Here, an indigenous researcher issues a clarion call for the decolonization of research methods.The book is divided into two parts. In the first, the author critically examines the historical and philosophical base of Western research. Extending the work of Foucault, she explores the intersections of imperialism, knowledge and research, and the different ways in which imperialism is embedded in disciplines of knowledge and methodologies as 'regimes of truth'. Providing a history of knowledge from the Enlightenment to Postcoloniality, she also discusses the fate of concepts such as 'discovery, 'claiming' and 'naming' through which the west has incorporated and continues to incorporate the indigenous world within its own web.The second part of the book meets the urgent need for people who are carrying out their own research projects, for literature which validates their frustrations in dealing with various western paradigms, academic traditions and methodologies, which continue to position the indigenous as 'Other'. In setting an agenda for planning and implementing indigenous research, the author shows how such programmes are part of the wider project of reclaiming control over indigenous ways of knowing and being.Exploring the broad range of issues which have confronted, and continue to confront, indigenous peoples, in their encounters with western knowledge, this book also sets a standard for truly emancipatory research. It brilliantly demonstrates that "when indigenous peoples become the researchers and not merely the researched, the activity of research is transformed."

    She wants to use brown paint for her skin. But when she and her mother take a walk through the neighborhood, Lena learns that brown comes in many different shades.Through the eyes of a little girl who begins to see her familiar world in a new way, this book celebrates the differences and similarities that connect all people.Karen Katz created this book for her daughter, Lena, whom she and her husband adopted from Guatemala six years ago.

    José Esteban Muñoz looks at how those outside the racial and sexual mainstream negotiate majority culture—not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Muñoz calls this process “disidentification,” and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. By examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, and television, Muñoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America.Muñoz calls attention to the world-making properties found in performances by queers of color—in Carmelita Tropicana’s “Camp/Choteo” style politics, Marga Gomez’s performances of queer childhood, Vaginal Creme Davis’s “Terrorist Drag,” Isaac Julien’s critical melancholia, Jean-Michel Basquiat’s disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres’s performances of “disidentity,” and the political performance of Pedro Zamora, a person with AIDS, within the otherwise artificial environment of the MTV serial The Real World.

    In 'Destined to Witness', Hans Massaquoi has crafted a beautifully rendered memoir -- an astonishing true tale of how he came of age as a black child in Nazi Germany. The son of a prominent African and a German nurse, Hans remained behind with his mother when Hitler came to power, due to concerns about his fragile health, after his father returned to Liberia. Like other German boys, Hans went to school; like other German boys, he swiftly fell under the Führer's spell. So he was crushed to learn that, as a black child, he was ineligible for the Hitler Youth. His path to a secondary education and an eventual profession was blocked. He now lived in fear that, at any moment, he might hear the Gestapo banging on the door -- or Allied bombs falling on his home. Ironic, moving, and deeply human, Massaquoi's account of this lonely struggle for survival brims with courage and intelligence.

    Hers is a beautiful and daring vision of political, spiritual, and ecological transformation."All Our Relations" features chapters on the Seminoles, the Anishinaabeg, the Innu, the Northern Cheyenne, and the Mohawks, among others."One of the pleasures of reading "All Our Relations" is discovering the unique voices of Native people, especially Native women, speaking in their own Native truths."-"Women's Review of Books"..".as Winona LaDuke describes, in moving and often beautiful prose, [these] misdeeds are not distant history but are ongoing degradation of the cherished lands of Native Americans."-"Public Citizen News"..".a rare perspective on Native history and culture."-"Sister to Sister/S2S""Hers is a beautiful and daring vision of political, spiritual, and ecological transformation. "All Our Relations" is essential reading for everyone who cares about the fate of the Earth and indigenous peoples."-"Winds of Change""No ragtag remnants of lost cultures here. Strong voices of old, old cultures bravely trying to make sense of an Earth in chaos."-"Whole Earth"

    This 1999 revised work includes material that builds on issues and concerns raised in the first edition: Native Hawaiian student organizing at the University of Hawai'i; the master plan of the Native Hawaiian self-governing organization Ka Lahui Hawai'i and its platform on the four political arenas of sovereignty; the 1989 Hawai'i declaration of the Hawai'i ecumenical coalition on tourism; and a typology on racism and imperialism. Brief introductions to each of the previously published essays brings them up to date and situates them in the current Native Hawaiian rights discussion.

