A Writer at War – based on the notebooks in which Grossman gathered raw material for his articles – depicts the crushing conditions on the Eastern Front, and the lives and deaths of soldiers and civilians alike. It also includes some of the earliest reportage on the Holocaust. In the three years he spent on assignment, Grossman witnessed some of the most savage fighting of the war: the appalling defeats of the Red Army, the brutal street fighting in Stalingrad, the Battle of Kursk (the largest tank engagement in history), the defense of Moscow, the battles in Ukraine, and much more.Historian Antony Beevor has taken Grossman’s raw notebooks, and fashioned them into a narrative providing one of the most even-handed descriptions – at once unflinching and sensitive – we have ever had of what he called “the ruthless truth of war.”From the Hardcover edition.

    This text contains an introductory essay, critical biography and chronology of the author's life. Ages 16+.

    Peleliu was the setting for one of the most savage struggles of modern times, a true killing ground that has been all but forgotten—until now. Drawing on interviews with Peleliu veterans, Bill Sloan's gripping narrative seamlessly weaves together the experiences of the men who were there, producing a vivid and unflinching tableau of the twenty-four-hour-a-day nightmare of Peleliu. Emotionally moving and gripping in its depictions of combat, Brotherhood of Heroes rescues the Corps's bloodiest battle from obscurity and does honor to the Marines who fought it.

    "A cultural monument, a journalistic gold mine, an essential research tool, an amazing time machine." What has the "New Yorker" said about Prohibition, Duke Ellington, the Second World War, Bette Davis, boxing, Winston Churchill, "Citizen Kane," the invention of television, the Cold War, baseball, the lunar landing, Willem de Kooning, Madonna, the internet, and 9/11? Eighty years of "The New Yorker" offers a detailed, entertaining history of the life of the city, the nation, and the world since 1925. Every article, every cartoon, every illustration, every advertisement, exactly as it appeared on the printed page, in full color. Flip through full spreads of the magazine to browse headlines, art work, ads, and cartoons, or zoom in on a single page, for closer viewing. Print any pages or covers you choose, or bookmark pages with your own notes. Our powerful search environment allows you to home in on the pieces you want to see. Our entire history is catalogued by date, contributor, department, and subject. 4, 109 ISSUES. HALF A MILLION PAGES. YOURS TO SEARCH AND SAVOR.

    Over the course of the 1960s and 1970s, however, so many whites fled the city for the suburbs that Atlanta earned a new nickname: "The City Too Busy Moving to Hate."In this reappraisal of racial politics in modern America, Kevin Kruse explains the causes and consequences of "white flight" in Atlanta and elsewhere. Seeking to understand segregationists on their own terms, White Flight moves past simple stereotypes to explore the meaning of white resistance. In the end, Kruse finds that segregationist resistance, which failed to stop the civil rights movement, nevertheless managed to preserve the world of segregation and even perfect it in subtler and stronger forms.Challenging the conventional wisdom that white flight meant nothing more than a literal movement of whites to the suburbs, this book argues that it represented a more important transformation in the political ideology of those involved. In a provocative revision of postwar American history, Kruse demonstrates that traditional elements of modern conservatism, such as hostility to the federal government and faith in free enterprise, underwent important transformations during the postwar struggle over segregation. Likewise, white resistance gave birth to several new conservative causes, like the tax revolt, tuition vouchers, and privatization of public services. Tracing the journey of southern conservatives from white supremacy to white suburbia, Kruse locates the origins of modern American politics.

    Adopting an innovative year-by-year approach, Foster, Krauss, Bois and Buchloh present more than one hundred short essays, each focusing on a crucial event - such as the creation of a seminal work, the publication of an artistic manifesto, or the opening of a major exhibition - to tell the story of the dazzling diversity of practice and interpretation that characterized the art of the period. are explored in depth, as are the frequent and sustained antimodernist reactions that proposed alternative visions of art and the world. Illustrating the authors' fine texts are more than six hundred of the most important works of the century, most reproduced in full colour. The book's flexible structure and extensive cross-referencing allow readers to plot their own course through the book and to follow any one of the many narratives that unfold through the century, whether that be the history of a medium such as photography or painting, the development of art in a particular country, the influence of a movement such as Surrealism or feminism, or the emergence of a stylistic or conceptual category like abstraction or minimalism. and issues surrounding the art. In their perceptive introductions, the four authors set out and explain the different methods of art history at work in the book, providing the reader with the conceptual tools to further his or her own study. Two roundtable discussions - one at mid-century, the other at the close of the book - consider some of the questions raised by the preceding decades and look ahead to the art of the future. A glossary of terms and concepts completes this extraordinary volume.

    Volume 2 of the Selected Writings is now available in paperback in two parts.In Part 1, Benjamin is represented by two of his greatest literary essays, "Surrealism" and "On the Image of Proust," as well as by a long article on Goethe and a generous selection of his wide-ranging commentary for Weimar Germany's newspapers.Part 2 contains, in addition to the important longer essays, "Franz Kafka," "Karl Kraus," and "The Author as Producer," the extended autobiographical meditation "A Berlin Chronicle," and extended discussions of the history of photography and the social situation of the French writer, previously untranslated shorter pieces on such subjects as language and memory, theological criticism and literary history, astrology and the newspaper, and on such influential figures as Paul Valery, Stefan George, Hitler, and Mickey Mouse.

    The Sunday Krazy Kat strip turns to full spectacular color, with a flood of rare color extras and a revelatory essay by Jeet Heer.

      On December 7, 1941, an unexpected attack on American territory pulled an unprepared country into a terrifying new brand of warfare. To the generation of Americans who lived through it, the Second World War was the defining event of the twentieth century, and the defining moments of that war were played out in the year 1942.   This account covers the Allies’ relentless defeats as the Axis overran most of Europe, North Africa, and the Far East. But by midyear the tide began to turn. The United States finally went on the offensive in the Pacific. In the West, the British defeated Rommel’s panzer divisions at El Alamein while the US Army began to push the Germans out of North Africa. By the year’s end, the smell of victory was in the air.  1942, told with Winston Groom’s accomplished storyteller’s eye, allows us into the admirals’ strategy rooms, onto the battlefronts, and into the heart of a nation at war.   “When not drawing in readers with the narrative, Groom is impressing them with his masterful analyses.” —The Atlanta Journal-Constitution   “Groom has done an artful job of blending the many stories of 1942.” —The Anniston Star

    From the ruins of Berlin to the birth of Israel, from the Italian Alps to the Australian high country, Heritage is a passionate and fast-paced tale of rebirth, struggle, sacrifice and redemption, and a tribute to those who gave meaning to the Australian spirit.

    New York City newspapers reported his death on their front pages. ("Crimson Tears," read the headline in the New York Post, "Nation weeps over death of legendary Bear Bryant, 69.") Three days later, America watched in awe as an estimated quarter of a million mourners lined the fifty-five mile stretch from Tuscaloosa to a Birmingham cemetery to pay their respects as his three-mile long funeral cortege drove by.President Reagan and the three former American presidents sent flowers, as did people as diverse as Bob Hope, ABC's Roone Arledge, advice columnist Ann Landers and the Reverend Billy Graham. Scores of Bryant's former players, including Joe Namath, Lee Roy Jordan, Ken Stabler and Ozzie Newsome, were in attendance. So were Bryant's most distinguished colleagues, the greatest living football coaches, including Southern Cal's John McKay, who said, "It was like a presidential funeral procession. No coach in America could have gotten that. No coach but him. But then, he wasn't just a coach. He was the coach."Bryant's passing was noted with the kind of reverence our country reserved for statesmen or military leaders, though Paul "Bear" Bryant had insisted for much of his life that he was "just a football coach." For millions he was much more, he was the greatest coach the game ever saw, the heir to the tradition established by Knute Rockne. He took his Alabama Crimson Tide teams to an unmatched six national championships. But to the players, journalists and fans whose lives he touched in his more than half a century as a player and coach, he was the last symbol of values that transcended football—courage, discipline, loyalty, and hard work.To his critics, Bryant represented the dark side of big-time college football—brutality, fanaticism and blind adherence to authority. The real Bear Bryant was far more complex than either his admirers or detractors knew. While maintaining a public friendship with Alabama governor George Wallace, he continually sought ways to undermine the governor's segregationist policies, finally forcing a legendary football game in Birmingham with the University of Southern California that opened the floodgates to the integration of football at the University of Alabama, including its coaching staff. Old fashioned in his politics, he was nonetheless an admirer of Robert Kennedy, whom he planning to vote for in 1968.Allen Barra's The Last Coach traces Paul Bryant's rise from a family of truck farmers to recognition as the most successful and influential coach in the game's history. The eleventh of thirteen children, Bryant was born in tiny Moro Bottom, Arkansas in 1913 and grew up in nearby Fordyce—where his legend was born when he wrestled a live bear on the stage of a local theater. Paul was raised by his mother, who barely managed to keep him out of trouble and on the Fordyce High School Redbugs long enough to get a football scholarship at Alabama, where he would meet and marry the love of his life, campus beauty queen Mary Harmon Black.At the height of the Depression, football took Bryant to the Rose Bowl with Alabama's 1934 national champions and on to a career as an assistant and, finally, a head football coach, where he matched wit and grit with the greatest coaches of two generations, men like Tennessee's General Robert Neyland, Oklahoma's Bud Wilkinson, Notre Dame's Ara Parseghian, Ohio State's Woody Hayes, and Penn State's Joe Paterno. Along the way, he stirred controversy with his infamous "Junction Boys" training camp in 1954, during which almost two-thirds of the Texas A football team quit; his legal battle with The Saturday Evening Post over the accusation that he had conspired to fix a college football game, a trial which rocked the sports world; and his pursuit of Amos Alonzo Stagg's all-time record for college coaching victories.Through it all, Bryant's influence has not only endured but prevailed as his former players and assistants continue to define the best in not only college but professional football. A USA Today and Washington Post Best Sports Book.

