Then the Nazis march in, demanding complete conformity. Friends become enemies, teachers spout Nazi propaganda, and school officials recruit for the Hitler Youth. Simone's family refuses to hail Hitler as Germany's savior. They are Jehovah's Witnesses, and they reject Nazi racism and violence. The Nazi Lion makes them pay the price.

    Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer's craft, comprising the basic tools of the trade every writer must have. King's advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported near-fatal accident in 1999 -- and how the inextricable link between writing and living spurred his recovery. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it -- fans, writers, and anyone who loves a great story well told.(back cover)

    A hotbed for hip hop, underground culture, and unmatched creative energy, it spawned some of the most significant art of the 20th century. It was where Jean-Michel Basquiat became an avant-garde street artist and painter, swiftly achieving worldwide fame. During the years before his death at the age of 27, he shared his life with his lover and muse, Suzanne Mallouk. A runaway from an unhappy home in Canada, Suzanne first met Jean-Michel in a bar on the Lower East Side in 1980. Thus began a tumultuous and passionate relationship that deeply influenced one of the most exceptional artists of our time. In emotionally resonant prose, award-winning author Jennifer Clement tells the story of the passion that swept Suzanne and Jean-Michel into a short-lived, unforgettable affair. A poetic interpretation like no other, Widow Basquiat is an expression of the unrelenting power of addiction, obsession and love.

    Then, in April 1975, Pol Pot's Khmer Rouge army stormed into the city, forcing Ung's family to flee and, eventually, to disperse. Loung was trained as a child soldier in a work camp for orphans, her siblings were sent to labor camps, and those who survived the horrors would not be reunited until the Khmer Rouge was destroyed.Harrowing yet hopeful, Loung's powerful story is an unforgettable account of a family shaken and shattered, yet miraculously sustained by courage and love in the face of unspeakable brutality.

    This feeling only deepened when his family moved from Japan to North Korea when Ishikawa was just thirteen years old, and unwittingly became members of the lowest social caste. His father, himself a Korean national, was lured to the new Communist country by promises of abundant work, education for his children, and a higher station in society. But the reality of their new life was far from utopian.In this memoir translated from the original Japanese, Ishikawa candidly recounts his tumultuous upbringing and the brutal thirty-six years he spent living under a crushing totalitarian regime, as well as the challenges he faced repatriating to Japan after barely escaping North Korea with his life. A River in Darkness is not only a shocking portrait of life inside the country but a testament to the dignity—and indomitable nature—of the human spirit

    The Latin Kings, one of the largest and most notorious street gangs in America, became his refuge and his world, but its violence cost him friends, freedom, self-respect, and nearly his life. This is a raw and powerful odyssey through the ranks of the new mafia, where the only people more dangerous than rival gangs are members of your own gang, who in one breath will say they’ll die for you and in the next will order your assassination.

    Amid the frenzied barking and prancing of a house full of Great Danes, one pup was shivering in the corner. Gracie. But when Dan Dye reached her, she struggled to her feet like a clumsy foal, raised her forehead to his, and announced, as clearly as if she had actually spoken the words, You know I'm the one. Now get me outta here! By turns funny, moving, tender, and inspiring, Gracie's tale is a treat for every dog lover. There is Gracie's first morning, racing around Dan in the snowy yard. Gracie's first determination to prove to her step-sisters, Dottie the Dalmatian and Sarah the Black Lab, that she's one of the girls. Gracie's defiant romance with a pint-size charmer named Byron, a Boston Terrier from the wrong side of the fence. Then born of necessity, the eureka moment: When Gracie's delicate constitution starts turning into anorexia, Dan teaches himself how to cook, and in three days is baking her the cookies that will spur her appetite, launch Three Dog Bakery, and transform their lives forever. Courage. Compassion. Kindness. Soul. Tenacity. And joy, above all, joy. These qualities Gracie possessed in abundance, and shared with everyone, human or canine, who had the good fortune to cross her path.

    Through these extraordinary letters and reflections, the private character and life of an American president and his first lady are revealed. Nancy Reagan reflects with love and insight on the letters, on her husband, and on the many phases of their life together. A love story spanning half a century and the private life of this classic American couple come vividly alive in this rare and inspiring book."

    Richard Glaubman captures Dawson's irresistible voice and view of the world, offering insights into humanity, history, hardships, and happiness. From segregation and civil rights, to the wars, presidents, and defining moments in history, George Dawson's description and assessment of the last century inspires readers with the message that-through it all-has sustained him: "Life is so good. I do believe it's getting better."

    As told by Sano Halo to her daughter, Thea, this is the story of her survival of the death march at age ten that annihilated her family, and the mother-daughter pilgrimage to Turkey in search of Sano's home seventy years after her exile. Sano, a Pontic Greek from a small village near the Black Sea, also recounts the end of her ancient, pastoral way of life in the Pontic Mountains.In the spring of 1920, Turkish soldiers arrived in the village and shouted the proclamation issued by General Kemal Attatürk: "You are to leave this place. You are to take with you only what you can carry . . . " After surviving the march, Sano was sold into marriage at age fifteen to a man three times her age who brought her to America. Not Even My Name follows Sano's marriage, the raising of her ten children, and her transformation from an innocent girl who lived an ancient way of life in a remote place to a woman in twentieth-century New York City.Although Turkey actively suppresses the truth about the murder of almost three million of its Christian minorities--Greek, Armenian, and Assyrian--during and after World War I, and the exile of millions of others, here is a first-hand account of the horrors of that genocide.

    Death becomes a companion in the camps, along with illness. Yet through the terror, the members of Chanrithy's family remain loyal to one another, and she and her siblings who survive will find redeemed lives in America.A Finalist for the Kiriyama Pacific Rim Book Prize.

    Kitchen Confidential reveals what Bourdain calls "twenty-five years of sex, drugs, bad behavior and haute cuisine."

    Setting aside a straightforward narrative in favor of brief passages of vivid prose, Abigail Thomas revisits the pivotal moments and the tiny incidents that have shaped her life: pregnancy at 18; single motherhood (of three!) by the age of 26; the joys and frustrations of three marriages; and the death of her second husband, who was her best friend. The stories made of these incidents are startling in their clarity and reassuring in their wisdom.This is a book in which silence speaks as eloquently as what is revealed. Openhearted and effortlessly funny, these brilliantly selected glimpses of the arc of a life are, in an age of excessive confession and recrimination, a welcome tonic.

    . . . Healing is a likely outcome of a book imbued with the righteous anger, compassion and humanity of Swing Low.” —Globe and Mail (Canada)Reverberating with emotional power, authenticity, and insight, Swing Low is Miriam Toews's daring and deeply affecting memoir of her father’s struggle with manic depression in a small Mennonite community in rural Canada. Personal and touching, a stirring counterpart to her novel IrmaVoth and reminiscent of works by Susan Cheever, Gail Caldwell, Mary Karr, and Alexandra Styron, Swing Low is an elegiac ode to a difficult life by an author drawing from the deepest well of insight,craft, and emotion.

    No longer the man who loved obscure Japanese cinema and wry humor, Crimmins' husband has emerged from the accident a childlike and unpredictable replica of his former self with a short attention span and a penchant for inane cartoons. Where Is the Mango Princess? is a breathtaking account that explores the very nature of personality-and the complexities of the heart.

