Now Chandler joins the authoritative Library of America series in a comprehensive two-volume set displaying all the facets of his brilliant talent.In his first novel, The Big Sleep (1939), the classic private eye finds his full-fledged form as Philip Marlowe: at once tough, independent, brash, disillusioned, and sensitive—and man of weary honor threading his way (in Chandler’s phrase) “down these mean streets” among blackmailers, pornographers, and murderers for hire.In Farewell, My Lovely (1940), Chandler’s personal favorite among his novels, Marlowe’s search for a missing woman leads him from shanties and honky-tonks to the highest reaches of power, encountering an array of richly drawn characters. The High Window (1942), about a rare coin that becomes a catalyst by which a hushed-up crime comes back to haunt a wealthy family, is partly a humorous burlesque of pulp fiction. All three novels show Chandler at a peak of verbal inventiveness and storytelling driveStories and Early Novels also includes every classic noir story from the 1930s that Chandler did not later incorporate into a novel—thirteen in all, among them such classics as “Red Wind,” “Finger Man,” The King in Yellow," and “Trouble Is My Business.” Drawn from the pages of Black Mask and Dime Detective, these stories show how Chandler adapted the violent conventions of the pulp magazine—with their brisk exposition and rapid-fire dialogue—to his own emerging vision of 20th-century America.

    The Great War is raging through Europe, and in the ancient, mountainous lands southwest of the Caspian Sea the Turks have begun systematically to exterminate their Christian subjects. Unable to deny his birthright or his people, one man, Gabriel Bagradian—born an Armenian, educated in Paris, married to a Frenchwoman, and an officer doing his duty as a Turkish subject in the Ottoman army—will strive to resist death at the hands of his blood enemy by leading 5,000 Armenian villagers to the top of Musa Dagh, "the mountain of Moses." There, for forty days, in the face of almost certain death, they will suffer the siege of a Turkish army hell-bent on genocide. A passionate warning against the dangers of racism and scapegoating, and prefiguring the ethnic horrors of World War II, this important novel from the early 1930s remains the only significant treatment, in fiction or nonfiction, of the first genocide in the twentieth century's long series of inhumanities. It also continues to be today what the New York Times deemed it in 1933—"a true and thrilling novel ... a story which must rouse the emotions of all human beings." "Musa Dagh gives us a lasting sense of participation in a stirring episode of history.... Magnificent."—The New York Times Book Review "A novel full of the breath, the flesh and blood and bone and spirit of life."—Saturday Review

    For the 2005 Norwegian edition, see: ISBN13: 9788203189081.The story of three generations of an old-lineage Norwegian family making their life in the northern woods (circa 1750's.) Main themes are the struggle between tradition and innovation, the prejudices of pastoral society, and a study in human nature and man's ability to make peace with it.

    The Parisian episode is fascinating for its expose of the kitchens of posh French restaurants, where the narrator works at the bottom of the culinary echelon as dishwasher, or plongeur. In London, while waiting for a job, he experiences the world of tramps, street people, and free lodging houses. In the tales of both cities we learn some sobering Orwellian truths about poverty and of society.

    Most memorable - and most chilling - is the portrait of the author's father, a maddened shopkeeper who imports rare birds' eggs to hatch in his attic, who believes tailors' dummies should be treated like people, and whose obsessive fear of cockroaches causes him to resemble one. Bruno Schulz, a Polish Jew killed by the Nazis in 1942, is considered by many to have been the leading Polish writer between the two world wars.Bruno Schulz's untimely death at the hands of a Nazi stands as one of the great losses to modern literature. During his lifetime, his work found little critical regard, but word of his remarkable talents gradually won him an international readership. This volume brings together his complete fiction, including three short stories and his final surviving work, Sanatorium Under the Sign of the Hourglass. Illustrated with Schulz's original drawings, this edition beautifully showcases the distinctive surrealist vision of one of the twentieth century's most gifted and influential writers.

    . .there are no maps nor disciplines to help us find the duende. We only know that he burns the blood like a poultice of broken glass, that he exhausts, that he rejects all the sweet geometry we have learned. . . ." The duende is portrayed by Lorca as a demonic earth spirit containing irrationality, earthiness, and a heightened awareness of death. In Search of Duende gathers Lorca's writings about the duende and about three art forms most susceptible to it: dance, music, and the bullfight. A full bilingual sampling of Lorca's poetry is also included, with special attention to poems arising from traditional Spanish verse forms. The result is an excellent introduction to Lorca's poetry and prose for American readers.

    Buck paints the portrait of a poor woman living in a remote village whose joys are few and hardships are many. As the ancient traditions, which she bases her philosophies upon, begin to collide with the new ideals of the communist era, this peasant woman must find a balance between them and deal with the consequences.

    title The Tales of Jacob)Joseph and His Brothers reinterprets the biblical story as told in the Book of Genesis, employing psychological insight and wide-ranging knowledge of myth, history, and geography.