    Volume 2 of the Selected Writings is now available in paperback in two parts.In Part 1, Benjamin is represented by two of his greatest literary essays, "Surrealism" and "On the Image of Proust," as well as by a long article on Goethe and a generous selection of his wide-ranging commentary for Weimar Germany's newspapers.Part 2 contains, in addition to the important longer essays, "Franz Kafka," "Karl Kraus," and "The Author as Producer," the extended autobiographical meditation "A Berlin Chronicle," and extended discussions of the history of photography and the social situation of the French writer, previously untranslated shorter pieces on such subjects as language and memory, theological criticism and literary history, astrology and the newspaper, and on such influential figures as Paul Valery, Stefan George, Hitler, and Mickey Mouse.

    The fighting skeletons of Jason and the Argonauts. And, of course, the angry T. Rex of Island of the Gwangi. All these creations and many more, seared into our collective consciousness, are the work of one man—Ray Harryhausen. The father of special effects, Ray Harryhausen is revered among film historians, animators, special-effects designers, and everyone who’s ever seen his inspired stop-motion creations. In 2004, Watson-Guptill published Ray Harryhausen: An Animated Life to critical acclaim and sales of over 20,000 copies. Now WG is pleased to present a companion book: The Art of Ray Harryhausen. Concise essays and lavish illustrations look at each of Harryhausen’s many specialties, including aliens, prehistoric creatures, mythological monsters, and much more. At last, fans of Harryhausen can see the progression of his work over time, in a visual celebration of his art and artistry.

    In particular, she shows how the tradition of Western political thought, which extends from Plato and Aristotle to its culmination in Marx, failed to account for human action. The concluding section of the book, “Introduction into Politics,” examines an issue that is as timely today as it was when Arendt first wrote about it fifty years ago–the modern prejudice against politics. When politics is considered as a means to an end that lies outside of itself, argues Arendt, when force is used to create “freedom,” the very existence of political principles is imperiled.

    Arrow in the Blue ended with his joining the Communist Party and The Invisible Writing covers some of the most important experiences in his life.This book tells of Koestler's travels through Russia and remote parts of Soviet Central Asia and of his life as an exile. It puts in perspective his experiences in Franco's prisons under sentence of death and in concentration camps in Occupied France and ends with his escape in 1940 to England, where he found stability and a new home.

    Twelve-year-old Andrea "Andi" Carter attracts trouble the way her palomino horse, Taffy, attracts flies on a hot summer day. Andi's entire family and the staff at the Circle C Ranch treat her like such a pesky kid that she sometimes wonders if they would all be better off without her. After a particularly scary incident where Andi gets in trouble once again, she saddles up Taffy and runs away from home. But her escape quickly leads to frightening encounters with a horse thief and a vicious young lady. All of which makes Andi realize that there really is no place like home.

    Soo's infamous and suspicious onstage death in 1918 mystified his fellow magicians: he was shot during a performance of "Defying the Bullets," in which he attempted to catch marked bullets on a porcelain plate. When Soo died, his deceptions began to unravel. It was discovered that he was not Chinese but a fifty-eight-year-old American named William Ellsworth Robinson, a former magicians' assistant and the husband of Olive Robinson. But even William Robinson was not who he appeared to be, for he had kept a second family with a mistress in a fashionable home near London. Here is a look at the rough-and-tumble world of turn-of-the-century entertainments, the West's discovery of Oriental culture, and Soo's strange descent into secrecy as he rose to stardom -- written by the foremost chronicler of magic's history and culture. Due to the scandals surrounding Robinson's death, this is the first time his full story has ever been told. Photographs are included.

    Brand new book

    displayed its new navy of steel-hulled ships firing explosive shells and wrested an empire from a fading European power- The hairsbreadth American victory at Midway, where aircraft carriers launched planes against enemies 200 miles away--and where the tide of World War II turned in the space of a few furious minutes- Operation Praying Mantis in the Persian Gulf, where computers, ship-fired missiles, and smart bombs not only changed the nature of warfare at sea, but also marked a new era, and a new responsibility, for the United States.Symonds records these encounters in detail so vivid that readers can hear the wind in the rigging and feel the pounding of the guns. Yet he places every battle in a wide perspective, revealing their significance to America's development as it grew from a new Republic on the edge of a threateningfrontier to a global superpower.Decision at Sea is a powerful and illuminating look at pivotal moments in the history of the Navy and of the United States. It is also a compelling study of the unchanging demands of leadership at sea, where commanders must make rapid decisions in the heat of battle with lives--and the fate ofnations--hanging in the balance.

    New Collected Poems now brings the record of her achievement up to date, adding material from her subsequent volumes and filling out key poems from the early years. Following the chronology of publication, the reader experiences the exhilarating sense of development, now incremental, now momentous. Boland’s work traces a measured process of emancipation from conventions and stereotypes, writing now in a space she has cleared not by violent rejection, but by dialogue, critical engagement, and patient experimentation with form, theme, and language.

    Not published in France until 2002, and appearing in English for the first time, these creative and engaging lectures deepen our understanding of Roland Barthes's intellectual itinerary and reveal his distinctive style as thinker and teacher.The Neutral (le neutre), as Barthes describes it, escapes or undoes the paradigmatic binary oppositions that structure and produce meaning in Western thought and discourse. These binaries are found in all aspects of human society ranging from language to sexuality to politics. For Barthes, the attempt to deconstruct or escape from these binaries has profound ethical, philosophical, and linguistic implications.The Neutral is comprised of the prewritten texts from which Barthes lectured and centers around 23 "figures," also referred to as "traits" or "twinklings," that are possible embodiments of the Neutral (sleep, silence, tact, etc.) or of the anti-Neutral (anger, arrogance, conflict, etc.). His lectures draw on a diverse set of authors and intellectual traditions, including Lao-tzu, Tolstoy, German mysticism, classical philosophy, Rousseau, Baudelaire, Walter Benjamin, and John Cage. Barthes's idiosyncratic approach to his subjects gives the lectures a playful, personal, and even joyous quality that enhances his rich insights.In addition to his reflections on a variety of literary and scholarly works, Barthes's personal convictions and the events of his life shaped the course and content of the lectures. Most prominently, as Barthes admits, the recent death of his mother and the idea of mourning shape several of his lectures.

     Growing up in Chicago in the 1950s, Neecey once felt that her world was perfect. She was loved and protected by her father, Jesse, and lived in relative comfort with her mother, Ruby, her grandmother, Ma ’Dear, and her siblings. But when Ruby and Jesse’s marriage falls apart due to Jesse’s cheating ways and Ruby’s hot temper, the children are eventually abandoned by their father and end up living in poverty in a housing project. Ruby plunges into depression and anger, yelling at and hitting her children without warning. Ruby brings shiftless suitors into her home and gives them her body and her time, leaving Neecey to learn on her own how to cook and care for her five younger siblings, some mere babies. Yet despite the trauma, Neecey’s love for her sisters and brother, and ultimately herself, helps her find the inner strength to succeed. Cris Burks has created a poignant portrait of a child who strives to soar above a world of pain.

