This collection of more than 100 poems that honestly and artfully confront topics ranging from poverty and motherhood to Van Gogh and Mandela is presented in Tupac Shakur's own handwriting on one side of the page, with a typed version on the opposite side.

    Because his poems were often ecstatic love songs from God to his beloved world, many have called Hafiz the "Tongue of the Invisible."With this stunning collection of 250 of Hafiz's most intimate poems, Daniel Ladinsky has succeeded brilliantly in capturing the essence of one of Islam's greatest poetic and religious voices. Each line of THE GIFT imparts the wonderful qualities of the spiritual teacher: an audacious love that empowers lives, profound knowledge, wild generosity, and a sweet, playful genius unparalleled in world literature.

    His poems chart a course through his own highly original American dreamscape in language that is fresh, accessible, and remarkably precise. This debut collection has received extraordinary acclaim from readers and reviewers alike and is quickly becoming a cult classic. As Pulitzer Prize-winning poet James Tate said, "These poems are beautiful, strange, intelligent, and funny. . . . It's a book for everyone."

    This second posthumous collection from Charles Bukowski takes readers deep into the raw, wild vein of writing that extends from the early 70s to the 1990s.

    An extraordinary retrospective covering over thirty years of work, From a leading writer of the Black Arts Movement and the American Poetry Society's 2018 Wallace Stevens Award-winner.Shake Loose My Skin is a stunning testament to the literary, sensual, and political powers of the award-winning Sonia Sanchez.

    Here are the inventors of the Beat generation and the heroes of today's Spoken Word movement, poets who don't get taught in American poetry 101, yet hold the literary future in their tattooed hands." So begins The Outlaw Bible of American Poetry, a primer for generational revolt and poetic expression, and an enduring document of the visionary tradition of authenticity and nonconformity in literature. From the Beat poetry of the '50s to the spoken word of the 1990s, The Outlaw Bible of American Poetry brings readers the words, visions, and extravagant lives of bohemians, beatniks, hippies, punks, and slackers. This exuberant manifesto includes lives of the poets, on-the-scene testimony, seminal underground articles never before collected, photographs of clubs and cafes, interviews, and, above all, the poems.

    The Glance taps a major, yet little explored theme in Rumi's poetry-the mystical experience that occurs in the meeting of the eyes of the lover and the beloved, parent and child, friend and soul mate.Coleman Barks's new translations of these powerful and complex poems capture Rumi's range from the ethereal to the everyday. They reveal the unique place of human desire, love, and ecstasy, where there exists not just the union of two souls, but the crux of the universe.Here is a new kind of love lyric for our time-one of longing, connection, and wholeness.

    Like his writing -- a fearless mix of connecting rhythms and vibrant images -- Saul Williams is unstoppable. He received raves for his performance as an imprisoned street poet in the Trimark Pictures release Slam, winner of the Camera d'Or at Cannes and the Grand Jury prize at the 1998 Sundance Film Festival. The consummate spoken-word performance artist, Williams has also been signed by producer Rick Rubin to record a CD of his poetry. She is a fascinating and unique collection of interconnected poems by this multi-talented star -- and marks the beginning of an incredible and totally original artistic career.

     It's you I love, perfect man, Greek God, my own; but I know you'll go, betray me, strayfrom home.So better by far for me if you were stone.—from "Medusa"Stunningly original and haunting, the voices of Mrs. Midas, Queen Kong, and Frau Freud, to say nothing of the Devil's Wife herself, startle us with their wit, imagination, and incisiveness in this collection of poems written from the perspectives of the wives, sisters, or girlfriends of famous—and infamous—male personages. Carol Ann Duffy is a master at drawing on myth and history, then subverting them in a vivid and surprising way to create poems that have the pull of the past and the crack of the contemporary.

    The large format gives ample scope to make the most of Spike's own illustration, lovingly coloured specially for this book. The anthology comprises Silly Verse For Kids (1959), The Bald Twit Lion (1968), Unspun Socks From a Chicken's Laundry (1981), Sir Nobonk and The Terrible, Awful, Dredful Naughty, Nasty Dragon (1982) and Starting Verse For All The Family (1987). Spike does not regard children as small grown-ups, nut as an entirely different species who linve in a secret, magicalworld which very few adults understand. His poems were inspired by listening to his own children and subsequently his grandchildren, and marvelling at the way they could invent new words or incorporate sound effects into their everyday language. In 'borrowing' their language, Spike has created a range of poems and stories which are a delight to read to younger children, for older children to read themselves, or for grown ups trecapture some of the magic.

    Having expanded far beyond the Beat poems that first brought his work into the public eye, Snyder has produced a wide-ranging body of work that encompasses his fluency in Eastern literature and culture, his commitment to the environment, and his concepts of humanity's place in the cosmos. The Gary Snyder Reader showcases the panoramic range of his literary vision in a single-volume survey that will appeal to students and general readers alike.

    Donne's poetry combines paradoxical wit, scientific and theological learning with the rhythms and diction of spoken language. Crises of love, conscience, and faith are the great concerns of his poetry which is by turns exalted or disenchanted, direct or oblique, morally profound or outrageously spiteful.

    Pub Date: April. 2000 Pages: 128 Publisher: Thorsons A eathtaking new collection of Translations of poems by Rumi. One of the world's MOST loved mystical teachers. Beautifully PACKAGED and Illustrated with Persian Calligraphy. This is an ideal gift for every MBS reader.Jalal-uddin Rumi was born in what is now Afghanistan in 1207. His poetry has inspired generations of spiritual seekers. both from his own Sufi school and well beyond. His poems speak to the seeker and the lover in all of us. In recent years. interest in Rumi has skyrocketed. with perrfomances. CDs by Deepak Chopra. and filmed versions of his life all in the work. In these beautiful. simple new translations - 100 in all - his timeless appeal is obvious. Publication is timed not only because this is an ideal gift. but also to coincide with Rumi's death day (the day he is celeated) 17 December.

    Lyrical and pungent, passionate and polemical, this volume is a treasure-an essential collection of the work of a poet whose words have entered our common language.

