no one openly gay. Luckily, Danny Pellegrino grew up in the 90s, coming of age when the internet opened up a whole new world for a curious kid itching for life outside of Midwest suburbia. Danny escaped the pains of growing up by submerging himself in a sea of pop culture—bingeing The Nanny until he had the confidence of Fran Fine, belting out Brandy songs until his heartaches were healed, or watching every semi-clothed Ryan Phillippe scene known to man.Now, as a successful podcaster interviewing the same iconic personalities that he idolized as a kid, Danny's life has only become more entertaining and delightfully chaotic.Heartfelt and hilarious, How Do I Un-Remember This? is a collection of real-life stories exploring Danny's journey from feeling like the only gay kid in Ohio to becoming a big-time podcaster in Los Angeles, and all the amusing moments life threw at him in between. With remarkable honesty and his trademark humor, Danny discusses his struggles alongside his love for all things pop culture in a way that is equally emotional and uplifting. And of course, it's all sprinkled with a little 90s nostalgia and a whole lot of comedy.

    The ones I have avoided, the ones I haven't told, the ones that have kept me awake on countless nights. As these stories found echoes in my adult life, and then went another, better way than they did in childhood, they became lighter and easier to carry.Sarah Polley's work as an actor, screenwriter, and director is celebrated for its honesty, complexity, and deep humanity. She brings all those qualities, along with her exquisite storytelling chops, to these six essays. Each one captures a piece of Polley's life as she remembers it, while at the same time examining the fallibility of memory, the mutability of reality in the mind, and the possibility of experiencing the past anew, as the person she is now but was not then. As Polley writes, the past and present are in a "reciprocal pressure dance."Polley contemplates stories from her own life ranging from stage fright to high-risk childbirth to endangerment and more. After struggling with the aftermath of a concussion, Polley met a specialist who gave her wholly new advice: to recover from a traumatic injury, she had to retrain her mind to strength by charging towards the very activities that triggered her symptoms. With riveting clarity, she shows the power of applying that same advice to other areas of her life in order to find a path forward, a way through. Rather than live in a protective crouch, she had to run towards the danger. In this extraordinary book, Polley explores what it is to live in one's body, in a constant state of becoming, learning, and changing.

    Ford, New York Times bestselling author of Somebody's Daughter"Reaches deep beneath the surface of words unspoken, wounds unhealed, and secrets untempered to break them open in order for fresh light to break through."--Morgan Jerkins, New York Times bestselling author of This Will Be My Undoing and Caul Baby"From the womb, we must repeat with regularity that to love ourselves is to survive. I believe that is what my father wanted for me and knew I would so desperately need: a tool for survival, the truth of my dignity named like a mercy new each morning."So writes Cole Arthur Riley in her unforgettable book of stories and reflections on discovering the sacred in her skin. In these deeply transporting pages, Arthur Riley reflects on the stories of her grandmother and father, and how they revealed to her an embodied, dignity-affirming spirituality, not only in what they believed but in the act of living itself. Writing memorably of her own childhood and coming to self, Arthur Riley boldly explores some of the most urgent questions of life and faith: How can spirituality not silence the body, but instead allow it to come alive? How do we honor, lament, and heal from the stories we inherit? How can we find peace in a world overtaken with dislocation, noise, and unrest? In this indelible work of contemplative storytelling, Arthur Riley invites us to descend into our own stories, examine our capacity to rest, wonder, joy, rage, and repair, and find that our humanity is not an enemy to faith but evidence of it.At once a compelling spiritual meditation, a powerful intergenerational account, and a tender coming-of-age narrative, This Here Flesh speaks potently to anyone who suspects that our stories might have something to say to us.

    How might we go about capturing on the page the relationships that have formed us? How do we write about our bodies, their desires and traumas? What does it mean for an author’s way of writing, or living, to be dismissed as “navel-gazing”—or else hailed as “so brave, so raw”? And to whom, in the end, do our most intimate stories belong? Drawing on her own path from aspiring writer to acclaimed author and writing professor—via addiction and recovery, sex work and Harvard night school—Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas—and occasional notes of caution—to anyone who has ever hoped to see themselves in a story.

