother gives her life over to the Movement: at night the sisters watch mysterious men arrive with bundles shaped like rifles.One night Birdie watches her father and his girlfriend drive away with Cole—they have gone to Brazil, she will later learn, where her father hopes for a racial equality he will never find in the States. The next morning—in the belief that the Feds are after them—Birdie and her mother leave everything behind: their house and possessions, their friends, and—most disturbing of all—their identity. Passing as the daughter and wife of a deceased Jewish professor, Birdie and her mother finally make their home in New Hampshire.Desperate to find Cole, yet afraid of betraying her mother and herself to some unknown danger, Birdie must learn to navigate the white world—so that when she sets off in search of her sister, she is ready for what she will find. At once a powerful coming-of-age story and a groundbreaking work on identity and race in America, "Caucasia deserves to be read all over" (Glamour).

    Jake Gittes is a successful 'bedroom dick': a private eye specialising in cases of marital infidelity. Paradoxically he might also be the last truly ethical man in a corrupt town. Lured into an investigation of the death-by-drowning of City Water Commissioner Hollis Mulwray, Gittes gets more than usually entwined with his new client, Mulwray's enigmatic widow Evelyn. He then finds himself crossing swords with Evelyn's redoubtable father, the aging business magnate Noah Cross, who has professional and personal reasons of his own for wanting both Hollis and Evelyn silenced.Academy Award-winner for Best Original Screenplay of 1974, Robert Towne's Chinatown is widely regarded as the finest American movie script of the post-war years. Complex in narrative design, infused with the sordid real-life history of Los Angeles' economic growth and unmistakably adult in its updating of the trademark violence and sexual intrigue of film noir, on the page Chinatown still shines - and cuts - like a blade.

    it was my way of saying thank you. I was not prepared for the avalanche of letters and responses touched off by that book."I had written a book about America, and now America was writing back."Tom Brokaw touched the heart of the nation with his towering #1 bestseller The Greatest Generation, a moving tribute to those who gave the world so much -- and who left an enduring legacy of heroism and grace. The Greatest Generation Speaks was born out of the vast outpouring of letters Brokaw received from people eager to share their personal memories and experiences of a momentous time in America's history.These letters and reflections cross time, distance, and generations as they give voice to lives forever changed by war: eighty-year-old Clarence M. Graham, who recounts his harrowing experience as a soldier captured by the Japanese -- and provides a gripping eyewitness account of the dropping of the atomic bomb; Patricia Matthews Dorph, a soldier's daughter who shares the love letters her parents exchanged during the war, a lasting legacy of passion, devotion, and enduring love; Rabbi Judah Nadich, the first Jewish chaplain to serve in the war; Lorraine Davis, a civilian who helped form the Club of '44, a group of wartime wives who still meet today.From the front lines of battle to the back porches of beloved hometowns, The Greatest Generation Speaks brings to life the hopes and dreams of a generation who fought our most hard-won victories, and whose struggles and sacrifices made our future possible.

    These lively and provocative lectures function as a gloss to Spicer's own poetry, a general discourse on poetics, and a cautionary handbook for young poets. This thorough documentation of Spicer's unorthodox poetic vision is an authoritative edition of an underground classic.

    "A Curtain of Green and Other Stories" (1941), her first book, includes many of her most popular stories, such as "A Worn Path, " "Powerhouse, " and the farcical "Why I Live at the P.O." "The Wide Net and Other Stories" (1943), in which historical figures such as Aaron Burr ("First Love") and John James Audubon ("A Still Moment") appear as characters, shows her evolving mastery as a regional chronicler. "The Golden Apples" (1949) is a series of interrelated stories about the inhabitants of the fictional town of Morgana, Mississippi. It was Welty's favorite among her books. The stories of "The Bride of the Innisfallen and Other Stories" (1955) are set both in the South and in Europe. Also included are two stories from the 1960s, "Where Is the Voice Coming From?," based on the shooting of Medgar Evers, and "The Demonstrators." A selection of nine literary and personal essays includes evocations of the Jackson of her youth that is essential to her work and cogent discussions of literary form.

     - O Pioneers! is a powerful early Cather novel that tells the compelling tale of a young girl with the tough task of taking care of her frontier family after their father's death. - The Song of the Lark is the self-portrait of an artist in the making. It revolves around the fascinating story of a young girl who heads to the big city in search of the American dream. - My Antoniá is one of Cather's earliest novels. It tells the moving story of immigrant pioneers whose persistence and strength helped to build America. - Just as accessible and enjoyable for today's modern readers as they would have been when first published well over a century ago, the novels are some of the great works of American literature and continue to be widely read and studied throughout the world. - This meticulous digital edition from Heritage Publishing is a faithful reproduction of the original texts.

    Whether you were captivated by The Power of Myth or you're just now discovering "the man with a thousand stories", these lectures are a must. Never before on audio and authorized by the Joseph Campbell Foundation, here is Volume Five of what will be a 40-hour series. These are the key lectures that Campbell kept in his study and used as the basis for later lectures on myth, symbolism, and spiritual awakening. Provocative and exhilarating, full of wit and wisdom, they are windows into one of the greatest minds of our time.

    George. Elaine. Kramer. We've followed their misadventures for nearly ten years on Thursday nights. Here, finally, are the scripts of the first two seasons that will take you back to the beginning of Seinfeld.Featuring the first 17 episodes ever aired, The Seinfeld Scripts contains all the great lines that have kept us laughing for years: the pilot episode, "The Seinfeld Chronicles," where it all began; George introduces his importer/exporter altar ego Art Vanderlay in "The Stakeout"; Kramer becomes obsessed with cantaloupe in "The Ex-Girlfriend"; Jerry and George meet Elaine's dad in "The Jacket"; is Jerry responsible for a poor Polish woman's death when he makes "The Pony Remark"?; Jerry and Elaine decide to become intimate again in "The Deal"; what will George do when he is banned from the executive bathroom in "The Revenge"?; and Jerry, George, and Elaine wait for a table in "The Chinese Restaurant."It's all here: the award-winning writing of Seinfeld, "the defining sitcom of our age". Created by Larry David and Jerry Seinfeld.Elaine: My roommate has Lyme disease. Jerry: Lyme disease? I thought she had Epstein-Barr syndrome? Elaine: She has this in addition to Epstein-Barr. It's like Epstein-Barr with a twist of Lyme disease. George: She calls me up at my office she says, "We have to talk." Jerry: The four worst words in the English language. Kramer: What a body. Yeeaaah...that's for me. Jerry: Yeah and you're just what she's looking for, too--a stranger, leering through a pair of binoculars ten floors up.