    From this starting point, Anne Carson launches an exploration, poetic in its own right, of the idea of poetic economy. She offers a reading of certain of Simonides' texts and aligns these with writings of the modern Romanian poet Paul Celan, a Jew and survivor of the Holocaust, whose economies of language are notorious. Asking such questions as, What is lost when words are wasted? and Who profits when words are saved? Carson reveals the two poets' striking commonalities.In Carson's view Simonides and Celan share a similar mentality or disposition toward the world, language and the work of the poet. Economy of the Unlost begins by showing how each of the two poets stands in a state of alienation between two worlds. In Simonides' case, the gift economy of fifth-century b.c. Greece was giving way to one based on money and commodities, while Celan's life spanned pre- and post-Holocaust worlds, and he himself, writing in German, became estranged from his native language. Carson goes on to consider various aspects of the two poets' techniques for coming to grips with the invisible through the visible world. A focus on the genre of the epitaph grants insights into the kinds of exchange the poets envision between the living and the dead. Assessing the impact on Simonidean composition of the material fact of inscription on stone, Carson suggests that a need for brevity influenced the exactitude and clarity of Simonides' style, and proposes a comparison with Celan's interest in the negative design of printmaking: both poets, though in different ways, employ a kind of negative image making, cutting away all that is superfluous. This book's juxtaposition of the two poets illuminates their differences--Simonides' fundamental faith in the power of the word, Celan's ultimate despair--as well as their similarities; it provides fertile ground for the virtuosic interplay of Carson's scholarship and her poetic sensibility.

    He turned his eye to the world, to the cultures and the people around him, and saw reflections of himself. In this collection, he works in both free verse and traditional forms, rendering scenes of exquisite detail that pry into the hearts of his characters and reveal the contradictions that bind father to son, lover to lover, and person to person. From the broken hills and drowsy river valleys around Paducah, Kentucky, to Houston diners and Gulf Coast shrimp boats, to the tropical cityscape of Miami, Bolton creates vivid scenes in which his characters confront the loneliness and the "little music" of their lives. With a richly musical voice and an ear for the cadences of everyday speech, Bolton gives his readers not the trappings of love and grief, but the very things themselves, rendered in lines that reverberate with the authority of sincerity and truth.

    He wants to fit in at school, but he doesn't want to forget his homeland, Mexico. His family is still doing things like they're in the old country, but Jorge wants to find out everything he can about his new country--on the other side of the river. Learning a new language, getting a library card, taking tests, and making friends are challenges for Jorge. Just when Jorge has found a friend in Tim, his life changes once again. Told from the point of view of Jorge, Jane Medina's moving poems vividly depict one boy's struggle to make a new life in a new country.

    Language development is significantly enriched by exposure to good poetry. This book is an important resource because it provides in one volume many poems that concern noble actions or ideas presented in beautiful patterns of sound.This book contains all the poems recommended in Berquist's best-selling Designing Your Classical Curriculum. The extensive selection includes poems by Robert Louis Stevenson, Henry Wadsworth Longfellow, Robert Browning, William Shakespeare, G.K. Chesterton, William Butler Yeats, Robert Frost, and many others. There are three indices to help locate specific poems. This book also includes dictation selections that are useful tools in the development of the child's writing ability, as well as study questions and answers for each poem.

    Here parody does not exclude the cri de coeur any more than seriousness excludes the joke. With surrealist volatility, these poems are the result of experiments that continue for the reader during each reading. Young moves from reworkings of creation myths, the index of the Norton Anthology of Poetry, pseudo reports and memos, collaged biographies, talking clouds, and worms, to memory, mourning, sexual playfulness, and deep sadness in the course of this turbulent book.

    And Damon knows that even though he's the "man of the house," there's room for a friend like Blue in his life. At the end of the day, Damon has someone standing steadfast in his corner. Someone true . . . like Blue. Nikki Grimes's moving poems and Jerome Lagarrigue's bold paintings create an emotional and realistic bond of friendship between a man and a boy in a rough world.

    And never more so than in this extraordinary and engaging gathering of nine essays, accompanied by a brief selection of new prose poems and poems. (One of the essays has been chosen as among the best of the year by THE BEST AMERICAN ESSAYS 1998, another by The Anchor Essay Annual.) With the grace and precision that have won her legions of admirers, Oliver talks here of turtle eggs and housebuilding, of her surprise at an unexpected whistling she hears, of the "thousand unbreakable links between each of us and everything else." She talks of her own poems and of some of her favorite poets: Poe, writing of "our inescapable destiny," Frost and his ability to convey at once that "everything is all right, and everything is not all right," the "unmistakably joyful" Hopkins, and Whitman, seeking through his poetry "the replication of a miracle." And Oliver offers us a glimpse as well of her "private and natural self—something that must in the future be taken into consideration by any who would claim to know me."

    The whole collection is strong, passionate, and poignant, but the mother and daughter poems, fierce and emotional, with their intense ambivalence, pain and joy, themes of separation and reconnecting, are among the very strongest about that difficult relationship."These striking, original, beautifully sensuous poems do just that. Ordinary moments--a sunset, a walk, a private religious ritual--are so alive in poems like 'Shabbat moment'  and 'Rosh Hodesh.' In the same way that she celebrates ordinary moments, small things become charged with memories and feelings: paper snowflakes, buttons, one bird, a bottle-cap flower made from a ginger ale top and crystal beads. "She celebrates the body in rollicking, gusto-filled poems like 'Belly good' and 'The chuppah,' where 'our bodies open their portals wide.' So much that is richly sensuous: 'hands that caressed you,  . . . untied the knot of pleasure and loosened your flesh till it fluttered,' and lush praise for 'life in our spines, our throats,  our knees, our genitals, our brains, our tongues.'"I love the humor in poems like 'Eat fruit,' the nostalgia and joy in 'The rabbi's granddaughter and the Christmas tree,' the fresh, beautiful images of nature--'In winter . . .the sun hangs its wizened rosehip in the oaks.'"I admire Piercy's sense of the past alive in the present, in personal and social history. The poems are memorials, like the yahrtzeit candle in a glass. 'We lose and we go on losing,' but the poems are never far from harsh joy, the joy that is 'the wine of life.'"Growing up haunted by Holocaust ghosts is an echo throughout the book, and some of the strongest poems are about the Holocaust, poems that become the voices of those who had no voice: 'What you  carry in your blood is us,  the books we did not write, music we could not make, a world  gone from gristle to smoke, only  as real now as words can make it.'"Marge Piercy's words make such a moving variety of experiences beautifully and forcefully real."

