Her classic bestseller, Heal Thyself, forever changed the way African Americans practice holistic health. Now, with Sacred Woman, she takes us on a transforming journey of physical and ancestral healing that will restore the magnificence of our spirits through sacred initiation.Queen Afua begins by helping us to discover our unique “womb-an-ness”–and to honor the womb as the center of our consciousness and creativity, giving us a twenty-one-day program for womb purification and spirit rejuvenation. Then Queen Afua summons us to enter the Nine Gateways of Initiation, where she blesses us with the exact tools we need to bring our beings into true harmony with the earth and the cosmos. Through extraordinary meditations, affirmations, and rituals rooted in ncient Egyptian temple teachings, Queen Afua teaches us how to love and rejoice in our bodies by spiritualizing the words we speak; the foods we eat; the spaces we live and work in; the beauty we create in our lives; the healing energy we transmit to self and others; the relationships we nurture; the service we offer; and the transcendent woman spirit we manifest.With love, wisdom, and passion, Queen Afua guides us to accept our mission and our mantle as Sacred Women–to heal ourselves, the generations of women in our families, our communities, and our world.

    Drawing on both her roots in Kentucky and her adventures with Manhattan Coop boards, Where We Stand is a successful black woman's reflection--personal, straight forward, and rigorously honest--on how our dilemmas of class and race are intertwined, and how we can find ways to think beyond them.

    In lively and impassioned prose, she breaks down three key dualisms - sex/gender, nature/nurture, and real/constructed - and asserts that individuals born as mixtures of male and female exist as one of five natural human variants and, as such, should not be forced to compromise their differences to fit a flawed societal definition of normality.

    A pioneering work, it will overturn complacent notions of a mutual sisterhood and the common good.

    This book brings light, not just more heat, to the church's crucial debate through- historical and current global perspectives- a detailed study of women in Scripture- an examination of the fruit of women in public ministry- a powerful revelation of what's at stake for women, men, the body of Christ, God's kingdom, and the unreached

    Their creations are some of the most enduring (the windshield wiper) and best loved (the chocolate chip cookie). What inspired these women, and just how did they turn their ideas into realities?Features women inventors Ruth Wakefield, Mary Anderson, Stephanie Kwolek, Bette Nesmith Graham, Patsy O. Sherman, Ann Moore, Grace Murray Hopper, Margaret E. Knight, Jeanne Lee Crews, and Valerie L. Thomas, as well as young inventors ten-year-old Becky Schroeder and eleven-year-old Alexia Abernathy. Illustrated in vibrant collage by Caldecott Honor artist Melissa Sweet.

    Hollibaugh is a lesbian sex radical, ex-hooker, incest survivor, gypsy child, poor-white-trash, high femme dyke. She is also an award-winning filmmaker, feminist, Left political organizer, public speaker, and journalist. My Dangerous Desires presents over twenty years of Hollibaugh’s writing, an introduction written especially for this book, and five new essays including “A Queer Girl Dreaming Her Way Home,” “My Dangerous Desires,” and “Sexuality, Labor, and the New Trade Unionism.” In looking at themes such as the relationship between activism and desire or how sexuality can be intimately tied to one’s class identity, Hollibaugh fiercely and fearlessly analyzes her own political development as a response to her unique personal history. She explores the concept of labeling and the associated issues of categories such as butch or femme, transgender, bisexual, top or bottom, drag queen, b-girl, or drag king. The volume includes conversations with other writers, such as Deirdre English, Gayle Rubin, Jewelle Gomez, and Cherríe Moraga. From the groundbreaking article “What We’re Rollin’ Around in Bed With” to the radical “Sex Work Notes: Some Tensions of a Former Whore and a Practicing Feminist,” Hollibaugh charges ahead to describe her reality, never flinching from the truth. Dorothy Allison’s moving foreword pays tribute to a life lived in struggle by a working-class lesbian who, like herself, refuses to suppress her dangerous desires. Having informed many of the debates that have become central to gay and lesbian activism, Hollibaugh’s work challenges her readers to speak, write, and record their desires—especially, perhaps, the most dangerous of them—“in order for us all to survive.”

    prison systems have grown at a rate unparalleled in history, creating what many call a Prison Industrial Complex. Angela Davis explains what happens to our legal system when we lock up more people for longer sentences, which industries are a part of the Prison Industrial Complex, and how to stop or slow prison growth.

    Belief is a technology for softening the landscape. The world becomes more beautiful when God is in it. Here is what happens inside a person's body when they starve.Written in the shadow of Georg Buchner's Lenz at razor pitch, Aliens & Anorexia, first published in 2000, defines a female form of chance that is both emotional and radical. The book unfolds like a set of Chinese boxes, using stories and polemics to travel through a maze that spirals back into itself. Its characters include Simone Weil, the first radical philosopher of sadness, the artist Paul Thek, Kraus herself, and "Africa," her virtual S&M partner who's shooting a big-budget Hollywood film in Namibia while Kraus holes up in the Northwest Woods for the winter to chronicle the failure of Gravity & Grace, her own low-budget independent film.In Aliens & Anorexia, Kraus argues for empathy as the ultimate perceptive tool, and reclaims anorexia from the psychoanalytic girl-ghetto of poor "self-esteem." Anorexia, Kraus writes, could be an attempt to leave the body altogether: a rejection of the cynicism this culture hands us through its food.

    Third World feminism" into the narrative in a way that thoroughly alters our perspective on contemporary culture and subjectivity.What Sandoval has identified is a language, a rhetoric of resistance to postmodern cultural conditions. U.S liberation movements of the post-World War II era generated specific modes of oppositional consciousness. Out of these emerged a new activity of consciousness and language Sandoval calls the "methodology of the oppressed". This methodology -- born of the strains of the cultural and identity struggles that currently mark global exchange -- holds out the possibility of a new historical moment, a new citizen-subject, and a new form of alliance consciousness and politics.Utilizing semiotics and U.S. Third World feminist criticism, Sandoval demonstrates how this methodology mobilizes love as a category of critical analysis. Rendering this approach in all its specifics, Methodology of the Oppressed gives rise to an alternative mode of criticism opening new perspectives on a theoretical, literary, aesthetic, social movement, or psychic expression.

