She should be heard." —The New York TimesAngela Davis provides a powerful history of the social and political influence of whiteness and elitism in feminism, from abolitionist days to the present, and demonstrates how the racist and classist biases of its leaders inevitably hampered any collective ambitions. While Black women were aided by some activists like Sarah and Angelina Grimke and the suffrage cause found unwavering support in Frederick Douglass, many women played on the fears of white supremacists for political gain rather than take an intersectional approach to liberation. Here, Davis not only contextualizes the legacy and pitfalls of civil and women's rights activists, but also discusses Communist women, the murder of Emmitt Till, and Margaret Sanger's racism. Davis shows readers how the inequalities between Black and white women influence the contemporary issues of rape, reproductive freedom, housework and child care in this bold and indispensable work.

    Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation.”

    Ain't I a Woman examines the impact of sexism on black women during slavery, the historic devaluation of black womanhood, black male sexism, racism within the recent women's movement, and black women's involvement with feminism.

    “We are in the presence here of a major American poet whose voice at mid-century in her own life is increasingly marked by moral passion.”—New York Times Book Review

    

    Presents clear, detailed descriptions of vaginal and breast self examination, the complete anatomy of the clitoris, common infections, lab tests, fertility detection, donor insemination, birth control, menstrual extraction, abortion care, surgical procedures and home remedies. Beautiful illustrations by Suzann Gage.

    In this collection of mostly nineteenth-century folk and fairy tales, Ethel Johnston Phelps's heroines successfully portray women as being spirited, courageous and smart. This type of heroine is not easily found in most collections; in most traditional folk and fairy tales we encounter women are portrayed as being good, obedient, submissive, and, of course, beautiful. These women—and girls—are resourceful; they take action to solve a problem and use cleverness or shrewd common sense to solve the dilemmas they face.The tales themselves are part of an oral tradition that document a generation according to the values of the time. Phelps has given these older tales a fresh, contemporary retelling for a new generation of readers, young and old. She shapes each story—adding or omitting details—to reflect her sense of a feminist folk or fairy tale. The twenty-one tales collected represent a wide variety of countries; approximately seventeen ethnic cultures from North America to Europe to Asia tell a story in which women play a leading or crucial role in the story.

    If certain conversational styles were more common to one sex than the other (more abstract and aggressive talk for men, for instance, more personal and equivocal talk for women), then this was just another tribute to the influence of biology on personality.In her landmark essay, Men and Women Talking, Gloria Steinem confronts long-held misconceptions about the supposedly scientific differences in the way men and women communicate, debunking—among other things—the myth of the “talkative woman.” Men and Women Talking was originally published in Ms., May 1981. Cover design by Adil Dara.

    Surpassing the Love of Men throws a new light on shifting theories of female sexuality and the changing status of women over the centuries.

    It is a book about houses and about culture and about how each affects the other, and it must stand as one of the major works on the history of modern housing. - Paul Goldberger, The New York Times Book ReviewLong before Betty Friedan wrote about the problem that had no name in The Feminine Mystique, a group of American feminists whose leaders included Melusina Fay Peirce, Mary Livermore, and Charlotte Perkins Gilman campaigned against women's isolation in the home and confinement to domestic life as the basic cause of their unequal position in society.The Grand Domestic Revolution reveals the innovative plans and visionary strategies of these persistent women, who developed the theory and practice of what Hayden calls material feminism in pursuit of economic independence and social equality. The material feminists' ambitious goals of socialized housework and child care meant revolutionizing the American home and creating community services. They raised fundamental questions about the relationship of men, women, and children in industrial society. Hayden analyzes the utopian and pragmatic sources of the feminists' programs for domestic reorganization and the conflicts over class, race, and gender they encountered. This history of a little-known intellectual tradition challenging patriarchal notions of women's place and women's work offers a new interpretation of the history of American feminism and a new interpretation of the history of American housing and urban design. Hayden shows how the material feminists' political ideology led them to design physical space to create housewives' cooperatives, kitchenless houses, day-care centers, public kitchens, and community dining halls. In their insistence that women be paid for domestic labor, the material feminists won the support of many suffragists and of novelists such as Edward Bellamy and William Dean Howells, who helped popularize their cause. Ebenezer Howard, Rudolph Schindler, and Lewis Mumford were among the many progressive architects and planners who promoted the reorganization of housing and neighborhoods around the needs of employed women. In reevaluating these early feminist plans for the environmental and economic transformation of American society and in recording the vigorous and many-sided arguments that evolved around the issues they raised, Hayden brings to light basic economic and spacial contradictions which outdated forms of housing and inadequate community services still create for American women and for their families.

    

    From journal entries on the line between poetry and politics and a discussion of language and power in "White" versus "Black" English to First Amendment issues, children's rights, Black studies, American violence, and sexuality, Jordan documents the very personal ways in which she meshes with the social issues of modern-day life in this country.

    Now with a new foreword by Carol S. Pearson.

