A new typeset and index is complimented with a prologue by the distinguished British Muslim Gai Eaton and original artwork by internationally renowned artist and scholar Dr. Ahmed Moustafa. Asad's translation is widely considered to be the foremost in conveying the meaning and sensibility of the original Arabic text, making this edition a must-have for English readers with a budding interest in Islamic studies and veteran scholars alike.

    Modern media are replete with alarm over jihad, underage marriage and the threat of amputation or stoning under Shariah law. Sometimes rumor, sometimes based in fact and often misunderstood, the tenets of Islamic law and dogma were not set in the religion’s founding moments. They were developed over centuries by the clerical class of Muslim scholars.Misquoting Muhammad takes the reader back in time through Islamic civilization and traces how and why such controversies developed, offering an inside view into how key and controversial aspects of Islam took shape. From the protests of the Arab Spring to Istanbul at the fall of the Ottoman Empire, and from the ochre red walls of Delhi’s great mosques to the trade routes of Islam’s Indian Ocean world, Misquoting Muhammad lays out how Muslim intellectuals have sought to balance reason and revelation, weigh science and religion, and negotiate the eternal truths of scripture amid shifting values.

    The personal tones of the translations, the blend of reverence and humor so characteristic of him, show how deeply Merton identified with the legendary authors of these sayings and parables, the fourth-century Christian Fathers who sought solitude and contemplation in the deserts of the Near East.The hermits of Screte who turned their backs on a corrupt society remarkably like our own had much in common with the Zen masters of China and Japan, and Father Merton made his selection from them with an eye to the kind of impact produced by the Zen mondo.

    So asserts Ayaan Hirsi Ali's profound meditation on Islam and the role of women, the rights of the individual, the roots of fanaticism, and Western policies toward Islamic countries and immigrant communities. Hard-hitting, outspoken, and controversial, "The Caged Virgin" is a call to arms for the emancipation of women from a brutal religious and cultural oppression and from an outdated cult of virginity. It is a defiant call for clear thinking and for an Islamic Enlightenment. But it is also the courageous story of how Hirsi Ali herself fought back against everyone who tried to force her to submit to a traditional Muslim woman's life and how she became a voice of reform. Born in Somalia and raised Muslim, but outraged by her religion's hostility toward women, Hirsi Ali escaped an arranged marriage to a distant relative and fled to the Netherlands. There, she learned Dutch, worked as an interpreter in abortion clinics and shelters for battered women, earned a college degree, and started a career in politics as a Dutch parliamentarian. In November 2004, the violent murder on an Amsterdam street of Dutch filmmaker Theo van Gogh, with whom Hirsi Ali had written a film about women and Islam called "Submission," changed her life. Threatened by the same group that slew van Gogh, Hirsi Ali now has round-the-clock protection, but has not allowed these circumstances to compromise her fierce criticism of the treatment of Muslim women, of Islamic governments' attempts to silence any questioning of their traditions, and of Western governments' blind tolerance of practices such as genital mutilation and forced marriages of female minors occurring in their countries.Hirsi Ali relates her experiences as a Muslim woman so that oppressed Muslim women can take heart and seek their own liberation. Drawing on her love of reason and the Enlightenment philosophers on whose principles democracy was founded, she presents her firsthand knowledge of the Islamic worldview and advises Westerners how best to address the great divide that currently exists between the West and Islamic nations and between Muslim immigrants and their adopted countries.An international bestseller -- with updated information for American readers and two new essays added for this edition -- "The Caged Virgin" is a compelling, courageous, eye-opening work.

    T. Wright, are the very echoes of a voice we dimly perceive but deeply long to hear. In fact, these questions take us to the heart of who God is and what He wants from us.For two thousand years, Christianity has claimed to solve these mysteries, and this renowned biblical scholar and Anglican bishop shows that it still can today. Not since C. S. Lewis's classic summary of the faith, Mere Christianity, has such a wise and thorough scholar taken the time to explain to anyone who wants to know what Christianity really is and how it is practiced. Wright makes the case for Christian faith from the ground up, assuming that the reader has no knowledge of (and perhaps even some aversion to) religion in general and Christianity in particular.Simply Christian walks the reader through the Christian faith step by step and question by question. With simple yet exciting and accessible prose, Wright challenges skeptics by offering explanations for even the toughest doubt-filled dilemmas, leaving believers with a reason for renewed faith. For anyone who wants to travel beyond the controversies that can obscure what the Christian faith really stands for, this simple book is the perfect vehicle for that journey.

    Barks's translations capture the inward exploration and intensity that characterize Rumi's poetry, making this unique voice of mysticism and desire contemporary while remaining true to the original poems. In this volume readers will encounter the essence of Sufism's insights into the experience of divine love, wisdom, and the nature of both humanity and God.While Barks's stamp on this collection is clear, it is Rumi's voice that leaps off these pages with a rapturous power that leaves readers breathless. These poems express our deepest yearning for the transcendent connection with the source of the divine: there are passionate outbursts about the torment of longing for the beloved and the sweet delight that comes from union; stories of sexual adventures and of loss; poems of love and fury, sadness and joy; and quiet truths about the beauty and variety of human emotion. For Rumi, soul and body and emotion are not separate but are rather part of the great mystery of mortal life, a riddle whose solution is love. Above all else, Rumi's poetry exposes us to the delight that comes from being fully alive, urging us always to put aside our fears and take the risk of discovering our core self:No one knows what makes the soul wake up so happy! Maybe a dawn breeze has blown the veil from the face of God. These fresh, original translations magnificently convey Rumi's insights into the human heart and its longings with his signature passion and daring, focusing on the ecstatic experience of the inseparability of human and divine love. The match between Rumi's sublime poetry and Coleman Barks's poetic art are unequaled, and here this artistic union is raised to new heights.

