This revised and expanded edition contains a new introduction by Lester Brown, founder and president ofthe Earth Policy Institute, new text and captions by environmental experts, and, best of all, an additional 17 photographs.

    Helmut Newton (1920–2004) always demonstrated a healthy disdain for easy or predictable solutions. SUMO—a bold and unprecedented publishing venture—was an irresistible project. The idea of a spectacular compendium of images, a book with the dimensions of a private exhibition, reproduced to exceptional page size and to state-of-the-art origination and printing standards, emerged from an open, exploratory dialogue between photographer and publisher.With the physically commanding SUMO weighing in—boxed and shrink-wrapped—at 35.4 kilos, Newton created a landmark book that stood head and shoulders above anything previously attempted, either in terms of conceptual extravagance or technical specifications. Published in an edition of 10,000 signed and numbered copies, SUMO sold out soon after publication and quickly multiplied its value. This worldwide publishing sensation now features in numerous important collections around the world, including New York's Museum of Modern Art. Legendary SUMO copy number one, autographed by over 100 of the book's featured celebrities, also broke the record for the most expensive book published in the 20th century, selling at auction in Berlin on April 6, 2000 for 620,000 German Marks – approximately $430,000.Now, 10 years after the original publication, SUMO is back in a more economical edition, but one with the same DNA as its unique progenitor.SUMO established new standards for the art monograph genre, and secured a prominent place in photo-book history. This new edition is the fulfillment of an ambition conceived some years ago by Helmut Newton. He would surely be pleased that, a decade on from its first publication, SUMO—now in a format that allows for a more democratic distribution—will reach the widest possible audience. However, proud owners of the new edition won't wrestle with their copy of SUMO. It comes with a unique stand for displaying the book at home:

    In 1985, he photographed an Afghan girl for the National Geographic. The intensity of the subject's eyes and her compelling gaze made this one of the most widely and consistently celebrated portraits in the history of contemporary photography.This accompanies the other remarkable faces he has encountered whilst travelling throughout the world, collected together in an engaging and strangely moving series of unique street portraits: unposed, unstylized images of people that reveal the true universality of the depths of human emotion.Critically acclaimed and recognized internationally for his classic reportage, over the last twenty years he has worked on numerous assignments, travelling extensively throughout the Middle and Far East.McCurry has won first prize in the World Press Awards, and was named Magazine Photographer of the Year in 1984. He is most famous for his evocative color photography, which has captured stories of human experience that, in the finest documentary tradition, transcend boundaries of language and culture.

    For the first time NASA has allowed 900 of its 'master' negatives and transparencies to be taken offsite for electronic scanning so as to produce the sharpest images of space that we have ever seen. From this selection of 'master' photographs Michael Light has distilled a single composite journey beginning with the launch, followed by a walk in space, and orbit of the Moon, a lunar landing and exploration and a return to Earth with an orbit and splash-down. Five enormous gatefold panoramas show the extraordinary lunar landscape.These photographs reveal not only the hardware of lunar exploration in exquisite details but also the profound aesthetics of space in what could be described as the ultimate landscape photography. The reader is encouraged to view these pictures as more than a spectacle. You start to experience them with a sense of the accompanying disorientation and excitement that the astronauts themselves would have felt. The Moon's surface and its extraordinary light are presented with awesome clarity.Full Moon was originally published in 1999 to mark the 30th anniversary of the first landing on the Moon. It was a milestone publication for the millennium, greeted with acclaim worldwide and published in eight countries. This new compact edition preserves all the superb quality of reproduction which was so evident in the original and makes this extraordinary work available to a still wider readership.

    His 1976 exhibition, Photographs by William Eggleston, at the Museum of Modern Art in New York, marked a turning point in the history of photography: this was when color photography gained recognition as a medium of artistic expression. His intense and dramatic use of color and "democratic" approach to mundane subject matter continue to have an enormous impact on contemporary photographic practice. Published to accompany a French exhibition, this book brings together Eggleston's most significant works, from his first experiments in black-and-white to a series of photographs of Kyoto produced specifically for the exhibit. Drawing on public and private collections in Europe and the United States, the book includes vintage prints executed in the technique most characteristic of his work, the dye transfer process, as well as many lesser-known and previously unseen photographs. From Mississippi to Berlin, Kenya to Asia, Eggleston has tirelessly explored the wider world, transforming, through his camera, the ordinary into the extraordinary. Distributed on behalf of the Fondation Cartier pour l'art contemporain. 160 color photographs.

    Featuring brutally compassionate photographs taken from 1990-99, inspired by an overwhelming belief in the human possibility of change, this volume is a definitive selection from Nachtwey's astonishing portfolio. It documents today's conflicts and their victims, from Somalia's famine to genocide in Rwanda, from Romania's abandoned orphans and 'irrecoverables' to the lives of India's 'untouchables', from war in Bosnia to conflict in Chechnya. Inferno is an evocative visual insight into modern history, bringing it disturbingly close to our consciousness.

    As Goldin writes: "Real memory, which these pictures trigger, is an invocation of the color, smell, sound, and physical presence, the density and flavor of life."

    "Each of these pictures must stand on its own," Susan Sontag writes in the essay that accompanies the portraits. "But the ensemble says, So this what women are now -- as different, as varied, as heroic, as forlorn, as conventional, as unconventional as this."

    An all-new selection from the outrageous "enfant terrible" of contemporary photography, this volume is even sexier, funnier, and more fantastical than the bestselling "LaChapelle Land." 158 full-color photos.

    According to ancient Hindu beliefs, dreads signified a singleminded pursuit of the spiritual. Devotion to God displaced vanity, and hair was left to its own devices.Dreads captures this organic explosion of hair in all its beautiful, subversive glory. One hundred duotone portraits present dread-heads from around the world, in all walks of life. Interviewed on location by the photographers, jatta-wearers wax philosophic about the integrity of their hair, and every stunning image confirms their choice. Alice Walker puts words to pictures, offering lyrical ruminations about her decision to let her own mane mat.

    This is a vision of the contemporary world (since the fall of the Berlin Wall in 1989) by the photographers of Magnum - from Henri Cartier-Bresson to the organization's newest recruits and presented in a sequence of photo-essays introduced by the photographers themselves.

