This comprehensive 434 page book is grouped into thirteen chapters that examine common themes in Burton's work, from his fascination with clowns to his passion for misunderstood monsters, to his delight in the oddities of people. Many of Burton's friends and collaborators offer their thoughts, insights and anecdotes about Tim Burton's style and artistic approach to life.Artwork from the following films and projects are included in this book: Alice in Wonderland (2010), Sweeney Todd: The Demon Barber of Fleet Street (2007), Charlie and the Chocolate Factory and Corpse Bride (both 2005), Big Fish (2003), Planet of the Apes (2001), Sleepy Hollow, (1999), Mars Attacks! (1996), Ed Wood (1994), The Nightmare Before Christmas (1993), Batman Returns (1992), Edward Scissorhands (1990), Family Dog (1987), Batman (1989), Beetlejuice (1988), Pee-Wee's Big Adventure (1985), Frankenweenie (1984), Vincent (1982), and Hansel & Gretel (1982). The book also contains additional drawings from his illustrated book of poetry The Melancholy Death of Oyster Boy & Other Stories (1997), and from The World of Stainboy web shorts (2000).Text By: Leah Gallo, Design by: Holly Kempf, Edited by: Derek Frey, Leah Gallo & Holly Kempf*PLUS*Personal text contributions by friends and fellow creatives including:Allison Abbate, Colleen Atwood, John August, Rick Baker, Helena Bonham Carter, Felicity Dahl, Johnny Depp, Danny Devito, Danny Elfman, Carlos Grangel, Ray Harryhausen, Martin Landau, Rick Heinrichs, Christopher Lee, Lindsay Macgowan, Shane Mahan, Ian Mackinnon, Alex Mcdowell, Victoria Price, Ken Ralston, Paul Reubens, Deep Roy, Winona Ryder, and Richard Zanuck.

    His technique-which earned him a reputation as "The Norman Rockwell of cheesecake"-involved photographing models and then painting them into gorgeous hyper-reality, with longer legs, more flamboyant hair and gravity-defying busts, and in the process making them the perfect moral-boosting eye-candy for every homesick private.

     This comprehensive book outlines all the necessary equipment, how to select fibers and plant parts, choose the right methods for mordanting and dyeing, test color modifiers and the fastness of dyed colors, and obtain a range of gorgeous colors from every plant, from alter to woad, shown in more than 250 swatches.  Wild Color, Revised and Updated Edition, is the all-in-one resource for fiber enthusiasts, including knitters, sewers, and weavers; gardeners who are interested in new uses for traditional dye plants; and eco-conscious DIYers who want authoritative information about the natural dyeing process and the plants that are essential to it.

    This collection focuses on his influence in a variety of media and genres and on his place in 20th century art history. Coedited by Hugo Award-winning editor Arnie Fenner, it includes many of Frazetta's most memorable paintings as well as revised and previously unpublished works. The art is accompanied by the artist's own observations and commentary by a number of his contemporaries.

    Every aspect of the creation of a pop-up, known as paper engineering, is clearly and thoroughly covered. All types of parallel folds, angle folds, wheels, and pull tabs are accurately detailed verbally and visually, flat and in dimension. Also included is a history of pop-ups and a step-by-step photographic essay on how a pop-up is made from start to finish. This guided tour is perfect for aspiring pop-up creators, paper engineers, students, and appreciators of this unique art form.

    Hundreds of the author's line drawings depict all the major Tibetan symbols and motifs—landscapes, deities, animals, plants, gurus, mudras (ritual hand gestures), dragons, and other mythic creatures—ranging from complex mythological scenes to small, simple ornaments.

    In 1830, having received his doctorate in medicine three years prior, Bourgery began work on his magnificent atlas in cooperation with illustrator Nicolas Henri Jacob (1782–1871), a student of the French painter Jacques Louis David. The first volumes were published the following year, but completion of the treatise required nearly two decades of dedication; Bourgery lived just long enough to finish his labor of love, but the last of the treatise’s eight volumes was not published in its entirety until five years after his death.The four parts of Bourgery’s treatise cover descriptive anatomy, surgical anatomy and techniques (exploring in detail nearly all the major operations that were performed during the first half of the 19th century), general anatomy and embryology, and microscopic anatomy. Jacob’s spectacular hand-colored, life-size lithographs are remarkable for their clarity, color, and aesthetic appeal, reflecting a combination of direct laboratory observation and illustrative research; the images are to this day unsurpassed in anatomical illustration.