    But for Black people in the United States and across the diaspora, it hasn't often been easy to find Black romance joyfully showcased in entertainment media. In this collection, revered authors and sparkling newcomers, librarians and academicians, and avid readers and reviewers consider the mirrors and windows into Black love as it is depicted in the novels, television shows, and films that have shaped their own stories. Whether personal reflection or cultural commentary, these essays delve into Black love now and in the past, including topics from the history of Black romance to social justice and the Black community to the meaning of desire and desirability.Exploring the multifaceted ways love is seen--and the ways it isn't--this diverse array of Black voices collectively shines a light on the power of crafting happy endings for Black lovers.Jessica Pryde is joined by Carole V. Bell, Sarah Hannah Gomez, Jasmine Guillory, Da'Shaun Harrison, Margo Hendricks, Adriana Herrera, Piper Huguley, Kosoko Jackson, Nicole M. Jackson, Beverly Jenkins, Christina C. Jones, Julie Moody-Freeman, and Allie Parker in this collection.

    There’s the time the FBI showed up at her door because of something she tweeted about Game of Thrones. The pop songs that have been the soundtrack to the worst moments of her life. And of course, the pivotal day when Orange Is the New Black hit the airwaves and broke down the door to Jill’s own sexuality. In these honest examinations of identity, desire, and self-worth, Jill explores perhaps the most monumental cultural shift of our lifetimes: the mainstreaming of lesbian culture. Dusting off her own personal traumas and artifacts of her not-so-distant youth she examines how pop culture acts as a fun house mirror reflecting and refracting our values—always teaching, distracting, disappointing, and revealing us. Girls Can Kiss Now is a fresh and intoxicating blend of personal stories, sharp observations, and laugh-out-loud humor. This timely collection of essays helps us make sense of our collective pop-culture past even as it points the way toward a joyous, uproarious, near—and very queer—future.

    It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn't know who it was. By the end, exposing someone's address was an act of emotional violence, and nobody picked up their new cell phone if they didn't know who it was. The '90s brought about a revolution in the human condition we're still groping to understand. Happily, Chuck Klosterman is more than up to the job. Beyond epiphenomena like Cop Killer and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a '90s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it. In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, "The video for 'Smells Like Teen Spirit' was not more consequential than the reunification of Germany" make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.

    Essays celebrating East and Southeast Asian identity in Britain.A strong, compelling, and quietly beautiful collection of stories that have gone untold for too long, from voices that have too often been sidelined from the artistic mainstream.' Jonathan LiewIn this bold, first-of-its kind collection, East Side Voices invites us to explore a dazzling spectrum of experience from the East and Southeast Asian diaspora living in Britain today.Showcasing original essays and poetry from well-known celebrities, prize-winning literary stars and exciting new writers, East Side Voices takes us many places: from the frontlines of the NHS in the midst of the Covid pandemic, to the set of a Harry Potter film, from a bustling London

    Spanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author.“One of the greatest writers of our time.”—Toni MorrisonOne of the most acclaimed artists of the Harlem Renaissance, Zora Neale Hurston was a gifted novelist, playwright, and essayist. Drawn from three decades of her work, this anthology showcases her development as a writer, from her early pieces expounding on the beauty and precision of African American art to some of her final published works, covering the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing a white doctor. Among the selections are Hurston’s well-known works such as “How It Feels to be Colored Me” and “My Most Humiliating Jim Crow Experience.” The essays in this essential collection are grouped thematically and cover a panoply of topics, including politics, race and gender, and folkloric study from the height of the Harlem Renaissance to the early years of the Civil Rights movement. Demonstrating the breadth of this revered and influential writer’s work, You Don't Know Us Negroes and Other Essays is an invaluable chronicle of a writer’s development and a window into her world and time.

    As one of the untold millions who suffer from terrifyingly unpredictable brain chemistry—and the need to rein it in by pharmacological means—the celebrated comedian knows what it’s like to struggle with mental illness. He also knows mental health disorders can be inherited, a fact that, unfortunately, didn’t help things much when he became a father.A poignant and hilarious meditation on the wild ride that is a life medicated, Dad on Pills chronicles the perpetual wrestling match of parenthood and partnership while refusing to shy away from the terrible loneliness at the bottom of “having a brain that doesn’t always work so good.” From the comic absurdity and unexpected dread of a birthing class to the sometimes fraught—for this father, at least—utterances of his toddler son, this tragicomic memoir explores Gethard’s own upbringing, as well as his mental illness and its repercussions. “I spend so much time as a parent quietly praying,” writes Gethard. “Praying that my son, my child, this beautiful boy with his big goofy grin, doesn’t feel this thing I have felt so often in my life. The depression, the manic moments, the dangerous instincts.”But something magical happens along the way: Gethard devises a plan for always being a good and loving father no matter what vicissitudes of biochemistry his kid experiences. Resonating with honesty and vulnerability, shining much-needed light on the very real affliction of mental illness, Dad on Pills is striking in how it challenges us to be ever more humane and understanding while also constantly sucker-punching us with much hard-earned humor.

