Covering 1907 to 1933, his eyewitness account provides a portrait of a country in constant flux: from the rise of the First Corps, the right-wing voluntary military force set up in 1918 to suppress Communism and precursor to the Nazi storm troopers, to the Hitler Youth movement; from the apocalyptic year of 1923 when inflation crippled the country to Hitler's rise to power. This fascinating personal history elucidates how the average German grappled with a rapidly changing society, while chronicling day-to-day changes in attitudes, beliefs, politics, and prejudices.

    supper club patrons come to enjoy rich, savory gourmet food, sip intoxicating cocktails, and drick in the soulful sounds of live music. It's the perfect place to dine, unwind, catch up--and mayhbe even fall in love...

    Set against the Independence struggles of two British colonies, Of Marriageable Age is ultimately a story of personal triumph against a brutal fate, brought to life by a multicultural cast of characters:Savitri, intuitive and charismatic, grows up among the servants of a pre-war English household in the Raj. But the traditional customs of her Brahmin family clash against English upper-class prejudice, threatening her love for the privileged son of the house. Nataraj, raised as the son of an idealistic doctor in rural South India, finds life in London heady, with girls and grass easily available… until he is summoned back home to face raw reality.Saroj, her fire hidden by outward reserve, comes of age in Guyana, South America, the daughter of a strictly orthodox and very racist Hindu father. Her life changes forever on the day she finally rebels against him. ... and even against her gentle, apparently docile Ma.But Ma harbours a deep secret… one that binds these three so disparate lives and hurtles them towards a truth that could destroy their world.Reviews'A big book, big themes, an exotic background and characters that will live with you forever… unputdownable.' Katie Fforde'Beautifully and cleverly written. A wondrous, spellbinding story which grips you from the first to the last page… I can't recall when I last enjoyed a book so much.' Lesley Pearse'It's a wonderful panoramic story and conveys such vivid pictures of the countries it portrays I was immediately transported and completely captivated. A terrific writer.' Barbara Erskine'From the first page I was hooked with this enchanting book… unputdownable.' Audrey Howard'A vast canvas of memorable characters across a kaleidoscope of cultures… her epic story feels like an authentic reflection of a world full of sadness, joy and surprise.' The Observer--This text refers to an out of print or unavailable edition of this title.

    Jones and the Stupid Smelly Bus; Junie B. Jones and a Little Monkey Business; Junie B. Jones and Her Big Fat Mouth; Junie B. Jones and Some Sneaky Peeky Spying; Junie B. Jones and the Yucky Blucky Fruitcake; Junie B. Jones and That Meanie Jim's Birthday; Junie B. Jones Loves Handsome Warren; Junie B. Jones Has a Monster Under Her Bed; Junie B. Jones Is Not a Crook; Junie B. Jones Is a Party Animal; Junie B. Jones Is a Beauty Shop Guy; Junie B. Jones Smells Something Fishy; Junie B. Jones Is (almost) a Flower Girl; Junie B. Jones and the Mushy Gushy Valentine; Junie B. Jones Has a Peep in Her Pocket; Junie B. Jones Is Captain Field Day; Junie B., First Grader (at last!)/i>; Junie B. Jones Is a Graduation Girl; Junie B., First Grader: Boss of Lunch; Junie B., First Grader: Toothless Wonder; Junie B., First Grader: Cheater Pants; Junie B., First Grader: Boo . . . and I Mean It!; Junie B., First Grader: Shipwrecked; and Junie B., First Grader: One-Man Band.

    Beautifully written and informative.

    Four-fantastic-books-in-one by the popular author of The Hoboken Chicken Emergency: Borgel Yobgorgle The Worms of Kukumlima The Snarkout Boys & the Baconburg Horror

    Scott Fitzgerald's classic novel The Great Gatsby. Fitzgerald wrote the novel as Trimalchio and submitted it to Maxwell Perkins, his editor at Scribner's, who had the novel set in type and sent the galleys to Fitzgerald in France. Fitzgerald then virtually rewrote the novel in galleys, producing the book we know as The Great Gatsby. This first version, Trimalchio, has never been published and has only been read by a handful of people. It is markedly different from The Great Gatsby: two chapters were completely rewritten for the published novel, and the rest of the book was heavily revised. Characterization is different, the narrative voice of Nick Carraway is altered and, most importantly, the revelation of Jay Gatsby's past is handled in a wholly different way. James L.W. West III directs the Penn State Center for the History of the Book and is General Editor of the Cambridge Edition of the works of F. Scott Fitzgerald. He is the author of William Styron: A Descriptive Biography (Random House, 1998).

    Starting with the Vikings’ kennings and Beowulf and ending with Stevenson and Oscar Wilde, the book traverses a landscape of ‘precursors,’ cross-cultural borrowings, and genres of expression, all connected by Borges into a vast interpretive web. This is the most surprising and useful of Borges’s works to have appeared posthumously.”Borges takes us on a startling, idiosyncratic, fresh, and highly opinionated tour of English literature, weaving together countless cultural traditions of the last three thousand years. Borges’s lectures — delivered extempore by a man of extraordinary erudition — bring the canon to remarkably vivid life. Now translated into English for the first time, these lectures are accompanied by extensive and informative notes by the Borges scholars Martín Arias and Martín Hadis.

    Nancy Mitford's brilliantly witty, irreverent stories of the upper classes in pre-war London and Paris conjure up a world of glamour, gossip and decadence. In The Pursuit of Love, Love in a Cold Climate and The Blessing, her extraordinary heroines deal with armies of hilariously eccentric relatives, the excitement of love and passion, and the thrills of the social Season. But beneath the glittering surfaces and perfectly timed comic dialogue, Nancy Mitford's novels are also touching hymns to a lost era and to the brevity of life and love from one of the most individual, beguiling and creative users of the language.

    From the blue-collar realism of his early writing to his expansive later stories, the cool-eyed intensity and steady witnessing of Carver's work remains an inspiration for readers and writers alike.Call If You Need Me traces the arc of Carver's career, not in the widely anthologized stories that have become classics, but through his uncollected fiction and his essays. Here are the five "last stories," discovered a decade after Carver's death. Also here are Carver's first published story, the fragment of an unfinished novel, and all of his nonfiction--from a recollection of his father to reflections on writers as varied as Anton Chekhov and John Gardner, Donald Barthelme and Sherwood Anderson. Call If You Need Me does not merely enhance the stature of a twentieth-century master; it invites us to travel with a singular artist, step by step, as he discovers what is worth saying and how to say it so it pierces the heart.

