Starting with the Vikings’ kennings and Beowulf and ending with Stevenson and Oscar Wilde, the book traverses a landscape of ‘precursors,’ cross-cultural borrowings, and genres of expression, all connected by Borges into a vast interpretive web. This is the most surprising and useful of Borges’s works to have appeared posthumously.”Borges takes us on a startling, idiosyncratic, fresh, and highly opinionated tour of English literature, weaving together countless cultural traditions of the last three thousand years. Borges’s lectures — delivered extempore by a man of extraordinary erudition — bring the canon to remarkably vivid life. Now translated into English for the first time, these lectures are accompanied by extensive and informative notes by the Borges scholars Martín Arias and Martín Hadis.

    Johnson, Donald Watt, William F. Touponce, Susan Spencer, and others discussing the novel as it relates to cultural history.

    Her autobiographical poem My Life, a best-selling book of innovative American poetry, has garnered accolades and fans inside and outside academia. The Language of Inquiry is a comprehensive and wonderfully readable collection of her essays, and its publication promises to be an important event for American literary culture. Here, Hejinian brings together twenty essays written over a span of almost twenty-five years. Like many of the Language Poets with whom she has been associated since the mid-1970s, Hejinian turns to language as a social space, a site of both philosophical inquiry and political address.Central to these essays are the themes of time and knowledge, consciousness and perception. Hejinian's interests cover a range of texts and figures. Prominent among them are Sir Francis Bacon and Enlightenment-era explorers; Faust and Sheherazade; Viktor Shklovsky and Russian formalism; William James, Hannah Arendt, and Martin Heidegger. But perhaps the most important literary presence in the essays is Gertrude Stein; the volume includes Hejinian's influential "Two Stein Talks," as well as two more recent essays on Stein's writings.

    Each grouping is introduced and annotated by Jack Zipes, the genre's reigning expert. Twenty illustrations accompany the texts. Criticism includes seven important assessments of different aspects of the fairy tale tradition, written by W. G. Waters, Benedetto Croce, Lewis Seifert, Patricia Hannon, Harry Velten, Siegfried Neumann, and Jack Zipes. Brief biographies of the storytellers and a Selected Bibliography are included.

    Full of stories, yet written in a condensed, imagistic language, his essays are works of the imagination where all the facts are verifiable. As entertaining as fiction and as vivid as poems, making unexpected stops in odd corners of the globe or forgotten moments in human history, erudite, politically engaged, and acerbically witty, there is nothing quite like his work in contemporary writing.In Karmic Traces, Weinberger's third collection from New Directions, twenty-four essays take the reader along on the author's personal travels from the Atacama Desert to Iceland to Hong Kong on the verge of the handover to China, as well as on imagined voyages in a 17th-century Danish ship bound for India and among strange religious cults or even stranger small animals. One never knows what will appear next: Viking dreams, Aztec rituals, Hindu memory, laughing fish, or prophetic dogs. And, in "The Falls", the long tour-de-force that closes the book, Weinberger recapitulates 3,000 years of history in a cascade of telling facts to uncover the deep roots of contemporary racism and violence.

    He was also a dedicated reformer, and set out to use his reputation as a public speaker and literary philosopher to change the course of English thought. This collection represents the best of Coleridge's poetry from every period of his life, particularly his prolific early years, which produced The Rime of the Ancient Mariner, Christabel, and Kubla Khan. The central section of the book is devoted to his most significant critical work, Biographia Literaria, and reproduces it in full. It provides a vital background for both the poetry section which precedes it and for the shorter prose works which follow. There is also a generous sample of his letters, notebooks, and marginalia, some recently discovered, which show a different, more spontaneous side to his fascinating and complex personality.

    Ever refusing to be marginalized or categorized by genre, Maso is an incisive, compassionate writer who deems herself daughter of William Carlos Williams, a pioneer in combining poetry and fiction with criticism, journalism, and the visual arts. She is daughter, too, of Allen Ginsberg, who also came from Paterson, New Jersey. Known for her audacity, whether exploring language and memory or the development of the artistic soul, Maso here gives us a form-challenging collection, intelligent, and persuasive.

    Their formal relationship quickly grew into a real, unshakable love, and their letters back and forth became the most significant and longest-lasting correspondence of their lives.As Maxwell told the editor of these letters, "Sylvia needed to write for an audience, a specific person, in order to bring out her pleasure in enchanting," and Maxwell was that person, both as editor and as correspondent. Warner brought out the best in Maxwell too. "I suspect that of all the writers I edited, I was most influenced by Sylvia...I think that what you are infinitely charmed by you can't help unconsciously imitating. "In these letters they wrote about everything that amused, moved, and perplexed them-the physical world, personal relationships, the New York City blackout, the Cuban missile crisis, their ceaseless reading, the coming of old age. Gratitude and love are on every page. Not to mention pleasure and delight.

    -- Presents the most important 20th-century criticism on major works from The Odyssey through modern literature -- The critical essays reflect a variety of schools of criticism -- Contains critical biographies, notes on the contributing critics, a chronology of the author's life, and an index

    H. Auden, poet and critic, will conduct a course on Shakespeare at the New School for Social Research beginning Wednesday. Mr. Auden has announced that in his course . . . he proposes to read all Shakespeare's plays in chronological order. The New York Times reported this item on September 27, 1946, giving notice of a rare opportunity to hear one of the century's great poets comment on one of the greatest poets of all time. Published here for the first time, these lectures now make Auden's thoughts on Shakespeare available widely.Painstakingly reconstructed by Arthur Kirsch from the notes of students who attended, primarily Alan Ansen, who became Auden's secretary and friend, the lectures afford remarkable insights into Shakespeare's plays as well as the sonnets.A remarkable lecturer, Auden could inspire his listeners to great feats of recall and dictation. Consequently, the poet's unique voice, often down to the precise details of his phrasing, speaks clearly and eloquently throughout this volume. In these lectures, we hear Auden alluding to authors from Homer, Dante, and St. Augustine to Kierkegaard, Ibsen, and T. S. Eliot, drawing upon the full range of European literature and opera, and referring to the day's newspapers and magazines, movies and cartoons. The result is an extended instance of the live conversation that Auden believed criticism to be. Notably a conversation between Auden's capacious thought and the work of Shakespeare, these lectures are also a prelude to many ideas developed in Auden's later prose--a prose in which, one critic has remarked, all the artists of the past are alive and talking among themselves.Reflecting the twentieth-century poet's lifelong engagement with the crowning masterpieces of English literature, these lectures add immeasurably to both our understanding of Auden and our appreciation of Shakespeare.

