She’s since become Ivariel: warrior, priestess of Danu, trainer of elephants, wife and mother. Wiser, stronger, happier, Ivariel has been content to live in her new country, to rest her battered self, and to recover from the trauma of what happened to her when she was barely more than a girl.But magic has returned to the world—abruptly and with frightening force—and Ivariel takes that profound change as a sign that it’s time to keep a promise she made to the sisters she left behind. Ivariel must leave the safety she’s found and return to face the horrors she fled.As Ivariel emerges from hiding, she discovers that her vicious brother is now Emperor of Dasnaria, and her much-hated mother, the Dowager Empress Hulda, is aiding him in his reign of terror. Worse, it seems that Hulda’s resurrection of the tainted god Deyrr came about as a direct result of Jenna’s flight long ago.It’s up to Ivariel—and the girl she stopped being long ago—to defeat the people who cruelly betrayed her, and to finally liberate her sisters. Determined to cleanse her homeland of the evil that nearly destroyed her, Ivariel at last returns to face the past.But this time, she’ll do it on her own terms.

    Others send it straight to hell... Grab all four books in the thrilling CYBER SEED QUADRILOGY for one low price, in this great value 1200-page sci-fi box set! When Kurt Jacobs imagines the ultimate gadget — one capable of replacing phones, credit cards, keys and TVs — the idea consumes his every waking moment. When the Sycamore corporation buys into Kurt's creation and The Seed becomes a reality, his every dream comes true. Power like this has never existed. The launch of The Seed, a powerful microchip implant that turns each user's palm into a fully functioning trackpad and effectively turns them into walking computers, breaks all sales records. Alongside the augmented reality UltraLenses which act as the system's display, it immediately renders all handheld devices obsolete. But amid all of the awe and optimism, there is far more going on behind the curtain than Kurt or anyone else could ever have predicted... Cyber Seed Quadrilogy imaginatively chronicles The Seed's colossal impact on a society unprepared to handle it, from the high hopes of launch day to the breakneck descent into corporate dystopia. Remarkable apps and groundbreaking features that make life easier and more enjoyable... unprecedented surveillance and privacy abuses in a world where your eyes can no longer be trusted... both sides of a timely story unfold in this 1200-page complete series box set. And Kurt Jacobs, the guilt-wracked genius responsible for it all, may well be the only man who can do anything to put things right... This box set contains all four books in the CYBER SEED QUADRILOGY, previously published individually as: 1) Sycamore 2) Sycamore 2 3) Sycamore X (10-story collection) 4) Sycamore XL (12-story collection) Imaginative new technologies, devious conspiracies, and a whole lot of action-packed drama... dive in to the thrilling CYBER SEED QUADRILOGY today! (From the author of the blockbuster international bestseller, Not Alone)

    An unconventional argument for the preservation of pornography asserts that pornography can serve to benefit the feminist movement and promote sexual freedom for women, and explores the historical relationship between women and pornography.

    From feminist blogging to the popularity of the WNBA, girl culture is on the rise. A lively and compelling look back at the framing of one of the most contentious social movements of our time, Sisterhood, Interrupted exposes the key issues still at stake, outlining how a twenty-first century feminist can reconcile the personal with the political and combat long-standing inequalities that continue today.

    The authors review their earlier findings and then synthesize what has been learned since 1990 about college's influences on students' learning. The book also discusses the implications of the findings for research, practice, and public policy. This authoritative and comprehensive analysis of the literature on college-impact is required reading for anyone interested in higher education practice, policy, and promise3/4faculty, administrators, researchers, policy analysts, and decision-makers at every level.

    The advance team for an ambitious American research project arrives, and the tense ambivalent relationships that evolve -- between natives and foreigners, blacks and whites, haves and have-nots -- keenly dramatize the vicissitudes of power.

