The chafing restrictions of a typical upbringing in upper-class, small town Alabama simply did not apply to Zelda, who was described as an unusual child and permitted to roam the streets with little supervision. Zelda refused to blossom into a typical 'Southern belle' on anyone's terms but her own and while still in high school enjoyed the status of a local celebrity for her shocking behavior. Everybody in town knew the name Zelda Sayre. Queen of the Montgomery social scene, Zelda had a different beau ready and willing to show her a good time for every day of the week. Before meeting F. Scott Fitzgerald, Zelda's life was a constant pursuit of pleasure. With little thought for the future and no responsibilities to speak of, Zelda committed herself fully to the mantra that accompanied her photo in her high school graduation book: "Why should all life be work, when we all can borrow. Let's think only of today, and not worry about tomorrow." But for now Zelda was still in rehearsal for her real life to begin, a life she was sure would be absolutely extraordinary. Zelda Sayre married F. Scott Fitzgerald on the 3rd of April 1920 and left sleepy Montgomery behind in order to dive headfirst into the shimmering, glamourous life of a New York socialite. With the publication of Scott's first novel, This Side of Paradise, Zelda found herself thrust into the limelight as the very epitome of the Flapper lifestyle. Concerned chiefly with fashion, wild parties and flouting social expectations, Zelda and Scott became icons of the Jazz Age, the personification of beauty and success. What Zelda and Scott shared was a romantic sense of self-importance that assured them that their life of carefree leisure and excess was the only life really worth living. Deeply in love, the Fitzgeralds were like to sides of the same coin, each reflecting the very best and worst of each other. While the world fell in love with the image of the Fitzgeralds they saw on the cover of magazines, behind the scenes the Fitzgerald's marriage could not withstand the tension of their creative arrangement. Zelda was Scott's muse and he mercilessly mined the events of their life for material for his books. Scott claimed Zelda's memories, things she said, experiences she had and even passages from her diary as his possessions and used them to form the basis of his fictional works. Zelda had a child but the domestic sphere offered no comfort or purpose for her. The Flapper lifestyle was not simply a phase she lived through, it formed the very basis of her character and once the parties grew dull, the Fitzgeralds' drinking became destructive and Zelda's beauty began to fade, the world held little allure for her. Zelda sought reprieve in work and tried to build a career as a ballet dancer. When that didn't work out she turned to writing but was forbidden by Scott from using her own life as material. Convinced that she would never leave her mark on the world as deeply or expressively as Scott had, Zelda retreated into herself and withdrew from the people she knew in happier times. The later years of Zelda's life were marred by her detachment from reality as, diagnosed with schizophrenia, Zelda spent the last eighteen years of her life living in and out of psychiatric hospitals. As Scott's life unraveled due to alcohol abuse, Zelda looked back on the years they had spent together, young and wild and beautiful, as the best of her life. She may have been right but she was wrong about one thing, Zelda did leave her mark on the world and it was a deep and expressive mark that no one could have left but her. Zelda Fitzgerald: The Biography

    This is an account of the world's greatest ‘intellectual virtuosos,' who are also humanity's greatest doubters and disbelievers, from the ancient Greek philosophers, Jesus, and the Eastern religions, to modern secular equivalents Marx, Freud and Darwin—and their attempts to reconcile the seeming meaninglessness of the universe with the human need for meaning,This remarkable book ranges from the early Greeks, Hebrew figures such as Job and Ecclesiastes, Eastern critical wisdom, Roman stoicism, Jesus as a man of doubt, Gnosticism and Christian mystics, medieval Islamic, Jewish and Christian skeptics, secularism, the rise of science, modern and contemporary critical thinkers such as Schopenhauer, Darwin, Marx, Freud, Nietzsche, the existentialists.

    Taking a characteristically postmodern stance, Marion challenges a fundamental premise of both metaphysics and neo-Thomist theology: that God, before all else, must be. Rather, he locates a "God without Being" in the realm of agape, of Christian charity or love.This volume, the first translation into English of the work of this leading Catholic philosopher, offers a contemporary perspective on the nature of God.

    This one-volume survey of the history of the Catholic Church--from its beginning through the pontificate of John Paul II--explains the Church's progress by using Christopher Dawson's division of the Church's history into six distinct "ages," or 350-400 year periods of time.

    By a study of these models, and of the societies they represented, Jordan is able to set forth the Biblical view of the world and of historical change and progress, and make relevant and important applications to the present day.

    First, to provide the Orthodox reader with a competent overview of the history of Protestantism and its major traditions, from its beginnings in the 16th century to the present day. This overview relies heavily upon the Reformer's own words as well as the creeds of various Protestant faiths, in order to avoid misrepresentation and caricature. Second, to acquaint Orthodox and non-Orthodox readers with a narrative of the historical relations between the Orthodox East and the Protestant West. Finally, to provide a summary of Orthodox theological opinion on the tenets of Protestantism.

    Indeed, argues Sayers, if Christians don't steep themselves in doctrine, then the Christian Faith -- and the world outside the Faith -- will descend into chaos.Each of us must choose: creed . . . or chaos! This book shows why there's no way you can avoid that choice -- and it helps you to choose wisely.

