Here is his legacy to us: the universal values he pinpoints become the watchwords for our appreciation of Calvino himself.What should be cherished in literature? Calvino devotes one lecture, or memo to the reader, to each of five indispensable qualities: lightness, quickness, exactitude, visibility, and multiplicity. A sixth lecture, on consistency, was never committed to paper, and we are left only to ponder the possibilities. With this book, he gives us the most eloquent defense of literature written in the twentieth century as a fitting gift for the next millennium.

    Essays. 1989 Before Columbus Foundation American Book Award.

    Equal parts cookbook and memoir, Laurie Colwin's "Home Cooking" combines her insightful, good-humored writing style with her lifelong passion for wonderful cuisine in essays such as "Alone in the Kitchen with an Eggplant," "Repulsive Dinners: A Memoir," and "Stuffed Breast of Veal: A Bad Idea." "Home Cooking" is truly a feast for body and soul.

    From tales of vegetarian piranha fish and voiceless dogs to the scientific search for the genes that threaten to destroy the cheetah, Quammen captures the natural world with precision. A distinguished natural science essayist, Quammen’s reporting is masterful and thought provoking and his curiosity and fascination with the world of living things is infectious.

    She writes of our intimate connection with nature, focuses on racial questions, reports on trips to China, Bali, and Jamaica, and more.

    In this first collection of Harlan Ellison's cinema criticism (with expanded, never-before-collected articles as well as an essay written especially for this volume) come from the darkened interiors of a thousand movie houses where this most peculiar of all Observers of the Passing Scene has spent much of his life. The view is guaranteed to make you grind your teeth in anger, nod your head in blessed agreement, and open your eyes in a manner of judging films that is definitely not plebeian. Harlan Ellison's love affair with movies is obvious. As an essayist, he has no equal; as a film critic he has no friends. Take care.

    The five books and nineteen essays collected in this Library of America volume represent all his major work from 1902 until his death in 1910. Most were originally written as lectures addressed to general audiences as well as philosophers and were received with great enthusiasm. His writing is clear, energetic, and unpretentious, and is marked by the devotion to literary excellence he shared with his brother, Henry James. In these works William James champions the value of individual experience with an eloquence and enthusiasm that has placed him alongside Emerson and Whitman as a classic exponent of American democratic culture.In The Varieties of Religious Experience (1902) James explores “the very inner citadel of human life” by focusing on intensely religious individuals of different cultures and eras. With insight, compassion, and open-mindedness, he examines and assesses their beliefs, seeking to measure religion’s value by its contributions to individual human lives.In Pragmatism (1907) James suggests that the conflicting metaphysical positions of “tender-minded” rationalism and “tough-minded” empiricism be judged by examining their actual consequences. Philosophy, James argues, should free itself from unexamined principles and closed systems and confront reality with complete openness.In A Pluralistic Universe (1909) James rejects the concept of the absolute and calls on philosophers to respond to “the real concrete sensible flux of life.” Through his discussion of Kant, Hegel, Henri Bergson, and religion, James explores a universe viewed not as an abstract “block” but as a rich “manyness-in-oneness,” full of independent yet connected events.The Meaning of Truth (1909) is a polemical collection of essays asserting that ideas are made true not by inherent qualities but by events. James delights in intellectual combat, stating his positions with vigor while remaining open to opposing ideas.Some Problems of Philosophy (1910) was intended by James to serve both as a historical overview of metaphysics and as a systematic statement of his philosophical beliefs. Though unfinished at his death, it fully demonstrates the psychological insight and literary vividness James brought to philosophy.Among the essays included are the anti-imperialist “Address on the Philippine Question,” “On Some Mental Effects of the Earthquake,” a candid personal account of the 1906 California disaster, and “The Moral Equivalent of War,” a call for the redirection of martial energies to peaceful ends, as well as essays on Emerson, the role of university in intellectual life, and psychic research.