    Specifically, this was in direct response to a campaign that had been brewing for years in policy circles and "citizen" groups, culminating in California state's Proposition 187. The initiative proposed to bar undocumented children from public schools and turn away undocumented students from state colleges and universities. It also proposed to deny the undocumented an array of public benefits and social services, including prenatal and preventive care such as immunizations.While the overt purpose of this voter initiative was to curtail immigration, ostensibly by restricting the use of public benefits and social services by undocumented immigrants, the real agenda behind it was to criminalize immigrants for presumably entering the country "illegally" and stealing resources from "true" United States citizens. More to the point, Proposition 187 came out of and was aimed at perpetuating the myth that all immigrants are "illegal" at worst and, at best, the cause of our society's and economy's ills.Throughout US history, immigration has been viewed and intentionally constructed as plague, infection or infestation and immigrants as disease (social and physical), varmints or invaders. If we look at contemporary popular films, few themes seem to tap the fears or thrill the American imagination more than that of the timeless space alien invading the United States, and statespeople have snatched up this popular image to rouse public support for

    Anderson traces the construction of the negative female stereotypes forced on Native women during colonization. Through interviews with forty contemporary Native women across Canada, she explores the issues shaping their lives and the many ways they are reclaiming positive and powerful images of themselves.

    But as Jean Kilbourne points out in this fascinating and shocking expose, the dreamlike promise of advertising always leaves us hungry for more. We can never be satisfied, because the products we love cannot love us back."When was the last time you felt this comfortable in a relationship?"; An ad for sneakers."You can love it without getting your heart broken."; An ad for a car."Until I find a real man, I'll settle for a real smoke."; A woman in a cigarette ad.Drawing upon her knowledge of psychology, media, and women's issues, Kilbourne offers nothing less than a new understanding of a ubiquitous phenomenon in our culture. The average American is exposed to over 3,000 advertisements a day and watches three years' worth of television ads over the course of a lifetime. Kilbourne paints a gripping portrait of how this barrage of advertising drastically affects young people, especially girls, by offering false promises of rebellion, connection, and control. She also offers a surprising analysis of the way advertising creates and then feeds an addictive mentality that often continues throughout adulthood.

    Using feminist and postcolonial theory this book examines the impact of multiculturalism and globalization on embodiment and community whilst considering the ethical and political implication of its critique for post-colonial feminism.A diverse range of texts are analyzed which produce the figure of 'the stranger', showing that it has alternatively been expelled as the origin of danger - such as in neighbourhood watch, or celebrated as the origin of difference - as in multiculturalism. The author argues that both of these standpoints are problematic as they involve 'stranger fetishism'; they assume that the stranger 'has a life of its own'.

    The myth of female frailty, with its roots in nineteenth-century medicine and misogyny, has had a damaging effect on women's health, social status, and physical safety. It is Dowling's controversial thesis that women succumb to societal pressures to appear weak in order to seem more "feminine."The Frailty Myth presents new evidence that girls are weaned from the use of their bodies even before they begin school. By adolescence, their strength and aerobic powers have started to decline unless the girls are exercising vigorously--and most aren't. By sixteen, they have already lost bone density and turned themselves into prime candidates for osteoporosis. They have also been deprived of motor stimulation that is essential for brain growth.Yet as breakthroughs among elite women athletes grow more and more astounding, it begins to appear that strength and physical skill--for all women--is only a matter of learning and training. Men don't have a monopoly on physical prowess; when women and men are matched in size and level of training, the strength gap closes. In some areas, women are actually equipped to outperform men, due partly to differences in body structure, and partly to the newly discovered strengthening benefits of estrogen.Drawing on extensive research in motor development, performance assessment, sports physi-ology, and endocrinology, Dowling presents an astonishing picture of the new physical woman. And she creates a powerful argument that true equality isn't possible until women learn how to stand up for themselves--physically.

    hegemony, and the need for a revolutionary movement of the oppressed to overthrow it all.From Night-Vision: "The transformation to a neo-colonial world has only begun, but it promises to be as drastic, as disorienting a change as was the original european colonial conquest of the human race. Capitalism is again ripping apart & restructuring the world, and nothing will be the same. Not race, not nation, not gender, and certainly not whatever culture you used to have. Now you have outcast groups as diverse as the Aryan Nation and the Queer Nation and the Hip Hop Nation publicly rejecting the right of the u.s. government to rule them. All the building blocks of human culture—race, gender, nation, and especially class—are being transformed under great pressure to embody the spirit of this neo-colonial age."

    

    With gorgeous and direct language, she presents a compassionate appeal for human equality and dignity, and she addresses the place of solitude in the lives of women and men. Solitude of Self joins the canon of classic American speeches. Elizabeth Cady Stanton’s timeless appeal presents the historical convergence between the 19th and the 21st centuries. In this last speech, Stanton proves that while many rights have been gained over the past century, inequality and degradation of the soul continue to thrive. For those opposed to the "glass ceilings" covering our culture, Solitude of Self will be a perfect gift of inspiration and comfort.

    Here is a fascinating expedition into this ancient tradition, from its prehistoric beginnings to the work of women shamans across the globe today.Shamanism was not only humankind’s first spiritual and healing practice, it was originally the domain of women. This is the claim of Barbara Tedlock’s provocative and myth-shattering book. Reinterpreting generations of scholarship, Tedlock–herself an expert in dreamwork, divination, and healing–explains how and why the role of women in shamanism was misinterpreted and suppressed, and offers a dazzling array of evidence, from prehistoric African rock art to modern Mongolian ceremonies, for women’s shamanic powers.Tedlock combines firsthand accounts of her own training among the Maya of Guatemala with the rich record of women warriors and hunters, spiritual guides, and prophets from many cultures and times. Probing the practices that distinguish female shamanism from the much better known male traditions, she reveals:• The key role of body wisdom and women’s eroticism in shamanic trance and ecstasy• The female forms of dream witnessing, vision questing, and use of hallucinogenic drugs• Shamanic midwifery and the spiritual powers released in childbirth and monthly female cycles• Shamanic symbolism in weaving and other feminine arts• Gender shifting and male-female partnership in shamanic practiceFilled with illuminating stories and illustrations, The Woman in the Shaman’s Body restores women to their essential place in the history of spirituality and celebrates their continuing role in the worldwide resurgence of shamanism today.From the Hardcover edition.

    Offered in a spirit of sharing and encouragement, these prayers and poems are as rich, intricate, and complex as the women's lives they represent.Women's Uncommon Prayers covers the full spectrum of emotions from desperate pleas for compassion in times of despair to quiet gratitude for the simple blessings of everyday living, to raucous praise during moments of celebration. These prayers touch on an amazing array of topics organized under the categories of identity, daily life, stages of life, spirituality, and ministry. Also included are comprehensive sections of seasonal and corporate prayers.

    In 10 Lies the Church Tells Women, readers will discover:Why Jesus went out of His way to minister to and disciple women. Why so many Christian women suffer abusive marriages, and why many pastors don’t do anything about the problem. How “the Proverbs 31 woman” has been misinterpreted to deny women opportunities in the workplace.