    Whether he is writing a scholarly book or an article for Newsweek, whether he is speaking of Emerson, Gramsci, or Marvin Gaye, his work radiates a passion that reflects the rich traditions he draws on and weaves together: Baptist preaching, American transcendentalism, jazz, radical politics. This anthology reveals the dazzling range of West's work, from his explorations of ”Prophetic Pragmatism” to his philosophizing on hip-hop.The Cornel West Reader traces the development of West's extraordinary career as academic, public intellectual, and activist. In his essays, articles, books, and interviews, West emerges as America's social conscience, urging attention to complicated issues of racial and economic justice, sexuality and gender, history and politics. This collection represents the best work of an always compelling, often controversial, and absolutely essential philosopher of the modern American experience.

    Such words assume a special ferocity when the development in question is public housing. Lisa Belkin penetrates the prejudices, myths, and heated emotions stirred by the most recent trend in public housing as she re-creates a landmark case in riveting detail, showing how a proposal to build scattered-site public housing in middle-class neighborhoods nearly destroyed an entire city and forever changed the lives of many of its citizens.-- Public housing projects are being torn down throughout the United States. What will take their place? Show Me a Hero explores the answer.-- An important and compelling work of narrative nonfiction in the tradition of J. Anthony Lukas's Common Ground.-- A sweeping yet intimate group portrait that assesses the effects of public policy on individual human lives.

    Williams--one of the most influential black activists of the generation that toppled Jim Crow and forever altered the arc of American history. In the late 1950s, as president of the Monroe, North Carolina, branch of the NAACP, Williams and his followers used machine guns, dynamite, and Molotov cocktails to confront Klan terrorists. Advocating armed self-reliance by blacks, Williams challenged not only white supremacists but also Martin Luther King Jr. and the civil rights establishment. Forced to flee during the 1960s to Cuba--where he broadcast Radio Free Dixie, a program of black politics and music that could be heard as far away as Los Angeles and New York City--and then China, Williams remained a controversial figure for the rest of his life. Historians have customarily portrayed the civil rights movement as a nonviolent call on America's conscience--and the subsequent rise of Black Power as a violent repudiation of the civil rights dream. But Radio Free Dixie reveals that both movements grew out of the same soil, confronted the same predicaments, and reflected the same quest for African American freedom. As Robert Williams's story demonstrates, independent black political action, black cultural pride, and armed self-reliance operated in the South in tension and in tandem with legal efforts and nonviolent protest.Stunning. . . . Radio Free Dixie presents an engaging portrait of one man's continuous struggle to resist political and social oppression.--Emerge[A] radiant biography. . . . Tyson is that rarest of writers: a successful scholar who can actually tell a compelling story in clear, even handsome language.--Village Voice Literary SupplementTyson's firecracker text crackles with brilliant and lasting images of black life . . . across the South in the '40s, '50s and '60s. . . . Tyson successfully portrays Williams as a troubled visionary, a strong, stubborn and imperfect man, one who greatly influenced what became the Black Power Movement and its young leaders.--Publishers WeeklyThis book tells the riveting story of controversial black activist Robert F. Williams (1925-1996). In the late 1950s, as president of the Monroe, North Carolina, NAACP, Williams organized armed resistance to KKK terrorists--in the process challenging not only white supremacists but also Martin Luther King Jr. and the civil rights establishment. As Radio Free Dixie reveals, however, the civil rights movement and the Black Power movement grew out of the same soil, confronted the same predicaments, and were much closer than traditional portrayals suggest. In the civil rights-era South, independent black politics, black cultural pride, and armed self-reliance operated in tension and in tandem with legal efforts and nonviolent protests in the quest for African American freedom.

    The essays, manifestos, interviews, and documents assembled here, contextualized with critical commentaries from Marable and Mullings, introduce the reader to the character and important controversies of each period of black history. The selections represent a broad spectrum of ideology. Conservative, radical, nationalistic, and integrationist approaches can be found in almost every period, yet there have been striking shifts in the evolution of social thought and activism. The editors judiciously illustrate how both continuity and change affected the African-American community in terms of its internal divisions, class structure, migration, social problems, leadership, and protest movements. They also show how gender, spirituality, literature, music, and connections to Africa and the Caribbean played a prominent role in black life and history. To view the companion study guide, please click here http: //www.rowmanlittlefield.com/ISBN/074252...

