Illustrated poems depict the fairies who live among the plants of autumn.

    The first thorough and comprehensive treatment of low male voices, this book draws on techniques and practical advice from Miller's years of professional experience as a performer and pedagogue.With a unique focus on "securing" the technical stability of the male voice, the book offers practical advice to students, their teachers, and professional performers, through numerous practical exercises and repertoire suggestions appropriate to various stages of development. Miller synthesizes historic vocal pedagogy with the latest research on the singing voice, always emphasizing the special nature of the male voice and the proper physiological functioning for vocal proficiency. An indispensable guide to male low voices, this book is an essential text for performers, aspiring performers, and instructors alike.

    Outhwaite excelled at the depiction of dainty sprites, and her whimsical visions are highlighted by images of kangaroos, koalas, kookaburras, and other creatures of her native Australia. Her art — with accompanying verses by her sister, Annie R. Rentoul, and stories by her husband, Grenbry Outhwaite —is populated by princesses, witches, pixies, and other folkloric creatures and abounds in timeless charm. This hardcover edition of Outhwaite's most lavish work features dozens of graceful and imaginative illustrations, including nineteen in full color.

    This is the first English edition of this influential work—a crucial intervention for those seeking to understand the social dynamic of art and revolution during the period. Derived from the internal struggles of Soviet constructivism, Arvatov’s writing played a major role in the split that occurred in the constructivist movement of the early 1920s—Productivism. Arvatov acknowledges the problems of a factory-based Productivism, and he presents a new role and function for art outside the conventional studio and traditional gallery setting. Dealing with issues such as artistic versus productive labor, the artist as technician, the multidisciplinarity of art, and the struggles of finding new relevance amidst the contemporary participatory art trend, Art and Production offers a timely and compelling manifesto for contemporary debates on art and politics.