Handy size, concise monogram.

    Even his contemporaries found the Dutch painter’s work difficult to decipher—and it still presents riddles to contemporary art historians. Part of the problem in analyzing his shocking and richly allegorical paintings is that virtually nothing is known of the artist himself, apart from his birthplace. There is no record of his life or training, no personal letters, diaries or notebooks, and no contemporary insights into his personality or his thoughts on the meaning of his art. Even his date of birth can only be guessed at, and that based on a drawing assumed to be a self-portrait, made shortly before his death in 1516, which supposedly shows the artist in his late sixties. Bosch remains as mysterious as the worlds he painted. Although rooted in the Old Dutch tradition, Bosch developed a highly subjective, richly suggestive formal language. With a mixture of religious humility and satanic wit, he illustrated both the joys of heaven and the cruelly imaginative tortures of hell. In his pictorial world teeming with surrealistic nightmares, the medieval imagination catches fire in a moment of final brilliance before succumbing to humanism and modern rationalism. Though the man himself remains a mystery, this book pulls together the elusive threads of Bosch’s work into a cohesive and comprehensive analysis of his work and methods.

    First published in French in 1932, this new edition brings one of Brassa's finest works back into print. The back alleys, metro stations, and bistros he photographed are at turns hauntingly empty or peopled by prostitutes, laborers, thugs, and lovers. "Paris by Night" is a stunning portrait of nighttime in the City of Light, as captured by its most articulate observer. 62 photos.

    The worldwide admiration he commanded remains unparalleled by any artist of the 20th century. Chagall's paintings, steeped in mythology and mysticism, portray colourful dreams and tales that are deeply rooted in his Russian Jewish origins. The memories and yearning they evoke recall his native Vitebsk, and the great events that mark the life of ordinary people: birth, love, marriage and death. They tell of a world full of everyday miracles - in the room of lovers, on the streets of Vitebsk, beneath the Eiffel Tower in Paris. Heaven and earth seem to meet in a topsy-turvy world in which whimsical figures of people and animals float through the air with gravity-defying serenity. This art album presents Chagall's work.

    This concise edition captures the ageless and absorbing quality of Georgia O'Keefe's highly distinctive paintings of flowers, each of which draws the viewer into the most minute of details and, in turn, into another world.

    This god ascended from his mighty throne one day in early 1983 and announced that he had done a survey. And, according to the survey, people who played the DUNGEONS & DRAGONS® game wanted more dragons." And more dragons they got. The prolific and extraordinarily popular writing duo of Margaret Weis and Tracy Hickman produced a veritable treasure trove of books telling of the heroic exploits and dastardly deeds of the denizens of their fantasy world. The Art of the Dragonlance Saga, long out of print, collects all the art from the novels, calendars, and game products that the God of Marketing created. This is an extremely rich collection, with sketches, paintings, drawings, and studies of beloved characters and settings. It is also full of artist's notes, character development, and explanations of the ways in which the books and the art coevolved. A must-have for Dragonlance fans, The Art of the Dragonlance Saga is also wonderful eye candy for all swords and sorcery fans. --Therese Littleton

    Although not regarded as poetic or artistic acts, pranks constitute an art form and genre. Here, pranksters such as Mark Pauline, Monte Cazazza, Jello Biafra, Joe Coleman, Karen Finley, Henry Rollins, John Waters and Henry Rollins challenge the sovereign authority of words, images and behavioral convention. Some tales are bizarre, as when Boyd Rice presented the First Lady with a skinned sheep's head on a platter. This iconoclastic compendium will dazzle and delight all lovers of humor, satire and irony. A great quotations section is also included.

    Finally, photography and offset printing techniques have caught up with Sternfeld's eye, and this new edition of American Prospects succeeds in presenting Sternfeld's most seminal work as it has always meant to be shown. A specially-commissioned essay by Kerry Brougher, Chief Curator at the Hirshhorn Museum and Sculpture Garden, considers the historical context in which Sternfeld was working and the pivotal role that American Prospects has played in the course of contemporary filmmaking and art photography. In American Prospects, a fireman shops for a pumpkin while a house burns in the background; a group of motorcyclists stop at the side of the road to take in a stunning, placid view of Bear Lake, Utah; the high-tech world headquarters of the Manville Corporation sits in picturesque Colorado, obscured by a defiant boulder; a lone basketball net stands in the desert near Lake Powell in Arizona; and a cookie-cutter suburban housing settlement rests squarely amongst rolling hills in Pendleton, Oregon. Sternfeld's photographic tour of America is a search for the truth of a country not just as it exists in a particular era but as it is in its ever-evolving essence. It is a sad poem, but also a funny and generous one, recognizing endurance, poignant beauty, and determination within its sometimes tense, often ironic juxtapositions of man and nature, technology and ruin.

