His works include journalism, philosophy, poetry, biography, fantasy and detective stories. Chesterton has great fun satirizing the Victorian sleuths such as Sherlock Holmes . These 39 tales will delight the reader. Chesterton said that these stories just came to him like sitting still and letting them light on him like flies. Some of these tales are just for fun while other are filled with good common sense.Gilbert Keith Chesterton (1874-1936) was an English literary and social critic, historian, playwright, poet, Catholic theologian, debater, mystery writer and foremost, a novelist. Among the primary achievements of Chesterton's extensive writing career are the wide range of subjects written about, the large number of genres employed, and the sheer volume of publications produced. He wrote several plays, around 80 books, several hundred poems, some 200 short stories and 4000 essays. Chesterton's writings without fail displayed wit and a sense of humor by incorporating paradox, yet still making serious comments on the world, government, politics, economics, theology, philosophy and many other topics. Chesterton uses his compilation of essays in Tremendous Trifles as a guide to reflect on everyday life. Among this collection: A Piece of Chalk -where a drawing exercise turns into a lesson on the nature of truth, Twelve Men -an explanation on why we have juries made of our peers and not professional jurors, The Dragon's Grandmother -on why we should read fairy tales to our children along with many more endearing reflections.

    These are pivotal and seminal works, books in which a great writer was charting the course he later would follow, experimenting freely, boldly searching for a new kind of prose style to express "the power of the imagination to hold human beings to life and propel them onward.”The prose-poem improvisations (Kora in Hell) . . . the interweaving of prose and poetry in alternating passages (Spring and All and The Descent of Winter) . . . an antinovel whose subject is the impossibility of writing "The Great American Novel" in America . . . automatic writing (A Novelette) . . . these are the challenges which Williams accepted and brilliantly met in his early work.

    Bollingen Series XXEssays which state the fundamentals of Jung's psychological system: "On the Psychology of the Unconscious" & "The Relations Between the Ego & the Unconscious," with their original versions in an appendix.

    They share their knitting triumphs and disasters as well as their life triumphs and disasters…These essays will break your heart. They will have you laughing out loud." —Ann Hood, from the introductionWhy does knitting occupy a place in the hearts of so many writers? What’s so magical and transformative about yarn and needles? How does knitting help us get through life-changing events and inspire joy? In Knitting Yarns, twenty-seven writers tell stories about how knitting healed, challenged, or helped them to grow. Barbara Kingsolver describes sheering a sheep for yarn. Elizabeth Berg writes about her frustration at failing to knit. Ann Patchett traces her life through her knitting, writing about the scarf that knits together the women she’s loved and lost. Knitting a Christmas gift for his blind aunt helped Andre Dubus III knit an understanding with his girlfriend. Kaylie Jones finds the woman who used knitting to help raise her in France and heals old wounds. Sue Grafton writes about her passion for knitting. Also included are five original knitting patterns created by Helen Bingham.Poignant, funny, and moving, Knitting Yarns is sure to delight knitting enthusiasts and lovers of literature alike.

    This edition contains important lessons on the nature of friendship and love, the importance of belief in the future, and the value of respect for oneself and others, and much more.

    In Reading the Bible Again for the First Time, Marcus Borg shows how instead we can freshly appreciate all the essential elements of the Old and New Testaments—from Genesis to Revelation—in a way that can open up a new world of intelligent faith.In Reading the Bible Again for the First Time, Borg reveals how it is possible to reconcile a scientific and critical way of thinking with our deepest spiritual needs, leading to an insightful experience of ancient text. This unique book invites every reader—whatever his or her religious background—to engage the Bible, to wrestle with its meaning, to explore its mysteries, and to understand its relevance. Reading the Bible Again for the First Time shows us how to encounter the Bible in a fresh, new way that rejects the limits of simple literalism and opens up the rich possibility of living a life of authentic faith.

    The older artist, Rainer Maria Rilke (1875–1926), replied to the novice in this series of letters—an amazing archive of remarkable insights into the ideas behind Rilke's greatest poetry. The ten letters reproduced here were written during an important stage in Rilke's artistic development, and they contain many of the themes that later appeared in his best works. The poet himself afterwards stated that his letters contained part of his creative genius, making this volume essential reading for scholars, poetry lovers, and anyone with an interest in Rilke, German poetry, or the creative impulse.

    The writings presented here deal with a reconceptualization of the central religious categories of theology through a wide range of voices and traditions. Contributors are white, black, Chicana, Asian American, and Native American, and represent Jewish, Christian, Goddess, Native American, Yoruba, Voudou, and other perspectives. “Feminist too often have avoided and denied [our] differences,” write the editors, “but difference is the source of our creativity, the ‘raw and powerful’ connection from which our personal power is forged.”