    By all accounts, Ernie was a phenomenon, selling an estimated 100,000 copies. Photographer Tony Mendoza had captured the mercurial character of that irascible, self-possessed, utterly lovable cat, telling the curiously moving story of their relationship in the voices of both himself and Ernie. Our beautifully produced hardcover edition of this classic tale is poised to charm legions of new readers. Featuring never-before-published pictures, and a few more private thoughts from Ernie himself, Ernie is sure to steal hearts all over again.

    The images have been drawn from international agencies such as Life, Magnum, Picture Post and Stern.

    Water Light Time is an extraordinary collection of photographs by David Doubilet, a pioneering artist and diver who is widely acclaimed as the world's leading underwater photographer.From the Galapagos to the Red Sea, from the Pacific shores to the fresh waters of North America, Water Light Time includes over 25 years of Doubilet's work, to reveal the mesmerizing beauty of more than 30 bodies of water rich with fascinating life forms.

    More than 235 prize-winning photographs offer a year-by-year, dramatically visual chronicle of our times. Each beautifully reproduced image is accompanied by key information on how the shot was taken and the stunning story behind it, as told to author Hal Buell by the photographers. An accompanying timeline, placing each photo in its historical context, features yet another 265 photographs.This unique and moving volume is completely up to date, including the 2000-2001 winners. Recent photos include images of students fleeing Columbine High School and the striking shot of federal agents taking Elian Gonzales from the arms of his relatives at gunpoint.

    Essays, roughly by decades, by H.W. Brands, David M. Kennedy, Gene Smith, Robert S. McElvaine, Paul Fussell, Ann Douglas, Todd Gitlin, Garry Wills, and Paul Saffo.

    It features unpublished photographs from Shore's influential work that has been widely exhibited in the US but never captured in a book for the general public.

    In a remarkable portfolio of photographs made during three expeditions to the icy kingdoms of penguins, he reveals both the amazing natural history and the irresistible appeal of the most human of birds.

    Curtis, made at the dawn of the 20th Century, have become among the most avidly collected, published, and sought-after emblems of early encounters with American Indian life. Curtis is famous for photographing every major Native American tribe west of the Mississippi, taking more than 40,000 negatives of 80 tribes between 1896 and 1930. No record of these Native people from this period is more comprehensive. Now, after decades in obscurity, Curtis's work is enjoying a renaissance and is being celebrated in a series of exhibitions as well as in publication that have just begun to suggest the scope of this remarkable photographic achievement. This book, the first in a series that will take an in-depth look at many of the subjects most important to Curtis, collects 100 of his most compelling images of tribal leaders and warriors. They are drawn from the collection of Christopher Cardozo and feature iconic Curtis pictures as well as several little-known gems.

    She is unsurpassed at shaping both the odd and the everyday into genuinely surprising photographs that subtly yet powerfully challenge our preconceptions or intensify our convictions. Mary Ellen Mark's poetic and at times disquieting photographs form a fascinating portrait of a complex, amusing, and occasionally unsettling country and its people.

    But not least it is the home and constant muse of a relatively young art: photography. Since the earliest days of the daguerreotype right up to our time, renowned photographers such as Joseph Nicéphore Niepce, Henri Cartier-Bresson, Robert Doisneau, and Jeanloup Sieff have lived and worked in the city of lights. Over the years a love affair developed between Paris and photography, giving rise to a remarkable record of the metropolis and a telling history of a new art form. This volume takes the reader on numerous walks, camera in hand, through the streets of Paris. Atmospheric black-and-white photos, shot by great photographers over two centuries, reveal the dramatic and the tranquil, the historic and the everyday—in the capitals parks and gardens, boulevards and backstreets, passages and arcades, bistros and nightclubs.

    Elsken focuses on the Left Bank of Paris in the 1950s—a time when it was recognised as a centre of creative ferment which would determine the cultural agenda of a generation. With its unconventional, gritty, snapshot-like technique the work has been acclaimed as expanding the boundaries of documentary photography.

    One reviewer called it "a stupendous photographic chronicle of a tumultuous century" and the Evening Standard adjudged it "the photographic book of the year." Barnard has now transformed this "heavyweight champ of photo books" into a 1,200-page mini format book that one can hold in the palm of one hand. This edition contains 1,090 photographs in color and duotone and has been extended to include events up to and including September 11, 2001.

    Hays Town changed the face of the Louisiana house. In a career that includes designing more than five hundred homes, he led architects, builders, and homeowners to embrace the finest elements of Louisiana's architectural past. Almost every home built in Louisiana during the last twenty years is in some way inspired by Town's work.The Louisiana Houses of A. Hays Town honors his legacy as Louisiana's premier residential architect. Color photographs of numerous homes -- including Town's own -- by Philip Gould combined with an illuminating text by Cyril E. Vetter produce a volume that captures the appeal and beauty of the states finest architectural tradition.Born and raised in rural southwest Louisiana, Hays Town graduated from Tulane University with a degree in architecture in 1926 and worked for a firm in Jackson, Mississippi, for many years. He established his own successful commercial practice in Baton Rouge in 1939, but in the 1960s, Town turned to his abiding passion -- residential architecture. Throughout this chapter of his career, he perfected his inimitable style and emerged as one of the most prominent architects in the South.Towns residential designs are perceptibly influenced by the diverse culture of south Louisiana. His synthesis of the classic Acadian cottage, Spanish courtyards, and exterior French doors with Creole-influenced full-length shutters achieves an original confluence of seemingly disparate yet elegantly balanced themes and forms. Other Town trademarks include pigeonniers, tree alleys, thirteen-foot ceilings, heavy use of such woods as cypress and heart of pine, plantation-style separate structures, and brick floors with a special beeswaxfinish.The Louisiana Homes of A. Hays Town illuminates the momentous effect Town has had on the look of Louisiana. Crafted from the perspective of two people, Vetter and Gould, who are not architects but admirers of one man's exceptional talent, this delightful book demonstrates that each Town house is a work of art that fits both person and terrain. At the door of each home, proud owners hang a bronze plaque that says it all: A. Hays Town, Architect.

