In "A Temporary Matter," published in The New Yorker, a young Indian-American couple faces the heartbreak of a stillborn birth while their Boston neighborhood copes with a nightly blackout. In the title story, an interpreter guides an American family through the India of their ancestors and hears an astonishing confession. Lahiri writes with deft cultural insight reminiscent of Anita Desai and a nuanced depth that recalls Mavis Gallant.

    A young jazz buff in Tokyo. A crooked British lawyer in Hong Kong. A disc jockey in Manhattan. A physicist in Ireland. An elderly woman running a tea shack in rural China. A cult-controlled terrorist in Okinawa. A musician in London. A transmigrating spirit in Mongolia. What is the common thread of coincidence or destiny that connects the lives of these nine souls in nine far-flung countries, stretching across the globe from east to west? What pattern do their linked fates form through time and space?A writer of pyrotechnic virtuosity and profound compassion, a mind to which nothing human is alien, David Mitchell spins genres, cultures, and ideas like gossamer threads around and through these nine linked stories. Many forces bind these lives, but at root all involve the same universal longing for connection and transcendence, an axis of commonality that leads in two directions—to creation and to destruction. In the end, as lives converge with a fearful symmetry, Ghostwritten comes full circle, to a point at which a familiar idea—that whether the planet is vast or small is merely a matter of perspective—strikes home with the force of a new revelation. It marks the debut novel of a writer with astonishing gifts.

    A teenage girl—her father long since disappeared, her mother unwilling to have her in the house—is pregnant, alone herself, with nowhere to go. And out in the country, two brothers, elderly bachelors, work the family homestead, the only world they've ever known.From these unsettled lives emerges a vision of life, and of the town and landscape that bind them together—their fates somehow overcoming the powerful circumstances of place and station, their confusion, curiosity, dignity and humor intact and resonant. As the milieu widens to embrace fully four generations, Kent Haruf displays an emotional and aesthetic authority to rival the past masters of a classic American tradition.Utterly true to the rhythms and patterns of life, Plainsong is a novel to care about, believe in, and learn from.

    Alexander, orphaned as a child by a horrific tragedy, has nevertheless gained some success in the world. Even his older brother, Calum, a nearly destitute alcoholic living on Toronto's skid row, has been scarred by another tragedy. But, like all his clansman, Alexander is sustained by a family history that seems to run through his veins. And through these lovingly recounted stories-wildly comic or heartbreakingly tragic-we discover the hope against hope upon which every family must sometimes rely.

    Desperate, at times almost mad, but also keenly empathic, Korim has discovered in a small Hungarian town’s archives an antique manuscript of startling beauty: it narrates the epic tale of brothers-in-arms struggling to return home from a disastrous war. Korim is determined to do away with himself, but before he can commit suicide, he strongly feels he must escape to New York with the precious manuscript and commit it to eternity by typing it all up on the world-wide web. Following Korim with obsessive realism through the streets of New York (from his landing in a Bowery flophouse to his moving far uptown with a mad interpreter), War & War relates his encounters with a fascinating range of humanity, a world torn between viciousness and mysterious beauty. Following the eight chapters of War & War is a short "prequel acting as a sequel," "Isaiah," which brings us to a dark bar, years before in Hungary, where Korim rants against the world and threatens suicide. Simply written like nothing else (turning single sentences into chapters), War & War affirms W. G. Sebald’s comment that Krasznahorkai’s prose "far surpasses all the lesser concerns of contemporary writing."

    On the heels of last year's mesmerising film adaptation of 'Brokeback Mountain' comes this beautiful, single volume collection of Annie Proulx's celebrated Wyoming stories. Inventive, compassionate and wildly funny, they explore the unbreakable bond between a people and their land in rich and robust language, with an eye for detail unparalleled in American fiction. In 'The Contest', the men of Elk Tooth, Wyoming, vow to put aside their razors for two seasons and wait to see who has the longest beard come the 4th of July. Deb Sipple, the moving protagonist of 'That Trickle Down Effect', finds that his opportunism - and his smoking habit - lead to massive destruction. And 'What Kind of Furniture Would Jesus Pick?' is the story of Gilbert Wolfscale, whose rabid devotion to his ranch drives away his wife and sons. Every story of this stunning collection is a tribute to Proulx's wit, her knowledge of the West, and her profound sympathy for characters who must use sheer will and courage to make it in such unforgiving territory.

    Gay's remarkable debut novel, The Long Home, is also the story of Amber Rose, a beautiful young woman forced to live beneath that evil who recognizes even as a child that Nathan is her first and last chance at escape. And it is the story of William Tell Oliver, a solitary old man who watches the growing evil from the dark woods and adds to his own weathered guilt by failing to do anything about it. Set in rural Tennessee in the 1940s, The Long Home will bring to mind once again the greatest Southern novelists and will haunt the reader with its sense of solitude , longing, and the deliverance that is always just out of reach.

