In this extraordinary musical and social history, Robert Palmer traces the odyssey of the blues from its rural beginnings, to the steamy bars of Chicago's South Side, to international popularity, recognition, and imitation.Palmer tells the story of the blues through the lives of its greatest practitioners: Robert Johnson, who sang of being pursued by the hounds of hell; Muddy Waters, who electrified Delta blues and gave the music its rock beat; Robert Lockwood and Sonny Boy Williamson, who launched the King Biscuit Time radio show and brought blues to the airwaves; and John Lee Hooker, Ike Turner, B. B. King, and many others.

    Of course, at the heart of the conversation is the deep, rare romantic and spiritual bond between Lennon and Ono. Sympathetic and insightful questions from New York Times bestselling author David Sheff set the tone for Lennon's responses, and Sheff’s presence sets the scene, as he walks through the kitchen door of the musicians’ Dakota apartment and accompanies the famous couple to the studio, where they were recording what would turn out to be Lennon’s final albums. Sheff's new introduction looks at his forty-year-old interview afresh, and examines how what he learned from Lennon has resonated with him as a man and a parent. This is a knockout interview and a crucial piece of Beatles history: playful, intense, and inspiring.

    Written for the musician, to reflect on and approach an old problem or a new problem with a different lens, this book is applicable to any performer who faces challenges with tension, a creative rut, lack of confidence, and more.

    His uniquely depraved wit has been forced again on an unsuspecting public' via Tom Foolery, the stage revue based on his ever-trenchant observation of the American scene. This new songbook, with old favorites unavailable for years as well as never-published songs, is the most comprehensive ever assembled. It contains the words, tunes, piano accompaniments, and guitar chords for these thirty-four classics:The Irish BalladFight Fiercely, Harvard!Be PreparedThe Old Dope PeddlerThe Wild West Is Where I Want to BeI Wanna Go Back to DixieLobachevskyThe Hunting SongI Hold Your Hand in MineMy Home TownL-YWhen You Are Old and GrayThe Wiener Schnitzel WaltzPoisoning Pigeons in the ParkA Christmas CarolBright College DaysIn Old MexicoShe's My GirlThe ElementsThe Masochism TangoNational Brotherhood WeekMLF LullabyThe Folk Song ArmySmutSend the MarinesNew MathPollutionSo Long, MomWho's Next?Wemher Von BraunWe Will All Go Together When We GoI Got It from AgnesSilent EThe Vatican Rag

    This book consists of magazine and newspaper articles, interviews, record reviews, excerpts from books, and other material related to the history of The Doors, to whose memory it is dedicated.This book consists of magazine and newspaper articles, interviews, record reviews, excerpts from books, and other material related to the history of The Doors, to whose memory it is dedicated.

    After that he could describe his cars for three [LP] sides and get away with it." Christgau on Carly Simon: "If a horse could sing in a monotone, the horse would sound like Carly Simon, only a horse wouldn't rhyme 'yacht,' 'apricot,' and 'gavotte.'" Christgau on Van Morrison: "This is a man who gets stoned on a drink of water and urges us to turn our radios all the way into the mystic. Visionary hooks his specialty." Christgau on Lou Reed: "Reed Sounds like he's imitating his worst enemy, himself." (Lou Reed on Robert Christgau: "What a moron! Studying rock and roll. I can't believe it!") An indispensable book, Christgau's Rock Albums the '70s is the definitive guide to nearly 3,000 albums of the decade that brought us progressive rock, country rock, glam rock, funk, disco, punk, heavy metal, and new wave.

    Spiral-bound to lie flat plus a sing-along lyric book.

    Whether you are just beginning to search beyond basic barre chords or are already an advanced player looking for new sounds and ideas this is the book that will get you there. Designed to inspire creativity this book is a musical treasure chest filled with exciting new ideas and sounds.

    This book applies the theory to the design of specialized audio spaces such as the home listening room, the control room, and the multi-track-recording studio.

    Now brought completely up to date, this epic tale charts the rise of four scruffy Liverpool lads from their wild, often comical early days to the astonishing heights of Beatlemania, from the chaos of Apple and the collapse of hippy idealism to the band's acrimonious split. It also describes their struggle to escape the smothering Beatles’ legacy and the tragic deaths of John Lennon and George Harrison. Witty, insightful, and moving, Shout! is essential reading not just for Beatles fans but for anyone with an interest in pop music.