    Anhua Gao (her name means Tranquil Flower) was born in 1949, the year that Mao Tse Tung declared the foundation of the People's Republic of China. "To The Edge of the Sky" is, like Jung Chang's "Wild Swans," an inspiring and heartrending story of life under communist rule and, at the same time, a compelling and detailed history of China's political upheaval through the twentieth century. Gao's early childhood is idyllic-both of her parents are highly respected workers in the Communist army and the family lives in comfort, with many privileges. By the time Anhua is eleven, however, both are dead-and their reputation proves a fragile shield from the horrors of communist China. With an assured and deliberate voice, and from the perspective of her new and hard-won safety of a new life in Britain (her mother once pointed out the island country to her on a Chinese world map, located on the far left "on the edge of the sky"), Gao interweaves a picture of calamitous Maoist policies with her own story of shocking family betrayal, cruel imprisonment, and bureaucratic absurdity. "To the Edge of the Sky" is a powerful and evocative autobiography-the story of a woman who, against unbelievable odds, survived to find a happiness she had not dared hope for.

    A haven for wildlife - he named his home Camusfearna and settled there with the otters Mij, Edal and Teko.Ring of Bright Water chronicles Gavin Maxwell's first ten years with the otters and touched the hearts of readers the world over, brilliantly evoking life with these playful animals in this natural paradise. Two further volumes followed bringing the story full circle telling of the difficult last years and the final abandonment of the settlement.For the first time the entire trilogy is available in a single narrative in this beautifully presented book.

    The tales are recalled in a conversational, feverish tone, following the musician in his childhood and young adulthood in post-World War II suburbia, pausing along the way for moments of clarity and introspection. The stories resist categorization—part memoir, part personal essay, part fiction, and part manifesto they simply stand alone, having their own logic, religious dogma, and mythological history.

    These previously unpublished journals stretch from May 1991 until two weeks before the author’s death in February 1994.

    "SHORTA not uncommon story is here captured with astonishing beauty" the childhood of a gifted daughter whose immigrant parents must struggle in order to provide her with the educational and social opportunities not available to them or, for that matter, to most blacks of her generation. In vivid prose that re-creates the heady impressions of youth, June Jordan takes us to the Harlem and Brooklyn neighborhoods where she lived and out into the larger landscape of her burgeoning imagination. Exploring the nature of memory, writing, and familial as well as social responsibility, Jordan re-creates the world in which her identity as a social and artistic revolutionary was forged.

    Hollibaugh is a lesbian sex radical, ex-hooker, incest survivor, gypsy child, poor-white-trash, high femme dyke. She is also an award-winning filmmaker, feminist, Left political organizer, public speaker, and journalist. My Dangerous Desires presents over twenty years of Hollibaugh’s writing, an introduction written especially for this book, and five new essays including “A Queer Girl Dreaming Her Way Home,” “My Dangerous Desires,” and “Sexuality, Labor, and the New Trade Unionism.” In looking at themes such as the relationship between activism and desire or how sexuality can be intimately tied to one’s class identity, Hollibaugh fiercely and fearlessly analyzes her own political development as a response to her unique personal history. She explores the concept of labeling and the associated issues of categories such as butch or femme, transgender, bisexual, top or bottom, drag queen, b-girl, or drag king. The volume includes conversations with other writers, such as Deirdre English, Gayle Rubin, Jewelle Gomez, and Cherríe Moraga. From the groundbreaking article “What We’re Rollin’ Around in Bed With” to the radical “Sex Work Notes: Some Tensions of a Former Whore and a Practicing Feminist,” Hollibaugh charges ahead to describe her reality, never flinching from the truth. Dorothy Allison’s moving foreword pays tribute to a life lived in struggle by a working-class lesbian who, like herself, refuses to suppress her dangerous desires. Having informed many of the debates that have become central to gay and lesbian activism, Hollibaugh’s work challenges her readers to speak, write, and record their desires—especially, perhaps, the most dangerous of them—“in order for us all to survive.”

    Already the first blighted leaves glow scarlet on the red maples. It's a season of fullness and sweet longings made sweeter now by the fact that I can't be sure I'll see this time of the year again....-- from Learning to FallPhilip Simmons was just thirty-five years old in 1993 when he learned that he had ALS, or Lou Gehrig's disease, and was told he had less than five years to live. As a young husband and father, and at the start of a promising literary career, he suddenly had to learn the art of dying. Nine years later, he has succeeded, against the odds, in learning the art of living.Now, in this surprisingly joyous and spirit-renewing book, he chronicles his search for peace and his deepening relationship with the mystery of everyday life.Set amid the rugged New Hampshire mountains he once climbed, and filled with the bustle of family life against the quiet progression of illness, Learning to Fall illuminates the journey we all must take -- "the work of learning to live richly in the face of loss."From our first faltering steps, Simmons says, we may fall into disappointment or grief, fall into or out of love, fall from youth or health. And though we have little choice as to the timing or means of our descent, we may, as he affirms, "fall with grace, to grace."With humor, hard-earned wisdom and a keen eye for life's lessons -- whether drawn from great poetry or visits to the town dump -- Simmons shares his discovery that even at times of great sorrow we may find profound freedom. And by sharing the wonder of his daily life, he offers us the gift of connecting more deeply and joyously with our own.

    Upon retirement at the age of sixty-two, and grieving his deceased wife, renowned journalist Bernard Ollivier felt a sense of profound emptiness: What do I do now? While some see retirement as a chance to cash in their chips and settle into a comfy armchair, Ollivier still longed for more. Searching for inspiration, he strapped on his gear, donned his hat, and headed out the front door to hike the Way of St. James, a 1400-mile journey from Paris to Compostela, Spain. At the end of that road, with more questions than answers, he decided to spend the next few years hiking another of history’s great routes: the Silk Road.Out of Istanbul is Ollivier’s stunning account of the first part of that 7,200-mile journey. The longest and perhaps most mythical trade route of all time, the Silk Road is in fact a network of routes across Europe and Asia, some going back to prehistoric times. During the Middle Ages, the transcribed travelogue of one Silk Road explorer, Marco Polo, helped spread the fame of the Orient throughout Europe. Heading east out of Istanbul, Ollivier takes readers step by step across Anatolia and Kurdistan, bound for Tehran. Along the way, we meet a colorful array of real-life characters: Selim, the philosophical woodsman; old Behçet, elated to practice English after years of self-study; Krishna, manager of the Lora Pansiyon in Polonez, a village of Polish immigrants; the hospitable Kurdish women of Dogutepe, and many more. We accompany Ollivier as he explores bazaars, mosques, and caravansaries—true vestiges of the Silk Road itself—and through these encounters and experiences, gains insight into the complex political and social issues facing modern-day Turkey. Ollivier’s journey, far from bragging about some tremendous achievement, humbly takes the reader on a colossal adventure of human proportions, one in which walking itself, through a kind of alchemy, fosters friendships and fellowship.

    Now, Charmian Carr, who in 1965 captivated moviegoers as Liesl Sixteen Going on Seventeen von Trapp, tells what it was like to be a part of the film that has become a cultural phenomenon. It's all here: from how she got the role (and why she almost didn't) to romances on the set and wild nights in Salzburg; from the near-disaster during the gazebo dance to her relationships--then and now--with her six celluloid siblings. Charmian offers stories from fans and friends and a treasury of photographs. And she reveals why she left acting, what she learned when she met the real von Trapp children; and how The Sound of Music has helped her get through stormy times in her own life. Forever Liesl celebrates the spirit of the movie and what it stands for: family love, romance, inspiration, nostalgia, and the joy and power of music.

    Born in St. Louis in 1905, she crashed the all-male precincts of the University of Wisconsin geology department as an undergraduate, traveled alone to the Belgian Congo at age 25, was the concubine of a Chinese poet in Shanghai, bore the child of the head of the British Secret Service before World War II, and finally returned to New York to live and write in Greenwich Village. In this memoir, first published as essays in The New Yorker, Hahn writes vividly and amusingly about the people and places she came to know and love—with an eye for the curious and a heart for the exotic.