    In landscapes as diverse as Salamanca’s cobbled streets, the Mekong River’s floating markets, Fire Island’s windswept beaches, Nashville’s honky-tonks, and the Sierra Nevada’s snowy slopes, Roberts interrogates her memory and tries to make sense of her own private losses (deaths of people and relationships), as well as more public losses, including a mass shooting in her hometown and environmental devastation in the Amazon rainforest. With lyricism, insight, honesty, and dark humor, these essays illuminate the sometimes terrible beauty of what it means to be human, deepening the conversation on death and grief, sexuality, and the shame that comes from surviving the world in a female body with all of its complexities.

    Lewis-Giggetts wrote an essay on Black joy for The Washington Post, she had no idea just how deeply it would resonate. But the outpouring of positive responses affirmed her own lived experience: that Black joy is not just a weapon of resistance, it is a tool for resilience. With this book, Tracey aims to gift her community with a collection of lyrical essays about the way joy has evolved, even in the midst of trauma, in her own life. Detailing these instances of joy in the context of Black culture allows us to recognize the power of Black joy as a resource to draw upon, and to challenge the one-note narratives of Black life as solely comprised of trauma and hardship. “Lewis-Giggetts etches a stunning personal map that follows in her ancestors’ footsteps and highlights their ability to take control of situational heartbreak and tragedy and make something better out of it….A simultaneously gorgeous and heartbreaking read” (Kirkus Reviews, starred review).

    What they got was a Spanish Goatherder named Antonio.When a middle-aged English couple move to rural Spain, they are blissfully unaware that their dreams of running a small pony trekking business would be scuppered within six weeks of arriving. A sun-filled future looks bleak until a neighbour takes charge.As well as embarking on a crash course in goat midwifery and veterinary care, they also learn cliff climbing, bridge building and more than a little kung-fu.Will a goat, a sheep and two dogs rescue the couple as they battle to survive?

    Recovery and convalescence are words that exist at the periphery of our lives - until we are forced to contend with what they really mean.Here, GP and writer Gavin Francis explores how - and why - we get better, revealing the many shapes recovery takes, its shifting history and the frequent failure of our modern lives to make adequate space for it.Characterised by Francis's beautiful prose and his view of medicine as 'the alliance of science and kindness', Recovery is a book about a journey that most of us never intend to make. Along the way, he unfolds a story of hope, transformation, and the everyday miracle of healing.

    We change our haircuts and our outfits and our minds. We change names, titles, labels. We attempt to blend in or to stand out. We outgrow relationships, we abandon dreams for new ones, we start fresh. We seize control of our stories. We make resolutions.In fact, nobody knows this better than Vivek, who's made a career of embracing many roles: artist, performer, musician, writer, model, teacher. In People Change, she reflects on the origins of this impulse, tracing it to childhood influences from Hinduism to Madonna. What emerges is a meditation on change itself: why we fear it, why we're drawn to it, what motivates us to change, and what traps us in place.At a time when we're especially contemplating who we want to be, this slim and stylish handbook is an essential companion--a guide to celebrating our many selves and the inspiration to discover who we'll become next.

    The roller-coaster period covered in the collection brought an end to the end of history, a financial crash, the rise of Trump and a pandemic. From debt to tech, the climate crisis to freedom, from when to dispense advice to the young (answer: only when asked) and how to define granola, we have no better guide than Atwood to the many and varied mysteries of our universe.