    Sociologist Duneier, author of Slim's Table, offers an accessible and compelling group portrait of several poor black men who make their livelihoods on the sidewalks of Greenwich Village selling secondhand goods, panhandling, and scavenging books and magazines.Duneier spent five years with these individuals, and in Sidewalk he argues that, contrary to the opinion of various city officials, they actually contribute significantly to the order and well-being of the Village. An important study of the heart and mind of the street, Sidewalk also features an insightful afterword by longtime book vendor Hakim Hasan. This fascinating study reveals today's urban life in all its complexity: its vitality, its conflicts about class and race, and its surprising opportunities for empathy among strangers.Sidewalk is an excellent supplementary text for a range of courses:INTRODUCTION TO SOCIOLOGY: Shows how to make important links between micro and macro; how a research project works; how sociology can transform common sense.RACE AND ETHNIC RELATIONS: Untangles race, class, and gender as they work together on the street.URBAN STUDIES: Asks how public space is used and contested by men and women, blacks and whites, rich and poor, and how street life and political economy interact.DEVIANCE: Looks at labeling processes in treatment of the homeless; interrogates the "broken windows" theory of policing.LAW AND SOCIETY: Closely examines the connections between formal and informal systems of social control.METHODS: Shows how ethnography works; includes a detailed methodological appendix and an afterword by research subject Hakim Hasan.CULTURAL ANTHROPOLOGY: Sidewalk engages the rich terrain of recent developments regarding representation, writing, and authority; in the tradition of Elliot Liebow and Ulf Hannerz, it deals with age old problems of the social and cultural experience of inequality; this is a telling study of culture on the margins of American society.CULTURAL STUDIES: Breaking down disciplinary boundaries, Sidewalk shows how books and magazines are received and interpreted in discussions among working-class people on the sidewalk; it shows how cultural knowledge is deployed by vendors and scavengers to generate subsistence in public space.SOCIOLOGY OF CULTURE: Sidewalk demonstrates the connections between culture and human agency and innovation; it interrogates distinctions between legitimate subcultures and deviant collectivities; it illustrates conflicts over cultural diversity in public space; and, ultimately, it shows how conflicts over meaning are central to social life.

    With several thousand black and white members, the Hairstons share a complex and compelling history: divided in the time of slavery, they have come to embrace their past as one family.The black family's story is most exceptional. It is the account of the rise of a remarkable people—the children, grandchildren, and great-grandchildren of slaves—who took their rightful place in mainstream America.In contrast, it has been the fate of the white family—once one of the wealthiest in America—to endure the decline and fall of the Old South, and to become an apparent metaphor for that demise. But the family's fall from grace is only part of the tale. Beneath the surface lay a hidden history—the history of slavery's curse and how that curse plagued slaveholders for generations.For the past seven years, journalist Wiencek has listened raptly to the tales of hundreds of Hairston relatives, including the aging scions of both the white and black clans. He has crisscrossed the old plantation country in Virginia, North Carolina, and Mississippi to seek out the descendants of slaves. Visiting family reunions, interviewing family members, and exploring old plantations, Wiencek combs the far-reaching branches of the Hairston family tree to gather anecdotes from members about their ancestors and piece together a family history that involves the experiences of both plantation owners and their slaves. He expertly weaves the Hairstons' stories from all sides of historical events like slave emancipation, Reconstruction, school segregation, and lynching.Paradoxically, Wiencek demonstrates that these families found that the way to come to terms with the past was to embrace it, and this lyrical work, a parable of redemption, may in the end serve as a vital contribution to our nation's attempt to undo the twisted historical legacy of the past.

    Begun in the 1870s, it was intended, in the words of government officials, to bring these children into the “circle of civilization,” the results, however, were far different. More often, the schools provided an inferior education in an atmosphere of neglect, disease, and often abuse.     Using previously unreleased government documents, historian John S. Milloy provides a full picture of the history and reality of the residential school system. He begins by tracing the ideological roots of the system, and follows the paper trail of internal memoranda, reports from field inspectors, and letters of complaint. In the early decades, the system grew without planning or restraint. Despite numerous critical commissions and reports, it persisted into the 1970s, when it transformed itself into a social welfare system without improving conditions for its thousands of wards. A National Crime shows that the residential system was chronically underfunded and often mismanaged, and documents in detail and how this affected the health, education, and well-being of entire generations of Aboriginal children.