    Torn between his loyalty to his family, his faith in God, and his terror of this vicious disease, Jacob Hansen struggles to preserve his sanity amid the chaos and violence around him.

    In Englander's amazingly taut and ambitious "The Twenty-seventh Man," a clerical error lands earnest, unpublished Pinchas Pelovits in prison with twenty-six writers slated for execution at Stalin's command, and in the grip of torture Pinchas composes a mini-masterpiece, which he recites in one glorious moment before author and audience are simultaneously annihilated. In "The Gilgul of Park Avenue," a Protestant has a religious awakening in the back of a New York taxi. In the collection's hilarious title story, a Hasidic man incensed by his wife's interminable menstrual cycle gets a dispensation from his rabbi to see a prostitute. The stories in For the Relief of Unbearable Urges are powerfully inventive and often haunting, steeped in the weight of Jewish history and in the customs of Orthodox life. But it is in the largeness of their spirit-- a spirit that finds in doubt a doorway to faith, that sees in despair a chance for the heart to deepen--and in the wisdom that so prodigiously transcends the author's twenty-eight years, that these stories are truly remarkable. Nathan Englander envisions a group of Polish Jews herded toward a train bound for Auschwitz and in a deft imaginative twist turns them into acrobats tumbling out of harm's way; he takes an elderly wigmaker and makes her, for a single moment, beautiful. Again and again, Englander does what feels impossible: he finds, wherever he looks, a province beyond death's dominion.For the Relief of Unbearable Urges is a work of stunning authority and imagination--a book that is as wondrous and joyful as it is wrenchingly sad, and that heralds the arrival of a profoundly gifted new storyteller.

    The first Caxley tale, The Market Square, introduces the deep-rooted camaraderie of Septimus Howard and Bender North, whose friendship survives misunderstandings, the tragedy of war, and the bitterness of loss. The story of their families continues through the generations. The second tale, The Howards of Caxley, tells of Edward Howard, grandson to them both. Edward flies for the Royal Air Force Reserve as England prepares for another war -- and Caxley braces itself for overwhelming changes.

    Helen, her mother, Lily, and her grandmother, Dora have come together to tend to Helen's brother, Declan, who is dying of AIDS. With Declan's two friends, the six of them are forced to plumb the shoals of their own histories and to come to terms with each other.Shortlisted for the Booker Prize, The Blackwater Lightship is a deeply resonant story about three generations of an estranged family reuniting to mourn an untimely death. In spare, luminous prose, Colm Tóibín explores the nature of love and the complex emotions inside a family at war with itself.

    Together with three veterans of the St. Vincent’s Home for Boys, he works for small-time mobster Frank Minna’s limo service cum detective agency. Life without Frank Minna, the charismatic King of Brooklyn, would be unimaginable, so who cares if the tasks he sets them are, well, not exactly legal. But when Frank is fatally stabbed, one of Lionel’s colleagues lands in jail, the other two vie for his position, and the victim’s widow skips town. Lionel’s world is suddenly topsy-turvy, and this outcast who has trouble even conversing attempts to untangle the threads of the case while trying to keep the words straight in his head. Motherless Brooklyn is a brilliantly original homage to the classic detective novel by one of the most acclaimed writers of his generation.

    So she is elated to learn she is to become the second wife of a wealthy Sikh landowner in a union beneficial to both. For Sardaji’s first wife, Satya, has failed to bear him children. Roop believes that she and Satya, still very much in residence, will be friends. But the relationship between the older and younger woman is far more complex. And, as India lurches toward independence, Sardarji struggles to find his place amidst the drastic changes.Meticulously researched and beautifully written, What the Body Remembers is at once poetic, political, feminist, and sensual.

    "Love in the Tall Grass" takes Cordelia down a coastal road on the last day of the twentieth century to keep a date with her lover that has been nine years in the waiting. "Stay Close to the Water's Edge" tells of a young Harvard student who is pitilessly humiliated by his homophobic stepfather on his birthday. Keegan's writing has a clear vision of unaffected truths and boldly explores a world where dreams, memory, and chance have crippling consequences for those involved. The stories are often dark and enveloped in a palpable atmosphere, and the reader feels that something "big" is going on in each of these carefully sculpted tales. The award-winning Antarctica, a Los Angeles Times Best Book of 2001, and recipient of the prestigious Rooney Prize for Irish Literature, the William Trevor Prize, and the Martin Healy Award, is a haunting debut. "These stories are diamonds." -- Emily Robichaud, Esquire "That Keegan has a knack for storytelling is proved many times over...." -- Caitlin Macy, The New York Times Book Review "[These] stories ... show Keegan to be an authentic talent with a gimlet eye and a distinctive voice." -- Amanda Heller, The Boston Globe "Reading these stories is like coming upon work of Ann Beattie or Raymond Carver at the start of their careers." -- Jerry Griswold, Los Angeles Times