    Its magical images -- cream-colored ponies and girls in white dresses -- paired with its lilting rhyme, never fail to delight.Now acclaimed illustrator Renee Graef gives this classic song new meaning with heartwarming full-color illustrations Of a loving family and their life throughout the course of a year. Complete with the score of the song, My Favorite Things is both a wonderful book for families to share and a gorgeous keepsake to cherish.

    -The New York Times Book Review

    In this sequel to Nurtured by Love, Dr. Suzuki states that "the fate of the child is in the hands of his parents." With this book he shows how to create a warm environment which will encourage any child to become a happy, loving and talented human being.

    There's the majestic lion, the braying mules, the dancing elephant, and the bouncy kangaroos. Even the fossils join in with a fast and rattly dance. Everyone is invited!Nearly 150 years ago, the composer Camille Saint-Saëns was asked by his pupils to write a musical joke for them. He wrote the Carnival of the Animals, a piece people enjoyed so much that it has now become one of Saint-Saëns's most famous works.This accessible commentary, in a picture-book format, helps children follow each section of Saint-Saëns's classic piece while they listen to the CD. Whimsical illustrations, a simple text, and evocative melodies create an ideal introduction for young children to the world of classical music.

    He was investigated for sedition by the House Committee on Un-American activities, harassed by the FBI and CIA, blacklisted, picketed, and even stoned by conservative groups. How Can I Keep from Singing is an inside history of Pete Seeger, whose life has remained a closely guarded secret until now. In this ASCAP award-winning book, David Dunaway parts the curtain through interviews with Pete, his family, friends, and fellow musicians to present a rich, compelling portrait of one of the most remarkable performers, composers, and activists of this century.

    Anatomy of the Orchestra is written not only for fellow conductors, players, students, and professional musicians, but also for everyone interested in the performance of orchestral music.

    

    PFor unaccompanied violin.

    1, Op. 23; No. 2, Op. 38; No. 3, Op. 47; No. 4, Op. 52; Impromptus — No. 1, Op. 29; No. 2, Op. 36; No. 3, Op. 51; No. 4, Op. 66 (Fantaisie-Impromptu) Sonatas — No. 1, Op. 4; No. 2, Op. 35; No. 3, Op. 58.

    . . . A book any musician, or any serious student or concertgoer, will find stimulating, provocative and instructive."-- Robert C. Marsh, Chicago Sun-Times"Wise, detailed and valuable book. . . . Should become a set text for all performing artists.-- Andrew Porter, The New Yorker"Throughout the book, Leinsdorf displays his knowledge and wisdom with a near total lack of pretense or vanity. This work must be considered one of the most significant books on conducting ever written, ranking in importance with those of Wagner and Weingartner. Its scope, however, suggests that it should be read not only by conductors but by every practicing musician."-- Robert Johnson, Music Library Association Notes"Concise, witty and rewarding. . . . That Maestro Leinsdorf is an extraordinarily astute and sensitive musician is evident on every page of The Composer’s Advocate. Musicians will find his insights profound and his ideas compelling."-- Hugh Wolff, Washington Post Book World"Leinsdorf’s book will be of interest to anyone curious about how music is translated from the printed page into sound."-- Harry Haskell, The Kansas City Star

    Lesson Book Level 1A begins by teaching basic keyboard topography and fluent recognition of white key names in relation to black keys. It focuses on simple rhythms and prepares students for intervallic reading with entertaining songs that focus on same, stepping up and stepping down. It then introduces lines and space notes in treble and bass clefs, melodic and harmonic intervals of 2nds, 3rds, 4ths and 5ths, and graduates to reading on the grand staff. It also introduces the flat and sharp signs. This course is most effective when used under the direction of a piano teacher or experienced musician. Songs Include: Balloons * Batter Up! * The Donkey * A Friend Like You * Hand-Bells * A Happy Song * Horse Sense * Totem Pole Song * It's Halloween! * Jingle Bells! * Jolly Old Saint Nicholas * July the Fourth! * Just a Second! * Love Somebody * Merrily We Roll Along O'er the Deep Blue Sea * Mexican Hat Dance * My Clever Pup * My Fifth * My Robot * Old MacDonald * Old Uncle Bill * Play a Fourth * Raindrops * Rain, Rain! * Rockets * Rockin' Tune * Rock Song * Sailing * Sea Divers * See-Saws * Skating * Who's on Third? * Willie and Tillie * Wishing Well * The Zoo

    

    Together, they embark on a journey to the dark, smoky blues clubs of the midwest, encountering Lightnin' Hopkins, Sonny Boy Williamson, Tampa Red, Kokomo Arnold and other blues musicians along the way.