    In both popular and scholarly usage, colonies are territories whose conquest requires travel overseas. Because Russia's contiguous colonies have generally been viewed as gradual and legitimate enlargements of Russian territory and ethnicity, Russian literature has escaped the scrutiny given to Western literary works. This volume argues that Russia's acts of territorial expansion are a form of colonization, and it employs postcolonial theory to explore Russian literature and the power structures reflected in it.The volume initially overviews issues of nationalism and imperialism and the failure of literary critics to treat Russia as a colonial power. It then places Russian literature within the context of postcolonial theory and discourse. It examines the rhetorical techniques that enabled Pushkin and Lermontov to create a repertoire of colonialist perceptions and stereotypes; it argues that Tolstoy's War and Peace provided Russian culture with its first and arguably most magnificent expression of national self-confidence; and it analyzes the imperial habits of Russian culture manifested in the novels and stories of Anatolii Rybakov and Valentin Rasputin. The book additionally looks at Solzhenitsyn's Cancer Ward; various works of nonfiction, including history textbooks; and the efforts of recent writers to undermine Russian imperialism.

    The exhilarating essays collected here include justly celebrated masterpieces - on Mansfield Park and on "Why We Read Jane Austen"; on Twain, Dos Passos, Hemingway, Isaac Babel; on Keats, Wordsworth, Eliot, Frost; on "Art and Neurosis"; and the famous Preface to Trilling's book The Liberal Imagination.

    From a first reading of Beckett and Faulkner at the feet of an inspirational high-school English teacher to a meeting of the P. G. Wodehouse Society, from an obsession with Nabokov's Lolita to the discovery of the Japanese epic The Tale of Genji, these essays chronicle a lifetime of literary enjoyment.The crime of his life --The quest for Scrivener --Talismans --Maxims, etc. --Heart of the matter --Bookman's Saturday --Supplementary materials --Listening to my father --Romantic scholarship --Weekend with Wodehouse --An abecedary --Mr. Wright --Heian holiday --Childhood's end --The one and the many --Commencement advice --Four novels and a memoir --The October country --Bookish fantasies --Pages on life's way --A garland for Max --Read at whim! --Comedy tonight --Light of other days --Data daze --Four-leaf clovers --Sez who? --Lament for a maker --Clubland --The learning channels --Guy Davenport --Eros by any other name --Frank confessions --Mememormee --Tomes for tots --Three classics --Vacation reading --One more modest proposal --Shake scenes --After strange books --Awful bits --Turning 50 --Blame it on books --On the road not taken --Excursion --Millennial readings

    The anthology includes renowned writers like Kathy Acker, Dennis Cooper, Nicole Brossard, Daphne Marlatt, Lydia Davis and Kevin Killian, writers who have spent years pondering the meaning of storytelling and how storytelling functions in our culture, as well as presenting a new generation of brilliant thinkers and writers, like Christian Bök, Corey Frost, Derek McCormack and Lisa Robertson.Contemporizing the friendly anecdotal style of Montaigne and written by daring writers of different ages, of different origins, from many different regions of the continent, from Mexico to Montreal, these essays run the gamut of mirth, prose poetry, tall tales and playful explorations of reader/writer dynamics. They discuss aesthetics founded on new explorations in the field of narrative, the mystery that is the body, questions of how representation may be torqued to deal with gender and sexuality, the experience of marginalized people, the negotiation between different orders of time, the 'performance' of outlaw subject matter.Brave, energetic and fresh, Biting the Error tells a whole new story about narrative.Biting the Error is edited by Mary Burger, Robert Glück, Camille Roy and Gail Scott, the co-founders of the Narrativity Website Magazine, based at the Poetry Center, San Francisco State University.

    Among those whom John Ashbery reads at such times are John Clare, Thomas Lovell Beddoes, Raymond Roussel, John Wheelwright, Laura Riding, and David Schubert. Less familiar than some, under Ashbery's scrutiny these poets emerge as the powerful but private and somewhat wild voices whose eccentricity has kept them from the mainstream--and whose vision merits Ashbery's efforts, and our own, to read them well.Deeply interesting in themselves, Ashbery's reflections on these poets of another tradition are equally intriguing for what they tell us about Ashbery's own way of reading, writing, and thinking. With its indirect clues to his work and its generous and infectious appreciation of a remarkable group of poets, this book conveys the passion, delight, curiosity, and insight that underlie the art and craft of poetry for writer and reader alike. Even as it invites us to discover the work of poets in Ashbery's other tradition, it reminds us of Ashbery's essential place in our own.

    Strongly influenced by Hollywood films of the thirties and forties, his many-layered novels and prays integrate serious fiction and popular culture, mixing political and sexual themes with B-movie scenarios. When his first two novels were published in the rate 1960s, they delighted the public but were dismissed as frivolous by the leftist intellectuals of the Boom; his third novel. was banned by the Peronist government for irreverence. His influence was already left, though -- even by writers who had dismissed him -- and by the time the firm version of Kiss of the Spider Woman became a worldwide hit, he was a renowned literary figure.Puig's way of life was as unconventional as his fiction: he spoke of himself in the female form in Spanish, renamed his friends for his favorite movie stars, referred to his young mate devotees as "daughters", and, as a perennial expatriate, lived (often with his mother) everywhere from Rome to Rio de Janeiro. Suzanne Jill Levine, his principal English translator, draws upon years of friendship as well as copious research and interviews in her remarkable book, the first biography of the inimitable writer.

    Tolkien brought to his fiction an intense interest in myth and legend. When he died in 1973, he left behind a vast body of unpublished material related to his fictive mythology. Now edited and published as The History of Middle-earth by his son and literary executor, Christopher Tolkien, these 12 volumes provide a record of the growth of J.R.R. Tolkien's mythology from its beginnings in 1917 to the time of his death more than 50 years later. The material in these volumes offers an unparalleled insight into Tolkien's process of myth-making and is a guide to the world of his literary works. This book is the first comprehensive critical examination of Christopher Tolkien's compilation of his father's Middle-earth legends.An opening essay by Rayner Unwin, Tolkien's publisher for many years, surveys the publication history of the collection. The essays that follow, each written by an expert contributor, explore a wide range of topics related to The History of Middle-earth. Included are discussions of Tolkien's languages, the evolution of his vision over time, the shifting importance of central characters, and the effect of his mythology on The Lord of the Rings. By exploring this mythological compendium, the volume sheds further light on the entire body of J.R.R. Tolkien's works and is a valuable resource for all readers interested in his writings.

    The book is designed for use in courses, and it includes illuminating introductions to the work of each author. These introductions include biographical information, influences and intellectual context, major themes in the author's work as a whole, and specific introductions to the selections in this volume. The contributors represent the two trends in French theory that have proven most useful to American feminists: social theory and psychoanalytic theory. Both of these trends move away from any traditional discussions of nature toward discussions of socially constructed notions of sex, sexuality and gender roles. While feminists interested in social theory focus on the ways in which social institutions shape these notions, feminists interested in psychoanalytic theory focus on cultural representations of sex, sexuality and gender roles, and the ways that they affect the psyche. This collection includes selections by Simone de Beauvoir, Christine Delphy, Colette Guilluamin, Monique Wittig, Michele Le Doeuff, Julia Kristeva, Luce Irigaray, and Helene Cixous.