    His story of growing up in South Africa was one of the most riveting accounts of life under apartheid. Mathabane's newest book, Miriam's Song, is the story of Mark's sister, who was left behind in South Africa. It is the gripping tale of a woman -- representative of an entire generation -- who came of age amid the violence and rebellion of the 1980s and finally saw the destruction of apartheid and the birth of a new, democratic South Africa. Mathabane writes in Miriam's voice based on stories she told him, but he has re-created her unforgettable experience as only someone who also lived through it could. The immediacy of the hardships that brother and sister endured -- from daily school beatings to overwhelming poverty -- is balanced by the beauty of their childhood observations and the true affection that they have for each other.

    You get up in front of a thousand people--your classmates, your friends, basically the people who make up your entire existence--and announce, 'I'm HIV positive.'"Told entirely in sequential art, here is the story of the life-changing friendship between the author, a cartoonist from Long Island, and Pedro Zamora, an HIV-positive AIDS activist, which was filmed day by day on MTV's Real World San Francisco. As a speaker and educator, a guest on many talk shows (including Oprah), and when his tragic death received front-page coverage in the press, Pedro taught a generation that AIDS was not a punishment for moral defects or a mere killer that reduced humans to wraiths. Rather, he showed how those afflicted with the disease could live and love nobly with intelligence, humor and great humanity. Judd Winick's compelling memoir allows each of us to experience the vitally important message Pedro brought us.Inspiring, moving, informative, and instantly accessible, Pedro and Me could become one of the books that defines a generation.

    Barbara Robinette Moss was the fourth in a family of eight children raised in the red-clay hills of Alabama. Their wild-eyed, alcoholic father was a charismatic and irrationally proud man who, when sober, captured his children's timid awe, but when (more often) drunk, roused them from bed for severe punishment or bizarre all-night poker games. Their mother was their angel: erudite and stalwart -- her only sin her inability to leave her husband for the sake of the children. Unlike the rest of her family, Barbara bore the scars of this abuse and neglect on the outside as well as the inside. As a result of childhood malnutrition and a complete lack of medical and dental care, the bones in her face grew abnormally ("like a thin pine tree"), and she ended up with what she calls "a twisted, mummy face." Barbara's memoir brings us deep into not only the world of Southern poverty and alcoholic child abuse but also the consciousness of one who is physically frail and awkward, relating how one girl's debilitating sense of her own physical appearance is ultimately saved by her faith in the transformative powers of artistic beauty: painting and writing. From early on and with little encouragement from the world, Barbara embodied the fiery determination to change her fate and achieve a life defined by beauty. At age seven, she announced to the world that she would become an artist -- and so she did. Nightly, she prayed to become attractive, to be changed into "Zeus's daughter," the goddess of beauty, and when her prayers weren't answered, she did it herself, raising the money for years of braces followed by facial surgery. Growing up "so ugly," she felt the family's disgrace all the more acutely, but the result has been a keenly developed appreciation for beauty -- physical and artistic -- the evidence of which can be seen in her writing. Despite the deprivation, the lingering image from this memoir is not of self-pity but of the incredible bond between these eight siblings: the raucous, childish fun they had together, the making-do, and the total devotion to their desperate mother, who absorbed most of the father's blows for them and who plied them with art and poetry in place of balanced meals. Gracefully and intelligently woven in layers of flashback, the persistent strength of Barbara Moss's memoir is itself a testament to the nearly lifesaving appreciation for literature that was her mother's greatest gift to her children.

    Now, more than 30 years after his bestselling book "Nigger, " Gregory has put his provocative life story down on paper, recounting his unique experience and discussing a host of other luminaries--from Rosa Parks to Hugh Hefner. 25 photos.

    In this hilarious, high-spirited, sometimes harrowing memoir, Shapiro invites us into his battle with cancer, his romance with an oncology nurse, his journey through graduate school, and his most important life lessons. He tells his story with wit and grace and indomitable spirit, showing us that only when the rhythm of life is stirred violently are able to discover its full beauty.

    The Finnerans -- parents and five children, Irish Catholics in St. Louis -- are a seemingly unexceptional family. Theirs is a story seldom told, yet it makes manifest how rich and truly extraordinary the ordinary daily experience we take for granted is. In quietly luminous language, Kathleen Finneran renders the emotional, spiritual, and physical terrain of family life -- its closeness and disconnection, its intimacy and estrangement--and pays tribute to the love between parents and children, brothers and sisters.Ultimately, it is this love that sustains the Finnerans, for at the heart of THE TENDER LAND lies a catastrophic event: the suicide at fifteen of the author's younger brother after a public humiliation in junior high school. A gentle, handsome boy, Sean was a straight-A student and gifted athlete, especially treasured by every member of his family. Masterfully, the book interweaves past and present, showing how inseparable they are, and how the long accumulation of love and memory helps the Finnerans survive their terrible loss.THE TENDER LAND is a testament to the always complicated ways in which we love one another. In the end, the Finnerans are a family much like the reader's own: like every other family, like no other family.

    Wrenching and unforgettable, Blackbird will carry your heart away.To young Jenny, the house on Mary Street was home -- the place where she was loved, a blue-sky world of Barbies, Bewitched, and the Beatles. Even her mother's pain from her mysterious illness could be patted away with powder and a kiss on the cheek. But when everything that Jenny had come to rely on begins to crumble, an odyssey of loss, loneliness, and a child's will to survive takes flight....

    For Mary Rose O’Reilley a year tending sheep seemed a way to seek a spirituality based not on “climbing out of the body” but rather on existing fully in the world, at least if she could overlook some of its earthier aspects. The Barn at the End of the World follows O’Reilley in her sometimes funny, sometimes moving quest. Though small in stature, she learns to “flip” very large sheep and help them lamb. She also visits a Buddhist monastery in France, where she studies the practice of Mahayana Buddhism, dividing her spare time between meditation and dreaming of French pastries.

    Mrs. Lindbergh was in her nineties and had been rendered nearly speechless years earlier by a series of small strokes that also left her frail and dependent on others for her care. As an accomplished author who had learned to write in part by reading her mother's many books, Reeve was deeply saddened and frustrated by her inability to communicate with her mother, a woman long recognized in her family and throughout the world as a gifted communicator. No More Words is a moving and compassionate memoir of the final seventeen months of Reeve's mother's life. Reeve writes with great sensitivity and sympathy for her mother's plight, while also analyzing her own conflicting feelings. Anyone who has had to care for an elderly parent disabled by Alzheimer's or stroke will understand immediately the heartache and anguish Reeve suffered and will find comfort in her story.

    Macy's autobiography reads like a novel as she relates her multi-faceted life experiences and reflects on how her marriage and family life enriched her service to the world.Macy's formative years with an abusive father and oppressed mother set her on an irrevocable path of self-definition and independence. A short-lived stint with the CIA exposed Macy first hand to the Cold War's darkest threats: the construction of the hydrogen bomb and the building of the Berlin Wall. With three children in tow, Macy and her husband traveled with the Peace Corps to Africa, India, and Tibet, where her encounter with the Dalai Lama and Buddhism led to Macy's life-long embrace of the religion and a deep commitment to the peace and environmental movements.In Widening Circles, the unique synthesis of spiritualism and activism that define Macy's contribution to the world are illuminated by the life-events and experiences that have paved her uncommon path.