    Taking us inside the New Orleans slave market, the largest in the nation, where 100,000 men, women, and children were packaged, priced, and sold, Walter Johnson transforms the statistics of this chilling trade into the human drama of traders, buyers, and slaves, negotiating sales that would alter the life of each. What emerges is not only the brutal economics of trading but the vast and surprising interdependencies among the actors involved.Using recently discovered court records, slaveholders' letters, nineteenth-century narratives of former slaves, and the financial documentation of the trade itself, Johnson reveals the tenuous shifts of power that occurred in the market's slave coffles and showrooms. Traders packaged their slaves by "feeding them up," dressing them well, and oiling their bodies, but they ultimately relied on the slaves to play their part as valuable commodities. Slave buyers stripped the slaves and questioned their pasts, seeking more honest answers than they could get from the traders. In turn, these examinations provided information that the slaves could utilize, sometimes even shaping a sale to their own advantage.Johnson depicts the subtle interrelation of capitalism, paternalism, class consciousness, racism, and resistance in the slave market, to help us understand the centrality of the "peculiar institution" in the lives of slaves and slaveholders alike. His pioneering history is in no small measure the story of antebellum slavery.

    Cathcart wrote a long piece about the murder and all its ramifications for Granta magazine (59), and this is the basis for his book: an account of the crime, the investigation and the criminal culture of South-East London that gave rise to the murderers.

    Douglas examines the function of sexuality in White culture and the denigration and exploitation of Black sexuality through a discussion of White cultural myths, stereotypes, laws and customs concerning Black women and men. Part Two studies how Blacks have responded to sexual myths and stereotypes by retreating into silence on the subject of sexuality. In this section, Douglas discusses the function and role of sexuality in the Black church and community, homophobia/heterosexuality and how Black sexuality is portrayed in Black fictional literature. Finally, she explores the importance of sexuality and sexual discourse to the Christian theological mandate and to Black churches.

    Du Bois and assisted by an eminent advisory board, Harvard scholars Henry Louis Gates, Jr., and Kwame Anthony Appiah have created the first scholarly encyclopedia to take as its scope the entire history of Africa and the African Diaspora.Beautifully designed and richly illustrated with over a thousand images - maps, tables, charts, photographs, hundreds of them in full color - this single-volume reference includes more than three thousand articles and over two million words. The interplay between text and illustration conveys the richness and sweep of the African and African American experience as no other publication before it. Certain to prove invaluable to anyone interested in black history and the influence of African culture on the world today, Africana is a unique testament to the remarkable legacy of a great and varied people.With entries ranging from ”affirmative action” to ”zydeco,” from each of the most prominent ethnic groups in Africa to each member of the Congressional Black Caucus, Africana brings the entire black world into sharp focus. Every concise, informative article is referenced to others with the aim of guiding the reader through such wide-ranging topics as the history of slavery; the civil rights movement; African-American literature, music, and art; ancient African civilizations; and the black experience in countries such as France, India, and Russia.More than a book for library reference, Africana will give hours of reading pleasure through its longer, interpretive essays by such notable writers as Stanley Crouch, Gerald Early, Randall Kennedy, and Cornel West. These specially commissioned essays give the reader an engaging chronicle of the religion, arts, and cultural life of Africans and of black people in the Old World and the New.

    In this collection, she gives voice to the Japanese immigrants of the American West. In an unforgiving land of dirt and sagebrush, mothers labor to teach their children of the ocean, old men are displaced by geography and language, and the ghosts of Hiroshima clamor for peace. Lee Ann Roripaugh's exquisitely crafted poems rise from the pages of Beyond Heart Mountain burdened with memory and pain, yet converting these to powerful art--art that is like "the pattern of kimono found burned into a woman after Hiroshima . . . almost too beautiful, too horrible . . . to bear." Remember to raise bright orbs of rice-paper lanterns by the goldfish pond, so they can watch for me with the yellow, unblinking gaze of nocturnal things . . . --from "Peony Lantern"

    And while African Americans make up only 13 percent of the U.S. population, they account for more than 55 percent of all newly diagnosed HIV infections. These alarming developments have caused reactions ranging from profound grief to extreme anger in African-American communities, yet the organized political reaction has remained remarkably restrained. The Boundaries of Blackness is the first full-scale exploration of the social, political, and cultural impact of AIDS on the African-American community. Informed by interviews with activists, ministers, public officials, and people with AIDS, Cathy Cohen unflinchingly brings to light how the epidemic fractured, rather than united, the black community. She traces how the disease separated blacks along different fault lines and analyzes the ensuing struggles and debates. More broadly, Cohen analyzes how other cross-cutting issues—of class, gender, and sexuality—challenge accepted ideas of who belongs in the community. Such issues, she predicts, will increasingly occupy the political agendas of black organizations and institutions and can lead to either greater inclusiveness or further divisiveness.The Boundaries of Blackness, by examining the response of a changing community to an issue laced with stigma, has much to teach us about oppression, resistance, and marginalization. It also offers valuable insight into how the politics of the African-American community—and other marginal groups—will evolve in the twenty-first century.