    At first, attention was given to his private project-depicting the same subject in secrecy from 1971 to '85. Away from the publicity that accompanied the debut of these works, they remain a striking, thoughtful study of an individual who evolved as a model from stranger to acquaintance to friend. The works in the Helga Pictures may also be appreciated for their artistic strengths & for their place within his continuing career as a keen observer of the people & places around his residences in Pennsylvania & Maine. Ultimately, The Helga Pictures is a telling tale of a persistence of vision & technique from a perspective that's both objective & personal. From a distinguished artistic family, Andrew Wyeth (1917-2009) is a painter & draftsman who developed under the watchful eye of his father, artist/illustrator N.C. Wyeth. One of America's most celebrated artists, Wyeth is famous for his tight style of drybrush painting & recognizable subject matter. Dedicated to a characteristic realism in both style & approach to subject matter, he finds resonance & universal meaning in the most commonplace details of the world around him.

    Freud—once dubbed "the Ingres of existentialism"—has almost single-handedly redefined the figurative painting of our time. No other living artist possesses his ability to paint the texture and thinness of skin over flesh, and his distinctive portraits have a haunting quality that makes them impossible to forget. This volume, with over one hundred superb reproductions of his greatest paintings, pays tribute to one of the most original and accomplished artists of the twentieth century.

    — a painter's training, more. Speed also provides expert analysis of works by Velasquez, Reynolds, Gainsborough, Hals, Rembrandt, and others. 64 photos. 5 line drawings.

    Seventy-five of Frida Kahlo's paintings, reproduced here in lavish color, accompany numerous historical photographs and the author's descriptive text, chronicling the significant episodes in Kahlo's life, from childhood to her untimely death: the consequences and aftermath of a tragic bus accident in her adolescence; her tempestuous marriage to the great Mexican muralist Diego Rivera; her travels to the United States and abroad; her political convictions and her relationships with the great leaders and artistic personalities of her time. Kahlo's flamboyant and highly individual personal style, so eloquently reflected in her many self-portraits, has gained her an enthusiastic following worldwide. For Kahlo's many admirers, as well as for those new to her work this authoritative and richly illustrated volume will be both an excellent reference and a compelling look at her passionate and often disturbing art.

    Approximately 120 color and 20 black-and-white illustrations.

    They reflect the state of its values, especially in times of crisis or transition." Upon this premise Paul Zanker builds an interpretation of Augustan art as a visual language that both expressed and furthered the transformation of Roman society during the rule of Augustus Caesar. The Power of Images in the Age of Augustus illustrates how the establishment of monarchy under Augustus Caesar led to the creation of a new system of visual imagery that reflects the consciousness of this transitional age.

    As the Soviet people looked back on decades of war and famine, conquest and achievement, and forward to sweeping changes during a time of new leadership and openness, the photographers were granted unprecedented access to homes, factories, schools and even prisons. They traveled to all 15 Soviet republics and across 11 time zones. They ventured into areas that have been closed to outsiders for centuries, and they came back with candid images of the daily life of the people behind the headlines, capturing a lost Soviet era, the twilight of a country.

    Combining the appeal of Disney cartoons with the sophisticated primitivism of such artists as Jean Dubuffet, these underground artworks were bold, humorous, accessible, subversive - and the work of one man - Keith Haring. Over the next decade, Haring went on to create a body of work that would capture the energy and excitement of New York's brash street culture - and transmute punk, new wave, hip-hop, graffiti and break dancing into an instantly recognizable pop iconography. He frequently bypassed the gallery scene, preferring to address people directly through drawings and paintings in public spaces and with mass-produced items based on his designs. By the time he died of AIDS in 1990 he had become New York's most celebrated artist since Andy Warhol.