    Joyce Carol Oates has collected a group of works that are both intimate and important, essays that move from personal experience to larger significance without severing the connection between speaker and audience. From Ernest Hemingway covering bullfights in Pamplona to Martin Luther King, Jr.’s “Letter from Birmingham Jail,” these essays fit, in the words of Joyce Carol Oates, “into a kind of mobile mosaic suggest[ing] where we’ve come from, and who we are, and where we are going.” Among those whose work is included are Mark Twain, John Muir, T. S. Eliot, Richard Wright, Vladimir Nabokov, James Baldwin, Tom Wolfe, Susan Sontag, Maya Angelou, Alice Walker, Joan Didion, Cynthia Ozick, Saul Bellow, Stephen Jay Gould, Edward Hoagland, and Annie Dillard.Foreword / by Robert Atwan --Introduction / by Joyce Carol Oates --Corn-pone opinions / Mark Twain --Of the coming of John / W.E.B. Du Bois --Law of acceleration / Henry Adams --Stickeen / John Muir --Moral equivalent of war / William James --Handicapped / Randolph Bourne --Coatesville / John Jay Chapman --Devil baby at Hull-house / Jane Addams --Tradition and the individual talent / T.S. Eliot --Pamplona in July / Ernest Hemingway --Hills of Zion / H.L. Mencken --How it feels to be colored me / Zora Neale Hurston --Old stone house / Edmund Wilson --What are master-pieces and why are there so few of them / Gertrude Stein --Crack-up / F. Scott Fitzgerald --Sex Ex Machina / James Thurber --Ethics of living Jim Crow: an autobiographical sketch / Richard Wright --Knoxville: Summer of 1915 / James Agee --Figure a poem makes / Robert Frost --Once more to the lake / E.B. White --Insert flap "A" and throw away / S.J. Perelman --Bop / Langston Hughes --Future is now / Katherine Anne Porter --Artists in uniform / Mary McCarthy --Marginal world / Rachel Carson --Notes of a native son / James Baldwin --Brown wasps / Loren Eiseley --Sweet devouring / Eudora Welty --Hundred thousand straightened nails / Donald Hall --Letter from Birmingham jail / Martin Luther King, Jr. --Putting daddy on / Tom Wolfe --Notes on "Camp" / Susan Sontag --Perfect past / Vladimir Nabokov --Way to Rainy Mountain / N. Scott Momaday --Apotheosis of Martin Luther King / Elizabeth Hardwick --Illumination rounds / Michael Herr --I know why the caged bird sings / Maya Angelou --Lives of a cell / Lewis Thomas --Search for Marvin Gardens / John McPhee --Doomed in their sinking / William H. Gass --No name woman / Maxine Hong Kingston --Looking for Zora / Alice Walker --Women and honor: some notes on lying / Adrienne Rich --White album / Joan Didion --Aria: a memoir of a bilingual childhood / Richard Rodriguez --Solace of open spaces / Gretel Ehrlich --Total eclipse / Annie Dillard --Drugstore in winter / Cynthia Ozick --Okinawa: the bloodiest battle of all / William Manchester --Heaven and nature / Edward Hoagland --Creation myths of Cooperstown / Stephen Jay Gould --Life with daughters: watching the miss America Pageant / Gerald Early --Disposable rocket / John Updike --hey all just went away / Joyce Carol Oates --Graven images / Saul Bellow --Biographical notes --Appendix: Notable twentieth-century American literary nonfiction

    A family torn apart by tragedy At the top of Lester Road in London’s East End stands ‘Paddy’s Castle’, the three-storey, red-bricked Georgian house that is home to Grace Donnelly and her family.Life may be hard in the late 1930s, but it is nothing compared with what is about to follow. Grace’s beloved fiancé Stanley decides to enlist in the fight against Nazi Germany. And as the sirens signal blitz after blitz of bombers, the family can only hide in the cellar and hope they will survive.But Grace has more than just the Germans to worry about. The good-looking Nobby Clark is keen to do more than just look out for his best friend’s fiancée. And scheming barmaid Beryl Lovesett is determined to worm her way into the family home, seducing Grace’s uncle with her fur coat, no knickers… A classic World War Two saga, Fur Coat, No Knickers is a perfect read for fans of Carol Rivers, Sally Warboyes, and Annie Murray. Praise for Fur Coat, No Knickers 'A gripping wartime novel, with strong female characters... full of courage, hope, and heartbreak.' Alina's Reading Corner'Any book written by Anna King is always a great read!' Reader review'I couldn't put it down... a must read.' Reader review'The late Anna King can hold a candle to [Catherine] Cookson. Her characters are flawlessly portrayed.' Reader review

    The song-poems of this undisputed "bluesologist" triumphantly stand on their own, evoking the rhythm and urgency which have distinguished Gil Scott-Heron's career. This collection carries the reader from the global topics of political hypocrisy and the dangers posed by capitalist culture to painfully personal themes and the realities of modern day life. His message is black, political, historically accurate, urgent, uncompromising, and mature, and as relevant now as it was in the early 1970s.

    This book is not for the squeamish. It blends the intrinsic pathos and humor peculiar to war with face-to-face combat in the bush and death at point-blank range. Now, here is your chance to read what several critics have called the best book on the Rhodesian War ever written.

    Based on a host of recently available letters, memoirs, and manuscripts, it sheds new light on Proust's character, his development as an artist, and his masterpiece 'In Search of Lost Time' (long known in English as Remembrance of Things Past). The biography also sets Proust's life in the decadent artistic and social context of the French fin de sihcle and the years leading up to World War I. The glittering Parisian world of which Proust was a part was also home to such luminaries as Anatole France, Jean Cocteau, and Andri Gide. William Carter brings this vibrant social world to life while he explores the inner world of Proust's intellectual and artistic development, as well as his most intimate personal experience. Carter examines Proust's passionate attachment to his mother, his deep love for the scenes of his youth, his flirtation with Parisian high society, his complicated sexual desires, and his irrevocable commitment to literary truth and shows how all these played out in the making of his great novel. In the book's abundance of detail, its we

    A haven for wildlife - he named his home Camusfearna and settled there with the otters Mij, Edal and Teko.Ring of Bright Water chronicles Gavin Maxwell's first ten years with the otters and touched the hearts of readers the world over, brilliantly evoking life with these playful animals in this natural paradise. Two further volumes followed bringing the story full circle telling of the difficult last years and the final abandonment of the settlement.For the first time the entire trilogy is available in a single narrative in this beautifully presented book.

    I squeeze my eyes shut and dig my fingers into Masha’s neck where I’m holding her. She digs hers into mine. The curtains slowly open. I can’t see anything because the spotlight is on us, bright as anything and blinding me, but I can hear the gasp go up. They always gasp.’Dasha cannot imagine life without her sister. Masha is feisty and fearless. Dasha is gentle, quiet and fears everything; from the Soviet scientists who study them, to the other ‘defective’ children who bully them and the ‘healthies’ from whom they must be locked away.For the twins have been born conjoined in a society where flaws must be hidden from sight and where their inseparability is the most terrible flaw of all.Through the seismic shifts of Stalin’s communism to the beginnings of Putin’s democracy, Dasha and her irrepressible sister strive to be more than just ‘the together twins’, finding hope – and love – in the unlikeliest of places.But will their quest for shared happiness always be threatened by the differences that divide them? And can a life lived in a sister’s shadow only ever be half a life?

    These previously unpublished journals stretch from May 1991 until two weeks before the author’s death in February 1994.

    This definitive collection includes lyrics to Lou's earliest work and to his most recent recording. Its brilliantly innovative interior design has brought it praise and awards.

    It was wrong that only they had access to the mysterious City, which he had always longed to enter. Above all, it was wrong for the Scholars to have sole power over the distribution of knowledge. The High Law imposed these restrictions and many others, though the Prophecy promised that someday knowledge and Machines would be available to everyone. Noren was a heretic. He defied the High Law and had no faith in the Prophecy's fulfillment. But the more he learned of the grim truth about his people's deprivations, the less possible it seemed that their world could ever be changed. It would take more drastic steps than anyone imagined to restore their rightful heritage. Although these three novels were originally published in hardcover as Young Adult books, the second and third are primarily of interest to older teens and adults; the omnibus editions have therefore been issued as adult science fiction.

    After reading Watchman Prayer, readers who accept this assignment will be equipped to discern the direction of the Lord and the plans of the enemy. They will learn how, with the Holy Spirit's leading, anyone can pray a perimeter of protection around their loved ones, their city and the Church, and then unravel the schemes of the devil with strategic prayer. Join with Dutch Sheets and a host of others to take on this critical role and play a key part in the Church's ultimate victory. Everyone must be on the alert! Read Watchman Prayer and learn everything you need to know about this sacred calling, a calling God is sending out to all of His people.

    This powerful coming-of-age novel tells the rich story of Eugene Gant, a young North Carolina man who longs to escape the confines of his small-town life and his tumultuous family. At the insistence of Maxwell Perkins, the legendary editor at Charles Scribner's Sons, Wolfe cut the typescript by 22 percent. Sixty-six thousand words were omitted for reasons of propriety and publishing economics, as well as to remove material deemed expendable by Perkins. To be published for the first time on October 3, 2000 -- the centenary of Wolfe's birth -- O Lost presents the complete text of the novel's manuscript.For seventy years Wolfe scholars have speculated about the merits of the unpublished complete work and about the editorial process -- particularly the reputed collaboration of Perkins and Wolfe. In order to present this classic novel in its original form as written by Wolfe, the text has been established by Arlyn and Matthew J. Bruccoli from the carbon copy of the typescript and from Wolfe's pencil manuscript. In addition to restoring passages omitted from Look Homeward, Angel, the editors have corrected errors introduced by the typist and other mistakes in the original text and have explicated problematic readings. An introduction and appendixes -- including textual, bibliographical, and explanatory notes -- reconstruct Wolfe's process of creation and place it in the context of the publishing process.