    And, in a new afterword for this second edition, he reflects on Ali’s legacy in the era of the ‘war on terror’.

    Valenzuela argues that schools subtract resources from youth in two major ways: firstly by dismissing their definition of education and secondly, through assimilationist policies and practices that minimize their culture and language. A key consequence is the erosion of students' social capital evident in the absence of academically oriented networks among acculturated, U.S.-born youth.

    During these times, characterized by some as “worse than slavery,” African Americans fought the status quo, acquiring education and land and building businesses, churches, and communities, despite laws designed to segregate and disenfranchise them. White supremacy prevailed, but did not destroy, the spirit of the black community.Incorporating anecdotes, the exploits of individuals, first-person accounts, and never- before-seen images and graphics, The Rise and Fall of Jim Crow is the story of the African American struggle for freedom following the end of the Civil War. A companion volume to the four-part PBS television series, which took seven years to write, research, and edit, the book documents the work of such figures as the activist and separatist Benjamin “Pap” Singleton, anti-lynching crusader Ida B. Wells, and W.E.B. Du Bois and Booker T. Washington. It examines the emergence of the black middle class and intellectual elite, and the birth of the NAACP.The Rise and Fall of Jim Crow also tells the stories of ordinary heroes who accomplished extraordinary things: Charlotte Hawkins Brown, a teacher who founded the Palmer Memorial Institute, a private black high school in North Carolina; Ned Cobb, a tenant farmer in Alabama who became a union organizer; Isaiah Montgomery, who founded Mound Bayou, an all-black town in Mississippi; Charles Evers, brother of civil rights leader Medgar Evers, who fought for voter registration in Mississippi in the 1940s. And Barbara Johns, a sixteen-year-old Virginia student who organized a student strike in 1951. The strike led to a lawsuit that became one of the five cases the United States Supreme Court reviewed when it declared segregation in education illegal.As the twenty-first century rolls forward, we are losing the remaining survivors of this pivotal era. Rich in historical commentary and eyewitness testimony by blacks and whites who lived through the period, The Rise and Fall of Jim Crow is a poignant record of a time when indignity and terror constantly faced off against courage and accomplishment.

    — Arthur Sze

    His road trip was a remarkable socio-cultural adventure for an outsider. He was British, journalistically curious, and black. As he traveled by Greyhound bus through the former Confederate states, he experienced an awakening. He felt culturally tied to this strange yet familiar place. Though a Briton by birth and the child of emigrants from Barbados, he felt culturally alien in his native land. In Dixie, however, he met African Americans whose racial distinctiveness was similar to his own. To local blacks he looked like a brother, while sounding intriguingly foreign. As he assessed their political rise in the South, he noted too how African American tradition seemed static and unchanged. It was a refreshing whiff of "home." Awakened to his own identity as a black in a predominantly white society and absorbed by a sense of southern myth and racial history, he produced this account, a blend of travel writing, historical research, wit, and social commentary. His probing examination of the Southland gives fresh perspective on race relations in America. Originally published in England, No Place Like Home is "more than a piece of travel writing," praised the London Evening Standard, "[but] a compelling exploration of racial identity and the problems of growing up clever, black, and angry in small-town Stevenage. . . . Younge is a fine journalist--thoroughgoing, clear-minded, and meticulous, and he writes in a measured, lucid prose. . . . Next, please take a trip around the UK, Gary Younge, and write about it. Your country needs you." Gary Younge is a columnist and feature writer for the London Guardian. In this post he has written extensively from the United States, South Africa, and Europe. In 1996 he worked at the Washington Post as recipient of a Laurence Stern Fellowship.

