Based on the novella Rita Hayworth and The Shawshank Redemption by Stephen King, director/screenwriter Frank Darabont's film, starring Tim Robbins and Morgan Freeman, was nominated for seven Academy Awards®, including Best Picture and Best Screenplay and has been named one of the 100 Best Films of All Time by the American Film Institute.The Newmarket Shooting Script Series® book includes: Introductions by Stephen King and Frank Darabont Complete shooting script Analysis of script-to-screen changes Behind-the-scenes photos Storyboards Complete cast and crew credits "Memo from the Trenches" by Frank Darabont

    Told in short bursts of "Time," the narrative takes the form of a stylized fable, an epic allegory about the inexorable grind of time and the clash between modernity (the masculine) and nature (the feminine) in which Poland's tortured political history from 1914 to the contemporary era and the episodic brutality visited on ordinary village life is played out. A novel of universal dimension that does not dwell on the parochial, Primeval and Other Times was hailed as a contemporary European classic and heralded Tokarczuk as one of the leading voices in Polish as well as world literature.

    In six stories and the novella, Bounty, Saunders introduces readers to people struggling to survive in an increasingly haywire world.

    This complete edition brings together all the poems of Carver’s five previous books, from Fires to the posthumously published No Heroics, Please.  It also contains bibliographical and textual notes on individual poems; a chronology of Carver’s life and work; and a moving introduction by Carver’s widow, the poet Tess Gallagher.

    Valleys are nothing new for any of us. Some of you may be in a valley right now, or, since you never know what’s around the corner, you may be on the brink of tottering into yet another valley. Or maybe you’ve just survived a valley that you swear you’ll never revisit—but guess what? That’s precisely the valley you’ll probably see again. And again. Being in a valley can be a lonely and bewildering experience. This book was written to help you feel less lonely by reminding you that you really aren’t ever alone since God is always by your side, but more important, you are always by your own side. No matter how dire the situation may seem, no matter how dark and bleak the valley may be, you have all you need within you to survive the valley—any valley. Even though you may not know how you got into the valley in the first place, you do know, deep inside yourself, how to get through and out and free. You just need a little faith in yourself and a little guidance to find that faith within yourself. When you are at your wit’s end, take this little book and let it guide you toward the ever-present but often elusive light at the end of the tunnel. Faith in the Valley is designed to help you find the light when you need it most—when you’re in that damn tunnel. When you’re most confused and in the dark and clueless as to how you got there (again!) and when you’re trying to figure out not just how to get out, but stay out. For good. Faith in the Valley has helped so many through so much that we felt it only fitting to issue this lovely gift edition to acknowledge the special place it holds in many hearts. Please share it with a friend who has served as your beacon in the past, or offer it to yourself as a reminder of the strength and wisdom you possess and can offer to others. Iyanla

    In this reappraisal of America's dilemma of racial and economic inequality, Thomas Sugrue asks why Detroit and other industrial cities have become the sites of persistent racialized poverty.

    As two pals wander the streets of Belfast in search of something better--a better pint, a better job, a better woman, a better now--readers are treated to their hilarious misadventures, political intrigues, and outlandish schemes.

    Murrow and his legendary band of CBS radio journalists - Charles Collingwood, Howard K. Smith, William Shirer, Eric Sevareid, and others - as they "paint pictures in the air" from the World War II front. Brimming with personalities and anecdotal detail, it also serves up a sharp-eyed account of where the craft went wrong after the war, when vanity and commercialism increasingly intruded."This is history at its best," said Ted Anthony of AP News.

    Here we encounter a blind piano tuner whose wonderful memories of his first wife are cruelly distorted by his second; a woman in a difficult marriage who must choose between her indignant husband and her closest friend; two children, survivors of divorce, who mimic their parents' melodramas; and a heartbroken woman traveling alone in Italy who experiences an epiphany while studying a forgotten artist's Annunciation. Trevor is, in his own words, 'a storyteller. My fiction may, now and again, illuminate aspects of the human condition, but I do not consciously set out to do so.' Conscious or not, he touches us in ways that few writers even dare to try.

    Gallant was never afraid to push the boundaries of the form: many of her longer stories stray into novella territory, and even her shortest pieces often defy the expectations created in the first few pages. Gallant's characters are almost all exiles of one sort or another, 20th century seekers often marked by World War II and its aftermath. Gallant, a Canadian expatriate, spent much of her life in Paris, and that city of exiles and emigres provides the setting for some of her most memorable stories.

    From the heartwrenching times young Frank spent in the slums of Ireland to his struggle for the American dream as an impoverished immigrant, readers can now have both of McCourt's remarkable memoirs conveniently combined in one elegant package.

    In addition to a new introduction by Jack Flam, The Collected Writings includes previously unpublished essays by Smithson and gathers hard-to-find articles, interviews, and photographs. Together these provide a full picture of his wide-ranging views on art and culture.

    In juxtaposing an operational with a cultural theme, the author comes closer than any historian yet to explaining what was behind the often described operations of this famous 1916 battle at Jutland. Although the British fleet was victorious over the Germans, the cost in ships and men was high, and debates have raged within British naval circles ever since about why the Royal Navy was unable to take advantage of the situation. In this book Andrew Gordon focuses on what he calls a fault-line between two incompatible styles of tactical leadership within the Royal Navy and different understandings of the rules of the games.

    Mueller captures the glamour and grittiness of Cookie Mueller?s life and times. Here are previously unpublished stories - wacky as they are enlightening - along with favorites from Walking Through Clear Water in a Pool Painted Black and other publications. Also the best of Cookie?s art columns from Details magazine, and the funniest of her advice columns from the East Village Eye, on everything from homeopathic medicine to how to cut your cocaine with a healthy substance. This collection is as much an autobiography as it is a map of downtown New York in the early ?80s - that moment before Bright Lights, Big City, before the art world exploded, before New York changed into a yuppie metropolis, while it still had a glimmer of bohemian life.

    The brightest girl in her class, Ruth had planned to attend college but the realisation that she was pregnant forced her to abandon all hopes of a career. Now, five years later, she still lives in Shepherd's Bush with her parents, twin brothers and daughter, Jenny. Conscious of a need to make ends meet, Ruth works as a shop assistant at the local chemist while her mother looks after Jenny. Ruth's best friend Kitty bitterly resents what has happened, but never once does Ruth regret the outcome of that magical night. And the joy that Jenny brings is ample reward for the sacrifices she has made. Ruth meets someone new and tries to put the past behind her, but yesterday's friends have an uncanny way of catching up with her and when her father turns up unexpectedly, Ruth's world is thrown into confusion once again...