    In battle, they fly behind enemy lines to rescue downed pilots. In peacetime, PJs stay sharp with daring civilian rescues, recovering victims from scorching deserts, treacherous mountaintops, raging seas, and natural disasters. Their almost unimaginable courage first came to the public's attention in Sebastian Junger's "The Perfect Storm," with that book's riveting account of how a helicopter of PJs plunged into the Atlantic during a tragic rescue attempt. Senior Master Sergeant Jack Brehm was the PJ supervisor coordinating their dramatic efforts that night. "That Others May Live" not only sheds new light on that rescue, it also tells the thrilling story of Jack Brehm's devotion to the PJs, a career choice that transformed him from an aimless kid to an on-call hero. Jack's vivid account reveals not only the dangerous rescues and relentless training he and his fellow PJs endure, but the emotional struggles as well: losing friends, waiting anxiously to be called into action, and trying to keep their families together despite the enormous life-and-death pressures of the job. This book is a compelling and deeply personal story of one man's "ordinary" heroism that is, in reality, extraordinary.

    These hundred verses, studied for centuries by Tibetans and students of Buddhism, contain a complete survey of the Tibetan Buddhist path. Dilgo Khyentse's lively explication of each stanza brings to light subtleties and amplifies the richness of the words and their pertinence to our lives. These two venerable teachers advise us in relating to everyday difficulties such as loneliness, craving, family squabbles, competition in business, disagreements with neighbors, and betrayal by friends—as challenging to us as they have been to meditators for centuries.

    F. Powers, who died in 1999, stands with Eudora Welty, Flannery O'Connor, and Raymond Carver among the authors who have given the short story an unmistakably American cast. In three slim collections of perfectly crafted stories, published over a period of some thirty years and brought together here in a single volume for the first time, Powers wrote about many things: baseball and jazz, race riots and lynchings, the Great Depression, and the flight to the suburbs. His greatest subject, however—and one that was uniquely his—was the life of priests in Chicago and the Midwest. Powers's thoroughly human priests, who include do-gooders, gladhanders, wheeler-dealers, petty tyrants, and even the odd saint, struggle to keep up with the Joneses in a country unabashedly devoted to consumption.These beautifully written, deeply sympathetic, and very funny stories are an unforgettable record of the precarious balancing act that is American life.Table of ContentsThe Lord's DayThe TroubleLions, Harts, Leaping DoesJamesieHe Don't Plant CottonThe ForksRennerThe Valiant WomanThe EyeThe Old Bird, A Love StoryPrince of DarknessDawnDeath of a FavoriteThe Poor ThingThe Devil Was the JokeA Losing GameDefection of a FavoriteZealBlue IslandThe Presence of GraceLook How the Fish LiveBillFolksKeystoneOne of ThemMoonshotPriestly FellowshipFarewellPhariseesTinkers

    Includes a new Introduction by Ward Just.

    Finally, the experiences of loss which have haunted her psyche since childhood manifest themselves physically when she discovers the washed-up body of a child on the beach. It vanishes with the next wave - did she imagine it?

    It considers her formal artistic training in the rigid academic atmosphere of the Real Academia de Bellas Artes de San Fernando in Madrid, and her sojourns in Paris in 1930 and 1937, which brought Varo into contact with the surrealist movement of André Breton that was to define her artistic expression for the rest of her career. The main part of the book is devoted to the period following her exile in Mexico in 1940. It was here that Varo’s art became fully defined, and where she was recognized and championed by leading intellectual figures, such as the poet Octavio Paz. This volume celebrates in 77 beautiful colour paintings the complexity of Varo’s art, which defies easy classification. Inspired by the visual forms of surrealist artists, such as Yves Tanguy and Marcél Jean, but at the same time establishing its own unique vision, the paintings of Remedios Varo evoke a sense of deep mystery that leads us through a complex intellectual world, where cunning, irony and harsh questioning are the cornerstones of art.

    

    These beautifully rendered tales reveal Trevor's compassion for the human condition and confirm once again his position as one of the premier writers of the short story.

    As The New York Times proclaimed, “Despite the rigorous structure that undergirds her work—or more likely, because of it—Ms. Christensen’s style is lyrical, even playful.” The same could be said of Christensen’s essays. Here, she formulates with increasing clarity the basis of her approach to writing, and provides insights into how she composed specific poetry volumes. Some essays are autobiographical (with memories of Christensen’s school years during the Nazi occupation of Denmark), and others are political, touching on the Cold War and Chernobyl. The Condition of Secrecy also covers the Ars Poetica of Lu Chi (261-303 CE); William Blake and Isaac Newton; and such topics as randomness as a universal force and the role of the writer as an agent of social change. The Condition of Secrecy confirms that Inger Christensen is “a true singer of the syllables” (C. D. Wright), and “a formalist who makes her own rules, then turns the game around with another rule” (Eliot Weinberger).

    Allan Brown describes the filming and distribution of the cult masterpiece as a 'textbook example of How Things Should Never Be Done'. The omens were bad from the start, and proceeded to get much, much worse, with fake blossom on trees to simulate spring, actors chomping on ice-cubes to prevent their breath showing on film, and verbal and physical confrontations involving both cast and crew. The studio hated it and hardly bothered to distribute it, but today it finds favour with critics and fans alike, as a serious—if flawed—piece of cinema. Brown expertly guides readers through the film's convoluted history, attempting along the way to explain its enduring fascination, and providing interviews with the key figures—many of whom still have an axe to grind, and some of whom still harbour plans for a sequel.

    She lived through the war in Germany, as a German citizen under the horrors of Nazi rule and Allied bombings. The Past is Myself is her story of that experience - and an unforgettable portrait of an evil time.The Road AheadFollowing the extraordinary success of her wartime memoir, The Past is Myself, Christabel Bielenberg received thousands of letters from readers begging her to describe what happened next. In The Road Ahead she continues her story with the outbreak of peace - a time of struggle for reconciliation with, and the rebuilding of, a defeated nation. She also tells of life in her newly adopted country, Ireland, her involvement with the Peace Women of Northern Ireland, and with characteristic modesty and gratitude, looks back on a rich, full life.

    In his view, the United States was not the disinterested champion of democracy in the face of dictatorship: its role in the war was determined, rather, by the interests of its corporations and of its social, economic and political elites. His analysis explicitly addresses many of the myths that have since been fostered about the U.S. decision to enter the war alongside the Soviet Union, the U.K. and Canada, and against Nazi Germany.The Myth of the Good War offers a fresh and provocative look at the role of the USA in World War Two. It spent four months on the nonfiction bestseller lists in Europe in 2000, and has since been translated into German, Spanish and French.

    Delany brings his remarkable intellectual powers to bear on a wide range of topics. Whether he is exploring the deeply felt issues of identity, race, and sexuality, untangling the intricacies of literary theory, or the writing process itself, Delany is one of the most lucid and insightful writers of our time. These essays cluster around topics related to queer theory on the one hand, and on the other, questions concerning the paraliterary genres: science fiction, pornography, comics, and more. Readers new to Delany's work will find this collection of shorter pieces an especially good introduction, while those already familiar with his writing will appreciate having these essays between two covers for the first time.

    Over fifty years ago, Gerda Weissmann was barely alive at the end of a 350-mile death march that took her from a slave labor camp in Germany to the Czech border. On May 7, 1945, the American military stormed the area, and the first soldier to approach Gerda was Kurt Klein. She guided him to her fellow prisoners who lay sick and dying on the ground, and quoted Goethe: "Noble be man, merciful and good." Perhaps it was her irony, her composure, her evident compassion in the face of tragedy, that struck Kurt Klein. A great love had begun. Forced to separate just weeks after liberation and hours after their engagement, Gerda and Kurt began a correspondence that lasted until their reunion and wedding in Paris a year later. Their poignant letters reflect upon the horrors of war and genocide, but above all, upon the rapture and salvation of true love.