    Then two stars came along: Greta Garbo, who turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale; and Norma Shearer, who succeeded in taking the ingenue to a place she'd never been: the bedroom. In their wake came a deluge of other complicated women-Marlene Dietrich, Jean Harlow, and Mae West, to name a few. Then, in July 1934, the draconian Production Code became the law in Hollywood and these modern women of the screen were banished, not to be seen again until the code was repealed three decades later.A thorough survey and a tribute to these films, Complicated Women reveals how this was the true Golden Age of women's films.

    Bursting with the best lists of movies, CDs, books, cool women, and beauty tips galore, it's a guide for anyone who's ever dreamed of being part glam girl, part 1930s movie star, and part femme fatale.

    Drawing on extracts from diaries, newspapers, letters, journals and books, Joyce Marlow has pieced together this inspiring, poignant and exciting history using the voices of the women themselves. Some of the people and events are well-known, but Marlow has gone beyond the obvious, particularly beyond London, to show us the ordinary women - middle and working-class, who had the breathtaking courage to stand up and be counted - or just as likely hectored, or pelted with eggs. These women were clever and determined, knew the power of humour and surprise and exhibited 'unladylike' passion and bravery.Joyce Marlow's anthology is lively, comprehensive, surprising and triumphant.

    

    In forms ranging from the sonnet to the lyric to the narrative, Frost's poems are fiery, passionate meditations on experience and consciousness.

    Yet the role radical feminism played within the women's movement remains hotly contested. For some, radical feminism has made a lasting contribution to our understanding of male privilege, and the ways the power imbalance between men and women affects the everyday fabric of women's lives. For others, radical feminism represents a reflexive hostility toward men, sex, and heterosexuality, and thus is best ignored or forgotten.Rather than have the movement be interpreted by others, Radical Feminism permits the original work of radical feminists to speak for itself. Comprised of pivotal documents written by U.S. radical feminists in the 1960s and 1970s, Radical Feminism combines both unpublished and previously published manifestos, position papers, minutes of meetings, and newsletters essential to an understanding of radical feminism. Consisting of documents unavailable to the general public, and others in danger of being lost altogether, this panoramic collection is organized around the key issues of sex and sexuality, race, children, lesbianism, separatism, and class. Barbara A. Crow rescues the groundbreaking original work of such groups as The Furies, Redstockings, Cell 16, and the Women's Liberation Movement. Contributors include Kate Millet, Susan Brownmiller, Shulamith Firestone, Rosalyn Baxandall, Toni Morrison, Ellen Willis, Anne Koett, and Vivan Gornick.Gathered for the first time in one volume, these primary sources of radical feminism fill a major gap in the literature on feminism and feminist thought. Radical Feminism is an indispensable resource for future generations of feminists, scholars, and activists.

    Sheila Jeffreys demonstrates how prostitution has been globalized through an examination of:the growth of pornography and its new global reachthe boom in adult shops, strip clubs and escort agenciesmilitary prostitution and sexual violence in warmarriage and the mail order bride industrythe rise in sex tourism and trafficking in women. She argues that through these practices women's subordination has been outsourced and that states that legalise this industry are acting as pimps, enabling male buyers in countries in which women's equality threatens male dominance, to buy access to the bodies of women from poor countries who are paid for their sexual subservience.This major and provocative contribution is essential reading for all with an interest in feminist, gender and critical globalisation issues as well as students and scholars of international political economy.

    Phillips explores how young women make sense of, resist, and negotiate conflicting cultural messages about sexual agency, responsibility, aggression, and desire. How do women develop their ideas about sex, love, and domination? Why do they express feminist views condemning male violence in the abstract, but often adamantly refuse to name their own violent and exploitive encounters as abuse, rape, or victimization?Based on in-depth individual and collective interviews with a racially and culturally diverse sample of college-aged women, Flirting with Danger sheds valuable light on the cultural lenses through which young women interpret their sexual encounters and their experiences of male aggression in heterosexual relationships.Phillips makes an important contribution to the fields of female and adolescent sexuality, feminist theory, and feminist method. The volume will also be of particular use to advocates seeking to design prevention and intervention programs which speak to the complex needs of women grappling with questions of sexuality and violence.

    The words of the first known poet were chiseled on cuneiform tablets four thousand years ago. Her name was Enheduanna; she was a moon priestess and daughter of the king of Sumeria, a woman of power and privilege who wrote, "From the doorsill of heaven comes the word: 'Welcome!'" Millennia later, Emily Dickinson would write, "Why — do they shut Me out of Heaven?/ Did I sing — too loud?" Voices of Light brings together spiritual poems by women from around the world and allows these women to sing loudly, whether or not they were welcomed by the heavens or their own social situations. Though often deprived of public position, women have long practiced the personal art of writing and so have been prepared to be our spiritual and visionary voices of light.

    Each was a victim of domestic violence, escaped from her abuser, reclaimed her dignity, reconstructed her life, and rediscovered peace. Domestic violence doesn't just happen "out there" somewhere. It happens in our town, in our neighborhood, on our street. It happens to women we see at work, the supermarket, the movie theater, the ballet and the PTA board meeting. Every woman who has left an abusive man-every woman who has yet to leave-will find encouragement and hope in the voices of these women who broke free.

    Gantowisas means more than simply �woman� - gantowisas is �woman acting in her official capacity� as fire-keeping woman, faith-keeping woman, gift-giving woman; leader, counselor, judge; Mother of the People. This is the light in which the reader will find her in Iroquoian Women. Barbara Alice Mann draws upon worthy sources, be they early or modern, oral or written, to present a Native American point of view that insists upon accuracy, not only in raw reporting, but also in analysis. Iroquoian Women is the first book-length study to regard Iroquoian women as central and indispensable to Iroquoian studies.

    A fascinating, and much needed examination of the woman and her times. Her juxtaposition vis a vis the pro-American patriarch John Brown in particular is a great read. At a time when violence against women of color is at the center of world politics, uncovering the censored story of one Amazon points to answers that have nothing to do with government programs, police, or patriarchal politics.

    Uniting Arab women poets from the all over the Arab World anti abroad, Nathalie Handal has put together an outstanding collection that introduces poets who write in Arabic, French, English, and Swedish, among them some of the twentieth century's most accomplished poets and today's most exciting new voices.Translated by distinguished translators and poets from around the world, The Poetry of Arab Women showcases the work of 82 poets, among them: Etel Adnan, Andre Chedid, Salma Khadra Jayyusi, Naomi Shihab Nye, and Fadwa Tuqan.

