Setting aside a straightforward narrative in favor of brief passages of vivid prose, Abigail Thomas revisits the pivotal moments and the tiny incidents that have shaped her life: pregnancy at 18; single motherhood (of three!) by the age of 26; the joys and frustrations of three marriages; and the death of her second husband, who was her best friend. The stories made of these incidents are startling in their clarity and reassuring in their wisdom.This is a book in which silence speaks as eloquently as what is revealed. Openhearted and effortlessly funny, these brilliantly selected glimpses of the arc of a life are, in an age of excessive confession and recrimination, a welcome tonic.

    Winner, Washington Post Book World"I am tempted to say he understands [Consilience] better than Wilson himself…A new emancipation proclamation in which he speaks again and again about how to defy the tyranny of scientific materialism" ---Colin C. Campbell, Christian Science Monitor"Berry takes a wrecking ball to E. O. Wilson's Consilience, reducing its smug assumptions regarding the fusion of science, art, and religion to so much rubble. --Kirkus ReviewsIn Life Is a Miracle, the devotion of science to the quantitative and reductionist world is measured against the mysterious, qualitative suggestions of religion and art. Berry sees life as the collision of these separate forces, but without all three in the mix we are left at sea in the world.

    Lewis brought together in one volume for the first time. As well as his many books, letters and poems, C.S. Lewis also wrote a great number of essays and shorter pieces on various subjects. He wrote extensively on Christian theology and the defence of faith, but also on various ethical issues and on the nature of literature and story-telling. In the ESSAY COLLECTION we find a treasure trove of Lewis's reflections on diverse topics.

    This new release of a cult classic shows the far reaching influence of self-publishing with contemporary popular indie culture and bridges the gap between sub-culture and the world at large.

    It was a moment when Mccain was increasingly perceived as a harbinger of change, the anticandidate whose goal was "to inspire young Americans to devote themselves to causes greater than their own self-interest." And many young Americans were beginning to take notice. To get at "something riveting and unspinnable and true" about John Mccain, Wallace finds he must pierce the smoke screen of spin doctors and media manipulators. And he succeeds-in a characteristically potent blast of journalistic brio that not only captures the lunatic rough-and-tumble of a presidential campaign but also delivers a compelling inquiry into John McCain himself: the senator, the POW, the campaign finance reformer, the candidate, the man.

    Karlheinz Stockhausen once asked the composer what his -secret- was: -I don't push the sounds around, - Feldman replied. His writings resemble his music in their quiet steadiness, their oscillations between assertion and doubt. They are also funny and illuminating, not only about his own music but about the entire New York School of painters, poets and composers that coalesced in the 1950s, including Feldman's friends Jackson Pollock, Philip Guston, Mark Rothko, Robert Rauschenberg, Frank O'Hara and John Cage. Give My Regards to Eighth Street is an authoritative collection of Feldman's writings, culled from published articles, program notes, LP liners, lectures, interviews and unpublished writings. It is one of those rare books from which anyone can draw inspiration, no matter what the vocation or discipline.

    From the blue-collar realism of his early writing to his expansive later stories, the cool-eyed intensity and steady witnessing of Carver's work remains an inspiration for readers and writers alike.Call If You Need Me traces the arc of Carver's career, not in the widely anthologized stories that have become classics, but through his uncollected fiction and his essays. Here are the five "last stories," discovered a decade after Carver's death. Also here are Carver's first published story, the fragment of an unfinished novel, and all of his nonfiction--from a recollection of his father to reflections on writers as varied as Anton Chekhov and John Gardner, Donald Barthelme and Sherwood Anderson. Call If You Need Me does not merely enhance the stature of a twentieth-century master; it invites us to travel with a singular artist, step by step, as he discovers what is worth saying and how to say it so it pierces the heart.

    Joyce Carol Oates has collected a group of works that are both intimate and important, essays that move from personal experience to larger significance without severing the connection between speaker and audience. From Ernest Hemingway covering bullfights in Pamplona to Martin Luther King, Jr.’s “Letter from Birmingham Jail,” these essays fit, in the words of Joyce Carol Oates, “into a kind of mobile mosaic suggest[ing] where we’ve come from, and who we are, and where we are going.” Among those whose work is included are Mark Twain, John Muir, T. S. Eliot, Richard Wright, Vladimir Nabokov, James Baldwin, Tom Wolfe, Susan Sontag, Maya Angelou, Alice Walker, Joan Didion, Cynthia Ozick, Saul Bellow, Stephen Jay Gould, Edward Hoagland, and Annie Dillard.Foreword / by Robert Atwan --Introduction / by Joyce Carol Oates --Corn-pone opinions / Mark Twain --Of the coming of John / W.E.B. Du Bois --Law of acceleration / Henry Adams --Stickeen / John Muir --Moral equivalent of war / William James --Handicapped / Randolph Bourne --Coatesville / John Jay Chapman --Devil baby at Hull-house / Jane Addams --Tradition and the individual talent / T.S. Eliot --Pamplona in July / Ernest Hemingway --Hills of Zion / H.L. Mencken --How it feels to be colored me / Zora Neale Hurston --Old stone house / Edmund Wilson --What are master-pieces and why are there so few of them / Gertrude Stein --Crack-up / F. Scott Fitzgerald --Sex Ex Machina / James Thurber --Ethics of living Jim Crow: an autobiographical sketch / Richard Wright --Knoxville: Summer of 1915 / James Agee --Figure a poem makes / Robert Frost --Once more to the lake / E.B. White --Insert flap "A" and throw away / S.J. Perelman --Bop / Langston Hughes --Future is now / Katherine Anne Porter --Artists in uniform / Mary McCarthy --Marginal world / Rachel Carson --Notes of a native son / James Baldwin --Brown wasps / Loren Eiseley --Sweet devouring / Eudora Welty --Hundred thousand straightened nails / Donald Hall --Letter from Birmingham jail / Martin Luther King, Jr. --Putting daddy on / Tom Wolfe --Notes on "Camp" / Susan Sontag --Perfect past / Vladimir Nabokov --Way to Rainy Mountain / N. Scott Momaday --Apotheosis of Martin Luther King / Elizabeth Hardwick --Illumination rounds / Michael Herr --I know why the caged bird sings / Maya Angelou --Lives of a cell / Lewis Thomas --Search for Marvin Gardens / John McPhee --Doomed in their sinking / William H. Gass --No name woman / Maxine Hong Kingston --Looking for Zora / Alice Walker --Women and honor: some notes on lying / Adrienne Rich --White album / Joan Didion --Aria: a memoir of a bilingual childhood / Richard Rodriguez --Solace of open spaces / Gretel Ehrlich --Total eclipse / Annie Dillard --Drugstore in winter / Cynthia Ozick --Okinawa: the bloodiest battle of all / William Manchester --Heaven and nature / Edward Hoagland --Creation myths of Cooperstown / Stephen Jay Gould --Life with daughters: watching the miss America Pageant / Gerald Early --Disposable rocket / John Updike --hey all just went away / Joyce Carol Oates --Graven images / Saul Bellow --Biographical notes --Appendix: Notable twentieth-century American literary nonfiction

    Her autobiographical poem My Life, a best-selling book of innovative American poetry, has garnered accolades and fans inside and outside academia. The Language of Inquiry is a comprehensive and wonderfully readable collection of her essays, and its publication promises to be an important event for American literary culture. Here, Hejinian brings together twenty essays written over a span of almost twenty-five years. Like many of the Language Poets with whom she has been associated since the mid-1970s, Hejinian turns to language as a social space, a site of both philosophical inquiry and political address.Central to these essays are the themes of time and knowledge, consciousness and perception. Hejinian's interests cover a range of texts and figures. Prominent among them are Sir Francis Bacon and Enlightenment-era explorers; Faust and Sheherazade; Viktor Shklovsky and Russian formalism; William James, Hannah Arendt, and Martin Heidegger. But perhaps the most important literary presence in the essays is Gertrude Stein; the volume includes Hejinian's influential "Two Stein Talks," as well as two more recent essays on Stein's writings.