    She wanted a garden. When she and her husband finished graduate school, they headed west to Santa Cruz, California. With little money in their pockets, they found a modest seaside cottage with a small backyard. It wasn’t much—a twelve-hundred-square-foot patch of land with a couple of fruit trees and a lot of dirt—but it was a good place to start.From the Ground Up is Stewart's chronicle of the seedlings and weeds, cats and compost, worms and watering that transform a tiny plot of earth into a glorious garden. From planting the seeds her great-grandmother sends to battling snails, gophers, and aphids, Stewart takes us on a tour of her coastal garden and shares the lessons she's learned the hard way. In the process, she brings her California beach town to life—complete with harbor seals, monarch butterfly migrations, and an old-fashioned, seaside amusement park just down the street.Delighting in triumphs and confessing to a multitude of gardening sins, Stewart dishes the dirt for both the novice and experienced gardener. With helpful tips in each chapter, From the Ground Up tells the story of a young woman’s determination to create a garden in which the plants struggle to live up to the gardener’s vision

    Here is a book for anyone who has ever wondered about the real person behind the magnificent voice. Touching and funny, fascinating and uplifting, it is an exquisitely detailed portrait of a remarkable woman who has never backed away from any challenge...even the most daunting challenges of the heart.

    His family is another inspiration. You Can't Kill the Rooster is a portrait of his brother, who talks incessant hip-hop slang to his bewildered father. And no one hones a finer fury in response to such modern annoyances as restaurant meals presented in ludicrous towers of food and cashiers with six-inch fingernails.

    Now, in Algernon, Charlie, and I, Keyes reveals his methods of creating fiction as well as the heartbreaks and joys of being published. With admirable insight he shares with readers, writers, teachers, and students the creative life behind his classic novel, included here in its original short-story form. All those who love stories, storytelling, and the remarkable characters of Charlie and Algernon will delight in accompanying their creator on this inspirational voyage of discovery.

    We see her at eleven founding the Alligator Society ("You have to be able to recognize 10 birds, 10 dogs, 10 trees and 5 butterflies OR moths"); at seventeen developing a crush on the local minister ("He has a beautiful long nose and he loves dogs"); at twenty punting at Oxford -- and falling out of the boat ("And I stood in the water -- up to my chest -- and roared and roared with laughter"); at twenty-two working at a film company and saving for a trip to Africa.At twenty-three, she took that trip, to "the Africa I have always longed for, always felt stirring in my blood." In Kenya's White Highlands, she rode horses, danced, and developed her observational skills on both animals and men ("He is very handsome & Clo & I sat in the car admiring his bottom & feeling sorry for him because he was getting filthy & oily"). The men returned her interest ("What the devil am I to do with all these middle aged married men. They hang in multitudinous garlands from every limb and neck I've got").The turning point of her life came when a friend told her, "If you are interested in animals, you must meet Louis Leakey." And when she did meet the legendary anthropologist, he saw in this young secretarial school graduate the ideal candidate to undertake a revolutionary study of chimpanzees. He sent her to the Gombe Stream Chimpanzee Reserve on Lake Tanganyika, where she immersed herself in the lives of wild animals as no one had ever done before. Goodall has told this story in other books, but never so immediately and emotionally. She describes a chimp rain dance ("Every so often their wild calls rang out above the thunder. Primitive hairy men, huge and black on the skyline, flinging themselves across the ground in their primaeval display of strength and power . . . Can you begin to imagine how I felt? The only human ever to have witnessed such a display in all its primitive, fantastic wonder?"); a female chimp mating with five males early in the morning ("Hello -- No 5 is queuing, down on the bottom branch. 'Thanks Big Boy, but don't hang around.' No 5 leaps out of the way as No 4 charges down . . . Soon over & off he goes. Now perhaps a girl can have a bite of breakfast"); a colobus monkey clasping its dead baby ("She kept trying to groom its poor little coat. Oh, it was heart rending. I'm only so glad I've never seen a chimp with a dead baby. I just couldn't bear it").AFRICA IN MY BLOOD is a dramatic, moving, funny, and important book that tells the story of how an English girl who loved animals became one of the greatest scientists of the twentieth century.

    Author Biography: Carole Maso is the author of six novels, including Ghost Dance and Defiance. She is a professor of English at Brown University.

    What started out as a whisper of an idea between lovers - Garage owner Michael Brody and financial backer Mel Cheren - eventually culminated into a dance palace that existed for more than a decade and is still spoken about with reverence.Keep on Dancin' gives hundreds of private recollections from the people who were there: Tom Moulton, Francois Kevorkian, Grace Jones, Thelma Houston, Frankie Knuckles, Junior Vasquez and others help recreate the moment when love was the message.Scheduled for release in the spring, Keep on Dancin' promises to usher in a wave of Garage nostalgia. An authorized CD of Larry Levan's Garage classics is also scheduled for release this spring. Ultimately, the author, who has devoted himself to AIDS related philanthropic work, plans to reopen the Garage in its original space in Manhattan, with the profits going to AIDS related charities.

    Recounting how she and her students shared profound and complicated lessons about humanity and life both inside and outside San Quentin's walls, Tannenbaum tells provocative stories of obsession, racism, betrayal, despair, courage, and beauty. Contrary to the growing public perception of prisoners as demons, the men in this poetry class-Angel, Coties, Elmo, Glenn, Richard, Spoon-emerge not as beasts or heroes but as human beings with expressive voices, thoughts, and feelings strikingly similar to the free.Tannenbaum provides revealing views of conditions in the cellblocks and shows how the realities of prison life often paralleled her own life experiences. She also relates such events as visits to her group by prominent poets (including Nobel Prize-winner Czeslaw Milosz); a prison production of Waiting for Godot sponsored by Samuel Beckett himself; and the presentation of her students' work to a class of sixth and eighth graders, who connected to the prisoners' words by writing their own poems to the inmates.

    But whatever Houston's destination - whether Bhutan or Bolivia or Traverse City - it is only the starting point from which she extracts her personal emotional journey. She is searching here for a place - not too safe but not too threatening - from which to negotiate mountain goats and river ice, camping trips and wine. Through her we meet some good dogs, a few good men, and the occasional grizzly. There's a horse named Roany with the presence of a Zen master. And there's a Buddhist named Karma, all proving what Houston has always suspected: fiction has nothing on real life.

    Jim is best known as the founder of Young Life, a worldwide work with teenagers. It must be said, however, that Jim was uncomfortable being introduced as the founder of Young Life, as he never knew he was founding anything (his own words). It is a beautiful, tragic story of a man of God with unbounded faith and an unconventional Christianity. It would be impossible to measure the impact of Jim Rayburnas life on countless multitudes of people throughout the world. It was Jim Rayburn who said, "If you want people to come to Sunday school, don't have it on Sunday and don't call it school." Such thinking broke with traditional concepts and antagonized many, yet it carried Rayburn into new, uncharted territory. Before long Jim was packing them in - over 400 high school kids filled the local mortuary each Tuesday night to hear Jim talk about Jesus Christ and His love for them. Even the high school football coaches were helpless in the face of Jim's charisma, asking him to schedule his meetings with their need to practice in mind. The world may have never seen a "minister" like this; it certainly hasn't seen many. Suffering severe migraines, battling dependence on prescription drugs, struggling with his marriage, and facing opposition from a board of directors that wanted more stability within the organization, Jim Rayburn seldom looked down and never looked back. He had the habit of thinking big, and sometimes his ideas caromed off the walls of Christianity. Written by his son, Jim Rayburn III, this is a story that will grab you, one way or the other. Be careful before you order it; use caution. This story might cause you to miss a night or two of sleep; it is not an easy book to put down. It might also be a stepping stone to a deeper, richer, freer, more exciting and more intimate relationship with God.