    This volume is a celebration of bad writing - a journey into the lives of writers so wonderfully awful, they have unwittingly arrived at genius from the other direction.

    The guide includes critical assessments from Robert Lowell, Sandra M. Gilbert, and Jacqueline Rose, among others.

    Frank Kermode, Britain's most distinguished scholar of sixteenth-century and seventeenth-century literature, has been thinking about Shakespeare's plays all his life. This book is a distillation of that lifetime of thinking.The finest tragedies written in English were all composed in the first decade of the seventeenth century, and it is generally accepted that the best ones were Shakespeare's. Their language is often difficult, and it must have been hard even for contemporaries to understand. How did this language develop? How did it happen that Shakespeare's audience could appreciate Hamlet at the beginning of the decade and Coriolanus near the end of it?In this long-awaited work, Kermode argues that something extraordinary started to happen to Shakespeare's language at a date close to 1600, and he sets out to explore the nature and consequences of the dynamic transformation that followed. For it is in the magnificent, suggestive power of the poetic language itself that audiences have always found meaning and value. The originality of Kermode's argument, the elegance and humor of his prose, and the intelligence of his discussion make this a landmark in Shakespearean studies.

    It argues for the importance of multiple critical perspectives and urges teachers to expand their theoretical repertoires.Teachers will find actual lessons and strategies for teaching a variety of contemporary literary theories including reader response, feminism, Marxism, and deconstruction.

    With a new title and additional material, this expanded edition is dedicated to a thorough analysis of the holograph manuscript and publication history of The Book of the Law.The original manuscript of Liber AL vel Legis is subjected to a minute analysis—every word, punctuation, emendation and 'chance shape of the letters' is examined in detail, resulting in the most accurate transliteration of the holograph possible. The creation of the various typescript versions of Liber AL, known as Liber CCXX, is also thoroughly examined, tracking the numerous changes in each of the published versions.And the controversy over the use of Fill vs Kill in the various publications approved by Crowley is also examined in depth by R.L. Gillis, whose essay on the subject originally appeared in the LAShTAL.COM forums, and has been greatly expanded for this edition.Long valued by the curious, the collector, and the cognoscenti, the reappearance of this rare volume dedicated to Thelema's most sacred text is a welcome addition to the world of Thelemic literature, and a serious reference work for anyone studying The Book of the Law.

    From early 20th-century writings to present-day poetry slams, African American poetry exhibits an impressive range of style and substance. Lorenzo Thomas has written an important new history of the genre that offers a critical reassessment of its development in the 20th century within the contexts of modernism and the troubled racial history of the United States. Basing his study on literary history, cultural criticism, and close readings, Thomas revives and appraises the writings of a number of this century's most important African American poets, including Margaret Walker, Amiri Baraka, Askia M. Toure, Harryette Mullen, and Kalamu ya Salaam. Thomas analyzes the work of Fenton Johnson within the context of emerging race consciousness in Chicago, contributes to critical appraisals of William Stanley Braithwaite and Melvin B. Tolson, and examines the Black Arts Movement of the 1960s and 1970s. Throughout the book, Thomas demonstrates the continuity within the Afrocentric tradition while acknowledging the wide range of stylistic approaches and ideological stances that the tradition embraces. By reassessing the African American poetry tradition, Thomas effectively reassesses the history of all 20th-century American literature by exploring avenues of debate that have not yet received sufficient attention. Written with intelligence and humor, his book is itself an extraordinary measure that reflects years of scholarship and opens up African American poetry to a wider audience.

    In one, we sit with the teenage Mark Strand while he reads for the first time a poem that truly amazes him: "You, Andrew Marvell" by Archibald MacLeish, in which night sweeps in an unstoppable but exhilarating circle around the earth toward the speaker standing at noon. The essay goes on to explicate the poem, but it also evokes, through its form and content, the poem's meaning -- time's circular passage -- with the young Strand first happening upon the poem, the older Strand seeing into it differently, but still amazed. Among the other subjects Strand explores: the relationship between photographs and poems, the eternal nature of the lyric, the contemporary use of old forms, four American views of Parnassus, and an alphabet of poetic influences.We visit as well Strandian parallel universes, whose absurdity illuminates the lack of a vital discussion of poetry in our culture at large: Borges drops in on a man taking a bath, perches on the edge of the tub, and discusses translation; a president explains in his farewell address why he reads Chekhov to his cabinet.Throughout The Weather of Words, Mark Strand explores the crucial job of poets and their readers, who together joyfully attempt the impossible -- to understand through language that which lies beyond words.From the Hardcover edition.

    Examining the works of these artists, Brookner traces the way in which French Romanticism evolved from the political turmoil of the late eighteenth century and the defeat of Waterloo in 1815, and replaced the agnosticism of the Enlightenment and the Revolution with a new heroism. She argues that the Romantics in France made the heroism of modern life their creed and "transferred their idealism to the domain of art, either as practitioners or as critics." Here is Gros as hero and victim, Alfred de Musset as "enfant du siecle," Delacroix as Romantic Classicist, and later in the century, Zola as an advocate of life for art's sake and Huysman's indulging in the madness of art. In "Romanticism and Its Discontents," Anita Brookner takes us on a fascinating tour of these artists, poets, and critics, bringing unfamiliar works brilliantly to life and casting a new light on more recognizable ones.

    MacDonald offers an entirely new view of the New Testament gospel of Mark. The author of the earliest gospel was not writing history, nor was he merely recording tradition, MacDonald argues. Close reading and careful analysis show that Mark borrowed extensively from the Odyssey and the Iliad and that he wanted his readers to recognise the Homeric antecedents in Mark's story of Jesus. Mark was composing a prose anti-epic, MacDonald says, presenting Jesus as a suffering hero modeled after but far superior to traditional Greek heroes. Much like Odysseus, Mark's Jesus sails the seas with uncomprehending companions, encounters preternatural opponents, and suffers many things before confronting rivals who have made his house a den of thieves. In his death and burial, Jesus emulates Hector, although unlike Hector Jesus leaves his tomb empty. Mark's minor characters, too, recall Homeric predecessors: Bartimaeus emulates Tiresias; Joseph of Arimathea, Priam; and the women at the tomb, Helen, Hecuba, and Andromache. And, entire episodes in Mark mirror Homeric episodes, including stilling the sea, walking on water, feeding the multitudes, the Triumphal E

    It also included an outpouring of intellectual responses to the conflicting times from such eminent writers as T. H. Huxley, Emma Goldman, William James, H. G. Wells, George Bernard Shaw, and Oscar Wilde. In this important anthology, Ledger and Luckhurst make available to students, scholars, and general readers a large body of non-literary texts which richly configure the variegated cultural history of the fin-de-siècle years. That history is here shown to inaugurate many enduring critical and cultural concerns, with sections on Degeneration, Outcast London, The Metropolis, The New Woman, Literary Debates, The New Imperialism, Socialism, Anarchism, Scientific Naturalism, Psychology, Psychical Research, Sexology, Anthropology, and Racial Science. Each section begins with an Introduction and closes with Editorial Notes that carefully situate individual texts within a wider cultural landscape.