    104 color and 84 duotone photos.

    In this book, the photographer brings together images spanning the years from the late 1920s to the early 1970s. He has travelled across Europe, from the Scandinavian shield to the Irish bogs, in order to capture what it means to be European. Beyond nationalism and the particular characteristics of each culture and nation, he has found evidence of a greater identity, a likeness shared by the people and the landscape. His photographs seek to speak of the same daily ceremony, of the ongoing business of living for people across Europe, whether Polish priests in alb or cassock, or Abruzzi peasants shrouded in the black of their cloaks and hats.

    Now Abrams is proud to publish a newly designed, very affordable one-volume edition of this definitive work on the traditional rituals of Africa, containing more than half the magnificent photographs that were in the original edition plus new images that will focus fresh attention on specific ceremonies. Many of these rituals are vanishing; never have they been portrayed with the intimacy and skill that Carol Beckwith and Angela Fisher bring to this glorious book.

    The photographer chronicles Fay Ray's rise from trembling adolescent pup to internationally recognized dog model, revealing how the expressive pet became a household word while never losing her canine charm.

    But along with innovators like Alfred Stieglitz and Edward Steichen, Weston revolutionized the ways photographers chose subject material and used photographic techniques to create what gradually came to be accepted as fine art. This is an elegant book, designed and printed in Germany, with an essay by Terence Pitts, of the Center for Creative Photography in Tucson, Arizona. It presents 180 of Weston's finest images, including many--such as the pines of Point Lobos, the sand dunes of Oceano, and his stark, unadorned nudes--that have become icons. Whereas the photographs of Man Ray and Moholy-Nagy were, to Weston's eyes, hopelessly mannered, his images are elemental, organic, and in harmony with nature's rhythms. Weston spent most of his working life in Mexico and California, and much of his work, replete with shadows, is illuminated with the harsh light of those places. In 1932, he and Ansel Adams founded the influential photographic collective Group f/64, named after the lens-aperture size that exposed an image at its most detailed and clear. This was Weston's aesthetic: to show the real world in its unrelieved integrity rather than create an imaginary construct. He was concerned with visual truth, not with character or storytelling. Weston was a true pioneer whose rigorous vision permanently changed the ways we see the world around us. --John Stevenson

    The prints feature the American West including rivers and canyons, plant life, native American Indian villages, caves etc.

    Skyscrapers that once defined the modern era stand derelict and abandoned. Massive industrial manufactories lie rusting, their cavernous interiors dark. Formerly vibrant theaters shed bricks and terra-cotta ornaments. These desolate fragments of America's cityscapes are the legacy of decades of proud investment in the urban realm followed by decades of devastating neglect.Photographer and sociologist Camilo José Vergara has spent years documenting the decline of the built environment in New York City; Newark and Camden, New Jersey; Philadelphia; Baltimore; Chicago; Gary, Indiana; Detroit; and Los Angeles. His photographic sequences—images of the same sites taken over the course of many years—show once-sturdy structures as ghostly ruins and then as empty lots or flimsy new buildings. Grand civic edifices—the Michigan Central Railroad Station in Detroit, the Essex County Jail in New Jersey, the Camden Free Public Library—have become empty, roofless shells, dusted with snow in the winter and filled with stray plant and animal life in the summer. Monumental commercial and industrial buildings such as RCA Victor's "Nipper" Building in Camden and the Packard Automobile Plant in Detroit bear broken windows and rubble-strewn interiors. At once a scathing critique of national indifference to the plight of the inner city and a meditation on the aesthetic impact of desolate and neglected buildings, American Ruins stands as a witness to a vanishing era of the American city.

    Using a hidden camera and under difficult circumstances, Vishniac was able to take over sixteen thousand photographs; most were left with his father in a village in France for the duration of the war. With the publication of Children of a Vanished World, seventy of those photographs are available, thirty-six for the first time. The book is devoted to a subject Vishniac especially loved, and one whose mystery and spontaneity he captured with particular poignancy: children.Selected and edited by the photographer's daughter, Mara Vishniac Kohn, and translator and coeditor Miriam Hartman Flacks, these images show children playing, children studying, children in the midst of a world that was about to disappear. They capture the daily life of their subjects, at once ordinary and extraordinary. The photographs are accompanied by a selection of nursery rhymes, songs, poems, and chants for children's games in both Yiddish and English translation. Thanks to Vishniac's visual artistry and the editors' choice of traditional Yiddish verses, a part of this wonderful culture can be preserved for future generations.Earlier books of Roman Vishniac's photographs include To Give Them Light: The Legacy of Roman Vishniac (1995), A Vanished World (1983), and Polish Jews (1947).A major exhibition titled "Children of a Vanished World: Photographs byRoman Vishniac" is scheduled at the Museum of Jewish Heritage in New York. The show will open to the public on March 7 and run through June 4, 2000.

    Whether disheveled, erotically entangled, contemplative or boisterous, the individuals in Nan Goldin's compelling portraits come to life. Arranged with the vibrant, haphazard energy of a scrapbook, these works have a cumulative effect that suggests the line between love and loneliness is often blurred. Couples and Loneliness brings together photographs that span Goldin's career and reveals the social drama of alienation and the strange beauty that is at the heart of her vision.

    Now, however, they are at a zenith of popularity. Protagonists in movies like Men in Black, Pocahontas, and Milo and Otis. . . ABC's Primetime Live featured a story about a California festival called "Puggo de Mayo" and The New York Times' recent piece on the pug phenomenon. . .they conquered the art world when Sotheby's hosted "The Pug Tea" prior to the auction of the Duke and Duchess of Windsor's estate, which included many valuable pieces from their collection of pug paintings and decorative objects. Celebrity pet photographer Jim Dratfield has compiled a witty album of pug shots, matched with timeless quotations and witty captions from "Litter Pug" and "Pugnacious" to "Pugs and Kisses" and "Sex, Pugs, and Rock and Roll." Cute costumes and whimsical props and settings capture the roguish essence of the pug in a wealth of clever settings, making Pug Shots the definitive homage to a dog that almost defies description--and can't be resisted by dog lovers of any age.