    But few know that those lists were made possible by a secret strategy designed by a young Polish Jew at the Płaszow concentration camp. Mietek Pemper’s compelling and moving memoir tells the true story of how Schindler’s list really came to pass.Pemper was born in 1920 into a lively and cultivated Jewish family for whom everything changed in 1939 when the Germans invaded Poland. Evicted from their home, they were forced into the Krakow ghetto and, later, into the nearby camp of Płaszow where Pemper’s knowledge of the German language was put to use by the sadistic camp commandant Amon Goth. Forced to work as Goth’s personal stenographer from March 1943 to September 1944—an exceptional job for a Jewish prisoner—Pemper soon realized that he could use his position as the commandant’s private secretary to familiarize himself with the inner workings of the Nazi bureaucracy and exploit the system to his fellow detainees’ advantage. Once he gained access to classified documents, Pemper was able to pass on secret information for Schindler to compile his famous lists. After the war, Pemper was the key witness of the prosecution in the 1946 trial against Goth and several other SS officers. The Road to Rescue stands as a historically authentic testimony of one man’s unparalleled courage, wit, defiance, and bittersweet victory over the Nazi regime.

    world-famous detective who dealt with fact and a prolific crime writer who dealt with fantasy. But their paths crossed six times, and Mrs Oliver was to become one of Poirot's staunchest allies. when they attend a bridge party in which the host is silently murdered in full view of a roomful of guests. old widow is murdered in the parlour of her cottage. into the real thing when Poirot and Mrs Oliver have to face up to their first case of a child murder.The Case of the Discontented Soldier and The Case of the Rich Woman are two bonus stories in which Mrs Oliver makes an appearance alongside the private eye Christopher Parker Pyne.

    Five get into Trouble, Five on Finniston Farm, Five are Together Again

    Miller), Histories of the Hanged exposes the long-hidden colonial crimes of the British in Kenya. This groundbreaking work tells how the brutal war between the colonial government and the insurrectionist Mau Mau between 1952 and 1960 dominated the final bloody decade of imperialism in East Africa. Using extraordinary new evidence, David Anderson puts the colonial government on trial with eyewitness testimony from over 800 court cases and previously unseen archives. His research exonerates the Kikuyu rebels; hardly the terrorists they were thought to be; and reveals the British to be brutal aggressors in a "dirty war" that involved leaders at the highest ranks of the British government. This astonishing piece of scholarship portrays a teetering colonial empire in its final phase; employing whatever military and propaganda methods it could to preserve an order that could no longer hold.

    In 1944 W. H. Auden called Agee's film reviews for The Nation "the most remarkable regular event in American journalism today." Those columns, along with much of the movie criticism that Agee wrote for Time through most of the 1940s, were collected posthumously in Agee on Film: Reviews and Comments, undoubtedly the most influential writings on film by an American.Whether reviewing a Judy Garland musical or a wartime documentary, assessing the impact of Italian neorealism or railing against the compromises in a Hollywood adaptation of Hemingway, Agee always wrote of movies as a pervasive, profoundly significant part of modern life, a new art whose classics (Chaplin, Dovzhenko, Vigo) he revered and whose betrayal in the interests of commerce or propaganda he often deplored. If his frequent disappointments could be registered in acid tones, his enthusiasms were expressed with passionate eloquence. This Library of America volume supplements the classic pieces from Agee on Film with previously uncollected writings on Ingrid Bergman, the Marx Brothers, Alfred Hitchcock's Lifeboat, Vittorio De Sica's Shoeshine, and a wealth of other cinematic subjects.Agee's own work as a screenwriter is represented by his script for Charles Laughton's unique and haunting masterpiece of Southern gothic, The Night of the Hunter, adapted from the novel by Davis Grubb. This collection also includes examples of Agee's masterfully probing reporting for Fortune — on subjects as diverse as the Tennessee Valley Authority, commercial orchids, and cockfighting — and a sampling of his literary reviews, among them appreciations of William Faulkner, Virginia Woolf, S. J. Perelman, and William Carlos Williams.

    Here and in the stories that accompany it, including "The Conversion of the Jews" and "Defender of the Faith," Roth depicts Jewish lives in 1950s America with an unflinching sharpness of observation." In Letting Go, a sprawling novel set largely against the backdrop of Chicago in the 1950s, Roth portrays the moral dilemmas of young people cast precipitously into adulthood, and in the process describes a skein of social and family responsibilities as they are brought into focus by issues of marriage, abortion, adoption, friendship, and career. The novel's expansiveness provides a wide scope for Roth's gift for vivid characterization, and in his protagonist Gabe Wallach he creates a nuanced portrait of a responsive young academic whose sense of morality draws him into the ordeals of others with unforeseen consequences.Library of America #157

    Sahib is a broad and sweeping military history of the British soldier in India, but its focus, like that of Tommy and Redcoat before it, will be on the men who served in India and the women who followed them across that vast and dusty continent, bore their children, and, all too often, mopped their brows as they died. The book begins with the remarkable story of India's rise from commercial enclave to great Empire, from Clive's victory of Plassey, through the imperial wars of the eighteenth century and the Afghan and Sikh Wars of the 1840s, through the bloody turmoil of the Mutiny, and the frontier campaigns at the century's end. With its focus on the experience of ordinary soldiers, Sahib explains to us why soldiers of the Raj had joined the army, how they got to India and what they made of it when they arrived. barrack room' to storming parties assaulting mighty fortresses, cavalry swirling across open plains, and khaki columns inching their way between louring hills. Making full use of extensive and often neglected archive material in the India Office Library and National Army Museum, Sahib will do for the British soldier in India - whether serving a local ruler, forming part of the Indian army, or soldiering with a British regiment - what Tommy has done for the ordinary soldier in the First World War.

    This approach, first explored by Rauschenberg in the early 1950s, proved prescient and has become increasingly relevant in the current age of cascading information, when even the most ground-breaking artists are referencing and sampling disparate elements to create new forms. The Combines suggest the fragility of definitions, the fluidity of materials, and the complexity of forms that are characteristic of Rauschenberg's works. The artist's handling of materials provides a precise physical evolutionary link between the painterly qualities of Abstract Expressionism and iconographical, subject-driven early Pop Art. This book focuses on the works created roughly between 1954 and 1964, the most important decade in the artist's 50-year career, and constitutes the most complete survey of the Combines ever presented, as well as the most rigorous analysis of their political, social, autobiographical, and aesthetic significance. An introductory essay by exhibition curator Paul Schimmel titled "Reading Rauschenberg" offers an iconographic analysis of the earlier Combines, based on in-depth conversations with the artist. Other texts help to contextualize the Combines, such as Thomas Crow's essay that calls them the major artistic statement of their time, and the one body of art that could simultaneously hold its own with De Kooning to the rear and Pop art to come.

    A year later, while en route to India, their troop ship is recalled and they soon find themselves in the European slaughterhouse that was World War I. As stretcher bearers, the two men witness all too closely the horrors of the battlefield and the trenches, the savagery, and the unconscionable waste of human life on fields made liquid by “the blood and guts of boy soldiers” at the Somme, Ypres, and Passchendaele. Meanwhile, back home in Ireland, Con’s sister and Matthias’s lover, Kitty Hatchel, yearns for their safe return and reminds them of their carefree childhood on the banks of the local canal, as well as their hopes for the future.Brilliantly and movingly narrated by a chorus of voices from the community — Matt, Con, Kitty, and others — The Canal Bridge tells the story of how the young men take Ballyrannel to war with them, and how the war comes back home when hostilities end in Europe. The Ireland the friends left in 1913 no longer exists, for the political landscape has been transformed by the Rising against the British in 1916. It is now a land riven with sectarian tensions and bloodshed from which there is no escape.

    She brought them food and books, but they were caught and paid a terrible price. Maria's stirring story is one of five featured in this important book of young people putting their lives on the line for others.

    He was also an accomplished painter. Sepehri is especially famous as a poet because of his observations on the human condition and his love for nature. This volume includes many of Sepehri's best poems in the original Persian text with full English translations. It is a great introduction to his work for non-Persian speakers and a comprehensive collection for others. The Farsi title is Ashiq hamishah tanhast.

    His portrayal of Leonard "Bones" McCoy, the southern physician aboard the Starship Enterprise™, brought an unaffected humanity to the groundbreaking space frontier series. Jackson DeForest Kelley came of age in Depression-era Georgia. He was raised on the sawdust trail, a preacher's kid steeped in his father's literal faith and judgment. But De's natural artistic gifts called him to a different way, and a visit to California at seventeen showed a bright new world. Theater and radio defined his early career -- but it was a World War II training film he made while serving in the Army Air Corps that led to his first Paramount Studios contract. After years of struggle, his lean, weathered look became well known in notable westerns and television programs such as You Are There and Bonanza. But his work on several pilots for writer-producer Gene Roddenberry changed his destiny and the course of cultural history. This thoroughly researched actor's life is about hard work and luck, loyalty and love. It is a journey that takes us all...from sawdust to stardust.