    The town's abandoned mines are testimony to the cycle of promise, exploitation, abandonment, and attrition that has been the repeated story of the West. Yet the comings and goings at Tremewan's, the general store Martin's family has run for more than forty years, reveal a remarkably vibrant community that includes salty widows, Native Americans from a nearby reservation, and a number of Martin's deeply idiosyncratic Basque-descended relatives. Martin observes them as they persist in a difficult but rewarding existence and celebrates, with neither pity nor regret, the large and small dramas of their lives and their stubborn attachment to a place that seems likely to disappear in his lifetime.

    A collaborative work by the Mississippi author and his photographer son, David Rae Morris; the book illustrates in photos and text the country beloved by both men.

    This publication marks a fortunate development in our knowledge of how Being is realized in and through the human soul: The process of realization and integration of true nature described in the voice of one who articulates precisely and vividly the psychological and epistemological barriers which confront the individual consciousness as realization is integrated in the context of personal life. Almaas describes how his participation in the unfolding manifestation of Being ushers him into realms that expose and transform increasingly deep ego structures and attachments. Luminous Night's Journey clarifies how the unveiling of Being and the exposure of ego structures constitute one process, leading to the soul's integrated realization of absolute nature and the manifestation of the human being as a personal embodiment of that nature.

    This sequel to Stumbling Toward Enlightenment picks up her story several years later as she moves beyond the stage of dharma novice and begins to explore the Metta Sutra.

    The only land available lay north of Fairbanks near the Arctic Circle where grizzlies outnumbered humans twenty to one. In addition to fierce winters and predatory animals, the Alaskan frontier drew the more unsavory elements of society's fringes. From the beginning, the Cobbs found themselves pitted in a life or death feud with unscrupulous neighbors who would rob from new settlers, attempt to burn them out, shoot them, and jump their claim.The Cobbs were chechakos, tenderfeet, in a lost land that consumed even toughened settlers. Everything, including their "civilized" past, conspired to defeat them. They constructed a cabin and the first snow collapsed the roof. They built too close to the creek and spring breakup threatened to flood them out. Bears prowled the nearby woods, stalking the children, and Lester Cobb would leave for months at a time in search of work.But through it all, they survived on the strength of Norma Cobb---a woman whose love for her family knew no bounds and whose courage in the face of mortal danger is an inspiration to us all. Arctic Homestead is her story.

    But she never expected her fantasy to come true — until a summer afternoon’s drive in the country.That’s when she and her boyfriend, Alex — owner of Marley the poodle — stumble upon the place she thought existed only in her dreams. This pretty-as-a-picture-postcard farm with an Amish barn, a chestnut grove, and breathtaking vistas is real ... and for sale. And it’s where she knows her future begins.But buying a postcard — fifty acres of scenery — and living on it are two entirely different matters. With wit and wisdom, Laskas chronicles the heartwarming and heartbreaking stories of the colorful two- and four-legged creatures she encounters on Sweetwater Farm.Against a backdrop of brambles, a satellite dish, and sheep, she tells a tender, touching, and hilarious tale about life, love, and the unexpected complications of having your dream come true.

    Through the diversity of Marxist, pragmatist, and existential ideologies and philosophies, as well as merchant marine and military experiences, Art was brought to a final moral crisis as a teacher, able to raise, but not answer the groaning perplexities of the modern age and his own heart. During a leave of absence, on a hitch-hiking odyssey through North Africa, Western Europe and the Middle East, the cynical and unbelieving atheist - vehement anti-religionist and anti-Christian - was radically apprehended by a God whom he was not seeking. The actual journal, Ben Israel - Odyssey of a modern Jew, recounts the breaking into consciousness and ultimate apprehension of an unsuspecting and resistant 'son of Israel.'

    Edith survived, but most of her family perished in the death camps. Unable to cope with the loss of her family and homeland, Edith closed the door on her past, refusing to discuss even the smallest details.Fifty-four years later, when the void of her childhood was consuming both her and her family, she returned to Stockstadt with her grown daughter Fern. For Edith the trip was a chance to reconnect and reconcile with her past; for Fern it was a chance to learn what lay behind her mother's silent grief. Together, they found a town that had dramatically changed on the surface, but which hid guilty secrets and lived in enduring denial.On their journey, Fern and her mother shared many extraordinary encounters with the townspeople and--more importantly--with one another, closing the divide that had long stood between them. Motherland is a story of learning to face the past, of remembering and honoring while looking forward and letting go. It is an account of the Holocaust's lingering grip on its witnesses; it is also a loving story of mothers and daughters, roots, understanding, and, ultimately, healing.

    After all it can’t be easy to be sixteen with a hairless “undistinguishable from that of a five year old’s.”This wonderfully entertaining memoir is a touching and humorous look at life in New York City. But this is life for an author who can proclaim “my first sexual experience was rather old-fashioned: it was with a prostitute”–an author who can talk about his desire to be a model for the Hair Club for Men and about meeting his son for the first time. Often insightful, sometimes tender, always witty and self-deprecating, What’s Not to Love? is an engaging memoir from one of our most funny, most daring writers.

    Joe told himself: Just live.So he has, beyond anyone's expectations but his own. And in living his life, Joe Martin has changed countless other lives.This is the story of a man who was successful by every measure -- a pillar of his church and community, a top executive of his company, the father of three children. In 1994, Joe was diagnosed with amyotrophic lateral sclerosis, Lou Gehrig's disease. The doctors told him his life would be over in twenty months or less. After a brush with despair and terror, Joe decided with his family and friends that he would recover, if not from the disease, then from the diagnosis. No doctor could predict what might be accomplished on any given day.Using the resources at hand, Joe fashioned a credo combining the words of the psalmist and of baseball legend Cal Ripken, Jr. This is the day the Lord has made. Get up, go to the ballpark and do your very best. Joe Martin's best has been nothing short of spectacular.Having built a career as the acknowledged conscience of Bank of America, Joe took on the sponsorship of a program to organize low-income neighborhoods for greater political and economic clout, a year after his death sentence. He helped start one of the Southeast's leading centers for ALS research and treatment. In Charlotte, North Carolina, he played a leading role in overturning a county government that threatened to rip apart his community along a religious fault line. Acting on his own, Joe began a movement of racial reconciliation that has inspired people to build friendships across ethnic barriers. Unable even to work a keyboard or speak, Joe is seeminglypowerless. Yet he has found the power to change his world.Unlike Tuesdays with Morrie, a book about a man dying with ALS, On Any Given Day is a book about a man living with the disease. This is both an inspiration story and a how-to book about contributing to life as a full human being, even when most of the basic tools of humanity are taken away. This is a book for anyone who's been tempted to stop hoping, a book on recovering hope and discovering possibilities. It is a blueprint for making the best out of every day, one day at a time.It's a book, too, about and for caregivers. Joe's wife, Joan, leads a strong supportive cast. Family, friends and young assistants learn to redefine caregiving through commitment, to sustain dignity through love. And for those who imagine American business to be an impersonal profit machine, On Any Given Day will be a stunning wake-up; Joe's company demonstrates that, no matter how severe one's disability, it is the value of the individual that powers corporate success.

    The actor shares his sixteen-year struggle to hide his multiple sclerosis from his wife, daughter, and the public from his first signs of vertigo five years after Laverne & Shirley until his decision to announce his illness.

    He analyzes the strengths and strategies that made their survival possible and shows how these forms of faith--in self, others, country, and God--can carry everyone through personal and business crises. A moving epilogue tells of his wife's battle with breast cancer and her death, and how the same strengths helped her and those around her.

    An inspiring story of one man's spiritual illumination.