    This handsome volume celebrates Ireland, a small island country of extraordinary beauty, fascinating history, and evocative myths, where old and new thrive together. From ancient standing stones and breathtaking pastoral scenes to energetic cities of architectural sophistication, we take a photographic tour reflecting the soul of this spectacular island. A brief history of Ireland puts the images into historical context: from ancient Celtic dolmens to abbeys and castles, from lush pastures, fields of heather, and seaside cliffs to formal gardens, and from ancient villages to the rush of contemporary Dublin. But Ireland is much more than beautiful landscape. Much of the magic of the country lies in the people themselves; these are a people who cherish their land. It is a rich heritage—of history, magic, and mystery—that makes Ireland a favorite destination for tourists and armchair travelers alike.

    Born in Luxembourg, raised in Wisconsin, and trained as a lithographer's apprentice, Steichen took up photography in his teens and by age twenty-three had created brooding tonalist landscapes and brilliant psychological studies that won the praise of Alfred Stieglitz in New York and Auguste Rodin in Paris, among others. Over the next decade, this young man--the preferred portraitist of the elite of two continents--was repeatedly acclaimed as the peerless master of the painterly photograph. This volume, covering the period from the late 1890s to World War I, highlights masterpieces from The Metropolitan Museum of Art, which houses the finest collection of Steichen's early work in the world, and reproduces them in near-facsimile through four-color digital offset lithography.Steichen worked with a designer's inventive eye, a Symbolist's poetic sensibility, an entrepreneur's charisma, and--above all--the originality and finesse of a creative and painstaking printer to establish ambitious new standards in artistic photography. Overlaying the subtle tone-poetry of his platinum prints with repeated washes of harmonious color, he created unforgettable images. In his three famous twilight views of New York's Flatiron Building, one of the landmarks of turn-of-the-century architecture, Steichen crafted a powerful symbol of a new age. His stunning sequence of Rodin's Balzac figure in the moonlight is presented here as are his nudes, with their frankly erotic sense of flesh and weight. And the intense energy of a decade comes to life in his portraits of a diverse cast ranging from Richard Strauss to J. P. Morgan, Maurice Maeterlinck to George Bernard Shaw--and Steichen himself, the founding auteur of a century of celebrity. In the accompanying text, Joel Smith explores Steichen's maturing artistry in the light of contemporary developments in photography, graphic design, and the decorative arts.This is a stunning visual record of the emergence of Steichen as a great artist and is one of the most important books to be published on his life and work in recent years.

    Though hilariously funny there is a sharp and biting edge to the humor. He highlights the minutiae of everyday contemporary life—hamburgers, cigarette butts, tacky gifts and dime store combs—that have been taken around the world.

    This text offers a stroll through the society on which Proust's novel is based.

    Other Details: 400 pages 9 x 9" Published 1999

    An acclaimed photographer presents an extraordinary new body of work that further reveals his appreciation of the human form in water.

    This is universally recognized as the definitive competition for photographic reporting, and photojournalists, newspapers, and magazines throughout the world submit thousands of images in the race to win. The World Press Photo Competition 2009 brings together some 200 images, chosen from 10,000 submissions.

    From his earliest attempts at expression as a child to the mania for travel and adventure that overtook Beard as a young man, and onward to Beard's most recent work on assignment, portraiture is a central thread of Beard's career.Beard's "portraits", however, rarely conform to the traditional format of this genre. Instead, they embody spontaneity, the moments shared with intimate friends, and the adventurous lives and experiences to which he has long been attracted. A vital chronicler of our times, he has created memorable images of such icons as Picasso, Francis Bacon, Karen Blixen, Andy Warhol, Truman Capote, Jacqueline Kennedy Onassis, Salvador Dali, and Mick Jagger, along with the last great safari hunters, people such as J. A. Hunter, Phillip Percival, and "Cape-to-Cairo" Grogan. Beard's "living sculpture" of poised beauty is also revealed -- Brigitte Bardot, Carole Bouquet, Iman, and Verushka. Perhaps the greatest departure from conventional portraiture are Beard's searing images of elephants and crocodiles. Fifty Years of Portraits, the catalogue for the traveling exhibition, assembles the most diverse and eclectic collection of images from Beard's lifetime ever published.

    The book provides not only amusement, but a commentary on how America has changed, and a celebration of those places that have been forgotten by conventional history.

    Brand new chapters cover not only highly specialist Underwater Photography techniques such as low visibility/greenwater photography, but also the digital workflow needed to handle your images using the latest software such as Lightroom. Packed with breathtaking images and an easy to read style honed from over twenty years of diving photography courses, this book is sure to both educate and inspire underwater photographers of all skill levels.Key Features:* Beautifully illustrated throughout with inspirational full colour underwater images - and the lowdown on how they were taken* Covers the highly respected philosophy of the 'Think & Consider' system * Full of practical tips on how to get the most from your equipment

    Weegee (1899-1968), known for his harrowing and poignant photographs of crime scenes in 1930s and 40s New York, is considered to be the archetypal tabloid photographer of the twentieth century.Preferring to photograph under the cover of night, Weegee was known for his aggressive use of flash and his photographic eye was unstoppable: drawn to the grotesque, the illicit and the illegal. Named after the 'Ouija' board for his uncanny ability to arrive at the crime scene before the police, Weegee recorded the dark side of New York's streets for years, becoming a prolific photographer. No sordid crime seemed to escape his flash and no crime was too gruesome to capture on camera for the papers the next day.Weegee's nuanced understanding of people's simultaneous repulsion and attraction to vivid photographs of crimes of passion, murder and brutal accidents reveals him to have been far ahead of his time. Even today his photographs tirelessly retain the power to stun and to seduce: the originality of the images has elevated them in importance far beyond their use in the newspapers.

    His candid and intimate views of teeming village squares and rustic workshops, cattle markets and spinning wheels give us a privileged view of a world that is no more.For more than sixty years, Alter Kacyzne's Forverts photographs-the sole fragment of his vast archive to survive World War II-lay unseen. Now, for the first time, the work of this lost master is restored to the world in a volume of extraordinary poetic force. At once ter and humorous, Poyln tells the story of a way of life and recalls the warmth and spirit of a community on the edge of destruction.Poyln is sure to stand with Roman Vishniac's A Vanished World as a rare treasure, an indispensable portrait of a people.