    This volume shows how the globalization of the Cold War during the 20th century created the foundations for most of today's key international conflicts, including the "war on terror." Odd Arne Westad examines the origins and course of Third World revolutions and the ideologies that drove the U.S. and the U.S.S.R. towards interventionism. He focuses on how these interventions gave rise to resentments and resistance that, in the end, helped to topple one and to seriously challenge the other superpower. In addition, he demonstrates how these worldwide interventions determined the international and domestic framework within which political, social and cultural changes took place in such countries as China, Indonesia, Iran, Ethiopia, Angola, Cuba, and Nicaragua. According to Westad, these changes, plus the ideologies, movements and states that interventionism stirred up, constitute the real legacy of the Cold War. Odd Arne Westad is Professor of International History at the London School of Economics and Political Science. In 2004 he was named head of department and co-director of the new LSE Cold War Studies Centre. Professor Westad is the author, or editor, of ten books on contemporary international history including Decisive Encounters: The Chinese Civil War, 1946-1950 (2003) and, with Jussi Hanhimaki, The Cold War: A History in Documents and Eyewitness Accounts (2003). In addition, he is a founding editor of the journal Cold War History.

    The story begins in the years before WWII when a penniless Japanese child is torn from her family to work as a servant in a geisha house. Despite a treacherous rival who nearly breaks her spirit, the girl blossoms into the legendary geisha Sayuri (Ziyi Zhang). Beautiful and accomplished, Sayuri captivates the most powerful men of her day, but is haunted by her secret love for the one man who is out of her reach (Ken Watanabe).The Newmarket Pictorial Moviebook explores the intricate process of re-creating the period and world of the geisha. Special sections showcase production design, makeup, choreography, and costumes, featuring kimonos created especially for the movie by five-time Oscar®-nominated costume designer Colleen Atwood. Sidebars throughout also provide fascinating historical background on the geisha culture.

    He's a blast from the past. Can their love survive the test of time... and war?Adventure reporter Melanie "Mel" Morton tackles current events, not historical retellings. But that all changes when a WWII veteran tracks her down and seeks her help in saving her gold-star grandfather's life... by traveling back in time.For Mel, the stakes keep rising until she finds herself on her grandfather's fateful final mission. Shot down behind enemy lines, Mel and Jack Hamilton, the now-young and handsome pilot, must navigate the occupied French countryside and their generational differences. With her grandfather's life and her future on the line, Mel and Jack can't afford the distraction of their undeniable chemistry. Failure to complete their mission could get them killed, or worse, change the course of history.Out of Time is a riveting time travel romance adventure novel. If you like explosive chemistry, rapid-fire action, and accurate depictions of the Second World War, then you'll love Pauline Baird Jones' homage to the Greatest Generation.Buy Out of Time to parachute into a war-torn love story today!

    The matriarch, Gabi, was born Jewish but converted to Christianity in her teens. The patriarch, Willibald, is a Lutheran minister who, on one hand is an admirer of Hitler, but on the other hand, the conflicted father of children who are half-Jewish. Mindful and resentful of her husband’s ambivalence, Gabi is determined to make sure her children are educated, devising schemes to keep them in school even after learning that any child less than 100% Aryan will eventually be kept from completing education. She even hires tutors who are willing to teach half-Jewish children and in this way comes to hire Fraulein Kaminsky who shows Gabi how to cure her frustration and rage: to keep her mouth filled with water until the urge to scream or rant has passed.This beautifully rendered novel of WWII, “seen through a child’s eye, makes delusion and hypocrisy shockingly stark.” (The Guardian)

    are of his operas, his music pervades movie soundtracks, and his plots have infiltrated our popular culture. But, although Puccini’s art still captivates audiences and the popularity of such works as Tosca, La Bohème, and Madama Butterfly has never waned, he has long been a victim of critical snobbery and cultural marginalization.In this witty and informative guide for beginners and fans alike, William Berger sets the record straight, reclaiming Puccini as a serious artist. Combining his trademark irreverent humor with passionate enthusiasm, Berger strikes just the right balance of introductory information and thought-provoking analysis. He includes a biography, discussions of each opera, a glossary, fun facts and anecdotes, and above all keen insight into Puccini’s enduring power. For anyone who loves Puccini and for anyone who just wonders what all the fuss is about, Puccini Without Excuses is funny, challenging, and always a pleasure to read.INCLUDES:_ Why Puccini’s art and its message of hope is crucial to our world today_ How Anglo audiences often miss the mythic significance of his operas_ The use of his music as shorthand in films, from A Room with a View to Fatal Attraction_ A scene-by scene analysis of each opera_ A guide to the wealth of available recordings, books, and videos

    Little more than an ordinary Jewish schoolboy, his desperate journey took him, among many other places, to Paris, where he earned a living guiding the Nazis around the red light district, an occupation that provoked complex feelings of guilt, elation, and fortune. But his luck ran out, and Freddie was soon on the run again before he fell victim to a friend's betrayal that saw him transported straight to Auschwitz. He survived the horrors of the extermination camp, and has lived to tell his story.

    This firsthand account by his granddaughter reveals an extraordinary individual—a scientist with a doctorate in aeronautical engineering from MIT, an aviation pioneer who was the first to fly across the United States in less than 24 hours and the first to fly “blind” (using only his plane’s instruments), a barnstormer well known for aerobatics, a popular racing pilot who won every major air race at least once, recipient of both the Congressional Medal of Honor and Presidential Medal of Freedom, a four-star general, and commander of both the 8th, 12th and 15th Air Forces. This memoir provides insights into the public and private world of Jimmy Doolittle and his family and sheds light on the drives and motivation of one of America's most influential and ambitious aviators.

    Nicholas recounts the euthanasia and eugenic selection, racist indoctrination, kidnapping and “Germanization,” mass executions, and slave labor to which the Nazis subjected Europe’s children. She also captures the uprooted children’s search for their families in the aftermath of the war. A disturbing and absolutely necessary work, Cruel World opens a new chapter in World War II studies.

    The notion of charging into adversity has been a cherished part of Ireland’s military history.In September 1961 another chapter should have been written into the annals, but it is a tale that lay shrouded in dust for years.The men of A Company, 35th Irish Infantry Battalion, arrived in the Congo as a UN contingent to help keep the peace. For many it would be their first trip outside their native shores. Some of the troops were teenage boys, their army-issue hobnailed boots still unbroken. They had never heard a shot fired in anger. Others were experienced professional soldiers, but were still not prepared for the action that was to take place.Led by Commandant Pat Quinlan, A Company found themselves tasked with protecting the European population at Jadotville, a small mining town in the southern Congolese province of Katanga. It fell to A Company to try and protect people who later turned on them. On 13 September 1961 the bright morning air of Jadotville was shattered by the sound of automatic gunfire.The men of A Company found their morning Mass parade interrupted, and within minutes went from holding rosaries to rifles as they entered the world of combat. This was to be no Srebrenica; though cut off and surrounded, the men of Jadotville held their ground and fought …This is their story.

    The Dirty Dozen showcases the best of the best - and 25 per cent bigger than the originals, so old guys can read the strips without their glasses! Chosen by current Editor George Low, the brilliantly drawn stories in this classic collection range from backs-to-the-wall heroics at Dunkirk and Battle of Britain dogfights, through desert warfare in North Africa and daring commando raids behind enemy lines, to tough battles across Europe from D-Day to VE Day. For everyone whose comic-book battle lust has ever been stirred by Nazi cries of 'Die! Englischer schweinhund', The Dirty Dozen will transport them right back into fictional combat situations they'd forgotten were so much fun. Aaarrghh!

    Dalin provides a ringing defense of the wartime pontiff, arguing that Holocaust-era Jews justly regarded Pius as their protector, not their tormentor.

    As he and his mother, brother, and sisters struggle to stay alive, nine-year-old Fivel is hungry, is cold, is a rascal, is goodhearted, longs for his father, and is afraid for their lives. Will the money from America ever come? Has their father forgotten about them, perhaps even found another family? When will the next horrific Cossack raid come? Here is an absorbing, ultimately hopeful novel that creates an unforgettable portrait of a family, a time, and the bridging of two worlds.

    In the following twenty-three years she experienced many of the terrors of her fellowEuropean Jews: early Nazi oppression in Berlin; post-"Anschluss" Vienna; Nazi occupied Prague; and deportation to Theresienstadt in 1942. But the truehorrors of the Nazi "Final Solution" awaited her in Birkenau, the woman's concentration camp where she survived her internment, beginning in January, 1943, for two years. These months of hell were followed by a "Death March" and incarceration in Ravensbrück from which she and a group of fellow inmates walked away to freedom.As Professor Emerita in German literature at UNC-Charlotte, Dr. Cernyak-Spatz continues to teach and to lecture about the Holocaust. This book is a rare firsthand testament of a Holocaust survivor. The audiobook version, narrated by the author, is now available on her website.