    Schall has written a delightfully odd book about books, because he believes that (1) to be educated is to confront the great questions about what is; that (2) many modern students, in or out of school, never learn to raise, much less answer, the great questions, thus are uneducated in the deepest sense; and that (3) great books, past and present, which wrestle deeply yet non-technically with these questions rather than passively mirroring popular culture with its myopia and prejudices, can fill this vacuum for anyone, in or out of school. It contains unusually sane reflections on education, unusually reflective reviews of books, and unusually discriminating booklists. Just the book I have wanted to give my students for years." - Peter Kreeft, Boston College "For years I have meant to write such a book as Another Sort of Learning, suggesting how the rising generation might acquire some measure of wisdom despite the intellectual vices or indifferences of the Academy; but I am happy that Schall has forestalled me. It is full of much valuable wisdom." - Russell Kirk, Author, The Conservative Mind "Few teachers can match Fr. Schall at conveying a sense of the life of the mind, few would have the audacity to write about 'what a student owes his teacher', or the charm to carry it off, or the wisdom to make it memorable. He never forgets that 'to learn' is a transitive verb, and that its object is truth." - Joseph Sobran, Editor, National Review

    Scattered throughout are the author’s own petroglyph-style sketches.This new edition adds selections from work that appeared shortly before Abbey’s death: a chapter from Hayduke Lives!, the hilarious sequel to The Monkey Wrench Gang; excerpts from his revealing journals; and examples of his poetry. A new foreword by Doug Peacock—Abbey’s close friend and the model for the flamboyant activist Hayduke—offers a fond appreciation of this larger-than-life figure in American letters.

    Jamaica Kincaid's expansive essay candidly appraises the ten-by-twelve-mile island in the British West Indies where she grew up, and makes palpable the impact of European colonization and tourism. The book is a missive to the traveler, whether American or European, who wants to escape the banality and corruption of some large place. Kincaid, eloquent and resolute, reminds us that the Antiguan people, formerly British subjects, are unable to escape the same drawbacks of their own tiny realm—that behind the benevolent Caribbean scenery are human lives, always complex and often fraught with injustice.

    But we know the hopes, dreams, fears, and wonder expressed in all her columns, for most of us share them. With her NEW YORK TIMES-based column, "LIFE IN THE 30s," Anna Quindlen vaulted to national attention, and this wonderful collection shows why.As she proved in OBJECT LESSONS and THINKING OUT LOUD, Anna Quindlen's views always fascinate.

    (Asimov is) as formidable and readable as ever.--Kirkus Reviews.

    Make a character want something-that's how you begin." William Rodney Allen teaches English at the Louisiana School for Math, Science, and the Arts. He is the author of "Walker Percy: The Southern Wayfarer."

    The little seed in the Styrofoam cup offers a reminder about our own mortality and the delicate nature of life . . . a spider who catches (and loses) a full-grown woman in its web one fine morning teaches us about surviving catastrophe . . . the love story of Jean-Francois Pilatre and his hot-air balloon reminds us to be brave and unafraid to “fly” . . . life lessons hidden in the laundry pile . . . magical qualities found in a box of crayons . . . hide-and-seek vs. sardines—and how these games relate to the nature of God. All I Really Need to Know I Learned in Kindergarten is brimming with the very stuff of life and the significance found in the smallest details.

    Readers will find themselves rethinking many of their bedrock assumptions: Should education transmit culture or defend us against it? Is technological innovation progress or a peculiarly American addiction? When everyone watches the same television programs -- and television producers don't discriminate between the audiences for Sesame Street and Dynasty -- is childhood anything more than a sentimental concept? Writing in the traditions of Orwell and H.L. Mencken, Neil Postman sends shock waves of wit and critical intelligence through the cultural wasteland.

    Whether he's rambling through the Minnesota Blue Mounds, spying on migrating cranes in the Nebraska sandhills, lumbering along the Oregon Trail in an old-fashioned wagon train, contemplating the "unearthly spires" of the Dakota Badlands, clambering up Wyoming's Big Horn Mountains, or getting lost in Montana's Beartooth range, Gruchow is an ideal companion, a writer who makes the quirks and curiosities of the natural world come alive.

    "This anthology of essays on writing and illustrating for children reveals a formidable intelligence and a remarkable degree of empathy with fellow toilers in the field."--Publisher's Weekly

    Gellhorn's ability to get to the truth of a situation heard makes her writing transcend the short shelf life of most reportage.

    This sampler of her work brings together her major poems, short fiction, essays, and a three-act play, The Eternal Feminine. Translated with fidelity to language and cultural nuance, many of these works appear here in English for the first time, allowing English-speaking readers to see the depth and range of Castellanos' work. In her introductory essay, "Reading Rosario Castellanos: Contexts, Voices, and Signs," Maureen Ahern presents the first comprehensive study of Castellanos' work as a sign or signifying system. This approach through contemporary semiotic theory unites literary criticism and translation as an integral semiotic process. Ahern reveals how Castellanos integrated women's images, bodies, voices, and texts to feminize her discourse and create a plurality of new signs/messages about women in Mexico. Describing this process in The Eternal Feminine, Castellanos observes, ". . . it's not good enough to imitate the models proposed for us that are answers to circumstances other than our own. It isn't even enough to discover who we are. We have to invent ourselves."