    360 photos, 42 in color. 94 line drawings.

    All 51 photographs are in black and white and each opposing page of the photos offers the title of the piece, the date and place it was taken and the date the card was mailed out.

    Marty portrays in the book "a life that ain't easy, but one that I understand."

    The Man in the Crowd is the first publication to concentrate on these photographs that remain at the core of Winogrand's work. Made from the late 1950s until his untimely death in 1984, the photographs have the nervous energy and ring of truth that earned Winogrand his reputation as, in the words of John Szarkowski, "the central photographer of his generation." More than half of the 107 full-page reproductions in this monograph have never been published before. The noted observer of metropolitan life Fran Lebowitz has contributed an introduction with her thoughts on New York in the 1970s and Winogrand's relation to the life on the street. Also included is an essay by respected critic Ben Lifson examining the larger meanings of Winogrand's work and its place in the history of art.

    This biography explores the dramatic and adventure-packed life story of the acclaimed photographer Margaret Bourke-White with beautiful black-and-white photographs.

    Morris photographed Marley at almost every point in his career and the resulting images are intimate shots that could only have been taken by a trusted friend, capturing the essence of the man and his many moods. Morris’s own recollections of Marley accompany the images, along with quotations from Marley that reveal his thoughts on life, politics and being black in a white man’s world. Together the text and images show a hitherto unseen Bob Marley, offering insights into his life on the road, in the studio, onstage and at home in Jamaica with his family. The book also has a complete discography of Marley recordings.

    Influenced early on by William Klein and Andy Warhol, Moriyama stands as one of Japan's central postwar photographers.

    They were killed by hunters or disappeared when their oak and beech habitats were destroyed. The last bird, named Martha (only the last of any species seems to merit a human name), died in the Cincinnati Zoo in 1905." Here, in photographs and words, are stirring reminders of wild beauty that is no more, as well as profiles of species whose survival is in peril. Rosamond Purcell's seventy spectacular color photographs--taken primarily at the Natural History Museum in Leiden, Holland, which holds the world's most extensive collection of lost species--tell a haunting and foreboding tale.

    Passionate amateurs who wish to graduate to more sophisticated landscape photography techniques will find the lessons they need in this clearly-focused instructional.

    Veiled women brandish guns in defiant stances, with Arabic calligraphy drawn upon the background of the photos. Though their non-Western iconography may at first disorient the viewer, these pictures have a boldly stylized look that is utterly compelling.

    It brings together numerous tree-related topics, with chapters concerning their evolution, their sociological, economic and cultural influences on man, the diversity of manifestations within individual species, and the interrelationships between the various species. There is fascinating materials on trees in myth and legend, on the herbal and medicinal uses of trees, on woodland crafts and industries, and on tree planting, conservation and management. Trees and the products of trees touch the lives of everyone. The book sets out to inspire a greater appreciation and understanding of exactly how and why this is so. It is highly readable, full of accurate and scholarly information, and profusely and splendidly illustrated with many hundreds of new photographs and archive illustrations.

    Relax, take your time, and enjoy the vistas. From Chadron to Falls City, Carhenge to the Wayne Chicken Show, Burwell to Omaha, and everywhere in between, this book captures all that is Nebraska—the people, places, and events that make this state our home. Joel Sartore drove ten thousand miles in a beat-up Chevy truck to record the essence of Nebraska in the images that grace this book. Every page offers readers a chance to reminisce about their own lives and their special times in this great state. If you don’t find at least a few photographs that make you smile or remember something fondly, then you haven’t been in Nebraska long enough.

    The photographs include visual puns and wry observations of human values and human nature.

    Her engaging images -- some light and humorous, some somber -- show particular people and places at precise moments of synchronicity. Plachy draws telling metaphors from the photographs, which are grouped into nineteen thematic sections. "Sit," for example, shows images ranging from a wood chair in a Parisian window to a woman perched in a tree to Barbie atop a pair of high-heeled legs. Fragments of dreams and memories coexist with images from the streets of the world and photographs of people, from Plachy's family to viewers at an art exhibition. The text suggests the ties that draw the views together and simultaneously offers insights into the photographer's personal philosophy. The various sections form a mosaic in which the pieces refer to each other and to the notion that the present is rooted in the past and that any view of the world -- photographic or theoretical -- is part of an unseen ensemble.

    Borrowing from popular culture, her work is disturbing and confessional. In 1992 she began the acclaimed series Signs that say what you want them to say and not Signs that say what someone else wants them to say', in which random passers-by are photographed holding messages they've written, such as the mild-mannered young businessman whose sign unexpectedly reads 'I'm Desperate'.Wearing's work borrows from familiar forms of popular culture to produce direct, revealing records of deep-seated human trauma and emotion, often adopting the methods of television documentaries for her 'fly-on-the-wall' view of people's lives. Her videos can be alarming, as in Confess All ... in which masked individuals confess their darkest secrets, or humorous, as in (Slight) Reprise - a sampler of adults playing 'air guitar' in the fantasy rock stadium of their bedrooms. Her art can be disconcerting or uplifting: an honest portrait of the many sides to contemporary life.With exhibitions in Britain, the US, Europe and Japan, Wearing is among the best-known and most internationally recognized of the recent generation of British artists. This is the first publication ever to survey this remarkable young artist's gripping work in its entirety.Russell Ferguson of UCLA's  Hammer Museum contextualizes Wearing's work in relation to historical precedents in painting, photography and video art. Curator at the Whitney Museum of American Art Donna De Salvo discusses with the artist her collaborative approach towards her work and its subjects. London-based critic John Slyce focuses on Wearing's work 10-16, a remarkable video installation that charts our transition from childhood to adolescence. The artist has selected transcripts from director Michael Apted's acclaimed British television documentary series Seven Up, an important influence on the process Wearing uses in her own work. Published here for the first time in full are the transcripts of the artist's video works.

