How would you finish that sentence?The subject is there, and so is the verb, but what comes next? Your answer could shed light on the path to becoming who you were made to be. In these pages, Judah Smith fills out that sentence again and again, each time further revealing the character of Jesus. He writes as if to a friend, revealing the Jesus that somber paintings and hymns fail to capture. With passion, humor, and conviction, he shows that Jesus is life. Jesus is grace. Jesus is your friend. Jesus is a new and better way to be human.

    Hockney’s extensive research led him to conclude that artists such as Caravaggio, Velázquez, da Vinci, and other hyperrealists actually used optics and lenses to create their masterpieces.In this passionate yet pithy book, Hockney takes readers on a journey of discovery as he builds a case that mirrors and lenses were used by the great masters to create their highly detailed and realistic paintings and drawings. Hundreds of the best-known and best-loved paintings are reproduced alongside his straightforward analysis. Hockney also includes his own photographs and drawings to illustrate techniques used to capture such accurate likenesses. Extracts from historical and modern documents and correspondence with experts from around the world further illuminate this thought-provoking book that will forever change how the world looks at art.Secret Knowledge will open your eyes to how we perceive the world and how we choose to represent it.

    But God can become present to us in surprising ways through our everyday routines. Framed around one ordinary day, this book explores daily life through the lens of liturgy, small practices and habits that form us. Each chapter looks at something making the bed, brushing her teeth, losing her keys that the author does in the day. Drawing from the diversity of her life as a campus minister, Anglican priest, friend, wife, and mother, Tish Harrison Warren opens up a practical theology of the everyday. Each activity is related to a spiritual practice as well as an aspect of our Sunday worship. Come and discover the holiness of your every day."

    Great literature increases knowledge of and desire for the good life by showing readers what virtue looks like and where vice leads. It is not just what one reads but how one reads that cultivates virtue. Reading good literature well requires one to practice numerous virtues, such as patience, diligence, and prudence. And learning to judge wisely a character in a book, in turn, forms the reader's own character.Acclaimed author Karen Swallow Prior takes readers on a guided tour through works of great literature both ancient and modern, exploring twelve virtues that philosophers and theologians throughout history have identified as most essential for good character and the good life. In reintroducing ancient virtues that are as relevant and essential today as ever, Prior draws on the best classical and Christian thinkers, including Aristotle, Aquinas, and Augustine. Covering authors from Henry Fielding to Cormac McCarthy, Jane Austen to George Saunders, and Flannery O'Connor to F. Scott Fitzgerald, Prior explores some of the most compelling universal themes found in the pages of classic books, helping readers learn to love life, literature, and God through their encounter with great writing.In examining works by these authors and more, Prior shows why virtues such as prudence, temperance, humility, and patience are still necessary for human flourishing and civil society. The book includes end-of-chapter reflection questions geared toward book club discussions, features original artwork throughout, and includes a foreword from Leland Ryken.

    Though originally published nearly seventy years ago, the book maintains its relevance today.

    Based on John Dewey's lectures on esthetics, delivered as the first William James Lecturer at Harvard in 1932, Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structure and characteristic effects of all the arts: architecture, sculpture, painting, music, and literature.

    In this practical guide, John Stonestreet and Brett Kunkle explore questions including:What unseen undercurrents are shaping twenty-first-century youth culture?Why do so many kids struggle with identity?How do we talk to kids about same-sex marriage and transgenderism?How can leaders steer kids away from substance abuse and other addictions?How can we ground students in the biblical story and empower them to change the world? With biblical clarity, this is the practical go-to manual to equip kids to rise above the culture.