    Childless Medea is the touchstone of a large family, which gathers each spring and summer at her home. There are her nieces (sexy Nike and shy Masha), her nephew Georgii (who shares Medea’s devotion to the Crimea), and their friends. In this single summer, the languor of love will permeate the Crimean air, hearts will be broken, and old memories will float to consciousness, allowing us to experience not only the shifting currents of erotic attraction and competition, but also the dramatic saga of this family amid the forces of dislocation, war, and upheaval of twentieth-century Russian life.

       The Beauty Queen of Leenane was first presented as a Druid Theatre/Royal Court Theatre co-production in January 1996.

    As he does, other matters insistently crowd his mind - literary and cultural anecdotes, endless quotations attributed and not, scholarly curiosities - the residue of a lifetime's reading which is apparently all he has to show for his decades on earth. Out of these unlikely yet incontestably fascinating materials - including innumerable details about the madness and calamity in many artists' and writers' lives, the eternal critical affronts, the startling bigotry, the countless suicides - David Markson has created a novel of extraordinary intellectual suggestiveness. But while shoring up Reader's ruins with such fragments, Markson has also managed to electrify his novel with an almost unbearable emotional impact. Where Reader ultimately leads us is shattering.

    Written as short monologues, each of these powerful, early works of autobiographical fiction is spoken in the voice of a character he stumbles upon during travels throughout America.

    In this his masterful novel, António Lobo Antunes, "one of the most skillful psychological portraitists writing anywhere, renders the turpitude of an entire society through an impasto of intensely individual voices." (The New Yorker)The protagonist and anti-hero Senhor Francisco, a powerful state minister and personal friend of Salazar, expects to be named prime minister when Salazar is incapacitated by a stroke in 1968. Outraged that the President (Admiral Américo Tomás) appoints not him but Marcelo Caetano to the post, Senhor Francisco retreats to his farm in Setúbal, where he vaguely plots a coup with other ex-ministers and aged army officers who feel they've been snubbed or forgotten. But it's younger army officers who in 1974 pull off a coup, the Revolution of the Flowers (so called since no shots were fired, carnations sticking out of the butts of the insurgents' rifles), ending 42 years of dictatorship. Senhor Francisco, more paranoid than ever, accuses all the workers at his farm of being communists and sends them away with a brandished shotgun, remaining all alone - a large but empty shadow of his once seeming omnipotence - to defend a decrepit farm from the figments of his imagination.When the novel opens, Senhor Francisco is no longer at the farm but in a nursing home in Lisbon with a bedpan between his legs, having suffered a stroke that left him largely paralyzed. No longer able to speak, he mentally reviews his life and loves. His loves? In fact the only woman he really loved was his wife Isabel, who left him early on, when their son João was just a tiny boy. Francisco takes up with assorted women and takes sexual advantage of the young maids on the farm, the steward's teenage daughter, and his secretaries at the Ministry, but he can never get over the humiliation of Isabel having jilted him for another man. Many years later he spots a commonplace shop girl, named Milá, who resembles his ex-wife. He sets the girl and her mother up in a fancy apartment, makes her wear Isabel's old clothes, and introduces her to Salazar and other government officials as his wife, and everyone goes along with the ludicrous sham, because everything about Salazar's Estado Novo ("New State") was sham - from the rickety colonial "empire" in Africa to the emasculate political leaders in the home country, themselves monitored and controlled by the secret police.Once the system of shams tumbles like a castle of cards, Francisco's cuckoldry glares at him with even greater scorn than before, and all around him lie casualties. Milá and her mother return to their grubby notions shop more hopeless than ever, because the mother is dying and Milá is suddenly a spinster without prospects. The steward, with no more farm to manage, moves his family into a squalid apartment and gets a job at a squalid factory. The minister's son, raised by the housekeeper, grows up to be good-hearted but totally inept, so that his ruthless in-laws easily defraud him of his father's farm, which they turn into a tourist resort. The minister's daughter, Paula, whom he had by the cook and who was raised by a childless widow in another town, is ostracized after the Revolution because of who her father was, even though she hardly ever knew him.Isabel, the ex-wife, also ends up all alone, in a crummy kitchenette in Lisbon, but she isn't a casualty of Senhor Francisco or of society or of a political regime but of love, of its near impossibility. Disillusioned by all the relationships she had with men, she stoutly resists Francisco's ardent attempts to win her back, preferring solitude instead.We have to go to the housekeeper, Titina, this novel's most compelling character, to find hope of salvation, however unlikely a source she seems. Unattractive and uneducated, Titina never had a romantic love relationship, though she secretly loved her boss, who never suspected. She ends up, like him, in an old folks' home, and like him she spends her days looking back and dreaming of returning to the farm in its heyday. Old age is a great equalizer. And yet the two characters are not equal. Titina retains her innocence. But it's not the innocence of helpless inability - the case of João, Francisco's son - nor is it the pathetic innocence of Romeu, the emotionally and mentally undeveloped co-worker by whom Paula has a son. Titina isn't helpless or ingenuous, and she isn't immune to the less than flattering human feelings of jealousy, impatience and anger. But she never succumbs to baser instincts. She knows her worth and cultivates it. She is a proud woman, but proud only of what she really is and what she has really accomplished in life.At one level (and it operates at many), The Inquisitors' Manual is an inquiry into the difficult coexistence of self-affirmation and tenderness toward others. Their correct balance, which equals human dignity, occurs in the housekeeper.

    Other poets include Sandburg, Frost, Ginsburg, Browning, Sexton, Yeats, Lowell, Levertov & more.