    Haunting, exquisite Rosalind Maybrick, wife of a billionaire owner, one day can't quite decide what it is she wants, and discovers too late that her whole life is transformed . . . Twenty-year-old Tiffany Morse, stuck in her job at Wal-Mart, prays, "Please make something happen here . . . This time, I mean it," and something does . . . Farley, a good trainer in a bad slump; Buddy, a ruthless trainer who can't seem to lose even though he knows that his personal salvation depends upon it; Roberto, an apprentice jockey who has "the hands" but is growing too big for his dream career with every passing day; Leo the gambler and his earnest son, Jesse, who understands everything about his father's "system" except why it doesn't work; Elizabeth, the 62-year-old theorist of sex and animal communication, and her best friend, Joy, the mare manager at the ranch at the center of the universe—all are woven together by the horses that pass among them: Two colts and two fillies who begin with the promise of talent and breeding, and now might or might not achieve stardom. There are the geldings—Justa Bob, the plain brown horse who always wins by a nose, a lovable claimer who passes from owner to owner on a heart-wrenching journey down from the winner's circle; and the beautiful Mr. T., raced in France and rescued in Texas, who is discovered to have some unusual and amazing talents. And then there is the Jack Russell terrier, Eileen, a dog with real convictions—and the will to implement them.The strange, compelling, sparkling, and mysterious universe of horse racing that has fascinated generations of punters and robber barons, horse-lovers and wits, has never before been depicted with such verve and originality, such tenderness, such clarity, and, above all, such sheer exuberance.

    Pulitzer Prize-winning author Philip Caputo has written a timeless novel about the dangerous reverberating effects of long held family secrets.On a June morning in 1901, Cyrus Braithwaite orders his three sons to set sail from their Maine home aboard the family's forty-six-foot schooner and not return until September. Though confused and hurt by their father's cold-blooded actions, the three brothers soon rise to the occasion and embark on a breathtakingly perilous journey down the East Coast, headed for the Florida Keys.Almost one hundred years later, Cyrus's great-granddaughter Sybil sets out to uncover the events that transpired on the voyage. Her discoveries about the Braithwaite family and the America they lived in unfolds into a stunning tale of intrigue, murder, lies and deceit.

    Set in the west of Ireland and Venice, this book features a shy and unconfident schoolteacher and his lovelorn and depressed father whose only desire is to die and join his wife and daughter in heaven.

    But this becomes contested territory when a recent immigrant from the Middle East—a former colonel in the Iranian Air Force—becomes determined to restore his family’s dignity through buying the house. When the woman’s lover, a married cop, intervenes, he goes to extremes to win her love. Andre Dubus III’s unforgettable characters—people with ordinary flaws, looking for a small piece of ground to stand on—careen toward inevitable conflict. An “affecting, subtle portrait of two hostile but equally fragile camps” (The New Yorker), their tragedy paints a shockingly true picture of the country we still live in today, two decades after this book’s first publication.

    Of his latest novel, Newsday wrote, "Thomas King has quietly and gorgeously done it again." Truth and Bright Water tells of a summer in the life of Tecumseh and Lum, young Native-American cousins coming of age in the Montana town of Truth, and the Bright Water Reserve across the river in Alberta. It opens with a mysterious woman with a suitcase, throwing things into the river -- then jumping in herself. Tecumseh and Lum go to help, but she and her truck have disappeared. Other mysteries puzzle Tecumseh: whether his mom will take his dad back; if his rolling-stone aunt is home to stay; why no one protects Lum from his father's rages. Then Tecumseh gets a job helping an artist -- Bright Water's most famous son -- with the project of a lifetime. As Truth and Bright Water prepare for the Indian Days festival, their secrets come together in a climax of tragedy, reconciliation, and love.

    Venturing inside minds and landscapes that are at once recognisable and utterly strange, these stories reaffirm Wallace's reputation as one of his generation's pre-eminent talents, expanding our ides and pleasures fiction can afford.Among the stories are 'The Depressed Person', a dazzling and blackly humorous portrayal of a woman's mental state; 'Adult World', which reveals a woman's agonised consideration of her confusing sexual relationship with her husband; and 'Brief Interviews with Hideous Men', a dark, hilarious series of portraits of men whose fear of women renders them grotesque. Wallace's stories present a world where the bizarre and the banal are interwoven and where hideous men appear in many different guises. Thought-provoking and playful, this collection confirms David Foster Wallace as one of the most imaginative young writers around. Wallace delights in leftfield observation, mining the ironic, the surprising and the illuminating from every situation. This collection will delight his growing number of fans, and provide a perfect introduction for new readers.