    Here, in journal form, is the story of her illness, her healing process, and her acceptance of life and death. Breathtakingly honest about the factors she feels contributed to her cancer, Woodman also explains how she drew upon every resource-physical and spiritual-available to her to come to terms with her illness. Dreams and imagery, self-reflection and body work, and both traditional and alternative medicine play distinctive roles in Woodman's recovery. Her personal treasury of art, photographs, and quotations-from Dickinson to Blake to Rumi-embellish this unique chronicle of a very personal journey toward transformation.

    Dan's Moonlight Chronicles zines have long been a cult favorite of art, travel writing, and outdoor enthusiasts. This full-color book version picks up where the zines left off, following Dan as he ambles through the cafes, alleyways, and skyscrapers of New York City; hits the trail for a five-day hike in Hell's Canyon; and wanders through the Sierras, in the footsteps of kindred soul John Muir. Dan's spirited language and charming pictures remind you of the small joys of life and the fact that happiness abounds, just waiting to be discovered along the highways and byways of America. From the Trade Paperback edition.

    Thirty years later, a younger author at the start of his career is introduced into the company of these two great pessimists—neither of whom make cooperative interview subjects, and each of whom represents, in his own way, a radical rejection of the common languages of his art.

    The Los Angeles-based imagemaker has created portfolios for Vogue, Vanity Fair, and other magazines, done movie ads and music videos, and worked with fashion-world clients such as Calvin Klein and Giorgio Armani.This sumptuous catalogue, published to accompany an exhibition at the Fondation Cartier pour I'art contemporain in Paris, includes an interview with Herb Ritts. One hundred photographs, some previously unpublished, exemplify the rigorous, disconcerting work of one of the most remarkable photographers of the contemporary art, fashion, and entertainment worlds.

    The works gathered here reveal memoir as re-invention, as generic interplay, as conversations among works, as travel back and forth and across times and states of mind. One can see in these works the political and psychic stakes involved in self-representation. Features work by C. S. Giscombe, Lisa Jarnot, Shirin Neshat, Edwin Torres, Ron Silliman, Anne Waldman, and Rosmarie Waldrop.

    Beneath this country girl memoir, Genevieve Peterkin tells a story that deals with the struggle for racial equality in the South and the sometimes painful adventures of marriage and parenthood with inner struggles for faith and acceptance of God's mysterious ways.

    Maybe it's because his mother was a teacher. Or maybe it's because he has spent most of his life in classrooms - as a wide-eyed first grader, a na�ve college student, a seminarian, and now as a visiting writer in residencies across the country. There's something about school that infuses the work of Donald Davis and he has collected his all-time favorite school stories in the book. Whether we're traveling around the world with Miss Daisy, the fourth grade teacher who was integrating arithmetic, geography and English before the term "whole language" ever surfaced; or watching in awe as a classmate conjugates malaprops in Miss Vergilius Darwin's Latin class; or driving a school bus and learning about segregation - we experience flashes of recognition in moments that transcend Donald Davis's childhood stories. These coming of age tales will teach readers the importance of caring, citizenship and respect.

    Upon his release from duty he turned to alcohol, drugs, and women, living for years in a confused purgatory until he discovered salvation in poetry and in the love of his wife and their son. Yet it was only through a harrowing journey back to Vietnam, to adopt his eight-year-old daughter, that Weigl was finally able to heal himself. Moving from childhood to the war to a final act of compassion and hope, The Circle of Hanh is a powerful re-creation of a deeply haunted life and, ultimately, a stunning work of redemption.

    They also share the distinction of having been the first female zookeepers in the country.This provides a fascinating account of the early years of Twycross Zoo.

    But these adult accomplishments eclipsed an earlier fame. "Saturday's child has to work for a living," and Morgan has--since the age of two. She was a tot model, had her own radio show at age four, and was a child star on television, including on the popular series "Mama." Unlike most child actors, she emerged to reinvent a life filled with literary achievement and constructive politics.Here Morgan tells the whole story--the years as a child so famous she was named "The Ideal American Girl," her fight to become a serious writer, marriage to a fiery bisexual poet, motherhood, lovers (male and female), and decades working on civil rights, the radical underground, and global feminism. This is the intensely personal, behind-the-scenes story of her life.

    As Betsy spends the last two weeks with her mother, she revisits their difficult relationship and unravels some of the hurt and anger.

    I learned how to do things in the old ways.”—Alma Hogan Snell Grandmother's Grandchild is the remarkable story of Alma Hogan Snell (1923–2008), a Crow woman brought up by her grandmother, the famous medicine woman Pretty Shield. Snell grew up during the 1920s and 1930s, part of the second generation of Crows to be born into reservation life. Like many of her contemporaries, she experienced poverty, personal hardships, and prejudice and left home to attend federal Indian schools.What makes Snell's story particularly engaging is her exceptional storytelling style. She is frank and passionate, and these qualities yield a memoir unlike those of most Native women. The complex reservation world of Crow women—harsh yet joyous, impoverished yet rich in meaning—unfolds for readers. Snell's experiences range from the forging of an unforgettable bond between grandchild and grandmother to the flowering of an extraordinary love story that has lasted more than five decades.

    S. Giscombe grew aware of the space Canada had staked out in his imagination. Giscombe later spent a winter with his family in British Columbia, and his time there provides a lens through which he interrogates his preoccupation with Canada's otherness. Giscombe writes that "border crossings are always sexy. And racial." And so this book is filled with both actual and metaphoric exploration--and his travels serve as points of departure for a series of riffs on racial, national, physical, and psychological borders. At the heart of this book is the author's ambivalent pursuit of John Robert Giscome, a man who may or may not be a relative. John R., as Giscombe calls him, was a black Jamaican explorer who flourished in British Columbia during the last half of the nineteenth century. Giscombe documents the places that John R. passed through, and he uncovers stories about mining, pioneer life, and even cannibalism. Giscombe likes to imagine John R. as a "self-aware outsider," and that status comes to seem more important--more interesting--than any historical truth. "Into and Out of Dislocation" is an intriguing and wryly told travel memoir by a writer Henry Louis Gates called a "major figure in contemporary African American letters."

    I stared out the window as we slowly pulled out of the station. I was very confused. I saw the women standing on the platform watching us and wailing. Then I saw her. There was my mum in her only good blue dress standing next to my aunts and our old grandmother. Just standing there. Standing there with tears rolling down ttheir cheeks too fast to even wipe away. Then Mum waved a white hanky and I pressed my face against the window pane as hard as I could, watching her. Watching until her blue dress faded into a tiny blue daub of colour...'At the age of five, Donna was taken away from her natural family and sent to a foster family in Newcastle. Donna reflects back on her childhood memories of living in the bush with her brothers and her removal to the city, becoming an only child in a white family.Donna recalls her struggle with her identity - remembering traditions and customs of her old life in the outback and the adjustments she has had to make in strange city. Donna (aged 40) retells her life story with stark simplicity and honesty . She openly discusses the pain and isolation she has felt at not belonging or feeling at home with the society she has been brought up in. Her desperation took her close to suicide.This is a powerfully sad yet also uplifting story - sad because of Donna's long struggle to re-establish her family and culture and coming to terms with her own views about Aboriginal people; and uplifiting because of Donna's deep faith, her own strong family ties with her foster mother and her husband and sons.Donna's story is retold with passion but with an absence of bitterness as she tells of the strangeness, and heartbreak of her experiences, and of the kindness of her adoptive family.

