Ambedkar’s Annihilation of Caste is one of the most important, yet neglected, works of political writing from India. Written in 1936, it is an audacious denunciation of Hinduism and its caste system. Ambedkar – a figure like W.E.B. Du Bois – offers a scholarly critique of Hindu scriptures, scriptures that sanction a rigidly hierarchical and iniquitous social system. The world’s best-known Hindu, Mahatma Gandhi, responded publicly to the provocation. The hatchet was never buried.

    In considering such aspects, the author goes beyond the domain of pure aesthetics and offers an interpretation of some basic cultural problems of our time.

    It is the story of Stephen, a teacher whose love for the pupil who shares his dreams brings him face to face with ruin; of Sharon, the child of a feckless stepmother, and her criminal abusers; of Laura, the investigative high-flyer, now faced with rape and sexual slavery; of Justin, environmentalist and Heavy Metal fan, whose obsession with Muhibbah, rescued from forced marriage, spells disaster for them both. It is the story of a police force fearful of charges of racism, and a social worker, Iona, expected to make a viable community from fragments that will not join.With dizzying speed The Disappeared uncovers the chaotic underworld of a Yorkshire city, its characters eventually stumbling across one another in a single catastrophe. A victim may bring redemption: but who will it be?

    But for Meg—locked in a dead-end relationship and with a deadline looming for a book that she can't write—this thought fills her with dread. Stuck in a labyrinth of her own devising, Meg knows that there must be a way out.

    And that's only part of the story. Dr. Harry Wolper, an aging Noble Prize-winning biologist, is attempting to create life-specifically, to re-create his adored late wife by implanting her clone in a loving but reluctant 19-year-old nymphomaniac, and do it before his conventional son can have him committed to an asylum. Creator is a love story, a comedy, a zany account of science running amok, and a moving and tragic account of our biological and imaginative limitations and the struggle we wage against them. Creator was turned into a feature film starring Peter O'Toole and Mariel Hemingway.

    This is the most asked for book that we know of. Is it any good? Well, it's now in its 29th printing since 1971, has chapters on home preparation of weapons, electronics, drugs, and explosives. Extensively illustrated, 8.5 x 11, 160 pp., softcover.

    Nobody writes like this.’ - Jonathan Jansen Why are South Africans so uncomfortable with deep disagreement? Why do we lash out at people with opposing views without taking the time to engage logically with their arguments? Eusebius McKaiser is on a mission to raise the level of debate in South Africa. He provokes us from our comfort zones and lures us into the debates that shape our opinions and our society. With surprising candour and intensely personal examples, McKaiser examines our deepest-felt prejudices and ingrained assumptions. Don’t expect to read this book and escape with your defences intact. Immensely readable and completely engaging, McKaiser tackles deeply South African questions of race, sexuality and culture, including: •Can blacks be racist? •Why is our society so violent? •Is it morally okay to be prejudiced against skinny lovers? •Why is the presidential penis so problematic? •Is unconditional love ever a good thing? •Is it necessary to search for a national identity?

    Dorothy Allison's Bastard Out of Carolina (1992) and Two Or Three Things I Know For Sure (1995) under one cover.

    This bestseller balances a comprehensive and up-to-date anthology of major documents in literary criticism and theory — from Plato to the present — with the most thorough editorial support for understanding these challenging readings.

    Jacques Rancière reveals its intrinsic link to politics by analysing what they both have in common: the delimitation of the visible and the invisible, the audible and the inaudible, the thinkable and the unthinkable, the possible and the impossible. Presented as a set of inter-linked interviews, The Politics of Aesthetics provides the most comprehensive introduction to Rancière's work to date, ranging across the history of art and politics from the Greek polis to the aesthetic revolution of the modern age. Already translated into five languages, this English edition of The Politics of Aesthetics includes a new afterword by Slavoj Zizek, an interview for the English edition, a glossary of technical terms and an extensive bibliography.

    Her family, her community, and eventually, the entire nation struggle to find meaning in her silence. School officials suspect abuse. Church members are divided—either she has a message from God or is possessed by a demon. Social workers interrupt an exorcism to wrest Hannah away from her momma, who has a tenuous grip on sanity. Hidden in protective foster care for twelve years, she loses all contact with her mother and remains mute by choice. When Hannah leaves foster care at age eighteen to search for Momma, a national debate rages over her silence. A religious movement awaits her prophecy and celebrates her return. An anarchist group, Voices for the Voiceless, cites Hannah as its inspiration. The nation comes unhinged, and the conflict spills into the streets when presidential candidates chime in with their opinions on Hannah—patriotic visionary or dangerous radical. A remnant still believes she is evil and seeks to dispatch her from this world. Hannah stands at the intersection of anarchists and fundamentalists, between power politics and an FBI investigation. All she wants is to find her momma, a little peace and quiet, and maybe some pancakes. One word would put an end to the chaos… if only Hannah can find her voice.

    The essay dissects the nature of the communist regime of the time, life within such a regime and how by their very nature such regimes can create dissidents of ordinary citizens. The essay goes on to discuss ideas and possible actions by loose communities of individuals linked by a common cause, such as Charter 77. Officially suppressed, the essay was circulated in samizdat form and translated into multiple languages. It became a manifesto for dissent in Czechoslovakia, Poland and other communist regimes.

    In this acclaimed number one national best-seller, one of our country's most distinguished political philosophers argues that the social/political crisis of 20th-century America is really an intellectual crisis. Allan Bloom's sweeping analysis is essential to understanding America today. It has fired the imagination of a public ripe for change.

    Even as the decline of the reading of literature, as argued by the National Endowment for the Arts, proceeds in our culture, Garber ( One of the most powerful women in the academic world "The New York Times") gives us a deep and engaging meditation on the usefulness and uselessness of literature in the digital age. What is literature, anyway? How has it been understood over time, and what is its relevance for us today? Who are its gatekeepers? Is its canonicity fixed? Why has literature been on the defensive since Plato? Does it have any use at all, or does it merely serve as an aristocratic or bourgeois accoutrement attesting to worldly sophistication and refinement of spirit? Is it, as most of us assume, good to read literature, much less study it and what does either mean?"""The Use and Abuse of Literature" is a tour de force about our culture in crisis that is extraordinary for its brio, panache, and erudition (and appreciation of popular culture) lightly carried. Garber s winning aim is to reclaim literature from the margins of our personal, educational, and professional lives and restore it to the center, as a fierce, radical way of thinking."

    As a study of conspiracy and conspirators, of men caught in the desperate clash of ideologies, betrayal, expediency, and of free will, Andre Malraux's novel remains unequaled.Translated from the French by Haakon M. Chevalier