Before all the bodies of those who had died in the first campaign had been located or identified, many more thousands would be slaughtered in another round of fighting. The first account to be written by a Russian woman, A Dirty War is an edgy and intense study of a conflict that shows no sign of being resolved. Exasperated by the Russian government's attempt to manipulate media coverage of the war, journalist Anna Politkovskaya undertook to go to Chechnya, to make regular reports and keep events in the public eye.In a series of despatches from July 1999 to January 2001 she vividly describes the atrocities and abuses of war, whether it be the corruption endemic in post-Communist Russia, in particular the government and the military, or the spurious arguments and abominable behaviour of the Chechen authorities. In these courageous reports, Politkovskaya excoriates male stupidity and brutality on both sides of the conflict and interviews the civilians whose homes and communities have been laid waste, leaving them nowhere to live, and nothing and no one to believe in.

    Using German sources, the author has investigated an important aspect of the pre-attack deception, the degree to which the German public and armed forces were themselves caught unawares.

    Over the next thirty years he would become her lover, co-ruler, and husband in a secret marriage that left room for both to satisfy their sexual appetites. Potemkin proved to be one of the most brilliant statesmen of the eighteenth century, helping Catherine expand the Russian empire and deftly manipulating allies and adversaries from Constantinople to London.This acclaimed biography vividly re-creates Potemkin’s outsized character and accomplishments and restores him to his rightful place as a colossus of the eighteenth century. It chronicles the tempestuous relationship between Potemkin and Catherine, a remarkable love affair between two strong personalities that helped shape the course of history. As he brings these characters to life, Montefiore also tells the story of the creation of the Russian empire. This is biography as it is meant to be: both intimate and panoramic, and bursting with life.

    Paul Klebnikov pieces together the previous decade in Russian history, showing that a major piece of "the decline of Russia' puzzle lies in the meteoric business career of Boris Berezovsky. Transforming himself from a research scientist to Russia's most successful dealmaker, Berezovsky managed to seize control of Russia's largest auto manufacturer, largest TV network, national airline, and one of the world's biggest oil companies. When Moscow's gangster families battled one another in the Great Mob War of 1993-1994, Berezovsky was in the thick of it. He was badly burned by a car bomb and his driver was decapitated. A year later, Berezovsky emerged as the prime suspect in the assassination of the director of the TV network he acquired. Although plagued by scandal, he enjoyed President Yeltsin's support, serving as the personal financial "advisor" to both Yeltsin and his family. In 1996, Berezovsky organized the financing of Yeltsin's re-election campaign-a campaign marred by fraud, embezzlement, and attempted murder. Berezovsky became the President's most trusted political advisor-playing a key role in forming governments and dismissing prime ministers. Based on hundreds of taped interviews with top businessmen and government officials, secret police reports, contractual documents, and surveillance tapes, Godfather of the Kremlin is both a gripping story and a unique historical document.

    The story of the dynasty's dramatic end has exerted a lasting fascination. This book seeks to widen the picture, looking at the lives of members of the family during the last century of imperial rule, and setting this into the context of the grand palaces in which they lived. It was a time of contrasts, a period in which the Tsars reached the peak of their wealth, prestige and power, yet also faced the growth of forces which would destroy them. In 1817, 100 years before the Revolution, the first Nicholas and Alexander were married in the Winter Palace. This book tells their story, and the stories of their successors, Alexander II, Alexander III and Nicholas II, each trying to steer their own course. It also looks at the lives of their sisters and brothers, and other members of the large Russian royal family, detailing their daily lives.

    1932) is one of the most highly regarded of contemporary artists, and his series of 15 paintings known as October 18, 1977, is one of the 20th century's most famous works on a political theme. It commemorates the day on which three young German radicals, members of the militant Baader-Meinhof group, were found dead in a Stuttgart prison; they were pronounced suicides, but many people suspected that they had been murdered. Richter's paintings, created 11 years after this traumatic event, are among the most challenging works of the artist's career.These hauntingly powerful images, derived from newspaper and police photography, are now in the collection of the Museum of Modern Art, New York, and will be on view beginning in September 2000 as part of the MoMA2000 series of exhibitions. In this book, Robert Storr provides necessary political background to the series, but his approach is art historical, offering insight into the complexities of "history painting" in the modern era.