    He sent his journals, a novel-in-progess, and copies of all his poems to his mentor, Columbia professor Mark Van Doren, for safe keeping, fully expecting to write little, if anything, ever again.? It was a relatively short-lived resolution, for Merton almost immediately found himself being assigned writing tasks by his Abbot?one of which was the autobiographical essay that blossomed into his international best-seller The Seven Storey Mountain. That book made him famous overnight, and for a time he struggled with the notion that the vocation of the monk and the vocation of the writer were incompatible. Monasticism called for complete surrender to the absolute, whereas writing demanded a tactical withdrawal from experience in order to record it.? He eventually came to accept his dual vocation as two sides of the same spiritual coin and used it as a source of creative tension the rest of his life.? Merton's thoughts on writing have never been compiled into a single volume until now. Robert Inchausti has mined the vast Merton literature to discover what he had to say on a whole spectrum of literary topics, including writing as a spiritual calling, the role of the Christian writer in a secular society, the joys and mysteries of poetry, and evaluations of his own literary work. Also included are fascinating glimpses of his take on a range of other writers, including Henry David Thoreau, Flannery O'Connor, Dylan Thomas, Albert Camus, James Joyce, and even Henry Miller, along with many others.

    All the same, this four-week period leading up to Christmas is making a comeback as growing numbers reject shopping-mall frenzy and examine the deeper meaning of the season. Ecumenical in scope, these fifty devotions invite the reader to contemplate the great themes of Christmas and the significance that the coming of Jesus has for each of us not only during Advent, but every day. Whether dipped into at leisure or used on a daily basis, "Watch for the Light" gives the phrase holiday preparations new depth and meaning. Includes writings by Christoph Friedrich Blumhardt, Sylvia Plath, J. B. Phillips, Friedrich Wilhelm Foerster, Henri Nouwen, Bernard of Clairvaux, Kathleen Norris, Meister Eckhart, St. Thomas Aquinas, Karl Rahner, Isaac Penington, Madeleine L Engle, Alfred Delp, Loretta Ross-Gotta, William Stringfellow, J. Heinrich Arnold, Edith Stein, Philip Britts, Jane Kenyon, John Howard Yoder, Emmy Arnold, Karl Barth, Oscar Romero, William Willimon, Johann Christoph Arnold, Gail Godwin, Leonardo Boff, G. M. Hopkins, Evelyn Underhill, Dorothy Day, Brennan Manning, Dietrich Bonhoeffer, Romano Guardini, Annie Dillard, Martin Luther, St. John Chrysostom, Giovanni Papini, Dorothee Soelle, C. S. Lewis, Gustavo Gutierrez, Philip Yancey, J. T. Clement, Thomas Merton, Eberhard Arnold, Ernesto Cardenal, T. S. Eliot, John Donne, Gian Carlo Menotti and Jurgen Moltmann.

    The words in this book come from the heart--mine and the hearts of others. I pray that you will find within them a spark that will ignite the flame of hope and the passion for healing that lies within us all."Naomi Levy was a spirited fifteen-year-old when her father was murdered in a senseless holdup that destroyed not only his life but her trust in a loving God. Healing took a long time, yet from her struggles with grief, anger, and depression, she forged the wisdom that made her, at twenty-six, a beloved rabbi--and now makes her book a miracle of honesty, recovery, and compassion.Where do we find the strength to meet tragedy? Can we rekindle hope? Innocence? Faith? The answers, illustrated with many moving, true stories drawn from Rabbi Levy's experience and the lives of her congregants, provide sanity, peace, and a safe harbor where we can heal and grow. Remember: "Death is a great tragedy. But to die while we are still living, that is the greatest tragedy of all."

    Sor (Sister) Juana Ines de la Cruz was acclaimed in her time as "Phoenix of Mexico, America's Tenth Muse"; a generation later she was forgotten. In our century she was rediscovered, her works were reissued, and she is now considered one of the finest Hispanic poets of the seventeenth century. She deserves to be known to English-speaking readers for another reason as well: she speaks directly to our concern for the freedom of women to realize themselves artistically and intellectually.Her poetry is surprising in its scope and variety. She handled with ease the intricate verse forms of her day and wrote in a wide range of genres. Many of her lyrics reflect the worldliness and wit of the courtly society she moved in before becoming a nun; some, composed to be sung, offer charming glimpses of the native people, their festivities and colorful diversity. Alan Trueblood has chosen, in consultation with Octavio Paz, a generous selection of Sor Juana's writings and has provided an introductory overview of her life and work. The short poems, and excerpts from her play The Divine Narcissus, are accompanied by the Spanish texts on facing pages. Her long philosophical poem, First Dream, is translated in its entirety, as is her famous autobiographical letter to the Bishop of Puebla, which is both a self-defense and a vindication of the right of women to cultivate their minds.The Anthology was conceived as a companion to the English-language edition of Octavio Paz's magisterial study of Sor Juana. On its own, it will be welcomed as the first representative selection in English of her verse and prose.