    The Empty House is about being in love with the wrong man; The Day of the Storm is about discovering family—and its secrets; and Under Gemini is about deception. A wonderful new omnibus edition of three full-length novels by one of America's favorites.

    M. Coetzee’s searing novel tells the story of David Lurie, a twice divorced, 52-year-old professor of communications and Romantic Poetry at Cape Technical University. Lurie believes he has created a comfortable, if somewhat passionless, life for himself. He lives within his financial and emotional means. Though his position at the university has been reduced, he teaches his classes dutifully; and while age has diminished his attractiveness, weekly visits to a prostitute satisfy his sexual needs. He considers himself happy. However, when Lurie seduces one of his students, he sets in motion a chain of events that will shatter his complacency and leave him utterly disgraced.

    Russell's award-winning novel is the story of four interlocking lives - Louis Tremper, the headmaster at the Forge School; his wife Claire; Tracey Parker, a 25-year old gay man and recently hired teacher at the Forge School; and Noah Lathrop III, a troubled student; all of whom struggle with their own inner demons, desires, and conflicted loyalties. When Tracey and Noah become involved in an illicit relationship, dark incidents from the school's past begin colliding with the current growing confusion that all of them must face. Compelling and poignant, this is the finest work yet from one of the best contemporary American novelists.

    In examining the distances and connections between ourselves and others, and lightly and expertly inching us closer to the bone, storytelling itself has never seemed so necessary, so moving or so joyous.'Beautifully written and quietly unsettling' Big Issue'Bold and sensitive. Smith's prose is a joy' Independent'A wonderful collection; deceptively easy on one level with its whirling library of ghost story, funny story, love story, scary story, and more. Like Russian dolls, separate yet invisibly linked, they unfold from and into one another' Herald'Smith breathes life into her imagined words with a true understanding of the craft of the short-story writer. She dances surely and lightly over the form' Guardian'Captures quiet epiphanies of the extraordinary in the mundane' Sunday Times'These stories fizz with life' The Times Literary Supplement

    With a visceral bite or a surreal edge, each electrically charged story in Circling the Drain presents women trying to understand the nature of loss--of leaving or being left--and discovering that in the throes of feverish conflict, things are rarely what they seem. By turns dark and lyrical, ferocious and playful, these stories are precise, startling, and undeniably original. Reading them is a cathartic, mesmerizing literary experience.

    She is able to successfully straddle the disparate worlds of the popular and literary novel and this new book is among her most accomplished. Choosing a cynical and compromised first-person narrator, Howard introduces us to Henry Kent--a man looking for a woman --- preferably one with a little money. Henry, in late middle age, is living without means on a dank houseboat. Getting by on his charm is no longer feasible and when writer Daisy Langrish buys a cottage close by, he sets his sights on her. But those around Daisy --- her agent, her daughter--begin to ask questions about him. And the revelations they uncover have them very worried indeed. With a tone reminiscent of William Trevor, this is Howard at her most psychologically perceptive: her subject here is nothing less than an ambitious exploration of love, dealing in a dispassionate way with both the joys and the dangers. She demonstrates that the need to be first in someone's affections is a seductive but risky business and her powerful rendering of human emotion has the same scalpel-like precision as The Cazalet Chronicle. Many regard the latter as Howard's finest book, but this new volume is likely to change perceptions. Henry is fascinatingly characterised (we are allowed a nicely ambiguous attitude to him) and the slow but assured unwinding of the narrative grips with memorable force. --Barry Forshaw

    In The Road Show we meet Zachary Edge, a Confederate soldier, on his way home at the war's close. He stumbles upon a traveling troupe, a chance encounter that is the start of an unforgettable odyssey. Edge hits the road with bawdy showgirls, roguish tricksters, and a host of colorful characters. He soon finds himself in the arms of Autumn Auburn, the lithesome artiste known for her breathtaking sensuality.

    Elena, born into a family ruled by a formidable mother, embarks on an epic journey to the New World, met along the way by evil, magic, and good fortune. The daughter, granddaughter, and great-granddaughter who follow each share her special powers of observation and, often, destruction. The result is a family saga unlike any other: a hilarious, heartbreaking story of family ties that bind.