    Fetish: Masterpieces of Erotic Fantasy Photography collects the best of this exciting genre, combining the finest contemporary images with some of photography's most notable "pre-scene" manifestations - images from 1950s underground and bondage publications; "kinky" creations from the '60s; and glamour work from the '70s and '80s. With 220 color, duotone, and black-and-white images from leading fetish photographers like Peter Ashworth, Chris Bell, Laurent Boeki, Wolfgang Eichler, and Horst P. Horst, and insight into fetish clubs and fashion houses, Fetish will excite connoisseur and curious alike.

    The Nubas were a people living in a state of primitivism, exactly as their ancestors had centuries before.

    Anecdotal captions provide philosophic comments on the nature of the photographs, aspects of the page design and observations on the process of assembling parts to form a whole. Possibly the most influential graphic designer working today, David Carson has been profiled by several of the world's leading publications including Newsweek and The New York Times, and has won an award from the International Center for Photography in New York for the best use of design with photography. He creates cutting edge advertising for a number of high profile clients including Nike, Microsoft, MTV, Jaguar, Ray-Ban and Sony. David Carson: Fotografiks will appeal to anyone interested in experiencing a fresh method of visual communication.

    It is a modernist Japanese photograph album created from Oriental fabrics and papers, and bound by hand. It contains the work of Gueorgui Pinkhassov, a highly-acclaimed photographic artist, innovator and member of Magnum. The sense of innovation and artistry is carried through in the photographs which explore how singular details, plays of light and reflection can capture a spirit and shape an atmosphere. The artist's haiku texts accompany the images.

    Learn about Cuba's history and people, from its Spanish colonization up to Castro's ascent to power over forty years ago. This is an important and essential study to be able to thoroughly understand the customs and habits of this nation.

    Capturing the faces of the century's most notorious criminals and their shocking handiwork, "New York Noir" showcases 40 years of crime with over 130 stunning photos from the archives of New York's "Daily News."

    This book, a visual collaboration between the singer and his friend, leading photographer Mark Seliger, follows Kravitz on the road, with his family, performing, relaxing with friends, and in the outrageous fashions that have become his signature style. An up-close portrait of Kravitz the man and the musician, the book shows why he has such broad appeal.

    Inhabiting a gray area some-where between art, design and illegality these artists and writers operate outside the colleges and galleries of the art establishment. Their starting point was traditional graffiti with its notions of rebellion, outsider identity and urban tribalism. Scrawl - Dirty Graphics and Strange Characters is public art 21st century style. Using spray cans, brushes, stencils, Xerox machines, collage, computers, video and film they create intense images that are the visual equivalent of contemporary music's poly-rhythmic complexity.Scrawl highlights the work of over 30 artists and features commissions from cutting edge record labels.

    As David Levi Strauss writes in The Book of 101 Books, "The Catalan artist Joan Fontcuberta has been constructing elaborate historical fictions out of the excess credibility of photographs for some time, effectively (and often hilariously) calling the conventions of photographic believability into question in the process. Fauna is perhaps the most fully realized of these fictions . [This collaborative project] is presented as the recovered archive of a controversial German naturalist named Dr. Peter Ameisenhaufen (the name means 'anthill' in German, just as Formiguera means 'anthill' in Catalan), who travels around the world discovering new species of fantastic creatures and recording them with the help of his photographer Hans von Kubert (Joan Fontcuberta in German). In addition to evidential photographs of the weirdly appropriate hybrid animals, the archive also includes field notes (in German), maps, audio recordings, scientific papers, and other documents.".

    Of all the nineteenth-century expeditions that took place in the so-called 'heroic era' of Antarctic exploration, two stand out in terms of raw, sustained survival and the triumph of the human spirit set against seemingly impossible odds. One is Sir Douglas Mawson's 1909-1914 Australasian Antarctic Expedition, and the other is Sir Ernest Shackleton's unsuccessful attempt to cross the Antarctic continent from 1914 to1916 and the extraordinary survival of his entire party after the expedition's ship Endurance was crushed and sunk in pack ice. Superbly chronicled by the indomitable Australian photographer Frank Hurley, these two narratives are combined in this timely and immensely readable double volume. With an introduction by Tim Bowden, well-known TV journalist and presenter of ABC's Antarctic documentary series, Antarctic Eyewitness is exciting reading for the polar enthusiast and general reader alike.

    Blossfeldt's stunning black-and-white photographs of flowers transcend the genre with their deep tones, architectural forms, and timeless beauty.

    Text by Serge Bramly. Monacelli, New York, 1999. 218 pp., 140 color illustrations, 9¾x11¼".Controversial, perhaps blasphemous, but nevertheless sincere, the Gospel according to Bettina Rheims is a graphic, sensualized retelling of the principal stories of Jesus and his disciples.

    

    A Greek Portfolio represents an impromptu pictorial account of Manos's travels through rural Greece and the Greek islands. The strength of these black-and-white duotone images, taken in small country villages and on secluded farms, lies in their portrayal of a way of life that had remained virtually unchanged for centuries before finally being overtaken by the modern world-a way of life that may strike viewers as at once humble and exalted in its quiet dignity and beauty.A Greek Portfolio was first published in 1972; the limited first edition has since become a much sought-after collector's item. Upon publication, the work received awards at Arles and at the Leipzig Book Fair. This new edition has been enhanced through the addition of eight previously unpublished images and a new foreword.A traveling exhibition of prints in this country will coincide with the publication of the new edition. There will also be a major exhibition at the Benaki Museum in Athens, Greece.Images from this work are in the permanent collections of the Museum of Modern Art in New York, the Art Institute of Chicago, and the Bibliotheque Nationale in Paris.