    This comprehensive collection is now in a paperback identical to the original clothbound edition. 130 color, 54 black-and-white illustrations.

    The black and white photos taken at night capture the drama and energy of the great trains in action.

    The Artist's Handbook is packed with information on the traditional art methods of drawing, painting, and printmaking together with significant modern art techniques such as digital photography, digital printing, and digital image manipulation. Encompasses all the tools, materials and skills of the artist's craft. This is the definitive reference guide for amateurs and proficient, conventional and progressive artists alike.

    It wasn't until later that he discovered the craft of photography and developed an enduring fascination with the magic of time and light, and the enigma of reality that these elements conjure up.

    Among those portrayed are Andy Warhol, Ava Gardner, Sophia Loren and many more. 23 color and 169 black-and-white photographs.

    84 two-color halftones.

    M. W. Turner is one of the most famous—and most mysterious—of artists. His paintings are among the masterpieces of Western art, and the range of his work and the originality of his technique make him a giant. He kept his private life a secret, and his contradictory personality, his love of mystification, and his revolutionary manner of painting all fascinated his contemporaries and still arouse our curiosity today.Andrew Wilton's knowledge and enthusiasm uniquely qualify him to introduce us to the artist's life, and he concentrates here on original sources: Turner's writings, in the form of letters, notes, and verse; impressions recorded by his contemporaries; and reviews of his exhibited works. A comprehensive illustrated chronology covers Turner's travels, exhibitions, and projects, and includes portraits of his friends and patrons, views of places with which he was associated, and works by other artists who played a crucial role in forming his style and thought.• Revised and updated edition • Now with color illustrations throughout (200 illustrations total, 150 in color)• Forty-four works are new to the book• Includes a recently discovered watercolor•

    In 65 drawings, including 16 in mixed media and full color, Sempe's whimsical music-makers play all the time, anywhere-practicing, performing, alone or together, at recitals, sessions, and concerts, with audiences or without: a small boy takes on Mozart, an elderly woman struggles with "Echo of Harlem." They are caught in an overwhelming culture, but-like the speck-sized cellist of the last page-they move "towards a simpler world" through the music they make. This is a book that the New York Times praised as "A delicious, evocative album of caricature. . . . Sempe's line becomes music." Said Leonard Bernstein, "Sempe is a comedic genius, who gives all of us musicians the invaluable gift of redeeming our solemnity with the grace of humor."

    Its homes were well-furnished and fanatically clean; its citizens feasted on 100-course banquets and speculated fortunes on new varieties of tulip. Yet, in the midst of plenty, the Dutch were ill at ease. In this brilliantly innovative book--which launched his reputation as one of our most perspicacious and stylish historians--Simon Schama explores the mysterious contradictions of a nation that invented itself from the ground up, attained an unprecedented level of affluence, and lived in dread of being corrupted by its happiness.Drawing on a vast array of period documents and sumptuously reproduced art, Schama re-creates, in precise and loving detail, a nation's mental furniture. He tells of bloody uprisings and beached whales, of the cult of hygiene and the plague of tobacco, of thrifty housewives and profligate tulip-speculators. He tells us how the Dutch celebrated themselves and how they were slandered by their enemies. The Embarrassment of Riches is a book that set a standard for its discipline; it throbs with life on every page.

    For his fans, no more need be said. For those still to be introduced, this is a delightful, astonishing, provocative, laugh-out-loud funny book.

    Kaffe's samples come from the natural world - the patterned markings of frogs, butterflies, flowers, shells and stones - the manmade markings of primitive cultures and the world of 20th-century art.

    This book presents the work of the most important visual artists of the day, including Meta Warrick Fuller, Aaron Douglas and Palmer Hayden.

    Presents step-by-step instructions for drawing people, animals, and objects using a minimum of line and circle combinations.