    At either end of the twentieth century, two women fall in love with men outside their familiar worlds. In 1901, Anna Winterbourne, recently widowed, leaves England for Egypt, an outpost of the Empire roiling with nationalist sentiment. Far from the comfort of the British colony, she finds herself enraptured by the real Egypt and in love with Sharif Pasha al-Baroudi. Nearly a hundred years later, Isabel Parkman, a divorced American journalist and descendant of Anna and Sharif has fallen in love with Omar al-Ghamrawi, a gifted and difficult Egyptian-American conductor with his own passionate politics. In an attempt to understand her conflicting emotions and to discover the truth behind her heritage, Isabel, too, travels to Egypt, and enlists Omar's sister's help in unravelling the story of Anna and Sharif's love.Joining the romance and intricate storytelling of A.S. Byatt's Possession and Michael Ondaatje's The English Patient, Ahdaf Soueif has once again created a mesmerizing tale of genuine eloquence and lasting importance.

    Fans of the Pokaemon television series and video game may search for their favorite pocket monsters among the bustle of the illustrations, find their way through the mazes, and solve other puzzles."

    This is her story, and that of Ormus Cama, the lover who finds, loses, seeks, and again finds her, over and over, throughout his own extraordinary life in music. Their epic romance is narrated by Ormus's childhood friend and Vina's sometime lover, her "back-door man," the photographer Rai, whose astonishing voice, filled with stories, images, myths, anger, wisdom, humor, and love, is perhaps the book's true hero. Telling the story of Ormus and Vina, he finds that he is also revealing his own truths: his human failings, his immortal longings. He is a man caught up in the loves and quarrels of the age's goddesses and gods, but dares to have ambitions of his own. And lives to tell the tale.Around these three, the uncertain world itself is beginning to tremble and break. Cracks and tears have begun to appear in the fabric of the real. There are glimpses of abysses below the surfaces of things. The Ground Beneath Her Feet is Salman Rushdie's most gripping novel and his boldest imaginative act, a vision of our shaken, mutating times, an engagement with the whole of what is and what might be, an account of the intimate, flawed encounter between the East and the West, a brilliant remaking of the myth of Orpheus, a novel of high (and low) comedy, high (and low) passions, high (and low) culture. It is a tale of love, death, and rock 'n' roll.

    With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    . . .But certain things you have to find out now. . . ."On the tumultuous streets of Manila, where the earth is as brown as a tamarind leaf and the pungent smells of vinegar and mashed peppers fill the air, where seasons shift between scorching sun and torrential rain, eleven-year-old Gringo strives to make sense of his family and a world that is growing increasingly harsher before his young eyes. There is Gringo's older brother, Pipo, wise beyond his years, a flamboyant, defiant youth and the three-time winner of the sequined Miss Unibers contest; Daddy Groovie, whiling away his days with other hang-about men, out of work and wilting like a guava, clinging to the hope of someday joining his sister in Nuyork; Gringo's mother, Estrella, moving through their ramshackle home, holding her emotions tight as a fist, which she often clenches in anger after curfew covers the neighborhood in a burst of dark; and Ninang Rola, wise godmother of words, who confides in Gringo a shocking secret from the past--and sets the stage for the profound events to come, in which no one will remain untouched by the jagged pieces of a shattered dream.As Gringo learns; shame is passed down through generations, but so is the life-changing power of blood ties and enduring love.In this lush, richly poetic novel of grinding hardship and resilient triumph, of selfless sacrifice and searing revelation, Bino A. Realuyo brings the teeming world of 1970s Manila brilliantly to life. While mapping a young boy's awakening to adulthood in dazzling often unexpected ways, The Umbrella Country subtly works sweet magic.

    He shoots his first film, surreptitiously capturing his neighbors having sex on their back porch and discovering that through representations of sexual activity he can comment on what he finds both painful and confusing. In the films that follow, the narrator imagines in positions of dominance those who are disadvantaged in their everyday lives, now sexually belittling those who have once held them down. Nettie, an idealistic poet and the one person with whom the narrator genuinely connects, sees in pornography the opportunity to do something artistic, liberating, and socially relevant. She pushes him to make even more subversive films but, ultimately, despite his radical intentions, the narrator falls into a world of greed, delusion, and hypocrisy, the same world he once rebelled against. Investigating the ways in which lives are remembered and reconstructed, Turner works backwards and forwards in time with unerring attention to subtle shifts in voice and experience. But this is not a wistful recounting, for the retelling of the protagonist’s story is at the behest of an authoritative, unforgiving tribunal of interrogators.

    Tells the story of two nearly forgotten secrets and the elderly, Southern women whose lives have been governed by the secrets for over fifty years.