    These methods are so easy that anyone--from doodler to advanced artist--can master them in minutes! Step by step, you'll learn how to capture the look of metal, glass, weathered wood, skin, hair and other textures. Two detailed start-to-finish demonstrations show you how to use these textures to create drawings that look so real they seem to leap right off the page.

    Many were created by the musicians themselves and demonstrate the emphasis within the punk scene on individuality and the manic urge of its members to create things new. Images were compiled out of whatever material could be found, often photocopied and, still warm, stapled to the nearest telephone pole to warn the world about next week's gig. One glance and you can sense the fury of live performances by bands such as Black Flag, the Dead Kennedys and The Minutemen, and, through the subtext the reader is exposed to the psyche of a generation of musicians stripped bare: The Germs, J.F.A, NOFX, X, The Circle Jerks, Devo, The Exploited, The Screamers, The Cramps, The Dils, The Avengers and more.

    Adopting what he called a 'problem-solving' approach, he drew on the ideas of European avant-garde art movements such as Cubism, Constructivism and De Stijl, and synthesized them to produce his own distinctive graphic language. As an art director, teacher, writer and design consultant to major companies including IBM, Oliveti and Ford, he was a major force and influence in the field of graphics and visual communication and enjoyed a committed following. Rand's career spanned almost seven decades and numerous chapters of design history.Rand's own books are solidly thematic, whereas this definitive collection of his key published and proposed works is medium-driven. It explores the full range of his advertising, publishing and corporate identity work. The distinguished Swiss graphic designer Armin Hofmann, who taught with Rand at Yale University, contributes a foreword; George Lois, one of the most eminent figures in advertising and a follower of Rand, writes an inspiring introduction; and Jessica Helfand, one of Rand's former Yale students and a highly respected design writer, has captured his educational achievements in a lively concluding essay.

    Water Light Time is an extraordinary collection of photographs by David Doubilet, a pioneering artist and diver who is widely acclaimed as the world's leading underwater photographer.From the Galapagos to the Red Sea, from the Pacific shores to the fresh waters of North America, Water Light Time includes over 25 years of Doubilet's work, to reveal the mesmerizing beauty of more than 30 bodies of water rich with fascinating life forms.

    But not least it is the home and constant muse of a relatively young art: photography. Since the earliest days of the daguerreotype right up to our time, renowned photographers such as Joseph Nicéphore Niepce, Henri Cartier-Bresson, Robert Doisneau, and Jeanloup Sieff have lived and worked in the city of lights. Over the years a love affair developed between Paris and photography, giving rise to a remarkable record of the metropolis and a telling history of a new art form. This volume takes the reader on numerous walks, camera in hand, through the streets of Paris. Atmospheric black-and-white photos, shot by great photographers over two centuries, reveal the dramatic and the tranquil, the historic and the everyday—in the capitals parks and gardens, boulevards and backstreets, passages and arcades, bistros and nightclubs.

    Providing a serious and generous overview of Basquiat's career, this monograph will please novice and fan alike, with its high-quality illustrations, including 50 works on canvas, 40 works on paper, two sculptures and 18 collaborations (15 with Andy Warhol).