    A riveting narrative history of America, from the 1607 landing in Jamestown to the brink of the Civil War, Africans in America tells the shared history of Africans and Europeans as seen through the lens of slavery. It is told from the point of view of the Africans who arrived in shackles and endured the terrible dichotomy of this new land founded on the ideal of liberty but dedicated to the perpetuation of slavery. Meticulously researched, this book weaves together the experiences of the colonists, slaves, free and fugitive blacks, and abolitionists to present an utterly original document, a startling and moving drama of the effects of slavery and racism on our conflicted national identity. The result transcends history as we were taught it and transforms the way we see our past.

    They were Hammer's Slammers! The Butcher's Bill contains a novel, two novellas, four short stories, and a new novelette written for the collection, in addition to an Introduction by the author.

    Warren wrote enduring fiction as well as influential works of literary criticism and theory. Yet, as this variorum edition of his published poems suggests, it is his poetry - spanning sixty years, sixteen volumes of verse, and a wide range of styles - that places Warren among America's foremost men of letters. In this volume, John Burt, Warren's literary executor, has gathered together every poem Warren ever published (with the exception of Brother to Dragons), including the many poems he published in The Fugitive and other magazines, as well as those that appeared in his small press works and broadsides. Burt has also exhaustively collated all of the published versions of Warren's poems - in some cases, a poem appeared as many as six different times with substantive revisions in every line - as well as the author's typescripts and proofs. And since Warren never seemed to reread any of his books without a pencil in hand, Burt has referred to Warren's personal library copies. A record of Burt's comprehensive analysis is found in this edition's textual notes, list of emendations, and explanatory notes.

    Through dramatic graphics and age-appropriate text, this authoritative volume charts the discovery of all the main types of dinosaurs and reveals the latest details on how these creatures most likely looked, behaved, defended themselves, found food, cared for their young, and interacted. Stunning murals, based on scientific evidence, depict various dinosaurs in their habitats--beautifully complementing the color photographs, paintings, charts, and maps. Some 53 major types of dinosaurs are described, representing a wide range of physical structures, sizes, and lifestyles.The book presents recent discoveries and current scientific thought--including the dinosaur-bird connection, profiles of feathered dinosaurs, and theories on dinosaur extinction. Readers also see how today' s paleontologists obtain evidence, piece together clues, and continue to reconstruct life in prehistoric times.

    Henry Awards, the Commonwealth Gold Medal, the Pulitzer Prize, the National Book Award, and the Kirsch Award for Lifetime Literary Achievement, Wallace Stegner was a literary giant. In Marking the Sparrow's Fall, the first collection of Stegner's work published since his death, Stegner's son Page has collected, annotated, and edited fifteen essays that have never before been published in any edition, as well as a little-known novella and several of Stegner's best-known essays on the American West. Seventy-five percent of the contents of this body of work is published here for the first time.

    Jack Lemmon played the 'schnook' who lends out his apartment for his boss's sexual trysts, only to fall in love with the boss's girl - played by Shirey MacLaine. The Apartment is a beautifully judged piece of writing saved from cynicism by Wilder and Diamond's tenderness towards their central characters. This edition of the screenplay includes a specially commissioned introduction by Mark Cousins.

    McPherson, professor emeritus of U.S. history at Princeton, is one of the foremost scholars of the Civil War. In this informative and meticulously researched masterpiece, he clarifies the differing ways of life and philosophy that led to this shattering conflict. Abraham Lincoln wondered whether "in a free government the minority have the right to break up the government." Jefferson Davis felt "forced to take up arms" to guarantee his states' rights. McPherson merges the words of these men and other political luminaries, housewives, and soldiers from both armies with his own concise analysis of the war to create a story as compelling as any novel. Battle Cry of Freedom vividly traces how a new nation was forged when a war both sides were sure would amount to little dragged for four years and cost more American lives than all other wars combined."... of the 50,000 books written on the Civil War, the finest compression of that national paroxysm ever fitted between two covers."-Los Angeles Times Book Review

    "Complete Novels" gathers all of Welty's longer fiction, from "The Robber Bridegroom" (1942) to her Pulitzer Prize-winning "The Optimist's Daughter" (1972).

    Flying carpets; subterranean amusement parks; a band of teenage girls who meet secretly in the night in order to do "nothing at all"; a store with departments of Moorish courtyards, volcanoes, and Aztec temples: these are Millhauser's stock-in-trade as a storyteller, and he employs them to characteristically magical effect. As in Millhauser's other books, including Edwin Mullhouse and the Pulitzer Prize-winning Martin Dressler, his subject is nothing less than the faculty of imagination itself. Here, however, the flights of fancy are unencumbered by Martin Dressler's wealth of period detail, and the result is fun-house prose whose pleasures and terrors are equally gossamer. Millhauser possesses the unique ability to render the quotidian strange, so that, emerging from his stories, the reader often feels the world itself an unfamiliar place--as do the shoppers at his department store, that marketplace of skillful illusion: "As we hurry along the sidewalk, we have the absurd sensation that we have entered still another department, composed of ingeniously lifelike streets with artful shadows and reflections--that our destinations lie in a far corner of the same department--that we are condemned to hurry forever through these artificial halls, bright with late afternoon light, in search of the way out."

    It is a journal filled with strong emotions about a wondrous place on the American landscape. Her entries tell the sad saga of the decision to flood Glen Canyon on the Colorado River. Her words and songs make the canyon come alive and they provide a vivid picture of what has been lost.

    Mayer's consequential biography will be read for generations to come.

    This edition includes Poe's most famous tales and poems, including "The Tell-Tale Heart," "The Fall of the House of Usher," "The Purloined Letter," "The Pit and the Pendulum," "The Raven," "Lenore," and "Annabel Lee."

    Did you know that a presidential commission determined that marijuana is neither an addicitve substance nor a "stepping stone" to harder drugs only to have President Nixon shelve the embarrassing final report & continue the government's policy of inflated drug addiction statistics? Did you know that several medical experts agree that cold turkey methods of withdrawal are essentially ineffective & recommend simply prescribing drugs to addicts & that communities in which this has been done report lower crime rates & reduced unemployment among addicts as a result? Whether he's writing about the American government's strong-arm tactics toward critics of its drug policy or the reduction of countries like Colombia & Mexico to anarchic killing zones by powerful cartels, Mike Gray's analysis has an immediacy & clarity worth noting. The passage of medical marijuana bills in California & Arizona (where it passed by a nearly 2-to-1 majority) indicates that people are getting fed up with the government's Prohibition-style tactics toward drugs. Drug Crazy just might speed that process along.