    But the heroic images of Boris Yeltsin atop a tank in front of Moscow's White House soon turned to grim new realities: a currency in freefall and a war in Chechnya; on the street, flashy new money and a vicious Russian mafia contrasted with doctors and teachers not receiving salaries for months at a time. If this was what capitalism brought, many Russians wondered if they weren't better off under the communists.This new society did not just appear ready-made: it was created by a handful of powerful men who came to be known as the oligarchs and the young reformers. The oligarchs were fast-talking businessmen who laid claim to Russia's vast natural resources. The young reformers were an elite group of egghead economists who got to put their wild theories into action, with results that were sometimes inspiring, sometimes devastating. With unparalleled access and acute insight, Chrystia Freeland takes us behind the scenes and shows us how these two groups misused a historic opportunity to build a new Russia. Their achievements were considerable, but their mistakes will deform Russian society for generations to come.Along with a gripping account of the incredible events in Russia's corridors of power, Freeland gives us a vivid sense of the buzz and hustle of the new Russia, and inside stories of the businesses that have beaten the odds and become successful and profitable. She also exposes the conflicts and compromises that developed when red directors of old Soviet firms and factories yielded to -- or fought -- the radically new ways of doing business. She delves into the loophole economy, where anyone who knows how to manipulate the new rules can make a fast buck. Sale of the Century is a fascinating fly-on-the-wall economic thriller -- an astonishing and essential account of who really controls Russia's new frontier.

    In "Night of Stone," Catherine Merridale asks Russians difficult questions about how their country's volatile past has affected their everyday lives, aspirations, dreams, and nightmares. Drawing upon evidence from rare Imperial archives, Soviet propaganda, memoirs, letters, newspapers, literature, psychiatric studies, and interviews, "Night of Stone" provides a highly original and revealing history of modern Russia.

    In both popular and scholarly usage, colonies are territories whose conquest requires travel overseas. Because Russia's contiguous colonies have generally been viewed as gradual and legitimate enlargements of Russian territory and ethnicity, Russian literature has escaped the scrutiny given to Western literary works. This volume argues that Russia's acts of territorial expansion are a form of colonization, and it employs postcolonial theory to explore Russian literature and the power structures reflected in it.The volume initially overviews issues of nationalism and imperialism and the failure of literary critics to treat Russia as a colonial power. It then places Russian literature within the context of postcolonial theory and discourse. It examines the rhetorical techniques that enabled Pushkin and Lermontov to create a repertoire of colonialist perceptions and stereotypes; it argues that Tolstoy's War and Peace provided Russian culture with its first and arguably most magnificent expression of national self-confidence; and it analyzes the imperial habits of Russian culture manifested in the novels and stories of Anatolii Rybakov and Valentin Rasputin. The book additionally looks at Solzhenitsyn's Cancer Ward; various works of nonfiction, including history textbooks; and the efforts of recent writers to undermine Russian imperialism.

    The stories compose both a moving history of the Chukchi people who inhabit the shores of the Bering Sea, and a beautiful cautionary tale, rife with conflict, human drama, and humor. We meet fantastic characters: Nau, the mother of the human race; Rau, her half-whale husband; and finally, the dark spirit Armagirgin, who attempts to destroy nature's harmony by pitting the two against each other. The Chukchi Bible moves through Arctic tundra, sea, and sky–and beyond–introducing readers to an extraordinary mythology and a resilient people, in hauntingly poetic prose.Yuri Rytkheu was born in 1930 in the Chukotka Peninsula of the northeastern tip of Siberia, home of the Chukchi, a disappearing people inhabiting one of the most majestic and inhospitable environments on earth.