    In a new chapter, Oleg Grabar develops alternate models for the formation of Islamic art, tightens its chronology, and discusses its implications for the contemporary art of the Muslim world. Reviews of the first edition: “Grabar examines the possible ramifications of sociological, economic, historical, psychological, ecological, and archaeological influences upon the art of Islam. . . [He] explains that Islamic art is woven from the threads of an Eastern, Oriental tradition and the hardy, surviving strands of Classical style, and [he] illustrates this web by means of a variety of convincing and well-chosen examples.”—Art Bulletin “A book of absorbing interest and immense erudition. . . All Islamic archaeologists and scholars will thank Professor Grabar for a profound and original study of an immense and complex field, which may provoke controversy but must impress by its mastery and charm by its modesty.”—Times Literary Supplement “Oleg Grabar, in this book of exceptional subtlety and taste, surveys and extends his own important contributions to the study of early Islamic art history and works out an original and imaginative approach to the elusive and complex problems of understanding Islamic art.”—American Historical Review

    The examination of the structure enables Mainstone to disentangle the various rebuildings and restorations, lots of discussion of the design of this most massive of constrcuctions but he is equally concerned with the ways in which it was used, elements of symbolism and the influence of liturgy and the Emperors.

    They are the visions of the Irezumi, the legendary tattoo artists, who spend years creating living masterpieces. Photographer Sandi Fellman describes this strange and violent world both in her text and in her stunning, large 20 x 24 inch Polaroid photographs.

    This title profiles his life and works within the context of contemporary artists of the period, and examines his social and domestic environment and how they shaped his work.

    Applied by amateurs or professional artists like Vargas and Brinkman, the art typically featured alluring women whose charms belied the deadly cargo the crew hoped to deliver to its targets. Hundreds of examples are shown in a combination of archival photos from the wars and current photos of artwork in museum collections. Fully captioned with aircraft type and unit assignment.

    King, and Howlin' Wolf; the multicolored psychedelic hallucinations promoting the Grateful Dead, Dylan, and the Doors; the deliciously tasteless art for the Sex Pistols, Crime, and the Clash. From the Red Dog Saloon in San Francisco, where the psychedelic scene started, to CBGB, New York's punk Mecca, and beyond. 1,500 images searched out world-wide from clubs, attics, and bedrooms—as well as more formal collections—are reproduced in their original blazing colors.Replete with firsthand history—including exclusive interviews with scores of insiders, poster artists, musicians, and promoters—this is the ultimate high for the rock music fan, required reading for the poster collector, a treasure trove for the graphic artist, and a riotous feast for anyone who digs pop culture.

    This book launched the celebrated exhibition seen by millions at museums around the world. "The Abrams book is so handsomely reproduced one might be tempted to take the reproductions for the real thing".--The Wall Street Journal. 194 illustrations, including 96 in full color.

    This text explores the photographic career of Man Ray whose fertile artistic impulse has made him equally celebrated as a painter, sculptor, writer and film-maker.

    Tony Couch backs up his "You can do it!" promise with clear, friendly instructions.

    His quest to reveal what the unaided eye cannot see revolutionised photography.

    Wollheim had three great passions--philosophy, psychology, art--and his work attempted to unify them into a theory of the experience of art. He believed that unlocking the meaning of a painting involved retrieving, almost reenacting, the creative activity that produced it.In order to fully appreciate a work of art, Wollheim argued, critics must bring to the understanding of a work of art a much richer conception of human psychology than they have in the past: Many [critics] . . . make do with a psychology that, if they tried to live their lives by it, would leave them at the end of an ordinary day without lovers, friends, or any insight into how this came about. Many reviewers have remarked on the insightfulness of the book's final chapter, in which Wollheim contended that certain paintings by Titian, Bellini, de Kooning, and others represent the painters' attempts to project fantasies about the human body onto the canvas.Reviewing the book in the Los Angeles Times, Daniel A. Herwitz asserted that Wollheim had done no less than recover for psychology its obvious and irresistible place in the explanation of what is most profound and subtle about paintings.

    The book includes beautiful colour reproductions of all Caillebotte's most important works, his working drawings, and a selection of critical responses to his art when first shown.

    It explores the dramatic geographical range of Greece from the Northern mainland with its oriental influences to the islands with their white-washed fishing villages.

    The ultimate tribute to Eliot Porter's long and stirring photographic career, Eliot Porter combines his life story with more than 130 of his finest images.134 color and 25 halftone photographs.

    This beautiful book introduces readers to their architecture, furniture, crafts, inventions, and simple way of life.

    Lavishly illustrated with stills from movies famous and obscure, SCREEN DECO appeals to the film historian as well as anyone interested in the rise of High Style Deco. Chapters cover, among other topics, the design of musicals, ocean liners, and futurist cinematic epics. The final chapter presents portraits of the stars who personified the Deco "look."