    This surreal collection features such storylines as: a young man is persuaded to donate his heart to his dying mother; a girl comes of age in strange suburbia; and a man and a woman conduct a passionate love affair on a park bench.

    Woods traces the decline and resurrection of plantation ideology in national public policy debates, showing the ways in which African Americans in the Delta have continued to push forward their agenda for social and economic justice despite having suffered countless defeats under the planter regime. Woods interweaves the role of music in sustaining their efforts, surveying a musical tradition that embraced a radical vision of social change.

    This exciting new series assembles key documents and criticism concerning these works that have so recently become central components of the American literature curriculum. Each casebook will reprint documents relating to the work's historical context and reception, present the best in critical essays, and when possible, feature an interview of the author. The series will provide, for the first time, an accessible forum in which readers can come to a fuller understanding of these contemporary masterpieces and the unique aspects of American ethnic, racial, or cultural experience that they so ably portray.Perhaps more than any other single text, Maya Angelou's I Know Why the Caged Bird Sings helped to establish the mainstream status of the renaissance in black women's writing. This casebook presents a variety of critical approaches to this classic autobiography, along with an exclusive interview with Angelou conducted specially for this volume and a unique drawing of her childhood surroundings in Stamps, Arkansas, drawn by Angelou herself.

    It contains two full length novels (I Married a Dead Man and Waltz into Darkness) and five short stories, including "Rear Window" -- works in which one of the genre's consumate "poets of terror" explores all the classic noir themes of loneliness, despair, futility, and occasionally redemption.CONTENTSRear WindowPost MortemThree O'ClockChange of MurderMomentumI MARRIED A DEAD MANWALTZ INTO DARKNESS

    Deprived of love and respect from his family, Eddie is renamed 'Dirk Diggler' and conquers the world of porn, but manages to retain his essential innocence. As the turbulent seventies shade into the hedonistic eighties, Dirk's career goes into a tailspin; but he is rescued by the safety net of the extended family fostered by hard-core movie director Jack Horner.Paul Thomas Anderson's screenplay is exemplary in its ability to interweave the stories of its large cast of characters. In accord with the wisdom of the Roman dramatist Terence (who claimed, 'Nothing human is alien to me'), Anderson has engaged with a side of life widely considered to be irredeemably sleazy, and has mined humour, sadness and compassion out of his unlikely subject matter.

    This volume catalogues portraits by Sargent from 1874, when he began his training in Paris, and covers pictures painted while he was establishing his reputation in Paris, during his early years in England, and on his first professional visit to America in 1887. The entire catalogue raisonne will bring together nearly 600 portraits, some 1,600 subject pictures and landscapes, and three mural cycles.The early portraits in this book range from private images of Sargent's family and friends to studies of writers and fellow artists and formal portraits of Parisian celebrities and patrons in France, England and America. These include his most controversial work, Madame Gautreau, and studies of some of the major artistic figures of the day: Claude Monet, Robert Louis Stevenson and Ellen Terry in her role as Lady Macbeth.Each work is catalogued in depth, with a biographical account of the sitter, a discussion of the contemporary context of the painting, and a detailed provenance, exhibition history, and bibliography. Almost all of the paintings are shown, mostly in color, including some that have never been reproduced before. The fruit of some sixteen years of research, this valuable reference provides a broad and comprehensive view of Sargent's art.

    For many, the desire to explore is almost irresistible. Now for devotees of poetry, and for those who long for the open road, this highly affordable collection contains a rich selection of poems about travel and adventure.You’ll find more than 90 poems by 50 American and British masters (mainly from the nineteenth and twentieth centuries), including Whitman, Byron, Millay, Sandburg, Service, Bliss Carman, Robert Louis Stevenson, John Masefield, Langston Hughes, Emily Dickinson, Robert Frost, Shelley, Tennyson, Yeats, Paul Laurence Dunbar, Claude McKay, Christina Rossetti, and other fellow travelers. Their poems celebrate the real and metaphorical journeys each of us takes in the course of our lives towards love, discovery, loss, leaving the nest, and coming home.Whatever your mode of transportation, and wherever you are going, take this literary traveling companion with you for hours of reading enjoyment and insight into the road that lies ahead.

    A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of Mrs Dalloway. And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party she is hosting for a dying friend.The Hours recasts the classic story of Woolf's Mrs Dalloway in a startling new light. Moving effortlessly across the decades and between England and America, this exquisite novel intertwines the worlds of three unforgettable women.

    Yet Jordan herself remained a mystery, a woman so private that even her close friends did not know the name of the illness that debilitated her for two decades until it struck her down at the age of fifty-nine.In Barbara Jordan, Mary Beth Rogers deftly explores the forces that shaped the moral character and quiet dignity of this extraordinary woman.  She reveals the seeds of Jordan's trademark stoicism while recapturing the essence of a black woman entering politics just as the civil rights movement exploded across the nation. Celebrating Jordan's elegance, passion, and patriotism, this illuminating portrayal gives new depth to our understanding of one of the most influential women of our time-a woman whose powerful convictions and flair for oratorical drama changed the political landscape of America's twentieth century.

    From the Rebels' defeat at the Battle of Hoth to the battle between Luke and Darth Vader, The Empire Strikes Back continues the story of Luke, Leia, Han, Chewie, and the others as they struggle to overthrow the evil Galactic Empire.

    Life goes on for Matt, until he receives a very special package. A young girl has brought a child to Murdock, claiming it to be the Messiah, and leaves the child in his care...

    He brings alive, with wit and lyricism, scenes of city life: a Giants baseball game, the Green Street Marching Mortuary Band, bohemian North Beach, Golden Gate Park, yachts on the Bay, and more. Also included are historic photographs, scattered prose pieces, and the text of his mischievous inaugural address with his vision of the city’s history as a poetic center and suggestions for keeping it that way.Lawrence Ferlinghetti is a bookman, painter and author of poetry, fiction, essays and plays. His most recent books are How to Paint Sunlight (poetry) and Love in the Days of Rage (fiction).

    "Excitability" collects the best of Diane Williams' bold, often hilarious stories of love, sex, death, and the family.