    The book is designed for use in courses, and it includes illuminating introductions to the work of each author. These introductions include biographical information, influences and intellectual context, major themes in the author's work as a whole, and specific introductions to the selections in this volume. The contributors represent the two trends in French theory that have proven most useful to American feminists: social theory and psychoanalytic theory. Both of these trends move away from any traditional discussions of nature toward discussions of socially constructed notions of sex, sexuality and gender roles. While feminists interested in social theory focus on the ways in which social institutions shape these notions, feminists interested in psychoanalytic theory focus on cultural representations of sex, sexuality and gender roles, and the ways that they affect the psyche. This collection includes selections by Simone de Beauvoir, Christine Delphy, Colette Guilluamin, Monique Wittig, Michele Le Doeuff, Julia Kristeva, Luce Irigaray, and Helene Cixous.

    It includes pieces on feminine psychology and the relations between the sexes as well as on other aspects of psychoanalytic theory. The editor's introductions set these works in context, showing their significance for Horney's thought and their relation to her other writings. The material in Part 1 provides an important supplement to Feminine Psychology, the book that established Horney as the first great psychoanalytic feminist. It reveals aspects of Horney's early thought not fully developed elsewhere, along with the views about feminine psychology and the relations between the sexes that reflect her later thinking. Part 2 deepens our understanding of the final two phases of Karen Horney's thought - her break with Freud and proposal of a new psychoanalytic paradigm in the 1930s, and her mature theory, developed in the 1940s. In presenting eighteen previously unpublished pieces, four essays that have not been available in English, and other texts that have been difficult to locate, this collection makes accessible an important segme

    Drawn from a survey of nearly 200 women who have experienced rape or incest pregnancies, Victims and Victors reveals a seldom-heard truth: that most women who become pregnant through sexual assault do not want abortions! Victims and Victors leaps past the rhetoric that typically dominates the abortion issue to give women a chance to tell their stories. These are the real "experts" on this complex issue: the women who have been there. Just listen to what they have to say: "After my daughter was born, it was love at first sight . . . I know I made the right decision in having her." —Nancy "Cole" "Often I cry. Cry because I could not stop the attacks. Cry because my daughter is dead. And I cry because it still hurts." —Edith Young "I think that rape victims with pregnancies are discriminated against because people seem to think you're nuts to have a baby by a man who raped you. We are looked upon as being liars, or stupid." —Sharon "Bailey" "They say abortion is the easy way out, the best thing for everyone, but they are wrong. It has been over 15 years, and I still suffer." —"Rebecca Morris" "I thank God for the strength He gave me to go through the bad times and for all of the joy in the good times. I will never regret that I chose to give life to my daughter." —Mary Murray "Abortion does not help or solve a problem—it only compounds and creates another trauma for the already grieving victim by taking away the one thing that can bring joy." —Helene Evans "The effects of the abortion are much more far-reaching than the effects of the rape in my life." —"Patricia Ryan" "I, having lived through rape, and having raised a child `conceived in rape,' feel personally assaulted and insulted every time I hear that abortion should be legal for rape and incest. I feel that we're being used to further the abortion issue, even though we've not been asked to tell our side of the story." —Kathleen DeZeeuw In Victims and Victors, 20 women like the ones quoted above share what it is like to face a pregnancy resulting from rape or incest. They speak bravely and candidly of the pain of sexual assault, of the sadness and trauma of abortion, and of the joy and healing of giving birth. Victims and Victors answers these important questions—questions every pro-lifer should be asking: What do women really need when facing a pregnancy resulting from sexual assault, and how can we best meet those needs? How can pro-lifers hold on to their principles while providing compassionate and understanding support for pregnant sexual assault victims at the same time? How can legislators best convey a pro-woman, pro-life philosophy when faced with questions regarding sexual assault and abortion? Why are rape and incest pregnancies the "cornerstone" for abortion on demand, and what can pro-lifers do to counteract this? How can women who have experienced sexual assault pregnancies share the truth about their experiences in a way that will truly make a difference? You will find the answers to these questions in Victims and Victors. It lays out a clear argument against abortion in cases of sexual assault and gives pro-lifers the tools they need to combat the argument that abortion is helpful—or even necessary—for women facing a sexual assault pregnancy. This book is a "must read" for everyone involved in the pro-life movement. Order your copy of Victims and Victors today!

    Tipping the Scales of Justice presents actual cases and the stories behind the legal arguments, showing for the first time the varied and surprising ways that fat has become a courtroom topic.An attorney who focuses on weight-related cases, Sondra Solovay details court attitudes toward weight in relation to employment and discrimination law, child/family law, disability law, civil rights, minorities, public policy, diets and exercise, and much more, while intermingling a personal narrative on major cases and their outcomes. This fascinating book will be essential for law courses and libraries, as well as a one-of-a-kind perspective for anyone concerned about weight as a legal issue.

    The accidental discovery of a book on Tarot and research which began to signal links between the cards and the Grail story have led to a fascinating book. The Tarot Trumps and the Holy Grail is the wonderful outcome of that happy accident. The book reveals the strong link between the trump cards of the tarot deck and the medieval heresy of the Holy Grail. The adherents of the Grail heresy believed that Jesus was married, that his wife and child found political refuge in Gaul and that the human/divine bloodline of Jesus lived on in Europe. These cards, a visual catechism, were the means by which devout believers secretly shared the hidden message of the continuation of the line of Jesus. What messages do these cards contain which still may have meaning for those of us who continue the search for the divine feminine in our own lives?

    Based on the multidisciplinary research conducted by Riane Eisler over three decades, Tomorrow’s Children presents a new integrated model for education: the partnership model.This model is an outgrowth of the cultural transformation theory developed by Dr. Eisler in her classic work The Chalice and the Blade. In that book, Eisler identifies a continuum of patterns for structuring relations. At one end of the continuum is the partnership model, which embodies equity, environmental sustainability, multiculturalism, and gender-fairness. At the opposite end of the continuum is the dominator model, which has marred much of our civilization. This model emphasizes control, authoritarianism, violence, gender discrimination, and environmental destruction. Eisler also shows that we today stand at a crossroads, where a shift to the partnership end of the continuum is essential for human welfare, and possibly survival. A new kind of education system is required to effectuate this shift.Tomorrow’s Children applies the partnership model to education from kindergarten to twelfth grade and beyond, providing practical guidance for educators, parents, and students. Rather than one more add-on to existing methods and curricula, it provides a systemic approach that offers a more accurate and hopeful picture of what being human means. The curriculum loom and learning tapestry Eisler presents in Tomorrow’s Children integrate three primary components of teaching and learning: what Eisler calls partnership process, partnership structure, and partnership content. The book melds Eisler’s research and the work of many progressive educators into a cohesive and compelling blueprint for the kind of proactive education children need to meet the challenges of the 21st century. As Nel Noddings, a noted professor of education from Stanford University, writes, “the adoption of a partnership model in both schools and the larger society is essential for human life to flourish.”