    In this book are assembled the very best of his essays and commentaries, arranged thematically. The selection has been made and edited by Mark Dooley, Scruton's literary executor.Throughout this collection, Scruton proves himself to be at his most scintillating and controversial. He writes with passion and conviction about such varied topics as feminism, racism, fascism, Tony Blair and Donald Trump, as well as subjects like global warming, music and architecture. He takes aim at those who defy conservative common sense in favour of liberal falsehoods.This book shows Scruton at his most brilliant and demonstrates how his influence will remain strong and enduring.

    A thousand dollars for a broken leg, a few hundred for a nasty cut while cooking dinner. Then there are the greater costs for even greater misfortunes. The car accidents, breast cancers, blood diseases, and dark depressions.When Emily Maloney was nineteen she tried to kill herself. An act that would not only cost a great deal personally, but also financially, sending her down a dark spiral of misdiagnoses, years spent in and out of hospitals and doctor’s offices, and tens of thousands owed in medical debt. To work to pay off this crippling burden, Emily becomes an emergency room technician. Doing the grunt work in a hospital, and taking care of patients at their most vulnerable moments, chronicling these interactions in searingly beautiful, surprising ways.Shocking and often slyly humorous, Cost of Living is a brilliant examination of just what exactly our troubled healthcare system asks us to pay, as well as a look at what goes on behind the scenes at our hospitals and in the minds of caregivers.

    Brostoff has grappled with the intellectual upheavals and political contradictions that surfaced during the Trump era. After the breaking point of the 2016 election, Brostoff writes, “the world came back into hideous focus” and they began to feel, for the first time, “like a long-term inhabitant of the present.” Missing Time collects five remarkable essays and a new introduction that trace the return of the 20th century’s political and cultural repressed in personal and collective terms. In prose that is simultaneously sharp and soulful, mournful and ecstatic, Brostoff offers lucid considerations of the reemergent millennial left, the enigmas of the X-Files, the complexities of Philip Roth’s (anti-)Zionism, and other novelties, atavisms, and atavisms newly reborn as novelties. From the communist ardor of the Bronx circa 1940 to the ’90s haze of the San Fernando Valley to a Brooklyn apartment building’s tenants’ association in the midst of a global pandemic, Missing Time collapses past and present into a revelatory encounter with very recent history.

    Usually, when one writes about crime and violence, the arguments are based solely on a social science perspective. Taking off on a different path, Sibley writes from a humanities point of view, focusing on film criticism, history, biblical interpretation, gender studies, observations on contemporary day-to-day life, and movements in the political sphere.

    Drawing on her experiences as a woman and voracious reader living in the Islamic Republic of Iran, her life as an immigrant in the United States, and her role as literature professor in both countries, she crafts an argument for why, in a genuine democracy, we must engage with the enemy, and how literature can be a vehicle for doing so.Structured as a series of letters to her father, Baba, who taught her as a child about how literature can rescue us in times of trauma, Nafisi explores the most probing questions of our time through the works of Toni Morrison, Salman Rushdie, James Baldwin, Margaret Atwood, and more.

    Now in its eleventh year—and with a foreword by Australia’s Chief Scientist, the renowned physicist Cathy Foley—The Best Australian Science Writing 2021 is a collection that showcases the nation’s best science writing. New voices join prominent science writers and journalists, taking us to the depths of the ocean, the fuels of the future, and to the Ryugu asteroid and back. The collection also brings us straight to the heart of complex ethical dilemmas and the calamitous crises challenging scientists and writers alike. Includes the shortlisted entries for the 2021 UNSW Press Bragg Prize and the 2020 UNSW Press Bragg Student Prize winning essay.

    Essays include "How To Be a Man," "How To Be White," "How to Be Religious," "How To Be Married," "How To Be Midwestern," and more, including brilliant analyses of middlebrow culture, bad movies, Marc Fisher, and Christian fundamentalism. With exquisite attention to syntax and prose, Christman unites these essays by his radical openness to inquiry. In the hands of this probing, witty writer, even the most seemingly "normal" subjects blossom into explorations laced with curiosity and delight.A book that speaks to lovers of cultural criticism and gorgeous prose that engages with big ideas and small.

    Why a cake? Because every author starts with the same general ingredients of characters, plot, and setting, but it’s how each author combines and adds to those ingredients that makes a book an author’s own unique creation.This essay offers a few tips and poses some questions for figuring out the things you enjoy and do best as an author, so that you can write your own cake, whether it’s a big, bold epic fantasy adventure, a subtle, nuanced mystery, an emotion-packed romance, or something else.Note: Write Your Own Cake is a 2,000-word essay about writing and worldbuilding. It first appeared as part of the Scribbler subscription box in November 2018.