    Nuala is the Irish immigrant nurse who coaxes him toward survival. The odd synergy of their relationship is both his link to reality and his inspiration to fantasy. This is the hypnotic story of the world that grows in the silence between them.In Thomas Moran's first novel, the New York Times Book Review saw evidence of his "incontestable conceptual gifts". In his "elegant writing", the Los Angeles Times found the promise of a serious new career. The New Yorker compared The Man in the Box to The Diary of Anne Frank, and the Los Angeles Times compared Thomas Moran to Eli Wiesel. And on the heels of this critical success comes The World I Made for Her.Nuala means "white shoulders" in Gaelic. Nuala's wild red hair falls in disarray over hers. James watches her moving deftly around him; changing his IV, attaching a fresh respirator tube. Nuala's movements are like dance to him through his morphine-clouded vision. His senses are numbed, his mind is dulled, but he hears her Irish spirit sing against the metronome of the life-support machines. He is drawn to the warmth of her. He carries Nuala in and out of consciousness with him, writing a secret love story in which she is, unknowingly, the heroine.In prose that moves seamlessly between fantasy and reality, The World I Made for Her is a novel of obsession and redemption that unfolds like a dream -- a story that will break your heart.

    A riveting, panoramic sweep of the forces of the last century that shaped America. A book every family should have.--Colin Powell. 900 photos.

    In these lectures given during the late 1960s, Alan Watts addresses such questions as what is the nature of reality, and how does our individual relationship to society affect this reality?

    With her fresh, irreverent approach to syntax and meaning itself, she proposed nothing less than a reinvention of language from the ground up. From her home in Paris she conducted the most famous salon of modern times, tirelessly promoting modernism in all the arts and holding court for an audience that included the foremost creative figures of her day.This second volume includes works written between 1932 and her death in 1946, years in which she gained a wider readership and made a triumphant return to the United States as a lecturer, but chose ultimately to remain in France during World War II. It opens with the poetic sequence Stanzas in Meditation (complete text published posthumously in 1946), perhaps Stein’s most austere and rigorous experiment in linguistic abstraction. In Lectures in America (1935) and The Geographical History of America (1936), she made the most of her newfound status as a public figure, exploring with brilliance and humor the philosophical implications of her writings, the difference between English and American literature, the importance of space in American culture, and much else. Picasso (1938) is a book-length study of the painter who was one of her closest associates, and whose work was a lifelong inspiration for her.Stein’s playfulness is given full scope in the children’s book The World is Round (1939) and in Ida (1941), an enchanting exercise in pure verbal invention. The plays Doctor Faustus Lights the Lights (written 1938, published 1949) and The Mother of Us All (1947), inspired by the life of women’s rights activist Susan B. Anthony, give new twists to legendary and historical figures, while “Three Sisters Who Are Not Sisters” (1946) pays tribute to the melodramas that delighted Stein in her childhood. In her last major work, Brewsie and Willie (1946), a striking stylistic departure, she pays homage to the American soldiers she came to know after the liberation of France with a remarkable evocation of their speech and aspirations.

    Bukowski's last journals candidly and humorously reveal the events in the writer's life as death draws inexorably nearer, thereby illuminating our own lives and natures, and to give new meaning to what was once only familiar. Crumb has illustrated the text with 12 full-page drawings and a portrait of Bukowski.

    At the center of the story is Brian Slade, a glam rocker of the '70s whose rise and fall becomes the subject of an expose by a British newspaper reporter thirteen years later.

    Antonio Bernal is a Guatemalan refugee haunted by memories of his wife and child murdered at the hands of a man marked with a yellow tattoo. Not far from Antonio's apartment, Guillermo Longoria extends his arm and reveals a tattoo--yellow pelt, black spots, red mouth. It is the mark of the death squad, the Jaguar Battalion of the Guatemalan army. A chance encounter ignites a psychological showdown between these two men who discover that the war in Central America has followed them to the quemazones, the "great burning" of the Los Angeles riots.

    This triumphant collection includes thirty-six of the finest stories of her career including eight new pieces that have not appeared in a book before. Beattie's characters embark on stoned cross-country odysseys with lovers who may leave them before the engine cools. They comfort each other amid the ashes of failed relationships and in hospital waiting rooms. They try to locate themselves in a world where all the old landmarks have been turned into theme parks. Funny and sorrowful, fiercely compressed yet emotionallyexpansive, Park City is dazzling.

    Both honors made specific notes of his experimental style, his long influence, and his ongoing importance. Creeley's 1998 collection, Life Death, now available as a New Direction paperback, is the capstone of a career that has poignantly combined "linguistic abstraction with specificity of time and place." (R.D. Pohl, Buffalo News)

    Outside the Oval Office, with a commitment rarely seen in an ex-president, he was more determined than ever to complete his life's mission: the achievement of world peace.With unique access to the Carter archives and to the man himself, award-winning historian Douglas Brinkley brings us this unprecedented biography of the former President. Here are penetrating observations of Carter's complex relationships with such world figures as Mikhail Gorbachev, Deng Xiaoping, Margaret Thatcher, Fidel Castro, and Yasir Arafat, as well as his associations with the presidents who have succeeded him. Brinkley also reassesses the achievements of Carter's underrated White House tenure -- the Camp David accords, Panama Canal treaties, and his championing of human rights. The Unfinished Presidency is the definitive portrait of this formidable world statesman.

    In response to readers' requests, the editors of the "Heath Anthology continue to develop and reinforce its greatest strengths: diverse reading selections and strong ancillaries. With the assistance of more than 200 contributing editors, the editors have updated biographical and critical information and added new works of interest to both instructors and students.The Fourth Edition features writers and selections that highlight the divergent communities and diverse voices constituting the United States, both past and present. Volume 2 (which can be packaged with a free supplement of Whitman and Dickinson works) opens with African American folk tales and regional writers, and includes sections on the Beat Movement and the Vietnam Conflict.

    This Library of America volume, along with its companion, surveys a literary trajectory that from the beginning of the 20th century to the end of World War II marked her as a fearless and uncompromising experimenter. She was also a master of anecdote and aphorism, many of whose phrases—from “rose is a rose is a rose” to “there is no there there” and “when this you see remember me”—have passed into the language.This first volume, containing works written between 1903 and 1932, takes Stein from her first, more traditional fictional works to the exuberant and astonishing experiments of the early Paris years. She was a devoted student of William James, with whom she studied psychology at Radcliffe in the 1890s, and took an early interest in memory and the function of repetition in human character. In her early works, she sought a new kind of realism exemplified here by Q.E.D. (written 1903, published posthumously), a novel about lesbian entanglements at college, and the modern classic Three Lives (1909), a set of novellas about the lives of three ordinary women, described in the simplest and most direct of prose.In her brilliant abstract “portraits” Stein uses an extraordinary array of verbal techniques to evoke those friends and collaborators—Matisse, Picasso, Apollinaire, Juan Gris, Satie, Mabel Dodge, Carl Van Vechten, Sherwood Anderson, Virgil Thomson—with whom she shared decades of revolutionary ferment in the arts. Her play Four Saints in Three Acts (1927), which became the basis for an opera by Virgil Thomson, is written for a freewheeling theater of the mind where everything becomes possible. In “Lifting Belly” and other works she joyously celebrates her lifelong relationship with Alice B. Toklas, one of the most famous domestic partnerships of that century. The Autobiography of Alice B. Toklas (1933), Stein’s oblique and playful memoir, became an immediate bestseller and sealed Stein’s international celebrity.