    But because Mama couldn't find anyone who thought Avocet was a fine name for a child, she called me Bird. Which is okay by me. She named both her children after birds, her logic being that if we were named for something with wings then maybe we'd be able to fly above the shit in our lives. . . .                       So says Bird Jackson, the mesmerizing narrator of Connie May Fowler's vivid and brilliantly written, Before Women Had Wings.                       Starstruck by a dime-store picture of Jesus, Bird fancies herself "His girlfriend" and embarks upon a spiritual quest for salvation, even as the chaos of her home life plunges her into a stony silence. In stark and honest language, she tells the tragic life of her father, a sweet-talking wanna-be country music star, tracks her older sister's perilous journey into womanhood, and witnesses her mother make a courageous and ultimately devastating decision.                      Yet most profound is Bird's own story--her struggle to sift through the ashes of her parents' lives, her meeting with Miss Zora, a healer whose prayers over the bones of winged creatures are meant to guide their souls to heaven, and her will to make sense of a world where fear is more plentiful than hope, retribution more valued than love. . . .                     "A thing of heart-rending beauty, a moving exploration of love and loss, violence and grief, forgiveness and redemption."           --Chicago Tribune                      "There is no denying the depth of Connie May Fowler's talent and the breadth of her imagination."           --The New York Times Book Review                      "Brilliant."           --The Boston Sunday Globe

    He begins with a mystery: Why is the most important god in the Rg Veda, the oldest of India's sacred texts, known by a secret name--"Ka," or Who?What ensues is not an explanation, but an unveiling. Here are the stories of the creation of mind and matter; of the origin of Death, of the first sexual union and the first parricide. We learn why Siva must carry his father's skull, why snakes have forked tongues, and why, as part of a certain sacrifice, the king's wife must copulate with a dead horse. A tour de force of scholarship and seduction, Ka is irresistible.

    These fantastic, dreamlike, and even philosophical tales conjure up a world where the creatures of the earth can send mail to the sun (and get an answer); where you can actually write a letter to a letter; and where just writing something down can make it come true.Jessica Ahlberg’s alluring artwork captures the unique spirit of the whimsical, charming fables.

    Today, these houses have been preserved as sites and museums that thousands of fans visit every year. The Little House Guidebook contains detailed information on these sites, as well as guidance on where to eat and stay, and other places to explore in the surrounding areas. Special features included colored tabs on each chapter for easy reference, a room-by-room tour of Laura's Rocky Ridge Farmhouse, and a walking tour and street map of De Smet, Laura's little town on the prairie, as well as guidance on how to get to the sites, where to eat and stay, and other places to explore in the surrounding areas.Lavishly illustrated throughout with beautiful full-color photographs of Laura's houses and memorabilia, and gently colorized versions of Garth Williams' original art from the Little House books, this guidebook is the perfect companion for anyone who wants to visit Laura's little houses or just read about them.

    Furthermore, Lean's family and friends - from the son from whom he was estranged, to the women who loved him - talk frankly about his complex personality: a man who was charming, self-deprecating, autocratic and ruthless, and yet surprisingly generous. Brownlow's definitive biography of Lean leaves the reader with an understanding of the man and an appreciation of his cinematic achievement.

    At the heart of this bold and seductive novel is an alleged crime committed many years before the story opens. Mala is the reclusive old woman suspected of murder who is delivered to the Paradise Alms House after a judge finds her unfit to stand trial. When she arrives at her new home, frail and mute, she is placed in the tender care of Tyler, a vivacious male nurse, who becomes her unlikely confidante and the storyteller of Mala's extraordinary life.In luminous, sensual prose, internationally acclaimed writer Shani Mootoo combines diverse storytelling traditions to explore identity, gender, and violence in a celebration of our capacity to love.

    Winter or summer, they would meet at the old wooden house by the waterside to confide all the secrets and heartaches of childhood and adolescence. There was Robin, idealistic and clever, destined for Cambridge; Maia, the most beautiful and ambitious of the three, looking for a rich husband; and quiet Helen, living under the seemingly benevolent tyranny of her widower father, the local vicar. Adulthood separates the three girls, and Robin, abandoning ideas of university, goes to London to work amongst the poor, meeting there her first great love, the handsome but brittle Francis. Maia's ideal marriage to a wealthy man ends in tragedy and Helen, meanwhile, kept in near-imprisonment by her obsessively protective father, has her very sanity threatened. Amid political and social upheaval, these three women must find their way in a world changed for ever.

    From art and cinema, through politics, bodybuilding, science fiction and the city, they both reflect and challenge these times of radical change and puzzlement. Matching guts to theory, anger with compassion, Acker offers original views on the likes of Peter Greenaway, Samuel Delaney, Burroughs, de Sade, and Cronenberg's Crash. Collectively, these essays offer the reader a journey into strangeness, provocation and delight.

    The debut work in English by Mexico's greatest and most influential living author and winner of the Cervantes Prize ("the Spanish language Nobel"), The Art of Flight takes the reader on a whirlwind tour of the world's cultural capitals as Sergio Pitol looks back on his well-traveled life as a legendary author, translator, scholar, and diplomat.The first work in Pitol's "Trilogy of Memory," The Art of Flight imaginatively blends the genres of fiction and memoir in a Borgesian swirl of contemplation and mystery, expanding our understanding and appreciation of what literature can be and what it can do.

    The gaucheness, the rush of excitement, and the inarticulate tenderness of young love are beautifully captured in writing of great truth and delicacy. Only the most irrational of homophobes could fail to be moved by it."—Daily Telegraph"Deliciously upbeat ... seldom has there been a play which so exquisitely and joyously depicts what it's like to be sixteen, in the first flush of love and full of optimism. Truly a most unusual and beautiful thing."—Guardian"An unfakeably truthful portrait of adolescent self-discovery, showing sensitivity and fun pushing up like wild flowers through the concrete crevices of a Thamesmead estate. This is the most heartening working-class comedy since A Taste of Honey."—Independent on Sunday

    . . his details are fantastically clear. His clear direct language is no transformative--it's not about one thing changing another--but a descriptive language, about the way things are".--Robert Bly.

    But is it safe to assume that once we are saved, we are saved for always?David Pawson investigated this through biblical evidence, historical figures such as Augustine, Luther and Wesley, and evangelical assumptions about grace and justification, divine sovereignty and human responsibility. He asks whether something more than being born again is required so that our inheritance is not lost. This book helps us to deicde whether 'once saved, always saved' is real assurance or a misleading assumption. The answer will have profound effects on the way we live and disciple others.