    

    Moreover, in the 1990s Russia twice went to war in the Caucasus, and suffered a humiliating defeat at the hands of a nation so tiny that it could fit into a single district of Moscow.What is it about the Caucasus that makes the region so restless, so unpredictable, so imbued with heroism but also with fanaticism and pain? In Highlanders, Yo'av Karny offers a better understanding of a region described as a "museum of civilizations," where breathtaking landscapes join with an astounding human diversity. Karny has spent many months among members of some of the smallest ethnic groups on earth, all of them living in the grim shadow of an unhappy empire. But his book is a journey not only to a geographic region but also to darker sides of the human soul, where courage vies with senseless vindictiveness; where honor and duty require people to share the present with long-dead ancestors, some real, some imaginary; and where an ancient way of life is drawing to an end under the combined weight of modernity and intolerance.

    Fish is an expansive, gripping, often controversial story of the intimate fallout of imperial collapse, from one of Russia's most important writers.In the wake of the Soviet breakup, inexorable forces drag Vera ("Faith" in Russian) from the desert of Central Asia, to exile in Southern Russia, to a remote forest-bound community of Estonians, to the chaos of Moscow. Facing a relentless onslaught of human and social trials, Vera swims against the current of life, countering the adversity and pain she meets with compassion and hope. Suffering through rape, abuse, dislocation and exile, Vera personifies Mother Russia's torment and resilience amid the Soviet disintegration. Nicknamed "Fish" by her abusive husband, who feels she is cold and unfeeling, Vera in fact discovers she has a powerful gift to alleviate the suffering of others, while she can do little to fend off the adversity that buffets her own life.Aleshkovsky's work is remarkable for his commitment to the realistic novel tradition. Indeed, Fish is the first Russian novel to grapple with post-Soviet colonial otherness without transposing it into a fantastic, post-apocalyptic realm or reducing it to black-and-white conflicts of the popular detective genres. Stylistically, Aleshkovsky s prose most closely resembles the work of Vassily Aksyonov or Lyudmila Petrushevskaya, with its mastery of evocative detail and mystical undercurrents. The male author's choice of a first-person, female narrator (extremely rare in Russia) makes Fish all the more significant.

    The book includes documentary source material and photographs of film stars like Greta Garbo wearing couture designed by Russian emigres.

    Five years later, in the face of official opposition, Leandro married a Ngadjon Aboriginal woman, Kitty Clarke. Following her death in 1925 he raised their six children by himself in outback Queensland, struggling to eke out a living in the bush. Part biography, part history and part detective story, My Dark Brother is a fascinating book about an extraordinary family.

    Anyone wishing to keep up with contemporary Russian will search existing dictionaries in vain for such words as "cash machine," "road rage," "mobile phone," and many other terms reflecting the rapidly changing reality in the former Soviet Union. This completely revised edition of The Oxford Russian Dictionary is the first to incorporate those changes. Offering a comprehensive look at both languages, it includes over 185,000 words and phrases and 290,000 translations. The dictionary provides exceptional coverage of regional Russian, British, and American dialects as well as of modern idioms and colloquial usage, with numerous illustrative examples. It also includes all common abbreviations and acronyms, such as DTP, ROM, AIDS, and others; helpful advice on difficult points of grammar; and pronunciation in the International Phonetic Alphabet for every English headword, an indispensable aid for Russian speakers. Features include:- - Over 185,000 words and phrases, and 290,000 translations to provide comprehensive coverage of contemporary Russian and English- - All the latest vocabulary from "hyperinflation" to "multimedia" and from "cash machine" to "electronic security system" and "road rage"- - Special emphasis on current idioms and colloquial usage with thousands of examples to illustrate their use- - The latest business, computing, and specialist vocabulary along with common abbreviations and acronyms- - Attractive layout to facilitate ease of use, improved typography, and Russian alphabet at the foot of each page Unsurpassed in convenience and in comprehensive, reliable coverage, this new edition of The Oxford Russian Dictionary will be the first choice for students, teachers, translators, and anyone who needs to keep abreast of the Russian language as it is spoken today.

    Panzerarmee, and is supported by over 210 photographs and maps.