    -- Presents the most important 20th-century criticism on major works from The Odyssey through modern literature-- The critical essays reflect a variety of schools of criticism-- Contains critical biographies, notes on the contributing critics, a chronology of the author's life, and an index

    Heinlein is sure to delight fans and scholars. Readers will find complete details on every known work of Heinlein's, including the rare and obscure items along with his well-known short stories and novels such as "The Green Hills of Earth" and Stranger in a Strange Land. A complete set of cross-references and dual indexes help readers locate specific works and information among the more than 200 entries. Subsections cover Heinlein's major works as well as film and television works, book reviews and forewords, and more. There's even information about the known never-completed works. Based on more than six years of research using Heinlein's own working papers and manuscripts, this is the authoritative yet readable reference fans, readers and scholars have been waiting for.

    In an acute and often very funny critique of the critics, Acocella untangles Cather's reputation from decades of politically motivated misreadings, and proposes her own clear-headed view of Cather’s genius. At once a graceful summary of Cather's life and work, and a refreshing plea that books be read for themselves, Willa Cather and the Politics of Criticism will also inspire readers to return to one of America's great novelists.

    After Galen, the predominant medical paradigm of the period envisaged a self governed by humors, literally embodying inner emotion by locating and explaining human passion within a taxonomy of internal organs and fluids. It thus gave a profoundly material emphasis to behavioral phenomena, giving the poets of the period a vital and compelling vocabulary for describing the ways in which selves inhabit and experience bodies.

    Classical authors frequently portrayed its people as savages - even as cannibals and devotees of incest - and evinced occasional uncertainty as to the island's shape, size, and actual location. Unlike neighbouring Britain, Ireland never knew Roman occupation, yet literary and archaeological evidence prove that Iuverna was more than simply terra incognita in classical antiquity.

    Each volume surveys teaching aids and critical material and brings together essays that apply a variety of perspectives to teaching the text. Upper-level undergraduate and graduate students, student teachers, education specialists, and teachers in all humanities disciplines will find these volumes particularly helpful.

    The Encyclopedia offers the most complete picture available of ancient Egyptian civilization, from the predynastic era to its eclipse in the seventh century CE. Here is the Egyptian world in illuminating, accessible detail: art, architecture, religion, language, literature, trade, politics, everyday social life and the culture of the court. Of special interest is the coverage of themes and issues that are particularly controversial--such as the new theories of the origins of complex society in the Nile Valley, new discoveries about Greco-Roman Egypt, and new developments in literature, religion, linguistics and other fields, including the debates about Egypt's African legacy. Extensively illustrated with photographs, line drawings, and maps, the Encyclopedia of Ancient Egypt is designed for the widest possible access, serving students, teachers, and scholars in fields ranging from Near East archaeology and classics to ancient art, architecture, history, language and religion, as well as general readers fascinated by a world that remains--even today--incompletely mapped.

    Along with translations are essays on Lorca's work by some of his most prominent Lorca scholars currently working today, and cover art and dramaturgical notes by esteemed Catalan painter, scenic designer, and filmmaker Frederic Amat. This volume seeks to recontextualize Lorca's experimental work for a new audience now that 100 years have passed since the poet's birth, and allows directors, actors, and academics to rediscover the lesser-known plays of Lorca's commedia-influenced period as as reaquaint themselves with his little-performed classic As Five Years Pass.

    In this sense, we might even rephrase Descartes by saying: We interpret, therefore we are. While such a basic human disposition makes interpretation appear to come naturally, the forms it takes, however, do not. In this work, Iser offers a fresh approach by formulating an "anatomy of interpretation" through which we can understand the act of interpretation in its many different manifestations.

    His writings range across the history of Western poetry, from formative classical myths to modern experimental forms, and touch on subjects as diverse as the rhetorical history of cannibalism, the political and cultural uses of translation, and the current state of American poetry. Along the way, he calls on past poets like Ovid, Baudelaire, and Phyllis Wheatley, on twentieth-century poets like Wallace Stevens, H. D., and Rainer Maria Rilke, and on writers and thinkers like Montaigne, Walter Benjamin, Simone Weil, and Paul de Man.These essays explore facets of poetry known best to one who has practiced the art for years. From the methods of poetic attention to the processes by which perception is transformed into language and from the illusive relationship between poetry and “meaning” to the integral relationship between poetry and memory, this collection delves into what it means to be a poet and how being a poet is intimately tied to one’s social and cultural moment.With Santos’s trademark flair for seeking out the overlooked and unforeseeable, A Poetry of Two Minds is an extraordinary collection that testifies to its author’s far-reaching intellectual curiosity. Readers who have delighted in his insights over the years can now have the satisfaction of having them caught between the covers of this provocative book.

    The book explains the conditions under which the early playwrights and players worked, their preparation of the plays for the stage, and their rehearsal practices. It looks at the quality of evidence supplied by the surviving play-texts, and the extant to which audiences of the time differed from modern audiences; and it gives vivid examples of how Elizabethan actors made use of gestures, costumes, props, and the theater's specific design features. Stage movement is analyzed through a careful study of how exits and entrances worked on such stages. The final chapter offers a thorough examination of Hamlet as a text for performance, excitingly returning the play to its original staging at the Globe.

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    Now, its 150,000 devoted readers can devour The Salon.com Reader's Guide to Contemporary Authors -- an all-original, A-to-Z guide to 225 of the most fascinating writers of our time, penned by an international cast of talented young critics and reviewers. Here are profiles, reviews, and bibliographies of the authors that matter most now -- from Margaret Atwood to Tobias Wolff, Paul Auster to Alice Walker. Also included are essays and recommended reading lists by some of the authors themselves, such as Dorothy Allison on the books that shaped her, A. S. Byatt on her five favorite historical novels, Rick Moody on postmodern fiction, Robert Stone on the greatest war novels, and Ian McEwan on the best fiction about work.Peppered throughout with marvelously witty illustrations, The Salon.com Reader's Guide to Contemporary Authors will be a must-have for anyone who is looking for cocktail party conversation starters, a good read, or advice on what to read next.

    H. Auden in England before the war. Edward Mendelson writes with unrivaled knowledge of published texts, manuscripts, private papers, and essays in this most illuminating of critical works.