    Neither Debbie Cuevas nor her boyfriend, Mark Brewster, gave much thought to the white pickup truck that had pulled up beside them on the riverfront. Until . . . a revolver thrust through the driver’s window . . . a hand jerked Debbie’s head back and a voice said, "Don’t do anything stupid" . . . and a quiet Friday evening abruptly became a nightmare. For the first time, here is the untold other half of Dead Man Walking, the movie that depicted killer Robert Willie’s death-row relationship with spiritual advisor Helen Prejean. Now the woman whose testimony helped send Willie to the electric chair tells her side of the story--the side America hasn’t heard. In gripping detail, Debbie Morris--formerly Debbie Cuevas--recounts her hours of terror . . . and her years of walking an agonizing road back to wholeness. More than a riveting narrative, here is an incredible tale of courage, faith, and forgiveness. In a world where all of us struggle sooner or later with unforgiveness, Debbie Morris is a living testimony to the grace we long for: grace that shines more brightly than we dare believe, bright enough to triumph over the darkest evil.

    The lovely Cordelia Underwood unexpectedly inherits a large parcel of land, and discovers that it holds an irresistible secret; it is her newfound friend, Tobias Walton -- a man of a certain age and Pickwickian characteristics -- who will eventually help her to unravel the mystery. In parallel journeys up the coast of Maine, Cordelia collects a handsome suitor and several opinionated relatives, and Mister Walton is soon accompanied by an entourage of hapless friends -- the honorable members of the Moosepath League. Together this motley group encounters a colorful variety of true Maine eccentrics -- from old salts to bootleggers, grande dames to prospective beaus -- and find themselves embroiled in some good old-fashioned wonderment and laughter that includes a boxing match between two aging politicians, an escaped circus bear named Maude, a dastardly kidnapping, and the parachutist Mrs. Roberto in her attractive suit of tights! Superbly written, with a vivid sense of place and period, this is a book for any day that begs a few hours of pure delight.

    26 full-color pop-ups.

    This is a first-rate book: fair, clear, and enormously welcome." - David McCullough "Douglas Brinkley's one-volume history is a riveting narrative of unique people who have come to call themselves American. There is no dust on these pages as the author brilliantly tells our national story with skill and brevity." In this rich and inspiring book, acclaimed historian Douglas Brinkley takes us on the incredible journey of the United States - a nation formed from a vast countryside on whose fringes thirteen small British colonies fought for their freedom, then established a democratic nation that spanned the continent, and went on to become a world power. This book will be treasured by anyone interested in the story of America.

    Rather, "God Is in the Small Stuff... "encourages a better understanding of God's infinite character, reminding readers that He is a personal and intimate God, involved in every detail of their lives, however minute. "God Is In the Small Stuff... and it all matters" contains 40 chapters, with titles such as "Remember that God Loves You," "Discipline Yourself (No One Else Will)," and "Contentment Won't Kill You." Each chapter includes an introductory commentary in the tongue-in-cheek Bruce & Stan style, followed by bits of pithy and sometimes humorous wisdom.

    Then he meets Sylvia, a beautiful magazine editor who keeps her passions under lock and key. Together they must choose between the love in their lives and the love of their lives. From the galleries of Soho to the brownstones of Brooklyn, from the nightclubs of London to the streets of Kingston, Jamaica, Colin Channer takes us on a wild, soul-searching ride as Fire and Sylvia try to connect, disconnect, and reconnect amid conflicting desires and wounds from the past. But through intricate love triangles and crushing personal tragedies, Fire, Sylvia, and their friends must learn that some things in life are worth fighting for. If not, you’re simply waiting in vain.

    . . . I'm not saying it's our story. I'm not saying it isn't. It might be yours. "How do you tell a story that cannot be told?" writes Luis Alberto Urrea in this potent memoir of a childhood divided. Born in Tijuana to a Mexican father and an Anglo mother from Staten Island, Urrea moved to San Diego when he was three. His childhood was a mix of opposites, a clash of cultures and languages. In prose that seethes with energy and crackles with dark humor, Urrea tells a story that is both troubling and wildly entertaining. Urrea endured violence and fear in the black and Mexican barrio of his youth. But the true battlefield was inside his home, where his parents waged daily war over their son's ethnicity. "You are not a Mexican!" his mother once screamed at him. "Why can't you be called Louis instead of Luis?" He suffers disease and abuse and he learns brutal lessons about machismo. But there are gentler moments as well: a simple interlude with his father, sitting on the back of a bakery truck; witnessing the ultimate gesture of tenderness between the godparents who taught him the magical power of love. "I am nobody's son. I am everybody's brother," writes Urrea. His story is unique, but it is not unlike thousands of other stories being played out across the United States, stories of other Americans who have waged war—both in the political arena and in their own homes—to claim their own personal and cultural identity. It is a story of what it means to belong to a nation that is sometimes painfully multicultural, where even the language both separates and unites us. Brutally honest and deeply moving, Nobody's Son is a testament to the borders that divide us all.

    Learn more about their exciting and inspiring lives in Barbour's "Heroes of the Faith" series.George Washington Carver spent years researching God's creation and how mankind could make the best use of common products.

    A powerful work of historical fiction that dramatizes the romantic, brutal, and glorious life of Stonewall Jackson, one of the Civil War's greatest heroes.

    Chronologically arranged to mirror the progression of the war, From Both Sides Now brings together a wide variety of opposing views, with poetry by American and Vietnamese soldiers, orphans, widows, priests, monks, political figures, and antiwar protesters. In addition to including extraordinary works from well-known poets such as Bruce Weigl, Margaret Atwood, Yusef Komunyakaa, Sharon Olds, Robert Bly, Allen Ginsberg, Grace Paley, Philip Levine, and W. S. Merwin, editor Phillip Mahony has scoured the globe to find amazing and, in some cases, never-before-published poetry by North and South Vietnamese soldiers and poets and the first postwar generation of Vietnamese-Americans. Together the words of these poets cohere to a modern, many-voiced epic about the most important event in recent American history. Poignant and accessible, the poems collected here will leave an indelible impact on all readers -- not only poetry lovers but everyone who lived through, and those who want to learn about, the Vietnam War.