    Their delicious letters, most never before published (for fear of speaking ill of the living), provide colorful glimpses of both lives, of an enduring but thorny friendship, and of the literary and social circles of London and Paris at midcentury. Waugh and Mitford came out of the group of London socialites known as the Bright Young Things; they both found best-selling success in the 1940s, Waugh with Brideshead Revisited, Mitford with The Pursuit of Love. In their letters they sharpened their wits at the expense of friends and enemies alike and eagerly dissected their friends, including Harold Acton, Graham Greene, the Sitwells, Duff and Diana Cooper, Randolph Churchill, and their favorite butt, Cyril Connolly. Waugh's pessimistic brand of Roman Catholicism clashed with Mitford's cheerful iconoclasm; her francophilia only fueled he

    In a long preface, "Frame Structures," written especially for this volume, Howe suggests the autobiographical, familial, literary, and historical motifs that suffuse these early works. Taken together, the preface and poems reflect her rediscovered sense of her own beginnings as a poet, her movement from the visual arts into the iconography of the written word.Susan Howe is a professor of English at the State University of New York—Buffalo. Most of her later poetry has been collected in The Nonconformist's Memorial (New Directions, 1993), The Europe of Trusts: Selected Poems (Sun Moon Press, 1990), and Singularities (Wesleyan University Press, 1990). She is also the author of two landmark books of postmodernist criticism, The Birth-mark: unsettling the wilderness in American literary history (Wesleyan University Press, 1993) and My Emily Dickinson (North Atlantic Books, 1985).

    In crackling prose, she describes homes ruled by bullies, psychopaths, and delinquents; families whose conflict resolution techniques range from grand theft to homicide; kids who have nowhere to go and a lifetime to get there.

    In these poems written since publication of his Collected Shorter Poems, 1946-1991, which won the National Book Critics Circle Award, he speaks with intimate and urgent clarity of love late in life, and in heartrending poems addresses his daughter's struggle against cancer. In others he engages the loves, friendships, and social concerns of a lifetime. With passion and pathos and great good humor, in poems that could only be written by a mature poet at the height of his powers, Carruth achieves a nobility of vision that is rare in any age.

    His highly colorful characters, inimitable looniness and love of nature which emanates from every page have appealed to countless generations of readers, old and young.

    It is the story of Solomon Wilberforce, a magnetic and brilliant man who writes bestselling children's books under the name Beento Blackbird and who has dedicated himself to educating the far-flung children of African descent about their glorious heritage. And it is also the story of the three women who love him: Miriam, the Caribbean midwife who delivered him into the world when she was nine years old; Samantha, his beautiful, talented, and utterly modern New York book agent; and Ashia, an innocent woman-child who awaits him in her native village in Ghana. Solomon spends one season a year with each of these very different women. But when a family tragedy brings him to New York out of season, he finds that the neat compartments that once separated Miriam, Sam, and Ashia begin to fold in on one another. In a life that was once ordered by the cadence of nature itself, suddenly nothing is certain - and Solomon and the women he loves will never be the same again.

    The evening consisted of six Durang one act plays. It was directed by Walter Bobbie; set was by Derek McLane, costume by David C. Woolard, lighting by Brian Nason, sound design by Tony Meola; production stage manager was Perry Cline, stage manager was Greg Fletcher. Durang/Durang is an evening of six one acts. It is thus not a full length play, but it is a full evening.

    The narrator, an anonymous graduate student, sets off on the trail of a French novelist named Paul Michel, who is currently confined to an asylum. Engineering his hero's release, the narrator finds himself enmeshed in bizarre love triangle, of which the three vertices are himself, the novelist, and the late Michel Foucault. Sex, it seems, can be made safe, but the oddball intimacy of reading cannot.

    His furtive departure makes it unlikely that he will ever return, but he and his family agree a bright future lies ahead. He meets an English woman and they build a life together. She is writing a thesis on narrative theory; he becomes a teacher in a cramped London school. His release is to weave stories, often fictional, for her and her comfortably suburban parents. These are romantic and reassuring tales of postcolonial Africa, of the scented terrace where he would sit and listen to his mother's lyrical voice. But for all these stories of warmth and hospitality, the man has not heard from his family since his departure, nor has he written to tell them of his new life. And then the barriers come down and he is able, finally, to return for a visit. He finds a different country, more ramshackle than he had ever imagined or remembered, a country that allows him to see his life with a new clarity. Out of this confrontation he comes to understand the transformations that have befallen him.

    These objects—a cigarette lighter, lollipop sticks, a beer-bottle opener, etc.—like the fictional pieces of the novel itself, are seemingly random at first, but eventually coalesce, meaningfully and poetically.Written in a variety of literary forms, The Museum of Unconditional Surrender captures the shattered world of living in exile. Some chapters re-create the daily journal of the narrator's lonely and alienated mother, who shops at the improvised flea-markets in town and longs for her children; another is a dream-like narrative in which a circle of women friends are visited by an angel. There are reflections and accounts of the Holocaust and the Yugoslav Civil War; portraits of European artists; a recipe for Caraway Soup; a moving story of a romantic encounter the narrator has in Lisbon; descriptions of family photographs; memories of the small town in which Ugresic was raised.Addressing the themes of art and history, aging and loss, The Museum is a haunting and an extremely original novel. In the words of the Times Literary Supplement, "it is vivid in its denunciation of destructive forces and in its evocation of what is at stake."

    Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present. And he poses this retroactive model of art and theory against the reactionary undoing of progressive culture that is pervasive today.After the models of art-as-text in the 1970s and art-as-simulacrum in the 1980s; Foster suggests that we are now witness to a return to the real; to art and theory grounded in the materiality of actual bodies and social sites; If The Return of the Real begins with a new narrative of the historical avant-garde; it concludes with an original reading of this contemporary situation; and what it portends for future practices of art and theory, culture and politics.

    The play expresses perfectly the mood of the Grahame book, which is a combination of poetry, fantasy and exquisite comedy. The romance of early childhood is celebrated in this adaptation. Scripts includes full stage directions, notes on scenery, illustrations of sets, costume, property and lighting plots.

    "Maeve Brennan's book is full of small miracles," wrote the New York Times Book Review. "The magnificent title story is wide-ranging, savage, poignant, and should bring [Brennan] back to the table of modern fiction, where her place has been empty too long."

    Includes teachings on the Four Frames of Reference, the Four Right Exertions, the Four Bases of Power, the Five Faculties, the Five Strengths, the Seven Factors for Awakening, and the Noble Eightfold Path.

    Now living happily in Berkeley, married and the mother of twins, Nora Jane is back in college, pregnant again, launching a new career, and facing circumstances that imperil her domestic bliss.The nine stories that follow explore the hazards of recapturing and reviving old affairs. Featuring both new and familiar Gilchrist characters, all of these stories shed brilliant new light on the oldest emotion.