    The Bureau of Military History interviewed those involved in this scheme in the early 1950s with the assurance that the material would not be published in their lifetimes. A few of the contributions were made available by the families of those involved, but the bulk of them have only recently been released. This is the first book to make use of those interviews. It makes fascinating, almost unique reading, because they contain first-hand descriptions in which men speaking candidly of their involvement in killing selected people at close range. As a result it throws a considerable amount of new light on the activities of the Squad and the intelligence operations of Michael Collins.

    Winner of the Sandor Marai prize, and in the tradition of 'A Curious Incident' and 'Boy in the Striped Pyjamas', 'The White King' is the story about a young boy in a totalitarian state in a quest for his disappeared father."

    This is the story of one of the greatest days in rugby history.

    1936) exhibits his deep distrust of language and the way it can conceal as much as it reveals. Not surprisingly, DeLillo treats interviews with the same care and caution. For years, he shunned them altogether. As his fiction grew in popularity, especially with White Noise, and he began to confront the historical record of our times in books such as Libra, DeLillo felt compelled to make himself available to his readers. Despite claims by interviewers about his elusiveness, he now hides in plain sight.In , the renowned author makes clear his distinctions between historical fact and his own creative leaps, especially in his masterwork, Underworld. There it seems the true events are unbelievable and imaginary ones not. Throughout long profiles and conversations—ranging from 1982 to 2001 and published in the New Yorker, the Paris Review, and Rolling Stone—DeLillo parries personal inquiries. He counters with the details of his work habits, his understanding of the novelist's role in the world, and his sense of our media-saturated culture. A number of interviews detail DeLillo's less-heralded work in the theater, from The Day Room to a recent production of Valparaiso, itself a stinging satire on the interviewing process.DeLillo also finds time to comment on his nonliterary passions, primarily the movies and baseball. Lee Harvey Oswald also inspires much extraliterary discussion, not just as the subject of Libra, but as a figure who, like the terrorists always lurking in DeLillo's fictions, captures our attention in ways novelists cannot. For DeLillo, a writer who eschews celebrity, the ultimate response might be the one he offered in his very first interview, paraphrasing Joyce: "Silence, exile, cunning, and so on. It's my nature to keep quiet about most things." Fortunately for his many readers and fans, he proves himself here to be a talker.

    SAINT-ANGE has since become the bible of French cooking technique, found on every kitchen shelf in France. A housewife and a professional chef, Madame Evelyn Saint-Ange wrote in a rigorous yet highly instructive and engaging style, explaining in extraordinary detail the proper way to skim a sauce, stuff a chicken, and construct a pâté en croûte.Though her text has never before been translated into English,Madame Saint-Ange's legacy has lived on through the cooking of internationally renowned chefs like Julia Child and Madeleine Kamman, setting the standard for practical home cooking as well as haute cuisine. In this momentous translation by Chez Panisse cofounder and original chef de cuisine Paul Aratow, Madame Saint-Ange's culinary wisdom is available in English for the first time.Enveloped in charming intricacies of even the most fundamental cooking techniques are 1,300 authentic French recipes for such classics as Braised Beef, Quiche Lorraine, Cassoulet, and Apricot Soufflé; original illustrations of prepping and cooking techniques; and seasonal menus for every meal of the day. An indispensable culinary encyclopedia and an absorbing historical document, LA BONNE CUISINE DE MADAME E. SAINT-ANGE is the definitive word on French cooking for food lovers, dedicated cooks, culinary professionals, and Francophiles alike.

    New edition of this widely adopted introduction to the Isreali-Palestinian conflictFully revised and updated, the second edition also includes a new chapter on the so-called fourth stage of the conflict.Written by one of the worlds leading authorities on the conflict, who is recognized for the even-handedness of his approach to this complex and sensitive topicAssumes no prior knowledge on the part of the readerIncludes an extensive chronology of events at the back of the book

    1874) is regarded as one of the most important figures of the Mexican revolution. Through his newspaper Regeneración, he boldly criticized the injustices of the country’s military dictatorship and worked to build the popular movement that eventually overthrew it. Exiled to the United States, Flores Magón continued to agitate for revolution in Mexico. Transcending nationalism, he also dreamed of a world free from all forms of injustice. Both the US and Mexican governments responded with harsh repression. Leavenworth Penitentiary ultimately murdered him in 1922.This volume collects the first English translations of Flores Magón’s most important writings. A lengthy historical overview, chronology, maps, images, and bibliography provide context for his work."Mitchell Verter and Chaz Bufe have given us a great gift with this fascinating volume on Ricardo Flores Magón. He was a revolutionary from a very different time from our own, but today's activists will make an immediate and intense connection with his passion for social justice. This is a gift that will only grow as you pass it on to others!"—Barbara Ehrenreich, author of Nickel and Dimed and Bait and Switch"The life, words, and ideas of Ricardo Flores Magón are as important today as they were around 100 years ago. Bravo for this wonderful book that won't let us forget those days and those heroes. Today, as always, remembering is revolutionary"—Luis Rodriguez, author of Always Running and My Name is Hunger

    Over a period of several years, Kazimierz Sakowicz, a Polish journalist who lived in the village of Ponary, was an eyewitness to the murder of these Jews as well as to the murders of thousands of non-Jews on an almost daily basis. He chronicled these events in a diary that he kept at great personal risk.Written as a simple account of what Sakowicz witnessed, the diary is devoid of personal involvement or identification with the victims. It is thus a unique document: testimony from a bystander, an “objective” observer without an emotional or a political agenda, to the extermination of the Jews of the city known as “the Jerusalem of Lithuania.”Sakowicz did not survive the war, but much of his diary did. Painstakingly pieced together by Rahel Margolis from scraps of paper hidden in various locations, the diary was published in Polish in 1999. It is here published in English for the first time, extensively annotated by Yitzhak Arad to guide readers through the events at Ponary.

    Arranged chronologically for easy reference and illustrated throughout with artwork, photographs, and documents, this is a information-packed overview of the lives and legacies of America's first ladies. What's more, The First Ladies Fact Book features selections of the most intimate correspondence of all the first ladies. Delightful surprises abound, including little-known information about the women's hobbies, styles of dress, habits of socializing, and quirks. With more than 700 photographs and illustrations, this is a eye-catching history of the nation's first ladies.

    Hilma af Klint (Sweden, 1862–1944), Emma Kunz (Switzerland, 1892–1963), and Agnes Martin (Canada, b. 1912; U.S. citizenship 1950) approached geometric abstraction not as formalism, but as a means of structuring philosophical, scientific, and spiritual ideas. Using line, geometry, and the grid, each of these artists created diagrammatic drawings of their exploration of complex belief systems and restorative practices.Noteworthy among the 150 illustrations in the volume are a large number of works by Hilma af Klint, reproduced here for the first time in a major publication; Emma Kunz’s drawings, exhibited in the United States for the first time in 2005; and approximately 20 early works by Agnes Martin. The book also includes writings by each of the artists, an introduction by Catherine de Zegher, seven essays by distinguished contributors, and brief statements from five contemporary artists.By considering collectively the works of these three artists anew, 3x an Abstraction highlights the artistic contributions of af Klint and Kunz and revisits the work of Martin from a new perspective.

    This new collection includes articles published subsequent to those volumes and not hitherto gathered, previously unpublished papers on human nature and practical philosophy, together with the classic essay ?Modern Moral Philosophy? and a few otherwise difficult to obtain early pieces such as her Listener article ?Does Oxford Moral Philosophy Corrupt the Youth?? The appearance of this volume is a major publishing event.

    But after she holds her best friend AnnaMaria's baby brother for the first time, Rosa is sure that if she prays hard enough, God will send her a brother of her own. When Rosa's prayers for a sibling are answered, she is overjoyed-until tragedy strikes. Rosa is left feeling more SOLA than ever, and wondering if her broken family will ever be whole again.