    By the time he became our second president, no American had written more about our government and not even Jefferson or Madison had read as widely about questions of human nature, natural right, political organization, and constitutional construction. Yet this staunch constitutionalist is perceived by many as having become reactionary in his later years and his ideas have been largely disregarded.In the first major work on Adams's political thought in over thirty years, C. Bradley Thompson takes issue with the notion that Adams's thought is irrelevant to the development of American ideas. Focusing on Adams's major writings, Thompson elucidates and reevaluates his political and constitutional thought by interpreting it within the tradition of political philosophy stretching from Plato to Montesquieu.This major revisionist study shows that the distinction Adams drew between "principles of liberty" and "principles of political architecture" is central to his entire political philosophy. Thompson first chronicles Adams's conceptualization of moral and political liberty during his confrontation with American Loyalists and British imperial officers over the true nature of justice and the British Constitution, illuminating Adams's two most important pre-Revolutionary essays, "A Dissertation on the Canon and Feudal Law" and "The Letters of Novanglus." He then presents Adams's debate with French philosophers over the best form of government and provides an extended analysis of his Defense of the Constitutions of Government and Discourses on Davila to demonstrate his theory of political architecture.From these pages emerges a new John Adams. In reexamining his political thought, Thompson reconstructs the contours and influences of Adams's mental universe, the ideas he challenged, the problems he considered central to constitution-making, and the methods of his reasoning. Skillfully blending history and political science, Thompson's work shows how the spirit of liberty animated Adams's life and reestablishes this forgotten Revolutionary as an independent and important thinker.

    Bray describes with remarkable frankness growing up poor in Chicago in the 1960s, and her childhood shaped by welfare, the Roman Catholic Church, and the civil rights movement.Bray writes poignantly of her lasting dread of the cold and the dark that characterized her years of poverty; of her mother's extraordinary strength and resourcefulness; and of the system that miraculously enabled her mother to scrape together enough to keep the children fed and clothed. Bray's parents, held together by their ambitions for their children and painfully divided by their poverty, punctuate young Rosemary's nights with their violent fights and define her days with their struggles.This powerful, ultimately inspiring book is a moving testimony of the history Bray overcame, and the racial obstacles she continues to see in her children's way.

    S. Giscombe's Here in 1994, Publishers Weekly called it a "powerful, understated meditation on place"; the African-American poet continues this meditation in Giscome Road. Concerned with specific locales in northern Canada named for the 19th Century Jamaican miner and explorer John Robert Giscome, the volume incorporates a variety of historical documents, maps, and dreams, to go "in & further in, " discovering and documenting music, racial dichotomies, sexuality, and the ways in which landscape itself is described.

    In the early twentieth century, the mammy became immortalized as Aunt Jemima, the spokesperson for a line of ready-mixed breakfast products. Although Aunt Jemima has undergone many makeovers over the years, she apparently has not lost her commercial appeal; her face graces more than forty food products nationwide and she still resonates in some form for millions of Americans.In Slave in a Box, M.M. Manring addresses the vexing question of why the troubling figure of Aunt Jemima has endured in American culture. Manring traces the evolution of the mammy from her roots in the Old South slave reality and mythology, through reinterpretations during Reconstruction and in minstrel shows and turn-of-the-century advertisements, to Aunt Jemima's symbolic role in the Civil Rights movement and her present incarnation as a "working grandmother." We learn how advertising entrepreneur James Webb Young, aided by celebrated illustrator N.C. Wyeth, skillfully tapped into nostalgic 1920s perceptions of the South as a culture of white leisure and black labor. Aunt Jemima's ready-mixed products offered middle-class housewives the next best thing to a black servant: a "slave in a box" that conjured up romantic images of not only the food but also the social hierarchy of the plantation South.The initial success of the Aunt Jemima brand, Manring reveals, was based on a variety of factors, from lingering attempts to reunite the country after the Civil War to marketing strategies around World War I. Her continued appeal in the late twentieth century is a more complex and disturbing phenomenon we may never fully understand. Manring suggests that by documenting Aunt Jemima's fascinating evolution, however, we can learn important lessons about our collective cultural identity.

    

    The veterinarian voyeur of "Now You See Her" harbors erotic illusions about the beautiful woman next door - desires shared by his teenaged son. "Poker" acknowledges the power of card games and canines to mend a broken heart, while "Sleeping with My Dog" finds the humor and pathos in the unspoken boundaries between men and women. And in "Tenant, " an orphaned German shepherd leads a man to ponder his landlady's legacy. By turns unpredictable and wise, sorrowful and triumphant, Dogfight and Other Stories reveals the transformative power of life's small struggles.

    The most troubled of the men may be Bill, the therapist who is also Trish's husband, as he struggles with his desires for his son Billy's pubescent classmates. When the police begin to close in, everyone's lives -- and everyone's relationships -- are changed forever.

    Little did she know that this was the beginning of an extraordinary friendship that would last for seventeen years. In "The Diana I Knew," Mary portrays a gentle, unassuming teenager who blossomed into an assured, world-class beauty. She describes a private side to a woman few people knew intimately. This is an American woman's personal account of her unexpected and touching friendship with Diana. Mary's unique memories of this remarkable woman include Diana's nonchalant reaction to Mary's discovery of her nanny's aristocratic background and the day-to-day building of a trusting, affectionate relationship, which developed into a true friendship. As Diana's life dramatically changed when the royal courtship began, she turned to Mary for guidance. Even after the Robertsons returned to the United States just before the engagement, Diana wrote frequently, wishing to continue the friendship. From receiving the gilt-edged invitation to the Royal Wedding to being charmed by Prince Charles at the glamorous pre-nuptial ball at Buckingham Palace, Mary captures the magic of the wedding of the century. Despite the unimaginable demands of her life and the unraveling of the fairy tale, Diana made time to see Mary and her family. From the Robertsons' private meeting with the Prince and Princess in Washington to an intimate family luncheon at her home in Kensington Palace, Diana's generosity of spirit and appreciation of simpler times always shone through.

    In just three award-winning years, it has established itself among those with discriminating tastes, enjoying a circulation of over 330,000. Chronicle Books is proud to present Saveur's first cookbook, a glorious look at food traditions and innovations throughout America. In 175 recipes and more than 400 color photographs, we visit kitchens across the country in search of great food: Old World Italian cooking in San Francisco's North Beach, original fusion cuisine in Hawaii, fiery specialties from Louisiana's Acadians, succulent spit-roasted lamb at a Greek Orthodox Easter in New York. In-depth and wonderfully varied, this is American cuisine in all its diverse flavors. Featuring outstanding food writing and recipes as well as luscious on-site photography and food and technique shots, Saveur Cooks Authentic American is a fascinating gastronomic journey. This colorful celebration of eating well is a sumptuous addition to any cook's library.