    69 N/52 W. Off Jakobshavn.I'm on the wheel at 0600 hours, steering toward the eastern shore of Disko Bay. Having circled the sky at a height of six degrees off the horizon all night long, the sun now oozes upward like a squashed fruit, spreading its pulpy light across a wreckage of ice and stone. The Jakobshavn Glacier, so-called Mother of Icebergs, sprawls dead ahead, grinding seaward at the rate of sixty feet per day, dropping aircraft carrier-sized icebergs into the blue-black sea.Seven miles offshore we meet our first ice. Closer in it is everywhere; there is often one floe ten yards to starboard and another just as close to port. These chunks are not pack ice formed from the frozen sea. They are splinters, dumptruck-sized, of larger icebergs. It's impossible to guess just how much farther they extend beneath the surface.Under normal conditions the person on helm may let the compass wander up to five degrees, holding course over time by balancing the swings to either side. But when maneuvering here, straying even one degree could cause real trouble. Square-riggers don't respond like sports cars; steering is hard work, you have to know what you're doing, and at such times in the past it's been routine for a deckhand to take over. So I am surprised, to put it mildly, when George does not replace me at the helm.My arms are tired, and my back is tense. I keep my eyes glued to the compass and my fingers tight around the wheel. George stands on the roof of the after deckhouse, above and behind me. Amidships, everyone maintains silence so that the helmsman can hear and repeat the captain's orders.- What's your bearing, Harvey?- One seven eight.-Come to one seven nine.- One seven nine. (Twenty seconds pass.) One seven nine, on.- Steady. (A half minute passes.) What's your bearing?- One seven nine.- Come two stokes to port.- Two strokes to port.- Come four strokes to port.- Four strokes to port, aye.- What is your bearing?- One seven eight.- Steady onThere are all kinds of intimacy in the world. This one proceeds, uninterrupted and unadorned, until I lose track of time. I almost lose myself in the hypnotic counterpoint of order and

    Teller asked about the people in the drawings: the streetcar operators, waitresses, soldiers, bums. And Mam and Pad (Irene and Joe) began to unfold the hidden history of their world before their Bundle of Joy came along. Out came the Hobo Shoebox, full of letters Joe wrote while riding the rails during the Great Depression; their daring photos as art students, eloping to escape their feuding families; and the War Trunk. Readers stand beside Teller as Pad teaches him why using a ruler in painting is evil; join Mam as she interprets the designs hidden in Joe's "art pancakes"; and enter the world of a most peculiar, philosophical, funny, and loving family.

    A recounting of the author's own family experience in caring for her Alzheimer's-afflicted mother, this is a valuable source of information and emotional support for the millions of caregivers facing the same problems.

    Some relationships do, too. As Sheila Walsh walked with her mother-in-law through her last moments, the two women learned lessons of life-ones that had previously eluded them. These memories have changed Sheila's relationship with Christ and her perspective forever. And they become a blessed chronicle that will change readers' lives as they, too, are plunged into God's river of mercy.

    Yet we often feel as though we're taking "two steps forward, three steps back." As we learn--and relearn--the same spiritual lessons time and again, we become discouraged, thinking that we are not changing or growing. But, as author Carole Mayhall gently reminds us, such experiences are a normal, even vital, part of the healthy Christian life.With heart-warming vulnerability, Mayhall explains and illustrates that spiritual growth is a lifelong endeavor--but through it all, your heavenly Father is whispering, "I will uphold you. I will sustain you. I will carry you." Painting a vivid picture of a patient God who loves and shapes you, Here I Am Again, Lord offers solid reassurance and motivation to significantly encourage you in your walk with Christ.

    Using the occasion of her eightieth-birthday party to reflect on the past, Doris Grumbach delivers an enchanting memoir of the writers, friends, and loves who have accompanied her in mind and body through an extraordinary life of letters.

    We ended up having more workers than competitors, and rain was nearly the sole occupant of the bleachers lining our ancient brick-dust track. Of the few athletes who showed to compete, one runner caught my eye. His rail-thin body reminded me of a Kenyan runner's; he looked like a champion. He appeared old enough to be in high school, but I didn't recognize him and figured him to be a junior-high runner. Always on the lookout for future athletes, I wanted to find out more. But rules governing our sport prohibited me from speaking to potential athletes until they had graduated from the eighth grade. To circumvent this, I asked one of my runners, Erich Phinizy, to investigate. "Find out his age and where he goes to school," I said. "And tell him about our program."Erich returned with valuable information. The runner was in junior high and would be attending Huntington Beach next year. He also informed me that our future runner was of English descent. Erich pointed to the only two people sitting in the bleachers and said, "Those are his parents.""Damn, not England," I thought. "They're a bunch of soccer freaks," I hoped he wouldn't be like a former English runner of mine, who once remarked, "What's the purpose of running if there's no ball to kick along the way?"Although the soccer coach and I were close friends, we often competed for the same athletes, as soccer players are often runners and vice versa. Each of us ran a quality program, coachingour athletes year-round."So, Erich, what's his name?""Oh, I didn't get that, Coach. Sorry.""Don't worry about it."The possibility of this kid's running for our team excited me, especially since he had come to race the three-mile, an unusually long distance for a 13-year-old. I scanned the entry list and saw, unfortunately, that there were only two other runners in his race. One was a 60-year-old jogger, and the other was Erich. Eager to assess the kid's talent, I asked Erich to pace him. "Run alo

    She couldn't stop trembling with anxiety. And she worried that she would throw her precious baby boy down the stairs if she continued to lose her mind. That is how Postpartum Depression tore apart Susan Kushner Resnick's world. And she had no idea that thousands of other new mothers were experiencing the same agony.While she struggled to take care of her two children, Resnick searched for a book by a survivor of Postpartum Depression, something that would show her in black and white that she could survive the worst period in her life. But no such book existed. So, when she finally conquered her demons, she wrote one.Sleepless Days is a brilliantly written, haunting memoir of her encounter with Postpartum Depression. It is a story for the other 400,000 women who are afflicted with PPD each year and are desperate for reassurances that others have felt their despair and recovered. It is a compelling narrative for anyone who has ever watched helplessly as a vulnerable woman fought against the weight of this mysterious disease.Resnick's symptoms begin with the onslaught of insomnia, anxiety attacks, and a general apathy toward her newborn son. She loses weight and gains moodswings. She suffers from an ongoing tension that no glass of wine can cut through. She listlessly stumbles through each day like a zombie. And because an entire summer feels like one long night, she comes to think of her existence as a series of sleepless days with the same fogginess and hypersensitivity, the same sense of disorientation and loneliness one feels when gazing out a window at streetlights and moonshine in the middle of the night.Feelings of isolation sear through every page of Sleepless Days. Resnick recounts the hours spent watching the television screen-wishing the people from the TV could smash through the screen and come sit with her. And she compares her battle with insomnia to a menacing soldier standing guard over her, threatening her with images of what could happen to her child if she dares to allow herself a peaceful night's rest. Her journey finally takes us into her world of therapy, which leads to her heartbreaking decision to forgo breastfeeding in order to begin taking antidepressants. Through Resnick's devastating account shines a ray of hope. She develops an extraordinary friendship with a Holocaust survivor. She learns to lean on friends. And she accepts the lack of control that defines her life. Her own rebirth is juxtaposed with the arrival of Autumn. She poignantly writes, The trees on this street are starting to look as if a child dipped her fingers into red and yellow fingerpaints and smeared them over the green parts. They are dying a beautiful death. And she is coming back to life.

    Like its phenomenally popular predecessor, The Perfection of the Morning, Wild Stone Heart has once again touched a chord with Canadian readers, becoming another #1 bestseller.It's no wonder -- this resonant and deeply moving exploration of a seemingly ordinary field in southwest Saskatchewan is at once an ancient mystery, a lyrical journey between past and present, a fascinating lesson in natural history, and a woman's intimate search for her own place in the world.With every book, Butala delicately carves new and uncharted spiritual geography.Wild Stone Heart is no exception, a classic work that will appeal to all of her many fans.

    In Special Kay, this critic at large captures us at our worst and our best, and all with a Southern accent.