    Her stylishly creative appropriation and adaptation of fairy-tale patterns, motifs, and content are evident not only her individual tales written for adults but throughout her novels and other fiction.Editors Danielle M. Roemer and Cristina Bacchilega together with the contributors to this volume investigate Carter's approaches to the fair-tale genre. They explore various facets of Carter's work and life and open new avenues for further research. Angela Carter and the Fairy Tale is a diverse collection of scholarly essays, fiction, personal reminiscence, and interviews from an international group of scholars, artists, and novelists. Angela Carter and the Fairy Tale will be of interest to those pursuing research in contemporary literature, folklore, and women's studies. It will also serve as a useful reference point for other readers who wish to learn more about the fairy tales written by this dynamic author.

    To think transnationally about literature, history, and culture requires a study of the evolution of hybrid identities within nation-states and diasporic identities across national boundaries.Studies addressing issues of race, ethnicity, and empire in U.S. culture have provided some of the most innova-tive and controversial contributions to recent scholarship. Postcolonial Theory and the United States: Race, Ethnicity, and Literature represents a new chapter in the emerging dialogues about the importance of borders on a global scale.This book collects nineteen essays written in the 1990s in this emergent field by both well established and up-and-coming scholars. Almost all the essays have been either especially written for this volume or revised for inclusion here.These essays are accessible, well-focused resources for college and university students and their teachers, displaying both historical depth and theoretical finesse as they attempt close and lively readings. The anthology includes more than one discussion of each literary tradition associated with major racial or ethnic communities. Such a gathering of diverse, complementary, and often competing viewpoints provides a good introduction to the cultural differences and commonalities that comprise the United States today.The volume opens with two essays by the editors: first, a survey of the ideas in the individual pieces, and, second, a long essay that places current debates in U.S. ethnicity and race studies within both the history of American studies as a whole and recent developments in postcolonial theory.Amritjit Singh, a professor of English and African American studies at Rhode Island College, is coeditor of Conversations with Ralph Ellison and Conversations with Ishmael Reed (both from University Press of Mississippi). Peter Schmidt, a professor of English at Swarthmore College, is the author of The Heart of the Story: Eudora Welty's Short Fiction (University Press of Mississippi).

    In this book, Wah demonstrates how writing poetry is writing critically. This scrapbook of Wah's work -- collected from fifteen years of his writing -- contains essays, reviews, journals, notes and, most importantly, poetic improvisations on contemporary poetry and identity. Faking It was written between 1984 and 1999 -- during major shifts in critical thinking and cultural production -- and the hybrid style of the book is an apt reflection of these changing times, as well as a reflection and study of Wah's own hybrid identity.

    From Beckett and Bowen, through Joyce, MacNeice, Swift, and Yeats, To Ireland, I is a provocative re-reading of the major Irish authors, with a particular emphasis on the continuity of the tradition.

    Instead Hitchens argues that when all parties in the state were agreed on a matter, it was the individual pens that created the space for a true moral argument.

    Feminizing Chaucer investigates Chaucer's thinking about women, and re-assesses it in the light of developments in feminist criticism. It explores Chaucer's handling of gender issues, of power roles, of misogynist stereotypes and the writer's responsibility for perpetuating them, and the complex meshing of activity and passivityin human experience. Mann argues that the traditionally 'female' virtues of patience and pity are central to Chaucer's moral ethos, and that this necessitates a reformulation of ideal masculinity.First published [as Geoffrey Chaucer] in the series 'Feminist Readings', this new edition includes a new chapter, 'Wife-Swapping in Medieval Literature'. The references and bibliography have been updated, and a new preface surveys publications in the field over the last decade. JILL MANN is currently Notre Dame Professor of English, University of Notre Dame.

    The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format.Stephen Crane wrote the first draft of The Red Badge of Courage in only ten days. This CliffsNotes supplement carries you along as the story of a young boy named Henry Fleming faces his first battle not only in war but with his own fear, pride, and cowardice unfolds. It still remains as one of the best novels about the American Civil War.This study guide carefully walks you through every step of Henry s ordeal by providing summaries and critical analyses of each chapter of the novel. You'll also explore the life and background of the author and gain insight into how he came to write The Red Badge of Courage. Other features that help you study includeA character map to highlight the relationships between charactersGlossaries after each chapter to define new and unfamiliar termsCritical essays covering topics like figurative language and the structure of the novelA review section that tests your knowledgeA ResourceCenter with books and Web sites for more studyClassic literature or modern modern-day treasure you'll understand it all with expert information and insight from CliffsNotes study guides."

    His own life was as astonishing as any of his novels: born in the Ukraine of Polish parents, after a childhood in exile and a 20-year career as a merchant seaman, he began in middle age to write in English, the language of his newly adopted country. The Oxford Reader's Companion to Conrad represents a unique and long-overdue achievement in Conrad scholarship: the first comprehensive and authoritative reference to distil in a lively, readable way a vast range of information on Joseph Conrad's life, works, reputation, and the historical and cultural contexts in which he lived. Much of the material in the Companion is entirely new, compiled from scattered Conrad resources, many of which have never been published before. Produced by two of the world's leading Conradians, with the help of specialist contributors, here are the latest findings of modern scholarship captured in an unparalleled resource for all Conrad enthusiasts.

    Feminist literary theories are pluralist, borrowing from other types of theory, such as marxism or postmodernism, but they always remain woman-centered. Courses in women's writing, literature and gender, and philosophy and literature proliferate--requiring readers to reconsider many of the basic assumptions on which the study of literature was originally founded.

    This is the explicitly political approach taken by all-women team of contributors to A Feminist Companion to Shakespeare.

    Many of today's students lack the grammatical and linguistic skills to enable them to study Shakespearean and other Renaissance texts as closely as their courses require. This practical guide will help them to understand and use the structures and strategies of written and dramatic language. Eleven short essays on aspects of literary criticism and performance by an eminent team of contributors are followed by a more detailed exploration of the history of language use, grammar and spelling, plus a glossary of terms offering definitions, contexts and examples. Together these provide an informed and engaging historical understanding of dramatic language in the early modern period.

    Sharon Patricia Holland contends that black subjectivity in particular is connected intimately to death. For Holland, travelling through “the space of death” gives us, as cultural readers, a nuanced and appropriate metaphor for understanding what is at stake when bodies, discourses, and communities collide. Holland argues that the presence of blacks, Native Americans, women, queers, and other “minorities” in society is, like death, “almost unspeakable.” She gives voice to—or raises—the dead through her examination of works such as the movie Menace II Society, Toni Morrison’s novel Beloved, Leslie Marmon Silko’s Almanac of the Dead, Randall Kenan’s A Visitation of Spirits, and the work of the all-white, male, feminist hip-hop band Consolidated. In challenging established methods of literary investigation by putting often-disparate voices in dialogue with each other, Holland forges connections among African-American literature and culture, queer and feminist theory.Raising the Dead will be of interest to students and scholars of American culture, African-American literature, literary theory, gender studies, queer theory, and cultural studies.

    With a foreword by Edward Said and an introduction by Ian Bell, which place Tanner's work in the larger context of critical approaches to American literature and culture, this book brings together Tanner's essays on a wide range of key American authors. Exploring writers as diverse as Melville, Emerson, Henry James, DeLillo and Pynchon, it offers an introduction to the major figures and themes in nineteenth and twentieth century American literature.