    Designers of electronic products, writes Anthony Dunne in "Hertzian Tales," must begin to think more broadly about the aesthetic role of electronic products in everyday life. Industrial design has the potential to enrich our daily lives -- to improve the quality of our relationship to the artificial environment of technology, and even, argues Dunne, to be subverted for socially beneficial ends.The cultural speculations and conceptual design proposals in "Hertzian Tales" are not utopian visions or blueprints; instead, they embody a critique of present-day practices, "mixing criticism with optimism." Six essays explore design approaches for developing the aesthetic potential of electronic products outside a commercial context--considering such topics as the post-optimal object and the aesthetics of user-unfriendliness -- and five proposals offer commentary in the form of objects, videos, and images. These include "Electroclimates," animations on an LCD screen that register changes in radio frequency; "When Objects Dream...," consumer products that "dream" in electromagnetic waves; "Thief of Affection," which steals radio signals from cardiac pacemakers; "Tuneable Cities," which uses the car as it drives through overlapping radio environments as an interface of hertzian and physical space; and the "Faraday Chair: Negative Radio," enclosed in a transparent but radio-opaque shield.Very little has changed in the world of design since "Hertzian Tales "was first published by the Royal College of Art in 1999, writes Dunne in his preface to this MIT Press edition: "Design is not engaging with the social, cultural, and ethical implications of the technologies it makes so sexy and consumable." His project and proposals challenge it to do so.

    "So many of my greeting cards, calendars, and drawings," says Mary Engelbreit, "illustrate thoughts or ideas from other people." "To Imagine Is Everything," "Life Is Just a Chair of Bowlies," and "Home Is Where the Heart Is" are just a handful of the well-known quotes on life that Mary has used to accompany some of her best-loved work. Mary Engelbreit's Words to Live By gathers these pearls of wisdom in one keepsake book that her vast number of fans will want to give as gifts-and keep for themselves, too. This beautifully produced gift book offers Mary's now-famous insights on living from her favorite writers and closest friends. Whether it's a verse from scripture, the humorous insight of a child, folk wisdom from Mary's friends, or a proverb from a place far, far away, the insights, inspirations, and illustrations in Words to Live By will capture the imagination of Mary's fans everywhere.

    Contributors from a wide range of fields -- including leading art historians, cultural critics, a renowned child psychiatrist, and a leading graphic designer -- shed new light on the complexity of Rockwell's art and his place as a shaper of mass-media imagery.Stunning colorplates reproduce Rockwell's paintings in crisp detail, and the essays set them in fresh contexts, discussing such themes as Rockwell's urban scenes; the reaction by both black and white Southerners to Rockwell's historic civil rights painting The Problem We All Live With; and Rockwell's role ill the development of American illustration. Above all, this important volume examines Norman Rockwell's critical place in 20th-century American culture.

    In its original form, Gee V's work is intricate and tactile, and while the imagery is sometimes almost overwhelming, the primary concerns are those of the painter; dealing with form and space. Mere newsprint would hardly seem able to do justice to its subtle tones. When the work is printed, the space becomes more simple and the graphic images take on another life. The visual concerns are those of delivery, and the message is clear. Painstakingly executed and almost private paintings are transformed into powerful illustrations by the brilliance of Gee V's vision. While the stenches of corruption and injustice do linger, it is an honorable thing to point or even lift a finger -- Ian Dury.

    As beautiful as it is instructive, this award-winning book on allaspects of theatrical lighting design has become the standardresource in the field. Light Fantastic has received accoladesfrom the theater community, including the Golden Pen Awardfrom the Institute for Theater Technology and OutstandingAcademic Title award from Choice magazine.Now in its third edition, Light Fantastic has been expanded toinclude breathtaking new photographs from author MaxKeller s most recent productions. The text has been broughtup to date to reflect the latest technological advances, whilenew essays on light in architecture, lighting for musicconcerts, and the metaphysics and politics of light broadenits scope. Keller s extensive knowledge and experience onsome of the world s most celebrated stages make him thedefinitive source for veterans or those new to the field of stagelighting. Throughout the book hundreds of vibrant colorphotographs convey the excitement of live performance. Thisremarkable volume is an indispensable handbook to stagelighting design.