    Therefore, the media's primary concern is to regain that trust through the production of sincerity. Advancing the field of media studies in a truly innovative way, Boris Groys focuses on the media's affect of sincerity and its manufacture of trust to appease skeptics.Groys identifies forms of media sincerity and its effect on politics, culture, society, and conceptions of the self. He relies on different philosophical writings thematizing the gaze of the other, from the theories of Heidegger, Sartre, Mauss, and Bataille to the poststructuralist formulations of Lacan and Derrida. He also considers media "states of exception" and their creation of effects of sincerity--a strategy that feeds the media's predilection for the extraordinary and the sensational, further fueling the public's suspicions. Emphasizing the media's production of emotion over the presentation (or lack thereof) of "facts," Groys launches a timely study boldly challenging the presumed authenticity of the media's worldview.

    In the diverse communities of the world, healing roles are assumed by faithhealers, shamans, psychotherapists, priests, performers, and even poets. Specifically, The Last of the Medicine Men examines the form and function these enigmatic characters take in four different cultures -- the provincial towns of Haiti and the Dominican Republic, the jungles of Siberut Island, the wastes of Siberia, and the arid mountains of Mexico. The author investigates roles of medicine men by observing their customs -- even taking part in these rituals himself -- unveiling the varied, complex, and colorful spirits of Shamanism and suggesting what we in the Western world can learn from them.

    It includes extracts representing the best of the language, by renowned writers such as Pushkin, Gogol', Dostoevsky, Tolstoy, Chekhov, Bulgakov, Mandel'shtam, and Kharms.Setting language learning in an entertaining, real, and enlightening real life framework, the book reveals what most readers want to know about Russian (but are usually too afraid to ask). Learn Russian will not teach you how to buy an ice-cream or ask directions to the Kremlin, but it will give you the opportunity to read some of Russia's greatest literature in the original along with learning something of Russia's rich culture and life.

    The novel is filled with people claiming to be the Messiah, swindlers and the swindled, Jewish and Christian pilgrims, homosexuals, journalists, Holocaust survivors, Palestinian Arabs, children, and pets—a story told with as much humor as pathos.Dina Rubina lives in Ma’aleh Adumim, Israel. She is the author of two other long novels. Her work has been translated into 12 languages, and a three-volume collection of her work in Russian is forthcoming.Daniel M. Jaffe is a fiction writer and translator of Russian literature.

    It is only in the past twenty five years that scholars have begun to investigate the women who dedicated themselves to the cause of revolution. What then of the women who joined the revolutionary movement, and particularly the Bolshevik party, in their thousands? Revolutionary women in Russia is the first sustained analysis of female involvement in the revolutionary era of Russian history. By placing women centre stage, without exaggerating their involvement, this study enriches our understanding of women and revolutionary politics, and also provides a revealing insight in to this momentous period of Russian history. Revolutionary women in Russia is a powerful study of working women and Russian Marxism, which aims to engage readers with descriptions of 'real' revolutionary women. Based on a variety of sources that have not been previously translated into English, this book will appeal to all those with an interest in the Russian Revolution, twentieth-century history and gender studies.

    A collection of life stories of Russian women in the first half of the twentieth century, In the Shadow of Revolution brings together the testimony of Soviet citizens and �migr�s, intellectuals of aristocratic birth and Soviet milkmaids, housewives and engineers, Bolshevik activists and dedicated opponents of the Soviet regime. In literary memoirs, oral interviews, personal dossiers, public speeches, and letters to the editor, these women document their diverse experience of the upheavals that reshaped Russia in the first half of this century.As is characteristic of twentieth-century Russian women's autobiographies, these life stories take their structure not so much from private events like childbirth or marriage as from great public events. Accordingly the collection is structured around the events these women see as touchstones: the Revolution of 1917 and the Civil War of 1918-20; the switch to the New Economic Policy in the 1920s and collectivization; and the Stalinist society of the 1930s, including the Great Terror. Edited by two preeminent historians of Russia and the Soviet Union, the volume includes introductions that investigate the social historical context of these women's lives as well as the structure of their autobiographical narratives.