    In Somebody Told Me, he offers the best of his work as a Pulitzer-Prize winning journalist writing the remarkable stories of others.For twenty years, Bragg has focused his efforts on the common man. So while some of these stories are about people whose names we know-such as Susan Smith, the South Carolina mother who drowned her two sons-most are people whose names we've never heard, people who have survived tornadoes and swamps, racism and bombs. In incisive, unadorned prose that is nonetheless strikingly beautiful, these pieces rise above journalism to become literature and show the triumph of the human spirit.

    In The Total Library, more than 150 of Borges' most brilliant pieces are brought together for the first time in one volume - all in superb new translations. More than a hundred of the pieces have never previously been published in English. The Total Library presents Borges at once as a deceptively self-effacing guide to the universe and as the inventor of a universe that is an indispensible guide to Borges.

    Full of stories, yet written in a condensed, imagistic language, his essays are works of the imagination where all the facts are verifiable. As entertaining as fiction and as vivid as poems, making unexpected stops in odd corners of the globe or forgotten moments in human history, erudite, politically engaged, and acerbically witty, there is nothing quite like his work in contemporary writing.In Karmic Traces, Weinberger's third collection from New Directions, twenty-four essays take the reader along on the author's personal travels from the Atacama Desert to Iceland to Hong Kong on the verge of the handover to China, as well as on imagined voyages in a 17th-century Danish ship bound for India and among strange religious cults or even stranger small animals. One never knows what will appear next: Viking dreams, Aztec rituals, Hindu memory, laughing fish, or prophetic dogs. And, in "The Falls", the long tour-de-force that closes the book, Weinberger recapitulates 3,000 years of history in a cascade of telling facts to uncover the deep roots of contemporary racism and violence.

    His column was called "Natural Acts," and for the next fifteen years he delighted Outside's readers with his fascinating ruminations on the world around us. The Boilerplate Rhino brings together twenty-six of Quammen's most thoughtful and engaging essays from that column, none previously printed in any of his earlier books. In lucid, penetrating, and often quirkily idiosyncratic prose, David Quammen takes his readers with him as he explores the world. His travels lead him to rattlesnake handlers in Texas; a lizard specialist in Baja; the dinosaur museum in Jordan, Montana; and halfway across Indonesia in search of the perfect Durian fruit. He ponders the history of nutmeg in the southern Moluccas, meditates on bioluminescent beetles while soaking in the waters of the Amazon, and delivers "The Dope on Eggs" from a chicken ranch near his hometown in Montana. Quammen's travels are always jumping-off points to explore the rich and sometimes horrifying tension between humankind and the natural world, in all its complexity and ambivalence. The result is another irrepressible assortment of ideas to explore, conundrums to contemplate, and wondrous creatures to behold.

    war on terrorism. A Book Sense 76 choice for November/December 2001 and Los Angeles Times "Discoveries" selection, Power Politics challenges the idea that only experts can speak out on such urgent matters as nuclear war, the privatization of India’s power supply by U.S.-based energy companies, and the construction of monumental dams in India.Arundhati Roy, the internationally acclaimed author of The God of Small Things, brings her keen novelist’s eye to her analysis of the tragic events of September 11 and the military response, starting with the U.S. bombing of Afghanistan.

    In a recent profile, The New York Times Magazine paid tribute to her amazing ability to combine the classical and the modern, the mundane and the surreal, in a body of work that is sure to endure.In Men in the Off Hours, Carson offers further proof of her tantalizing gifts. Reinventing figures as diverse as Oedipus, Emily Dickinson, and Audubon, Carson sets up startling juxtapositions: Lazarus among video paraphernalia, Virginia Woolf and Thucydides discussing war, Edward Hopper paintings illuminated by St. Augustine. And in a final prose poem, she meditates movingly on the recent death of her mother. With its quiet, acute spirituality and its fearless wit and sensuality, Men in the Off Hours shows us a fiercely individual poet at her best.

    This volume includes selections from her major works, including The Origins of Totalitarianism, Between Past and Future, Men in Dark Times, The Jew as Pariah, and The Human Condition, as well as many shorter writings and letters. Sections include extracts from her work on fascism, Marxism, and totalitarianism; her treatment of work and labour; her writings on politics and ethics; and a section on truth and the role of the intellectual.

    God is in the slums and in the cardboard boxes where the poor play house. God is in the debris of wasted opportunity and lives, and God is with us if we are with them. 6,500 Africans are still dying every day of a preventable, treatable disease, for lack of drugs we can buy at any drug store. This is not about charity, this is about Justice and Equality." --BonoThis small book, based upon the speech given by Bono at the 2006 NPB, delivers an inspiring and powerful message. Here, in Bono's own words, is a reflection on his own faith and a challenge to people of all faiths to reach across boundaries and come together on behalf of what the Scriptures call "the least of these."

    Hollibaugh is a lesbian sex radical, ex-hooker, incest survivor, gypsy child, poor-white-trash, high femme dyke. She is also an award-winning filmmaker, feminist, Left political organizer, public speaker, and journalist. My Dangerous Desires presents over twenty years of Hollibaugh’s writing, an introduction written especially for this book, and five new essays including “A Queer Girl Dreaming Her Way Home,” “My Dangerous Desires,” and “Sexuality, Labor, and the New Trade Unionism.” In looking at themes such as the relationship between activism and desire or how sexuality can be intimately tied to one’s class identity, Hollibaugh fiercely and fearlessly analyzes her own political development as a response to her unique personal history. She explores the concept of labeling and the associated issues of categories such as butch or femme, transgender, bisexual, top or bottom, drag queen, b-girl, or drag king. The volume includes conversations with other writers, such as Deirdre English, Gayle Rubin, Jewelle Gomez, and Cherríe Moraga. From the groundbreaking article “What We’re Rollin’ Around in Bed With” to the radical “Sex Work Notes: Some Tensions of a Former Whore and a Practicing Feminist,” Hollibaugh charges ahead to describe her reality, never flinching from the truth. Dorothy Allison’s moving foreword pays tribute to a life lived in struggle by a working-class lesbian who, like herself, refuses to suppress her dangerous desires. Having informed many of the debates that have become central to gay and lesbian activism, Hollibaugh’s work challenges her readers to speak, write, and record their desires—especially, perhaps, the most dangerous of them—“in order for us all to survive.”