    and the Museum of Fine Arts, Boston in 1999, "John Singer Sargent: The Male Nudes" brings to light a fascinating portion of Sargent's work long hidden from the public eye. Beginning in his adolescence, and throughout his distinguished career, John Singer Sargent, the celebrated painter of patricians, produced a superbly rendered, uninhibited book of work that was rarely seen and never exhibited: the male nudes. Models were a significant aspect of the great painter's profession, whether they were commission-producing society "sitters" or professional models used as reference for his three Boston mural projects or works created for his private enjoyment--one young Italian model stayed in the artist's employ for nearly twenty-six years. Sargent's enduring subject was capturing the "human form divine" in portraits of the fashionable and famous and the absolute male. Over the last century, these little-known works have been dispersed to museum archives and private collections throughout the United States and Great Britain. John Esten has unearthed the most extraordinary of these images, ranging from vibrant watercolors and oil paintings to charcoal studies, published here for the first time in a single volume.

    Other Details: 400 pages 9 x 9" Published 1999

    None of these drawings appear in Iguana Bay 2.0 or Drawers 2.0. (New versions of five drawings appear in Drawers 2.0 pages 108-111.) In addition to the same high-quality reproduction of the French edition, exclusive to this English-language edition include three previously unpublished drawings, a new biography of Wendling (her first published biography in English) with contributions from the artist herself, and a new Foreword by Mike Mignola.

    His art and his stories, filled with imagination, humor, elegance, and curiosity, emanate from a love of life reflected in everything he does.Barbara Elleman, a critic in her own right, explores Tomie dePaola as artist and storyteller. The result is a fascinating, complete, and highly readable account that looks first at his life and then at the many genres he has drawn upon--autobiographical memories, folktales, Christmas themes, religious stories, and more. She shows patterns and motifs that thread through his work, points out major influences on his art, and gives a rare look at his fine art and his "non-book" designs.Ms. Elleman's thoughtful narrative and selections of artwork that illustrate Mr. dePaola's diverse styles bring a fresh appreciation to the work of this unique artist/author.

    A section on theory considers the centrality of the written and printed word to post-structuralism and deconstruction. A wide range of design practices are discussed, from the history of punctuation and the origins of international pictograms to the structure of modern typography. A section on media looks at the role of design in mass communications with essays on stock photography, visual journalism, illustration, advertising and vernacular design cultures.

    360 photos, 42 in color. 94 line drawings.

    Anyone who loves letters will delight in the myriad forms that appear in the book's diagrams and exemplars

    Each of the Rizzoli Quadrifolios features sixteen foldout pages that open into huge poster-sized reproductions of the work, allowing readers to feel as though they have leaped into work itself. The series begins with two artists whose work continually compels audiences: Michelangelo and Van Gogh. Michelangelo: The Sistine Chapel focuses on the Italian master's work on this Vatican Chapel, the recent restorations of which have propelled interest in this site even higher.

    This volume, covering the first half of the century, is a history of American art as well as a permanent record of the Whitney show. Here fine arts achievements are seen as part of the larger culture that helped shape them — the art forms of film, dance, music, literature, photography, decorative arts, architecture, fashion, and industrial design. All are described and set in the context of political and social currents of the era in Barbara Haskell's rich and informative text. Essays by noted experts in many fields illuminate developments in different areas of artistic endeavor while over 750 full-color and duotone illustrations give visual testimony to America's dominant role in the arts.

    Nick Meglin, former art instructor at the School of Visual Arts NYC and former editor of MAD Magazine knows all about art...and how to have fun! He shows you how to stop trying so hard and how to find the joy and satisfaction in the simple act of drawing. There are no tricks, no secrets, no special materials to buy, only an unbridled enthusiasm for the creative possibilities within each one of us. Nick, along with daughter Diane, provides ideas and guidance to get you started on an amazing journey of self-discovery and artistic enjoyment.In fourteen fun and freeing exercises, you'll see how easy it is to make drawing a part of your daily activity. With sketchbook in hand you'll discover how to be more focused on life around you, and how that life can feed your art. You'll learn how to:find great subjects, no matter where you aretake risks in every drawinglet your unconscious emerge and stop the inner criticdraw "attitude not the anatomy, gesture not the detail"develop your unique styleDrawings by 50 contributors (old masters and contemporary artists) celebrate the diversity and beauty of expressions created with only pen or pencil on paper. It's all about what you bring from within. As you draw, you respond to what you see, and feel, and think about your subject. It's this inner conversation that gives voice to your drawings. And your artist within!