    Russian soul has historically appeared as a myth, a consoling fiction, and a trope of national and individual self-definition that drew romantic foreigners to Russia. Dale Pesmen shows that in the 1990s this soul was scorned, worshipped, and used to create, manipulate, and exploit cultural capital. Pesmen focuses on soul in part as what people chose to do and how they did it, especially practices considered definitive of Russians, such as hospitality, the use of alcoholic beverages, steam baths, Russian language, music, and suffering. Attempting to avoid narrow definitions of soul as a thing, Pesmen developed a new way of structuring ethnographic interviews.During her stay in a formerly closed military industrial city and surrounding villages, Pesmen spent time on public transportation and in kitchens, steam baths, vegetable gardens, shops, and workplaces. She uses stories from her fieldwork along with examples from the media and literature to introduce a phenomenology of russkaia dusha and of related American and other non-Russian metaphysical notions, exploring diverse elements in their makeup, examining and questioning the world created when people believe in the existence of such deep, vast, enigmatic, internal centers. Among theoretical issues she addresses are those of power, community, self, exchange, coherence, and morality. Pesmen's attention to dusha gives her a multifaceted perspective on Russian culture and society and informs her rich portrayal of life in a Russian city at a historically critical moment.

    Prime Minister and Minister of Internal Affairs from 1906 to 1911 (when he was assassinated), P. A. Stolypin aroused deep passions among his contemporaries as well as subsequent historians.In the twilight of Nicholas II’s reign he was virtually the only man who seemed to have a clear notion of how to reform the socioeconomic and political system of the empire. His efforts in that direction—in agriculture, local administration, religious freedom, social legislation, the legal system—were radically new departures for the Russian state. His detractors disdained him as a power-hungry, coldhearted politician who was unscrupulous in pursuing his own career and would use any means to restore the tsarist autocracy following the frightening turbulence of 1905. Stolypin’s admirers, however, argued that he was a man of vision who pursued policies that would have transformed the country into a modern state with social and political institutions comparable to those of the West.Lenin’s celebrated denunciation of Stolypin as “hangman-in-chief” set the tone for official Soviet work on his career. In the West, some historians and émigré writers, most notably Aleksandr Solzhenitsyn, erred in the opposite direction. By contrast, this book—on the basis of extensive Russian archival documentation only recently available to historians—seeks to provide a balanced portrait of Stolypin that encompasses the complex, even divergent, impulses that motivated him.Although Stolypin did not shrink from the use of force to stamp out unrest, he lamented the shedding of blood and much preferred nonviolent means to curb the opposition. In foreign affairs, he was uncompromising in his insistence that Russia should avoid entanglements that could lead to military conflict. To be sure, he was deeply committed to monarchical rule, but he did not consider it advisable to abolish the elected legislature or to deprive it of its authority. Stolypin’s program, a blend of reformism, authoritarianism, and nationalism, was more likely than any other to lead Russia toward social and political stability. But Tsar Nicholas II, his entourage, and ultra-conservatives could not bring themselves to yield a portion of their privileges and prerogatives in return for a reduced, though still significant, role in a changed Russia. They succeeded in undermining the Prime Minister’s attempts at fundamental reform and thus scuttled Imperial Russia’s last such attempt before its demise.

    a book of signal significance” (The Saturday Review) “gives a vivid picture of (Soviet) courts at work, and therefore, since it is very good reporting, as sharp a picture of (Soviet) life and people... it is an entrancing book.” (The Economist) “The most vivid reportage in years.” —The New Statesman Extraordinary, compelling (and) an inspired achievement,” (The London Listener) it is “the most interesting, perceptive and refreshing book by an American on life in the Soviet Union since time out of mind.” (Newsweek)

    An evaluation of this phenomenon is significant for assessments of current and future international developments and especially some “worst-case scenarios” in light of further steps towards European integration, NATO expansion, and of future regional conflicts. This analysis is also crucial for theoretical and popular discussions about the course of democratic transition, as well as the practical aspects of the nature of relations between democracies. Shiraev and Zubok investigate to what extent Russian anti-Americanism is a phenomenon of a democratic polity and thus challenges a quite popular “democratic peace” thesis stating that spread of democracy makes international tension and conflicts far less frequent and profound.