    The 163 works in this volume represent the hallmarks of Erte's style: wit, fantasy, sensuality and attention to detail. 14 halftones, 163 color plates.

    First published more than twenty years ago, the manual has had far-reaching ramifications for the study of Étant donnés and Duchamp. Illustrated with 116 black-and-white Polaroids taken by the artist and 35 pages of his handwritten notes and sketches, the revised edition includes a new essay by Michael R. Taylor on the pivotal importance of the manual to an understanding of Duchamp’s artistic practice as well as the first English translation of the artist’s text.

    Creative and intellectual growth are the basis of any educational system, and it is the hope that this book can contribute to an understanding of the importance of this area so as to make the education of children a joyful and meaningful experience.

    This book represents a monograph of her life and work.

    It examines whether perspective evolved as an approximation to normal perception or whether it was a symbolic form, one wary of discoursing about space.

    It was a role Wright often disdained but which he also obviously enjoyed. Including thoughtful analysis with introductions by editor Patrick J. Meehan, AIA, Truth Against the World provides the first comprehensive, single-volume collection of Wright's most important speeches during his 70-year career to diverse audiences--high school and college students, architects, engineers, business executives, and society matrons. Topics covered by the 32 presentations include Wright's thoughts on Beaux Arts architecture and the Columbian World Exposition of 1893, organic architecture, prefabricated housing, hospital design, the use of the machine in design, and contemporary society, among many others.

    Painting in a very realistic, almost photographic style, he chose as subjects the poverty, violence, death, and war that he experienced as a soldier in World War I. After this terrible experience, he painted the famous triptych The War. Dix staged the world as a play, a grotesque farce. But the form he chose to do so was based on the classical canon of beauty. Dix lived his life and served art, for he adhered to the age-old rule that the American painter Ad Reinhardt put in a nutshell: Life is life, and art is art.

    

    To these attainments he has added The Way to the Labyrinth—as vivid, uninhibited, and wide-ranging a memoir as one is ever likely to encounter, now translated and published in English for the first time.Born of a haute-bourgeoise French family—his mother an ardent Catholic who founded a religious order, his father an anticlerical leftwing politician who served as a minister under Aristide Briand, his older brother a priest who became a cardinal—Daniélou spent a solitary childhood in the country. Escaping from his family milieu, he went to Paris where he fell in with avant-garde, bohemian, sexually liberated circles, among whose luminaries were Cocteau, Diaghilev, Max Jacob, and Maurice Sachs. But all along, however ferevently he plunged into various activities, he felt some other destiny awaited him. After a number of journeys, some of them highly adventurous, he found his real home in India. He spent twenty years there, fifteen of them in Benares on teh banks of the Ganges. There he immersed himself in teh study of Sanskrit, Hindu philosophy, music, and the art of the ancient temples of Northern India, and converted to the Hindu religion. But times changes, and soon after India gained its independence, he returned to live again in Europe and devoted much of his great energy to the encouragement of traditional musics from around the world.

    From a get well-card with a pop-up nose, through your very own pop-up zoo, here are dozens are amazing ideas for three-dimensional fun.

    Shows horses and menagerie animals carved out of wood for American and European carousels, traces the history of carousel rides, and looks at some prominent manufacturers.

    

    Full Page Color Illustrations

    

    With representation from all music categories, this book will prove that record album jackets have become an art within themselves. Full-color photographs throughout.

    An extensive collection of articles, as well as broadsheets printed in facsimile, illustrate the history and diversity of arguably the most important intervention in modern art. Essays by, amongst others, Laura Mulvey, Sarah Kent, Rosalind Coward, mary Kelly, and Sally Potter combine with press releases from the Women's Workshop, articles from The times and Spare Rib, and a host of other documents.

    The author looks at several aspects of Turner's life - his training and working methods, extensive travels, relationship to ancient and modern art, patrons, writing, and intellectual interests - which he relates to specific examples of his work.