    Filled with rare insight into the earth beneath and the sky above, Home is a powerful celebration of the paths we choose and the journey we take to find a home. 70 photos.

    In The Oxford History of World Cinema, an international team of film historians traces the history of this enduringly popular entertainment medium. Covering all aspects of its development, stars, studios, and cultural impact, the book celebrates and chronicles over one hundred years of diverse achievement from westerns to the New Wave, from animation to the avant-garde, and from Hollywood to Hong Kong. The Oxford History of World Cinema tells the story of the major inventions and developments in the cinema business, its institutions, genres, and personnel, and they outline the evolution of national cinemas round the world--the varied and distinctive film traditions that have developed alongside Hollywood. A unique aspect of the book are the special inset features on the film-makers and personalities--Garbo and Godard, Keaton and Kurosawa, Bugs Bunny and Bergman--who have had an enduring impact in popular memory and cinematic lore. With over 280 illustrations, a full bibliography, and an extensive index, this is the buff's ultimate guide to cinema worldwide.

    There's "Let's Go," the story of a young couple's apathetic wanderings on a trip to discover the real Prague; "You Can Hear the Boats Go By," the story of ex-lovers who cope with their chance meeting in a supermarket in the most childish way; and "Barking," the mad rant of a drama student pissed off by Clown class. Not Her Real Name presents an essential guide to postmodern romance, to the vagaries of city life, and to a chronically self-absorbed generation whose love affairs are never as good as the last movies they've seen.

    For the Revolucion. For Villa. In return, they received a soldier's highest honor. They shared life -- and death -- with the mightiest hero in all of Mexico.

    It tells why some Stuarts ate toads, snails and fleas, which king picked his nose and never washed his hands, and who wore fish on their feet. Facts about the revolting Roundheads and ghastly Guy Fawkes are given.

    Martin's Green.The Last of the Really Great Whangdoodles: With help from an eccentric professor who gives their imaginations special intensive training, three children succeed in locating the last of the great Whangdoodles and granting his heart's desire.

    Bold, sassy, impulsive, with a taste for a good time, flirtation and strong drink, Kirsty Fowles very nearly gets the better of everyone.

    Intrigue and heroism, adventure and betrayal figure in this account of British-led efforts to defeat the Nazis in wartime France, based on extensive research in records, documents, letters and memoirs, and the author's interviews with surviving agents and officials. Despite sporadic defeat and betrayal, SOE leaders managed to delay the arrival of German reinforcements to the Normandy beachhead, contributing to the eventual Allied victory. Details of the operations of SOE recounted here remained secret for decades after the war, finally revealing the human cost of the reconnaissance and sabotage efforts that helped to shorten the conflict.

    The essential guide to the world's aircraft Over 500 color photographs Civilian and military aircraft Technical data Recognition silhouettes Aircraft markings identification guide

    Most died at Auschwitz. Two thousand of those Jews, however, had non-Jewish partners and were locked into a collection center on a street called Rosenstrasse. As news of the surprise arrest pulsed through the city, hundreds of Gentile spouses, mostly women, hurried to the Rosenstrasse in protest. A chant broke out: "Give us our husbands back."Over the course of a week protesters vied with the Gestapo for control of the street. Now and again armed SS guards sent the women scrambling for cover with threats that they would shoot. After a week the Gestapo released these Jews, almost all of whom survived the war.The Rosenstrasse Protest was the triumphant climax of ten years of resistance by intermarried couples to Nazi efforts to destroy their families. In fact, ninety-eight percent of German Jews who did not go into hiding and who survived Nazism lived in mixed marriages. Why did Hitler give in to the protesters? Using interviews with survivors and thousands of Nazi records never before examined in detail, Nathan Stoltzfus identifies the power of a special type of resistance--the determination to risk one's own life for the life of loved ones. A "resistance of the heart..."

    “Few contemporary poets have been as influential-or inimitable-as Charles Simic” (New York Times Book Review).

    Now, in an equally groundbreaking work, Benson takes on the late Wallace Stegner--conservationist, teacher, and author of more than two dozen works of history, biography, essays, and fiction, including the Pulitzer Prize-winning Angle of Repose (1971), the National Book Award-winning Spectator Bird (1976), and the bestselling Crossing to Safety (1987). Drawing on nearly ten years of research and hundreds of hours of interviews, this authorized biography traces the trajectory of Stegner's life from his prairie childhood in Saskatchewan and teenage years in Salt Lake City to his prominence in the environmental movement and the impact of his Stanford University creative writing program--whose students included Larry McMurtry, Robert Stone, Ken Kesey, and Ivan Doig. Wallace Stegner is a close encounter with one of the greatest American writers of our time.

    The rest is the madness of art.” These words, spoken by a dying novelist in “The Middle Years,” sum up Henry James’s credo as a writer. In more than one hundred stories, ranging from brief anecdotes to richly developed novellas, James displayed the unwavering intensity of his aesthetic vision—and he did so with an astonishing variety of invention. The Library of America makes this body of writing available in its entirety in a new, authoritative edition of James’s world-famous stories, complete in five volumes.The thirty-one stories presented here are the culmination of James’s glorious final period. Among them are the extraordinary fantasies “The Great Good Place” and “The Jolly Corner,” in which supernatural motifs are used hauntingly to express undercurrents of yearning and dislocation; “Julia Bride,” a character portrait akin to “Daisy Miller,” in which a young American woman experiences the social pleasures and vicissitudes of the marriage market; “Crapy Cornelia,” a story whose sense of the compelling power of nostalgic memory owes much to James’s 1904 return visit to New York City; “The Birthplace,” a comic tale about the commercialization of genius that has lost none of its satiric edge; “The Tree of Knowledge,” a sly dissection of the family life of a pampered sculptor; “The Beast in the Jungle,” one of James’s masterpieces, the harrowing account of a man’s confrontation with his own lost opportunities that has been seen as foreshadowing many of the dominant themes of 20th-century literature; and “A Round of Visits,” James’s last story, about the need to confide and the limits of sympathy.

    

    Biesty...is far too modest -- incredible hardly does his books justice...Biesty's a marvel, and his explosions could very well ignite a passion for learning -- Publishers Weekly

    Octopus, the Vulture, Sandman and more classic characters - along with some new ones like Batwing and Bluebird - on his way to becoming Marvel's premiere super hero! Collecting AMAZING FANTASY (1995) #16-18; UNTOLD TALES OF SPIDER-MAN #1-25, #-1, ANNUAL 1996-1997 and STRANGE ENCOUNTER; and material from AMAZING SPIDER-MAN ANNUAL #37.

