Devlin. Hornbeck had been in captivity for four years, was gradually given more and more freedom, but never tried to escape.

    This smart and funny book includes tales from many of these much-loved comics, and will appeal to their broad audience, while revealing the history, context and wider culture of Jewish joking.The Jewish joke is as old as Abraham, and like the Jews themselves it has wandered over the world, learned countless new languages, worked with a range of different materials, been performed in front of some pretty hostile crowds, and yet still retained its own distinctive identity. So what is it that animates the Jewish joke? Why are Jews so often thought of as ‘funny’? And how old can a joke get?The Jewish Joke is a brilliant—and laugh-out-loud funny—riff on about what marks Jewish jokes apart from other jokes, why they are important to Jewish identity and how they work. Ranging from self-deprecation to anti-Semitism, politics to sex, Devorah Baum looks at the history of Jewish joking and asks whether the Jewish joke has a future. With jokes from Lena Dunham to Woody Allen, as well as Freud and Marx (Groucho, mostly), Baum balances serious research with light-hearted humor and provides fascinating insight into this well-known and much loved cultural phenomenon.

    In this lively first-person narrative, Paul R. Linde takes readers behind the scenes at an urban psychiatric emergency room, with all its chaos and pathos, where we witness mental health professionals doing their best to alleviate suffering and repair shattered lives. As he and his colleagues encounter patients who are hallucinating, drunk, catatonic, aggressive, suicidal, high on drugs, paranoid, and physically sick, Linde examines the many ethical, legal, moral, and medical issues that confront today's psychiatric providers. He describes a profession under siege from the outside--health insurance companies, the pharmaceutical industry, government regulators, and even "patients' rights" advocates--and from the inside--biomedical and academic psychiatrists who have forgotten to care for the patient and have instead become checklist-marking pill-peddlers. While lifting the veil on a crucial area of psychiatry that is as real as it gets, "Danger to Self" also injects a healthy dose of compassion into the practice of medicine and psychiatry.

    The authors' accompanying history of both societal and psychiatric standards for women reveals the degree to which the prevailing societal conventions could reinforce the perception that these women were mad.

    Many of the most highly regarded citizens leaped from windows or jumped into the Rhone, screaming that their heads were made of copper, their bodies wrapped in snakes, their limbs swollen to gigantic size or shrunken to tiny appendages. Others ran through the streets, claiming to be chased by "bandits with donkey ears", by tigers, lions & other terrifying apparitions. Animals went berserk. Dogs ripped bark from trees until their teeth fell out. Cats dragged themselves along the floor in grotesque contortions. Ducks strutted like penguins. Villagers & animals died right & left. Bit by bit, the story behind the tragedy in Pont-St-Esprit--a tiny Provencial village of twisted streets that looks much today as it did in the Middle Ages--unfolded to doctors & toxcologists. That story, one of the most bizarre in modern medical history, is movingly recounted in The Day of St. Anthony's Fire. Throughout the Middle Ages & during other times in history, similar hallucinatory outbreaks occurred. They were called St. Anthony's Fire because it was believed that only prayers to the saint could hold the disease in check. Even modern medicine could find no way to check the disease. Drugs failed to bring even temporary relief. Hundreds in the village suffered for weeks, with total agonizing insomnia, never knowing when they might once more suddenly go berserk. The cause of St. Anthony's Fire was known since early history to be ergot, a mold found on rye grain that at rare times inexplicably became posionous enough to create monstrous hallucinations & death. In '51 little significance was attached to the fact that the base of ergot was lysergic acid, also the base for LSD, a drug just coming to the attention of scientists at the time--a drug so powerful that one eye-dropperful could cause as many as 5000 people to hallucinate for hours. At this point, the story becomes a vividly absorbing medical detective story demonstrating the possibility that a strange, spontaneous form of LSD might have caused the human tragedy that came to the hapless villagers of Pont-St-Esprit.