    In 1932, only three years after he purchased his first camera (a Leica), Brassaï published a portfolio of 64 photos titled Paris by Night that caused an immediate sensation. His lively eye (seen in an enigmatic photograph at the beginning of the book) captured fresh, unique images of the city and its citizens. Fascinated by the underworld, he moved easily among gangsters and prostitutes in bars and bordellos; he was equally at home among the fashionable and wealthy, and just as devastating in his depiction of them. He used magnesium flares for low-contrast shadows, catching his subjects in natural poses at significant moments. The wide range of Brassaï's work is suggested by his formal nudes, which have an affinity with Edward Weston's, and his informal portraits, which remind viewers of Diane Arbus, who admired his work. Brassaï was a central figure in the intellectual and artistic circles of Montparnasse that made Paris the most exciting city in the world during the 1930s. In a long essay that includes lively anecdotes of the photographer's relationships with Picasso, Henry Miller, Kertesz, and many other luminaries, the author re-creates the aesthetic and philosophical ferment of the period. Brassaï: The Eye of Paris recognizes the artist's talents in five different media--photography, filmmaking, sculpture, writing, and drawing--but focuses on what he is best known for: lyrical and penetrating photographs of the City of Light. --John Stevenson

    This book follows Lewis and Clark from the inception of their expedition to their celebrated homecoming with excerpts from their first written accounts of the area west of the Mississippi and photos and sketches to help guide the way.

    From the lush depths of our rainforests to the startling beauty of our deserts, the panoscapes in this book capture the essence of the Australian spirit magnificently.

    Two foundational articles by Stuart Hall and the painter R.B. Kitaj provide points of departure for an exploration of the meanings of diaspora for cultural identity and artistic practice.A distinguished group of contributors, who include Alan Sinfield, Irit Rogoff, and Eunice Lipton, address the rich complexity of diasporic cultures and art, but with a focus on the visual culture of the Jewish and African diasporas. Individual articles address the Jewish diaspora and visual culture from the 19th century to the present, and work by African American and Afro-Brazilian artists.

    A retrospective exhibition of Gedney's work opens this month (December 1999) at the San Francisco Museum of Modern Art. 145 duotones.

    It describes the history, chemistry, conservation, aesthetics and practice of photographic printing in Prussian blue. The unpublished experimental memoranda of Sir John Herschel, inventor if the process, are interpreted to unfold his discovery of iron-based photography, including his various formulae for cyanotype. The chemistry of the process is explained for the non-specialist, and many experimental variations on blueprinting are described. This book should interest photohistorians, curators and conservators of photographs, photoscientists concerned with 'non silver' processes and photographic print-makers who wish to use cyanotype today as an expressive artistic medium.

    Presented here is a selection of this highly regarded photographer's favorite images from the last 30 years, covering subject matter from the inquisitiveness of childhood to the quirks of old age, from strange and rugged landscapes to the rhythms of crowds. Whether photographing artists and writers such as Michel Foucault and Marc Chagall, or Tibetan Buddhist refugees in India and Nepal, Franck sees photography as "a frontier, a barrier of sorts that one is constantly breaking down so as to get closer to the subject.

    Missing the gold rush, he nevertheless settled in the far reaches of the British Columbia interior where he eventually established himself as town photographer. Over the years that followed he took hundreds of photographs of the Chinese, Native and Caucasian members of this isolated community. The accompanying essay provides a close historical reading of these long-lost, startling photographs that bring to life a seldom told tale of modern history. 96 full page duotone reproductions.

    The selected plates demonstrate the evolution of Stieglitz's photographs and his understanding of the medium. Beginning with early works from the turn of the century, the book includes prints from Stieglitz's renowned series of portraits of O'Keeffe as well as later photographs of New York City and Lake George, notable for their eloquent simplicity. Following the section of seventy-three images are selected essays and letters by Stieglitz to friends and fellow artists such as Sherwood Anderson and Ansel Adams. This exquisitely printed volume will be welcomed by Stieglitz devotees and anyone who appreciates the fine art of photography.

    Each chapter features an introduction to the era explaining why and how NGS created and selected notable photos of the period.'

    There are landscapes of the English countryside, a beach in the USA and the coastline of Brazil, as well as still lifes and slices of everyday life.

    Whether spliced negatives juxtaposing day anti night, or rapid-fire sequences of objects and people, Metzker's shots transform his subjects into visual patterns: a crowd of wary policemen becomes a study in texture and contrast -- shiny, black leather uniform jackets against smooth, white helmets. Other photographs demonstrate Metzker's magnificent command of light and shade: four figures wait pensively at a bus stop, as though caged in glass, staring boldly into a wedge of bright light; a lone woman stands outside a train station, engulfed in an ominous stripe of inky shadow, with only the white of her necklace and a folded newspaper as talismans to ward off the darkness. Whether the photographs capture people waiting to take action, or people already in motion, Metzker's technique estranges them from the lockstep rhythm of mundane activity and makes them stand still-just for a moment. The result is a series of photographs that demands a reinterpretation of the city, its streetlife, and its inhabitants.

    Today, citizens and travelers in California take for granted skies empty of almost everything but the contrails of airplanes. But far more than wildlife is missing from California today. In text and photographs, Farewell, Promised Land documents the stark contrast between the California landscape of this past and what it has become, as it traces the evolution of the California environment, and looks ahead to what the future holds.When writer Gray Brechin and photographer Robert Dawson received the 1992 Dorothea Lange-Paul Taylor Prize from Duke University's Center for Documentary Studies, they began a five-year project of driving and flying around California to record the present state of its environment. This book is the result of that collaboration. In six thematic chapters dealing with Loss, Mining, Farming, Cities, Energy, and Health, the authors provide a sobering look at California's environment. A concluding chapter introduces individuals and organizations now attempting to redeem the state from its present course.Farewell, Promised Land is a superb vehicle for communicating the causes, context, and seriousness of environmental and social disruptions in California. It is unique in that it successfully documents topics such as energy, health, and cities, and brings this information directly to bear on environmental issues. Appealing to the intellect as well as to our sense of aesthetics, Brechin and Dawson provide a timely wake-up call in this brave, honest, and straightforward assessment of California's fate.

