In this excellent reprint of a rare volume of essays, he reveals the essence of the Indian experience, rooted in "a constant intuition" of the unity and harmony of all life. Everything has its place, every being its function and all play a part in the divine concert led by Natarājā (Śiva), Lord of Dancers.In a series of 14 stimulating and provocative essays, Coomaraswamy unfolds the vast metaphysic of India: the magnificent revelation of its art; its conception of the universe; social organization; attitudes toward feminism; problems of family; romantic love, and marriage. His sweeping commentary considers the "intellectual fraternity" of mankind; the venerable past as it survives side by side with emerging modern India; and the individual, autonomy, and repudiation of "the will to govern."Enhancing the text are 27 black-and-white photographs — mostly of masterpieces of painting and sculpture from the second century B.C. to the eighteenth century, and including the glorious "Cosmic Dance of Nàtaraja." This handsome volume offers rich insight into the art, philosophy, and culture of a fascinating forty-centuries-old civilization.

    This unique selection of illustrations with commentaries and source texts guides us on a fascinating journey through the representations of the secret arts.

    Julius Evola sheds new light on the mystical and spiritual expression of sexual love. This in-depth study explores the sexual rites of sacred traditions, and shows how religion, mysticism, folklore, and mythology all contain erotic forms in which the deep potentialities of human beings are recognized.

    Islam confronts what is immutable in God with what is permanent in man." These are the opening words of what has become a classic work on Islam, perhaps the most misunderstood of the great Revelations. And yet the purpose of this book "is not so much to give a description of Islam as to explain . . . why Moslems believe in it." Both Westerners unfamiliar with Islam and Moslems seeking a deeper understanding of the basis of faith will be struck by Schuon's masterful elucidation of the spiritual world of Islam.Schuon's foundation is always the intrinsic nature of things rather than any confessional point of view. This perspective opens up new avenues of approach and surprising insights into the "five pillars" of faith, the Quran, the Sunna, the Prophet and the esoteric dimension which is the kernel of Moslem spirituality. A hallmark of the author's perspective is an intellectual universality, which in examining a given religious framework readily draws upon parallels and concepts from other traditions, especially that of the Vedanta. For "what is needed in our time, and indeed in every age remote from the origins of Revelation, is . . . to rediscover the truths written in an eternal script in the very substance of man's spirit."

    Suhrawradi, Semnani, Najm alDin Kubra and other Sufis.

    Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art.Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings.This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.

    In the 1600s they issued a set of manifestos calling for an enlightened revolution that would reshape society into a more democratic ideal. Even the American Founding Fathers were influenced by these manifestos.Writing as Magus Incognito, William Walker Atkinson reintroduces a new generation of readers to the Rosicrucian ideals, as well as to a myriad of connections between occult concepts as varied as alchemy, reincarnation, the astral plane, auras, Eastern and Western mysticism, and the "evolution of mankind" among seven esoteric versions of planets in our solar system.There are more than two dozen organizations of Rosicrucians, with local groups in nearly every state--more than 100 in all--and half a million or more followers. Interest continues to be high in this group.

    Coomaraswamy. This extraordinary text unveils the cosmological meanings of root symbols organized under such general headings as: The Center of the World, Cyclic Manifestation, Symboic Weapons, Axial Symbolism and the Symbolsim of Passage, The Symbolism of Building, and The Symbolism of the Heart. Far more than a simple catalogue of myths and symbols from many traditions, Symbols of the Sacred Science lays the foundation for a universal esoteric symbology. In this work, Gunon demonstrates the fundamental unity-across all cultures and ages-of the images with which the Absolute clothes itself in its cosmic self-revelation.

    Christianity, for example, was one of the innovative religious movements that arose during this time. However, Christianity had many competitors, and one of the most remarkable of these was the ancient Roman mystery religion of Mithraism. Like the other mystery cults of antiquity, Mithraism kept its beliefs strictly secret, revealing them only to initiates. As a result, the cult's teachings were never written down. However, the Mithraists filled their temples with an enigmatic iconography, an abundance of which has been unearthed by archaeologists. Until now, all attempts to decipher this iconography have proven fruitless. Most experts have been content with a vague hypothesis that the iconography somehow derived from ancient Iranian religion. In this groundbreaking work, David Ulansey offers a radically different theory. He argues that Mithraic iconography was actually an astronomical code, and that the cult began as a religious response to a startling scientific discovery. As his investigation proceeds, Ulansey penetrates step by step the mysteries concealed in Mithraic iconography, until finally he is able to reveal the central secret of the cult: a secret consisting of an ancient vision of the ultimate nature of the universe. Brimming with the excitement of discovery--and reading like an intellectual detective story--Ulansey's compelling book will intrigue scholars and general readers alike.