    In this volume the stories reveal the complexity of abnormal human behaviour. In some cases the reason appears to be psychosis or demonic voices, for others, overpowering compulsions with deep psychological roots and for some killing is better than sex and the only way they can achieve total gratification. Ted Bundy, Jack the Ripper, Jeffrey Dahmer, Richard Chase, Andrei Chikatilo and many more.Part One: Children who Kill - what makes them kill? including Mary and Norma Bell, Jessie Holtmeyer, Larry SchwartzPart Two: Men who Kill - these men are monsters including The Yorkshire Ripper, The Cannibal Killer, The Boston Strangler, The Ultimate Psycho, The Real Dracula.Part Three: Women who Kill - can women be a cold-blooded as men? including Elizabeth Bathory, Lizzie Borden, Velma Barfield, Mary Ann Cotton, Florida's Black Widow.Part Four: Couples who Kill - torturous teams including Fred and Rosemary West

    There’s Killer of the Cloth, The Baby in the Convent, Mosquito Point Road, Death of a First Baseman, The Blue Gardenia, and Pure/Evil. Three of the killers are female.

    Wrapped within Danquah's engaging account of this universal affliction is rare and insightful testimony about what it means to be black, female, and battling depression in a society that often idealizes black women as strong, nurturing caregivers. A startlingly honest, elegantly rendered depiction of depression, Willow Weep for Me calls out to all women who suffer in silence with a life-affirming message of recovery. Meri Danquah rises from the pages, a true survivor, departing a world of darkness and reclaiming her life.

    Drawing from seven years of historical research, Max du Preez has collected the richest and most extraordinary tales that he found.There's the story of the Khoikhoi chief who was kidnapped and taken to England in 1610. And of King Moshoeshoe's mercy towards the cannibals who had eaten his beloved grandfather, because killing them would defile his grandfather's grave. There's the story of Boer War general Christiaan de Wet and his brother Piet, who joined the British forces and fought his own people. The stories span the centuries, up to recent times, and take in the variety of South Africa's regions and cultures.The result is a fascinating mosaic of our rich historical heritage. There are plenty of academic histories of South Africa, but this is a book that the general reader will enjoy, and it will appeal to tourists too. It's researched with an investigative journalist's thoroughness, and written in the easy, accessible style that has made Max du Preez's writing so popular.

    However, as much as the study and use of blood has helped advance our understanding of human biology, its cultural and social representations have divided us perennially. Blood pulses through religions, literature, and the visual arts, and every time it pools or spills, we learn a little more about what brings human beings together and what divides them.This book is a fascinating historical and contemporary interpretation of blood, as a bold and enduring determinant of identity, race, culture, citizenship, belonging, privilege, deprivation, athletic superiority, and nationhood.

    Why, in other words, fairy tales "stick." Long an advocate of the fairy tale as a serious genre with wide social and cultural ramifications, Jack Zipes here makes his strongest case for the idea of the fairy tale not just as a collection of stories for children but a profoundly important genre.Why Fairy Tales Stick contains two chapters on the history and theory of the genre, followed by case studies of famous tales (including Cinderella, Snow White, and Bluebeard), followed by a summary chapter on the problematic nature of traditional storytelling in the twenty-first century.

    A personal story of Kate Millett's struggle to regain control of her life after falling under an ascription of manic depression.

    Tales are recounted in vividdetail and incorporate all the latest scientific research and conclusions. Where possible, specially chosen images accompany the stories to help explain a particular riddle or provide a deeper insight into the nature of the unknown generally. Including investigations into prophecy and the paranormal and religious and medical marvels, this book attempts to discover the truth behind the greatest enigmas of the universe. It is sure to both bewilder and intrigue.

    Grounded in ethnographic fieldwork conducted in the adjacent towns of Boca Chica and Andrés, Gregory's study deftly demonstrates how transnational flows of capital, culture, and people are mediated by contextually specific power relations, politics, and history. He explores such topics as the informal economy, the making of a telenova, sex tourism, and racism and discrimination against Haitians, who occupy the lowest rung on the Dominican economic ladder. Innovative and beautifully written, The Devil behind the Mirror masterfully situates the analysis of global economic change in everyday lives.

    It brings the concerns of social science to an analysis of travel and sightseeing in the postindustrial age, during which the middle class acquired leisure time for international travel. This edition includes a new foreword by Lucy R. Lippard and a new afterword by the author.