    Simic] is one of the wisest poets of his generation, and one of the best".* For this new edition of his selected poems, Simic has added twenty-eight poems and extensively revised others, making this the most complete collection available of his early work.In the spare, haunting vision of these poems, the familiar takes on a disturbing, often sinister, presence. A fork "resembles a bird's foot/Worn around the cannibal's neck" and a bird's chirp is "Like a match flickering / In a new grave". Life's horrors -- violence, hunger, poverty, illness -- lurk unnervingly in the background. And yet, despite the horror, a sense of wonder pervades these poems, transforming the ordinary world into a mysterious place of unknowable forces.Classic displays of the economy and grace of Simic's work, these poems occupy an established place in American poetry.

    The Oxford Book of English Verse, created in 1900 by Arthur Quiller-Couch and selected anew in 1972by Helen Gardner, has established itself as the foremost anthology of English poetry: ample in span, liberal in the kinds of poetry presented. This completely fresh selection brings in new poems and poets from all ages, and extends the range by another half-century, to include many twentieth-centuryfigures not featured before--among them Philip Larkin and Samuel Beckett, Thom Gunn and Elaine Feinstein--right up to Ted Hughes and Seamus Heaney. Here, as before, are lyric (beginning with medieval song), satire, hymn, ode, sonnet, elegy, ballad, but also kinds of poetry not previously admitted: the riches of dramatic verse by Marlowe, Shakespeare, Jonson, Webster; great works of translation that are themselves true English poetry, such asChapman's Homer (bringing in its happy wake Keats's 'On First Looking into Chapman's Homer'), Dryden's Juvenal, and many others; well-loved nursery rhymes, limericks, even clerihews. English poetry from all parts of the British Isles is firmly represented--Henryson and MacDiarmid, for example, nowjoin Dunbar and Burns from Scotland; James Henry, Austin Clarke, and J. M. Synge now join Allingham and Yeats from Ireland; R. S. Thomas joins Dylan Thomas from Wales--and Edward Taylor and Anne Bradstreet, writing in America before its independence in the 1770s, are given a rightful and rewardingplace. Some of the greatest long poems are here in their entirety--Wordsworth's 'Tintern Abbey', Coleridge's 'Rime of the Ancient Mariner', and Christina Rossetti's 'Goblin Market'--alongside some of the shortest, haikus, squibs, and epigrams. Generous and wide-ranging, mixing familiar with fresh delights, this is an anthology to move and delight all who find themselves loving English verse.

    German poet Rainer Maria Rilke(1875-1926) enjoys ever-increasing popularity.  His Duino Elegies is considered on of the greatest long poems of the twentieth century.  Yet translations from his native German have always presented challenges: the elusiveness of Rilke's imagery, the playful way he both distorts and subverts his own language, and the depth and complexity of his poetry make it difficult for translators to preserve the beauty and meaning of the original text.  In his stunning bilingual selection that includes the entire Duino Elegies as well as a number of favorite and less familiar shorter poems, Galway Kinnell and Hannah Liebmann manage to retain power and grace of Rilke's words.  Throughout his poetry, Rilke addresses questions of how to live in and relate to a world in a voice  that is simultaneoulsy prophetic and intensely personel.  These translations offer new insight into this enigmatic German poet whose work will continue to be read and admired throughout the world.

    The untitled poems were given titles and all were arranged by the editors under seven major headings: Worship, Petition, Surrender, Ministry, Wartime, Encouragement and Youthful Thoughts.

    Includes a masterful translation of Basho's most celebrated work, Narrow Road to the Interior, along with three less well-known works and over 250 of Basho's finest haiku. The translator has included an overview of Basho's life and an essay on the art of haiku.

    Stallings, recipient of the 1999 Richard Wilbur Award, uniquely juxtaposes poetic meditations on mythological themes with poems about the everyday occurances of contemporary life -- such as losing an umbrella or fishing with one's father. In doing so, Archaic Smile continually bridges the gap between these two distant but interrelated worlds with striking insights. James Dickey, having praised the author's accomplished critical skills, also points out that she has "the most indispensable quality that a poet must have: an original way of looking at things." A.R. Ammons aptly characterizes the power of her mythological poems in his comments on "Apollo Takes Charge of His Muses" which he chose for The Best American Poetry: "It delivers the ancient past into our present with such astonishing justness that I'm silenced with appreciation." Archaic Smile is a powerful debut collection by a provacative poet who has found strikingly original ways to personalize our myths and conjure the deep significances of our everyday life.

    Jane Kenyon is one of the most beloved poets on the contemporary American scene; this book shows us why and how this came to be.

    One cannot categorize these poems simply as confessional, narrative, or lyrical. They are all these things at once. They move beyond usual explorations of childhood or family to blend themes and influences that range from Neruda to Coltrane, Fat Albert to Orpheus, John Shaft to Gershwin. This book gives us an almost Whitmanesque account of an America, and an African American, replete with grace and imperfection. Moreover, it gives us a voice that does not sacrifice truth for music or music for accessibility. At the end of a poem that includes Bill Strayhorn, Andrew Carnegie, and Dante, Hayes says, "I know one of the rings of hell is reserved for men who refuse to weep. So I let it come. And it does not move from me." These lines reflect what is always at the core of Hayes's poetry: a faithfulness, not to traditional forms or themes, but to heart and honesty. It is a core bounded by and cradled by a passion for the music in all things.

    Translated from the Swedish by Johannes Goransson, Berg's hallucinatory, post-cataclysmic epic takes place in an unremitting future-past. The bodies mutate and hybridize. They are erotic and artificial, art and adrenaline. Available for the first time in English as a complete collection, the poems of this contemporary Swedish classic contaminate as they become contaminated--drawing on and altering source texts that range from The Texas Chainsaw Massacre to string theory. Calling on fables, science, the pastoral, and the body, DARK MATTER aggravates their perception while exhausting poetry down to its nerve: "a faint spasm of cheers before this, the nervous system's last chance to communicate with the dying I." The result: a monstrous zone of linguistic and bodily interpenetration, cell death, and radiant permutations. "Extraordinary and urgent, a coded warning smuggled out of dark." --China Mieville; "Aase Berg's poetry is discomforting because it lacks boundaries....When I read her I notice how my consciousness tries to separate, divide up and make sense of her almost hallucinatory images, but they always glide back together. I get nauseated and almost seasick from her texts." --Asa Beckman

    Because his poems were often ecstatic love songs from God to his beloved world, many have called Hafiz the Invisible Tongue. Indeed, Daniel Ladinsky, the accomplished translator of this volume, has said that his work with Hafiz is an attempt to do the impossible: to translate Light into words--to make the Luminous Resonance of God tangible to our finite senses. I am a hole in a flute that the Christ's breath moves through-- listen to this music! With this stunning collection of 250 of Hafiz's most intimate poems, Ladinsky has succeeded brilliantly in translating the essence of one of Islam's greatest poetic and religious voices. Each line of The Gift imparts the wonderful qualities of this master Sufi poet and spiritual teacher: encouragement, an audacious love that touches lives, profound knowledge, generosity, and a sweet, playful genius unparalleled in world literature.

    levy's poetry, his collages--in both color and black-and-white--and other examples of his art, in a splendid large-format celebration of levy's unique contribution.A visual artist, and an important figure in the concrete poetry movement, levy was also an activist and mystic who either committed suicide or was murdered at the age of twenty-six in East Cleveland. This occurred after two and a half years of intense media coverage, police harassment and court trials, and just as he was starting to be recognized as one of the most important geniuses of his generation.Edited, with an investigative essay on levy's life and mysterious death by Mike Golden.