    Aidan Meehan shows how to create a variety of rectangular Celtic borders, based upon a simple square-grid. The borders are proportioned to fit a standard letter-size page, but are equally suited for stationery or illuminated pages, and are readily adaptable to any number of craft applications.

    Both an indispensable reference guide and an irresistible treat for film buffs, "The Noir Style" is an engaging and informative addition to the literature of film.

    Beuys, the most influential German--and perhaps the most influential European--artist of the postwar period, was born in 1921. He had planned to be a doctor, but following World War II he enrolled in the Dsseldorf Academy of Art. As a professor there in the early 1960s he encountered the influence of Fluxus and began to make and show the multiples--prints and boxes and other objects in editions--that became such a key part of his work. Those highlighted here include sleds, pieces of felt, signed head shots of the artist and texts calligraphed onto bank notes in francs, marks and schillings. Bruno Cora Tea mocks both mass production and boutique cachet by refilling a Coca-Cola bottle with tea, resealing it with flourishes worthy of a Belgian beer, and putting the whole thing in a glass-fronted box. Joseph Beuys: Multiples includes some 600 pieces, annotated lists of the major collections where they can be found, essays from significant curators and scholars and an interview with the artist.

    His work in both forms was detailed, symbolic, mystical, and sometimes erotic. He was involved with two of the PRB `stunners', first Lizzie Siddal who died of a laudanum overdose, then Jane Morris. Notoriously, DGR buried his poetry manuscripts with Siddal, but later exhumed them. Latterly involved with William Morris's decorative arts firm, DRG died - a near recluse - in 1882, a Romantic Victorian revolutionary.

    The Bauhaus Building, the Marseilles Unite d'Habitation and the Salk Institute are landmark buildings in the history of architecture -- each is the product of great social vision and humanism, and provides an continuing source of inspiration for students and fellow architects. By studying these pivotal buildings together, the student and architecture enthusiast can examine the approaches of three different architects to building for specific communities, and analyse the qualities which have produced such enduring structures.

    Led by Jackson Pollock, Willem DeKooning, and others, it was the first truly American painting style, and it quickly moved the United States into the forefront of innovation. A succession of other movements followed, including Pop Art, and adherents like Andy Warhol and Roy Lichtenstein; the performance art of John Cage and others; video art, led by Nam Juin Paik; and installation art of grand proportions.In this expansive volume Lisa Phillips explains the excitement and inventiveness of American artists in the context of the varied and sometimes turbulent social environment as well as the expanding economy of postwar America. Essays by experts in related fields illuminate parallel and diverse developments in architecture, dance, music, literature, painting, sculpture, cinema, and design.

    Fascinating felines slink across the pages of this purr-fectly delightful collection of cat-inspired artwork created through the centuries, with insightful notes about the artists and their work.

    Text by Serge Bramly. Monacelli, New York, 1999. 218 pp., 140 color illustrations, 9¾x11¼".Controversial, perhaps blasphemous, but nevertheless sincere, the Gospel according to Bettina Rheims is a graphic, sensualized retelling of the principal stories of Jesus and his disciples.

    The selected plates demonstrate the evolution of Stieglitz's photographs and his understanding of the medium. Beginning with early works from the turn of the century, the book includes prints from Stieglitz's renowned series of portraits of O'Keeffe as well as later photographs of New York City and Lake George, notable for their eloquent simplicity. Following the section of seventy-three images are selected essays and letters by Stieglitz to friends and fellow artists such as Sherwood Anderson and Ansel Adams. This exquisitely printed volume will be welcomed by Stieglitz devotees and anyone who appreciates the fine art of photography.

    Place everyday objects in new, eye-opening contexts; increase skills; challenge young artists to reflect on their place in the world; and encourage teamwork.

    This book features advertisements for such classics as Mr. Bubble, Maypo, Mr. Wiggle, Shake-A-Pudd'n, Tang and Space Food Sticks.