    

    Human beings are made in the image of God, the ultimate source of creativity, yet many of us don't recognize the inherent creativity we have. I have written a book for creators called "The Crowd, the Critic, and the Muse" that addresses the soulishness of human creativity. It is a book that reminds us who we are, and aims to inspire us to be who we are made to be. The book was inspired by a conversation that started with a blog I wrote last year called "Zombies, Wine and Christian Music." I wrote that blog thinking very few people would pay any attention to it, but within a couple days of posting, it had nearly fifty-thousand hits! This surprised me, but it also showed this is a conversation people are wanting to have. A lot of the most popular creative expressions of our culture (religious or not) have become anemic and soulless. We live in a noisy, technologically-crazed, consumeristic, fame-worshiping culture that has provided a less-than-healthy ground in which to plant our creative endeavors. In the book I suggest we must address this problem by looking deeper than the art itself; into our cultural conditioning as well as our most basic beliefs, doubts, passions, instincts, and gears. Our creativity comes directly from our humanness, and if we want our creative work to be richer and more robust, we must not simply try harder; we must become different. This is a book for creators written from the perspective of an artist. Through story and reflection, I hope to inspire some fresh thought and awareness of the roots of our creative endeavors. How we order creation is directly entwined with what it means to be human. So what shall we make of the world?

    Young men and women explore what they really believe about the nature of the world and the purpose of life. They choose their work. They build friendships or even choose to marry. They develop goals and adopt habits that may very well last a lifetime.Yet late modernity is not a welcome environment for the emotional, intellectual and spiritual formation that occurs during these critical years. Society is increasingly fragmented. And the educational system itself, fragmented and specialized, may disintegrate more than it integrates.Professors, campus ministers, parents, youth pastors and others who are concerned with college students face an immense challenge in these days. How do they help Christian students, during one of the most eventful and intense periods of life, learn to connect what they believe about the world with how they live in it?Drawing on the history of ideas, ethics, sociology and a host of examples from contemporary popular culture, Steven Garber vigorously engages just that question. His book, The Fabric of Faithfulness, is must reading for all those who work on campuses and care about today's students.

    And yet concepts like "gay" or "straight" are relatively recent developments in human history. We let ourselves be defined by socially constructed notions of sexual identity and sexual orientation--even though these may not be the only or best ways to think about sexuality. Anthropologist Jenell Williams Paris offers a Christian framework for sexual holiness that accounts for complex postmodern realities. She assesses problems with popular cultural and Christian understandings of heterosexuality and homosexuality alike. The End of Sexual Identity moves beyond culture-war impasses to open up new space for conversations in diverse communities both inside and outside the church.

    Sertillanges's teachings are as timeless as any truths which describe the genuine nature of things. . . . This book is highly recommended not only for intellectuals, but also for students and those discerning their vocation in life."--New Oxford Review"[This] is above all a practical book. It discusses with a wealth of illustration and insight such subjects as the organization of the intellectual worker's time, materials, and his life; the integration of knowledge and the relation of one's specialty to general knowledge; the choice and use of reading; the discipline of memory; the taking of notes, their classification and use; and the preparation and organization of the final production."--The Sign

    Yet in spite of these great challenges, Brueggemann calls us to journey together to the common good through neighborliness, covenanting, and reconstruction. Such a concept may seem overwhelming, but writing with his usual theological acumen and social awareness Brueggemann distills this challenge to its most basic issues: where is the church going? What is its role in contemporary society? What lessons does it have to offer a world enmeshed in such turbulent times? The answer is the same answer God gave to the Israelites thousands of years ago: love your neighbor and work for the common good. Brueggemann considers biblical texts as examples of the journey now required of the faithful if they wish to move from isolation and distrust to a practice of neighborliness, as an invitation to a radical choice for life or for death, and as a reliable script for overcoming contemporary problems of loss and restoration in a failed urban economy.

    Juxtaposing theology and science, poetry and mysticism, Eco explores the relationship that existed between the aesthetic theories and the artistic experience and practice of medieval culture.  “[A] delightful study. . . . [Eco’s] remarkably lucid and readable essay is full of contemporary relevance and informed by the energies of a man in love with his subject.” —Robert Taylor, Boston Globe “The book lays out so many exciting ideas and interesting facts that readers will find it gripping.” —Washington Post Book World  “A lively introduction to the subject.” —Michael Camille, The Burlington Magazine “If you want to become acquainted with medieval aesthetics, you will not find a more scrupulously researched, better written (or better translated), intelligent and illuminating introduction than Eco’s short volume.” —D. C. Barrett, Art Monthly

    S. Lewis, John F. Kennedy and Aldous Huxley to investigate the claims of Christ.