    Aimed at a broad general audience as well as college and high school students, this milestone volume offers a rich, readable text and unique historical photographs to highlight individuals, issues and pivotal developments that culminated in and comprise a landmark period for the second largest ethnic minority in the United States.

    She left a vast legacy to future scientists through her research, her teaching, and her contributions to the welfare of humankind. She was the first person to win two Nobel Prizes, yet upon her death in 1934, Albert Einstein was moved to say, Marie Curie is, of all celebrated beings, the only one whom fame has not corrupted. She was a physicist, a wife and mother, and a groundbreaking professional woman. This biography is an inspirational and exciting story of scientific discovery and personal commitment.Oxford Portraits in Science is an on-going series of scientific biographies for young adults. Written by top scholars and writers, each biography examines the personality of its subject as well as the thought process leading to his or her discoveries. These illustrated biographies combine accessible technical information with compelling personal stories to portray the scientists whose work has shaped our understanding of the natural world.

    He's a minster of the surprise ending and champion of the underdog. Includes such favorites as "The Ransom of Red Chief", "Gifts of the Magi", "The Furnished Room", "The Guilty Party", and more.

    Shortlisted for the Esquire/Apple/Waterstone's Non-Fiction Award

    Marines attacking the hill. In this emotionally compelling account of the fierce fight, James H. Hallas chronicles the extraordinary courage and tactical skills of the 6th Marine Division's junior officers and enlisted men as they captured a network of sophisticated Japanese defenses on Sugar Loaf while under heavy artillery fire from surrounding hills. To give human dimensions to the story, the author draws on his many interviews with participants and skillfully weaves together their individual stories of the sustained close-quarter fighting that claimed more than 2,000 Marine casualties. Pushed to their physical and moral limits during eleven attempts to capture the fifty-foot-high 300-yard-long hill, the Marines' proved their uncommon valor to be a common virtue, and this detailed record of their courage and commitment assures them a permanent place in history.

    But as Shar begins to realize her gift, the terror begins and a deadly power is rising. Can Shar summon the elements to become the Dark Caller?

    Written for the interested layperson, it describes the natural history of British Columbia by ecological region. This revised and expanded edition presents new information about the geological formation of the province. There are also new discussions of such topics as avalanches and fire, including information about the devastating fires of the summer of 2003.

    It is a grammar school friend you have not heard from in 30 years, but just now, while going through a box of old photographs, you came across his picture. Is this coincidence, or do such events have deeper significance? This engaging and penetrating book opens readers to the world of meaningful coincidences. Weaving ancient insights with contemporary teachings on sacred psychology, astrology, and subtle energy. Grasse shows readers how to understand the deeper meaning of the symbols and synchronicities of their everyday lives.

    For many years, Stiegler has explored the origins and philosophical, ethical, and political stakes of a global process he calls "the industrial temporalization of consciousness." Here, demonstrating that technology—including alphabetical writing—is memory, he argues that through new technologies of retention and inscription we have come to live in a world where time devours space, a disoriented world in which we have lost our bearings. Immersed in the multimedia of an over-connected world, with time and space as we know them abolished, we no longer find "cardinal points" to guide us and may even be led where we do not wish to go. We must therefore prepare to confront new spheres of ideological control and discover new possibilities in the digital environment.

    "Merwin writes, " J.D. McClatchy has said in THE NEW YORKER, "with one of the most distinctive and original voices in American poetry."

    It is now the third leading cause of death for fifteen- to twenty-four-year-olds in the United States, raising alarms across the nation about the rising tide of hopelessness seen in our young people. It is a taboo subtext to our successes and our happiness, a dark issue that is often euphemized, avoided, and little understood. In our century, psychology and psychiatry alike have attempted to understand, prevent, and medicalize these phenomena. But they have failed, argues Dr. Edwin Shneidman, because they have lost sight of the plain language, the ordinary everyday words, the pain and frustrated psychological needs of the suicidal individual.In The Suicidal Mind, Dr. Shneidman has written a groundbreaking work for every person who has ever thought about suicide or knows anybody who has contemplated it. The book brims with insight into the suicidal impulse and with helpful suggestions on how to counteract it. Shneidman presents a bold and simple premise: the main cause of suicide is psychological pain or "psychache." Thus the key to preventing suicide is not so much the study of the structure of the brain, or the study of social statistics, or the study of mental diseases, as it is the direct study of human emotions. To treat a suicidal individual, we need to identify, address, and reduce the individual's psychache. Shneidman shares with the reader his knowledge, both as a clinician and researcher, of the psychological drama that plays itself out in the suicidal mind through the exploration of three moving case studies. We meet Ariel, who set herself on fire; Beatrice, who cut herself with the intent to die; and Castro, a young man who meant to shoot his brains out but survived, horribly disfigured. These cases are presented in the person's own words to reveal the details of the suicidal drama, to show that the purpose of suicide is to seek a solution, to illustrate the pain at the core of suicide, and to isolate the common stressor in suicide: frustrated psychological needs. Throughout, Shneidman offers practical, explicit maneuvers to assist in treating a suicidal individual—steps that can be taken by concerned friends or family and professionals alike.Suicide is an exclusively human response to extreme psychological pain, a lonely and desperate solution for the sufferer who can no longer see any alternatives. In this landmark and elegantly written book, Shneidman provides the language, not only for understanding the suicidal mind, but for understanding ourselves. Anyone who has ever considered suicide, or knows someone who has, will find here a wealth of insights to help understand and to prevent suicide.

    Presents the history of physics through abbreviated biographies which concentrate on the personalities of the physicists and their scientific accomplishments. Offers remarkably clear explanations of such topics as Heisenberg's Uncertainty Principle, curved space and the famous puzzle known as "Schrodinger's Cat." Includes a handy timeline of modern discoveries in physics, a glossary of important terms, illustrations and portraits of each of the physicists.

    Authentic, intimate, and intense, Stay Here with Me is about growing up and leaving home and about the acts of rebellion that free the body even as they bind the soul to a place forever.

    Clear, accessible format, charts, diagrams, field tips, practical pointers, and historical profiles.