    The New Yorker has met this challenge more successfully and more originally than any other modern American journal. It has indelibly shaped the genre known as the Profile. Starting with light-fantastic evocations of glamorous and idiosyncratic figures of the twenties and thirties, such as Henry Luce and Isadora Duncan, and continuing to the present, with complex pictures of such contemporaries as Mikhail Baryshnikov and Richard Pryor, this collection of New Yorker Profiles presents readers with a portrait gallery of some of the most prominent figures of the twentieth century. These Profiles are literary-journalistic investigations into character and accomplishment, motive and madness, beauty and ugliness, and are unrivalled in their range, their variety of style, and their embrace of humanity.Including these twenty-eight profiles:"Mr. Hunter's Grave" by Joseph Mitchell "Secrets of the Magus" by Mark Singer "Isadora" by Janet Flanner "The Soloist" by Joan Acocella "Time . . . Fortune . . . Life . . . Luce" by Walcott Gibbs "Nobody Better, Better Than Nobody" by Ian Frazier "The Mountains of Pi" by Richard Preston "Covering the Cops" by Calvin Trillin "Travels in Georgia" by John McPhee "The Man Who Walks on Air" by Calvin Tomkins "A House on Gramercy Park" by Geoffrey Hellman "How Do You Like It Now, Gentlemen?" by Lillian Ross "The Education of a Prince" by Alva Johnston "White Like Me" by Henry Louis Gates, Jr. "Wunderkind" by A. J. Liebling "Fifteen Years of The Salto Mortale" by Kenneth Tynan "The Duke in His Domain" by Truman Capote "A Pryor Love" by Hilton Als "Gone for Good" by Roger Angell "Lady with a Pencil" by Nancy Franklin "Dealing with Roseanne" by John Lahr "The Coolhunt" by Malcolm Gladwell "Man Goes to See a Doctor" by Adam Gopnik "Show Dog" by Susan Orlean "Forty-One False Starts" by Janet Malcolm "The Redemption" by Nicholas Lemann "Gore Without a Script" by Nicholas Lemann "Delta Nights" by Bill Buford

    In Beyond the Game, Gary Smith has brought together his greatest stories, from the inspiring account of basketball coach Jim Valvano's courageous battle against cancer, to an unforgettable tale of a remote valley in Bolivia that plays host to an unusual annual ritual in which the men of rival villages engage in a riotous all-day fistfight. Beyond the Game is not only a collection of great sportswriting; it is a collection of great writing, period. Each of Smith's stories -- of dreams and fears, failure and triumph, self-destruction and salvation -- will profoundly touch you and remain with you long after you have closed the pages of the book.

    Whether he is writing of Zionism or Palestinian self-determination, Jane Austen or Yeats, music or the media, Said's uncompromising intelligence casts urgent light on every subject he undertakes. The Edward Said Reader will prove a joy to the general reader and an indispensable resource for scholars of politics, history, literature, and cultural studies: in short, of all those fields that his work has influenced and, in some cases, transformed.

    Masterful essays that illuminate not only how we die but also how we live.Thomas Lynch, poet, funeral director, and author of the highly praised The Undertaking, winner of an American Book Award and finalist for the National Book Award, continues to examine the relations between the "literary and mortuary arts."

    Ever refusing to be marginalized or categorized by genre, Maso is an incisive, compassionate writer who deems herself daughter of William Carlos Williams, a pioneer in combining poetry and fiction with criticism, journalism, and the visual arts. She is daughter, too, of Allen Ginsberg, who also came from Paterson, New Jersey. Known for her audacity, whether exploring language and memory or the development of the artistic soul, Maso here gives us a form-challenging collection, intelligent, and persuasive.

    Bush.* the Secrets of the Little Blue Box, the classic story of "Captain Crunch" and the birth of hacker culture.* the "unorthodox" cancer-cure clinics of Tijuana.* the Great Ivy League Nude Posture Photo Scandal.* the unsolved murder of JFK's mistress.* Also including sharp, funny cultural critiques that range from Elvis to Elisabeth KÜbler-Ross, Bill Gates to Oliver Stone, and J.D. Salinger to the Zagat® guide, The Secret Parts of Fortune is a vital record of American culture.

    Includes a new Introduction by Ward Just.

    Fisher" (Connoisseur). From nineteenth-century famine-struck Ireland to the India of the British Raj, from the bachelor's kitchen to the Italian cucina, Thorne is an entertaining, erudite, and inventive guide to culinary adventuring and appreciation.

    Lewis also wrote a great number of essays and shorter pieces on various subjects. He wrote extensively on Christian theology and the defence of faith, but also on various ethical issues and on the nature of literature and story-telling. This second volume (of two) collects together all Lewis's religious essays. Grouped together by topic, there are over 50 essays covering the search for God, aspects of faith, the Christian in the world, the church, and also a selection of his letters on the subject of Christianity.

    

    This collection presents the best of Reilly: unforgettable sporting moments, favorite columns, and unpublished pieces.

    With gorgeous and direct language, she presents a compassionate appeal for human equality and dignity, and she addresses the place of solitude in the lives of women and men. Solitude of Self joins the canon of classic American speeches. Elizabeth Cady Stanton’s timeless appeal presents the historical convergence between the 19th and the 21st centuries. In this last speech, Stanton proves that while many rights have been gained over the past century, inequality and degradation of the soul continue to thrive. For those opposed to the "glass ceilings" covering our culture, Solitude of Self will be a perfect gift of inspiration and comfort.

    Ramanujan has been recognized as the world's most profound scholar of South Asian language and culture. This book brings together for the first time, thirty essays on literature and culture written by Ramanujan over a period of four decades. It is the product of the collaborative effort of a number of his colleagues and friends. Each section is prefaced by a brief critical introduction and the volume includes notes on each essay as well as a chronology of Ramanujan's books and essays.

    No other book examined such disturbing cultural extremes, and no other book looked at the dark sides of society within the framework of the apocalypse. In the intervening 12 years, it has become clear that Apocalypse Culture inspired a new genre of cultural commentary that has been embraced by both independent and large mainstream publishers and eagerly sought after by the culture at large. Among its fans is X-Files creator Chris Carter.Now Adam Parfrey offers a follow-up to that first book. Apocalypse Culture II is an entirely new collection of essays that reflect the most recent revelations of the New World Order. Through the extremes of postmodern culture it details the moral disintegration of the old world. Essays cover biological warfare, taboo art, sexual fetishism, mind control for corporate gain, government sex-slavery, creepy superstars, and more.

    With his finger ever on the pulse of America, Ginsberg was consistently outspoken and passionate about his beliefs. Whether criticizing the American government, protesting the proliferation of nuclear weapons or the waging of war in Vietnam, or denouncing the injustice of capitalists Ginsberg gave voice to a moral conscience of the nation. His views on free speech and the drug, culture, his quest for inner peace, the creation of the Beat generation, and his innovative poetics reflect the, concerns of a postwar American culture that he helped shape.Arranged by subject, these essays offer a fascinating counterpoint to Allen Ginsberg's poems. Hey are provocative, playful, eloquent, and of the moment. In the section titled "Politics and Prophecies," Ginsberg takes on everyone from the Federal Drug Administration to the Pentagon to the Hell's Angels. Included here are his notes on how to make march/spectacle (drawn up in 1965 when a march was planned at Berkeley to support the cause of peace in Vietnam and to protest the draft), and his thoughts on how the raging issues of the day'China, Vietnam, and the 1968 Democratic National Convetion in Chicago. In another section, "Censorship and Sex Laws," Ginsberg's pieces demonstrate the strength of his belief in the right to free speech, which leads him to defend NAMBLA (North America Man Boy Love Association), comedian Lenny Bruce, and writer William S. Burroughs, author of Naked Lunch. Ginsberg's essays on "Writers" focus on those he particularly admired, including William Blake. Walt Whitman, Gregory Corso, Jack Kerouac, and Robert Creely. Through a combination of literary criticism and personal reflection, Ginsberg illuminates the life and work of these artists. Also, profiled are such influential figures as jean Genet, W. H. Auden, John Lennon and Yoko Ono, Andy Warhol, Robert Frank, and Philip Glass, artists whose work and sensibility deeply affected him.Personal as well as political, Deliberate Prose is more than a collection of essays from one of the greatest cultural figures of our time. It is also a social history of modern America that reminds us of the events and issues that preoccupied the minds of a nation in the postwar years.