    Mark is a Greco-Roman biography of Jesus written in an apocalyptic mode. Its theology is based on the message of the prophet Isaiah -- the proclamation of release from bondage and a march toward freedom along the "way of the Lord."

     Asian American resistance to Orientalism-the Western tradition dealing with the subject and subjugation of the East-is usually assumed. And yet, as this provocative work demonstrates, in order to refute racist stereotypes they must first be evoked, and in the process the two often become entangled. Sheng-mei Ma shows how the distinguished careers of post-1960s Asian American writers such as Maxine Hong Kingston, Amy Tan, Frank Chin, and David Henry Hwang reveal that while Asian American identity is constructed in reaction to Orientalism, the two cultural forces are not necessarily at odds. The vigor with which these Asian Americans revolt against Orientalism in fact tacitly acknowledges the family lineage of the two. To identify the multitude of historical forms appropriated by the deathly embrace of Orientalism and Asian American ethnicity, Ma highlights four types of cultural encounters, embodied in four metaphors of physical states: the "clutch of rape" in imperialist adventure narratives of the 1930s and 1940s, as seen in comic strips of Flash Gordon and Terry and the Pirates and in the Disney film Swiss Family Robinson; the "clash of arms" or martial metaphors in the 1970s and beyond, embodied in Bruce Lee, Kingston's The Woman Warrior, and the video game Mortal Kombat; U.S. multicultural "flaunting" of ethnicity in the work of Amy Tan and in Disney's Mulan; and global postcolonial "masquerading" of ethnicity in the Anglo-Japanese novelist Kazuo Ishiguro. Broad in scope, penetrating in insight, Ma's work exposes themyriad ways in which Orientalism, an integral part of American culture, speaks through the texts of Asian Americans and non-Asian Americans alike. The result is a startling lesson in the construction of cultural identity. Sheng-mei Ma is associate professor in the Department of American Thought and Language at Michigan State University and the author of Immigrant Subjectivities in Asian American and Asian Diaspora Literatures (1998). Translation Inquiries: University of Minnesota Press

    Exit to Eden, for example, ends with the sado-masochistic protagonists embarking on a traditional monogamous heterosexual relationship, while the vampires often long to exchange their erotic immortality for ordinary mortal lives and loves. This scholarly analysis of the seemingly incompatible elements of the subversive and the socially acceptable in Rice's early work covers her career from the landmark Interview with the Vampire (1976) to Lasher (1993). Each chapter tackles a different aspect of Rice's conflicting portrayals of sexual issues, including homophobia, pedophilia, castration anxiety, and the vast array of gender stereotypes and roles that her novels so often interpret and exploit. This study is appropriate both for readers of Rice's writing and those intrigued by issues of sexual politics and the ways in which a popular author both embraces and repudiates some of the most shocking concepts of sexuality. An index and bibliography are included to aid research.

    Over 50 years later he has over 80 volumes of short stories and novels to his credit. Though his writing has appeared in a variety of genres, his work eludes easy categorization.

    A comprehensive, user-friendly introduction to Alexander Pope's life and works, outlining the major critical issues and offering guides to further reading.

    Asking just what it means to belong to a place, a region--and, more specifically, what it implies for certain Americans to call themselves Southerners--he analyzes conflicting notions of the South that have evolved over the past two centuries. In the process, Gray--one of the leading scholars in the field of Southern studies--offers a provocative new reading of many Southern writers and of the whole notion of a Southern tradition.

    Women, declared a mid-eighteenth-century vindication, have been regarded since Aristotle as deformed amphibious things, "neither more or less than Monsters" (Beauty's Triumph 1758). This alliance of monstrosity with misogyny, along with the definition of sexual difference as aberration, is the starting point for this volume's investigation of monstrosity's cultural work in the eighteenth century and its simultaneous mapping and troubling of the range of differences.This collection investigates the conceptual and geographical mapping of early modern and Enlightenment ideas of monstrosity onto a range of differences that contested established categories. The essays consider the representations and material dimensions of phenomena as diverse as femininity and disfigurement, the material imagination and monstrous birth, ugliness as an aesthetic category, deafness and theories of sign language, and the exotic, racialized deformed. Collectively, they demonstrate that the emergence of sexual difference is inextricably intertwined with the emergence of a category of the human that is imagined and deformed, monstrous, and ugly. Contributors include Barbara Benedict, Jill Campbell, Elizabeth Heckendorn Cook, Lennard Davis, Helen Deutsch, Robert Jones, Cora Kaplan, Nicholas Mirzoeff, Felicity Nussbaum, Stephen Pender, and Joel Reed.Helen Deutsch is Professor of English, University of California at Los Angeles. Her most recent book is Resemblance and Disgrace: Alexander Pope and the Deformation of Culture. Felicity Nussbaum is Professor of English, University of California at Los Angeles. Her most recent book is Torrid Zones: Maternity, Sexuality, and Empire in Eighteenth-Century English Narrative.

    Reading through a feminist psychoanalytic lens, Zhong argues that understanding the nature of male subjectivities as portrayed in literature and film is crucial to understanding China’s ongoing quest for modernity. Before the 1990s onslaught of popular culture decentered the role of intellectuals within the nation, they had come to embody Chinese masculinity during the previous decade. The focus on masculinity in literature had become unprecedented in scale and the desire for “real men” began to permeate Chinese popular culture, making icons out of Rambo and Takakura Ken. Stories by Zhang Xianliang and Liu Heng portraying male anxiety about masculine sexuality are employed by Zhong to show how “marginal” males negotiate their sexual identities in relation to both women and the state. Looking at writers popular among not only the well-educated but also the working and middle classes, she discusses works by Han Shaogong, Yu Hua, and Wang Shuo and examines instances of self-loathing male voices, particularly as they are articulated in Mo Yan’s well-known work Red Sorghum. In her last chapter Zhong examines “roots literature,” which speaks of the desire to create strong men as a part of the effort to create a geopolitically strong Chinese nation. In an afterword, Zhong situates her study in the context of the 1990s. This book will be welcomed by scholars of Chinese cultural studies, as well as in literary and gender studies.

    H. Lewes. Examining work in several different fields, including evolutionary theory, philosophy, literature, and the bio-medical sciences, it sets the development of psychology in the context of the social and intellectual pressures of the time. The book includes detailed analyses of the work of George Eliot, whose writing is saturated with ideas developed alongside those of the great psychologists who formed her circle.

    Ross Winterowd Award Best book in composition theory presented by JAC and the Association of Teachers of Advanced CompositionIn this book, Bruce Horner provides a cultural materialist critique of discourse on work in composition. Each chapter traces the ways in which one of the defining terms of composition--work, students, politics, academic, traditional, and writing--operates as a site for competing constructions of composition's identity.