    "It is virtuoso display of the creation of atmospheric colour by instrumental means." There are, of course, other reasons — it is enough to say that since opening night (December 9, 1905) it has ranked among the basic works of 20th-century music.Salome (after the Oscar Wilde play) was Richard Strauss's first great operatic success, and like many of his works, caused controversy. The problem was that Strauss succeeded too well in capturing what fin-de-siècle decadence was seen in Wilde — succeeded via an "instrumental inventiveness that is breathtaking" (Grove). The orchestral virtuosity is vividly apparent in the parts for percussion and for certain less commonly used instruments — heckelphone (here first introduced), xylophone, contrabassoon — which found their raison de'étre in Salome.There can be no question that this edition presents the definitive score. It reprints Strauss's own copy, obtained on loan from the vaults of the Eastman School of Music in Rochester — a large-sized, limited, numbered edition signed by the publisher and very likely the one Strauss used on the conducting podium. For this edition the cast and instrumentation information has been translated into English; with clear notes, wide margins, and durable binding, this inexpensive reprint will serve many years on the podium, music stand, or library shelf, enabling musicians and listeners to discover its beauties (including Salome's famous "Dance of the Seven Veils") for themselves. It is the authoritative way to experience, in the words of one critic, "the most febrile opera or music-drama ever written."

    

    Now almost 25 years later, Slap It! has become one of the standard books for electric bass players wanting to learn more about playing and sight-reading slap bass lines. Acclaimed as the most comprehensive study on slap bass technique, Slap It! contains 151 slap bass exercises in both standard and TAB notation, and 98 recorded slap bass examples on the included audio CD (that's 28 more slap bass tracks than any prior edition!).

    *Songbook, paper Also available is an Accompanist's Edition, Spiral order #9780687391219

    This definitive collection represents the best of Rolling Stone's first decade and a half.

    

    Contains enjoyable games and quizzes that reinforce the principles presented in the Lesson Books. Students can increase their musical understanding while they are away from the keyboard.

    Bernstein observes that musicianship requires the same talents used in any activity, and shows how to develop a dedication to practice that can harmonize the musical and personal self.

    For the Birds is a book, a dialogue and an event all at once. The initial conversations were recorded in France between 1968 and 1978 and were then reconstructed, reedited and commented upon by Cage. The final text, with footnotes and asides added over the years, is prefaced by a typographical celebration of his ideas compiled by Cage himself.This ebullient collection of questions and answers covers a wide variety of topics. Cage's great wit and intelligence are allowed to range across such subjects as his own music and texts, mushrooms, chess, James Joyce, Mao, Thoreau, Satie, electronic music, the prepared piano, Zen, the environment, technology, politics and economics.John Cage was born in Los Angeles in 1912. He studied music with Adolf Weiss, Henry Cowell and Arnold Schoenberg, and he has shared ideas with Marcel Duchamp, Joan Miro and Max Ernst, as well as such prophets as Marshall McLuhan and Buckminster Fuller. He was music director of the Merce Cunningham Dance Company for decades and held a number of academic posts. Cage was a composer, poet, graphic artist, teacher and critic. He died in New York in 1992."He is not a composer, he's an inventor -- of genius."--Arnold Schoenberg

    Also folk and inspirational selections. Spiral-bound to lie flat plus a sing-along lyric book.

    Lesson Book 1B begins by reviewing the concepts taught in Lesson Book 1A, then introduces new concepts such as incomplete measures, tempo markings, eighth notes and rests, using the damper pedal, half steps and whole steps. It also introduces the major scale through the concept of tetrachords. Songs Include: Brother John * Carol in G Major * The Carousel * The Clown * Concert Time * A Cowboy's Song * The Cuckoo * French Lullaby * Good King Wenceslas * Good Morning to You! * Good Sounds * Grandpa's Clock * The Greatest Show on Earth! * G's in the BAG * Hail to Thee, America! * Harp Song * Happy Birthday to You! * Indians * Join the Fun * The Magic Man * Money Can't Buy Everything * Music Box Rock * Oom-Pa-Pa! * Ping Pong * The Planets * The Rainbow * Sonatina * Step Right Up! * Waltz Time * When Our Band Goes Marching By! * When the Saints Go Marching In * The Whirlwind * The Windmill * Yankee Doodle

    Contains enjoyable games and quizzes that reinforce the principles presented in the Lesson Books. Students can increase their musical understanding while they are away from the keyboard.