    He was constitutionally incapable of writing with the opacity of the specialist, but these shorter, more introductory pieces provide the perfect starting-point for the reader new to his work. Those who are already familiar with his writing will also be grateful for this further addition to his collected essays.The connecting theme of these essays, as in the case of earlier volumes, is the crucial social and political role--past, present and future--of ideas, and of their progenitors. A rich variety of subject-matters is represented--from philosophy to education, from Russia to Israel, from Marxism to romanticism--so that the truth of Heine's warning is exemplified on a broad front. It is a warning that Berlin often referred to, and provides an answer to those who ask, as from time to time they do, why intellectual history matters.Among the contributions are My Intellectual Path, Berlin's last essay, a retrospective autobiographical survey of his main preoccupations; and Jewish Slavery and Emancipation, the classic statement of his Zionist views, long unavailable in print. His other subjects include the Enlightenment, Giambattista Vico, Vissarion Belinsky, Alexander Herzen, G.V. Plekhanov, the Russian intelligentsia, the idea of liberty, political realism, nationalism, and historicism. The book exhibits the full range of his enormously wide expertise and demonstrates the striking and enormously engaging individuality, as well as the power, of his own ideas.Over a hundred years ago, the German poet Heine warned the French not to underestimate the power of ideas: philosophical concepts nurtured in the stillness of a professor's study could destroy a civilization.--Isaiah Berlin, Two Concepts of Liberty, 1958

    As The New York Times proclaimed, “Despite the rigorous structure that undergirds her work—or more likely, because of it—Ms. Christensen’s style is lyrical, even playful.” The same could be said of Christensen’s essays. Here, she formulates with increasing clarity the basis of her approach to writing, and provides insights into how she composed specific poetry volumes. Some essays are autobiographical (with memories of Christensen’s school years during the Nazi occupation of Denmark), and others are political, touching on the Cold War and Chernobyl. The Condition of Secrecy also covers the Ars Poetica of Lu Chi (261-303 CE); William Blake and Isaac Newton; and such topics as randomness as a universal force and the role of the writer as an agent of social change. The Condition of Secrecy confirms that Inger Christensen is “a true singer of the syllables” (C. D. Wright), and “a formalist who makes her own rules, then turns the game around with another rule” (Eliot Weinberger).

    His family is another inspiration. You Can't Kill the Rooster is a portrait of his brother, who talks incessant hip-hop slang to his bewildered father. And no one hones a finer fury in response to such modern annoyances as restaurant meals presented in ludicrous towers of food and cashiers with six-inch fingernails.

    Delany brings his remarkable intellectual powers to bear on a wide range of topics. Whether he is exploring the deeply felt issues of identity, race, and sexuality, untangling the intricacies of literary theory, or the writing process itself, Delany is one of the most lucid and insightful writers of our time. These essays cluster around topics related to queer theory on the one hand, and on the other, questions concerning the paraliterary genres: science fiction, pornography, comics, and more. Readers new to Delany's work will find this collection of shorter pieces an especially good introduction, while those already familiar with his writing will appreciate having these essays between two covers for the first time.

    Krishnan (1913-86) was a naturalist known for his prose style, his learning, and his astonishingly wide range of interests. For nearly 60 years he wrote columns, essays, sketches, and jeremiads on the ecology and culture of the subcontinent. As a chronicler of the natural world Krishnan was unequalled, yet his work is to be found, for the most part, only in old and inaccessible newspapers and magazines. This collection showcases some of his finest essays, on large mammals, little creatures, nature in temples and folklore, nature's desecration and its conservation. It also contains a lovely cricket story and some essays on the history of Tamil poetry, and the editor provides a biographical introduction.

    Turn to the page that sounds the most interesting to you.Read a sentence or two.Repeat the process. Read this book as a creative act, and feel encouraged.'39 Microlectures: In Proximity of Performance is a collection of miniature stories, parables, musings and thinkpieces on the nature of reading, writing, art, collaboration, performance, life, death, the universe and everything. It is a unique and moving document for our times, full of curiosity and wonder, thoughtfulness and pain. Matthew Goulish, founder member of performance group Goat Island, meditates on these and other diverse themes, proving, along the way, that the boundaries between poetry and criticism, and between creativity and theory, are a lot less fixed than they may seem. The book is revelatory, solemn yet at times hilarious, and genuinely written to inspire - or perhaps provoke - creativity and thought.

    August Wilson's radical and provocative call to arms.

    From a first reading of Beckett and Faulkner at the feet of an inspirational high-school English teacher to a meeting of the P. G. Wodehouse Society, from an obsession with Nabokov's Lolita to the discovery of the Japanese epic The Tale of Genji, these essays chronicle a lifetime of literary enjoyment.The crime of his life --The quest for Scrivener --Talismans --Maxims, etc. --Heart of the matter --Bookman's Saturday --Supplementary materials --Listening to my father --Romantic scholarship --Weekend with Wodehouse --An abecedary --Mr. Wright --Heian holiday --Childhood's end --The one and the many --Commencement advice --Four novels and a memoir --The October country --Bookish fantasies --Pages on life's way --A garland for Max --Read at whim! --Comedy tonight --Light of other days --Data daze --Four-leaf clovers --Sez who? --Lament for a maker --Clubland --The learning channels --Guy Davenport --Eros by any other name --Frank confessions --Mememormee --Tomes for tots --Three classics --Vacation reading --One more modest proposal --Shake scenes --After strange books --Awful bits --Turning 50 --Blame it on books --On the road not taken --Excursion --Millennial readings

    The exhilarating essays collected here include justly celebrated masterpieces - on Mansfield Park and on "Why We Read Jane Austen"; on Twain, Dos Passos, Hemingway, Isaac Babel; on Keats, Wordsworth, Eliot, Frost; on "Art and Neurosis"; and the famous Preface to Trilling's book The Liberal Imagination.

    For the past twenty years, Australian philosopher and professor of bioethics Peter Singer has pushed the hot buttons of our collective conscience. In addition to writing the book that sparked the modern animal rights movement, Singer has challenged our most closely held beliefs on the sanctity of human life, the moral obligation's of citizens of affluent nations toward those living in the poorest countries of the world, and much more, with arguments that intrigue as often and as powerfully as they incite.Writings On An Ethical Life offers a comprehensive collection of Singer's best and most provocative writing, as chosen by Singer himself. Among the controversial subjects addressed are the moral status of animals, environmental account-ablility, abortion, infanticide, euthanasia, and the ultimate choice of living an ethical life. This book provides an unsurpassed one-volume view of both the underpinnings and the applications of Singer's governing philosophy.

    The anthology includes renowned writers like Kathy Acker, Dennis Cooper, Nicole Brossard, Daphne Marlatt, Lydia Davis and Kevin Killian, writers who have spent years pondering the meaning of storytelling and how storytelling functions in our culture, as well as presenting a new generation of brilliant thinkers and writers, like Christian Bök, Corey Frost, Derek McCormack and Lisa Robertson.Contemporizing the friendly anecdotal style of Montaigne and written by daring writers of different ages, of different origins, from many different regions of the continent, from Mexico to Montreal, these essays run the gamut of mirth, prose poetry, tall tales and playful explorations of reader/writer dynamics. They discuss aesthetics founded on new explorations in the field of narrative, the mystery that is the body, questions of how representation may be torqued to deal with gender and sexuality, the experience of marginalized people, the negotiation between different orders of time, the 'performance' of outlaw subject matter.Brave, energetic and fresh, Biting the Error tells a whole new story about narrative.Biting the Error is edited by Mary Burger, Robert Glück, Camille Roy and Gail Scott, the co-founders of the Narrativity Website Magazine, based at the Poetry Center, San Francisco State University.