    This W. Eugene Smith Award-winning photographer demonstrates photography's power to serve as both a weapon and a voice for the silent majority.After years of fighting for the life of her troubled city of Palermo-as a photographer, deputy councilwoman, ecological activist, defender of women's rights, and defender of human rights-Battaglia continues the battle with the fierce passion, intelligence, and vision for which she is known.Letizia Battaglia: Passion, Justice, Freedom juxtaposes iconic pictures of the everyday joy, suffering, and vitality of the Palermitani with images showing the effects of the Mafia predators who have controlled much of the city for so long.Along with an intimate profile of the photographer by Melissa Harris, Alexander Stille chronicles Battaglia's fight against the Mafia, putting her photographs in the context of Palermo in the 1980s and '90s. Renate Siebert addresses the heretofore unexplored role of women and the Mafia in her essay. Magazine editor Simona Mafei contributes an essay about her work with Battaglia.

    In this, his first book, New York photographer Michael Ackerman has created an overwhelming and deeply personal portrait of the city which he visited for the first time in 1991. Eschewing stereotypical representations of Benares, Ackerman's photographs testify to the sensitivity of the personal relationship he forged with the city: intense glances from people in the streets, dreamlike observations of a monkey balancing through electrical wires, moving and dignified images of mourners at the cremation grounds. Working in a variety of formats. Ackerman creates a moving and radically personal portrait of human life and death that transcends the particularities of this ancient city and speaks universally.

    The best of the new breed of fashion photographers who catapulted onto the scene in the early years of that decade, he himself would become as famous as all the famous faces on which he trained his camera. In fact Michelangelo Antonioni's film Blow Up was inspired by Bailey. After Bailey, photography would never be the same again. David Bailey - Birth of the Cool tells for the first time the full story of Bailey's life and work from 1957 to 1969. Beginning with his early days in the East End, it follows his progress as assistant to photographer John French, his early years with Vogue; his close relationships with the stars of the pop music world - his pictures of the Beatles and the Rolling Stones will remain forever a part of the ichnography of Swinging London and the 1960s - and his friendships and love affairs with some of the period's most beautiful women - among them models Jean Shrimpton and Penelope Tree and actress Catherine Deneuve. Martin Harrison has brought together not only Bailey's most famous photographs, but also previously unknown images: pictures of Bailey's East End as well as private and previously unpublished documentary photography.

    The camera is generally assumed to be unable to depict that which is not visible to the eye. And yet the photographer who wields it well can depict what lies unseen in his memory. --Eikoh HosoeEikoh Hosoe is an integral part of the history of modern Japanese photography. He remains a driving force in photography, not only for his own work, but also as a teacher and as an ambassador, fostering artistic exchange between Japan and the outside world. His influence has been felt in his native country and throughout the international photographic community.

    He describes what working for and with musicians is really like, including tales of clashes with the high and mighty.

    Robertson became the first Munroist (by completing the first ascent of all the mountains listed) there has been an accelerating number of mountaineers seeking to follow in his footsteps. The listing was updated in 1997, to make a total of 284 mountains, and in this stunning book Irvine Butterfield has selected the most evocative photographs to reveal the individual character of each one, with supporting information such as vital statistics. All the photographers' work shown here captures that illusive quality which, simply put, is 'the magic of the Munros.'

    Debra Marlin's photographs capture golden retriever puppies at play, on the beach, in water and asleep, and, along with the text, show the joys and pitfalls of raising a puppy.

    This is the first comprehensive retrospective on this protean artist.Interpretive essays and 350 of Brandt's finest photographs, reproduced in stunning duotone, illuminate every phase of a long and varied career: his stint as an assistant to Man Ray; his early photo-journalism, which shows the influence that Brandt and Brassai had on one another; his dark portraits of England's industrial north; the haunting images of London during the blitz; his evocative series of English literary landscapes; and Brandt's famous abstract nudes.This volume is sure to become the standard reference on a truly great photographer.

    He has visited nomad settlements on the expansive Chang Tan Plateau and has traveled to the isolated snowbound areas of Samed and Sumdho. With the authorization of the office of the Dalai Lama, Perry has gained unprecedented access to a Tibetan world as yet unaltered although threatened by the Chinese occupation. Perry's photographs offer a unique, almost personal portrait of the Tibetan people from the bright eyes of a young girl and the curiosity of a boy monk to monastery life, nomadic life, and family life, from the prematurely aged face of a mother tending her child, to the ancient weathered faces of old men and women now sightless from years of exposure to the searing sun. Art Perry shows us the unseen Tibet, the guarded Tibet, the Tibet the West treasures in its imagination.

    The first book of one of the most successful American photographers of the male nude, this collection is culled from more than 30 years of the artist's portraiture of his friends and lovers, highlighting images from his private archive. Regarded by the artist as his most personal and important work, this array combines intimate pictures with handwritten short stories, describing Bianchi's relations and demonstrating his talents as both a writer and a photographer.

    They reveal a union of opposites—the suited wonderment of the downtown businessman with the easy grace and competence of a shirtless construction worker balanced high over his head; the anonymity and isolation of planned housing with the belief in expansion and renewal; the energy and excitement of a city on the move with the traditions of the established elite; the juxtaposition between the growing optimism about the ability of technology to improve our lives; and the traditional steel and other heavy smokestack industries that still dominated the region. The Renaissance was seen as a way for Pittsburgh to keep abreast of modern urban life and to preserve its economic position, but the rapid development of a white suburban middle class was sapping the very essence of the personalized downtown neighborhoods. These photographers have captured the convergence of destruction and rejuvenation that is the essence of an urban renaissance—all the anxiety and hope of the decade is reflected in these poignant photographs.Constance Schulz's fascinating essay on the story of the PPL, in order to present a full picture of the political and civic goals, achievements, and failings of the project, provides a thorough discussion of the background of the Pittsburgh Photographic Library, putting into perspective the Allegheny Conference's purpose for initiating the PPL, Roy Stryker's own vision and work, as well as those of the photographers who worked for Stryker on the project, and the politics that undermined the full implementation of it. Clark M. Thomas's accompanying narrative offers an eclectic range of facts and fascinating bits of the city's history and neighborhood lore, as well as noting important political and economic episodes. It also provides a glimpse into the often underrepresented lives of minorities and women in the region's development. Anyone moved by the incredible social upheaval and expansion that occurred in cities across the nation in the 1950s following years of depression and war will want to have this collection.

    Instructive and inspirational, this is the first book to show the simple, affordable process for printing extraordinary pictures that combine black shadows, colored midtones, and white highlights.