    Growing up in Cleveland in the 1960s and 1970s, Hannah Felber basks in her mother's devotion to her, and for Celia, her daughter is her redemption from an unhappy childhood. But when Hannah goes off to college to begin a life of her own, her mother inexplicably shuts her out, refusing to answer her letters or phone calls." "With her mother's abrupt abandonment, Hannah loses not only her closest confidante, but also her sense of identity - she searches through old photographs and listens to family legends for clues to who she is and where she comes from. Drawn deeper and deeper into her family's past, she begins to see that the fate of her grandparents and those left in the old country has a direct bearing on her own life.In chapters narrated by Hannah's maternal ancestors, we hear the voices and stories of those beyond, we hear the voices and stories of those beyond the grave.

    His collection brings together the best of Kalki’s short stories, which contain some of his most colourful and enduring characters and themes of Tamil popular fiction of the nineteen thirties and forties. There is in these stories the heady urgency of the freedom struggle, the piquant humour of the parodied Tamil gothic and devastating social satire. In her sensitive translations, Gowri Ramnarayan has succeeded in capturing the nuances of the gently mordant wit that made Kalki’s stories the highlight of the magazines they were originally published in, creating for themselves a dedicated following that flourishes undiminished to this day.Coinciding with the centenary of Kalki’s birth, this volume is a well-deserved tribute to a writer whose breadth of vision and genius imagined and served a new India.

    Michael Holme is a violinist, a member of the successful Maggiore Quartet. He has long been haunted, though, by memories of the pianist he loved and left ten years earlier, Julia McNicholl. Now Julia, married and the mother of a small child, unexpectedly reenters his life and the romance flares up once more. Against the magical backdrop of Venice and Vienna, the two lovers confront the truth about themselves and their love, about the music that both unites and divides them, and about a devastating secret that Julia must finally reveal. With poetic, evocative writing and a brilliant portrait of the international music scene, An Equal Music confirms Vikram Seth as one of the world's finest and most enticing writers.

    Erickson's previous books have buried L.A.'s freeways in sand, set bonfires in Paris streets, and hitched along for the 1996 presidential campaign. In terms of madness, doom, and sheer human folly, what could possibly be left? Plenty, as it turns out. As The Sea Came in at Midnight opens, 17-year-old Kristin works in a Japanese "memory hotel," where despite her so-so looks she's in high demand. As an American, "Kristin represents the Western annihilation of ancient Japanese memory and therefore its master and possessor, a red bomb in one hand, a red bottle of soda pop in the other." After one of her best clients expires in the booth, she finally tells him her own story--which turns out to be quite a tale, involving escape from a millennial suicide cult and nude solitary confinement at the behest of a man known only as the Occupant. Add in the novel's other threads, which span 40 years and include a dream cartographer, a chaos-based calendar, time capsules, and both real and faked snuff films, and you have a heady mixture indeed. Fans of Erickson's unsettling, dreamlike style are legion, and they won't be disappointed in his latest take on the End Time, Blade Runner-style. But in a way, the millennium is beside the point; with a plot like this one, a mere flipping of digits seems so much apocalyptic icing on the cake. Combing a lyrical surrealism with a jittery, jump-cut technique, Erickson writes like the 21st-century heir of Pynchon and DeLillo. --Chloe Byrne

    Little has changed in her 50 years, except for the coming of cable TV. Loneliness is almost a religion, and still everyone knows your business. But the town is being outmanoeuvred by drought and begins to empty, pouring itself out like water into sand. Small minds shrink even smaller in the vastness of the land. One man is forced out by council rates and bigotry; another sells his property, risking the lot to build his dream. And all of them are shadowed by violence of some sort—these people whose only victory over the town is in leaving it.

    Now he will honour her by constructing a fitting memorial: a perfectly accurate timepiece. Can such a device ever exist?

    Estep follows her first novel, "Diary of An Emotional Idiot, " with a set of linked stories that glimpses two women through the eyes of the men in their lives.

    Collected here for the first time are Davidson's remarkable mystery tales, including: the 1840s murder investigations of New York's chief constable, Jacob Hays; a sinister lesson in New England thrift; a bride who disappears on her wedding day; a slavetrader and a deal gone terribly wrong; treachery in a nursing home; a greedy antiquarian repents his ways; expatriates who will kill for a little peace and quiet; and much ado about an exiled earl, Albanian Trotskyites, the Mafia, New Amsterdam river pirates, and the aspiring hooligans known as the Nafia (who "control all the gumball and India nut machines south of Vesey Street").