    A first in audiobook publishing--a series that uses the written word to enhance the listening experience--poetry to be read as well as heard. Each audiobook includes rare archival recordings on cassette and a book with the text of the poetry, a bibliography, and a commentary by J. D. McClatchy, the poet and critic, who is the editor of The Yale Review.

    The poems themselves shine with the artistry of a writer at the height of her powers.

    The Haiku Anthology, first published in 1974, is a landmark work in modern haiku, honoring a genre of poetry that celebrates simplicity, emotion, and imagery—in which only a few words convey worlds of mystery and meaning. This third edition, now completely revised and updated, comprises 850 haiku and senryu (a related genre, usually humorous and concerned with human nature) written in English by 89 poets, including the top haiku writers of the American past and present. A new foreword details developments since the publication of the last edition. "Each of these perfect little poems will come as a revelation to the uninitiated reader and will bring joy to the haiku enthusiast. . . . This is an exceptional selection of English-language haiku at its finest."—Library Booknotes

    In spite of his preeminent stature, this is the first edition of Po Chü?-i's poetry to appear in the West. It encompasses the full range of his work, from the early poems of social protest to the later recluse poems, whose spiritual depths reflect both his life-long devotion to Taoist and Ch'an (Zen) Buddhist practice. David Hinton's translations of ancient Chinese poetry have earned wide acclaim for creating compelling English texts that have altered our conception of Chinese poetry. Among his books published by New Directions are The Selected Poems of Tu Fu, and The Selected Poems of Li Po. His work has been supported by fellowships from The National Endowment for the Arts and The National Endowment for the Humanities.

    These new translations will be welcomed."—Donald Justice

    Each of Levin's poems is an astonishing investigation of human darkness, propelled by a sensuous syntax and a desire for healing."This is the language of a prophet: Levin's art, in this book certainly, takes place in a kind of mutating day of judgment: it means to wipe a film from our eyes. It is a dare, a challenge, and, for all its considerable beauty, the opposite of the seductive...Sensuous, compassionate, violent, extravagant: what an amazing debut this is, a book of terrors and marvels."-Louise Gluck, from the IntroductionDana Levin was raised in Lancaster, California, in the Mojave Desert. She has received fellowships, grants, and awards from the National Endowment for the Arts, the Academy of American Poets, the Vermont Arts Council, and New York University, where she received her M.F.A. She lives in New Mexico and teaches Creative Writing at the College of Santa Fe.

    From the environment to our reliance on manners, from sex and politics to love among Black folk, Blues is a masterwork with poems for every soul and every mood: The poignant "Stealing Home" pays tribute to Jackie Robinson, while "Road Rage Blues" jams on time and space; Giovanni celebrates love's absolut power in "Train Rides" and laments life's trasience in "Me and Mrs. Robin." With the tenderness that has made her on of our most accessible and beloved poets, Giovanni evokes a world that is not only just but also happy. Her powerful stand engages the world with a truth telling that is as eloquent as it is elegant.Intimate, edgy, and unapologetic, Blues For All the Changes bears the mark of Nikki Giovanni's unmistakable voice. At once political and intensely personal, this long-awaited volume embodies the fearless passion and wit that have made Nikki Giovanni one of our most accessible poets; her audience defies all boundaries of race, class, age, and style.From the poignant "Stealing Home," Ms. Giovanni's tribute to Jackie Robinson, to the defiant "Road Rage Blues," a jam on time and space, these fifty-one poems challenge the fates and invoke the precarious state of our environment, Giovanni's battle with illness, manners, and other topics seminal to one of our most compassionate, outspoken observers.With a reverence for the power of language, Blues For All the Changes will once again enchant Nikki Giovanni's extensive following and inspire those who are newly discovering her work.

    Number two in the Auhors and Young Author's Series. Listed as one of the Best Books for Teenage, New York Public Library, 2000. It was short listed for the 2000 Howard Prinz award from American Library Association.

    The truly great voices of contemporary theatre come together to read The Complete Shakespeare Sonnets, a perfect introduction for young listeners as well as Shakespeare lovers of all ages.Not to be missed, this collection will be a valued addition to all listening libraries.

    cummings, Eve Merriam, Deborah Chandra, Arnold Adoff, and more than 100 others.

    Weaving together fragments from diaries, stories and notebooks – including moving texts written by his two brothers and Stefania herself – Różewicz creates a portrait of their lives and relationships which is sometimes brutal, often hilarious, and always tender.Here is an artist attempting to give form, even meaning, to life – and death.‘One of the great European poets of the twentieth century’ Seamus Heaney

    In this collection, she gives voice to the Japanese immigrants of the American West. In an unforgiving land of dirt and sagebrush, mothers labor to teach their children of the ocean, old men are displaced by geography and language, and the ghosts of Hiroshima clamor for peace. Lee Ann Roripaugh's exquisitely crafted poems rise from the pages of Beyond Heart Mountain burdened with memory and pain, yet converting these to powerful art--art that is like "the pattern of kimono found burned into a woman after Hiroshima . . . almost too beautiful, too horrible . . . to bear." Remember to raise bright orbs of rice-paper lanterns by the goldfish pond, so they can watch for me with the yellow, unblinking gaze of nocturnal things . . . --from "Peony Lantern"

    Here are Milton’ s early works, including his first great poem, “On the Morning of Christ’s Nativity,” the light and lyrical “L’Allegro” and “Il Penseroso,” the masque Comus, and the lushly beautiful pastoral elegy “Lycidas.” Here, too, included in their entirety, are the three epic poems considered to be among the finest works in the English language: Paradise Lost, Paradise Regained, and Samson Agonistes.Fully annotated by Burton Raffel, this distinguished edition clarifies the complex allusions of Milton’s verse and references the personal, religious, historical, and mythical influences that inspired the great blind poet of England, who ranks among the undisputed giants of world literature.