    It follows Holzman on his journey from overseein

    22 full page portraits.

    The kinds of explanations that will help language students aren't always the ones you will find in a traditional, 'academic' grammar book or guide. Instead, Explaining English Grammar is a pedagogical guide, designed to help explain the 'whys' as well as the 'hows' of English grammar.The book is organized into ten chapters. Each chapter covers a specific grammar topic. After an introductory chapter, the topics covered are:- Articles- Tense and aspect- Modals- Conditionals- Prepositions and particles- Indirect objects- Infinitives and gerunds- Relative clauses- Direct and indirect speechThis sequence is designed to cover the more basic topics first, and then to go into more complex areas. However, the chapters are also free-standing, so you can read them in any order - or leave some out - if you prefer.Each chapter has a similar structure.- First there is a section that describes and gives examples of basic forms and structures. These descriptions and examples are based on Corpus research, which makes it possible to say that one form is typically used more often than another in real texts.- The next section moves on to look at how we use different structures to convey different basic meanings. These descriptions draw on research in semantics.- Finally, there is a section on 'meaning in context' - in other words, the ways in which these meanings are affected by the context in which they are used, and how they are used to convey information. Again, this section is informed by research in both pragmatics and discourse analysis.You can find additional information - and references to the research studies referred to - in 'Further reading' sections at the end of each chapter.Also, after each section, there are summary boxes of the main points, followed by exercises that you can do on your own and/ or discuss with fellow trainees. (There are answers to these questions in an Appendix.) At the end of each chapter, there is a section containing discussion topics and projects for further investigation, and another section with ideas for classroom exercises, activities, and tasks.

    From beginning to end some of these poems chart the journey that is life and one woman's cycle of dependency as she recovers her lost identity. Thematically, it is bound by a writer's search for love and fight for freedom, drawing on the spirit and will of Harriet Tubman, the image of the bloated body of Emmett Till, the bombing of Philadelphia Move, and lesbian love. In the tradition of June Jordan and Sapphire, Pamela Sneed presents an in-your-face, powerful, and stirring debut.

    I ask her about the phrase she used, 'Don't call me out of name,' for it seemed to speak for a whole nation of people. Odessa tells me that women who have no money and no one to stand up for them get put into a bad position and they get misnamed. Most often they get called 'welfare mothers' or 'recipients,' words she will no longer acknowledge. With millions alongside her, Odessa has emerged by her own strength and some opportunity, and now she insists upon naming herself."While Lisa Dodson was working in a Charlestown factory twenty years ago, the stories of the women she worked with daily captivated her; she listened to them speak about harsh lives and their deep commitment to family and community. It was the beginning of Dodson's desire to learn the truth and write it down.For over eight years, Dodson has been documenting the lives of girls and women-hundreds of white, African-American, Latino, Haitian, Irish, and other women in personal interviews, focus groups, surveys, and Life-History Studies. This book is a crossing--a class crossing--taking readers into fellowship with people who are seldom invited to speak but who have powerful stories to tell and who force us to abandon common myths that have been fed to us by the media about school dropouts, teen pregnancy, and welfare "cheats." Don't Call Us Out of Name delves deeply into the realities of their lives, often with surprising and uplifting stories of commonplace courage, unimaginable strength, and resourcefulness. Lisa Dodson does not simply give us the truth about women living in poverty but offers realistic hope for meaningful policy reform based on the experience and analysis of the women we have seen so far only in stereotype and whose voices we have not truly heard. These women emerge as critical contributors to the creation of sound, humane public policy.

    

    Lavishly praised by critics, this is the story of a child asked to grow up too soon; of the complicated web of relationships in which we define ourselves -- loyal friends, quirky relations, and tempestuous lovers; of the lifelong labor of self-determination, and finally, of creating a personal paradise, piece by piece.

    16 pp. of photos. Author tour. Print ads. 20,000 print.

    Based on extensive research and personal experience with the last working Shaker community in Maine, this book traces the roots of Shaker design to Shaker belief, which inspired the clean lines, careful craftsmanship, and signature details that define the style. The author also discusses the less known Victorian period of Shaker design and shows how this style has influenced subsequent ones. A bibliography, glossary, and index are included.

    Old Dudley is a Texan whose religion is oil, and in his fifty years of searching for it in Swan Valley he has destroyed a dozen geologists. Matthew is Dudley's most recent victim, but Wallis begins to uncover the dark mystery of Dudley's life. Each character, the wildlife, and the land itself are rendered with the vivid poetry that is that hallmark of Rick Bass's writing.

    The lives of women on the edge and beyond the margins have seldom been explored with as much power or insight as in these brilliant stories by award-winning novelist and poet Kate Braverman. In a world without succor, Braverman’s characters grope for meaning and solutions to their dilemmas. Our Lady of the 43 Sorrows must meet the bizarre needs of her severely brain-damaged mother as her own career as a soap-opera actress declines. The protagonist of "Pagan Night" waits with her unnamed and unwanted infant in a shabby zoo in Idaho while her partner buys dope and makes plans to reconstitute their failed rock band. And the precocious, awkward adolescent narrator of the title story watches as her elegant grandmother confronts the illness that will soon end the colorful life she has so enjoyed. Abandonment, in these wrenching stories, comes in many forms, and freedom is elusive and sometimes fraught with pain and terror. Braverman’s language is ripe, intense, as vivid as the sun-drenched California landscape, and her characters are contrary, unpredictable, and unforgettable. These haunting stories evoke the glittering expectations and shattering disappointments of the postmodern West.

    Lavishly illustrated with period photographs and drawi

    Now, in their first cookbook, Proprietor Judy Wicks and Chef Kevin von Klause share 250 kitchen-tested recipes for their internationally inspired American cuisine, along with tales of adventure from more than 15 years of implementing the White Dog's philosophy of 'eating well while doing good.'They accomplish this by using the freshest produce available, buying it from local farmers, sponsoring and interacting with sister restaurants around the world and at home, and opening up their restaurant as a forum for lectures and debates on social issues from public education and environmental protection to bioethics and international peace.p>Illustrated with Judy Wicks' delightful line drawings and evocative black-and-white photographs of the restaurant's canine-inspired decor, the "White Dog Cafe Cookbook" is an entertaining read and an important culinary reference sure to inspire any cook -- in the kitchen or in the community.