    Thompson, Ames and Taibbi cover everything from decadent club scenes to the nation's collapsing political and economic systems - no person or institution is spared from their razor sharp satiric viewpoint. They take you beneath the surface of the Russia that most Western journalists cover, bringing to life the metropolis that Ames describes as "manic, nihilistic, grotesque, horrible; and yet, in its own way, far superior to any city on Earth." Featuring artwork and articles from their groundbreaking newspaper, The eXile is the inside story of how the tabloid came to be and how Ames and Taibbi broke their biggest stories - all the while playing hysterically vicious practical jokes, racking up innumerable death threats, and ingesting a motherlode of speed. It's a darkly funny, up-close profile of the sordid underbelly of the New World Order that you will never forget.

    Drawing on hundreds of eyewitness accounts by French and allied soldiers of Napoleon's army, this brilliant study recreates a landmark military campaign in all its death and glory.

    GorsuchA vivid account of Bolshevik efforts to "Sovietize" young people in the 1920s."A very impressive work--broad, learned, and very readable." --Lynn Mally"A welcome and fascinating addition to the social and cultural history of the 1920s in Russia and to the comparative study of youth politics and culture in contemporary Europe and elsewhere." --Mark von HagenIn Bolshevik Russia, the successful transformation of young people into communists was crucial for the future of the Soviet state. Soviet youth needed to be shaped into communists in every aspect of their daily lives--work, leisure, gender relations, and family life. But how could the Bolsheviks accomplish this enormous project? What did it mean to be "made communist"? What were the consequences if prerevolutionary and "bourgeois" culture and social relations could not be transformed into new socialist forms of behavior and belief? Drawing from a wide range of sources--diaries, party speeches, propagandistic writings, scientific studies, and literature--Anne E. Gorsuch reveals the rich diversity of youth cultures in Soviet Russia during the 1920s. She explores the relationship between representation and reality and between official ideology and popular culture, along with the meaning of these relationships for the making of a Soviet state and society. From the clash between ultracommunist visions of what Russian young people should be and the flamboyant style of flappers and foxtrotters so prominently imported from the capitalist West, emerges a vivid picture of the construction of Soviet youth. Thoughtful and appealing, Youth in Revoluntionary Russia is essential reading for those interested in popular culture and Soviet history.Anne E. Gorsuch is Assistant Professor of History at the University of British Columbia.Indiana-Michigan Series in Russian and East European Studies--Alexander Rabinowitch and William G. Rosenberg, editorsContentsIntroduction: Youth and CultureThe Politics of Generation The Urban EnvironmentMaking Youth CommunistExcesses of EnthusiasmGender and GenerationFlappers and FoxtrottersLife and Leisure on the StreetDiscourses of DelinquencyEpilogue

    policy during the Cold War and helped stabilize relations between the two super powers.

    They knew each other only six years; they were married for three of them until his death in July, 1904. During those six years his health and her work kept them apart most of the time. Their love story is told through the roughly 400 letters written by each of them.

    Gregory Mitrovich argues, however, that the policy of containment was only the first step in a clandestine campaign to destroy Soviet power. Drawing on recently declassified U.S. documents, Mitrovich reveals a range of previously unknown covert actions launched during the Truman and Eisenhower administrations. Through the aggressive use of psychological warfare, officials sought to provoke political crisis among key Soviet leaders, to incite nationalist tensions within the USSR, and to foment unrest across Eastern Europe.Mitrovich demonstrates that inspiration for these efforts did not originate within the intelligence community, but with individuals at the highest levels of policymaking in the U.S. government. National security advisors, Mitrovich asserts, were adamant that the Soviet threat must be eliminated so the United States could create a stable, prosperous international system. Only the shifting balance of power caused by the development of Soviet nuclear weapons forced U.S. leaders to abandon their goal of subverting the Soviet system and accept a world order with two rival superpowers.

    There may be numerous typos or missing text. There are no illustrations or indexes. When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free. You can also preview the book there.