    In this volume, Karen Barad, theoretical physicist and feminist theorist, elaborates her theory of agential realism. Offering an account of the world as a whole rather than as composed of separate natural and social realms, agential realism is at once a new epistemology, ontology, and ethics. The starting point for Barad’s analysis is the philosophical framework of quantum physicist Niels Bohr. Barad extends and partially revises Bohr’s philosophical views in light of current scholarship in physics, science studies, and the philosophy of science as well as feminist, poststructuralist, and other critical social theories. In the process, she significantly reworks understandings of space, time, matter, causality, agency, subjectivity, and objectivity.In an agential realist account, the world is made of entanglements of “social” and “natural” agencies, where the distinction between the two emerges out of specific intra-actions. Intra-activity is an inexhaustible dynamism that configures and reconfigures relations of space-time-matter. In explaining intra-activity, Barad reveals questions about how nature and culture interact and change over time to be fundamentally misguided. And she reframes understanding of the nature of scientific and political practices and their “interrelationship.” Thus she pays particular attention to the responsible practice of science, and she emphasizes changes in the understanding of political practices, critically reworking Judith Butler’s influential theory of performativity. Finally, Barad uses agential realism to produce a new interpretation of quantum physics, demonstrating that agential realism is more than a means of reflecting on science; it can be used to actually do science.

    Professor Douglas makes points which illuminate matters in the philosophy of religion and the philosophy of science and help to show the rest of us just why and how anthropology has become a fundamentally intellectual discipline.

    This approach assumes that the state and its legal, policing, and social services apparatus—even its policies and documents of belonging and non-belonging—are neutral and benevolent. While we all have to comply with the gender binaries set forth by regulatory bodies of law and administration, many trans people, especially the most marginalized, are even more at risk for poverty, violence, and premature death by virtue of those same "neutral" legal structures.Normal Life: Administrative Violence, Critical Trans Politics, and the Limits of Law raises revelatory critiques of the current strategies pivoting solely on a "legal rights framework," but also points to examples of an organized grassroots trans movement that is demanding the most essential of legal reforms in addition to making more comprehensive interventions into dangerous systems of repression—and the administrative violence that ultimately determines our life chances. Setting forth a politic that goes beyond the quest for mere legal inclusion, Normal Life is an urgent call for justice and trans liberation, and the radical transformations it will require.An attorney, educator, and trans activist, Dean Spade has taught classes on sexual orientation, gender identity, poverty and law at the City University of New York (CUNY), Seattle University, Columbia University, and Harvard. In 2002 he founded the Sylvia Rivera Law Project, a collective that provides free legal services and works to build trans resistance rooted in racial and economic justice.

    On the cutting-edge of this significant shift was Annamarie Jagose's classic text Queer Theory: An Introduction. In this groundbreaking work, Jagose provides a clear and concise explanation of queer theory, tracing it as part of an intriguing history of same-sex love over the last century.Blending insights from prominent theorists such as Judith Butler and David Halperin, Jagose illustrates that queer theory's challenge is to create new ways of thinking, not only about fixed sexual identities such as straight and gay, but about other supposedly immovable notions such as sexuality and gender, and man and woman. First released almost 25 years ago, this groundbreaking work has provided a foundation for the continuing evolution of queer theory in the twenty-first century.

    She focuses particularly on those in academia, where the pressure to succeed and the desire to find space for creative thinking and alternative worlds bump up against the harsh conditions of a ruthlessly competitive job market, the shrinking power of the humanities, and the corporatization of the university. In her candid memoir, Cvetkovich describes what it was like to move through the days as she finished her dissertation, started a job, and then completed a book for tenure. Turning to critical essay, she seeks to create new forms of writing and knowledge that don’t necessarily follow the usual methods of cultural critique but instead come from affective experience, ordinary life, and alternative archives. Across its different sections, including the memoir, the book crafts – and it’s no accident that crafting is one of its topics -- a cultural analysis that can adequately represent depression not as medical pathology but as a historical category, a felt experience, and a point of entry onto discussions not only about theory and contemporary culture but about how to live.Ann Cvetkovich is Ellen C. Garwood Centennial Professor of English and Professor of Women's and Gender Studies at the University of Texas, Austin. She is the author of An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures, also published by Duke University Press, and Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism; a coeditor of Political Emotions; and a former editor of GLQ: A Journal of Lesbian and Gay Studies."Like all my favorite bands, Ann Cvetkovich disregards trends in favor of fearlessness. While tackling the tough issues of today, she still gives us a book that feels totally timeless. Depression: A Public Feeling fills a gap that has morphed into a crater. The book is as invaluable as it is enjoyable. I found myself sighing throughout, thinking 'Phew, someone finally said that!'"—Kathleen Hanna, of the bands Le Tigre, Bikini Kill, and the Julie Ruin"A provocative addition to Ann Cvetkovich's eloquent writings on the archives of public feelings, this book takes depression out of the space of the private into the complex politics of our time. Weaving together memoir, cultural and medical history, and literary and theoretical discussion, Cvetkovich experiments with and reflects on unconventional ways of writing about embodiment, cognition, and affect. Along the way, she offers myriad prescriptions, small and large, on how to cope with the daily effects of depression and how to heal the world."—Marianne Hirsch, author of The Generation of Postmemory: Writing and Visual Culture after the Holocaust