    In this book, WWII airmen of all ranks candidly speak on all aspects of their experiences--the missions and the planes they flew; their enemies; the places they saw and people they met; their morale, fears, and leadership; and the aerial brotherhood that sustained them.

    It offers a life in letters that showcases his many struggles as well as his memorable achievements. Arranged by decade and linked by expert commentary, the volume guides us through Hughes’s journey in all its aspects: personal, political, practical, and—above all—literary. His letters range from those written to family members, notably his father (who opposed Langston’s literary ambitions), and to friends, fellow artists, critics, and readers who sought him out by mail. These figures include personalities such as Carl Van Vechten, Blanche Knopf, Zora Neale Hurston, Arna Bontemps, Vachel Lindsay, Ezra Pound, Richard Wright, Kurt Weill, Carl Sandburg, Gwendolyn Brooks, James Baldwin, Martin Luther King, Jr., Alice Walker, Amiri Baraka, and Muhammad Ali. The letters tell the story of a determined poet precociously finding his mature voice; struggling to realize his literary goals in an environment generally hostile to blacks; reaching out bravely to the young and challenging them to aspire beyond the bonds of segregation; using his artistic prestige to serve the disenfranchised and the cause of social justice; irrepressibly laughing at the world despite its quirks and humiliations. Venturing bravely on what he called the “big sea” of life, Hughes made his way forward always aware that his only hope of self-fulfillment and a sense of personal integrity lay in diligently pursuing his literary vocation. Hughes’s voice in these pages, enhanced by photographs and quotations from his poetry, allows us to know him intimately and gives us an unusually rich picture of this generous, visionary, gratifyingly good man who was also a genius of modern American letters.

    Her characters suffer and survive against the enormous weight of the times with a dignity that inspires. Her work challenges the audience and reader to reexamine the conflicts and meaning of our everyday lives through her singular, poetic imagery and language.Includes: One Flea SpareIn the Heart of AmericaSlaughter CityThe War BoysThe Trestle at Pope's Creek

    I - Destiny: Fleeing an abusive father and a hopeless life in Ireland in 1895, nineteen-year-old Tom Callahan takes passage on a ship bound for America. On board, he meets Katrina Hansen, a young Norwegian woman traveling to Utah. It's not a likely match. The brash Irishman is a Catholic, a brawler and a young man without prospects. Katrina is a refined young woman, yet naive in the ways of the world. Lured into a polygamous marriage, she finds herself abandoned on a remote Mexican beach as the man she loves, unaware of her status, seeks his fortune in Alaska. Destiny is a sprawling historical novel set at the turn of the 19th century, played out in such far-flung places as New York City, the gold fields of Alaska and Old Mexico.Vol.II - Conflict: Tom Callahan strikes it rich in the Alaska goldfield while Katrina struggles to remain alive in Mexico. Demonstrating her determination and faith, the reader is shown the resilience of this young woman who has grown beyond her years. Continuing through 1912 and the disastrous voyage of HMS Titanic, Conflict will keep you on the edge of your seat.Vol. III - Reunion: It's 1917 and American has entered World War I. Tom and Katie's son, in an effort to prove his worth to his father, has joined what President Woodrow Wilson is calling - the fight to make the world safe for democracy-. As the war ends, Tommy is selected for appointment to the Naval Academy, while his father is arrested and imprisoned in Ireland for gun running in the great Irish Civil War. Set against turbulent events in world history and filled with vivid scenes as well as tender emotions, Reunion takes the reader around the world.Vol. IV - Prelude: Tom and Katrina Callahan continue their story in the years between the two world wars. Their three children have grown up and are making their way in a world that is propelling itself toward World War II. Tess has her heart set on a Hollywood movie career; PJ is a successful sheep rancher in New Zealand and Tommy is pursuing his career in the Marine Corps and learning not only about war, but about the perils of romance. When Tommy finds himself in England prior to WWII, Winston Churchill calls on him to examine the economic growth of the German nation as they secretly prepare for war.Vol. V - Reprisal - Continuing the series into WWII as Marine Corps Lieutenant Colonel Thomas Callahan III faces personal tragedy during the Blitz in London as the war presents a very personal face. As he leaves his Embassy post to return to the United States, America joins Europe in the worldwide conflagration. For the second time in his young life, the son of Thomas and Katrina Callahan finds himself immersed in front-line battle, torn between his duty and the love of a beautiful woman who desires only his safety.The conclusion of The Callahans will leave you enthralled as the children and grandchildren of a once-young Irish immigrant and his Norwegian bride leave their mark upon the world.

    What started out as a whisper of an idea between lovers - Garage owner Michael Brody and financial backer Mel Cheren - eventually culminated into a dance palace that existed for more than a decade and is still spoken about with reverence.Keep on Dancin' gives hundreds of private recollections from the people who were there: Tom Moulton, Francois Kevorkian, Grace Jones, Thelma Houston, Frankie Knuckles, Junior Vasquez and others help recreate the moment when love was the message.Scheduled for release in the spring, Keep on Dancin' promises to usher in a wave of Garage nostalgia. An authorized CD of Larry Levan's Garage classics is also scheduled for release this spring. Ultimately, the author, who has devoted himself to AIDS related philanthropic work, plans to reopen the Garage in its original space in Manhattan, with the profits going to AIDS related charities.

    

    Cynical, pragmatic Katherine, who throws herself into her career in order to avoid domesticity, embarks upon a risky affair and is suffocated by the very dependence she has fought to avoid. And Rachel, dearly loved Rachel who wants for nothing throughout her young life, marries against her parents' will, and then meets tragedy...The bond between Liv and Katherine weakens over time, but as Katherine uncovers the awful truth about Rachel, and Liv begins to put together the pieces of her shattered life, their friendship is reaffirmed and their lives go forward with dark-eyed girls of their own.

    The stories compose both a moving history of the Chukchi people who inhabit the shores of the Bering Sea, and a beautiful cautionary tale, rife with conflict, human drama, and humor. We meet fantastic characters: Nau, the mother of the human race; Rau, her half-whale husband; and finally, the dark spirit Armagirgin, who attempts to destroy nature's harmony by pitting the two against each other. The Chukchi Bible moves through Arctic tundra, sea, and sky–and beyond–introducing readers to an extraordinary mythology and a resilient people, in hauntingly poetic prose.Yuri Rytkheu was born in 1930 in the Chukotka Peninsula of the northeastern tip of Siberia, home of the Chukchi, a disappearing people inhabiting one of the most majestic and inhospitable environments on earth.

    It provides students with an excellent opportunity to familiarise themselves with IELTS and to practise examination techniques using authentic test material. This book includes an introduction to these different modules together with an explanation of the scoring system used by Cambridge ESOL. The inclusion of a comprehensive section of answers and tapescripts means that the material is ideal for students working partly or entirely on their own.

    

    Ant questions copntact Carole Zolezzi @ 888-291-8000 ext 320

    But for Mary Midgley it can never be the whole story, as it cannot truly explain what it means to be human.In this typically crusading work, universally acclaimed as a classic on first publication, she powerfully asserts her corrective view that without poetry (or literature, or music, or history, or even theology) we cannot hope to understand our humanity. In this remarkable book, the reader is struck by both the simplicity and power of her argument and the sheer pleasure of reading one of our most accessible philosophers.

    The Pirates in the Deep Green Sea, written for children, is a fantasy, in which Davy Jones and all the drowned pirates under the sea are discovered guarding the great knots that tie latitudes and longitudes together to keep the world from splitting.

    Included in this volume: a comprehensive biography of Christie, including new theories on her strange disappearance in 1926; plot synopses that offer colorful capsules of the stories (without giving away the solutions!); A-to-Z entries on characters from vicars to butlers, police sergeants to maids, each cross-referenced to the story or novel; detailed listings of all films, television programs, radio shows, and documentaries of Christie and her works; up-to-date entries on the most recent releases of previously unpublished Christie writings; and sixty illustrations, including book covers, shots from movies, and stage productions." "Whether you've read every title in the giant Christie canon, or are just discovering her writing, The Complete Christie reveals in delectable detail why the mystique, fascination, and brainteasing fun of the mysteries penned by the century's most successful writer remain forever undiminished.