    Authentic, poetic translations of key texts are coupled with insightful introductions and "grace notes."

    Explains the history, doctrines, and beliefs of the Islamic faith; outlines the life and philophies of Muhammad; describes Islamic contributions to the arts and sciences; and describes its rituals, prayers, and holidays.

    This definitive biography of the founder of Islam by a leading Muslim-American scholar will reveal invaluable new insights, finally providing a fully three-dimensional portrait of Muhammad and the one billion people who follow him today.Memories of Muhammad presents Muhammad as a lens through which to view both the genesis of Islamic religion and the grand sweep of Islamic history—right up to the hot button issues of the day, such as the spread of Islam, holy wars, the status of women, the significance of Jerusalem, and current tensions with Jews, Hindus, and Christians. It also provides a rare glimpse into how Muslims spiritually connect to God through their Prophet, in the mosque, in the home, and even in cyberspace.This groundbreaking book offers the opportunity to move from telling Muhammad's story to talking about how different Muslims throughout Islamic history have both honored and contested Muhammad's legacy.

    She then focuses on those Arab societies that played a key role in elaborating the dominant Islamic discourses about women and gender: Arabia during the period in which Islam was founded; Iraq during the classical age, when the prescriptive core of legal and religious discourse on women was formulated; and Egypt during the nineteenth and twentieth centuries, when exposure to Western societies led to dramatic social change and to the emergence of new discourses on women. Throughout, Ahmed not only considers the Islamic texts in which central ideologies about women and gender developed or were debated but also places this discourse in its social and historical context. Her book is thus a fascinating survey of Islamic debates and ideologies about women and the historical circumstances of their position in society, the first such discussion using the analytic tools of contemporary gender studies.

    In this classic work, Rahman unravels the Qur’an’s complexities on themes such as God, society, revelation, and prophecy with the deep attachment of a Muslim educated in Islamic schools and the clarity of a scholar who taught for decades in the West. “Generations of scholars have profited from [Rahman’s] pioneering scholarly work by taking the questions he raised and the directions he outlined to new destinations.”—Ebrahim Moosa, from his new foreword “The religious future of Islam and the future of interfaith relationship . . . will be livelier and saner for the sort of Quranic centrality which Major Themes of the Qur’an exemplifies and serves.”—Kenneth Cragg, Middle East Journal “There shines through [a] rare combination of balanced scholarly judgment and profound personal commitment. . . . [Rahman is] eager to open up the mysteries of the Qur’an to a shrinking world sorely in need of both moral regeneration and better mutual understanding.”—Patrick D. Gaffney, Journal of Religion “I can’t think of any book more important, still, than Major Themes of the Qur’an.”—Michael Sells, author of Approaching the Qur’an

    My Bright Abyss, composed in the difficult years since and completed in the wake of a bone marrow transplant, is a moving meditation on what a viable contemporary faith—responsive not only to modern thought and science but also to religious tradition—might look like.Joyful, sorrowful, and beautifully written, My Bright Abyss is destined to become a spiritual classic, useful not only to believers but to anyone whose experience of life and art seems at times to overbrim its boundaries. How do we answer this “burn of being”? Wiman asks. What might it mean for our lives—and for our deaths—if we acknowledge the “insistent, persistent ghost” that some of us call God?

    Framing his argument in terms of religious studies, Ernst describes how Protestant definitions of religion and anti-Muslim prejudice have affected views of Islam in Europe and America. He also covers the contemporary importance of Islam in both its traditional settings and its new locations and provides a context for understanding extremist movements like fundamentalism. He concludes with an overview of critical debates on important contemporary issues such as gender and veiling, state politics, and science and religion.

    By popular demand—study guides to two of Bishop John Shelby Spong's bestselling and controversial works, including questions, reflections, and summaries for group and individual use.

    Islam confronts what is immutable in God with what is permanent in man." These are the opening words of what has become a classic work on Islam, perhaps the most misunderstood of the great Revelations. And yet the purpose of this book "is not so much to give a description of Islam as to explain . . . why Moslems believe in it." Both Westerners unfamiliar with Islam and Moslems seeking a deeper understanding of the basis of faith will be struck by Schuon's masterful elucidation of the spiritual world of Islam.Schuon's foundation is always the intrinsic nature of things rather than any confessional point of view. This perspective opens up new avenues of approach and surprising insights into the "five pillars" of faith, the Quran, the Sunna, the Prophet and the esoteric dimension which is the kernel of Moslem spirituality. A hallmark of the author's perspective is an intellectual universality, which in examining a given religious framework readily draws upon parallels and concepts from other traditions, especially that of the Vedanta. For "what is needed in our time, and indeed in every age remote from the origins of Revelation, is . . . to rediscover the truths written in an eternal script in the very substance of man's spirit."