    The fourteen short stories in this richly diverse collection, along with an exemplary introduction by author Cynthia Griffin Wolff, allow for a more complex view of Cather. As a writer she was intrigued by nature's ruthlessness and mankind's limitless potential for brutality and had a passion for the beauty of art. Ranging from the simplicity of Cather's first published story, "Peter" (1892), to the extraordinary eroticism of "Coming, Aphrodite!" (1920), this Twentieth-Century Classics collection is an engaging and triumphant testament to the genius of an American literary icon.

    The object of his desire is Gabriella, the Italian-Irish girl next door. Then one day Gabriella disappearsabandoning Sam. Bitter and resentful, Sam moves on with his life: into the shady side of Brisbane. Over the next two decades, Sam and Gabriella will find their lives inextricably, painfully, and passionately linked.

    What links their diverse voices is a common language: each poem, in its own way, adds to the resources of the medium and makes it new.The poems in this book are allowed to slip free of their moorings in the biography and history of the last century to create new spaces and times. They have been chosen because they are exceptional, profound and unique in what they do to language, regardless of their subject matter or the orientation of the poet. It is a powerful reminder that in the twentieth century poems did what they have never done before, and it provides us with a unique insight into the forces that will shape the poetry of the twenty-first century.

    Life for these women is trying: some of them are married to alcoholics, some are victims of abuse; one is old and near death, another is still a child but has the experience of an adult; all are struggling to survive. First published in 1982, it was made into the film Stanley & Iris by MGM in 1989, starring Robert DeNiro and Jane FondaBlow Your House Down, Barker's second novel, also portrays the lives of women in industrial England--but these women are prostitutes, living in a northern England city that is stalked by a vicious, Jack the Ripper-style serial killer who is singling out women with nowhere else to go.

    Her younger son Lester finds romance on the soon-to-be-demolished train, The Hiawatha, while his older brother Simon takes a dangerous job scaling skyscrapers. Their fates collide, and result in a tale of crime, punishment, and redemption.An elegy to the American dream, and to the sometimes tragic experience of the Native Americans who helped to build it, The Hiawatha is a powerful novel that confirms David Treuer's status as a young writer of rare talent.

    Tagore was both. I am awed by his use of language, pure crystals of wise innocence. Every word is personal, every word is universal. Those who met Tagore during his eighty years described him as one of the greatest souls of our age; Einstein considered him a sage. From what we learn in these poems, he certainly lived his own words. He kissed the infinite, he was not afraid to lose everything. And in this book, he allows us to approach death not with dusty words but with a silence that washes the soul.--From the Introduction by Deepak ChopraIn this hauntingly beautiful volume, Deepak Chopra presents new English versions of poems by Bengali poet Rabindranath Tagore, a lifelong source of inspiration for Chopra and the first Asian to win the Nobel Prize for Literature.When Tagore writes, "Death, my death / Whisper to me! / For you alone have I kept watch day after day," romantic ecstasy surges through every word. For Tagore the soul was more real than any object, and he sang of death as a joyful voyage home to the eternity from which we sprang. In these poems we experience a dramatic alternative to the fearful Western view of death. Through the magic of Tagore's lyricism we begin to understand that by becoming familiar with death, and watching it grow closer, we can come to live fully in the present moment. As Tagore tells us so eloquently, "If you weep because the sun has gone out / Your tears may blind you to the stars."

    Within these pages we meet the son of a wealthy landowner, now reduced to howling at the moon from behind madhouse bars; an illegal immigrant offered the love of a flawed beauty who will echo both in his future and his past; a Texas woman born into a life that will either kill her or take a lifetime to survive; and many more of the people occupying the Borderlands.

    It is the story of a proper man, an upstanding citizen who comes to epitomize the decorous values of his New York suburban town. Yet as his story unfolds, precipitated by events that take place around him, we see his life begin to unravel. Courteous, honest, hardworking, and impenetrable, Franklin Hata, a Japanese man of Korean birth, is careful never to overstep his bounds. He makes his neighbors feel comfortable in his presence, keeps his garden well tended, bids his customers good-bye at the doorway to his medical supply shop, and ignores the taunts of local boys. Now facing his retirement years alone, Hata begins to reflect on the price he's had to pay for living this quiet "gesture life."After suffering minor injuries in an accidental fire, he remembers the painful, failed relationships of his past; with Mary Burns, a widow with whom he had an affair, and with Sunny, a Korean girl he adopted when she was seven, who is now a grown woman he hasn't spoken to or seen in years. As Hata recalls the strained, troubled relationship with Sunny, he begins to understand why his daughter, unlike himself, "felt no more at home in this town, or in this house of mine, or perhaps even with me, than when she first arrived at Kennedy Airport."Unknown to Sunny, there is a secret that has shaped the core of Hata's being; his terrible, forbidden love for a young Korean woman from his past. Serving as a medic in the Japanese army during World War II, Hata was assigned the task of overseeing the female "volunteers; women taken against their will to provide sexual favors for the men in the battalion. One of these "comfort women" he came to love. These remembrances, tinged with grief and regret, ultimately draw Hata once again to his daughter; and help him begin to attain a more truthful understanding of himself.