    His work is acclaimed for its wit and erudite eccentricities, and reveals an affinity for a diverse group of authors -- from Baudelaire to Henry James to Mickey Spillane -- whose quotations abound in the drawings This volume is a catalogue raisonne of his artist books produced between 1978 and 1998, many of which are now extremely rare and highly collected in both the art world and underground music circles Popularized at first by small independent music labels and publishers, these booklets and zines were originally available only in very small print runs -- editions sizes ranged from 30 to 150 copies, where Pettibon's rough yet cultivated style became synonymous with the late 70s and 80s underground aesthetic. Presenting over a hundred of Pettibon's publications -- 32 printed in their entirety -- this new paperback edition is an important look at the development of one of the most significant artists of the last quarter century.

    Why did Hitler turn against France in the Spring of 1940 and not before? And why were his poor judgement and inadequate intelligence about the Allies nonetheless correct? Why didn't France take the offensive earlier, when it might have led to victory? What explains France's failure to detect and respond to Germany's attack plan? Skillfully weaving together decisions of the high commands with the confused responses from exhausted and ill-informed, or ill-advised, officers in the field, the distinguished diplomatic historian Ernest R. May offers many new insights into the tragic paradoxes of the battle for France.

    The works are separated into three sections, isolating the Celtic relationship with the natural world, chronicling Celtic heroes, and exploring the magic and shamanistic aspects of Celtic belief.

    By offering a historical analysis of the relation between communication technologies, discourses of modernity, and metaphysical preoccupations, Sconce demonstrates how accounts of “electronic presence” have gradually changed over the decades from a fascination with the boundaries of space and time to a more generalized anxiety over the seeming sovereignty of technology. Sconce focuses on five important cultural moments in the history of telecommunication from the mid-nineteenth century to the present: the advent of telegraphy; the arrival of wireless communication; radio’s transformation into network broadcasting; the introduction of television; and contemporary debates over computers, cyberspace, and virtual reality. In the process of examining the trajectory of these technological innovations, he discusses topics such as the rise of spiritualism as a utopian response to the electronic powers presented by telegraphy and how radio, in the twentieth century, came to be regarded as a way of connecting to a more atomized vision of the afterlife. Sconce also considers how an early preoccupation with extraterrestrial radio communications tranformed during the network era into more unsettling fantasies of mediated annihilation, culminating with Orson Welles’s legendary broadcast of War of the Worlds. Likewise, in his exploration of the early years of television, Sconce describes how programs such as The Twilight Zone and The Outer Limits continued to feed the fantastical and increasingly paranoid public imagination of electronic media. Finally, Sconce discusses the rise of postmodern media criticism as yet another occult fiction of electronic presence, a mythology that continues to dominate contemporary debates over television, cyberspace, virtual reality, and the Internet. As an engaging cultural history of telecommunications, Haunted Media will interest a wide range of readers including students and scholars of media, history, American studies, cultural studies, and literary and social theory.

    Up at Hilltop House, home of the wealthy Cartwright family, Virginia Watson is a kitchen maid whose life below stairs is an endless round of hardship and drudgery. Back in the Gorbals, her family are fighting a losing battle against unemployment, hunger and disease, while her father and brothers dream of the revolution that John Maclean and the 'Red Clydesiders' promise will be their salvation. Everything changes for Virginia after a chance meeting with Nicholas Cartwright, a dashing young army officer and heir to the Cartwright fortune. Defying all the conventions of the time, their illicit romance has hardly begun when war breaks out, and Nicholas leaves to face the horrors of the Western Front. A powerful tale of love and loss, The Clydesiders is a brilliant portrayal of Glasgow during the First World War and the revolutionary turmoil of Red Clydeside.

    Devotional writing at its finest.

    LeRoi Jones, later known as Amiri Baraka, may be most famous for his plays, poetry, and music writings; nut his one published novel, The System of Dante's Hell (1965), his book of short stories, Tales (1967), and his previously unpublished novel 6 Persons (1973-74) give ample evidence that his fiction may even exceed his other work in complexity, invention, confessional recklessness, and contribution to issues of black identity. This volume includes all three of these masterpieces, and supplements them with four previously uncollected stories. Jones's fiction, which shares the acute self-consciousness, autobiographical tendencies, and restlessness of Beat writing, also maintains an uncompromising attitude towards sex and violence: The System of Dante's Hell was banned when first published because of its graphic depiction of homosexual acts. Poetic, provocative, witty, bitter, and aggressive, this book contains some of the most astonishing writing to emerge from a convulsive periods in African American history

    Collects speeches that the revolutionary leader delivered to university students and other youth groups between 1959 and 1964, along with a tribute to Guevara given by Fidel Castro in 1997.

    The book presents a collection of stimulating essays that get to the very heart of the Singapore system and the dynamics shaping it, revealing many of the tensions and contradictions inherent in the "air-conditioned nation" and the factors accounting for the political success of the ruling People's Action Party.

    These principles guided him as he articulated with a persuasive, spellbinding, emotional intensity the injustices and indignities practised against his race and against the other coloured peoples of the world. In 1964 Dr King won the coveted Nobel Peace Prize and accepted the prize in Oslo, Norway. Here in this second volume of highlights of major MLK speeches, we find Mr King delivering a major speech, recorded in 1966, highlighted by 'The American Dream' and 'We Shall Overcome'. Two years later he would be shot by an assassin while standing on the balcony of a motel in Memphis, Tennessee. Approximate running time: 46 minutes.

    As famous in their day as the authors whose stories they illustrated, Wyeth and his gifted colleagues added their unique talents at narrative depiction to numerous fictional works of a century ago, brought back to life in these pages.

    The first female painter since Artemisia Gentileschi in the seventeenth century to portray an ideal of heroic femininity, Romaine Brooks (1874-1970), like her contemporary Gwen John, shaped an image of the androgynous New Woman for the twentieth century.An American born in Rome, Brooks spent most of her life in Paris. After a brief but passionate romance with the poet Gabriel D'Annunzio, with whom she maintained a lifelong friendship, she turned to relationships with women and to art to express her emerging self. For many years the companion of Natalie Barney, whom the artist depicted as L'Amazone in one of her most famous portraits, Brooks belonged to the international lesbian community that included Compton and Faith MacKenzie, Renée Vivien, Radclyffe Hall (who immortalized Brooks as the barely fictionalized American painter Venetia Ford in The Forge), and Una, Lady Troubridge.The milieu Brooks chose was the privileged, often eccentric demi-monde of wealthy aristocrats and expatriate writers, artists, intellectuals, and performers who gathered in Rome, London, Capri, Paris, and Florence. The social circles she traveled in included Somerset Maugham, Norman Douglas, Charles Freer, Count Robert de Montesquiou, Jean Cocteau, Augustus John, Carl Van Vechten, and Ida Rubenstein, several of whom were subjects for Brooks's portraits.Amazons in the Drawing Room, published in conjunction with a major traveling exhibition of Brooks's work--the first since 1971--opening at the National Museum of Women in the Arts in June 2000, provides a fresh context to view Brooks's haunting and compelling art. Whitney Chadwick's overview of Brooks's life and artistic focus and Joe Luchesi's examination of Brooks's portraits and photographs of Russian dancer Ida Rubenstein bring into sharp focus the complex artistic, literary, and political influences that shaped Brooks's sensibility and approach to portraiture.

    It also included an outpouring of intellectual responses to the conflicting times from such eminent writers as T. H. Huxley, Emma Goldman, William James, H. G. Wells, George Bernard Shaw, and Oscar Wilde. In this important anthology, Ledger and Luckhurst make available to students, scholars, and general readers a large body of non-literary texts which richly configure the variegated cultural history of the fin-de-siècle years. That history is here shown to inaugurate many enduring critical and cultural concerns, with sections on Degeneration, Outcast London, The Metropolis, The New Woman, Literary Debates, The New Imperialism, Socialism, Anarchism, Scientific Naturalism, Psychology, Psychical Research, Sexology, Anthropology, and Racial Science. Each section begins with an Introduction and closes with Editorial Notes that carefully situate individual texts within a wider cultural landscape.