    Armed with false papers identifying them as aristocratic Gentiles, this Jewish family took shelter in the very shadow of the Nazi machine.

    The man was New Zealander Rob Hamill and the dream was to win the world's first trans -Atlantic rowing race. It was, they told him, the impossible dream. He had no money, no rowing partner, not knowledge of the boat building and - while he was a world-class sculler - he had never rowed at sea. Worse still, when he finally did try blue-water rowing, he became chronically seasick. The Naked Rower is a swashbuckling story of high adventure, friendship placed under unbearable strain, terrible tragedy, and the ultimate triumph of the human spirit.

    As told by Ruth in countless conversations with close friend and biographer Margaretta Mitchell, this thoughtful, illustrated memoir is a true tribute to the legendary artist. Reminiscent of a personal scrapbook, the engaging text is adorned with an abundance of fascinating memorabilia and nostalgic snapshots. Woven throughout is correspondence between Ruth and her mentor Edward Weston, as well as interviews with friends, colleagues, students, and her long-time printer. Also included is a special section entitled "Workshop," which surveys Ruth's acclaimed teaching methods. Coinciding with an exhibition in honor of Ruth's 95th birthday, Ruth Bernhard: Between Life and Art is a beautiful celebration of an extraordinary woman.

    To the shock of his parents, he was born with no arms.Otherwise physically and mentally fit and able, Brian has struggled throughout his life to overcome the restrictions society has tried to place on him, beginning with the cumbersome prosthetic arms of his childhood, which he had to sabotage to escape wearing them!Brian's story is lively, funny, challenging and moving and centres around his call to Christian faith.With a foreword by Joni Eareckson Tada.

    The answer is set forth in a combination of topical and chronological meditations of value to anyone pursuing academic work today.The book concludes with a complete list of Jaki's publications.

    "Toil" is also the real story of relationships on the job site--a complex intertwining of people, processes, materials, and elements.

    The 3 Volume set includes over 2400 duotone photos taken from Russ Meyer's private collection. All were done under the direct supervision of the legendary film auteur, who is also known for his unique style of photography.

    The children's book author describes his life, his daily activities, and his creative process, showing how all are intertwined.

    “Fans remember [Buck] as a devoted conservationist—Buck fretted often about the survival of rare species—and intrepid adventurer, whose deeds in Sumatra, Borneo, India and the Philippines wowed folks at home.” —Newsday. “Good, old-fashioned, movie-serial-type adventures in wild, exotic settings.” —Dallas Morning News. “All in all, this is an extremely entertaining book, illustrating a different time and written in a way that brings that time to life.” —Choice. “That this hardy Texan’s celebrity was earned is made evident in a new version of Bring ‘Em Back Alive, . . . a compilation of exciting and often chilling first-person adventures.” —East Texas Historical Association Journal. Frank Buck spent his life capturing alive every kind of animal, from birds to snakes to elephants. The intrepid Texas animal collector and jungle adventurer enthralled generations of readers and moviegoers with the stories of danger and daring collected here.

    Beginning with the rediscovery of a long-lost best friend, INTO THE TANGLE OF FRIENDSHIP follows the intertwining stories of a cast of characters for whom friendship is a saving grace. We meet a next-door neighbor facing the death of a spouse, watch two young boys learn what it means to be friends, and feel the heartache of a professional caregiver whose compassion and dedication ultimately come up short. Kephart is concerned with the haphazard ways we find one another, the tragedy, boredom, and sheer carelessness that break us apart, the myriad reasons people stay together and grow. What is friendship, and what is its secret calculus? Telling stories to illuminate this question, she also engages us in an essential dialogue about what it means to be fully alive. Profound, original, and exquisitely written, INTO THE TANGLE OF FRIENDSHIP is a hymn to the intimate realities of our lives and what makes those lives not only worth living but magical. It will resonate with anyone who has ever had a friend, or lost one.

    D. Dolan was vacationing in Paris when he received a telephone call telling him to fly home immediately. A horrible accident had put his big brother John in a Phoenix burn unit with third degree burns over 90 percent of his body. As a child in 1960s Los Angeles, J. D. shared with John the unspoken bond that exists only between brothers. But as time passed and their excursions together ended, so did their conversation. For reasons known to John alone, they existed with each other only in silence, and now, in what would be their final days together, there would be precious few opportunities to talk. Phoenix is J. D. Dolan's personal reflections on the agonizing weeks spent coming to terms with his brother's fate, and his attempt to bring their relationship into perspective.

    In the course of her travels she has dined, not always eagerly, on wild rat, parrot, guinea pig, and chicken foot soup. And for those among us who prefer our experiences to be vicarious and far away from biting insects, venomous snakes, and inhospitable surroundings, she has written In Search of the Golden Frog.The book is a detailed and fascinating chronicle of Crump's adventures as a field biologist—and as a wife and mother—in South and Central America. Following Crump on her research trips through Costa Rica, Ecuador, Brazil, Argentina, and Chile, we learn of amazingly diverse landscapes, equally diverse national traditions and customs, and the natural history of her subject of study, the frog. In leading us through rain forests and onto windswept coasts, Crump introduces us to such compelling creatures as female harlequin frogs, who pounce on males and pound their heads against the ground, and also sounds an alarm about the precipitous decline in amphibian populations around the globe.Crump's perspectives as both a scientist and a mother, juggling the demands of family and professional life, make this highly readable account of fieldwork simultaneously close to home and wildly exotic. A combination of nature writing and travel writing, the richly illustrated In Search of the Golden Frog will whet travelers' appetites, affirm the experiences of seasoned field biologists, and offer the armchair naturalist vivid descriptions of amphibians and their habitats.

    With the eye of a connoisseur, the business acumen derived from a legendary career in international finance, and a Jeffersonian grasp of classical architecture, Richard Hampton Jenrette reveals his charming, often risky, ventures in the world of old houses. Jenrette's affinity for endangered historic sites has led to the restoration of six historic houses that he currently owns, including Edgewater on the Hudson River; Millford Plantation and Roper House, both in South Carolina; Ayr Mount in North Carolina; the Baker House in New York City; and Cane Garden in the US Virgin Islands, as well as many others that he has had a hand in restoring throughout the United States. This uniquely personal account of the quest, the acquisition, the restoration and the furnishing of each property is instructive and entertaining. Along the way, he introduces the artisans, curators, furniture specialists, designers, antiquarians, preservationists and collectors who have played a part in his Adventures with Old Houses. This book serves as a beautiful

    During his long, astonishing life, he has succeeded at everything he attempted. College football letterman. Heroic lifeguard. Sports announcer. Movie star. Television host. Corporate spokesman. Governor. And finally, the greatest dream of all: President of the United States.Fully two-thirds of the images in this book have never been published before, and they offer us glimpses into the private man as well as the public icon. We see him as a little boy in his mother's Sunday-school class; welcoming home GIs with Bette Davis; helping his daughter prepare for a ballet recital, and celebrating the birth of his namesake with his wife Nancy. In a wonderful assortment of unseen images from his presidential library, we see every aspect of the President, from building a snowman with his grandson on the White House lawn to anguishing over the deaths of Marines in Beirut.No matter what one's politics, these images, and James Spada's evocative, balanced text, provide new insights into a man whose life embodies the promise of America.

    Known for her observant and beautifully illustrated books on the rivers, deserts, and mountains of the West, Ann Haymond Zwinger focuses here on her guiding principles as a naturalist as she "looks" with notebook and pencil, believing that "to know the world intimately is the beginning of caring."

    The amusing but poignant wartime memories of a F.A.N.Y, who lost a leg in the action and recieved a Croix de Guerre for her bravery,