    Gordon Wasson, Jack Kornfield, Terence McKenna, the Shulgins, Rick Strassman, and others • Explores the importance of academic and religious freedom in the study of psychedelics and the mind • Exposes the need for an organized spiritual context for entheogen use in order to fully realize their transformative and sacred value We live in a time when a great many voices are calling for a spiritual renewal to address the problems that face humanity, yet the way of entheogens--one of the oldest and most widespread means of attaining a religious experience--is forbidden, surrounded by controversy and misunderstanding. Widely employed in traditional shamanic societies, entheogens figure prominently in the origins of religion and their use continues today throughout the world. They alter consciousness in such a profound way that, depending on the set and setting, they can produce the ultimate human experiences: union with God or revelation of other mystical realities. With contributions by Albert Hofmann, Terence McKenna, Ann and Alexander Shulgin, Thomas Riedlinger, Dale Pendell, and Rick Strassman as well as interviews with R. Gordon Wasson and Jack Kornfield, this book explores ancient and modern uses of psychedelic drugs, emphasizing the complementary relationship between science and mystical experience and the importance of psychedelics to the future of religion and society. Revealing the mystical-religious possibilities of substances such as psilocybin mushrooms, mescaline, and LSD, this book exposes the vital need for developing an organized spiritual context for their use in order to fully realize their transformative and sacred value. Stressing the importance of academic and religious freedom, the authors call for a revival of scientific and religious inquiry into entheogens so they may be used safely and legally by those seeking to cultivate their spiritual awareness.

    Book Club edition containing the three cpmplete works of Crisp's New York Diaries.

    This major collection of writings draws primarily upon two long out-of-print books--Metaphors on Vision and Brakhage Scrapbook. Brakhage examines filmmaking in relation to social and professional contexts, the nature of influence and collaboration, the aesthetics of personal experience, and the conditions under which various films were made. Brakhage discusses his predecessors and contemporaries, relates film to dance and poetry, and in "A Moving Picture Giving and Taking Book" provides a manual for the novice filmmaker. Lectures, interviews, essays, and manifestos document Brakhage's personal vision and public persona.

    Whether discussing Bach, Mozart, Beethoven, Schubert, Liszt, Schoenberg, or other pianists, his reflections will prove invaluable to serious piano players and listeners alike.

    After all it can’t be easy to be sixteen with a hairless “undistinguishable from that of a five year old’s.”This wonderfully entertaining memoir is a touching and humorous look at life in New York City. But this is life for an author who can proclaim “my first sexual experience was rather old-fashioned: it was with a prostitute”–an author who can talk about his desire to be a model for the Hair Club for Men and about meeting his son for the first time. Often insightful, sometimes tender, always witty and self-deprecating, What’s Not to Love? is an engaging memoir from one of our most funny, most daring writers.

    Among those whom John Ashbery reads at such times are John Clare, Thomas Lovell Beddoes, Raymond Roussel, John Wheelwright, Laura Riding, and David Schubert. Less familiar than some, under Ashbery's scrutiny these poets emerge as the powerful but private and somewhat wild voices whose eccentricity has kept them from the mainstream--and whose vision merits Ashbery's efforts, and our own, to read them well.Deeply interesting in themselves, Ashbery's reflections on these poets of another tradition are equally intriguing for what they tell us about Ashbery's own way of reading, writing, and thinking. With its indirect clues to his work and its generous and infectious appreciation of a remarkable group of poets, this book conveys the passion, delight, curiosity, and insight that underlie the art and craft of poetry for writer and reader alike. Even as it invites us to discover the work of poets in Ashbery's other tradition, it reminds us of Ashbery's essential place in our own.

    Bringing together tobacco from the New World and spices from the Old, kretek is a product of extraordinary historical circumstances.

    200+ illustrations.

    The book speaks about how society and the present political climate help mold the current bida sa pelikula to embody the dreams, aspirations, and hopes of a people and their country.

    Every new book becomes a best-seller, and every book gains him more fans. Despite this — or perhaps because of it — he has not been taken seriously by critics, even though some reviewers have, as he has said, "accused him of literature". This collection of studies covers the whole range of Pratchett's writings, from The Carpet People to The Fifth Elephant, and includes essays by critics such as John Clute and Andy Sawyer, and children's author Cherith Baldry. Introduction by David Langford.

    Each dazzling full-color photograph, many of them new for this tenth anniversary edition, is paired with an original quote or newly selected classic quote about nature, the environment, or America's national parks. Includes a new foreword by former Yosemite National Park superintendent Mike Tollefson and the insights of writers, scientists, poets, and leaders such as:David BrowerGary SnyderRachel CarsonBernard DevotoJohn MuirAlbert EinsteinDiane AckermanTerry Tempest WilliamsEdward AbbeyFranklin D. RooseveltFyodor DostoevskyCedric WrightMarcel ProustShelton JohnsonJulia ParkerPete HamillSir John LubbockDayton DuncanRobinson JeffersMargaret EisslerWallace StegnerRalph Waldo EmersonHenry David ThoreauBaba DioumMargaret MurieRainer Maria Rilke

    A rich array of never-before-seen Nabokovia: novels, stories, poems, autobiography, interviews, diaries, and more, plus scientific and fanciful drawings by Nabokov and photographs of him in the field. The text--the richest and most varied assemblage of Nabokov's writing's available--is arranged chronologically and introduced by Brian Boyd and Robert Michael Pyle

    Book by Horn, Roni

    The book is arranged in four sections. The first gathers essays on the work of poets and blues and jazz musicians influential to Komunyakaa's work, from Langston Hughes and Etheridge Knight to Ma Rainey and Thelonious Monk; the second collects a gallery of Komunyakaa's poems and the poet's commentary about each of them. The third selects interviews that reveal the development of the poet's aesthetic sensibility. The final section consists of four artistic explorations that reflect the poet's current interests. Two of of these texts, "Tenebrae" and "Buddy's Monologue," have been recently performed.As editor Radiclani Clytus makes clear in the volume's introductory essay, although Komunyakaa's poetry has its roots in the stylistic innovations of early twentieth-century American modernists, his writing often reflects his understanding that a "black" experience should not particularize the presentation of one's art. This volume, according to the editor, is an attempt to understand Komunyakaa's critical eclecticism within the context of his own words.Yusef Komunyakaa's books of poetry include I Apologize for the Eyes in My Head, Magic City, Thieves of Paradise, and Neon Vernacular, for which he received the Pulitzer Prize and the Kingsley Tufts Poetry Award in 1994.

    This anthology of G�mez-Pe�a's performance chronicles, diary entries, poems, essays, and texts, sheds an extraordinary light on the life and work of this migrant provocateur.

    Tolkien brought to his fiction an intense interest in myth and legend. When he died in 1973, he left behind a vast body of unpublished material related to his fictive mythology. Now edited and published as The History of Middle-earth by his son and literary executor, Christopher Tolkien, these 12 volumes provide a record of the growth of J.R.R. Tolkien's mythology from its beginnings in 1917 to the time of his death more than 50 years later. The material in these volumes offers an unparalleled insight into Tolkien's process of myth-making and is a guide to the world of his literary works. This book is the first comprehensive critical examination of Christopher Tolkien's compilation of his father's Middle-earth legends.An opening essay by Rayner Unwin, Tolkien's publisher for many years, surveys the publication history of the collection. The essays that follow, each written by an expert contributor, explore a wide range of topics related to The History of Middle-earth. Included are discussions of Tolkien's languages, the evolution of his vision over time, the shifting importance of central characters, and the effect of his mythology on The Lord of the Rings. By exploring this mythological compendium, the volume sheds further light on the entire body of J.R.R. Tolkien's works and is a valuable resource for all readers interested in his writings.