    Her critically acclaimed and award-winning memoir Warriors Don't Cry chronicled her junior year in high school, the year President Eisenhower took unprecedented, historic action by sending federal troops to escort Melba and her eight black classmates into a previously all-white school. Now, in answer to the often repeated question "What happened next?" Melba has written White Is a State of Mind. Compelled to flee the violent rage percolating in her hometown, young Melba was brought by the NAACP to a safe haven in Santa Rosa, California. This is the story of how she survived - healed from the wounds inflicted on her by an angry country. It is the inspirational story of how she overcame that anger with the love and support of the white family who took her in and taught her she didn't have to yearn for the freedom she assumed she could never really have because of the color of her skin. They taught her that white is a state of mind - that she could alter her state of mind to claim fully her own freedom and equality.

    He examines the rise of a new black political class in the aftermath of the civil rights era, and bluntly denounces black leadership that is not accountable to a black constituency; such leadership, he says, functions as a proxy for white elites. Reed debunks as myths the 'endangered black male" and the "black underclass, " and punctures what he views as the exaggeration and self-deception surrounding the black power movement and the Malcolm X revival. He chastises the Left, too, for its failure to develop an alternative politics, then lays out a practical leftist agenda and reasserts the centrality of political action.

    Du Bois Institute for Afro-American Research at Harvard University.American life is filled with talk of progress and equality, especially when the issue is that of race. But has the history of race in America really been the continuous march toward equality we'd like to imagine it has? This sweeping history of race in America argues quite the opposite: that progress toward equality has been sporadic, isolated, and surrounded by long periods of stagnation and retrenchment.

    Conceived by acclaimed novelist Walter Mosley and sponsored by the New York University Africana Studies Program and the Institute of African American Affairs, this book originated as a series of community conversations where "visionaries with solutions" shared powerful views on personal and communal struggles, triumphs, and aspirations. The list of contributors suggests the range of perspectives and talents brought to bear on such issues as economics, political power, work, authority, and culture. Black Genius is a point of departure for vigorous discussion of our current realities and goals for the future-and a portrait of "genius" that leads the way to enriching American life in the twenty-first century.

    Using social dominance theory, it is presumed that it is also a basic grammar of social power shared by all societies in common. We use social dominance theory in an attempt to identify the elements of this grammar and to understand how these elements interact and reinforce each other to produce and maintain group-based social hierarchy.

    It argues that indigenous peoples must return to their political traditions and use these traditions to educate a new generation of leaders committed to values and the preservation of indigenous nationhood.

    In this book, Laurel Holliday explores how far society has come as she presents 38 African Americans who share their experiences.

    It proposes that this problem requires a national solution as it is organically connected to the social, economic, and political challenges confronting the multiethnic island republic.

    A sweeping panorama of plantation life before the Civil War, this book reveals that slaves frequently rebelled against their masters and ran away from their plantations whenever they could. For generations, important aspects about slave life on the plantations of the American South have remained shrouded. Historians thought, for instance, that slaves were generally pliant and resigned to their roles as human chattel, and that racial violence on the plantation was an aberration. In this precedent setting book, John Hope Franklin and Loren Schweninger demonstrate that, contrary to popular belief, significant numbers of slaves did in fact frequently rebel against their masters and struggled to attain their freedom. By surveying a wealth of documents, such as planters' records, petitions to county courts and state legislatures, and local newspapers, this book shows how slaves resisted, when, where, and how they escaped, where they fled to, how long they remained in hiding, and how they survived away from the plantation. Of equal importance, it examines the reactions of the white slaveholding class, revealing how they marshaled considerable effort to prevent runaways, meted out severe punishments, and established patrols to hunt down escaped slaves. Reflecting a lifetime of thought by our leading authority in African American history, this book provides the key to truly understanding the relationship between slaveholders and the runaways who challenged the system--illuminating as never before the true nature of the South's most peculiar institution.

    Her dignity and perseverance in bringing her husband's killer to justice - a battle she waged for more than thirty years - have made her an inspiration and role model for millions of women of all ages and races. Yet few people know the private side of this most remarkable of public lives, a side that Myrlie Evers-Williams shares for the first time in Watch Me Fly. Here is a moving and vivid portrait of a childhood within a family of proud, determined Mississippi women; of the harrowing dangers her family faced during the civil rights struggle; of her efforts as a single mother to raise three children while attending college, efforts that left her battling depression; of her opening her heart to another wonderful man, only to lose him to cancer; and of her path from business and civic careers to her brilliant leadership of the NAACP through scandal to a newfound vitality. Watch Me Fly is not just a traditional memoir, however, but what Myrlie Evers-Williams calls an "instructive autobiography, " a book that links her memories to the wisdom she has gained over the years.