    All bring a keen eye and palette to the larger questions of the role of food--both its presence and its absence--in the life of our bodies and spirits. Their essays take us to a Canadian wheat farm, a backyard tomato garden in Cincinnati, an organic farm in Maine; into a kosher kitchen, a line of Hurricane Katrina survivors as they wait to be fed, a church basement for a thirty-hour fast; inside the translucent layers of an onion that transport us to a meditation on heaven, to a church potluck, and to many other places and ways we can experience sacramental eating. In a time of great interest and equal confusion over the place of food in our lives, this rich collection, which includes personal recipes, will delight the senses, feed the spirit, enlarge our understanding, and deepen our ability to "eat and drink to the glory of God." Featuring the writings of Robert Farrar Capon, Wendell Berry, Lauren Winner, Luci Shaw, Andre Dubus, Jeanne Murray Walker, Brian Volck, and many others, INCLUDING ORIGINAL RECIPIES! Endorsements: "I'm trying to resist the temptation to pun--describing this as a rich feast of essays, or essays one will relish with delight, or essays that one should savor, and so forth--but I can't. This collection is a meal for the mind." --Mark Galli Senior Managing Editor Christianity Today "This is a gift to the Body of Christ--delicious prose and glistening dishes to assist the necessary recovery of our whole persons. As Saint John Chrysostom proclaims: 'The table is rich-laden; feast royally, all of you! The calf is fatted; let no one go forth hungry! Let all partake of the feast of faith. Let all receive the riches of goodness.' Taste and see, indeed." --Scott Cairns author of The Compass of Affection "From the sheen on the belly of a fresh-caught salmon to the reassuring heft of homemade bread straight from the oven, this new collection by thirty-four outstanding writers opens by celebrating the sheer joy of eating, then ushers us into the realm of holy sacrament. The Spirit of Food, edited by Leslie Leyland Fields, is not only rich in wisdom gained the hard way--through the gathering, growing, and preparing of what winds up on our multifarious tables--but shines with luminous gratitude at the abundant graciousness of God." --Paula Huston author of Forgiveness: Following Jesus into Radical Loving "Leslie Leyland Fields has done those of us interested in The Spirit of Food a great service by collecting thirty-four wonderful essays and recipes. Her careful choices remind us of the many ways God can be present in the human experience of eating. The essays on fasting, feasting, and the Lord's Supper join others which recall the experiences of grace or the call for justice which occur in everyday meals." --Shannon Jung author of Food for Life: The Spirituality and Ethics of Eating "I loved reading all these wise, honest, and funny people writing about eating--the conundrums and efforts and delights involved in our relationship to food, and God, and God-as-food. It's a beautiful and inspiring collection of essays. I've been praying and eating better since reading it." --Debbie Blue author of Sensual Orthodoxy About the Contributor(s): Leslie Leyland Fields is the author of seven books, including Surviving the Island of Grace: A Life on the Wild Edge of America and "Parenting is Your Highest Calling" . . . and 8 Other Myths That Trap Us in Worry and Guilt. She teaches in Seattle Pacific University's Master of Fine Arts Program and lives in Kodiak, Alaska.

    She has written a stunningly original book of essays whose concerns range from the most minimal and personal subjects to the most encompassing matters of art and culture. The titles themselves speak to the volume's uniqueness: "On lice," "On sleeping in the theater," "On motherhood and stools (the furniture kind)," "Greek masks and Bell's palsy."100 Essays I Don't Have Time to Write is a book in which chimpanzees, Chekhov, and child care are equally at home. A vibrant, provocative examination of the possibilities of the theater, it is also a map to a very particular artistic sensibility, and an unexpected guide for anyone who has chosen an artist's life.

    As Emperor Go-Daigo fended off a challenge from the usurping Hojo family, and Japan stood at the brink of a dark political era, Kenkō held fast to his Buddhist beliefs and took refuge in the pleasures of solitude. Written between 1330 and 1332, Essays in Idleness reflects the congenial priest's thoughts on a variety of subjects. His brief writings, some no more than a few sentences long and ranging in focus from politics and ethics to nature and mythology, mark the crystallization of a distinct Japanese principle: that beauty is to be celebrated, though it will ultimately perish. Through his appreciation of the world around him and his keen understanding of historical events, Kenkō conveys the essence of Buddhist philosophy and its subtle teachings for all readers. Insisting on the uncertainty of this world, Kenkō asks that we waste no time in following the way of Buddha.In this fresh edition, Donald Keene's critically acclaimed translation is joined by a new preface, in which Keene himself looks back at the ripples created by Kenkō's musings, especially for modern readers.