    Grow recieved his Ph.D. degree in English from the University of Southern California in 1971. He has been a full-time faculty member at the University of Southern California, Wichita State University, the University of Maryland, the College of the Bahamas, and Broward Community College in Florida where he is currently Senior Professor of English.Although Dr. Grow has published in the history of scholarship in philosophy, 18th and 19th century British literature, 20th century American literature, and creative writing, his exclusive focus for the past more than a quarter of a century has been on modern Philippine literature in English.World Enough and Time is the third book published by Giraffe for Dr. Grow: the first two are Epistolary Criticism of Manuel A. Viray (1998)and The Novels of Bienvenido N. Santos (1999.

    Masters, who is known for his distinctive use of memory to define the present moment, uses his own perceptions, experiences, and sensibilities to examine familiar subjects like politics, human sexuality, abandonment, family relations, and even death. His essays are not meant to advance a cause or prove a point, but rather to explore universal subjects in terms of his own life. Most of them deal in some way with his career as a self-made man of letters.Masters is an accomplished writer, and these essays, with their exact prose and narrative flow, reflect that. Most of them have appeared in such journals as the Ohio Review, New England Review, New Letters, and Sewanee Review. "Going to Cuba" was awarded the Monroe Spears prize as the best essay to appear in the Sewanee Review. "In Montaigne's Tower" and "Making It Up" were selected for Best Essays of 1998 and Best American Essays respectively.

    Elie Wiesel's Holocaust autobiography is examined in chapters that discuss themes, literary techniques, the relationships between the characters, criticism and interpretation, and the continuing legacy of the work.

    The story Mark Ford tells about Roussel's life and work is at once captivating, heartbreaking, and almost beyond belief. Could even Proust or Nabokov have invented a character as strange and memorable as the exquisite dandy and graphomaniac this book brings to life?Roussel's poetry, novels, and plays influenced the work of many well-known writers and artists: Jean Cocteau found in him "genius in its pure state," while Salvador Dalí, who died with a copy of Roussel's Impressions d'Afrique on his bedside table, believed him to be one of France's greatest writers ever. Edmond Rostand, Marcel Duchamp, André Breton, Michel Foucault, and Alain Robbe-Grillet all testified to the power of his unique imagination.By any standards, Roussel led an extraordinary life. Tremendously wealthy, he took two world tours during which he hardly left his hotel rooms. He never wore his clothes more than twice, and generally avoided conversation because he dreaded that it might turn morbid. Ford, himself a poet, traces the evolution of Roussel's bizarre compositional methods and describes the idiosyncrasies of a life structured as obsessively as Roussel structured his writing.

    Packed with facts as well as expert opinions, each book has all the key information you need to know about such popular topics as film, television, cult fiction, history, and more. The literary style of noir both influenced and was influenced by its cinematic equivalent, film noir. Both document the adventures of hard-boiled detectives and double-crossing dames, and often feature a backdrop of corruption and ambiguity and twisted storylines that leave the characters confused and adrift. As well as the quintessential noir authors James M. Cain and James Ellroy, you can read about such lesser known British innovators as Gerald Kersh and Derek Raymond, both of whom have written landmark novels in the development of noir fiction. As well as having an introductory overview, 9 of the most significant authors in the history of noir fiction are profiled in depth. Additionally, there's a handy reference section for readers who want to know more.

    Displaying scant interest in native scenes or materials, Edgar Allan Poe seems the most un-American of American writers during the era of literary nationalism; yet he was at the same time a pragmatic magazinist, fully engaged in popular culture and intensely concerned with the republic of letters in the United States. This Historical Guide contains an introduction that considers the tensions between Poe's otherworldly settings and his historically marked representations of violence, as well as a capsule biography situating Poe in his historical context. The subsequent essays in this book cover such topics as Poe and the American Publishing Industry, Poe's Sensationalism, his relationships to gender constructions, and Poe and American Privacy. The volume also includes a bibliographic essay, a chronology of Poe's life, a bibliography, illustrations, and an index.

    It draws on writers as diverse as George Eliot, Elizabeth Barrett Browning and Rudyard Kipling as well as pre-Raphaelite and realist painters including Millais, Burne-Jones, William Powell Frith and Whistler, and a host of Victorian scientists, cultural commentators and art critics. Topics discussed include blindness, memory, hallucination, dust, and the importance of the horizon--a dazzling array of subjects linked together by the operations of the eye and brain. This richly illustrated book will appeal to anyone studying Victorian culture.

    Developing arguments about specific texts and movements throughout the twentieth-century, the book is a readable discussion of this most popular of genres. It also uses the extreme conditions offered by science fiction to develop new insights into the language of the literary context. The discussion ranges from a detailed investigation of new words and metaphors, to the exploration of new worlds, from pulp science fiction to the genre's literary masterpieces, its special effects and poetic expression. Speculations and extrapolations throughout the book engage the reader in thought-experiments and discussion points, with selected further reading making it a useful source book for classroom and seminar.

    It includes selections from the major practitioners - indcluding Horace Walpole, William Beckford, Ann Radcliffe, Matthew Gregory Lewis, Samuel Taylor Coleridge, William Godwin, Mary Shelley, Charles Robert Maturin and Edgar Allan Poe - and many of their followers, as well as contemporary reviews, private letters and diaries, chapbooks, and anecdotes about dramatic performaces and the design of theatre sets. The volume provides representative samples of the major genres: historical Gothic, the Radcliffe school of terror, the Lewis school of horror, tragic melodrama, comic parody, supernatural poetry and ballads, book reviews and literary criticism and anti-Gothic polemic. Also covered are the major Gothic issues such as the aesthetics of the sublime, religionn and the supernatural and the influence of ancient Romance, 'hobgoblin machinery' (including vampires, spectres, orphans, the Inquisition, banditti, nuns, storms and ruined castles), and social and political themes. A general introduction reviews the major approaches to Gothic literature, and short introductions place individual selections in context. All the texts are based on first editions. The collection is suitable as a textbook for courses on the Gothic novel or on Romantic literature and will appeal to all Gothic enthusiasts. Rictor Norton is the author of Mistress of Udolpho: The Life of Ann Radcliffe.

    Beginning with a discussion of how and what Elizabethans read--manuscripts, popular pamphlets, and books--Robert S. Miola examines Shakespeare's use of specific texts such as Holinshed's Chronicles, Plutarch's Lives, and Chaucer's The Canterbury Tales. As well as reshaping other writers' work, Shakespeare transformed traditions--the inherited expectations, tropes, and strategies about character, action and genre. For example, the tradition of Italian love poetry, especially Petrarch, shapes Romeo and Juliet as well as the sonnets; the Vice figure finds new life in Richard III and Falstaff. Employing a traditional understanding of sources as well as more recent developments in intertextuality, this book traces Shakespeare's reading throughout his career, as it inspires his poetry, histories, comedies, tragedies, and romances. Repeated references to the plays in performance enliven and enrich the account.