    This sea of white faces left for posterity images such as Rosie the Riveter, obscuring the contributions that African American women made to the war effort. In Bitter Fruit, Maureen Honey corrects this distorted picture of women's roles in World War II by collecting photos, essays, fiction, and poetry by and about black women from the four leading African American periodicals of the war period: Negro Digest, The Crisis, Opportunity, and Negro Story.Mostly appearing for the first time since their original publication, the materials in Bitter Fruit feature black women operating technical machinery, working in army uniforms, entertaining audiences, and pursuing a college education. The articles praise the women's accomplishments as pioneers working toward racial equality; the fiction and poetry depict female characters in roles other than domestic servants and give voice to the bitterness arising from discrimination that many women felt. With these various images, Honey masterfully presents the roots of the postwar civil rights movement and the leading roles black women played in it.Containing works from eighty writers, this anthology includes forty African American women authors, most of whose work has not been published since the war. Of particular note are poems and short stories anthologized for the first time, including Ann Petry's first story, Octavia Wynbush's last work of fiction, and three poems by Harlem Renaissance writer Georgia Douglas Johnson. Uniting these various writers was their desire to write in the midst of a worldwide military conflict with dramatic potential for ending segregation and opening doors for women at home.Traditional anthologies of African American literature jump from the Harlem Renaissance to the 1960s with little or no reference to the decades between those periods. Bitter Fruit not only illuminates the literature of these decades but also presents an image of black women as community activists that undercuts gender stereotypes of the era. As Honey concludes in her introduction, "African American women found an empowered voice during the war, one that anticipates the fruit of their wartime effort to break silence, to challenge limits, and to change forever the terms of their lives."

    Vigil follows the movement chronologically from Gonzales’s early attempts to fight discrimination as a participant in local democratic politics to his radical stance as an organizer outside mainstream politics.     Drawing extensively upon FBI documentation that became available under the Freedom of Information Act, Vigil exposes massive surveillance of the Crusade for Justice by federal agents and local police and the damaging effects of such methods on ethnic liberation movements. Vigil complements these documents and the story of Gonzales’s development as a radical with the story of his personal involvement in the movement. The Crusade for Justice describes one of the most important Chicano organizations against prejudice.

    Native American Studies. Winner of the North American Native Authors First Book Award. Deborah Miranda's INDIAN CARTOGRAPHY provides a psychic and emotional remapping of the Native American world of the West Coast. In lyric verse that is sometimes spare, sometimes dramatic, Miranda charts a homeward journey through the heart's territory --a land that has long been torn, disrupted, and colonized in the harshest sense of that word --Janice Gould. The first poem grabbed my wrist and held me for the duration. The prose is equally alive and its images have the precision and the edge of the finest poetry. Seamless back and forth journey from one little girl to another, one woman to another, one memory to another. All distinct yet connected. One long scream from a heart who will not stop living, whose life is an affirmation of survival --Wendy Rose. Miranda's poetry and essays have appeared in Bricolage, Calyx, Calloo, The Cimarron Review, Raven Chronicles, and Soujourner.

    Discussing the inter-relationship between African American language, culture and education, Talkin' that Talk is divided into sections, each introduced by the author, which include: * African American language and education* Language theory, research and the Black intellectual tradition* Black language and culture* Black women's discourse* Language policy and global multilingualism.

    The career of Norton and Margot, a ballroom dance team whose work was thwarted by the racial tenets of the era, serves as the barometer of the times and acts as the tour guide on this excursion through the worlds of African American vaudeville, black and white America during the swing era, the European touring circuit, and pre-Civil Rights era racial etiquette.

    Shuttlesworth took it as a sign that God would protect him on the mission that had made him a target that night. Standing in front of his demolished home, Shuttlesworth vigorously renewed his commitment to integrate Birmingham's buses, lunch counters, police force, and parks. The incident transformed him, in the eyes of Birmingham's blacks, from an up-and-coming young minister to a virtual folk hero and, in the view of white Birmingham, from obscurity to rabble-rouser extraordinaire.From his 1956 founding of the Alabama Christian Movement for Human Rights through the historic demonstrations of 1963, driven by a sense of divine mission, Shuttlesworth pressured Jim Crow restrictions in Birmingham with radically confrontational acts of courage. His intensive campaign pitted him against the staunchly segregationist police commissioner Eugene "Bull" Connor and ultimately brought him to the side of Martin Luther King Jr. and to the inner chambers of the Kennedy White House.First published in 1999, Andrew Manis's award-winning biography of "one of the nation's most courageous freedom fighters" demonstrates compellingly that Shuttleworth's brand of fiery, outspoken confrontation derived from his prophetic understanding of the pastoral role. Civil rights activism was tantamount to salvation in his understanding of the role of Christian minister.

