Thompson that spawned "gonzo journalism." Illustrated throughout in color and black-and-white, with an introduction by Hunter S. Thompson.

    Beginning with his very early writing (including a chapter from his and Jack Kerouac's never-before-seen collaborative novel), Word Virus follows the arc of Burroughs's remarkable career, from his darkly hilarious "routines" to the experimental cut-up novels to Cities of the Red Night and The Cat Inside. Beautifully edited and complemented by James Grauerholz's illuminating biographical essays, Word Virus charts Burroughs's major themes and places the work in the context of the life. It is an excellent tool for the scholar and a delight for the general reader. Throughout a career that spanned half of the twentieth century, William S. Burroughs managed continually to be a visionary among writers. When he died in 1997, the world of letters lost its most elegant outsider.

    The first and only authorized book about the band, The Phish Book is an extraordinary verbal and visual chronicle of a year in the life of Phish, featuring extensive interviews with the four band members--Trey Anastasio, Jon Fishman, Mike Gordon, and Page McConnell--conducted by writer Richard Gehr, who also serves as guide to the history, mythology, musical context, and unique audience-band relationship in which the Vermont quartet flourishes.        While it contains many of the trappings of other lavish rock monuments--including more than two hundred pieces of previously unpublished art and photography from the band's private archive--The Phish Book elevates the form by means of an innovative roundtable-style discussion format. Richard Gehr and Phish use the events of 1997 as a jumping-off point from which the band members free-associate about themselves, their music, and the dedicated and colorful community that springs up wherever they perform.        Beginning with the backstage scene at Boston's Fleet Center on New Year's Eve, 1996, The Phish Book explores the band's earliest days in Burlington, Vermont; their musical influences, which include James Brown, Frank Zappa, and the Grateful Dead; their legendary Halloween shows; the two European and two American tours the group undertook in 1997; the stories behind their 1996 studio album, Billy Breathes, and the following year's live Slip Stitch and Pass; life onstage and off; the sixty-thousand-fan Maine campout and art project known as the Great Went; and the experimental recording and performing techniques that informed the band's most recent studio album, The Story of the Ghost.        More than a retrospective journal of the group's evolution, The Phish Book is a glorious snapshot of a band much bigger than its parts and at the height of its collective power.

    After he was diagnosed with AIDS in the late 1980's, Wojnarowicz's art took on a sharply political edge, and from then until his death in 1992, he became entangled in highly public debates about medical research and funding, censorship in the arts, and politically sanctioned homophobia. Fever: The Art of David Wojnarowicz is the first book to explore the extraordinary breadth of his work in film, installation, sculpture, photography, performance, and writing, as well as his considerable influence on artists and writers working today. It features essays by leading art scholars, including New Museum senior curator Dan Cameron, along with excerpts from Wojnarowicz's own writings and previously unpublished material from the archives of the Wojnarowicz estate-works that cross literary lines, from memoir and fiction to political commentary and cultural critique.Dan Cameron, John Carlin, C. Carr, and Mysoon Rizk

    From cult figures such as Pink Floyd's Syd Barrett (the most famous musician included here) to virtually undiscovered artists, this behind-the-scenes book wit

    In these lectures given during the late 1960s, Alan Watts addresses such questions as what is the nature of reality, and how does our individual relationship to society affect this reality?