    Employing her trademark ferocity, these new dramatic monologues continue to mine this award-winning poet's "often brilliant" (Chicago Tribune) vision.

    S. Merwin. The book is an intriguing set of variations on the theme of identity. Arnold plays on the idea of the shell as both the dazzling surface of the self and a hard case that protects the self against the assaults of the world. His poems narrate amatory and culinary misadventures. “Friendships based on food,” Arnold writes, “are rarely stable”—this book is full of wildly unstable and bewitching friendships and other significant relations.

    In this beautiful gathering . . . one encounters a poet who praises and mourns in turn and even at once." — Grace Schulman, The Nation "Stern is one of those rare poetic souls who makes it almost impossible to remember what our world was like before his poetry came to exalt it." — C. K. Williams

    From the author of Fugitive Pieces, this work provides a collection of poems, meditations on how love changes in order to survive and how we move from obsolete science to new perceptions.

    The poems evoke this nighttime within the self haunted by mythic and shadow-paradises--of home, homeland, the original garden--where "every story is made to hide / the others." Here, Adam slips on a piece of Eve's clothing, a child falls in love with the bomb, and a mourner watching the whores chased from the cemetery laments. It is also a world of erotic disguises. Still, it remains recognizably this world. The parent lies to the child about death, and the child lies to the parent about death. In the journey between those lies, as in the journey taken by the horse of the title, language becomes the place of refuge. It is there that "one world is always beginning." From "willingness . . . speaking its motherese," to the devil's "gossamer gibber," the voices in these poems discover that to be human is, as Heidegger said, "to be a conversation."

    As an associate curator at the Museum of Modern Art, O'Hara organized a series of important exhibitions, notably of the work of Franz Kline and of Robert Motherwell. In Memory of My Feelings: Frank O'Hara and American Art explores this key period in modern art by presenting artists who were associated with O'Hara and whose seminal works are reflected in his poetry.Featuring over 80 works by twenty-three artists, the book focuses on works closely tied to specific poems by Frank O'Hara, notably Jasper Johns's In Memory of My Feelings—Frank O'Hara and Grace Hartigan's Oranges. Included are direct collaborations between O'Hara and various artists such as Joe Brainard, Norman Bluhm, and Larry Rivers, as well as portraits of the poet by Elaine de Kooning and Alex Katz. Franz Kline, Alice Neel, and Joan Mitchell are some of the other artists highlighted.The book is a timely re-examination of the relationship between art and poetry at this crucial moment in American art. It also offers new insights into the charismatic figure of Frank O'Hara and his world.The exhibition, In Memory of My Feelings: Frank O'Hara and American Art, will be at The Museum of Contemporary Art, Los Angeles, from July 11 to November 14, 1999; at The Wexner Center for the Arts, Columbus, Ohio, January 28 to April 16, 2000; and the Parrish Art Museum in Southampton, New York, in May, 2000.

    This generous collection welcomes newcomers as well as longtime admirers of Williams's trademark style: a compact and straightforward language, a masterful command of form, and an unsentimental approach to his subject matter. Williams treats the mundane interchanges, the lingering uncertainties, the missed opportunities, and the familiar sense of loss that mark daily life with the surgeon's deft touch. An American original, Miller Williams involves the reader's emotions and imagination with an effective illusion of plain talk, continually rediscovering what is vital and musical in the language we speak and by which we imagine.

    Yunus's verse conveys the spirit and philosophy of Islamic mysticism in simple, earthy language.

    In an essay on his career, Edward Hirsch describes They Feed They Lion as his "most eloquent book of industrial Detroit . . . The magisterial title poem--with its fierce diction and driving rhythms--is Levine's hymn to communal rage, to acting in unison." Of The Names of the Lost: "In these poems Levine explicitly links the people of his childhood whom 'no one remembers' with his doomed heroes from the Spanish Civil War."

    Featuring some of the best work from over 60 favourite poets and packed tight with bright illustrations which perfectly capture the essence of the words, 'The Puffin Book of Fantastic First Poems' is a book that the whole family can enjoy together. (Ages 3 to 6) - Susan Harrison

    Through a subtle, mediated surrealism, Mörling reins in the urban landscapes of New York, drawing the reader into her meditations on the temporal and the spatial, on language itself.

    Beginning with Caedmon (ca. 658-680), the poetry comes from the anicent, medieval, Reformation, and modern periods from Anglican, Roman Catholic, Protestant, and Orthodox poets, as well as mainline and evangelical traditions. Because poetry is a vehicle of praise and exhortation, of meditation and understanding, these selections include every form and style of reflection and psalm, from private, personal devotion to hymns and epic forms with godly themes. In addition to the poetry, each chapter includes an introduction and time line meant to provide a background against which readers can better understand the intricacies and nuances of the poets and their work. Short biographical introductions to each poet are briefly introduced alongside their poetry. We who speak English have twelve centuries of Christian poetry behind us. It is a deep and broad stream of praise, frequently poured out by men and women who died for the faith in the midst of persecution. While the glory of God may have been diminished by sectarian motives of some poets, the channel of the stream has always been faith, an unbroken succession of men and women who have praised God. Thus while A Sacrifice of Praise may instruct those who write poetry, it is ultimately a hymnbook for all of God's people.

    Each poet's work is illustrated by a different artist such as Emma Chichester Clark, Fritz Wegner and Korky Paul.Brian Patten came to public attention with the publication of THE MERSEY SOUND in 1967. He is a very popular performance poet, always in demand for conferences and school visits. Collections of his own poetry are published in Puffin and he is the editor of the PUFFIN BOOK OF TWENTIETH CENTURY VERSE. Brian lives in London.This collection features poems and illustrations from:Spike Milligan; Kit Wright; Michael Rosen; Charles Causley; Roger McGough; Benjamin Zephaniah; Brian Patten; Jackie Kay; John Agard; Allan Ahlberg; Emma Chichester Clark; Korky Paul; Alison Jay; Lydia Monks; Ali Chatterton; David Mostyn; Sue Williams; Sheila Moxley; Fritz Wegner

    "The watercolor artwork creates atmospheric settings for her words."--Publishers Weekly.