    Cone's essays, including several new pieces. Representing the breadth of his life's work, this collection opens with the birth of black theology, explores its relationship to issues of violence, the developing world, and the theological touchstone embodied in African-American spirituals. Also included here is Cone's seminal work on the theology of Martin Luther King, Jr., and the philosophy of Malcolm X, and a compelling examination of their contribution to the roots of black theology. Far-reaching and provocative, Risks of Faith is a must-read for anyone interesting in religion and its political and social impact on our time.

    Adopted into a white family in rural Vermont-America's whitest state, it became an important part of her sense of identity that she find herself reflected in people and things that were brown.

    This book brings together her most important and influential essays, ranging over such topics as the necessity for racially diverse school curricula, the construction of literary canons, Zora Neale Hurston’s portraits of “the Folk,” C.L.R. James and Trinidadian nationalism and black women blues artists, and the necessity for racially diverse school curricula.Carby’s analyses of diverse aspects of contemporary culture are invariably sharp and provocative, her political insights shrewd and often against the grain. A powerful intervention, Culture in Babylon will become a standard reference point in future debates over race, ethnicity and gender.

    For them, being left outside the gates of the "White City" merely underscored a more general exclusion from America's bright future.   Exhibits at the fair were controlled by all-white committees, and those that acknowledged African Americans at all, such as the famous Aunt Jemima pancake exhibit, ridiculed and denigrated them. Many African Americans saw the racist policies of the World's Columbian Exposition as mirroring, framing, and reinforcing the larger horrors confronting blacks throughout the United States, where white supremacy meant segregation, second-class citizenship, and sometimes mob violence and lynching.   In response to the politics of exclusion that governed the fair, and of its larger implications, several prominent African Americans resolved to publish a pamphlet that would catalog the achievements of African Americans since the abolition of slavery while articulating the persistent political economy of apartheid in the American South. The authors of this remarkable document included the antilynching crusader Ida B. Wells, the former slave and abolitionist Frederick Douglass, the educator Irvine Garland Penn, and the lawyer and newspaper publisher Ferdinand L. Barnett. An eloquent statement of protest and pride, The Reason Why the Colored American Is Not in the World's Columbian Exposition reminds us that struggles over cultural representation are nothing new in American life. Robert Rydell's introduction provides insight into the sometimes conflicting strategies employed by African Americans as they strove to represent themselves at a cultural event that was widely regarded as a defining moment in American history.

    http://www.columbia.edu/cu/ccbh/souls...

    Some accounts stress the strong alliance for social justice between the two groups during the civil rights movement, while others portray bleaker moments and include accusations of Jewish racism or black anti-Semitism. What is often missing is a larger historical perspective. This volume provides a wide range of analyses and documents that help us move beyond stereotypes and portray the full complexity of black-Jewish relations in America over the past three hundred years. Following two introductory sections addressing "Themes and Issues" and "African Americans as the Chosen People," the book is divided into five historical periods: the Atlantic slave trade and slavery in the New World; emancipation to the Great Depression; the era of the Depression and World War II; World War II through 1967; and 1968 to the present. Each section contains a mix of scholarly articles, historical documents, and contemporary perspectives. A final section entitled "Where Do We Go from Here?" suggests ways to rebuild a coalition between blacks and Jews in the twenty-first century. Throughout the volume, the editors' goal is not to achieve closure but to invite further discussion about the historical relationship between two large, evolving, and diverse peoples. The selections reveal that the experiences of American blacks and Jews, although intersecting at several critical junctures, have not been parallel, and that significant geographical, class, political, and religious differences exist within both communities that preclude easy generalizations.

    This book is about people faced by the strain of belonging and not belonging within the narrow confines of the terms 'Black' or 'White'.This is a unique and radical study. It interweaves the stories of six women of mixed African/African Caribbean and white European heritage with an analysis of the concepts of hybridity and mixed race identity.