    Featuring 16 Nobel Peace Prize laureates and such visionaries as Nelson Mandela, Cesar Chavez, Mother Teresa, Dr. C. Everett Koop, Thich Nhat Hanh, Elie Wiesel, Archbishop Desmond Tutu, Coretta Scott King, Robert Redford, and more, the book profiles figures often working at the very nucleus of bitter conflicts. 100 black-and-white photos are included. "Architects of Peace honors a broad, eclectic mix of people whose efforts have enriched our planet." — San Francisco Chronicle

    This anthology of Burke’s speeches, letters, and pamphlets, selected, introduced, and annotated by David Bromwich, shows Burke to be concerned with not only preserving but also reforming the British empire.Bromwich includes eighteen works of Burke, all but one in its complete form. These writings, among them the “Speech on Conciliation with the American Colonies,” A Letter to the Sheriffs of Bristol, the “Speech at Guildhall Previous to the Election” of 1780, the “Speech on Fox’s India Bill,” A Letter to a Noble Lord, and several private letters, demonstrate the depth of Burke’s efforts to reform the empire in India, America, and Ireland. On these various fronts he defended the human rights of native peoples, the respect owed to partners in trade, and the civil liberties that the empire was losing at home while extending its power abroad.

    Instead Hitchens argues that when all parties in the state were agreed on a matter, it was the individual pens that created the space for a true moral argument.

    The home and museum features work by masters such as Raphael, Coanova, Bernini, and Caravaggio. This guidebook leads the reader room by room, describing each work of art along with its symbolism and cultural references. Also included are hundreds of color reproductions and commentary on each piece.

    

    She offers advice to young economists, offering models from the old; and she lambastes the middle-aged who have allowed economics to become, as she puts it with characteristic verve, "a boys' game in a sandbox." McCloskey deploys her wit and style to serious purpose: to bring economics back to science.Anyone can learn about the field of economics from How to Be Human. She can learn how economics works as a discipline and as a piece of sociology, who the heroes are and the villains, how a career in economics relates to matters of ethics and epistemology. She can learn what it is like to be a new woman in a boys' subject, a subject that avoids at all costs the word "love."During the 1990s Deirdre McCloskey established herself as the main internal critic of the economic mainstream. Her quarterly columns in the Eastern Economic Journal, many of which are collected here, have become a handbook for reform. Trained in economics herself, she knows the normal science of the field from the inside: she has done it as a distinguished economic historian; and has watched it work from the faculties of Chicago (for twelve years) and Iowa (for nineteen), and now at the University of Illinois at Chicago.Her criticism from the inside is that the two methods on which economics has depended since the 1940s--existence-theorem mathematics and significance-testing statistics--are nonsense. They have, she claims, nothing to do with economic science, and have massively diverted economists from finding out how the economy works.McCloskey's book is written for anyone interested in economics, whether trained in it or not--anyone who cares about the economy but is not taken in by the boys' game.Deirdre McCloskey is University Professor of the Human Sciences, University of Illinois at Chicago.

    Lawrie Balfour advances the political discussion of Baldwin's work, and regards him as a powerful political thinker whose work deserves full consideration.Baldwin's essays challenge appeals to race-blindness and formal but empty guarantees of equality and freedom. They undermine white presumptions of racial innocence and simultaneously refute theories of persecution that define African Americans solely as innocent victims. Unsettling fixed categories, Baldwin's essays construct a theory of race consciousness that captures the effects of racial identity in everyday experience.Balfour persuasively reads Baldwin's work alongside that of W. E. B. Du Bois to accentuate how double consciousness works differently on either side of the color line. She contends that the allusiveness and incompleteness of Baldwin's essays sustains the tension between general claims about American racial history and the singularity of individual experiences. The Evidence of Things Not Said establishes Baldwin's contributions to democratic theory and situates him as an indispensable voice in contemporary debates about racial injustice.

    The volume includes nine poems by Armantrout and critical essays by Lyn Hejinian, Laura Moriarty, Aldon Nielsen, Rachel Blau DuPlessis, Brenda Hillman, Fanny Howe, Ann Vickery, Susan Wheeler, and others. Armantrout has published seven books of poetry, including Extremities, The Invention of Hunger, Couverture, PRECEDENCE, NECROMANCE, MADE TO SEEM and WRITING THE PLOT ABOUT SETS (available from SPD). See also Armantrout, Rae entry.

    

    This is a riveting collection of writings by fabulously independent thinkers giving weight to the sacred premise "obey little, resist much"

    This collection of her letters—the first ever published—has been culled from the estimated ten thousand she wrote during her long life. The more than two hundred selected letters follow this spirited author, critic, and journalist from her first feminist campaign for woman suffrage when she was a teenager through her reassessments of the twentieth century written in 1982, in her ninetieth year.The letters, which are presented in full, include correspondence with West's famous lover H. G. Wells and with Shaw, Virginia Woolf, Emma Goldman, Noël Coward, any many others; offer pronouncements on such contemporary authors as Norman Mailer, Nadine Gordimer, and Arthur Schlesinger, Jr.; and provide new insights into her battles against misogyny, fascism, and communism. West deliberately fashions her own biography through this intensely personal correspondence challenging rival accounts of her groundbreaking professional career, her frustratinglove life, and her tormented family relations. Engrossing to read, the collection sheds new light on this important figure and her social and literary milieu. About the Author: Bonnie Kim Scott is a professor and director of graduate studies in English at the University of Delaware.

    As the artistic director of the Royal Shakespeare Company, the National Theatre and the Old Vic, he has directed the greatest actors of our time in numerous seminal interpretations of Shakespeare and the Classics.In his latest work, Sir Peter Hall ranges over the extraordinary history of world drama to find the common experiences that are able to create the theatrical form. This series of 4 lectures were delivered at Trinity College in Cambridge as part of the famed Clark lectures which began in the nineteenth century.The argument of the lectures is that theatre is only created when emotions are contained by a form. That very form paradoxically gives freedom of expression. Thus the Greek mask enables the actor to express hysteria. The mask, whether it may be the actual physical mask on the face, or the form of the drama itself, makes expression possible. Shakespeare’s verse is his mask. Mozart’s sonata is his. And Beckett and Pinter (by the metaphors of their plays) have brought poetry back to the theatre. Without form there can be no freedom.Peter Hall is currently in Denver, Colorado, in rehearsals for the world premiere production of Tantalus, a 15 hour, 10 play cycle based on Greek tragedy to open at the Denver Center Theatre in October 2000.

    The first two volumes span the most productive period of Huxley's career. Volume I begins with his essays for Gilbert Murray's Athenaeum and his music essays for the New Westminster Gazette. Volume II continues through the 1920s and includes his controversial essays on India and the empire in "Jesting Pilate." The essays of both volumes range from nuanced assessments of art and architecture to political analyses, history, science, religion, and art, and a newly discovered series on music. Wide-ranging, allusive, and witty, they are informed by the probing skepticism of a highly educated and ironically incisive member of the English upper middle class. Huxley's fascination with the codes and conventions of European culture, his growing apprehensions about the menacing collapse of the European political order, and his awareness of the impact of science and technology on the post-Versailles world of England, France, Germany, and the United States form the basis for his critique. His subjects overlap with the satirical novels he wrote during the period between the wars, culminating in Point Counter Point and Brave New World. At their best, these essays stand among the finest examples of the genre in modern literature.

    In this article, Professor Kenji Yoshino seeks to explain why the category of bisexuality has been erased in contemporary American political and legal discourse.

    The two areas combine to lay the groundwork for a naturalistic philosophy of mind. The essays focus on perception, knowledge, and consciousness. Together, they show the interconnectedness of Dretske's work in epistemology and his more contemporary ideas on philosophy of mind, shedding light on the links that can be made between the two. This collection will be a valuable resource for a wide range of philosophers and their students, and will also be of interest to cognitive scientists, psychologists, and philosophers of biology.