    McClatchy.

    This remarkable age produced such luminaries as Socrates, Herodotus, Thucydides, Sophocles, Euripides, Aristophanes, and the sophists, and set the stage for the education and early careers of Plato and Xenophon, among others. The School of History provides the fullest and most detailed intellectual and political history available of Athens during the late fifth century b.c.e., as it examines the background, the context, and the decisive events shaping this society in the throes of war. This expansive, readable narrative ultimately leads to a new understanding of Athenian democratic culture, showing why and how it yielded such extraordinary intellectual productivity. As both a source and a subject, Thucydides' history of the Peloponnesian War is the central text around which the narrative and thematic issues of the book revolve. Munn re-evaluates the formation of the Greek historiographical tradition itself as he identifies the conditions that prompted Thucydides to write--specifically the historian's desire to guide the Athenian democracy as it struggled to comprehend its future. The School of History fully encompasses recent scholarship in history, literature, and archaeology. Munn's impressive mastery of the huge number of sources and publications informs his substantial contributions to our understanding of this democracy transformed by war. Immersing us fully in the intellectual foment of Athenian society, The School of History traces the history of Athens at the peak of its influence, both as a political and military power in its own time and as a source of intellectual inspiration for the centuries to come. A Main Selection of the History Book Club

    In Origo's case, she managed to add light and color to everything she touched and left for posterity a legacy of work, biography, autobiography, and literary criticism, that have become recognized as classics of their kind.She was born into a wealthy and long-established Long Island family, the Cuttings, but her talented and beloved father (who resembled, more than a little, a character right out of Henry James) died of consumption when she was only nine. She spent the following years traveling the world with her mother and an extensive entourage, settling finally at the Villa Medici at Fiesole and entering into the privileged world of wealthy Anglo-Florentine expatriates whose likes included the Berensons, Harold Acton, Janet Ross, and Edith Wharton, and whose petty bickering, and pettier politics, had a profound influence on how she spent her life.Her marriage to Antonio Origo, a wealthy landowner and sportsman, was as much a reaction to this insular world as it was a surprise to her family and friends. Together they purchased, and single-handedly revived, an extensive, arid valley in Tuscany called Val d'Orcia, rebuilding the farmsteads and the manor house. Although clearly sympathetic to Mussolini's land use policies, they sided firmly with the Allies during World War II, taking considerable risks in protecting children, sheltering partisans, and repatriating Allied prisoners-of-war to their units.Caroline Moorehead has made extensive use of unpublished letters, diaries, and papers to write what will surely be considered the definitive biography of this remarkable woman. She has limned a figure who was brave, industrious, and fiercely independent, but hardly saintly. What emerges is a portrait of one of the more intriguing, attractive, and intelligent women of the last century.

    This landmark anthology, part of a series that will eventually cover the entire century, gathers nearly 1500 poems by over 200 poets to restore American poetry's most brilliant era in all its beauty, explosive energy, and extraordinary diversity.Included are generous selections of the century's great poets -- Robert Frost, Wallace Stevens, William Carlos Williams, Marianne Moore, Ezra Pound, Langston Hughes; and undervalued poets like Witter Bynner, Mina Loy, Louis Zukofsky, Ogden Nash, Dorothy Parker, Robert Johnson; and a wealth of talented and overlooked poets, experimentalists, formal innovators, popular and humorous versifiers, poets of social protest, and accomplished songwriters.

    This guide introduces, explores and analyzes in detail the principal themes and styles of the work of Sean O'Casey. It also places it in the context of modern theatre, and includes a select bibliography.

    Yet his life is the tragic story of a man who believed in a modern, rational approach to life and who, though his ideas guided popular opinion throughout the twentieth century, lost everything. Russell's views on marriage, religion, education, and politics attracted legions of devoted followers and, at the same time, provoked harsh attacks from every direction. On the one hand, he was stripped of his post at New York's City College because he was thought to be a bad influence on his students, and on the other, he was awarded the Order of Merit, the Nobel Prize in literature, and a lifetime Fellowship of Trinity College, Cambridge. He lived to be ninety-seven, and as he became older he became increasingly controversial. Monk quotes Russell's telegrams to Kennedy and Khrushchev during the Cuban missile crisis, an influence that Russell and his followers believed tipped the balance toward peace. Russell devoted his last years to a campaign organized by his secretary to lend support to Che Guevara's call for a globally coordinated revolutionary struggle against "U.S. imperialism." Until now, this last campaign has been misunderstood as a -- perhaps misguided, but nevertheless innocent -- plea for world peace. Monk reveals it was no such thing.Drawing on thousands of documents collected at the Russell archives in Canada, Monk steers through the turbulence of Russell's public activities, scrutinizing his sometimes paradoxical and often outrageouspronouncements. Monk's focus, however, is on the tragedy of Russell's personal life, and in revealing this inner drama Monk has relied heavily on the cooperation of Russell's surviving relatives and access to previously unexamined legal and private correspondence. A central player in Russell's life was his first son, John. Russell applied the methods of the new science of child psychology in his parenting, believing that a new generation of children could be reared to be "independent, fearless, and free." But instead of being a model of this new generation, John became anxious, withdrawn, and eventually schizophrenic. Nor was John's daughter Lucy (who was Russell's favorite grandchild) to be a model of the new generation; gradually she grew so emotionally disturbed that, at the age of twenty-six, she took her own life."The Ghost of Madness" completes the most searching examination yet published of Bertrand Russell's unique life and work. Together with Ray Monk's highly praised first volume of the biography, "The Spirit of Solitude," this is the classic account of an extraordinary man who championed the great ideas of the twentieth century and was all but destroyed by them. It is a portrait of the mind of a century.

    In this volume, the ultimate horror: Dungeon has competition! Special lower price! Great entry point to this vast fantasy spoof world.

    But these adult accomplishments eclipsed an earlier fame. "Saturday's child has to work for a living," and Morgan has--since the age of two. She was a tot model, had her own radio show at age four, and was a child star on television, including on the popular series "Mama." Unlike most child actors, she emerged to reinvent a life filled with literary achievement and constructive politics.Here Morgan tells the whole story--the years as a child so famous she was named "The Ideal American Girl," her fight to become a serious writer, marriage to a fiery bisexual poet, motherhood, lovers (male and female), and decades working on civil rights, the radical underground, and global feminism. This is the intensely personal, behind-the-scenes story of her life.

    It sweeps away the myth that the army suffered from poor morale, and that it only won its battles through the use of 'brute force' and by reverting to the techniques of the First World War. Few soldiers were actively eager to close with the enemy, but the morale of the army never collapsed and its combat capability steadily improved from 1942 onwards.

    The novel is filled with people claiming to be the Messiah, swindlers and the swindled, Jewish and Christian pilgrims, homosexuals, journalists, Holocaust survivors, Palestinian Arabs, children, and pets—a story told with as much humor as pathos.Dina Rubina lives in Ma’aleh Adumim, Israel. She is the author of two other long novels. Her work has been translated into 12 languages, and a three-volume collection of her work in Russian is forthcoming.Daniel M. Jaffe is a fiction writer and translator of Russian literature.

    The book includes documentary source material and photographs of film stars like Greta Garbo wearing couture designed by Russian emigres.

    Orison Swett Maden originally wrote this for business professionals�..it is also general enough to be useful to anyone seeking to improve themselves��..,,,, If you enjoy books by Napoleon Hill and Clement Stone I think you will also enjoy "Be Good to Yourself." It is filled with wisdom learned from experience� It's nice to be reminded of core concepts that can help us to live more successful and satisfying lives. If you're into the habit of seeking out good personal development books, Be Good To Yourself is another option that should rank up there with titles by other well-known writers of that genre. ��.Ross Books has done an excellent job of making the text readable and exciting�� Orison Swett Marden is considered to be the founder of the modern success movement in America. He bridged the gap between the old notions of success and the new, more comprehensive, models later made popular by best-selling authors such as Napoleon Hill, Clement Stone, Dale Carnegie, Og Mandino, Earl Nightingale, Norman Vincent Peale, and today's authors such as Stephen R.Covey, Anthony Robbins, and Brian Tracy. This is a basic guide to life and success. Like a faithful good friend it can always be relied on for inspiration as well as everyday good sense.