    Hugh Conway saw humanity at its worst while fighting in the trenches of the First World War. Now, more than a decade later, Conway is a British diplomat serving in Afghanistan and facing war yet again—this time, a civil conflict forces him to flee the country by plane.   When his plane crashes high in the Himalayas, Conway and the other survivors are found by a mysterious guide and led to a breathtaking discovery: the hidden valley of Shangri-La.   Kept secret from the world for more than two hundred years, Shangri-La is like paradise—a place whose inhabitants live for centuries amid the peace and harmony of the fertile valley. But when the leader of the Shangri-La monastery falls ill, Conway and the others must face the daunting prospect of returning home to a world about to be torn open by war.   Thrilling and timeless, Lost Horizon is a masterpiece of modern fiction, and one of the most enduring classics of the twentieth century.

    His brothers and their families share in Joseph's prosperity and the farm flourishes - until one brother, scared by Joseph's pagan belief, kills the tree and brings disease and famine on the farm. Set in familiar Steinbeck country, To a God Unknown is a mystical tale, exploring one man's attempt to control the forces of nature and to understand the ways of God.

    The first editor, William Little, was appointed in 1902. He worked on it until his death in 1922, after which the dictionary was completed by H. W. Fowler, Jessie Coulson, and C. T. Onions. The First Edition was published in 1933, in two volumes. The Second Edition, published in 1936, contained about 3,000 revisions and additions. The Third Edition (1944) contained an appendix of addenda and corrigenda, and this edition was reprinted several times with corrections and additions, the most significant being in 1973, with enlarged addenda (now running to over 70 pages) and a major revision of all the etymologies. The New Shorter was prepared under the editorship of Lesley Brown 1980-1993. It was the first complete revision of the dictionary, being in fact not so much an overhaul of the existing text as a reabridgement of the OED and its Supplements. The Fifth Edition was published in 2002, and reverted to the name Shorter Oxford English Dictionary to emphasize the link between this 2-volume dictionary and the original 20-volume OED. The Sixth Edition of the Shorter Oxford English Dictionary provides a complete update of this unique reference work. Based on the 20-volume Oxford English Dictionary, the Shorter Oxford English Dictionary contains an incredible one-third of the coverage of the Oxford English Dictionary, is just one-tenth of the size, and includes all words in current English from 1700 to the present day, plus the vocabulary of Shakespeare, the Bible and other major works in English from before 1700. The new edition, with a new introductory essay by language expert David Crystal on the History of English, includes 2,500 new words and senses, plus thousands of antedatings of existing words, drawing on the huge ongoing research project for the Oxford English Dictionary and the wealth of information on language in use provided by the Oxford English Corpus. In addition, the work includes many new quotations from recent authors, a refreshed design, and a complete review of spelling forms and defining vocabulary, making it the most authoritative reference work available for both modern and historical English. For scholars and everyone with a serious interest in the English language, the Shorter Oxford English Dictionary is an unrivalled resource, providing a unique description of the historical development of the language together with excellent coverage of current English. The Sixth Edition showcases the best of the traditional strengths of the Shorter Oxford English Dictionary, while bringing it up to date in its scholarship and research, in the design and layout, and in its treatment of the changing face of English.

    Stunningly original in both style and content, these stories are often hilarious yet with an undercurrent of profound moral disquiet and horror when the respectable turns slowly but inexorably into the outrageous, conveying both the horrors of upper-class life and the deepest anguish of the human condition.

    They form a strong friendship that takes them many places.

    But the day's light has destroyed everything: words are without sound, gestures without meaning. It is like a vanishing rainbow: some hues survive for an instant, disappear, seem to return: there is nothing left.Commentary is a narrative--hovering between the genres of memoir, theory, and fiction--about a female artist whose abandonment by a lover precipitates a refiguration of her ideas on life, love and art. Sauvageot died of tuberculosis, after many stints in sanatoriums, at the age of 34. Commentaire was highly praised in its time by Paul Claudel, Paul Valery, Andre Gide, Charles Du Bos, Rene Crevel and Clara Malraux.This edition is co-translated by Christine Schwartz Hartley (African Psycho) and Anna Moschovakis (The Jokers, The Possession).

    Witch Grass (previously titled The Bark Tree) is a philosophical farce, an epic comedy, a mesmerizing novel about the daily grind that is an enchantment itself.