    The language in which we speak about art has become steadily more abstruse, a jargon that only art critics and con-artists can understand, though for thousands of years this was not the case. Today, we live in a kaleidoscopic new world of images: Is there a vocabulary we can learn in order to read these images? Is there something we can do so as not to remain passive when we flip through an illustrated book, or download images on a screen? Are there ways in which we can "read" the stories within paintings, monuments, buildings and sculptures? We say "every picture tells a story" - but does it?Taking a handful of extraordinary images - photographed, painted, built, sculpted - Alberto Manguel explores how each one attempts to tell a story that we, the viewer, must decipher or invent. A History of Love and Hate is not about art history or theory - it is about the astonishing pleasures and surprises of stories.

    Displaying a dazzling array of fine art and material culture, Made in California challenges us to reexamine the ways in which the state has been portrayed and imagined. Unusually inclusive, visually intriguing, and beautifully produced, this volume is a delight throughout—both in image and in text—and will appeal to anyone who has lived in, visited, or imagined California.Drawn from the exhibition, which gathers more than 1,200 artworks and pieces of ephemera from many public and private collections, Made in California is an image-driven look at the past century, featuring more than 400 works in a range of media, from painting, sculpture, prints, drawings, and photographs to furniture, fashion, and film. The book also includes more than 150 cultural artifacts such as tourist brochures, posters, labor union tracts, personal letters, and government reports that convey the richness and complexity of twentieth-century California. Arranged provocatively by theme, these objects take us on a visual tour of a state that was promoted as a bountiful paradise early in the century; as a glamour capital by Hollywood in the 1920s and 1930s; as a suburban utopia in the late '40s and '50s; as a haven for counterculture in the '60s and '70s, and as a multicultural frontier in the '80s and '90s. The book's exploration of how these themes were reflected and contested in California's visual culture deepens our understanding of the state's artistic traditions as well as its fascinating history.The volume is divided into five twenty-year sections, each including a narrative essay discussing the history of that era and highlighting topics particularly relevant to its visual culture. Two overarching themes emerge that have been crucial for how we imagine and understand California: first, the landscape, including both the natural and built environment, and second, the multifaceted relationships California has had with Latin America and Asia.Geographer Michael Dear has contributed a sweeping overview of the social history of California that examines the vibrant and sometimes turbulent conditions out of which the culture emerged. Essayist Richard Rodriguez closes the volume with a uniquely personal meditation on the Golden State.

    With loving attention to detail and a fine sense of historical context, Carlo Rotella explores women's boxing in Erie, Pennsylvania; Buddy Guy and the blues scene in Chicago; police work and crime stories in New York City, especially as they converged in the making of the movie The French Connection; and attempts at urban renewal in the classic mill city of Brockton, Massachusetts. Navigating through accrued layers of cultural, economic, and personal history, Rotella shows how stories of city life can be found in a boxing match, a guitar solo, a chase scene in a movie, or a landscape. The stories he tells dramatize the coming of the postindustrial era in places once defined by their factories, a sweeping set of changes that has remade the form and meaning of American urbanism.A native of the Rust Belt whose own life resonates with these stories, Rotella has gone to the home turfs of his characters, hanging out in boxing gyms and blues clubs, riding along with cops and moviemakers, discussing the future of Brockton with a visionary artist and a pitbull-fancying janitor who both plan to save the city's soul. These people make culture with their hands, and hands become an expressive metaphor for Rotella as he traces the links between their individual talents and the urban scenes in which they flourish. His writing elegantly connects what happens on the street to the larger story of urban transformation, especially the shift from a way of life that demanded individuals be "good with their hands" to one that depends on the intellectual and social skills fostered by formal education and service work.Strong feelings emerge in this book about what has been lost and gained in the long, slow aging-out of the industrial city. But Rotella's journey through the streets has its ultimate reward in discovering deep-rooted instances of what he calls "truth and beauty in the Rust Belt."

    In her essays, as with her Pulitzer Prize-winning poetry, Mazine Kumin speaks to "the encounter": with poetry, poets, and the details of country life. In clear, direct prose she is equally at ease musing over her garden or discussing poetic form, raising horses or critiquing the work of other poets. For Kumin, poetry is inseperable from daily life. "The prose is highly readable, full of humor and insight, and each essay brims with a kind of grace. Highly recommended" -- Library Journal.

    He is best known as an artist who works with books, and more specifically with the texts he loves. He has illustrated legions of children's books, adult books and poetry collections. And as works of art they have been embraced by children, adults and librarians for over three decades. But he started life as a modest lad, learning letterpress and how type should look on the page, engraving the end-grain of boxwood (when it could still be obtained) and perfecting the art of watercolor to the point where he could illuminate anything from the words of Br'er Rabbit to the poetry of Donald Hall and Richard Wilbur. His most recent project, illustrating the entire Bible, has occupied him for years and this magnum opus has just been published, to national attention.But it is his writing that occupies pride of place in this book, and as a writer Moser is as passionate and as engaged (and engaging) as he is as an artist. Here is a rich selection of his prose, his essays, his speeches, and even his letters and notes all concerning his work as a working artist. Reading it, one comes away with a firm impression of a mind at work, a generous and genial mind, but one that is never afraid to separate the sheep from the goats, the wheat from the chaff. If you want to know how an artist thinks, how someone who has not only read books but thought deeply about how their texts operates, how someone who is as committed to the book as object as anyone working in the field goes about integrating text and image, then this book is a book you should read and reread. It possesses depth, intelligence, and passion. The words are from the heart, but the conclusions come from experience. William Blake, the proto-genius, observed that "Execution is the chariot of genius." In Moser's work, as in his words, we see that chariot flying at warp speed.

    Combining explanations and advice with anecdotes about his students, colleagues, and former teachers, he also provides many insights into the psychological aspects of musical performance and the teaching of music.Berman thoroughly examines such practical matters in piano playing as sound and touch, technique, pedaling, and articulation. He gives tips on choosing editions, selecting the best fingering, memorizing, and making the most efficient use of practice time. He gives equal emphasis to issues of interpretation, discussing ways to decipher the inner content of a piece of music. And he offers suggestions about how to prepare emotionally for a performance, how to confront stage anxiety, and how to adapt teaching approaches to the individual students. Informative and entertaining, this book will be welcomed by piano students, teachers, and anyone else interested in the art of piano playing.

    She gives talks and workshops nationwide and is also the author of "Room to Write" and "Gifts from the Heart."

    This publication, lavishly illustrated with full-page color pictures, concentrates in detail for the first time on this crucial aspect of Donald Judd's work.

    Included are excerpts from such celebrated novels as The Free-Lance Pallbearers, Yellow Back Radio Broke-Down, Mumbo Jumbo, and Japanese by Spring (among others) and two of his plays, Hubba City and The Preacher and the Rapper. In addition, a wide selection of his poems and essays are collected here, including "Airing Dirty Laundry" and "Shrovetide in New Orleans." The Reed Reader is the cumulative representation of an astonishingly rich and accomplished career, a powerful testament to Reed's many and enormous literary gifts.