    With easy-to-follow illustrations and fun practice pieces, this comprehensive step-by-step guide will have students well on your way to playing the music of your choicevǬóeven if they`ve never played a musical instrument. How to Play Piano covers basics like: vǬ? Choosing the right piano vǬ? Reading music vǬ? Positioning fingers properly vǬ? Playing chords and runs of notes vǬ? Developing effective practice techniques and much more Practice pieces range from " Ode to Joy" and " Yellow Rose of Texas" to " Yankee Doodle," making learning simple, fast and enjoyable.

    The literary sources of this work, its many links with Wagner's life and thought, its libretto, music and stage history, are all thoroughly examined. There is a full commentary, with extensive quotation, on the work's critical history, and finally, a fresh assessment of its place in the Wagner canon and of its unique quality as a music drama that is both modern and Christian. Full references, a bibliography and a discography are provided. A special chapter of musical analysis is contributed by Arnold Whittall.

    As a result, the pieces are quickly mastered. Included in Recital 1B are the folk tunes "Camptown Races" and "For He's A Jolly Good Fellow," and imaginative originals like "The Elephant and the Flea" and "March of the Extra-Terrestrials."

    "...Works toward developing the musician's sensory awareness of the sound, of the touch, of what the entire body is experiencing, so that each tone may sing." - Lee Strasberg

    

    

    In 1967 Peter 'Dougal' Butler became a roadie for the Who and their mercurial genius drummer Keith Moon. Soon he would be Moon's personal assistant, chauffeur, and all-purpose wingman. The ride lasted a tumultuous ten years, ending just prior to Moon's untimely death in 1978. "Full Moon" is Butler's memoir of that ride: essential reading for Who fans, and a masterclass in the mayhem caused by rock 'n' roll excess.

    Conductor and writer Robert Craft was his closest colleague and friend. Together they published five acclaimed collections known as the "Conversations "series, which sprung from informal talks between the two men. In this newly edited and re-structured one-volume version, Craft brings Stravinsky's reflections on his childhood, his family life, professional associates, and personal relationships into sharper focus and places the major compositions in their cultural milieux.

    

    

    Songs include: Beau Soir, Mandoline, Les Angelus, Dans le jardin, Cinq poemes de Baudelaire, Trois chansons de Bilitis, and many more. All songs reproduced directly from originals. Line-for-line English translations of French texts.

    Entertainment Weekly says The Sound of Music has "an irresistible score that's always in tune!" Our deluxe revised vocal selections songbook features 13 terrific songs by Rodgers & Hammerstein, a biography, plot synopsis, history of the show and photos! Includes: Climb Ev'ry Mountain * Do-Re-Mi * Edelweiss * I Have Confidence * The Lonely Goatherd * Maria * My Favorite Things * An Ordinary Couple * Sixteen Going on Seventeen * So Long, Farewell * Something Good * The Sound of Music * Wedding Processional.

    

    As well as studies and etudes, this book includes excerpts of major orchestral repertoire for snare drum and all of the instruments of the percussion family. This edition, edited by Tony Cirone, includes phrasings and stickings along with re-engraved etudes. This book is the primary source for percussionists to learn proper technique and important orchestral repertoire.

    The clear and current illustrations and photos and student-friendly writing in Alten's market-leading text have helped professors effectively teach this technically-based course to thousands of introductory audio production students. Comprehensive, technically accurate, and up-to-date, the text covers informational, perceptual, and aesthetic aspects of sound as they apply to each stage of the production process-from planning to post-production.

    Supplement or stand alone text.

    The authentic, inspiring, and often unknown stories behind the writing of over 115 favorite hymns and gospel songs

    Gene Lees' bestseller for songwriters has been revised! In addition to providing fascinating, creative and clear techniques for writing lyrics, this edition now includes: a new foreword by renowned songwriters Alan and Marilyn Bergman; a new chapter called "Tattered Standards " which outlines the lack of literacy in certain modern songs and shows you how to avoid it; a new chapter called "The Words You Choose " which examines why words from some language families are subconsciously more appealing than those from others; and much more! Invaluable to the beginner, this book will also prove beneficial to professionals, poets, linguists and teachers.

    an indispensable reference work that can be read with enjoyment for its gold mine of information, much of which will be unfamiliar to even the most jaded keyboard enthusiast." --Clavier..". a marvel of comprehensiveness... " --Notes..". easily surpasses any other work of its nature. It is a work for all admirers of the piano... " --Piano JournalWith the addition of a Supplement containing over 200 new entries, Maurice Hinson now brings together more than 3,000 works for piano and orchestra from the 1700s to the present.