    L. Kennedy comes a flamboyantly stylish and fiercely emotional novel about fathers and daughters, creation and self-destruction, and love’s paradoxical power to heal its most devastated victims. One such victim is Nathan Staples, a writer whose hilarious contempt for humanity is surpassed only by his corrosive self-loathing. Along with five equally dysfunctional colleagues Nathan lives on an island retreat off the coast of Wales, where he yearns for the daughter he lost years before. Now, in defiance of all his hopes, Mary Lamb–herself an aspiring writer–is about to join him as the seventh member of the colony. As Nathan tortuously wins the trust of the child who has no inkling of their true relationship, Mary comes to a gradual understanding of her gift. In Everything You Need, A. L. Kennedy combines the mythic resonance of Arthurian legend with a sensibility as lyrical as it is profane.

    "Leon Trotsky is trying to kill me," thinks Joseph Stalin. It's a paranoid lie, but all too real to Stalin. Trotsky, in exile in Mexico City, is writing a biography of Stalin that may offer proof of a secret crime that could force Stalin from power. What will Trotsky disclose before the long hand of Stalin reaches him and eliminates the threat? The prospect leads Stalin to reflect on his own life—the sly and domineering schoolboy battling a sadistic father... a youthful poet, thief, and seminarian who questions morality, evil, and the existence of God until he finds answers that free him to a life of power and slaughter. Stalin takes us deeper and deeper into his life and into the labyrinth of his psyche until we are finally alone with him. The Autobiography of Joseph Stalin is a mesmerizing journey to the very heart of evil.

    In the second part, Petal's grandson, Solomon, describes how he surveyed the best route down the mountain in preparation for building the region's first road. In the third part, Solomon's son David, tells of building the first turnpike through the wilderness.

    Has Robert's bride forsaken her selfness for Robert just as the Mummy did for the Egyptian princess? Will an older brother's lifelong efforts in mimicking Godzilla eventually reach through to his ever more withdrawn sister? Or are there depths that even "Big Greenie" can't plummet? Do werewolves stalk the streets of a Lithuanian village? Or do the vintage WWII fighter planes flying overhead remind us that something much more horrible, much more concrete, might yet remain? While Mayo's vision is dark, it is not unremittingly so. In the playful "Who Made You" the Baltimore Catechism's rote questions offer an unexpected anchor to a couple on the verge of separation and financial disaster. Dark or light Mayo's skein of words threads insistently, beautifully, and poignantly.

    In his sixteenth volume of short fiction, The Anniversary, and Other Stories, he once again brings his keen insight and great understanding to the moral dilemmas of America's high society.These nine wonderfully nuanced tales center on people looking back on the sweep of their lives. Crisscrossing a tumultuous century, their stories evoke lives both blessed and cursed by good fortune and reveal with aching clarity the ethical conflicts of this rich milieu. Here are vignettes that capture the loves and jealousies of marriage and friendship, that recall days of a rarefied aristocracy and hint at a new, emerging elite. In the title story, a tour de force of humor and emotion a clergyman prepares a toast for his twenty-fifth wedding anniversary but keeps getting stuck over his wife's five-year affair. Whether these stories concern a savvy courtesan, a repentant headmaster, or any of a dozen other memorable characters, they offer a soulful glimpse into an uncommon world -- and all the while surprise us with their universal themes of passion, betrayal, and redemption.

    He silently shares the family home with his sister Daze, who is nearly blinded by bitterness, obsessed with her mother's reputation as a loose, lustful woman. Since his angry teenage years as a scholarship student at a posh, segregated school, Ned's life has been marred by a violence that erupts loudly and quickly disappears, leaving him filled with secrets and regret. When one last hope for deliverance emerges, however, both brother and sister are forced to come to terms with their heritage.

    As his mind wanders through the gloom he finds it peopled with memories of his neglected wife, his pale shadow of a father, his icily glamorous mother and Alexander, the son she so jealously loved, killed in the First World War. With only his ill-tempered alcoholic gardener left to attend to him, Mr Prendergast is content to pass his days in such ghostly company. Until young Diarmid arrives, keen-eyed and carrot-haired, to disperse the gathering darkness with curiosity, and the promise of friendship.

    Eventually, Price spent two more novels, A Generous Man and Good Hearts, with this single family, telling a story of devotion and endurance that is now the hallmark of one of the most illustrious careers in American letters.