    One of the reasons seamstresses found it valuable was the special attention paid to “small waists,” “large front hips,” and the “corpulent form.”Included in this unabridged republication of that now-rare book are patterns and detailed instructions for measuring and cutting over 60 vintage garments and parts of wearing apparel, among them full leg-o-mutton sleeves, a bell or wing sleeve, broad collars, a military cape, a double-breasted vest, a skirt with a flounce, a raglan box coat, knickerbockers, bloomers, an opera cloak, riding breeches, an Eton jacket, and much more. Further enhanced with a new introduction by fashion authority Kristina Harris, this volume will prove indispensable to anyone attempting to re-create vintage clothing for costume parties and theatrical productions. This book will also be of great interest to students and enthusiasts of costume history.

    To measure the development of Chinese women’s poetry, one must take into account not only the poems but also the prose writings—prefaces, biographies, theoretical tracts—that framed them and attempted to shape women’s writing as a distinct category of literature. To this end, the anthology contains an extended section of criticism by and about women writers.These poets include empresses, imperial concubines, courtesans, grandmothers, recluses, Buddhist nuns, widows, painters, farm wives, revolutionaries, and adolescent girls thought to be incarnate immortals. Some women wrote out of isolation and despair, finding in words a mastery that otherwise eluded them. Others were recruited into poetry by family members, friends, or sympathetic male advocates. Some dwelt on intimate family matters and cast their poems as addresses to husbands and sons at large in the wide world of men’s affairs. Each woman had her own reasons for poetry and her own ways of appropriating, and often changing, the conventions of both men’s and women’s verse.The primary purpose of this anthology is to put before the English-speaking reader evidence of the poetic talent that flourished, against all odds, among women in premodern China. It is also designed to spur reflection among specialists in Chinese poetry, inspiring new perspectives on both the Chinese poetic tradition and the canon of female poets within that tradition. This partial history both connects with and departs from the established patterns for women’s writing in the West, thus complementing current discussions of “feminine writing.”

    Using the occasion of her eightieth-birthday party to reflect on the past, Doris Grumbach delivers an enchanting memoir of the writers, friends, and loves who have accompanied her in mind and body through an extraordinary life of letters.

    Fast? perhaps. Original? undoubtedly. Worth knowing? rather." Daring and dynamic, the 'new woman' came to represent the very spirit of the age. The stories in this anthology take up this phenomenon and examine society throughthe eyes of the new woman, as she encountered new choices in marriage, motherhood, work and love.Women Who Did charts a rebellion that was social, sexual and literary. It tells the stories of competing voices - of the men and women who entered into the fray of the fin de siècle, and were not afraid to confront, challenge or delight in the irrepressible New, in an irrepressibly new form, the short story.

    It features fun fact boxes and quick-reference sections so science homework can be done in a snap.

    Not well known in the West, the battles of Isonzo were nevertheless ferocious, and compiled a record of bloodletting that totaled over 1.75 million for both sides. In sharp contrast to claims that neither the Italian nor the Austrian armies were viable fighting forces, Schindler aims to bring the terrible sacrifices endured by both armies back to their rightful place in the history of 20th century Europe. The Habsburg Empire, he contends, lost the war for military and economic reasons rather than for political or ethnic ones.Schindler's account includes references to remarkable personalities such as Mussolini; Tito; Hemingway; Rommel, and the great maestro Toscanini. This Alpine war had profound historical consequences that included the creation of the Yugoslav state, the problem of a rump Austrian state looking to Germany for leadership, and the traumatic effects on a generation of young Italian men who swelled the ranks of the fascists. After nearly a century, Isonzo can assume its proper place in the ranks of the tragic Great War clashes, alongside Verdun, the Somme, and Passchendaele.

    Her teachers complained that she ‘knew nothing of grammar’, and could read only ‘tolerably’ and write ‘indifferently’. Yet though learning and obeying the rules of grammar won’t automatically bestow the grace and excellence of a Bronte on your writing, learning how written language works will certainly improve your communication skills, step by practical step. The guide features:- the thirteen gremlins of grammar, from apostrophes to verbs- the point of sentence construction- the writing of good English- witty cartoons by Hunt Emerson

     Written shortly after the Russian Revolution and the First World War, Schmitt analyses the problem of the state of emergency and the power of the Reichsprasident in declaring it. Dictatorship, Schmitt argues, is a necessary legal institution in constitutional law and has been wrongly portrayed as just the arbitrary rule of a so-called dictator. Dictatorship is an essential book for understanding the work of Carl Schmitt and a major contribution to the modern theory of a democratic, constitutional state. And despite being written in the early part of the twentieth century, it speaks with remarkable prescience to our contemporary political concerns.

    Idealists, spiritual adventurers, intellectuals and philosophers flocked to his talks.

    An extended study and reflection on the sayings of the Desert Fathers.

    Armed with false papers identifying them as aristocratic Gentiles, this Jewish family took shelter in the very shadow of the Nazi machine.

    This book brings together the illustrated stories of three females from the worlds of extreme sexuality.

    "All first-rate criticism," he once wrote in a review, "first defines what we are confronting." He could as easily have been describing his own work. For nearly half a century, Balliett has been telling us, in his widely acclaimed pitch-perfect prose, what we are confronting when we listen to America's greatest—and perhaps only original—musical form.Collected Works: A Journal of Jazz 1954-2001 is a monumental achievement, capturing the full range and register of the jazz scene, from the very first Newport Jazz Festival to recent performances (in clubs and on CDs) by a rising generation of musicians. Here are definitive portraits of such major figures as Duke Ellington, Dizzy Gillespie, Django Reinhardt, Martha Raye, Buddy Rich, Charles Mingus, Louis Armstrong, Billie Holliday, Art Tatum, Bessie Smith, and Earl Hines—a list that barely scratches the surface. Generations of readers have learned to listen to the music with Balliett's graceful guidance. For five decades he has captured those moments during which jazz history is made.Though Balliett's knowledge is an encyclopedic treasure, he has always written as if he were listening for the first time. Since its beginnings in New Orleans at the turn of the century, jazz has been restlessly and relentlessly evolving. This is an art form based on improvising, experimenting, shapeshifting—a constant work in progress of sounds and tonal shades, from swing and Dixieland, through boogie-woogie, bebop, and hard bop, to the "new thing," free jazz, abstract jazz, and atonal jazz. Yet, in all its forms, the music is forever sustained by what Balliett calls a "secret emotional center," an "aural elixir" that "reveals itself when an improvised phrase or an entire solo or even a complete number catches you by surprise." Balliett's celebrated essays invariably capture the so-called "sound of surprise"—and then share this sound with general readers, music students, jazz lovers, and popular American culture buffs everywhere. As The Los Angeles Times Book Review has observed, "Few people can write as well about anything as Balliett writes about jazz."

    Framed by the 9-day Nagorno-Karabakh conflict of 1994, this novel contains a story weaved from historical narration and tales - tales of war and tales of women - as two men talk.

    It looks at both traditional and newer forms of language assessment, and the challenges posed by new views.

    Elman uses over a thousand newly available examination records from the Yuan, Ming, and Ch'ing dynasties, 1315-1904, to explore the social, political, and cultural dimensions of the civil examination system, one of the most important institutions in Chinese history. For over five hundred years, the most important positions within the dynastic government were usually filled through these difficult examinations, and every other year some one to two million people from all levels of society attempted them.Covering the late imperial system from its inception to its demise, Elman revises our previous understanding of how the system actually worked, including its political and cultural machinery, the unforeseen consequences when it was unceremoniously scrapped by modernist reformers, and its long-term historical legacy. He argues that the Ming-Ch'ing civil examinations from 1370 to 1904 represented a substantial break with T'ang-Sung dynasty literary examinations from 650 to 1250. Late imperial examinations also made "Tao Learning," Neo-Confucian learning, the dynastic orthodoxy in official life and in literati culture. The intersections between elite social life, popular culture, and religion that are also considered reveal the full scope of the examination process throughout the late empire.