    He created a rich mythology where love, fear, fantasy and the supernatural play an essential role. Intimate yet universal, passionate yet precise, their brilliant alchemy of realism and magic made Graves's poems some of the finest of the last century. In this edition the poems appear without critical apparatus or commentary. The volume represents in its purest form the achievement of Graves's seventy productive years.

    Accompanied by woodcuts and drawings from now rare or unattainable originals.I'd rather you lied sees Billy Childish take his rightful place as the poet laureate of the underdog.New poems featured in I'd rather you lied include a sad donky and a fat man smiling, which received a Commendation in the 1997 National Poetry Competition. (and was performed on Radio 4's Loose Ends?)

    This collection features such favorites as "As I Walked Out One Evening," "Musee des Beaux Arts" and "The Shield of Achilles," among many others.A companion book is included with these never-before-released recordings.

    — Arthur Sze

    Book by Snyder, Gary

    Known for writing mystical nature poetry immersed in the quiet air of solitude and imgination, Kathleen Raine offers a new collection--a celebration of the miracles of nature and mankind's lace among them.

    Well, winter's not all fun and games. But well-loved, best-selling poet Douglas Florian will melt your doubts about Mother Nature's chilly grip with twenty-eight winter-inspired poems accompanied by his crisp, trademark watercolor illustrations. Young readers are sure to warm up to the uniquely keen vision of this wholly original volume. Whatever the time of year, Winter Eyes is just right for the season.List of Notable Children's Books in Lang. Arts 00 (NCTE) and 00 Riverbank Review Magazine's Children's Books of Distinction Award Nominations

    Its words are of unsparing rigor; its intelligence and vision continually spring forward in changed ways. These are poems both revealing and resistant: deeply felt, deeply communicative, yet avoiding any easy lyricism. Again and again the reader pauses, astonished by some fresh turn of language, of insight, of terrain. "Moving & ST Rage" offers extraordinary pleasures, clarities, and depth.

    Gaspar’s collection of poems is haunted by the presence of mystics and visionaries: Mohammed, Buddha, St. Paul, Augustine, George Herbert, Emily Dickinson, Blake, Milton, Rilke. A Field Guide to the Heavens is punctuated with designs of science, the wondering and rapt observations of the sky made at the eyepiece of a backyard telescope. We come to know Gaspar’s city streets, the neighbors and strangers that walk them, the wreckage of past lives, the ocean, the gardens, the orchards and alleys and parking lots, all spread out under the vast sky.

    

    Much more than a personal statement or occasional piece, it is a meditation on the state of poetry and art in general and a rigorous attempt to account for what poetry is, can, and must be after the Holocaust. This definitive historico-critical edition, available for the first time in English, presents not only the first drafts, but also a vast array of notes and preparatory work and a brief essay on Osip Mandelstam, all of which work to expand the field of reference of Celan's manifesto and reveal its true scope. Rich commentaries clarify Celan's notes to authors as diverse as Leibniz, Scheler, Kafka, Hofmannsthal, Husserl, Pascal, Valéry, Heidegger, and others.

    Taking its cue from a wide range of modern and postmodern poetics - Gertrude Stein's multiple formal innovations, Emily Dickinson's condensations, the improvisation of Whitman and the Beat poets, the New York School's intertwining poles of "the everyday," and the wild peripatetic leaps and innovation of "Language" writing - Brown's work enacts an exciting and suggestive poetry of possibility.

    Representing a nonsymbolist, postimagist poetics and characterized by a historical, realist, antimythological worldview, Objectivists have retained their outsider status. Despite such status, however, the formal, intellectual, ideological, and ethical concerns of the Objectivist nexus have increasingly influenced poetry and poetics in the United States.Thus, argue editors Rachel Blau DuPlessis and Peter Quartermain, the time has come for an anthology that unites essential works on Objectivist practices and presents Objectivist writing as an enlargement of the possibilities of poetry rather than as a determinable and definable literary movement. The authors' collective aim is to bring attention to this group of poets and to exemplify and specify cultural readings for poetic texts--readings alert to the material world, politics, society, and history, and readings concerned with the production, dissemination, and reception of poetic texts.The contributors consider Basil Bunting, Lorine Niedecker, George Oppen, Carl Rakosi, Charles Reznikoff, and Louis Zukofsky within both their historical milieu and our own. The essays insist on poetry as a mode of thought; analyze and evaluate Objectivist politics; focus on the ethical, spiritual, and religious issues raised by certain Objectivist affiliations with Judaism; and explore the dissemination of poetic texts and the vagaries of Objectivist reception. Running throughout the book are two related threads: Objectivist writing as generally a practice aware of its own historical and social contingency and Objectivist writing as a site of complexity, contestation, interrogation, and disagreement.

    How does poetry create feeling? What are fractal poetics?In a series of provocative, beautifully written essays concerning "the good strangeness of poetry," Fulton contemplates the intricacies of a rare genetic syndrome, the aesthetics of complexity theory, and the need for "cultural incorrectness." She also meditates on electronic, biological, and linguistic screens; falls in love with an outrageous 17th-century poet; argues for a Dickinsonian tradition in American letters; and calls for a courageous poetics of "inconvenient knowledge." Contents PreambleI. ProcessHead Notes, Heart Notes, Base NotesScreens: An Alchemical ScrapbookII. PoeticsSubversive PleasuresOf Formal, Free, and Fractal Verse: Singing the Body EclecticFractal Amplifications: Writing in Three DimensionsIII. PowersThe Only Kangaroo among the BeautyUnordinary Passions: Margaret Cavendish, the Duchess of NewcastleHer Moment of Brocade: The Reconstruction of Emily DickinsonIV. PraxisSeed InkTo Organize a WaterfallV. PenchantsA Canon for InfidelsThree Poets in Pursuit of AmericaThe State of the ArtMain Thingsri0VI. PremisesThe Tongue as a MuscleA Poetry of Inconvenient Knowledge

    Intended as a sequel to The Reproduction of Profiles and Lawn of Excluded Middle, Reluctant Gravities gives the rhetorical "you" addressed in those earlier volumes a voice and response. "I decided to give the second person equal time", says Waldrop. "But I'm not interested in characters, psychology, or in poetry's traditional 'persona' or mask. The voices do not 'represent, ' but frame the synaptic space between them". Some of Waldrop's concerns are formal. She "cultivates cuts, discontinuity, leaps, shifts of reference" in her attempts to compensate for the lack of a margin, where verse would turn toward the white of the page, toward what is not. Her "gap gardening tries to place the margin, the emptiness inside the text". But the point of the dialogues is purely human as the two voices with wit and philosophical playfulness debate aspects of "Aging", "Depression", "Desire", and even "The Millennium".Author of over 15 books of poetry, prize-winning translator of Jabes and Celan, teacher, and (with husband Keith Waldrop) publisher of Burning Deck Press, Rosmarie Waldrop keeps re-establishing herself as one of our foremost avant-garde stylists and most original poet-philosophers.