    In The Clitoral Truth, Chalker offers the only mainstream, in-depth exploration devoted solely to women's genital anatomy and sexual response. Women readers everywhere--be they straight, gay, or bisexual--will learn about the countless sexual sensations and discover how to enhance their sexual responses in a more concrete way than ever before. Enhanced with personal accounts, comprehensive illustrations, and a thorough appendix of female sexuality resources, this book helps women and their partners understand and expand their sexual potential and work toward becoming independent sexual beings.

    Rebecca Copeland challenges this claim by examining in detail the lives and literary careers of three of Ichiyo's peers, each representative of the diversity and ingenuity of the period: Miyake Kaho (1868-1944), Wakamatsu Shizuko (1864-1896), and Shimizu Shikin (1868-1933).In a carefully researched introduction, Copeland establishes the context for the development of female literary expression. She follows this with chapters on each of the women under consideration. Miyake Kaho, often regarded as the first woman writer of modern Japan, offers readers a vision of the female vitality that is often overlooked when discussing the Meiji era. Wakamatsu Shizuko, the most prominent female translator of her time, had a direct impact on the development of a modern written language for Japanese prose fiction. Shimizu Shikin reminds readers of the struggle women endured in their efforts to balance their creative interests with their social roles. Interspersed throughout are excerpts from works under discussion, most never before translated, offering an invaluable window into this forgotten world of women's writing.

    Organized into two parts, Literary Theory and Social and Political Theory, this Reader explores issues of community, identity, justice, and the marginalization of African American and Caribbean women in literature, society, and political movements.

    Plots play out across the body, as if formed, deformed, reformed by culture. Drugs, violence, and sex inscribe the literal flesh of "figures" standing in for what formerly passed for character. In these fictions a woman is more likely to appear with a needle in her arm than a baby. Sometimes a woman cannot be distinguished from a man at all.Cutting from subject to object, severing the eye/I from skin, these fictions bring America back to its body. In Liberty's Excess, capitalism and individualism lose their cover stories, releasing desire all over culture's deadening hum. Yuknavitch is both master and mistress of this dis-formed beauty, creating a landscape neither Waste Land nor Kansas nor Pomo Glitter.

    Here, Kant rubs shoulders with Calvin Klein. Beauty Matters draws from visual art, dance, cultural history, and literary and feminist theory to explore the values and politics of beauty. Various philosophical perspectives on ethics and aesthetics emerge from this penetrating book to determine and reveal that beauty is never disinterested.

    Throughout history, argues brilliant feminist critic Andrea Dworkin, women and Jews have been stigmatized as society's scapegoats. In this stunning and provocative book, Dworkin brings her rigorous intellect to bear on the dynamics of scapegoating. Drawing upon history, philosophy, literature, and politics, she creates a terrifying picture of the workings of misogyny and anti-Semitism in the last millennium.With examples that range from the Inquisition, when women were targeted as witches and Jews as heretics, to the terror of the Nazis, whose aggression was both race- and gender-motivated, Dworkin illustrates how and why women and Jews have been scapegoated and compares the civil inequality, prejudices, and stereotypes that have framed identity for both groups. Taking the state of Israel as a paradigm, Dworkin traces the growth of male dominance in societies both old and new -- resulting in the subordination of women and a racial or ethnic "other."In Israel today, Palestinians and prostitutes are the new scapegoats: degraded, inferior, abject. Although the gentle Jewish martyrs of old have become modern Israeli warriors, women retain the stigmatized status of "weak Jews" who, when attacked, never fight back. This leads Dworkin to imagine a world in which women betray men of their own kind in order to develop and defend their own sovereignty. Ultimately, her book forces us to ask profound questions: Why do women continue to value their own lives less than those of themen they love? Where is the line between justifiable self-defense and violence? Both an impassioned plea for women to challenge and destroy the author- ity of the men in their own group and a startling work of history, "Scapegoat" will forever change how we think about the patterns of behavior and belief that give rise to domination and oppression.

    Is your daughter in danger?Dr. Jill Murray speaks on the topic of dating violence at high schools around the country, reaching more than 10,000 students, teachers, and counsellors each year. In every school she visits, she is approached by teenage girls in miserable relationships who, when confronted with the option of breaking up with the boy, exclaim, "But I love him!"Many young women – and their parents, aren't even aware of the indications of a potentially abusive relationship. What's most alarming is that these warning signs are also some of the behaviours that girls find most flattering:A boy pages and calls a girl often – but as a form of control, not affection.He wants to spend all his time with her, but eventually won't allow her to spend time with her friends.He says "I love you" very early in the relationship.These behaviours can escalate into blaming, isolating, manipulating, threatening, humiliation, and sexual and physical abuse.In But I Love Him, Dr. Murray identifies these controlling, abusive patterns of behaviour and helps you get your daughter out of the relationship without alienating her. You will learn what draws her to this type of relationship, why she has a hard time talking to you about it, the special barriers teens face when breaking off a relationship, and what's going on in the mind of a teen abuser. Dr. Murray will help you show your teen what a respectful relationship looks like, and teach her the importance of respecting herself. edition.

    In Practicing the Presence of the Goddess, Barbara Ardinger offers a wide variety of meditations and personal rituals to help women honor the feminine spirit and commune with the Goddess. These include creating a sacred space at home, building a meaningful altar, using ritual and meditation to enrich awareness, and inventing new rituals to celebrate personal events. The author's wry, gentle humor and loving attitude shine through the text, which offers possibilities ranging from bringing love into one's life to having a heart-to-heart with the Goddess.

    Innovative and devoted to her profession, Christa brought to her own life and to her students the joy and excitement of learning, exploration, and accomplishment. Her integrity and love of life endeared her to people both before and during her NASA training. Honest, direct, and outspoken, she did not hesitate to speak out on behalf of the constituency she felt she had been selected to represent: American public schoolteachers and the children in their classrooms.It is important to know that Christa's dreams did not die with her. Following the disaster many foundations, institutions, and learning centers were set up to honor the Challenger crew. Craters on the moon and even asteroids have been named in their memory. Teacher in Space explores and celebrates Christa's life and legacy and suggests that her goals of involving and educating children are being fulfilled even today.

    Shifts in syntax and self-mirror shifts in health and sexuality while humor, angst and eroticism become the backdrop in a passion play on words.A girl's first crush on a boy transforms into passionate lesbian dreams and encounters.An incomplete memory of a cliche ricochets off the familiar.A writer's contemplation of rewriting leads to a list of things you can rewrite . . ."You can rewrite the bus schedule / but you might just confuse yourself."Through it all, misled dances with equivocation and delights in the enchanting ways in which life and language mislead us all.Shortlisted for the Pat Lowther Memorial Award and the Stephen J. Stephensson Award.