    Shiyali Ramamrita Ranganathan considered the father of library science in India cover certain facets of library and information science. These library science classics reprinted by Ess Ess Publications make Dr. S.R. Ranganathan's work available to the current generation of librarians. S. R. Ranganathan, considered by librarians all over the world to be the father of modern library science, proposed five laws of library science in the early 1930s. Most librarians worldwide accept them as the foundations of the philosophy of their work and service in the library. These laws are: Books are for use, Every reader his or her book, Every book its reader, Save the time of the reader, and The library is a growing organism. The Five Laws of Library Science are some of the most influential concepts in the field. Since they were published in 1931, these five laws have remained a centerpiece of professional values... (Rubin 2004). These basic theories of Library Science continue to directly impact the development of this discipline and the service of all libraries. [From Wikipedia, the free encyclopedia]. The book has been reprinted over twenty-five times to meet the demand from libraries, students of library and information science and information professionals. In 2006 when DLIST (University of Arizona) placed a test version of the contents page and first chapter of the first edition of the book on the Internet, there were some 640 downloads in twenty-four hours. The five laws are equally valid in the present digital / information age as they have been in the conventional library environment.

    His work, employing traditional and modernist elements in individual poems and open sequences, deals in a range of subjects from the most intense and psychic privacy to political satire and social commentary, from love and the enabling feminine to metaphysical speculation in a variety of earthly settings. Kinsella is a city poet. Born in Dublin in 1928, he attended University College, and entered the Irish Civil Service, but resigned from the Department of Finance in 1965 for a career in poetry in the United States. He published from the beginning with the Dolmen Press, later co-publishing his poetry and translations with Oxford University Press. His translations from the Irish include the Iron-Age prose epic "The Tain" and "Poems of the Dispossessed: 1600-1900". He is editor of the "New Oxford Book of Irish Verse".

    Now he gives readers a candid and acutely observant account of that life in all its historic and personal richness. Uniquely qualified to put a human face on history, Herzog provides insights into the people with whom he has played a part in the creation of that history. b&w photos.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    This distance begins to appear in Virgil and Ovid, but it becomes decisive in Dante and in his decision to write in the vernacular. His vernacular Italian reaches back through classical allusion to the Latin that was in his day the language of theology, but it does so with a difference. It is no accident that in the Commedia Virgil is Dante's guide.The book opens with a discussion of just how Dante's poem is a "comedy," and it concludes with a discussion of the "ends of poetry" in a variety of senses: enjambment at the ends of lines, the concluding lines of poems, and the end of poetry as a mode of writing this sort of literature. Of course, to have poetry "end" does not mean that people stop writing it, but that literature passes into a period in which it is concerned with its own ending, with its own bounds and limits, historical and otherwise.Though most of the essays make specific reference to various authors of the Italian literary tradition (including Dante, Polifilo, Pascoli, Delfini, and Caproni), they transcend the confines of Italian literature and engage several other literary and philosophical authors (Plato, Aristotle, the Stoics, Boethius, the Provençal poets, Mallarmé, and Hölderlin, among others).

    The key to getting it back lay with Nazi treasurer, Martin Bormann. This book tells the story of Ian Fleming's raid to snatch Bormann out of Berlin. Creighton led a commando raid into the city.

    

    'Printed entirely in lower case, the book seems to present a challenge to the reader - to make it through without being driven mad by the deliberate feyness of lower case.' - Tegan Bennet, 1996.'Dando writes, 'jokes are always needed', and jokes - mostly good jokes - are his book's mainstay.' - Australian Book Review, 1996.'Refreshingly, Dando's philosophical approach appears to derive from the Renaissance tendency to view the human soul or psyche as having an analogical relationship with the natural world...' - Philosopher Magazine, 1996.

    The voice hypnotizes, seduces, disarms. Are gaze and voice part of the relationship we call love . . . or hate? If so, what part? How do they function? This provocative book examines love as the mediating entity in the essential antagonism between the sexes, and gaze and voice as love’s medium. The contributors proceed from the Lacanian premise that “there is no sexual relationship,” that the sexes are in no way complementary and that love—figured in the gaze and the voice —embodies the promise and impossibility of any relation between them.The first detailed Lacanian elaboration of this topic, Gaze and Voice as Love Objects examines the status of gaze, voice, and love in philosophy from Plato to Kant, in ideology from early Christianity to contemporary cynicism, in music from Hildegard of Bingen to Richard Wagner, in literature from Edith Wharton’s Age of Innocence to Kazuo Ishiguro’s The Remains of the Day, and in cinema from Michael Powell’s Peeping Tom to Kieslowski’s A Short Film on Love. Throughout, the contributors seek to show that the conflict between the sexes is the site of a larger battle over the destiny of modernity. With insights into the underlying target of racist and sexist violence, this book offers surprising revelations into the nature of an ancient enigma—love.Approaching its topic with utter disregard for predominant multiculturalist and deconstructionist commonplaces, this volume will be indispensable for anyone interested in the uses of psychoanalysis for philosophy, cultural studies, and the analysis of ideology.Contributors. Elisabeth Bronfen, Mladen Dolar, Fredric Jameson, Renata Salecl, Slavoj Zizek, Alenka Zupancic

    It continued to flourish, however, because modern painters--Picasso foremost among them--sought and found new ways to portray the human face. The hundreds of works reproduced here illustrate the multiple solutions Picasso invented to solve the problem of the modernist portrait. Illustrations, 230 in color.

    Encompassing radio plays, and pieces for stage and screen, this volume explores familiar Carter preoccupations: myth and fairy tale; domestic murder and the violence underlying everyday life, and the rebellious victims of the repressive society.It includes the screenplays for "The Magic Toyshop" and "The Company of Wolves"; a draft for an opera of Virginia Woolf's "Orlando"; and reworkings for radio of "Puss in Boots" and "Dracula".

    Yet his writings are notorious for their complexity and idiosyncratic style. Emphasising the clinical basis of Lacan's work, An Introductory Dictionary of Lacanian Psychoanalysis is an ideal companion to his ideas for readers in every discipline where his influence is felt. The Dictionary features: * over 200 entries, explaining Lacan's own terminology and his use of common psychoanalytic expressions* details of the historical and institutional context of Lacan's work* reference to the origins of major concepts in the work of Freud, Saussure, Hegel and other key thinkers* a chronology of Lacan's life and works.