    Included are works by Leigh Brackett, C. L. Moore, Ursula K. Le Guin, and Judith Merril. Introduction and Bibliography by the Editor.Content"No Woman Born" by C. L. Moore (1944)"That Only a Mother" by Judith Merril (1948)"Contagion" by Katherine MacLean (1950)"The Woman from Altair" by Leigh Brackett (1951)"Short in the Chest" by Margaret St. Clair (1954)"The Anything Box" by Zenna Henderson (1956)"Death Between the Stars" by Marion Zimmer Bradley (1956)"The Ship Who Sang" by Anne McCaffrey (1961)"When I Was Miss Dow" by Sonya Dorman Hess (1966)"The Food Farm" by Kit Reed (1966)"The Heat Death of the Universe" by Pamela Zoline (1967)"The Power of Time" by Josephine Saxton (1971)"False Dawn" by Chelsea Quinn Yarbro (1972)"Nobody's Home" by Joanna Russ (1972)"The Funeral" by Kate Wilhelm (1972)"Of Mist, and Grass, and Sand" by Vonda N. McIntyre (1973)"The Women Men Don't See" by James Tiptree, Jr. (1973)"The Warlord of Saturn's Moons" by Eleanor Arnason (1974)"The Day Before the Revolution" by Ursula K. Le Guin (1974)"The Family Monkey" by Lisa Tuttle (1977)"View from a Height" by Joan D. Vinge (1978)

    methodologically innovative... precise and perceptive and conscious... " --Text and Performance QuarterlyWoman, Native, Other is located at the juncture of a number of different fields and disciplines, and it genuinely succeeds in pushing the boundaries of these disciplines further. It is one of the very few theoretical attempts to grapple with the writings of women of color." --Chandra Talpade MohantyThe idea of Trinh T. Minh-ha is as powerful as her films... formidable... " --Village Voice... its very forms invite the reader to participate in the effort to understand how language structures lived possibilities." --ArtpaperHighly recommended for anyone struggling to understand voices and experiences of those 'we' label 'other'." --Religious Studies Review

    She proposes an anthropology that is lived and written in a personal voice. She does so in the hope that it will lead us toward greater depth of understanding and feeling, not only in contemporary anthropology, but in all acts of witnessing.

    Campt explores a way of listening closely to photography, engaging with lost archives of historically dismissed photographs of black subjects taken throughout the black diaspora. Engaging with photographs through sound, Campt looks beyond what one usually sees and attunes her senses to the other affective frequencies through which these photographs register. She hears in these photos—which range from late nineteenth-century ethnographic photographs of rural African women and photographs taken in an early twentieth-century Cape Town prison to postwar passport photographs in Birmingham, England and 1960s mug shots of the Freedom Riders—a quiet intensity and quotidian practices of refusal. Originally intended to dehumanize, police, and restrict their subjects, these photographs convey the softly buzzing tension of colonialism, the low hum of resistance and subversion, and the anticipation and performance of a future that has yet to happen. Engaging with discourses of fugitivity, black futurity, and black feminist theory, Campt takes these tools of colonialism and repurposes them, hearing and sharing their moments of refusal, rupture, and imagination.