    Lucky for us. The author of "Alec Baldwin Doesn't Love Me" and "That's Mr. Faggot to You" returns with more skewed observations on the strange state of the queer union. As fans of his previous collections have happily discovered, little escapes his attention, and no topic is too controversial or sacred to be tackled. "The Condensed History of Gay Pride" is enough to send any politically correct gay leader shrieking into the streets. But Ford's favorite target remains himself. The fact that Cher's butt is more famous than he is really irks him, and he is willing to pretend to be straight in order to get help while shopping for clothes. He murdered his rival's "egg baby" in high school to secure a good grade, and he sacrificed his own to a chocolate cake. Whether he is equating becoming a man with buying a barbecue in the very moving "Rite of Passage" or considering the state of parenthood in the unforgettable "Cheaper by the Dozen," Ford continues to observe life in ways that help us more closely observe ourselves-while never, never forgetting to make us laugh. "In Ford's hands, pretty much anything can yield a laugh. He is an idea humorist-genially misanthropic, suspicious of ideology and convention, cynical or passionate depending on the occasion. And he is something else: a good read.-"Lambda Book Report" Michael Thomas Ford's previous essay collections, "Alec Baldwin Doesn't Love Me and "That's Mr. Faggot to Youremained on best-seller lists for months, earning him unanimous critical praise and a Lambda Literary Award for humor. His syndicated column, "My Queer Life," runs in dozens of papers nationwide, and his weekly radio program of the same name can be heard on Stellar Networks at www.gaybc.com. He lives in Boston, where he is finishing his first novel.

    Niema Ash was one of the first Westerners to enter the country when its borders were briefly opened. In this highly absorbing and personal account, she relates with wit, compassion, and sensitivity her encounters with people whose humor, spirituality, and sheer enthusiasm for life have carried them through years of oppression and suffering. This journey into a forbidden kingdom gives a fresh insight into the real heart of Tibet.

    In Special Kay, this critic at large captures us at our worst and our best, and all with a Southern accent.

    In a voice all his own, he brilliantly maps his terrain in lists, collage, and ludic narratives. With topics ranging from Martha Graham to the Flat Earth Society, from the brightest light in Vegas to the artist Henry Darger, who died in obscurity, Halls of Fame hovers on the brink between prose and poetry, deep seriousness and high comedy, the subject and the self.

    Although the story of Rama (Ramkatha) has generated many tellings, most people are familiar with a few authoritative texts, such as those by Valmiki, Tulsidas, or the television serial by Ramanand Sagar. This volume expands our understanding of Ramkatha by focusing on tellings that question aspects of such dominant texts.Through analysis of oral and written narratives, exegesis, plays, songs, rituals, and poetry, the contributors demonstrate the centrality of questioning within the Ramayana tradition and chart the many forms such interrogation takes. The book demonstrates how questioning safeguards the diversity and capaciousness of the Ramayana tradition.

    Alberoused to "read books to Nobel Laureate Jorge Luis Borges in hisltter years. Borges sai o Chesterton: see Author bio

    Gathering ten of Sittler's seminal works -- works foundational to the field yet inaccessible until now -- this volume conveys Sittler's powerful argument for the vital connection between Christian theology, ethics, and the natural world. In an area where so much writing tends to be drearily repetitious, Sittler -- even forty years later -- remains a fresh voice. His proposal for a "cosmic christology" and his clarion call for the "care of the earth" continue to shape current eco-theological reflection. The book also includes a comprehensive Sittler bibliography and original essays by editors Steven Bouma-Prediger and Peter Bakken that assess Sittler's pioneering contribution to environmental ethics. Intended for anyone interested in the relationship between Christian faith and the environment, Evocations of Grace provides the necessary perspective for thinking seriously about the earth and our responsibility to it.

    It is a collection of essays that presents a significantly different portrait of Wittgenstein. The essays clarify Wittgenstein's modes of philosophical criticism and shed light on the relation between his thought and different philosophical traditions and areas of human concern. With essays by Stanley Cavell, James Conant, Cora Diamond, Peter Winch and Hilary Putnam, we see the emergence of a new way of understanding Wittgenstein's thought. This is a controversial collection, with essays by highly regarded Wittgenstein scholars that may change the way we look at Wittgenstein's body of work.

    His writings range across the history of Western poetry, from formative classical myths to modern experimental forms, and touch on subjects as diverse as the rhetorical history of cannibalism, the political and cultural uses of translation, and the current state of American poetry. Along the way, he calls on past poets like Ovid, Baudelaire, and Phyllis Wheatley, on twentieth-century poets like Wallace Stevens, H. D., and Rainer Maria Rilke, and on writers and thinkers like Montaigne, Walter Benjamin, Simone Weil, and Paul de Man.These essays explore facets of poetry known best to one who has practiced the art for years. From the methods of poetic attention to the processes by which perception is transformed into language and from the illusive relationship between poetry and “meaning” to the integral relationship between poetry and memory, this collection delves into what it means to be a poet and how being a poet is intimately tied to one’s social and cultural moment.With Santos’s trademark flair for seeking out the overlooked and unforeseeable, A Poetry of Two Minds is an extraordinary collection that testifies to its author’s far-reaching intellectual curiosity. Readers who have delighted in his insights over the years can now have the satisfaction of having them caught between the covers of this provocative book.

    The book presents a carefully selected group of readings organized to allow students to evaluate primary sources, test the interpretations of distinguished historians, and draw their own conclusions.

    She recounts her journey with the heightened awareness of a mother-to-be and through the eyes of a poet, from the moment she confirms her pregnancy as “A blue X slowly crosses itself, first one arm, then the other in the small white window of the test,” through “the X of his crossed feet in sleep” as her child’s world begins. Purpura’s sensibility transcends the facts of personal experience to enfold the dramatically changing shape of a larger, complex world.These closely knit essays portray the rhythms of a new mother’s life as it is challenged and transformed in nearly every aspect, from the emotions of wildness, loss, need, and desire to the outward progress--and interruption--of her work and activities. Increase offers us motherhood at an extraordinary pitch, recording, absorbing, and revisiting experiences from a multitude of angles. Purpura presents her story of discovery with unequaled eloquence, grace, and power.

    This lively and richly varied collection offers more than two dozen essays that are uniformly original, challenging, playful, and ruthlessly individualistic.

    An illustrated collection of the author's regular weekly column on the back page of the "Church Times," where, with a poet's eye, he observes the comings and goings of the rural world he sees from his ancient farmhouse in Constable country.

    Just about any place where there's water to fish and eccentrics to keep him company, Gaines has been.The Next Valley Over, a collection of his best writing on fishing from his long and storied career, is culled from the pages of Men's Journal, Forbes, and Sports Afield, among other publications, and ultimately is about the heart of the sport. While his stories are lined with the accoutrement of angling--the art of technique, the equipment, the lodges, the fish themselves--they're really about why we love to fish and what it means to our culture. As Thoreau once said: “Many men go fishing all their lives without knowing that it is not fish they are after.” What “they are after” is what Charles is curious about, and he has devoted the better part of his life and sanity to coming up with answers.Starting and ending at the majestic Lake Tadpole in St. Clair County, Alabama, where Gaines’s love of fishing was initially sparked, the Next Valley Over chronicles exploits in exotic locations with eccentric characters. In the process of his quest of nearly every species known to man, Gaines explores what we are really searching for when we fish.

    What is religion? Can it be defined at all? Or is it too easily defined in far too many ways so as to make a "religion" a drifting signifier or whatever one's pleasure is? Does the study of religion require special, perhaps religious, tools of analysis and explanation? What is the difference between a knowledge of religion derived from practicing it and a knowledge about religion derived from nonreligious modes of inquiry? Sooner or later, any serious student of religion must face these questionsif religious practices are to be investigated in the light of the terms and aims of the social and human sciences in the modern university.The Guide to the Study of Religion provides a map of the key concepts and thought-structures for imagining and studying religion as a class of everyday social practices that lend themselves to no more or less difficult explanation than any other class of social phenomena.

    Rather than being a harrowing, in-the-trenches account of AIDS . . . Loss within Loss is a reflective, self-possessed, and frequently inspiring testimonial, benefiting from the perspective that only time provides."—David Bahr, The AdvocateAuthor Biography: Edmund White is the award-winning author of The Married Man, The Farewell Symphony, Genet, The Beautiful Room Is Empty, A Boy's Own Story, and several other books. He is professor of creative writing at Princeton University.