    Munari was born in 1907 in Milan and it was against the active background of futurism that his artistic experiments developed, but his mechanical fantasies, practical inventions, and didactic writings continue to be enjoyed by a public that has no memory of Balla, Prampolini, and Marinetti.Munari's 40-odd books, ranging from futurist manifestoes to design manuals to children's books, have been widely read in many languages. But this book, itself designed by Munari, is the first comprehensive account of his total achievement. Here are the Unreadable Books (that told stories through the possibilities of typography, papermaking, and binding), Traveling Sculptures, Fossils of the Year 2000, Theoretical Reconstruction of Imaginary Objects, Original Xerographies, Negative Positives, and the famous Useless Machines of the 1930s (constructions for wagging the tails of lazy dogs, predicting dawn, making sobs sound musical) as well as numerous other works, some published for the first time.The hundreds of illustrations, many in full color, recreate Munari's relentless inventiveness, his love of irony, chance and humor, his intensely experimental orientation and constantly fresh approach to new technologies and materials.Aldo Tanchis lives in Milan where he is currently collaborating with the advertising agency Pirella Göttsche. He is the author of The Anomalous Art of Bruno Munari.

    This "is a lovingly put-together volume [with] soft, spontaneous yet thoughtful illustrations."--Kirkus Reviews.

    ' TIMES LITERARY SUPPLEMENT 'This is a book which will rightly take its place as an important contribution to the proper understanding of the stature of Leonardo as an artist and draughtsman, essential to the student and both enlightening and interesting to the general reader. ' STUDIO Originally two-thirds conceived and collected by Sir Kenneth Clark, the work continued and completed by A. E. Popham, Keeper of Prints and Drawings at the British Museum. It is the most comprehensive collection of da Vinci's drawings ever to be published. The Pimlico edition will have a new introduction by Martin Kemp, head of art history at St Andrew's University.

    

    Two dolls plus 32 classic costumes by Lanvin, Norell, Schiaparelli, and other legends.

    200 duotone photographs.

    

    painting is like speaking or walking', Dubuffet looked to non-traditional sources - art by prisoners, psychics, and the insane - and to unusual materials - tar, sand, butterfly wings - to liberate his own creativity. The extraordinarily imaginative and varied results are viewed in this survey of his career. Insatiably curious about new ideas, fiercely skeptical about conventional ones, Dubuffet probed unexplored territory through his prose as well as his art - many appearing here for the first time. Dubuffet made several false starts as an artist before committing himself to painting full time in 1943. This book proceeds from the heavily impastoed portraits of the forties, through the well-known Hourloupe Cycle of the sixties, and onto the last works of Dubuffet the Non-lieux (No-ground). Dubuffet also experimented with lithographs, gouaches, assemblages and large scale public sculpture. As artist, writer, collector of more than 5000 examples of Art Brut, Dubuffet had a formidable impact on international postwar art. Refusing to conform to any one style, he dazzled with an inexhaustible inventiveness that continued nearly to his death at age eighty-three. This book captures the unique spirit of this remarkable artist.

    In Europe he has exhibited frequently; built enormous, colorful structures (with Niki de Saint-Phalle); created fountains in public plazas; and designed a cafe. Long-time friend Hulten, a curator of avant-garde collections, here recapitulates his Jean Tinguely: "Meta" (1975)which deals with the work up to 1972and then discusses the work up to 1987. Fortunately, the rather ponderous text is minimal; the book is essentially a celebratory picture album of sketches, snapshots, and elegant black-and-white and color plates documenting the kinetic sculpture and often anarchic events. A worthwhile addition to art and contemporary culture collections. Margot Karp, Pratt Inst., New YorkCopyright 1988 Reed Business Information, Inc.

    Since publication, the museum has expanded its collection, with major acquisitions of pieces from Europe and Asia. The new edition includes a complete revision of the section on Europe after 1700, plus revisions to the sections on Celtic Europe, Roman Britain, cameos and finger rings.The book explores the varied styles, techniques and materials used to make jewelry in many civilizations throughout the world and across the millennia. Egyptian necklaces, Celtic torcs, South American gold masks, Renaissance pendants and Art Nouveau buckles are examples of the range of the masterpieces described and illustrated with 400 superb photographs.7000 Years of Jewelry takes readers on an impressive tour that includes, among other times and places:The Middle East: 5000-2000 BC Egypt: 1500-900 BC Phoenician, Greek, Etruscan and Persian Lands: 850-325 BC China, Celtic Europe, Mexico and Peru: 600 BC-AD 600 The Mediterranean, India, Egypt, Roman Britain and Byzantium: 325 BC-AD 600 Europe, China, Korea and Japan: AD 300-1000 Mayan Central America: AD 600-1000 Central and South America: AD 500-1500 Europe, Islam, China, Korea and Java: AD 1000-1500 China, India, Tibet and Mongolia: AD 1500-1850 West Africa: AD 1500-1800 Europe: AD 1500-1950. More comprehensive than before, this reference remains the finest and most beautifully illustrated history of jewelry ever published.