    In The Lights that Failed: European International History 1919-1933, part of the Oxford History of Modern Europe series, Steiner challenges the common assumption that the Treaty of Versailles led to the opening of a second European war. In a radically original way, this book characterizes the 1920s not as a frustrated prelude to a second global conflict but as a fascinating decade in its own right, when politicians and diplomats strove to re-assemble a viable European order. Steiner examines the efforts that failed but also those which gave hope for future promise, many of which are usually underestimated, if not ignored. She shows that an equilibrium was achieved, attained between a partial American withdrawal from Europe and the self-imposed constraints which the Soviet system imposed on exporting revolution. The stabilization painfully achieved in Europe reached it fragile limits after 1925, even prior to the financial crises that engulfed the continent. The hinge years between the great crash of 1929 and Hitler's achievement of power in 1933 devastatingly altered the balance between nationalism and internationalism. This wide-ranging study helps us grasp the decisive stages in this process. In a second volume, The Triumph of the Night, Steiner will examine the immediate lead up to the Second World War and its early years.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    Consider the story of Jack Weiss, who, at the age of fourteen, was deported from Hungary to the notorious death camp at Auschwitz-Birkenau. Desperate to stay with his father, and barely able to pass as a grown man, he recounts the horror of inspection upon arrival at Auschwitz by a man he remembers as Joseph Mengele. His period in the camps would be shorter than that of many others, but it ended no less dramatically, with a death march westward as Nazi officers forced inmates of the eastern camps to make a retreat before the advancing Russians. Finding himself alone at the end of the war, he traveled through orphanages and refugee camps dotted across Europe until, finally, at the age of seventeen, he was brought by the Canadian Jewish Congress to Winnipeg, Manitoba, to build a new life for himself. Prompted by his family to preserve his story, Jack Weiss began work on his autobiography. Torn between the desire to forget his Holocaust experience and the need to have his children and grandchildren understand it, Weiss confronted his demons. In the author's own words, "if those who know the truth remain silent, the truth will be lost."

    In the Pacific theater during World War II there were more than one hundred D-Days. The largest—and last—was the invasion of Okinawa on April 1, 1945, which brought together the biggest invasion fleet ever assembled, far larger than that engaged in the Normandy invasion.D-Days in the Pacific tells the epic story of the campaign waged by American forces to win back the Pacific islands from Japan. Based on eyewitness accounts by the combatants, it covers the entire Pacific struggle from the attack on Pearl Harbor to the dropping of atomic bombs on Hiroshima and Nagasaki. The Pacific war was largely a seaborne offensive fought over immense distances. Many of the amphibious assaults on Japanese-held islands were among the most savagely fought battles in American history: Guadalcanal, Tarawa, Saipan, New Guinea, Peleliu, Leyte Gulf, Iwo Jima, Okinawa. Generously illustrated with photographs and maps, D-Days in the Pacific is the finest one-volume account of this titanic struggle.

    In this groundbreaking study–based on a wide range of new sources–Nicholas Stargardt details what happened to children of all nationalities and religions living under the Nazi regime. Their stories open a world we have never seen before. As the Nazis overran Europe, children were saved or damned according to their race. Drawing on an untouched wealth of original material–school assignments; juvenile diaries; letters; and even accounts of children’s games–Nicholas Stargardt breaks stereotypes of victimhood and trauma to give us the gripping individual stories of the generation Hitler made.

    In The Elagin Affair, Mr. Hettlinger continues to acquaint English-language readers with a Bunin they may not have appreciated. Bunin's sensual, elaborate, and highly rhythmic prose has proven deeply resistant to earlier translations. In these new stories, Mr. Hettlinger captures both the music and the grace, as well as the literal meaning, of Bunin's renowned prose. The Elagin Affair contains three of the author's greatest novellas, the title piece, "Mitya's Love," and "Sukhodol" as well as a broad range of stories written between 1900 and 1940 and centered on themes of love, loss, and the Russian landscape, including several of Bunin's most haunting stories from his final collection, Dark Avenues. Praise for Sunstroke, Graham Hettlinger's first translations of Ivan Bunin: "Bunin is, unaccountably, the least translated of the great Russian writers (and his best work ranks with that of Turgenev and Chekhov). This splendid volume takes an important step toward righting a long-standing wrong."--Kirkus Reviews "Graham Hettlinger's new translation...gives us a Bunin startling in his vividness, sensuality, and restraint."--Virginia Quarterly Review "Vibrant...a fine introduction to Bunin's work and a reminder of its importance."--New York Sun

    The second book of Dante Alighieri's classic poem "The Divine Comedy," this version of "Purgatorio" couples a clever literary adaptation incorporating modern urban speech and contemporary references with powerful illustrations inspired by Gustave Dore's famous engravings. Whereas "Inferno" was primarily situated in a city that bears a curious resemblance to modern Los Angeles, "Purgatorio" is set in a surreal San Francisco Bay Area, an outlandish and hopeful milieu for those who have a chance to wash their sins away. Together, the sardonic yet playful combination of text and images comprise a vivid retelling of this masterpiece.

    But on March 24, 1944, in a courageous attempt by two hundred prisoners to break out through a series of tunnels, seventy-six Allied officers managed to evade capture -- and create havoc behind enemy lines in the months before the Normandy Invasion. This is the incredible story of these brave men who broke free from the supposedly impenetrable barbed wire and watchtowers of Stalag Luft III -- and who played an important role in Allied intelligence operations within occupied Europe. The prisoners developed an intricate espionage network, relaying details of military deployment, bombings, and raids. Some of them were involved in other daring escape attempts, including the famous Wooden Horse episode, also turned into a classic film, and the little-known Sachsenhausen breakout, engineered by five Great Escapers sent to die in the notorious concentration camp on Hitler's personal orders. Tragically, fifty of those involved in the Great Escape were murdered by the Gestapo. Others were recaptured; only a few made it all the way to freedom. This dramatic account of personal heroism is a testament to their ingenuity and achievement -- a stirring tribute to the men who never gave up fighting. Includes eight pages of photographs and illustrations, excerpts from Göring's testimony during postwar investigations, and a list of the men who escaped.

    The first history of the Cherokees to appear in over four decades, this is also the first to be endorsed by the tribe and the first to be written by a Cherokee. Robert Conley begins his survey with Cherokee origin myths and legends. He then explores their relations with neighboring Indian groups and European missionaries and settlers. He traces their forced migrations west, relates their participations on both sides of the Civil War and the wars of the twentieth century, and concludes with an examination of Cherokee life today. Conley provides analyses for general readers of all ages to learn the significance of tribal lore and Cherokee tribal law. Following the history is a listing of the Principal Chiefs of the Cherokees with a brief biography of each and separate listings of the chiefs of the Eastern Cherokees and the Western Cherokees. For those who want to know more about Cherokee heritage and history, Conley offers additional reading lists at the end of each chapter.

    Prefaced with a new introduction by Joan Didion. Live and Learn comprises three of the personal essay collections that established Joan Didion as a major figure in the modern canon - arranged in chronological order so that readers can appreciate not only the qualities of the essays per se, but also their evolution over time. It also includes a new introduction by Joan Didion herself. The stylistic masterpiece Slouching Towards Bethlehem (1968) has become a modern classic, capturing the mood of 1960s America and especially the center of its counterculture, California. The cornerstone essay, an extraordinary report on San Francisco's Haight-Ashbury, sets the agenda for the rest of this book - depicting and America where, in some way or another, things are falling apart and "the center cannot hold". The White Album (1979) is a syncopated, swirling mosaic of the 60s and 70s, covering people and artifacts from the Black Panthers and the Manson family to John Paul Getty's museum. Sentimental Journeys (1992) shifts its perspective slightly to take in Vietnamese refugee camps in Hong Kong, the Reagan campaign trail, and the inequities of Los Angeles real estate. An important collection, Live and Learn is the perfect one-stop primer on Joan Didion, and an essential reference for readers old and new. It confirms the power of this uniquely unbiased, moving writer, and showcases her artful yet simple prose.

    Being fired from their last spread for refusing to illegally evict a family of grangers was an unexpected blow. Just as well that Joss quickly found work for himself and his partner Ox, carting around giant lizard bones for a wealthy Eastern greenhorn afraid of bone rustlers.Joss had no way of knowing that Ox and their new employer had already met. Given Ox's stolid silence, Joss had also never suspected the secrets buried deeper than any dried-up bones in Ox's past. And Joss had surely never realized what hidden feelings underlay their partnership.Now Joss will have to decide what Ox's friendship is truly worth, he’ll have to make some hard choices, if he can survive those dried-up bones long enough to find the time to choose.Originally published in the Cowboy Up! Anthology.

    During a prolific career that spans more than four decades, he has worked with an eclectic mix of English and American icons: from Pink Floyd to Disney, Private Eye to Time, The Sunday Times to The New Yorker. This, the first collected volume of his work in more than 20 years, showcases the works that have established him as one of our foremost cultural commentators. From the whiplash satire of his political cartoons to his harrowing portraits of the Vietnam War, and from his spectacular set designs to his many contributions to films, this spectacular visual memoir offers an astute and irreverent view of the personalities and events that have shaped modern times.