    Published to coincide with the multimedia exhibition that opens at the Sterling and Francine Clark Art Institute and travels to the Walters Art Gallery and the Mint Museum of Art, this catalogue considers how urban, mercantile, Protestant America represented the Islamic world of the Middle East and North Africa in ways that say more about itself than the foreign culture.This gorgeously illustrated volume first looks at the use of Orientalist stereotypes by some of the country's most important high art painters of the nineteenth century: Frederic Edwin Church's treatment of the exotic terrain through a lens of deep religiosity; a more cosmopolitan reading of the harem girl by John Singer Sargent; the perfumed alternative to industrial capitalism conjured in the landscapes and market scenes of Samuel Colman and Louis Comfort Tiffany; and interpretations of the Orient as emancipatory by Ella Pell, the only major woman Orientalist. The book next traces the popularization of Orientalism in the decorative arts (including a few treasures from Olana, Church's Moorish-style home on the Hudson), on Broadway, and in Hollywood, as well as through advertising that linked consumer products with visual suggestions of exotic sexuality and through cultural objects, such as the Shriners' fez.The generous color plates show both an innocent romanticization of the Orient and a darker, heavily eroticized version of Oriental otherness. An excellent chronology and bibliography, in addition to expert essays by both Americanists and Islamicists, give context to absorbing images. Though a perfect companion for visitors to the exhibition, Noble Dreams, Wicked Pleasures is also for anyone seeking an uncommon take on the development of American self-understanding. Exhibition Schedule: ? The Sterling and Francine Clark Art InstituteWilliamstown, MassachusettsJune 11-September 4, 2000 The Walters Art GalleryBaltimore, MarylandOctober 1-December 10, 2000 The Mint Museum of ArtCharlotte, North CarolinaFebruary 3-April 22, 2001

    Last year, I was seven years old. This year, I’m eight and so many years separate these two ages. I have learned that I am Jewish, that I am a monster, and that I must hide myself. I’m frightened all the time.”—Francine Christophe. Francine Christophe’s account begins in 1939, when her father was called up to fight with the French army. A year later he was taken prisoner by the Germans. Hearing of the Jewish arrests in France from his prison camp, he begged his wife and daughter to flee Paris for the unoccupied southern zone. They were arrested during the attempted escape and subsequently interned in the French camps of Poitiers, Drancy, and Beaune-la-Rolande. In 1944 they were deported to Bergen-Belsen in Germany.In short, seemingly neutral paragraphs, Christophe relates the trials that she and her mother underwent. Writing in the present tense, she tells her story without passion, without judgment, without complaint. Yet from these unpretentious, staccato sentences surges a well of tenderness and human warmth. We live through the child’s experiences, as if we had gone hand-in-hand with her through the death camps.

    During the festivities she meets Joss, a distinguished gentleman who is clearly smitten by her. Her future seems full of promise but her dreams are dashed when tragedy strikes her family and she has to take responsibility for her siblings, leaving her ambitions, and Joss, behind. Life is a struggle but in time she marries Hector Stubbins, believing she has found love and security, but Hector is not the man he first appears to be.

    American demand for swing skyrocketed with the onslaught of war as millions—isolated from loved ones—sought diversion, comfort, and social contact through music and dance. Although all-female jazz and dance bands had existed since the 1920s, now hundreds of such groups, both African American and white, barnstormed ballrooms, theaters, dance halls, military installations, and makeshift USO stages on the home front and abroad. Filled with firsthand accounts of more than a hundred women who performed during this era and complemented by thorough—and eye-opening—archival research, Swing Shift not only offers a history of this significant aspect of American society and culture but also examines how and why whole bands of dedicated and talented women musicians were dropped from—or never inducted into—our national memory. Tucker’s nuanced presentation reveals who these remarkable women were, where and when they began to play music, and how they navigated a sometimes wild and bumpy road—including their experiences with gas and rubber rationing, travel restrictions designed to prioritize transportation for military needs, and Jim Crow laws and other prejudices. She explains how the expanded opportunities brought by the war, along with sudden increased publicity, created the illusion that all female musicians—no matter how experienced or talented—were “Swing Shift Maisies,” 1940s slang for the substitutes for the “real” workers (or musicians) who were away in combat. Comparing the working conditions and public representations of women musicians with figures such as Rosie the Riveter, WACs, USO hostesses, pin-ups, and movie stars, Tucker chronicles the careers of such bands as the International Sweethearts of Rhythm, Phil Spitalny’s Hours of Charm, The Darlings of Rhythm, and the Sharon Rogers All-Girl Band.

    In this book Sue Taylor draws on psychoanalytic theory to suggest why Bellmer was so driven by erotomania as well as a desire for revenge, suffering and the safety of the womb. Although he styled himself as the quintessential Oedipal son, an avant-garde artist in perpetual rebellion against a despised father, Taylor contends that his filial attitude was more complex than he could consciously allow. Tracing a repressed homoerotic attachment to his father, castration anxiety, and an unconscious sense of guilt, Taylor proposes that a feminine identification informs all the disquieting aspects of Bellmer's art.

    Feminists, troubled by the way in which such representations show women controlled by powerful natural forces and confined to domestic space, have sought to distance themselves from nature. In Undomesticated Ground, Stacy Alaimo issues a bold call to reclaim nature as feminist space. Her analysis of a remarkable range of feminist writings--as well as of popular journalism, visual arts, television, and film--powerfully demonstrates that nature has been and continues to be an essential concept for feminist theory and practice.Alaimo urges feminist theorists to rethink the concept of nature by probing the vastly different meanings that it carries. She discusses its significance for Americans engaged in social and political struggles from, for example, the Indian Wars of the early nineteenth century, to the birth control movement in the 1920s, to contemporary battles against racism and heterosexism. Reading works by Catherine Sedgwick, Mary Austin, Emma Goldman, Nella Larson, Donna Haraway, Toni Morrison, and others, Alaimo finds that some of these writers strategically invoke nature for feminist purposes while others cast nature as a postmodern agent of resistance in the service of both environmentalism and the women's movement.By examining the importance of nature within literary and political texts, this book greatly expands the parameters of the nature writing genre and establishes nature as a crucial site for the cultural work of feminism.

    Scene-setting essays some with interviews of key figures explore alternative rock's primary influences, from Captain Beefheart to Brian Eno, and its many subgenres, from punk to grunge and Brit pop to trip hop. Reviews and profiles cover over 2,000 recordings and more than 500 musicians, such as The Beastie Boys, The Cure, R.E.M., Marilyn Manson, XTC and hundreds more. This comprehensive guide also examines the cultural scenes, technologies and people behind the alternative sound. From the author of Depeche Mode and Never Fade Away: The Kurt Cobain Story .

    Stairs to the Roof is a rare and different Williams' work: a love story, a comedy, an experiment in meta-theater, with a touch of early science fiction. Tennessee Williams called Stairs to the Roof "a prayer for the wild of heart who are kept in cages" and dedicated it to "all the little wage earners of the world." It reflects the would-be poet's "season in hell" during the Depression when he had to quit college to type orders eight hours a day at the International Shoe Factory in St. Louis. Stairs is Williams' revenge, expressed through his alter ego, Benjamin Murphy, the clerk who stages a one-man rebellion against the clock, the monotony of his eight-to-five job, and all the dehumanizing forces of an increasingly mechanized and commercial society. Ben's swift-moving series of fantastic adventures culminate in an escape from the ordinary that is an endorsement of the American dream. In 1941 with the world at war and civilization in danger of collapse, Williams dared to imagine a utopian future as Ben leads us up his stairs towards the Millennium. Stairs to the Roof was produced only twice, once at the Playbox in Pasadena, California, in 1945, and subsequently at the Pasadena Playhouse in 1947. Now, in an edition meticulously prepared by noted Williams scholar Allean Hale, Williams fans can share this play of youthful optimism.

    Panzerarmee, and is supported by over 210 photographs and maps.