    Surprising to those feminists who mistakenly think that biology can only work against women. And surprising to those biologists who incorrectly believe that natural selection operates only on males.In The Woman That Never Evolved we are introduced to our nearest female relatives competitive, independent, sexually assertive primates who have every bit as much at stake in the evolutionary game as their male counterparts do. These females compete among themselves for rank and resources, but will bond together for mutual defense. They risk their lives to protect their young, yet consort with the very male who murdered their offspring when successful reproduction depends upon it. They tolerate other breeding females if food is plentiful, but chase them away when monogamy is the optimal strategy. When promiscuity is an advantage, female primates--like their human cousins--exhibit a sexual appetite that ensures a range of breeding partners. From case after case we are led to the conclusion that the sexually passive, noncompetitive, all-nurturing woman of prevailing myth never could have evolved within the primate order.Yet males are almost universally dominant over females in primate species, and Homo sapiens is no exception. As we see from this book, women are in some ways the most oppressed of all female primates. Sarah Blaffer Hrdy is convinced that to redress sexual inequality in human societies, we must first understand its evolutionary origins. We cannot travel back in time to meet our own remote ancestors, but we can study those surrogates we have--the other living primates. If women --and not biology--are to control their own destiny, they must understand the past and, as this book shows us, the biological legacy they have inherited.

    Porter, curator emeritus, Moorland-Spingarn Research Center, Howard University

    Book by

    Alice Guy Blach� was not only the world's first female director, but in 1896, she became the first of either sex to direct a fictional film. As the first director with the Gaumont Company in Paris, Alice Guy Blach� served as an influential figure in French film history, making more than 300 films, including some of the earliest sound subjects from the turn of the century. She continued her career in the United States, founding the Solax Company in 1910, and producing and directing 350 more films. Complementing the text are reprints of contemporary articles on Alice Guy Blach� from the American trade press, a reminiscence by her daughter, a brief evaluation of the career of her husband, Herbert Blach� and a complete filmography.

    The values and perceptions presented in this essay collection constitute a holistic paradigm, a dynamic model for the postpatriarchal era.

    Exposes the bible's harmful stereotypes about women as sin-inciting temptresses and their treatment as male property. Examines biblical teachings about about women's "nature," prostitution, sexual assault and incest, so-called uncleanliness, marriage, motherhood, divorce and adultery, grooming, abortion, and homosexuality, as well as "macho" standards for men. A timely warning that the bible is a handbook for the subjugation of women, and that the only true barrier standing between it and women is a secular government.

    How does the culturally approved interaction between the sexes originate? Why are women viewed as a necessary part of political, economic, and religious affairs in some societies but not in others? Why do some societies clothe sacred symbols of creative power in the guise of one sex and not of the other? Professor Sanday offers solutions to these cultural puzzles by using cross-cultural research on over 150 tribal societies. She systematically establishes the full range of variation in male and female power roles and then suggests a theoretical framework for explaining this variation. Rejecting the argument of universal female subordination, Professor Sanday argues that male dominance is not inherent in human relations but is a solution to various kinds of cultural strain. Those who are thought to embody, be in touch with, or control the creative forces of nature are perceived as powerful. In isolating the behavioural and symbolic mechanisms which institute male dominance, professor Sanday shows that a people's secular power roles are partly derived from ancient concepts of power, as exemplified by their origin myths. Power and dominance are further determined by a people's adaptation to their environment, social conflict, and emotional stress. This is illustrated through case studies of the effects of European colonialism, migration, and food stress, and supported by numerous statistical associations between sexual inequity and various cultural stresses.

    These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

    Having examined more than 300 novels by both major and minor women writers over three centuries, Annis Pratt perceives in women's fiction distinctive elements of plot, characterization, image, and tone. She argues that women's fiction should be read as a mutually illuminative or interrelated field of texts reflecting feminine archetypes that are signals of a repressed tradition in conflict with patriarchal culture. Pratt suggests that the archetypal patterns in women's fiction provide a ritual expression containing the potential for the reader's personal transformation and that women's novels constitute literary variations on preliterary folk practices that are available in the realm of imagination even when they have long been absent from day-to-day life.

    (1886-1961) is what can best be described as a 'find', a posthumous treasure. In writing this book, H.D. returned to a year in her life that was 'peculiarly blighted.' She was in her early twenties--'a disappointment to her father, an odd duckling to her mother, an importunate, overgrown, unincarnated entity that had no place... Waves to fight against, to fight against alone... 'I am Hermione Gart, a failure'--she cried in her dementia, 'I am Her, Her, Her.' She had failed at Bryn Mawr, she felt hemmed in by her family, she did not yet know what she was going to do with her life.

    In it are stories of personal survival, articles on the shelter and rape crisis movements, strategies for defending women who kill their attackers, survival tactics, documentation of law-challenging actions women have taken against pornography, rape, bettering and sexual harassment across the country.FIGHT BACK! includes a comprehensive directory of rape crisis centers, shelters for bettered women, support services for incest victims, legal resources, karate and self-defense schools and instructors, newsletters, political and resource organization. This book is a tool for active resistance to patriarchal violence.