    This concept of a linguistically homogeneous and ethnically pure “Japaneseness” has been integral to the construction of a modern Japanese nation, especially during periods of western colonial expansion and cultural encroachment. But Thomas LaMarre argues in Uncovering Heian Japan that this need for a cultural unity—a singular Japanese identity—has resulted in an overemphasis of a relatively minor aspect of Heian poetry, obscuring not only its other significant elements but also the porousness of Heian society and the politics of poetic expression. Combining a pathbreaking visual analysis of the calligraphy with which this poetry was transcribed, a more traditional textual analysis, and a review of the politics of the period, LaMarre presents a dramatically new view of Heian poetry and culture. He challenges the assumption of a cohesive “national imagination,” seeing instead an early Japan that is ethnically diverse, territorially porous, and indifferent to linguistic boundaries. Working through the problems posed by institutionalized notions of nationalism, nativism, and modernism, LaMarre rethinks the theories of scholars such as Suzuki Hideo, Yoshimoto Takaaki, and Komatsu Shigemi, in conjunction with theorists such as Derrida, Karatani, Foucault, and Deleuze. Contesting the notion that speech is central to the formation of community, Uncovering Heian Japan focuses instead on the potential centrality of the more figural operations of poetic practice. Specialists in Japanese history and culture as well as scholars working in other areas of cultural criticism will find that this book enriches their understanding of an early Japan that has exerted so much influence on later concepts of what it means to be Japanese.

    It reveals the Bible as a rich source for Shakespeare's uses of myth, history, comedy, and tragedy, his techniques of staging, and his ways of characterizing rulers, magicians, and teachers in the image of the Bible's multifaceted God. This book also discloses the ways in which Shakespeare's plays offer both pious and irreverent interpretations of the Scriptures comparable to those presented by his contemporary writers, artists, philosophers and politicians. After an opening chapter comparing the Bible as a fragmented yet unified collection of 46 books with the fragmented yet unified First Folio collection of Shakespeare's 36 plays, each of the following six chapters matches a succeeding book of the Bible with a representative play. This study, though grounded in recent scholarship in Shakespeare and Biblical studies, is addressed to people with limited knowledge of either of its two subjects as well as to experts in both.

    But the Victorians attached unprecedented importance to domesticity, romanticizing the family in every medium from novels to government reports, to the point where actual families felt anxious and the public developed a fierce appetite for scandal. Here Karen Chase and Michael Levenson explore how intimacy became a spectacle and how this paradox energized Victorian culture between 1835 and 1865. They tell a story of a society continually perfecting the forms of private pleasure and yet forever finding its secrets exposed to view. The friction between the two conditions sparks insightful discussions of authority and sentiment, empire and middle-class politics.The book recovers neglected episodes of this mid-century drama: the adultery trial of Caroline Norton and the Prime Minister, Lord Melbourne; the Bedchamber Crisis of the young Queen Victoria; the Bloomer craze of the 1850s; and Robert Kerr's influential treatise, celebrating the ideal of the English Gentleman's House. The literary representation of household life--in Dickens, Tennyson, Ellis, and Oliphant, among others--is placed in relation to such public spectacles as the Deceased Wife's Sister Bill of 1848, the controversy over divorce in the years 1854-1857, and the triumphant return of Florence Nightingale from the Crimea. These colorful incidents create a telling new portrait of Victorian family life, one that demands a fundamental rethinking of the relation between public and private spheres.

    The central premise is that the nineteenth-century Gothic produced a radical critique of accounts of sublimity and Freudian psychoanalysis. This book makes a major contribution to an understanding of both the nineteenth century and the Gothic discourse which challenged the dominant ideas of that period. Writers explored include Mary Shelley, Edgar Allan Poe, Robert Louis Stevenson, and Bram Stoker.

    Since the publication of his first novel Americana in 1971, DeLillo has explored modern American culture through a series of acclaimed novels, including White Noise (1985; winner of the American Book Award), Libra (1988), and Underworld (1997).For Mark Osteen, the most bracing and unsettling feature of DeLillo's work is that, although his fiction may satirize cultural forms, it never does so from a privileged position outside the culture. His work brilliantly mimics the argots of the very phenomena it dissects: violent thrillers and conspiracy theories, pop music, advertising, science fiction, film, and television. As a result, DeLillo has been read both as a denouncer and as a defender of contemporary culture; in fact, Osteen argues, neither description is adequate. DeLillo's dialogue with modern institutions, such as chemical companies, the CIA, and the media, respects their power and ingenuity while criticizing their dangerous consequences. Even as DeLillo borrows from their discourses, he maintains a tenaciously opposing stance toward the sources of collective power.

    A prolific and popular author, Balzac recorded his milieu in tremendous detail, created a fictional universe peopled by hundreds of characters, and explored the role of Catholicism in his world. Because of his training as a sociologist, Greeley brings to his novels a thorough knowledge of popular culture and social theory. And because of his experience as a Roman Catholic priest, he has gained special knowledge of vice, virtue, and the workings of the Church. Like Balzac--now a major canonical author--Greeley has created a world of numerous fictional persons, mapped the details of his culture, and explored the place of Catholicism in contemporary life.

    The five chapters of the book cover the 1950s, the 1960s, the early troubled period to 1976, the 1980s and the 1990s. Each poet is placed firmly within his or her historical and social contexts, with an emphasis on the response to the processes of modernization, the representation of violence, poetic form, and gender.

    May Sinclair: A Modern Victorian draws on newly discovered manuscripts to tell the story of this woman whose emotional isolation bears witness to the great priceVictorian women had to pay for their intellectual freedom.

    The selections cover four centuries of the best nature writing produced in Britain and America from the Renaissance through the twentieth century. The book includes contributions by writers from all walks of life - men and women of different races, classes and nationalities, each of whom adds a unique perspective to our understanding of the literary representation of the natural world. Contents include a variety of literary forms, including poems, short stories, non-fiction essays, travel narratives, and excerpts from novels. These varied selections reveal how concern for the environment cuts across differences of gender, social class, education, religion, race, and ethnicity. Literature and Nature provides a wide range of texts, from both well-known and less-familiar writers, and it offers students a broad base of knowledge from which to reflect and respond.

    Gershon Shaked's history of modern Hebrew fiction traces the emergence and development of a literature 'against all odds' - from its European roots in the 1880s, when it had neither a country nor a spoken language, to the flowering of a literary culture on Israeli soil.

    By focusing on Harriet Beecher Stowe's Uncle Tom's Cabin, an anonymous sequel to that novel, Uncle Tom in England, and John Brown's Slave Life in Georgia, and the lecture tours of free blacks and ex-slaves, Fisch follows the discourse of American abolitionism as it moved across the Atlantic and was reshaped by domestic Victorian debates about popular culture and taste, the worker versus the slave, popular education, and working class self-improvement.