    The essays deal with such central topics as freedom of the will, moral responsibility, the concept of a person, the structure of the will, the nature of action, the constitution of the self, and the theory of personal ideals. By focusing on the distinctive nature of human freedom, Professor Frankfurt is able to explore fundamental problems of what it is to be a person and of what one should care about in life.

    For Achebe, overcoming Eurocentrism goes hand in hand with eradicating the destructive effects of racism and injustice in Western society. He reveals the impediments that still stand in the way of open, equal dialogue between Africans and Europeans, between blacks and whites, but also instills us with hope that they will soon be overcome.

    

    "We travel an appointed way!" -- a way ordered by the secret script of God's providence. Learning to discern and identify His ways while cultivating a disciplined and obedient walk with God will instill a faith based on certainty, not chance.

    Not only will it sing, but it will tell time too. Or as Fats Domino once observed, 'I don't want to bury the lyrics, man; I want 'em to understand what I'm saying.'" Halflife is captivating. Charles Wright, in disclosing the contents of his journal, reveals the influence of Ezra Pound, Eugenio Montale, Emily Dickinson, Italian painter Giorgio Morandi, and country music legend A.P. Carter.

    Fourteen actors describe the Shakespearean roles they played in productions between 1982 and 1987. A brief biographical note is provided for each of the contributors and an introduction places the essays in the context of the Stratford and London stages, and of the music and design for the particular productions.

    Only two rules applied in selecting the books covered: “No book less than about fifteen years old was eligible;” and “no book that more than two or three of my colleagues had read got considered.”

    Wittgenstein and Emerson are major influences on and subjects of Cavell's thought, and here he thinks and rethinks of these two intellectual forebears. As the title shows, he finds an important crux for contemplation in Emerson's idea of America.

    Twenty-five years after its first French language publication, THEORY, A SUNDAY (2013), a collaborative feminist poetics text, marks the first in Belladonna’s new Germinal Texts series. Written through Sunday meetings in Montreal, this volume gathers six women’s theoretical feminist texts, with a new introduction by Lisa Robertson and afterword by Gail Scott and Rachel Levitsky. Translators of this text include Erica Weitzman, Luise von Flotow, Popahna Brandes, and Nicole Peyrafitte.

    These are some of the things that catch Merrill Gilfillan’s eye and ear in this radiant collection of essays. Written with a poetic economy that often attains grandeur, Magpie Rising is an exhilarating tour of the Great Plains—its geography, wildlife, history, mythology, and food, its vast spaces and weirdly synchronous time. This is nature writing at its most evocative and insightful.

    Landscape artist and fly fishing enthusiast, Russell Chatham, writes about the exploits of his friends in these stories of hunting, food, wine and life changes.

    Much of it has been collected between the covers of this well-packed book. Since these pieces originally appeared in journals as wide-ranging as the TLS, Grand Street, Harper's, Mother Jones, The Nation & Spectator, only the most avid admirer would be likely to have come across them all. In addition to the predictable, eloquent Reagan-bashing, there are thoughtful essays on Paul Scott & his Raj Quartet, the contradictions of George Orwell, the Brideshead phenomenon, that very independent-minded Israeli Professor Israel Shahak, Conor Cruise O'Brien, even something as up-to-date as a perceptive review of Bonfire of the Vanities. Hitchens writes clearly, from a well-stocked mind, & is free of the cant that affects many political journalists. Why the kinds of views that he & his very kindred spirit Alexander Cockburn express so well never receive an airing on TV, where they'd reach a much wider audience, remains a source of shame to a supposedly free medium. In any case, book & magazine readers can feel fortunate that publishers suffer no such self-imposed restraints. -- Publishers Weekly

    Helps readers understand how God works in their everyday lives. Written in delightful and poetic sense lines. Excellent for RCIA candidates.