    Conceived in France, born in an Alpine village, reared in a great house of Italy, Anthony never knew his parents, never had a name of his own. But he was born of passion and it filled his blood.Volume 1. The Roots of the Tree Volume 2. The Other Bronze BoyVolume 3. The Lonely Twin

    It is a dramatic feat with profound connotations and heart-stirring artistry. The story unfolded around Zhou Puyuan, a male character who had been to Germany to study. Cold-blooded, selfish and hypocritical, he was like a dictator of a dark dynasty in his home. Zhou Puyuan is a well-portrayed character in Thunderstorm. All sinful acts were attributable to his domestic autocracy. The profound significance of Thunderstorm lies in its exposure of the close political and ideological bond between Chinese capitalists and the deep-rooted feudal traditions.

    His love affair with a local girl ends in a shotgun marriage, and, disowned by his family, Harry is tempted by crime. Sally, meanwhile, falls in love with Larry Meath, a self-educated Marxist. But Larry is a sick man and there are other more powerful rivals for her affection.

    

    Originally published in Romanian in 1933, this semiautobiographical novel by the world renowned scholar Mircea Eliade details the passionate awakenings of Alain, an ambitious young French engineer flush with colonial pride and prejudice and full of a European fascination with the mysterious subcontinent. Offered the hospitality of a senior Indian colleague, Alain grasps at the chance to discover the authentic India firsthand. He soon finds himself enchanted by his host's daughter, the lovely and inscrutable Maitreyi, a precocious young poet and former student of Tagore. What follows is a charming, tentative flirtation that soon, against all the proprieties and precepts of Indian society, blossoms into a love affair both impossible and ultimately tragic. This erotic passion plays itself out in Alain's thoughts long after its bitter conclusion. In hindsight he sets down the story, quoting from the diaries of his disordered days, and trying to make sense of the sad affair. A vibrantly poetic love story, Bengal Nights is also a cruel account of the wreckage left in the wake of a young man's self discovery. At once horrifying and deeply moving, Eliade's story repeats the patterns of European engagement with India even as it exposes and condemns them. Invaluable for the insight it offers into Eliade's life and thought, it is a work of great intellectual and emotional power. "Bengal Nights is forceful and harshly poignant, written with a great love of India informed by clear-eyed understanding. But do not open it if you prefer to remain unmoved by your reading matter.It is enough to make stones weep." — Literary ReviewMircea Eliade (1907-1986) was the Sewell L. Avery Distinguished Service Professor in the Divinity School and the Committee on Social Thought at the University of Chicago. Many of his scholarly works, as well as his two-volume autobiography and four-volume journal, are published by the University of Chicago Press. Translated into French in 1950, Bengal Nights was an immediate critical success. The film, Les Nuits Bengali, appeared in 1987.

    Infamous as well as famous, his name is inextricably linked to the Red Sea and the raffish ports between Suez and Aden in the early years of the twentieth century. This is a compelling account of how de Monfried seeks his fortune by becoming a collector and merchant of the fabled Gulf pearls, then is drawn into the shadowy world of arms trading, slavery, smuggling and drugs. Hashish was the drug of choice, and de Monfried writes of sailing to Suez with illegal cargos, dodging blockades and pirates.

    Taking its name from the inscription on the cover, this brilliant little collection includes the stories, playlets, verses, and moral fragments she wrote likely from ages twelve to eighteen. The volume was produced for the enjoyment of her family and close friends—entertaining it was and is!Now it is available for all of us to see.As a young author, Jane Austen delighted in language, employing it with great humor and surprising skill. She was adept at parodying the popular stories of her day and entertained her readers with outrageous plotlines and characters. Kathryn Sutherland’s introduction places Austen’s earliest works in context and explains how she mimicked even the style and manner in which this contemporary popular fiction was presented and arranged on the page. The work of a young adult, Volume the First nevertheless reveals the development of the unmistakable voice and style that would mark her as one of the most popular authors of all time. None of her six famous novels survives in manuscript. This is a unique opportunity to own a likeness of Jane Austen’s hand in the form of a complete manuscript facsimile.

    As the central force of sanity, he conquers all his enemies, the evil forces of the four directions, who turn people's minds away from the true teachings of Buddhism. These enemies graphically represent the different manifestations of cowardly mind. As Chögyam Trungpa explains in the Foreword: "When we talk here about conquering our enemy, it is important to understand that we are not talking about aggression. The genuine warrior does not become resentful or arrogant . . . It is absolutely necessary for the warrior to subjugate his own ambition to conquer at the same time that he is subjugating his other more obvious enemies. Thus the idea of warriorship altogether is that by facing all our enemies fearlessly, with gentleness and intelligence, we can develop ourselves thereby attaining self-realization." The legends of Gesar usually take weeks for a bard to recount. Filled with magic, adventure, and the triumphs of this great warrior-king, the stories will delight all—young and old alike.

    This is true history taken lightly. The subjects range from Cotton Mather to Captain Kidd, and the locale from New England and the clipper ships to the trail of Western wagons.

    G. ChaterIntroduction by Francis HackettA Borzoi Book

    1934: by John O'Hara- 3 novels in one book.