    In this new, provocative collection, Rorty continues to defend a pragmatist view of truth and deny that truth is a goal of inquiry. In these dynamic essays, Rorty also engages with the work of many of today's most innovative thinkers including Robert Brandom, Donald Davidson, Daniel Dennett, Jacques Derrida, JUrgen Habermas, John McDowell, Hilary Putnam, John Searle, and Charles Taylor. The collection also touches on problems in contemporary feminism raised by Annette Baier, Marilyn Frye, and Catherine MacKinnon, and considers issues connected with human rights and cultural differences. Challenging, stimulating and controversial, this book will appeal to thoughtful readers around the world. Richard Rorty was an undergraduate at the University of Chicago, completed his graduate work at Yale, and taught at Princeton from 1961 until 1982. His first ground-breaking book, an attack on traditional epistemology, was Philosophy and the Mirror of Nature (1979). His previous books with Cambridge have been Contingency, Irony, and Solidarity (1989), a book that sold over 46,000 copies since publication and has been translated into seventeen different languages, and two volumes of philosophical papers: Objectivity, Relativism, and Truth, and Essays on Heidegger and Others. A recipient of a MacArthur Foundation grant, Rorty has lectured throughout the world. Also available Objectivity, Relativism and Truth: Philosophical Papers: Volume 1 0-521-35877-9 Paperback Essays on Heidegger and Others: Philosophical Papers: Volume 2 0-521-35878-7 Paperback

    With the family of friends they have built along the way, they claim a place of their own. Green Gloryland is the most wonderful place on earth; their own family farm with a healthy cotton crop and plenty to eat. But the notorious night riders have plans to take it away, threatening to tear the beautiful freedom that the two boys are enjoying for the first time in their young lives.Coming alive in plain, vibrant language, this story of the Reconstruction following the Civil War is one you will never forget.

    It also features an interview with Acker.

    In song, film, and live performances by stars such as Billy Crystal, Kevin Spacey, and John Lithgow, the audience relived a time some fifty years before, when, as the story has always been told, courageous writers and actors stood firm against a witch-hunt and blacklist that wrecked lives and destroyed careers. Left untold that night, and ignored in books and films for more than half a century, was a story not so politically correct but vastly more complex and dramatic."The best exploration I've seen of the Hollywood blacklist and the Communist Party's role in that conflict."— Charlton HestonIn Hollywood Party the complete story finally emerges, backdropped by the great upheavals of our time and with all the elements of a thriller?wrenching plot twists, intrigue, betrayal, violence, corruption, misguided passion, and lost idealism. Using long neglected information from public records, the personal files of key players, and recent revelations from Soviet archives, Kenneth Lloyd Billingsley uncovers the Communist Party's strategic plan for taking control of the movie industry during its golden age, a plan that came perilously close to success. He shows how the Party dominated the politics of the movie industry during the 1930s and 1940s, raising vast sums of money from unwitting liberals and conscripting industry luminaries into supporting Stalinist causes.In riveting detail, the shameful truth unfolds: Communist writers, actors, and directors, wealthy beyond the dreams of most Americans, posture as proletarian wage slaves as they try to influence the content of movies. From the days of the Popular Front through the Nazi-Soviet Pact and beyond World War II, they remain faithful to a regime whose brutality rivaled that of Hitler's Nazis.Their plans for control of the industry a shambles by the mid-1950s, the Party nonetheless succeeded in shaping the popular memory of those days. By chronicling what has been left on the cutting-room floor, from "back story" to aftermath, Hollywood Party changes those perceptions forever.

    Renehan, Jr. vividly portrays the grand idealism, heroic bravery, and reckless abandon that Theodore Roosevelt both embodied and bequeathed to his children and the tragic fulfillment of that legacy on the battlefields of World War I. Drawing upon a wealth of previously unavailable materials, including letters and unpublished memoirs, The Lion's Pride takes us inside what is surely the most extraordinary family ever to occupy the White House. Theodore Roosevelt believed deeply that those who had been blessed with wealth, influence, and education were duty bound to lead, even--perhaps especially--if it meant risking their lives to preserve the ideals of democratic civilization. Teddy put his principles, and his life, to the test in the Spanish American war, and raised his children to believe they could do no less. When America finally entered the European conflict in 1917, all four of his sons eagerly enlisted and used their influence not to avoid the front lines but to get there as quickly as possible. Their heroism in France and the Middle East matched their father's at San Juan Hill. All performed with selfless--some said heedless--courage: Two of the boys, Archie and Ted, Jr., were seriously wounded, and Quentin, the youngest, was killed in a dogfight with seven German planes. Thus, the war that Teddy had lobbied for so furiously brought home a grief that broke his heart. He was buried a few months after his youngest child. Filled with the voices of the entire Roosevelt family, The Lion's Pride gives us the most intimate and moving portrait ever published of the fierce bond between Teddy Roosevelt and his remarkable children.

    While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been negligible. This collection opens many new avenues for the critical discussion of the sound and performance of poetry, with special attention to innovative work. More important, the essays collected here offer brilliant and wide-ranging elucidations of how twentieth-century poetry has been practiced as a performance art. The contributors--including Marjorie Perloff, Susan Stewart, Johanna Drucker, Dennis Tedlock, and Susan Howe--cover topics that range from the performance styles of individual poets and types of poetry to the relation of sound to meaning, from historical and social approaches to poetry readings and to new imaginations of prosody. Such approaches are intended to encourage new forms of close listenings--not only to the printed text of poems, but also to tapes, performances, and other expressions of the sounded word. With readings and spoken word events gaining an increasing audience for poetry, Close Listening provides an indispensable critical groundwork for understanding the importance of language in--and as--performance.

    Laura Ingalls Wilder shares her vision of the fanciful, ethereal, and mischievous world of the "Little People" in this first-ever collection of fairy poems she wrote in 1915. Accompanied by whimsical illustrations, readers young and old will cherish this book for a lifetime.

    and art. 25 full-color paintings.

    Focusing on a genre that is supposedly static, these essays reveal the dynamic forces that motivate and shape the still life, explaining why and how painters have employed this genre to such vital effect.

    De Mille, and from a wardrobe girl at RKO to a world-famous author and philosopher.In the documentary Ayn Rand: A Sense Of Life, one can watch Ayn Rand's life unfold in images, dialogue, and music. In this companion book, many of the photographs from Miss Rand's collection are reproduced, along with the entire script from the film. This includes the narration, written by Michael Paxton, and all the interview segments (with Ayn Rand, Leonard Peikoff, Mike Wallace, Phil Donahue, and others) that appear throughout the film. With this book, one can cherish the striking photographs, animation drawings, and the actual film script for many years to come, and experience, through page after page, a "life more compelling than fiction".One of the most controversial thinkers of the twentieth century, Rand attained a worldwide fame and a readership numbering in the millions. Today her books still sell over 300,000 copies each year.