    But what came before the Greeks? What if we could prove that all myths have one common origin in a celestial cosmology? What if the gods, the places they lived & what they did are but ciphers for celestial activity, a language for the perpetuation of complex astronomical data? Drawing on scientific data, historical & literary sources, the authors argue that our myths are the remains of a preliterate astronomy, an exacting science whose power & accuracy were suppressed & then forgotten by an emergent Greco-Roman world view. This fascinating book throws into doubt the self-congratulatory assumptions of Western science about the unfolding development & transmission of knowledge. This is a truly seminal & original thesis, a book that should be read by anyone interested in science, myth & the interactions between the two.

    Using Carl Johan Calleman’s research, as well as the ideas of other Mayan Calendar scholars, Barbara Hand Clow examines 16.4 billion years of evolution to decode the creative patterns of Earth--the World Mind. These great patterns culminated in 2011, but subsequent astrological influences have continued to inspire us to attain oneness and enlightenment. The Mayan Code shows how the time cycles of the Calendar match important periods in the evolutionary data banks of Earth and the Milky Way Galaxy. These stages of evolution converged during the final stage of the Calendar, the period between 1999 and 2011. Evidence of the tightening spiral of time that we experience as time speeding up--war and territoriality, resource management and separation from nature--are all part of daily events we must process during the coming years. Barbara Hand Clow counsels that our own personal healing is the most important factor as we prepare to make this critical leap in human evolution--now referred to as the awakening of the World Mind.

    With this book in hand, thousands of students have watched the story of art unfold in its full historical, social, religious, economic, and cultural context, and thus deepened their understanding of art, architecture, painting, and sculpture. By virtue of its comprehensive coverage, strong emphasis on context, and rich, accurate art reproductions, GARDNER'S ART THROUGH THE AGES has earned and sustained a reputation of excellence and authority. So much so, that in 2001, the Text and Academic Authors Association awarded both the McGuffey and the "Texty" Book Prizes to the Eleventh Edition of the text. It is the first art history book to win either award and the only title ever to win both prizes in one year. The Twelfth Edition maintains and exceeds the richness of the Gardner legacy with updated research and scholarship and an even more beautiful art program featuring more color images than any other art history book available. The Twelfth Edition features such enhancements as more color photographs, a stunning new design, and the most current research and scholarship. What's more, the expanded ancillary package that accompanies GARDNER'S ART THROUGH THE AGES, features a wealth of tools to enhance your students' experience in the course. With each new copy of the book, students receive a copy of the ArtStudy 2.0 CD-ROM--an interactive electronic study aid that fully integrates with the Twelfth Edition and includes hundreds of high-quality digital images, plus maps, quizzes, and more.

    Hall's classic work on history's most secretive brotherhood- reset and collected with two additional celebrated Hall volumes on occult Masonry.Freemasonry is the subject of perennial fascination-recently the cover story of a national newsmagazine, the premise of the movie National Treasure, and the anticipated basis of a forthcoming novel by Dan Brown. The twentieth century's great scholar of occult and esoteric ideas, Manly P. Hall was a Mason himself and nurtured a lifelong interest in the secret fraternal order, making it the focus of one of his earliest and best-loved books, The Lost Keys of Freemasonry. In this celebrated work, he examines the ethical training required of a Freemason, and the character traits a Mason must "build" within himself. Hall's 1923 volume is now reset and made available exclusively in this new edition, along with the author's two further classics on Masonry:- Freemasonry of the Ancient Egyptians (1937), which explores the roots of Freemasonry in the initiatory temple rites of Pharaonic Egypt; and - Masonic Orders of Fraternity (1950), a fascinating work of short history that chronicles the reemergence of Freemasonry in Europe in the seventeenth and eighteenth centuries. It surveys the lives of Masonry's modern architects and the secretive organizations that immediately preceded the brotherhood.This three-in-one volume features the original illustrations of each book, for a total of nearly thirty images, including recreations of scenes and rites from Masonry's unusual history. It also includes a new index encompassing all three titles.

    Here, acclaimed scholar Stephen Greenblatt explores it with profound appreciation for its cultural and psychological power as literature. From the birth of the Hebrew Bible to the awe-inspiring contributions of Augustine, Dürer, and Milton in bringing Adam and Eve to vivid life, Greenblatt unpacks the story’s many interpretations and consequences over time. Rich allegory, vicious misogyny, deep moral insight, narrow literalism, and some of the greatest triumphs of art and literature: all can be counted as children of our “first” parents.

    He than disappeared. The book decodes the symbology found upon and within the Gothic Cathedrals of Europe which have openly displayed the secrets of alchemy for 700 years.