    Every day a lover departs. Every day a woman turns forty.All three happening together brings a moment of reckoning.Medieval historian Elizabeth Boyle made sense of these events the best way she knew how - by immersing herself in the literature that has been her first love and life's work for over two decades.Fierce Appetites is the exhilarating and deeply humane result. Not only does Elizabeth Boyle write dazzling accounts of ancient stories, familiar and obscure, from Ireland and further afield, but she uses her historical learning to grapple with the raw and urgent questions she faces, questions that have bedevilled people in every age. She writes on grief, addiction, family breakdown, the complexities of motherhood, love and sex, memory, class, education, travel (and staying put) with unflinching honesty, deep compassion and occasional dark humour. Fierce Appetites is captivating and original - as an insight into the mind and heart of a groundbreaking scholar, and as a wise and reassuring account of what it is to be human._____________________'I loved this luminous, radical book about bodies in time. It is a deeply personal history, that simultaneously brings medieval myth and poetry to breathing, bleeding life. An education for the mind and the heart' Clare Pollard'Highly original . . . engagingly candid [and] thought-proviking' Irish Independent 'An eloquent plea for the value of curiosity and the life of the mind, standing up the robustness of scholarship against the frailty of individuals, the resilience of myth against brittle daily preoccupations. It's an agile story, irreverent, capacious and constantly surprising: like nothing else you will read' Hilary Mantel'Bracingly honest, fiery, funny, scholarly, Fierce Appetites really is a wildly good book' Hilary Fannin'Extremely intriguing . . . I found myself completely absorbed' Ryan Tubridy'I absolutely loved this utterly original book. Immersing myself in Elizabeth Boyle's considerable brain was a true privilege, and the way she uses medieval narratives to unpick her own present was endlessly surprising and beautiful. I read it in two sittings, devouring her perspective on life, love, loss' Clover Stroud'Fiercely smart, strange, surprising, unsettling, unflinching' Jennifer O'Connell, Irish Times'An outstanding achievement. Fierce Appetites defies easy categorization, is brilliantly written and simply deserves to be read' Darach Ó Séaghdha'Everything is illuminated, magnified, revisioned: sexual desire, motherhood, family. Her writing is unorthodox, unnerving, and very exciting' Tanya Shadrick

    

    Horton’s visceral essays highlight the difficulties of trying to change one’s life for the better, how the weight of felony convictions never dissipates. The memoir begins with a conversation between Horton and Ralph Ellison’s Invisible Man statue in New York City. Their imagined dialogue examines the psychological impact of racism on Black men and boys, including Horton’s separation from his mother, immediately after his birth, in a segregated Alabama hospital. From his current life as a professor and prison reformer, Horton looks back on his experiences as a drug smuggler and trafficker during the 1980s–1990s as well as the many obstacles he faced after his release. He also examines the lasting impact of his drug activity on those around him, reflecting on the allure of economic freedom and the mental escapism that cocaine provided, an allure so strong that both sellers and users were willing to risk prison. Horton shares historical context and vivid details about people caught in the war on drugs who became unsuspecting protagonists in somebody else’s melodrama. Lyrical and gripping, Dead Weight reveals the lifelong effects of one man’s incarceration on his psyche, his memories, and his daily experience of American society.

    

    Robinson shares surprising stories of illness and medicine that do not sacrifice hard truth for easy dramatics. These true stories are filled with details of difficult days and nights in the world of high-tech medical care, and they show the ongoing struggle in making critical decisions with no good answer. This collection presents the raw moments where his expertise in medical ethics and pediatrics are put to the test. He is neither saint, nor hero, nor wizard. Robinson admits that on his best days he was merely ordinary. Yet in writing down the authentic stories of his patients, Robinson discovers what led him to the practice of medicine—and how his idealism was no match for the realities he faced in modern health care.

    As Civil considers Haitian tourist paintings, dance rituals, race at the movies, black feminist legacies, and more, she reflects on her personal losses and desires, speculates on black time, and dreams into expansive black life. With intimacy, humor, and verve, the déjà vu blurs boundaries between memory, grief, and love; then, now, and the future.