    It brings together his new poems and translations, collected here for the first time; his books Strangers and Dwelling Places in their entirety; selections from his first book, On the Way to the Island; and selections from his celebrated translations of the Babylonian epic Gilgamesh, the Odes of Horace, and of Virgil's Eclogues. This is Ferry's fullest and most resonant book, demonstrating the depth and breadth of forty years of a life in poetry."Though Ferry is perhaps best known for his eloquent translations of Horace and Virgil, "Of No Country I Know" demonstrates that he deserves acclaim for his own poetry as well."—Carmela Ciuraru, New York Times Book Review

    This book also contains them all, except that each one appears by itself in its own chapter. A unique personality for each vowel soon emerges: A is courtly, E is elegiac, I is lyrical, O is jocular, U is obscene. A triumphant feat, seven years in the making, this uncanny work of avant-garde literature promises to be one of the most important books of the decade.

    This selection captures Rumi in a rare mood and these are some of Rumi's most passionate and heartfelt expressions, each poem resonating with the intensity and fire rarely seen in English language before. Shiva says, "Rumi -- I am constantly reminded -- is a miracle. Everything about him is absolute magic. Poetry in perfect rhyme and meter poured out of him as he whirled for hours on end, or as he fell into various states of ecstasy and rapture. There is movement in every verse of Rumi. There is music, rhythm and breath in most of his poems in Persian."

    Through her rediscovery of the freedom Emily Dickinson located in being dead, Mullen attempts to increase the territory of the contemporary poem.

    A Celebration of Poets and Their CraftColeman BarksLorna Dee CervantesMark DotyDeborah GarrisonJane HirshfieldStanley Kunitz Kurtis LamkinShirley Geok-Lin LimPaul MuldoonMarge PiercyRobert Pinsky

    Young readers will rejoice in this vibrant collection, which resounds with a music all its own. Here, you'll find many poems that are considered classics -- "Little Brown Baby, " "When Malindy Sings, " "Dawn" -- and several others that have made Paul Laurence Dunbar one of the most cherished of American poets. A rich collection that is at once playful and poignant, Jump Back, Honey is a gem to grace every bookshelf -- an unforgettable treasure that begs to be read again and again. In this beautiful book, the award-winning artists offer muses and memories of Paul Laurence Dunbar's poetry. Art styles range from watercolor to scratchboard, providing a lush, varied book that will delight readers of all ages

    When he said he wrote in the speech of Polish mothers, he could have included the American working class anywhere. The sinewy resilience of Andrews' individual poems honors the tradition of his free verse lyrics. She listens for the poetic measure in American speech and reproduces it in unique forms. I would venture to say that the poetry of Ginger Andrews is as close to the tradition of Williams as American free verse has ever been.... As for the voice speaking to us in these poems, it is as fresh as Ray Carver's seemed 25 years ago. Another poet who comes to mind is her fellow Northwesterner Vern Rutsala, himself a descendent of Williams who, like Williams, has kept his eye on the working poor throughout his career. Andrews is a working class, born again Sappho, an Ahkmatova who cleans houses and teaches Sunday school. These figures come to mind not for the sake of hyperbole, but to help understand the originality of this new and remarkable poet.--From the preface by Mark JarmanGinger Andrews was born in North Bend, Oregon in 1956. Her poems have appeared in The Hudson Review, Poetry, River Sedge, Fireweed and The American Voice. In 1997, she received the Mary Scheirman Award at the Coos Bay Writers Conference. She cleans houses for a living, and is a janitor and Sunday school teacher at North Bend Church of Christ.

    He became friends with Allen Ginsberg, Jack Kerouac, and Michael McClure, and played a key role in the explosive poetic revolution of the '50s and '60s. Celebrated for his wisdom and good humor, Whalen transformed the poem for a generation. His writing, taken as a whole, forms a monumental stream of consciousness (or, as Whalen calls it, "continuous nerve movie") of a wild, deeply read, and fiercely independent American—one who refuses to belong, who celebrates and glorifies the small beauties to be found everywhere he looks. This long-awaited Selected Poems is a welcome opportunity to hear his influential voice again.

    The resulting long poem is a meditation on the difficulty of assemblage and seeks to express and reflect on the poetic process. Barbara Guest's densely but deftly allusive poetry reveals the range and depth of her cultural knowledge, bespeaking a major poet at the peak of her powers.Guest's work is saturated in the visual arts and music, and extends the formal experiments of modernism, playing abstract qualities of language against its sensuousness and materiality, and switching effortlessly from the real to the imagined. Innovative, intimate, erudite, her poems articulate a feminist aesthetic that seeks not to dispel mystery but to elaborate and perpetuate it.

    This collection is like an unforgettable late night, sitting on a porch in the sweet night air and listening to stories told by a very close friend.

     Written as a form of personal confession - of love, of grief, of anger, of jealousy and of lust - the sonnets encompass a huge range of human emotion beautifully expressed within the restrictions of the form. Some, such as 'Shall I compare thee to a summer's day' or 'Let me not to the marriage of true minds' will be instantly familiar to readers, while others, equally rich in imagery, are less well known. Together they form a powerful meditation on the nature of love, marriage, beauty and time.

    S. Eliot Prize, Mark Doty has established himself as one of the most courageous and eloquent poets of our time. The University of Illinois Press is proud to present this one-volume edition of Doty's first two collections of poetry, Turtle, Swan and Bethlehem in Broad Daylight. Long out of print, Turtle, Swan and Bethlehem in Broad Daylight brought Doty to critical attention as the first post-Stonewall gay poet to emerge as a major voice in American letters. Stories of paradise, pageant, and fugitive peace course through these pages are lit by Doty's visions of the architecture and artifice of a lush world. Exploring the forms of remembering and inventing, Doty affirms that, from the first loss, we preserve by naming.