    

    

    Includes a spirited social history and an in-depth look at 11 homes. 450 full-color photographs.

    

    60 four-color plates.

    As in past editions, all the artists' works are represented in large-format color reproductions, and the artists' careers are examined in concise critical biographies.

    Painting with a Fresh Eye

    This work reproduces more than 350 woodcuts and linocuts printed during Hnizdovsky's career.

    He was the dominant theoretician of the Bauhaus during its most prosperous era; his Constructivist/Suprematist paintings are among the finest achievements in European art of the twenties; he was a pioneer in kinetic sculpture; and his photographs, photograms and photoplastics led the way in exploring the full potential of photo reproduction. And even these were not the limit of his interests, for he also made films, designed scenery and costumes, and excelled in commercial graphics and exhibition design.

    Discusses mosaics in many of the major monuments, including Cefalu, the Palatine Chapel, Martorana and others. Also includes discussions of iconography and the development of style. All with endnotes. List of illustrations; preface by the author. Index of names, iconographical index and general index. 120 black and white plates. Slight scuffing at edges of spine. Bookplate on front pastedown. xx, 478 pages, with plates. cloth, title gilt-stamped on spine.

    Here for a wide range of readers Douglas recounts fairy tales, classical stories, myths, and adventure stories that inspired Anderson to create these enchanting pictures. Douglas's special gift for storytelling weaves an alluring spell that is intensified by twenty-four of Anderson's most spectacular works. These are reproduced in full color and are adapted from his linoleum block prints of tremendous size (18 in. x 6 ft.) and hand colored by his niece Adele Anderson Lawton. This indeed is a document of art's power to excite the imagination. What is the elusive quality in narrative that draws out the illustrator's response? And the quality in illustration that compels the teller of stories to elucidate? Just as great tales piqued Anderson to create these fantastical pictures, his illustrations motivated Douglas to take them back to their source, the word. From the Brothers Grimm, Ovid, Malory, Burton, Perrault, and other great storytellers she has retold her refreshingly appealing versions of Beauty and the Beast, Cinderella, The Magic Carpet, The Fisherman and the Genie, Sinbad and the Roc, Rapunzel, The Six Swans, Thumbelina, The Sleeping Beauty, The Frog Prince, The White Cat, Puss in Boots, The Three Billy Goats Gruff, The Bremen Town Musicians, Jack the Giant Killer, The Birth and Coronation of Arthur, Cupid and Psyche, Androcles and the Lion, Europa and the Bull, and The Golden Apples of the Hesperides. In recounting them anew she gives them fresh insights while retaining their eternal charm. Ellen Douglas is the award-winning author of five novels and a collection of stories. Among her books are "Black Cloud, White Cloud, Apostles of Light" (University Press of Mississippi), and "Can't Quit You, Baby." Walter Anderson (1903-1965) was the reclusive Mississippi Gulf Coast artist whose legacy of art has been celebrated in many exhibitions and in films and books.

    Tonal values for the artist

    The songs are presented with singers and guitarists in mind, but the complete lyrics and many photographs will be of great interest to her fans.

    James' style and humor enhance this extremely clear, comprehensive manual". -- Library Journal

    The works range from his early impressions of peasant life to drawings that served as studies for the great canvases he painted at the close of his life, including Landscape with Cypresses and Starry Night.Van Gogh's quest to be "alone with nature" and with those whose lives were close to the land took him first to the desolate reaches of northern Holland and ultimately to the sunlit fields and villages of southern France. The drawings presented in this book record the life, the land, and the people he encountered; familiar images to us through his paintings, yet startlingly fresh in these lesser-known works in another medium. Themes include peasants in their fields and cottages, village gardens, fishing boats, the postman Roulin, a drawbridge, fields of grain, a self-portrait, the house he lived in, the room he slept in, and the courtyard of the hospital in Arles.Van Gogh Drawings offers a beautiful and stirring collection of work, one that clearly displays the artist's powerful affinity for the drawing medium. During the last six years of his life, his most productive period, van Gogh produced approximately 700 drawings and 800 paintings. Virtually unknown at his death, he had sold only one of this astonishing number of works. Now, a century later, they number among the most universally admired and prized of man’s creative achievements. The drawings presented here, chosen from museums and private collections around the world, dramatically record the brief journey of his life and the unfolding of his genius. The captions, which draw heavily upon information provided by Jan Hulsker in The Complete Van Gogh, list subject, date, medium, dimensions (in centimeters, height before width), and the institutions in which they are located. 44 black-and-white illustrations.