    This collection of essays leads the reader into the curious and eccentric imagination of Gerald Murnane, one of the masters of contemporary Australian writing, author of the classic novel The Plains, and winner of the Patrick White Literary Award.Delicately argued, and finely written, they describe his dislocated youth in the suburbs of Melbourne and rural Victoria in the 1950s, his debt to writers as unlike as Adam Lindsay Gordon, Marcel Proust and Jack Kerouac, his obsession with racehorses and grasslands and the Hungarian language, and above all, his dedication to the worlds of significance that lie within, or just beyond, the familiar details of Australian life.

    For nearly three decades David Wallechinsky and Amy Wallace have been researching curious facts and unusual statistics and the incredible stories behind them. Now the most entertaining and informative of these have been brought together in a long-awaited, thoroughly up-to-date, and Americanized new edition, including brand-new lists and list makers. Contributors include: Oliver Stone; Jane Fonda; Sean Connery; Robert Duvall; Pedro Almodovar; Stephen King; John Waters; Wynton Marsalis; Quincy Jones; Arnold Palmer; Kareem Abdul-Jabbar; Isaac Stern; Ian Rankin; Alan Dershowitz; Margaret Atwood; Dave Eggers; Brian Eno; and Elmore Leonard.

    By inlcuding stories from neglected female, North Korean, and wolbuk writers (those who migrated to the North after 1945 and whose works were widely banned in South Korea) and by bringing politically engaged works together with experimental ones, this anthology articulates the ruptures and resolutions that have makred the peninsula.From sketches of desperate peasants in straitened circumstances to fast-moving, visceral tales of contemporary South Korea, the works in this collection bear witness to the dramatic transformations and events in twentieth-century Korean history, including Japanese colonial rule, civil war, and economic modernization in the South. The writers explore these developments through a variety of literary and political lenses, revealing wtih precision and poignancy their impact on Korean society and the lives of ordinary Koreans. This anthology includes an introduction, which synthesizes the key developments in modern Korean literature, and a comprehensive bibliography of Korean fiction in translation.

    But there, the British 8th Army loaded them into trucks, purportedly to take them to Italy, only to deliver them straight back to Tito's Partisans. The Partisans tortured and then executed them. The remaining civilians were spared due to the brave revolt of the British Red Cross and Quaker aid workers. John Corsellis witnessed and took part in these protests and in this book reconstructs the survivors' stories. These are vivid tales of wartime cruelty, of the revival of battered communities in refugee camps, and of emigration to Argentina, the U.S., Canada and Britain. In this unique volume, the authors call on more than half a century of research and an unsurpassed knowledge of the Slovene migrant communities around the world to tell their stories.

    With humor and insight, this title takes us through the life of an artist who at first was so unpopular that his paintings were attacked with umbrellas. Written as if it were a child's own class report, this title is sure to draw new young fans to Renoir's paintings.

    Three weeks into her voyage, her hull mysteriously holed, the Dunedin Star ran aground off Namibia’s infamous Skeleton Coast—the most violent and desolate shore on earth. Sixty-three passengers were to defy unfathomable odds to reach land—but their struggle for survival had only just begun.

    Written in graphic-novel format.

    What cannot be done by men, or by individual women, can be done by women together. Earth is Home. Jean Shinoda Bolen's life's work -- her Jungian-inspired insights in The Tao of Psychology, the blockbuster Goddesss in Every Woman, the empowering Crones Don't Whine and The Millionth Circle -- all lead up to this book. It is an urgent message and an empowering one. When women are strong together, women can be fiercely protective of what we love. Bolen's poetic polemic explores the psychological, spiritual, and scientific aspects of women as collaborators for change. She begins with a Jungian examination of the idea of the Holy Grail archetype as every woman's secret and the transformative power of the sacred feminine -- the Goddess, Gaia, Earth Mother. Bolen explains Rupert Sheldrake's Theory of Morphic Resonance, which describes how societies and even species can undergo rapid evolution when they reach a tipping point. She explains that we've learned that women gathering together in groups and telling the truth of their lives can actually change the world. She points to a fascinating UCLA study proving that women react to stress differently than their male counterparts. Instead of the fight or flight reaction, women have a tend and befriend response as a result of an increase in oxytocin, the maternal bonding hormone. While men become more adrenalized and aggressive, women nurture and protect -- biologically. From this and other compelling evidence Bolen makes a strongly convincing case that now is the time for women to lead -- to fiercely protect all that we love. Urgent Message from Mother offers a unique combination of visionary thinking and practical how-to and is Jean Shinoda Bolen's most activist work to-date. Written in a lyrical language that inspires, this book seeks to galvanize the still untapped power of women coming together to change our world. Listen to your mother; she is calling.

    The most critically acclaimed account of Australian Prisoners of War of the Japanese ever published.

    It encompasses the public and private like no other collection, from sumptuous state gowns and elegant evening dresses for official occasions to her riding habits, winter sportswear, and simple tailored suits for afternoons in the garden with her grandchildren. Maud engaged with contemporary fashion throughout her long life, and commissioned many of the great designers of the day, notably Worth, Blancquaert and Morin-Blossier. Her wardrobe illustrates the impeccable standards of couture dressmaking and tailoring of the period. Style and Splendour showcases some of the most spectacular garments, now in the collection of the National Museum of Art/Museum of Decorative Arts and Design in Oslo, and sets them clearly in the context of Queen Maud's life and times.

    This second volume covers the crucial post-Reconstruction years and traces the migration of blacks to the major cities. It describes the remarkable birth of the Harlem Renaissance, the hardships of the Great Depression, and the service of African Americans in World War II. Readers witness the struggle for Civil Rights in the 1950s and '60s and finally, the emergence of today's black middle class. Here is a panoramic view of African-American life, rich in gripping first-person accounts and short character sketches that invite readers to relive history as African Americans have experienced it.

    Angels & Faires is a beautiful reference book that takes a look at some of the art that has been produced as a result of a fascination with these nysterious beings.

    But by this point the Royal Flying Club were flying obsolete planes. The new German Albatros scouts massively outclassed them in every respect: speed, armament, ability to withstand punishment and manoeuverability. Many of the RFC's pilots were straight out of flying school - as they took to the air they were sitting targets for the experienced German aces.Over the course of 'Bloody April' the RFC suffered casualties of over a third. The average life expectancy of a new subaltern on the front line dropped to just eleven days. And yet they carried on flying, day after day, in the knowledge that, in the eyes of their commanders at least, their own lives meant nothing compared to the photographs they brought back, which could save tens of thousands of soldiers on the ground. In this book Peter Hart tells the story of the air war over Arras, using the voices of the men who were actually there.

    Partners in all things, charismatic Nicholas (1874-1947) was an internationally acclaimed artist, author, daring explorer, conservationist, archeologist, humanitarian and peacemaker, while his wife, Helena (1879 - 1955), was a teacher and healer as well as the inspired co-author of the 'Agni Yoga' series. This is the first book in English to interweave the Agni Yoga writings and the Roerichs' relationship with their spiritual teacher in with their fascinating travels, disclosing the long-hidden story of the Roerichs' connection with Tibetan Buddhism. Though it may read like a tale, Drayer takes us on the real-life adventures of the Roerichs as they travel to the most remote and dangerous regions of India, China, Mongolia, the Gobi, Tibet and Siberia. We bear witness as the couple flees the Bolshevik Revolution of 1917 Russia and as they arrive in New York City in the fall of 1920 where they later founded the first school that teaches all of the arts under one roof. We experience their trials and tribulations as the Roerichs trek through the following years.

    Generals, safe in their headquarters behind the lines, sent millions of men to their deaths to gain a few hundred yards of ground. Writers, notably Siegfried Sassoon and Wilfred Owen, provided unforgettable images of the idiocy and tragedy of the war. Yet this vision of the war is at best a partial one, the war only achieving its status as the worst of wars in the last thirty years. At the time, the war aroused emotions of pride and patriotism. Not everyone involved remembered the war only for its miseries. The generals were often highly professional and indeed won the war in 1918. In this original and challenging book, Dan Todman shows views of the war have changed over the last ninety years and how a distorted image of it emerged and became dominant.