    Terrorism. Hate crimes. In a world where racism is far from dead, is unity amidst diversities even remotely possible?Sharing from his own experiences growing up in the segregated South, pastor John Piper thoughtfully exposes the unremitting problem of racism. Instead of turning finally to organizations, education, famous personalities, or government programs to address racial strife, Piper reveals the definitive source of hope--teaching how the good news about Jesus Christ actively undermines the sins that feed racial strife, and leads to a many-colored and many-cultured kingdom of God.Learn to pursue ethnic harmony from a biblical perspective, and to relate to real people different from yourself, as you take part in the bloodline of Jesus that is comprised of "every tongue, tribe, and nation."

    In Why Do Catholics Do That? renowned scholar and religion columnist Kevin Orlin Johnson answers the most frequently asked questions on Catholic faith, worship, culture, and customs, including:* How the Church Makes Laws * The Hard-Fought Genesis of the New Testament * The Cycle of Redemption * A Short Guide to the Meaning and Structure of the Mass * Decoding Symbols of Scripture and the Sacraments * The Calendar as the Image of Christ's Life * The Rosary * The Stations of the Cross * Monks, Nuns, and the Rules That Guide Them * The Pope * The Laity in the Modern World * Saints * Fatima, Lourdes, and the Story of Apparitions * The Vatican: A Holy City * The Sign of the Cross, Christianity's Best-Known Symbol * Candles in Prayer and Liturgy * The Meaning of the Nativity SceneBlending religious history, a deep appreciation for art and culture, and an enlightened reverence for the traditions of the Church, Why Do Catholics Do That? is the definitive resource for any one who wants to learn more about the rituals, symbols, and traditions that can strengthen our faith every day."Johnson offers lucid explanations of a dizzying array of customs and beliefs."--Publishers Weekly

    The real identity of the person who chose to write under the pseudonym of Dionysius the Areopagite is unknown. Even the exact dates of his writings have never been determined. Moreover the texts themselves, though relatively short, are at points seemingly impenetrable and have mystified readers over the centuries. Yet the influence of this shadowy figure on broad range of mystical writers from the early middle ages on is readily discernible. His formulation of a method of negative theology that stresses the impotence of humans' attempt to penetrate the "cloud of unknowing" is famous as is his meditation on the divine names.Despite his influence, relatively few attempts have been made to translate the entire corpus of his written into English. Here in one volume are collected all of the Pseudo-Dionysius' works. Each has been translated from the Migne edition, with reference to the forthcoming Göttingen critical edition of A.M. Ritter, G. Heil, and B. Suchla.To present these works to the English-speaking public, an outstanding team of six research scholars has been assembled. The lucid translation of Colm Luibheid has been augmented by Paul Rorem's notes and textual collaboration. The reader is presented a rich and varied examination of the main themes of Dionysian spirituality by René Roques, an incisive discussion of the original questions of the authenticity and alleged heresies in the Dionysian corpus by Jaroslav Pelikan, a comprehensive tracing Dionysius' influence on medieval authors by Jean Leclercq, and a survey by Karlfried Froehlich of the reception given the corpus by Humanists and sixteenth-century Reformers.

    First appearing in 1924, this is a truly pioneering work of Catholic theology, one that had a major influence on subsequent theology.

    This viewpoint is even making inroads into the church. How are Christians to respond to such accusations? And how are we to reconcile the seemingly disconnected natures of God portrayed in the two testaments?In this timely and readable book, apologist Paul Copan takes on some of the most vexing accusations of our time, including: God is arrogant and jealousGod punishes people too harshlyGod is guilty of ethnic cleansingGod oppresses womenGod endorses slaveryChristianity causes violenceand moreCopan not only answers God's critics, he also shows how to read both the Old and New Testaments faithfully, seeing an unchanging, righteous, and loving God in both.

    In the introduction portion of this two-part book, Geisler examines the realities of the Christian faith, including the existence of God, the reality of truth, the nature of revelation, and guidelines for interpretation. Part two presents the origin of Scripture, its inspiration, inerrancy, and much more. (July)

    It is also a literary work, an often miraculous interplay between cultural documents and historical periods.

    Not only do the sayings of the Desert Fathers possess the imprint of eternity,but the fresh and vital commentary by Father John Chryssavgis provides a key which unlocks their relevance for the reader of today. The actual Egyptian desert to which these monks fled in the fourth and fifth centuries was, of course, an actual place. But, the desert may also be understood as an inner geography of desolation and abandonment. Father John tells us that anyone who has experienced loneliness, brokenness, breakdown, or break-up--whether emotionally, physically, or socially--will connect with the profound humanity of the Desert Fathers and Mothers. Various traditions from world religions teach that God enters into the empty soul. The universal and perennial message of these first Christian monks concerns the necessity of emptiness; they show us, by their examples, how to confront the chaotic impulses of the soul which drive us away from that still point where God is waiting.In the Heart of the Desert portrays several of the key figures in early Christian monasticism including one of the Desert Mothers, Amma Syncletica. It also includes the first translation into English of the fifth-century text, The Reflections of Abba Zosimas. In a sense, this is not a book of the past, of the fourth or fifth centuries. It may be described as a book of the age to come, or of a new age. It speaks to our present age of an experience of a new life, of a fullness and renewal of life.