    All you need to know about how to turn your guitar into a unique and personal instrument.

    SIGNED BY BERNARD LEVIN!!!! HARDBACK WITH DUST JACKET, DOES HAVE SHELF RUB TO DUST JACKET AND TANNING TO PAGES DUE TO AGE, BUT CERTAINLY IN VERY READABLE CONDITION AND YOU WILL HAVE HIS SIGNATURE!

    DescriptionThis book is essentially a practical guide, designed to stimulate and encourage the young performer and those embarking on a teaching career to give systematic and constructive thought to all the processes of learning, from the preliminary stages through to the building-up of an imaginative and mature interpretation.SonglistAnalysis And ImaginationMiscellaneous Points: Do's And Don'tsMore Technical Matters, With Some Comments On Aural TrainingPreliminary Survey: From Bach To BeethovenPreparing Works For PerformancePrinciples Of Piano TechniqueThe Art Of Shaping A Phrase

    This book is a valuable contribution to laryngeal knowledge and presents a concise profile of the anatomy of the larynx. Features exercises that will restructure the voice and teach the student a new way to handle the instrument.

    Sheet music.

    Fully illustrated throughout with black and white photographs.

    4 was a pivotal work. It announced the composer as a major symphonist of his time, overshadowing his previous, less-than-distinguished efforts in this form, and opened the way to his last, major, works: the haunting Fifth Symphony and the biographical Sixth, the profound "Pathétique."Tchaikovsky's Fourth Symphony — written in 1877 at the age of thirty-seven — offers itself as an intensely personal statement. Dramatically shaped and brilliantly orchestrated, it captures a theatrical quality and orchestral color that shaped the composer's symphonic fantasy Francesca da Rimini, written just a year earlier. The Fourth opens unequivocally with the thrust of a brass fanfare — the "fate" motive that is to reappear in the last movement — then flows with the effortless quality that characterizes Tchaikovsky's great, generously melodious ballet scores. The second movement lingers over one of the composer's most poignant melodies, and the third — the Scherzo — offers a delightful fantasy from this master orchestrator: the charming Pizzicato ostinato, a unique moment in the entire orchestral literature.The symphony is reproduced here from the authoritative Breitkopf & Härtel edition, with bar-numbered movements and ample margins at the bottom of each score page for notes and analysis. Ideal for study in the classroom, at home, or in the concert hall, this affordable, high quality, conveniently sized volume will be the edition of choice for music students and music lovers alike

    It is based on many years' research into the vast ancient Sanskrit literature of music. Part two transcribes and studies in detail 50 typical Raga-s. Each is preceded by a Sanskrit poem in translation which depicts the atmosphere; then follows an analysis of the scale, covering its intervals and expression, a study of the theme with its characteristic motives and finally a typical development.

    

    Every carol has a duet part for the teacher or parent. May be used with any method. Titles: * Away in a Manger * Here We Come A-Caroling * Joy to the World * O Christmas Tree * Pat-a-Pan * Silent Night * The First Noel * Up on the Housetop.

    

    

    

    Lesson Book 2 continues where Level 1B finishes. This book introduces dotted half notes and dotted quarter notes, plus intervals of 6ths, 7ths and octaves. Teaches greater movement of the hands, including crossing two over one and scalework. Students will also learn more about triads, primary chords, and blocked and broken chords. Songs Include: 18th Century Dance * Alouette * Blue Scales * Calypso Carnival * The Can-Can * Cockles and Mussels * The Galway Piper * Get Away! * Got Lotsa Rhythm * Kum-ba-yah! * Lavender's Blue * London Bridge * Lone Star Waltz * Malaguena * Nick Nack Paddy Wack * Ode to Joy * Oh! Susanna! * On the Bridge at Avignon * Our Special Waltz * Prelude * Red River Valley * Sarasponda * Square Dance * When You Grow Up * Why Am I Blue?

    The 681 pieces contained in this volume offer unique and intimate insights into the composer's life. They range from two months before his 21st birthday in 1861 to six weeks before his death. In vivid, informative detail Tchaikovsky discusses both his own music and that of his contemporaries, as well as European literature, art, and, in a long missive, his reactions to the New World. The fascination and importance of these letters lie in the light that they throw on the social and political climate in which Tchaikovsky lived. He also has much to say about patriotism, censorship, the conditions of the peasantry, the place of the Orthodox Church, and attitudes toward foreign countries. This is the definitive work on Tchaikovsky by Tchaikovsky.