    JoAnne Chesimard), and Elaine Brown are the only women activists of the Black Power movement who have published book-length autobiographies. In bearing witness to that era, these militant newsmakers wrote in part to educate and to mobilize their anticipated readers. In this way, Davis's Angela Davis: An Autobiography (1974), Shakur's Assata (1987), and Brown's A Taste of Power: A Black Woman's Story (1992) can all be read as extensions of the writers' political activism during the 1960s. Margo V. Perkins's critical analysis of their books is less a history of the movement (or of women's involvement in it) than an exploration of the politics of storytelling for activists who choose to write their lives. Perkins examines how activists use autobiography to connect their lives to those of other activists across historical periods, to emphasize the link between the personal and the political, and to construct an alternative history that challenges dominant or conventional ways of knowing. The histories constructed by these three women call attention to the experiences of women in revolutionary struggle, particularly to the ways their experiences have differed from men's. The women's stories are told from different perspectives and provide different insights into a movement that has been much studied from the masculine perspective. At times they fill in, complement, challenge, or converse with the stories told by their male counterparts, and in doing so, hint at how the present and future can be made less catastrophic because of women's involvement. The multiple complexities of the Black Power movement become evident in reading these women's narratives against each other as well as against the sometimes strikingly different accounts of their male counterparts. As Davis, Shakur, and Brown recount events in their lives, they dispute mainstream assumptions about race, class, and gender and reveal how the Black Power struggle profoundly shaped their respective identities. Recipient of Mississippi University for Women's Eudora Welty Prize, 1999 Margo V. Perkins is an assistant professor of English and American studies at Trinity College in Hartford, Connecticut.

    Guggenheim Museum have been those that have presented the art of the Russian avant-garde. In Amazons of the Avant-Garde: Alexandra Exter, Natalia Goncharova, Liubov Popova, Olga Rozanova, Varvara Stepanova, and Nadezhda Udaltsova the work o six legendary Russian women artists is poignantly explored, offering a refreshing look at this important period of art. Celebrating the vital role that each artist played in the formation of the radical art of the Russian avant-garde, the book looks at the evolution of the Russian painting from the 1900's through the early 1920's. It brings together the brilliant masterpieces of the period, including many that have not been in the West since they were created. The work of these pioneering women artists is expressed as tremendously influential in the world of the Russian avant-garde and important in capturing the Modernist as a whole.

    It analyzes the journal's discourses in Orientalism, patriarchy and primitivism in the Arab world as well as textual and visual constructions of Arab men and women, Islam and Arab culture.

    A major voice on the American left."--Mike Davis, May 2000 Is there a future for feminism? The debate over the direction and politics of the women's movement has been joined recently by post-feminists and anti-feminists, in addition to competing feminist perspectives. In Women and the Politics of Class, Johanna Brenner offers a distinctive view, arguing for a strategic turn in feminist politics toward coalitions centered on the interests of working-class women. Women and the Politics of Class engages many crucial contemporary feminist issues-abortion, reproductive technology, comparable worth, the impoverishment of women, the crisis in care-giving, and the shredding of the social safety net through welfare reform and budget cuts. These problems, Brenner argues, must be set in the political and economic context of a state and society dominated by the imperatives of capital accumulation. Drawing on historical explorations of the labor movement and working-class politics, Brenner provides a fresh materialist approach to one of the most important issues of feminist theory today: the intersection of race, ethnicity, nationality, gender, sexuality, and class.

    Intended for undergraduate and graduate students, the volume touches on the medical history of sexual differences, the political history of the body, the history of clothing and its cultural meanings, symbolic renderings of the body, male bodies, and the body in colonial and cross-cultural contexts.

    Indeed as Stanford professor and award-winning author Estelle B. Freedman argues in her compelling book, feminism has reached a critical momentum from which there is no turning back. Freedman examines the historical forces that have fueled the feminist movement over the past two hundred years–and explores how women today are looking to feminism for new approaches to issues of work, family, sexuality, and creativity.Drawing examples from a variety of countries and cultures, from the past and the present, this inspiring narrative will be required reading for anyone who wishes to understand the role women play in the world. Searching in its analysis and global in its perspective, No Turning Back will stand as a defining text in one of the most important social movements of all time.

    This book gathers the personal stories of the select few women scientists who have achieved the honor of election to the prestigious National Academy of Sciences. It is helpful to those concerned about women: educators, employers, and more.

    The author argues persuasively that, despite the devastating effects of anti-Communism and Stalinism on the progressive Left of the 1950s, Communist feminists such as Susan B. Anthony II, Betty Millard, and Eleanor Flexner managed to sustain many important elements of their work into the 1960s, when a new generation took up their cause and built an effective movement for women's liberation. Red Feminism provides a more complex view of the history of the modern women's movement, showing how key Communist activists came to understand gender, sexism, and race as central components of culture, economics, and politics in American society.

    Feminists, troubled by the way in which such representations show women controlled by powerful natural forces and confined to domestic space, have sought to distance themselves from nature. In Undomesticated Ground, Stacy Alaimo issues a bold call to reclaim nature as feminist space. Her analysis of a remarkable range of feminist writings--as well as of popular journalism, visual arts, television, and film--powerfully demonstrates that nature has been and continues to be an essential concept for feminist theory and practice.Alaimo urges feminist theorists to rethink the concept of nature by probing the vastly different meanings that it carries. She discusses its significance for Americans engaged in social and political struggles from, for example, the Indian Wars of the early nineteenth century, to the birth control movement in the 1920s, to contemporary battles against racism and heterosexism. Reading works by Catherine Sedgwick, Mary Austin, Emma Goldman, Nella Larson, Donna Haraway, Toni Morrison, and others, Alaimo finds that some of these writers strategically invoke nature for feminist purposes while others cast nature as a postmodern agent of resistance in the service of both environmentalism and the women's movement.By examining the importance of nature within literary and political texts, this book greatly expands the parameters of the nature writing genre and establishes nature as a crucial site for the cultural work of feminism.

    The editors provide an in-depth analysis of the roots, heart, and spirit of this lively and largely lesbian circle of women which extends from the border of Northern California up the I-5 corridor through Eugene, Oregon.

    In all, Cootie Shots is comprised of about 50 2-15 minute educational plays for Elementary School audiences.The lessons covered are:o Love is what makes a familyo Children should feel free to play with whatever toys appeal to them, study whatever subjects interest them and choose career paths unhindered by gender stereotypeso Name-calling is never acceptableo Putting people down because how they look and whom they love is neither kind nor fair.The cast of characters includes:RapunzelRosa ParksCesar ChavezHarvey MilkEmily DickinsonAlexander the GreatThe Statue of Libertyand more!