    

    Photographs taken by this celebrated group, whose ranks included Dorothea Lange, Ben Shahn, Gordon Parks, Russell Lee and Walker Evans, have since become icons of the 1930s and 1940s. In recent years, however, their work has been reproduced with little discussion of the particular circumstances surrounding its creation.Documenting America takes a fresh look at these remarkable photographs. The book opens with two incisive essays by Lawrence Levine and Alan Trachtenberg that examine issues central to photography and American culture. While Levine explains how the pictures portray the complexity of life in the period, balancing scenes of Depression hard times with images of the pleasures of life, Trachtenberg analyzes the way in which viewers read photographs and the role of the government picture file that stands between the creation of the photographs and their use. Both essayists raise important questions about Stryker's grand ambition of a photographic record of America, about the "ways of seeing" that have grown up around the most famous of these photographs, and about the whole enterprise of documentary photography and the conventions of realism.The images themselves are presented in series selected from groups of pictures created by single photographers. A documentary photographer often makes dozens of exposures to portray different elements of the subject, experiment with camera angles, and cover the stages of an event or steps of a process. By studying these pictures in series, we come closer to the photographer working in the field. We see a tenant farming community in Gee's Bend, Georgia, the activities of the Salvation Army in San Francisco, and the hubbub and commotion that filled Chicago's Union Railway Station in 1943. Texts accompanying each of the book's fifteen series describe the circumstances that gave rise to the creation of the pictures and discuss the relation between government policy and the subjects of the photographs. The nearly three hundred images included vividly portray America in the last bitter years of the Great Depression and the first years of the Second World War.

    Informed, controversial, ranging from a melancholy study of rock and roll's descent into show business to a hilarious look at the spectacle that is the Jerry Lewis Telethon, these twenty essays offer an unusual and (ironically) entertaining study of American media by one of its foremost critics.

    

    The description for this book, The How and the Why, will be forthcoming.

    The tussle between the father and the son was the most poignant and pathetic stories of their lives. Gandhi,who was busy attending meetings and conferences where the fate of forty crore Indians was to be decided, would often find headlines in a newspaper screaming 'Police arrested drunk Harilal for creating a scene on the road'. And sometimes, Harilal himself from the dias of the fundamentalist Muslim organization's meeting - 'I shall continue fighting till Ba and Bapu embrace Islam.'In this book the author tries to make an ardent effort to understand yet another enigmatic facet of human life.

    From the jazz scene of New York in 1945 to the state of contemporary fiction in 1986, the essays tell the story of one of America's most vibrant, troubled eras--the post-war years.

    In this collection of four new and thirty-one previously published essays, the author offers his observations on a remarkably broad range of topics, including life, love, marriage, children, suffering, the city, and isolation

    A new preface brings Trimble's critical commentary up to date.Contributors:Edward Abbey , Wendell Berry, Annie Dillard, Gretel Ehrlich. Robert Finch, Linda Hasselstrom, John Hay, Edward Hoagland, Sue Hubbell, Barry Lopez, John Madson, Peter Matthiessen, John McPhee, Gary Paul Nabhan, Richard Nelson, Robert Michael Pyle, David Quammen, Stephen Trimble, Terry Tempest Williams, and Ann Zwinger.

    For many years, James Scully, along with others, quietly radicalized American poetry—in theory and in practice, in how it is lived as well as in how it is written. In eight provocative essays, James Scully argues provocatively for artistic and cultural practice that actively opposes structures of power too often reinforced by intellectual activities.

    He helped bring black music to America's consciousness. He could make people laugh in times when there seemed little to laugh about. An Arkansas traveler and radical minstrel, he commented wryly on events and impaled reactionary southern congressmen on their own words. A kind of Mark Twain of the left, people said. But Lee Hays, for all his great size and talents and humor, was also a difficult man, plagued by self-doubts and a driving need to discombobulate any person or group that struck him as self-satisfied. Lonesome Traveler is the story of a prodigious talent with a zeal for changing the world. With Pete Seeger he formed the popular folksinging group the Weavers, which sang songs of social justice just as a tidal wave of red-hunting hit America. The rest of his legendary story will anger, touch, and delight.

    

    The poets bring to their task a fresh eye and a freshened language, vivid with nuance and color and force.

    It examines India's role in European philosophical thought, as well as the reception of European philosophy in Indian thought. Halbfass also considers the tension in India between a traditional and modern understanding of itself.Halbfass covers a wide variety of epochs and cultures in this study without oversimplification and without distracting shifts of tone. The volume's methodological unity is reflected in Halbfass' reliance on the German hermeneutical tradition and his root characterization of the encounter between Indian and the West as dynamic. It is a contribution rooted in the interpretive tradition typified by the work of Heidegger, Gadamer, and Habermas.This edition is much more than a mere translation. Halbfass has not only translated, but has also revised, updated, and added much new material.

    

    These wonderfully wrought moral tales charm children with bright and basic truths as they delight adults with reflectively subtle, sophisticated facets of wit and wisdom.