    Peres is also a fascinating, complex man–a brilliant intellectual who is entirely at home in the corridors of power; an individual revered by the world and yet highly controversial in his own country; at once a hero and a figure of tragedy. Now, in this definitive biography, Michael Bar-Zohar takes the full measure of a towering, enigmatic leader.Drawing on his decades-long association with Peres, as well as the full cooperation of the leader’s family, friends, supporters, and political rivals, Bar-Zohar has crafted a vibrant, daring, richly textured portrait of a man whose life and career span the entire history of Israel. Born in Poland in 1923, Peres emigrated to the Holy Land at the age of twelve, already a fiercely idealistic Zionist. Peres joined a kibbutz and, while still in his teens, became the leader of a major youth movement. When the struggle for Israeli independence broke out, future prime minister David Ben-Gurion tapped him to join his inner circle. As director general of the Defense Ministry under Ben-Gurion, Peres spearheaded a far-reaching campaign to turn Israel into a major military power. He jump-started Israel’s aircraft industry, forged a secret alliance with France, and successfully pursued his dream of making Israel a nuclear power. And yet Peres’s real triumph came not as a man of war but as a peacemaker. Elected prime minister in 1984, Peres brought new hope by pulling Israeli troops out of the quagmire in Lebanon, defusing tensions with Jordan, and, at the risk of his own political future, making serious overtures to the Palestinians. Peres and his longtime rival Yitzhak Rabin together secured the top-secret Oslo Accords of 1993, which won them and Yasser Arafat the Nobel Peace Prize–only to see the hope of peace shattered in a resurgence of regional violence.In a half-century of leadership, Peres has worked beside–or fought against–such giants as Moshe Dayan, Golda Meir, Menachem Begin, Ariel Sharon, and, tragically, Rabin, who was slain at the rally that marked his reconciliation with Peres. Still powerful in his eighties, Peres stands as a true hero, a visionary who embodies the history of his nation. In this stunning, courageously frank, and scrupulously factual biography, Michael Bar-Zohar gives an eminent man his due.From the Hardcover edition.

    He is both an artist and a phenomenon, using his body as medium and exhibition space. Working in the interface between the body and the machine, employing virtual reality, robotics, medical instruments, prosthetics, and the Internet, Stelarc's art includes physical acts that don't always look survivable - or, as science fiction novelist William Gibson puts it in his foreword, sometimes seem to include the possibility of terminality. Stelarc's projects include Third Hand, a manipulable robotic arm attached to the artist and activated by EMG from other body areas or tele-operated by others; Amplified Body, the artist's amplified brainwaves, muscles, pulse, and blood flow; and Stomach Sculptures, devices--or aesthetic adornments - placed in the artist's stomach and presented through video.

    Kevin Murphy’s writing, based on exhaustive research, is the most thorough investigation to date on working-class life during the revolutionary era, reviving the memory of the incredible gains for liberty and equality that the 1917 revolution brought about.

    From the story of Steffie Cvek, a harassed and vulnerable typist whose life is shaped entirely by clichés as she searches relentlessly for an elusive romantic love in a narrative punctuated by threadbare advice from women's magazines and constructed like a sewing pattern, to "The Kharms Case," one of Ugresic's funniest stories ever about the strained relationship between a persistent translator and an unresponsive publisher, the pieces in this collection are always smart and endlessly entertaining.

    The collection anchors around MacLaren-Ross's bestselling 1950s Novella Bout, an episode in the pre-war lives of a smart set in the south of France.

    Carolyn Burke, a biographer and art critic, here reveals how the muse who inspired Man Ray, Cocteau, and Picasso could be the same person who unflinchingly photographed the horrors of Buchenwald and Dachau. Burke captures all the verve and energy of Miller’s life: from her early childhood trauma to her stint as a Vogue model and art-world ingénue, from her harrowing years as a war correspondent to her unconventional marriages and passion for gourmet cooking. A lavishly illustrated story of art and beauty, sex and power, Modernism and Surrealism, Lee Miller illuminates an astonishing woman’s journey from art object to artist.

    In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement. Taking a regional approach, Smethurst examines variations in the character of the local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.

    They have "contextual intelligence"—a profound ability to understand the Zeitgeist of their times and harness it to create successful organizations. Based on a comprehensive Harvard Business School Leadership Initiative study, Anthony J. Mayo and Nitin Nohria present a fascinating collection of stories of the 20th century's greatest leaders, from unsung heroes to legends like Sam Walton and Bill Gates. The book identifies three distinct paths these individuals followed to greatness: entrepreneurial innovation, savvy management, and transformational leadership. Through engaging stories of leaders in each category, the authors show how, by "reading" the context they operated in and embracing the opportunities their times presented, these individuals created, grew, or revitalized outstanding American enterprises. A canon of leadership success from the last century, In Their Time reveals insights for contemporary leaders hoping to build lasting legacies.

    The information contained in Colonel Gracie's story is available from no other source. He provides details of the final moments, including names of passengers pulled from the ocean and of those men who, in a panic, jumped into lifeboats as they were being lowered. Walter Lord, author of A Night to Remember, calls Gracie "an indefatigable detective." John Thayer was, like Gracie, one of the last to leave the ship. His account, The Sinking of the S.S. Titanic, is meticulously detailed. The sinking of the Titanic was, in his eyes, a symbol of the end of the world that he knew, and the beginning of a frightening new era.

    Other "virgin soil" epidemics have struck down large percentages of populations that had no previous contact with newly introduced microbes. Written by a specialist in the history of science and medicine, the essays in this volume discuss pandemics and epidemics affecting Europe, the Americas, Africa, and Asia, covering diseases in ancient times to the present. Each entry combines biological and social information to form a picture of the significance of epidemics that have shaped world history.The essays cover the areas of major pandemics, virgin soil epidemics, disruptive shocks, and epidemics of symbolic interest. Included are facts about what an epidemic was, where and when it occurred, how contemporaries reacted, and the unresolved historical issues remaining. This fascinating material is written at a level suitable for scholars and the general public.

    Three months after the landing at Normandy, the Allies were finally within reach of the enemy on his home turf. Among the troops there was even talk of getting home for Christmas. What followed, though, was one of the most grueling campaigns of the war—the nearly six-month-long battle fully recounted for the first time in this powerful work. Combining stirring narrative and meticulous historical detail, The Longest Battle provides a complete and compelling account of what happened after the first breach of the Third Reich by Allied ground combat forces: of the troops’ terrible struggle across the Siegfried Line, Hitler’s vaunted West Wall, through the benighted Hurtgen Forest, and across the Roer. The strategic decisions and setbacks, the incremental advances, and catastrophic losses that marked this still-controversial but critically important battle unfold in all their historical, military, and human significance in Harry Yeide’s book—finally filling a gap in our understanding of World War II.

    Along with this secret. From the instant I found out I was not who I thought I was.” Every family has its own history. Many families carry a tragic past. Like the author’s mother, many Poles did not tell their children a complete story of their wartime exploits—of the underground Home Army, the tragedy of the Warsaw Uprising, the civil war against the Communists. Years had to pass before the stories of suffering and heroism could be told.In Family History of Fear, Agata Tuszyńska, one of Poland’s most admired poets and cultural historians, writes of the stories she heard from her mother about her secret past. Tuszyńska, author of Vera Gran (“a book of extraordinary depth and power”—Richard Eder, The Boston Globe; “captivating”—Newsweek; “darkly absorbing, shrewd, and sharply etched”—Publishers Weekly), has written a powerful memoir about growing up after the Second World War in Communist Poland—blonde, blue-eyed, and Catholic.The author was nineteen years old and living in Warsaw when her mother told her the truth—that she was Jewish—and began to tell her stories of the family’s secret past in Poland. Tuszyńska, who grew up in a country beset by anti-Semitism, rarely hearing the word “Jew” (only from her Polish Catholic father, and then, always in derision), was unhinged, ashamed, and humiliated. The author writes of how she skillfully erased the truth within herself, refusing to admit the existence of her other half. In this profoundly moving and resonant book, Tuszyńska investigates her past and writes of her journey to uncover her family’s history during World War II—of her mother at age eight and her mother, entering the Warsaw Ghetto for two years as conditions grew more desperate, and finally escaping just before the uprising, and then living “hidden on the other side.” She writes of her father, one of five thousand Polish soldiers taken prisoner in 1939, becoming, later, the country’s most famous radio sports announcer; and of her relatives and their mysterious pasts, as she tries to make sense of the hatred of Jews in her country. She writes of her discoveries and of her willingness to accept a radically different definition of self, reading the works of Isaac Bashevis Singer, opening up for her a world of Polish Jewry as he became her guide, and then writing about his life and work, circling her Jewish self in Lost Landscapes: In Search of Isaac Bashevis Singer and the Jews of Poland. A beautiful and affecting book of discovery and acceptance; a searing, insightful portrait of Polish Jewish life, lived before and after Hitler’s Third Reich.From the Hardcover edition.

    The adventures of Count Felix von Luckner’s three-masted sailing vessel that raided the high seas during the first ironclad sea war.

    In this masterful book, Robert Doughty explains how and why France assumed this role and offers new insights into French strategy and operational methods. French leaders, favouring a multi-front strategy, believed the Allies could maintain pressure on several fronts around the periphery of the German, Austrian and Ottoman empires and eventually break the enemy's defences. But France did not have sufficient resources to push the Germans back from the Western Front and attack elsewhere. The offensives they launched proved costly, and their tactical and operational methods ranged from remarkably effective to disastrously ineffective.