    Twelve contemporary women of color who are American academic philosophers consider the methods and subjects of the discipline from perspectives partly informed by their experiences as African American, Asian American, Latina, Mixed Race and Native American.

    The authors analyse contemporary categorizations of ‘human self‘ versus ‘wild other‘ through three twentieth century icons that best illustrate ambivalent ideas about self and other: spaceships,horoscopes and dolphins.The book includes interviews with astrologers, wilderness guides, dolphin trainers and academic staff of space agencies from both Russia and the US.The interviews highlight some interesting differences between these two cultures in ideas both about gender and about self/other boundaries. The authors also look at representations of the space race in film and science fiction in both cultures, as well as New Age and other texts on dolphins, astrology and space travel.Cosmodolphins shows how all three icons partly reproduce and partly alter the earlier, colonial self/other dichotomy of woman, native and nature against the ‘civilized‘ technologically masterful male self. We see how a particular icon of the wild - the dolphin - is elevated to mythological status, how a secularized society looks for spiritual fulfilment in the `beyond‘ - astrology - and in its own technological advances - space travel.Theoretically innovative, this book represents an alternative approach to ecofeminist themes linking them up with studies of new technocultures and cyborgs. It forms an excellent exemplar of feminist cultural studies.

    After important solo exhibitions organized by major museums and contributions to various group exhibitions during the last two decades, "Bracha Lichtenberg Ettinger: Artworking 1985-1999" offers a comprehensive overview of the artist's groundbreaking and challenging oeuvre. In addition to a fully illustrated selection of her major works and series, this catalogue contains five essays together with a compilation of the artist's notes.

    Feminizing Chaucer investigates Chaucer's thinking about women, and re-assesses it in the light of developments in feminist criticism. It explores Chaucer's handling of gender issues, of power roles, of misogynist stereotypes and the writer's responsibility for perpetuating them, and the complex meshing of activity and passivityin human experience. Mann argues that the traditionally 'female' virtues of patience and pity are central to Chaucer's moral ethos, and that this necessitates a reformulation of ideal masculinity.First published [as Geoffrey Chaucer] in the series 'Feminist Readings', this new edition includes a new chapter, 'Wife-Swapping in Medieval Literature'. The references and bibliography have been updated, and a new preface surveys publications in the field over the last decade. JILL MANN is currently Notre Dame Professor of English, University of Notre Dame.

    McNay argues that recent thought on the formation of the modern subject offers a one-sided or negative account of agency, which underplays the creative dimension present in the responses of individuals to changing social relations. An understanding of this creative element is central to a theory of autonomous agency, and also to an explanation of the ways in which women and men negotiate changes within gender relations. In exploring the implications of this idea of agency for a theory of gender identity, McNay brings together the work of leading feminist theorists - such as Judith Butler and Nancy Fraser - with the work of key continental social theorists. In particular, she examines the work of Pierre Bourdieu, Paul Ricoeur and Cornelius Castoriadis, each of whom has explored different aspects of the idea of the creativity of action. McNay argues that their thought has interesting implications for feminist ideas of gender, but these have been relatively neglected partly because of the huge influence of the work of Michel Foucault and Jacques Lacan in this area. She argues that, despite its suggestive nature, feminist theory must move away from the ideas of Foucault and Lacan if a more substantive account of agency is to be introduced into ideas of gender identity. This book will appeal to students and scholars in the areas of social theory, gender studies and feminist theory.

    Though they begin from experiences of non-white people living in Canada, they provide a critical theoretical perspective capable of exploring similar issues in other western and also third world countries. This reading of 'difference' includes but extends beyond the cultural and the discursive into political economy, state, and ideology. It cuts through conventional paradigms of current debates on multiculturalism. In particular, these essays take up the notion of 'Canada' - as the nation and the state - as an unsettled ground of contested hegemonies. They particularly draw attention to how the state of Canada is an unfinished one, and how the discourse of culture helps it to advance the legitimation claim which is needed by any state, especially one arising in a colonial context, with unsolved nationality problems. The myth of the 'two founding peoples', anglos and francophones, has always conveniently ignored the reality of First Nations. More recently, it has also ignored the entrance of non-European immigrants who may have a history of being indentured and politically marginalised and only begin struggling for political enfranchisement in their new homeland.

    Together with gender, these distinctions are perpetuated and exploited by the most powerful social group -- white male elites -- to maintain their privilege.Christian ethicist Mary Elizabeth Hobgood addresses these dynamics not only because they are unjust, but because they create isolation and spiritual impoverishment and promote cultural values that do harm to everyone irrespective of class, race, or gender. In "Dismantling Privilege" she identifies an ethical agenda for elites and seeks to persuade them that an agenda of justice and an ethics of accountability will be of primary benefit to them. The solution, Hobgood asserts, is a politics of solidarity grounded in the realization that no one is free until all are free.

    The essays in this collection, from both scholars and activists, explore the experiences of local women's groups that have developed to fight war, militarization, political domination, and patriarchy throughout the world. The writings in this collection cover a range of genres from memoir and historical accounts to critical essays. What holds the writings together is an urgency to reflect on and analyze women's activism on the frontlines-from Palestine, Sudan, Iran, Kosovo, and rural India to Serbia, Croatia, Okinawa, Israel, U.S. prisons, and the racialized American South.

    But the movement was more widespread than this might suggest. Throughout the country, as support grew, Scottish women were also playing an important part in the campaign for the parliamentary vote.This book tells the story of the women’s suffrage movement in Scotland, from the early Victorian era to the winning of limited rights in 1918. It is a remarkable record of lively, articulate and strong-minded individuals, from all walks of life, united by the fact that they were not regarded as equal citizens - an injustice that led, for some, to uncharacteristic law-breaking and spells in prison.

    Then, one day in autumn 1942, the theatre was converted overnight into a deportation centre for Dutch Jews, and Silvia and her fellow theatre workers found themselves helping to care for the thousands of Jews being shipped off to the concentration camps. Silvia later joined a Dutch Resistance group, only to be captured by the Nazis. She survived three concentration camps, including Auschwitz and Ravensbruck. This text tells her story.

    Individual stories and primary sources-including letters, diaries, and news reports-animate this history of the domestic, professional, and political efforts of American women.John Demos begins the book with a discussion of Native American women confronting colonization. Leading historians illuminate subsequent eras of social and political change-including Jane Kamensky on women's lives in the colonial period, Karen Manners Smith on the rising tide of political activityby women in the Progressive Era, Sarah Jane Deutsch on the transition of 1920s optimism to the harsh realities of the Great Depression, Elaine Tyler May on the challenges to a gender-defined social order encouraged by World War II, and William H. Chafe on the women's movement and the struggle forpolitical equality since the 1960s. The authors vividly relate such events as Anne Hutchinson's struggle for religious expression in Puritan Massachusetts, former slave Harriet Tubman's perilous efforts to free others in captivity, Rosa Parks's resistance to segregation in the South, and newfoundopportunities for professional and personal self-determination available as a result of decades of protest. Dozens of archival illustrations add to the human dimensions of the authoritative text.No Small Courage dynamically captures the variety and significance of American women's experience, demonstrating that the history of our nation cannot be fully understood without focusing on changes in women's lives.