    This paperback edition of the first collection of Taylor's paintings includes the secrets of his techniques, and behind-the-scenes stories of life with the Aces.

    

    

    Common names and their variations, as well as standard botanical classification and nomenclature, are given for all flowers. A Ready Identification Chart lists the flowers by their distinctive features and facilitates identification of all the flowers represented and their related species. A detailed Glossary provides full explanation of botanical terms.This encyclopedic work is based on an authoritative publication of the Smithsonian Institution: The Mary Vaux Walcott color plates in this book are reproduced by permission from the famous portfolio set “ North American Wild Flowers” by Mary Vaux Walcott as published by the Smithsonian Institution. The magnificent and completely accurate paintings, which are accorded top-ranking by artists as well as botanists throughout the country, have been supplemented by additional paintings by Dorothy Falcon Platt.

    Now this seminal volume of portraits is available in a stunning paperback edition. Legendary throughout the jazz world, Claxton began photographing musicians while still a student at UCLA, during the early days of the burgeoning West Coast jazz scene. A personal friend of many of the artists, Claxton captured on film the intimate relationship between the musicians and their music, and his award-winning photographs have graced the covers of innumerable albums. Collected here are 77 evocative full-bleed duotones of the world's great jazz icons, including Sarah Vaughan, Chet Baker, Dave Brubreck, Bill Evans, Gerry Mulligan, Miles Davis, Billie Holiday, Dizzie Gillespie, Charlie Parker, Art Pepper, Thelonious Monk, and many others. For anyone who loves jazz or fine photography, Jazz is a timeless volume and an outstanding gift.

    Including over 1,600 combinations, this little book packs a big punch, solving color questions through photographic and descriptive examples.ContentsHow to use this bookThe basic colorsThe color wheelThe living paletteThe color guideColor schemesColor combinationsPractical applicationsChoosing colorsColor conversion chartColor cards

    "For libraries needing a good general introduction."—LJ. "All you need to know from one of the world's top experts."—N.Y. Times. 160 pages (93 in color), 7 1/2 X 9 3/4.

    The threat of a second world war sent Tamara packing to America, where she reveled among the famous in Hollywood and the wealthy of New York, In the 1970s she was rediscovered when a gallery owner in Paris mounted a retrospective of her work, and today paintings that were unsellable for three decades fetch many hundreds of thousands of dollars.Much of the story of de Lempicka's amazing life is told in moving detail by her daughter, whose recollections are amplified by anecdotes from others who knew the artist. The is illustrated by dozens of photographs from Tamara's personal album and by 50 full-color reproductions of her evocative paintings.

    With a forword by Brooke Astor.

    OCTOBER: The First Decade brings together a selection of some of the most important and representative texts, many from issues long out of print, that have appeared in one of the foremost journals in art criticism and theory.

    Loosely organized into nine sections, this photographic odyssey takes the reader from Denali National Park into the islands, forests, and mountains of Alaska, and even beyond the Arctic Circle, to the very edge of the northern ice fields. Spectacular images of erupting volcanoes and forbidding glaciers alternate with intimate portraits of Alaska's flora and fauna: a field of lupines, a napping arctic fox, a Dall sheep soaking in the sun. The forward by Margaret E. Murie reveals the character and humor of the people who have made Alaska their home, while the short essays prefacing every chapter provide additional information about the land, the animals, and the environment that is Untamed Alaska.

    

    In the early 1980's Burke traveled to Thailand and Viet Nam, as well as Cambodia where he documented the aftermath of the Khmer Rouge regime. The book will be produced using the original plates, and will feature the same layout and scale as the first edition.