    An introduction places The Master and Margarita and Bulgakov within Russian history and literature, and essays by scholars offer opinion and analysis of the novel's structure, its place in current criticism, its connection to Goethe, and its symbolism and motifs. There is also an abundance of primary source material, including an excerpt from an earlier version of the novel, and related correspondence and diary entries.Northwestern University Press and the American Association of Teachers of Slavic and East European Languages (AATSEEL) are pleased to announce the establishment of a new series of critical companions to Russian literature. Under the direction of the AATSEEL Publications Committee, leading scholars will edit volumes intended to introduce classics of Russian literature to both teachers and students at the high school and undergraduate levels. Each volume will open with the volume editor's general introduction discussing the work in the context of the writer's oeuvre as well as its place within the literary tradition. The introductory section will also include considerations of existing translations and of textual problems in the original Russian. The following sections will contain several informative and wide-ranging articles by other scholars; primary sources and other background material - letters, memoirs, early reviews, maps; and annotated bibliographies. Combining the highest order of scholarship with accessibility, these critical companions will illuminate the great works of Russian literature and enhance their appreciation by both teachers and students.

    Michael the Archangel, otherwise known as the Iron Guard, in Romania between 1927 and 1938. While many of the revolutionary nationalist movements of the period are long forgotten, Codreanu's movement continues to be studied today. The reason is because Codreanu envisioned the Legion as being not simply a political movement, but rather a knightly order in which all members were suffused with the spirit of God, self-sacrifice and the essence of the Romanian people. This is no more evident than in his Prison Notes, which he kept after being imprisoned on false charges by the government. Although the judiciary was unwilling to sentence him to more than ten years' labour, Codreanu was 'shot while trying to escape' shortly after these notes were written. His body was then rendered unrecognisable with acid and clandestinely buried under seven tons of concrete to hide the crime. The Prison Notes are the testimony of a man who, while disappointed by the corruption and ill treatment he faces, remains strengthened by the power of his faith and commitment to a higher cause. Also included in this volume are translations of all of Julius Evola's essays on the subject of Codreanu. Evola, who met Codreanu in Bucharest shortly before his arrest, recognised in Codreanu a kindred spirit who saw profane politics only as a means toward a restoration of genuine hierarchy and aristocracy. We have also appended a series of rarely-seen photos of the Iron Guard and Codreanu to this volume to complete the record of a movement which has withstood and transcended the test of time.

    Taking issue with revisionist historians, Samuels argues that German success in battle can be explained by their superior tactical philosophy. The book provides a fascinating insight into the development of infantry tactics at a seminal point in the history of warfare.

    Born to a Russian mother and a German father, Sorge's ideals led him into the arms of Soviet intelligence in the late 1920s. Shortly thereafter he was tapped by the Chief Intelligence Directorate (GRU) to assemble an amazingly sophisticated operation under the nose of Japan's military government. Disguised as a respected Nazi journalist, he quickly penetrated the German embassy in Tokyo, and for more than a decade, sent a steady stream of priceless information back to his handlers in Moscow. By the time he was finally betrayed in 1941, Sorge had supplied Stalin with knowledge crucial to Hitler's defeat on the Eastern Front.More compelling than any spy fiction, Whymant's account of Sorge reads like LeCarre and Greene -- full of suspense, bravery, torrents of alcohol, dangerous mistresses, and treason -- but with one exception: it's history.

    Fessler has meticulously compiled and transcribed more than 200 interviews with American military nurses of the Army, Army Air Force, and Navy who were present in all theaters of WWII. Their stories bring to life horrific tales of illness and hardship, blinding blizzards, and near starvation—all faced with courage, tenacity, and even good humor. This unique oral-history collection makes available to readers an important counterpoint to the seemingly endless discussions of strategy, planning, and troop movement that often characterize discussions of the Second World War.

    It entails a Remake, to capture not facts but the contents of those facts, the feelings of a war-time child, the textures of her clothing, the tastes and smells, the tones and the touch of her mother, the felt absence of her father, and the gradual transformation into womanhood. The facts are simple: birth in Geneva; bilingual childhood in Brussels, then London and Liverpool; work in Intelligence at the Bletchley Park decoding centre during the war; marriage; Oxford; London; literary journalism; the emergence of the novelist. But what do facts add up to? Remake is an autobiographical novel with a difference. It uses life material to compose a third-person fiction, transformed in an experiment whose tensions are those of memory - distorting and partial - checked by a rigorous and sceptical language which probes and finds form underlying the wayward impulses and passions of the subject. Remake is a fascinating and original book by one of our finest modern novelists.

    Shaw takes us into the inner world of American black professional women during the Jim Crow era. This is a story of struggle and empowerment, of the strength of a group of women who worked against daunting odds to improve the world for themselves and their people. Shaw's remarkable research into the lives of social workers, librarians, nurses, and teachers from the 1870s through the 1950s allows us to hear these women's voices for the first time. The women tell us, in their own words, about their families, their values, their expectations. We learn of the forces and factors that made them exceptional, and of the choices and commitments that made them leaders in their communities.What a Woman Ought to Be and to Do brings to life a world in which African-American families, communities, and schools worked to encourage the self-confidence, individual initiative, and social responsibility of girls. Shaw shows us how, in a society that denied black women full professional status, these girls embraced and in turn defined an ideal of "socially responsible individualism" that balanced private and public sphere responsibilities. A collective portrait of character shaped in the toughest circumstances, this book is more than a study of the socialization of these women as children and the organization of their work as adults. It is also a study of leadership—of how African American communities gave their daughters the power to succeed in and change a hostile world.

    In Modern Black Nationalism, William L. Van Deburg has collected the most influential speeches, pamphlets, and articles that trace the development of black nationalism in the 20th century.Beginning with Marcus Garvey, the acknowledged father of the 20th-century movement, William L. Van Deburg here provides a showcase of the work of more than fifty prominent thinkers including Louis Farrakhan, Elijah Muhammad, Maulana Karenga, the founder of Kwanzaa, Amiri Baraka and Molefi Asante. Rare pamphlets distributed by organizations such as the Black Panther Party, articles from underground magazines, and memos from governmental officials offer a fresh look at the roots and the manifestations of this movement.

    As Sumi waits for the train that will bring her mother back after a long absence, Grandmother tells how her family escaped on a train from Seoul, Korea, at the last moment before the Korean War began.

    Along with an array of main dishes, side dishes, breads, soups, desserts, and condiments, Wolfert serves up fascinating facts, anecdotes, and lore about each recipe's origin. Whether you're an experienced chef or a budding cook, you'll be inspired, educated, and delighted by this tribute to Mediterranean cooking.