    Focusing on elite nineteenth-century African American women who formed a new class of women well positioned to use language with consequence, Royster uses interdisciplinary perspectives (literature, history, feminist studies, African American studies, psychology, art, sociology, economics) to present a well-textured rhetorical analysis of the literate practices of these women. With a shift in educational opportunity after the Civil War, African American women gained access to higher education and received formal training in rhetoric and writing. By the end of the nineteenth-century, significant numbers of African American women operated actively in many public arenas.In her study, Royster acknowledges the persistence of disempowering forces in the lives of African American women and their equal perseverance against these forces. Amid these conditions, Royster views the acquisition of literacy as a dynamic moment for African American women, not only in terms of their use of written language to satisfy their general needs for agency and authority, but also to fulfill socio-political purposes as well.Traces of a Stream is a showcase for nineteenth-century African American women, and particularly elite women, as a group of writers who are currently underrepresented in rhetorical scholarship. Royster has formulated both an analytical theory and an ideological perspective that are useful in gaining a more generative understanding of literate practices as a whole and the practices of African American women in particular. Royster tells a tale of rhetorical prowess, calling for alternative ways of seeing, reading, and rendering scholarship as she seeks to establish a more suitable place for the contributions and achievements of African American women writers.

    How useful are these terms? What exactly do they mean? And how is our sense of these terms changing under the pressure of feminist analysis? In Doing Time, Rita Felski argues that it makes little sense to think of the modern and postmodern as opposing or antithetical terms. Rather, we need a historical perspective that is attuned to cultural and political differences within the same time as well as the leaky boundaries between different times. Neither the modern nor the postmodern are unified, coherent, or self-evident realities. Drawing on cultural studies and critical theory, Felski examines a range of themes central to debates about postmodern culture, including changing meanings of class, the end of history, the status of art and aesthetics, postmodernism as the end of sex, and the politics of popular culture. Placing women at the center of analysis, she suggests, has a profound impact on the way we thing about historical periods. As a result, feminist theory is helping to reshape our vision of both the modern and the postmodern.

    The essays focus on important strands and arguments within Indian feminism, providing for an inclusion of disparate voices without privileging any one over the other.

    Charlotte Hooper draws from feminist theory to provide an account of the relationship between masculinity and power. She explores how the theory and practice of international relations produces and sustains masculine identities and masculine rivalries.This volume asserts that international politics shapes multiple masculinities rather than one static masculinity, positing an interplay between a "hegemonic masculinity" (associated with elite, western male power) and other subordinated, feminized masculinities (typically associated with poor men, nonwestern men, men of color, and/or gay men). Employing feminist analyses to confront gender-biased stereotyping in various fields of international political theory--including academic scholarship, journals, and popular literature like The Economist--Hooper reconstructs the nexus of international relations and gender politics during this age of globalization.

    In a provocative and insightful reading of the book of Matthew, she shows us how to read the Bible as decolonizing rather than imperialist literature.

    Containing nearly thirty essays, the book addresses such topical themes as responses to white feminism; the flashpoint issue of female genital mutilation; the intersections of international law with U.S. law; Third World women in the First World; violence against women; and the global workplace.Broadly representative, the reader addresses the role and status-legal and otherwise-of women in such countries as Cuba, New Zealand, France, Serbia, Nicaragua, Colombia, South Africa, Japan, China, Australia, Ghana, and many others. Authors include: Aziza al-Hibri, Penelope Andrews, Taimie Bryant, Devon Carbado, Mai Chen, Brenda Cossman, Lisa Crooms, Mary Dudziak, Isabelle Gunning, Anna Han, Berta Hern�ndez, Laura Ho, Sharon Hom, Rosemary King, Kiyoko Knapp, Hope Lewis, Martha Morgan, Zorica Mrsevic, Vasuki Nesiah, Leslye Obiora, Gaby Or�-Aguilar, Catherine Powell, Jenny Rivera, Celina Romany, Judy Scales-Trent, Antoinette Sedillo Lopez, J. Clay Smith, and Leti Volpp.

    She is particularly renowned for her film installations, which have been featured at several Whitney Biennials--and this new catalogue accompanies Raptureand Fervor, the second and third films in a trilogy exploring the social, political and psychological dimensions of women's experience in contemporary Islamic societies. The emphasis here is on the interplay between the explicit text and the implicit subtext in Islamic ritual, and how the emotions stirred up by these rituals can take on mercurial and contradictory forms.

    Responding to the popular success of the exhibit and catalogue, Diana E. E. Kleiner and Susan B. Matheson here gather ten additional essays by specialists in art history, history, and papyrology to offer further reflections on women in Roman society based on the material evidence provided by art, archaeology, and ancient literary sources. In addition to the editors, the contributors are Cornelius C. Vermeule, Rolf Winkes, Mary T. Boatwright, Susan Wood, Eve D’Ambra, Andrew Oliver, Diana Delia, and Ann Ellis Hanson. Their essays, illustrated with black-and-white photos of the art under discussion, treat such themes as mothers and sons, marriage and widowhood, aging, adornment, imperial portraiture, and patronage.

    Feminist literary theories are pluralist, borrowing from other types of theory, such as marxism or postmodernism, but they always remain woman-centered. Courses in women's writing, literature and gender, and philosophy and literature proliferate--requiring readers to reconsider many of the basic assumptions on which the study of literature was originally founded.

    It is only in the past twenty five years that scholars have begun to investigate the women who dedicated themselves to the cause of revolution. What then of the women who joined the revolutionary movement, and particularly the Bolshevik party, in their thousands? Revolutionary women in Russia is the first sustained analysis of female involvement in the revolutionary era of Russian history. By placing women centre stage, without exaggerating their involvement, this study enriches our understanding of women and revolutionary politics, and also provides a revealing insight in to this momentous period of Russian history. Revolutionary women in Russia is a powerful study of working women and Russian Marxism, which aims to engage readers with descriptions of 'real' revolutionary women. Based on a variety of sources that have not been previously translated into English, this book will appeal to all those with an interest in the Russian Revolution, twentieth-century history and gender studies.

    This is the explicitly political approach taken by all-women team of contributors to A Feminist Companion to Shakespeare.