    "Imagistic and minimalist, a kind of literary Donald Judd, Ball sculpts language, leaving common denominators reverberating with multiple meanings."-- Karl Jirgens, " mondo hunkamooga" "Ball's writing is less about making 'art' than it is about recreating a familiar, heightened state of attention."-- Kevin Connolly, "eye"

    

    The sidewalk preacher, the umbrella salesman, the nurse on the graveyard shift, the professional mourner - all allow Gonzalez a clandestine glimpse of their lives. Crackling with the dry electricity of the desert and flashing with the brilliant colors of Mexico, Gonzalez's poems are rooted in the fertile soil beneath poverty's dust, the border's violence, and longing's desolation.

    Over the years, Sarton's work greatly influenced Schade's photography. The two women eventually met, forming both a friendship and the idea for a book - this elegant combination of Schade's photographs and selections from Sarton's poetry and prose. For the framework of the book, Schade chose a quotation which Sarton herself used as the theme for some of her poetry readings: "The delights of the poet as I jotted them down turned out to be light, solitude, the natural world, love, time, creation itself." Schade's photographs accompany Sarton's prose and poetry as a pianist accompanies a lyric singer - sometimes in unison, often in harmony, occasionally in counterpoint. From May Sarton's Well is an inviting introduction to the poetry and prose of May Sarton. For those who are already familiar with her work, this book is a gathering of many nuggets of Sarton's beautifully expressed wisdom. It is a treasure to be kept at one's bedside for frequent revisits. It was one of three finalists in the Fiction/Drama/Poetry/Literary Criticism category of the 1995 Benjamin Franklin Awards.

    Tolson was not only a debate coach but one of black America's most important modernist voices. This first complete collection of his poetic work, brilliantly annotated by Raymond Nelson, gives Tolson his proper place in American poetry.

    . . . But James's illustrations are the best feature of this inviting collection." —THE HORN BOOK (starred review)DAYS LIKE THIS is a book of celebration — whether it's the novelty of sleeping outdoors, the delight of picnicking on the beach, or the sheer joy of bouncing on the bed in the afternoon. These small poems, some familiar, some new, have been carefully selected by acclaimed author-illustrator Simon James, whose expressive line and watercolors portray an everyday world overflowing with wonder and possibility. With words and pictures given space to breathe, this is a collection of poems to read and revel in from beginning to end.

    Tessa Rumsey uses words in ways that defy summary and synonym in poetry that challenges the boundaries of common dualities--city and desert, heaven and earth, waking and dreaming, violence and harmony, destruction and regeneration, recollecting and forecasting. She attempts to move beyond these natural contrasts in her poetry, and beyond point of view to create a collection that offers an elemental glimpse of the fragmented yet interconnected world we live in.Throughout the book, familiar themes are seen again and again, undergoing subtle metamorphosis: the seasonal solstice, the sundial, the planets, the Sphinx--as Rumsey invites us beneath the surface of her words.

    Rachel Loden employs both strict and innovative forms in poetry that explores the post-Cold War unease that follows a century of harrowing conflicts. These contradictory elements flower in poems drawn from the ethereal world of pop myths and fairy tales that simultaneously unfold a reality full of absence and mystery. Speaking as intimately of the fall of the Soviet Union as they do of the cinematic crimes and misdemeanors of Woody Allen or the redemptive passion of Little Richard, their tone ranges from the furious to the elegiac, with a comic edge that borrows as much from the gallows as it does from the Borscht Belt. As rich in rhyme, music, and literary allusion as it is in multifaceted meaning, Hotel Imperium presents a surprising blend of sophistication, playfulness, and haunting truths.

    Reign of Snakes is a book about desire, the soul's desire as much as the body's. As Jane Hirshfield said of Wrigley's previous book, In the Bank of Beautiful Sins (Penguin, 1995), "To read it is to unpeel a little further into the human, and into the wideness that holds the human--a splendid gift." Reign of Snakes takes us to yet another level, deep into the daily devotions, "where the dark blows a kiss to night.". . . a frigid day in February and a full-grownrattlesnake curled to a comma in the middle of the middle of the just-plowed road. Ice ghost, I think, curve of rock or stubbed-off branch. But the diamonds are there, under a dust of crystals looming, impossible, summer's tattoo, the mythical argyle of evil. --from "Reign of Snakes"

    Her use of language is virtuosic, complex, and plangent. These are daring poems that also dare the reader. HIV positive, Dent writes out of her own experience and profound refusal to look away or suspend feeling or turn from love. When her first book of poems, What Silence Equals, appeared in 1993, it was recognized as "immediately one of the great, necessary books to come out of the AIDS crisis, flinging its challenge in the face of death." With HIV, Mon Amour she moves further into the whirlwind -- as witness, lover, and observer.

    All of the great ones are here: Hildegard of Bingen, Francis of Assisi, Dante and Chaucer from the High Middle Ages; Teresa of Avila, John of the Cross and John Donne from the Reformation; English and American Romantics such as Browning and Whittier; late nineteenth-century mystics like Dickenson and Hopkins, as well the great converts of that period like Newman and Chesterton; and, T. S. Eliot speaking out of and into our own times. A conscious attempt was made to meet both the standards of academia and the tastes and sensibilities of the faithful. The selections are arranged chronologically to serve also as a history of verse. Brief biographical and anecdotal introductions reveal the varied relationships of the poets with each other and with the trials and tribulations of their day. This magnificent collection is essential for all poetry lovers for those who respond to the beauty of the written word penned in the service of spiritual truth. Joseph Pearce is the celebrated author of the literary biographies Tolkien: Man and Myth, The Unmasking of Oscar Wilde, C. S. Lewis and the Catholic Church, Literary Converts, Wisdom and Innocence: A Life of G. K. Chesterton and Old Thunder: A Life of Hilaire Belloc.

    Frontispiece photograph by Mark Steinmetz.

    "The Himalayas Within Him" finds Heart worrying about the sound of his own heartbeat, wondering why it doesn't "blare like a quartet of trombones" as it reflects his "ardent complexity." In "Goodbye to the Hands That Have Touched Him" Heart, after suffering many sleepless nights, decides "that love exists at the root of his problems. Without love his path would be as smooth as a plate of glass and he'd sleep like a kitten." Dividing the Heart poems is the long "Oh, Immobility, Death's Vast Associate, " a jazzy disquisition on human isolation and inaction in the midst of a planet full of people feeling similarly. Throughout Pallbearers Envying the One Who Rides Dobyns has painstakingly sculpted straight-forward language into a distinct sound, creating an unforgettable collection of poems that offers readers unexpected revelations about the complexities of the heart.