Over 350 color black & white photographs and illustrations, including rare photos by Linda McCartney and the first facsimile reproductions of Abbey Road recording sheets, tape boxes, album sleeve roughs, memos, contracts, press releases and much more.

    It chronicles his humble beginnings in the Midwest, his early days with the Jackson 5, and his unprecedented solo success. Giving absolutely unrivalled insight into the King of Pop's life, it details his songwriting process for hits like Beat It, Rock With You, Billie Jean, and We Are the World; describes how he developed his signature dance style, including the Moon Walk; and opens the door to his very private personal relationships with his family, including sister Janet, and stars like Diana Ross, Berry Gordy, Marlon Brando, Quincy Jones, Paul McCartney, and Brooke Shields. At the time of its original publication in 1988, MOONWALK broke the fiercely guarded barrier of silence that surrounded Michael Jackson. Candidly and courageously, Jackson talks openly about his wholly exceptional career and the crushing isolation of his fame, as well as the unfair rumors that have surrounded it. MOONWALK is illustrated with rare photographs from Jackson family albums and Michael's personal photographic archives, as well as a drawing done by Michael exclusively for the book. It reveals and celebrates, as no other book can, the life of this exceptional and beloved musician.

    Big in his plan to enslave all the children in the world with drugs.

    Along with much iconoclastic advice, the authors also provide practical tips on the mechanics of financing, producing, and promoting a pop hit.

    Taken both by Connolly and an assortment of punk enthusiasts, BANNED IN DC is a set of vibrant shots that portray the anarchic spirit, pure energy, and camaraderie of the DC scene in a series of 450 black and white photographs. Major figures in the hardcore movement, like Dischord Records co-owner and then-Minor Threat member Ian MacKaye and Bad Brains vocalist HR, share space with naked musicians, ubiquitous scenesters, shaven-headed audience members, and riotous punks, in a freewheeling combination of pictures and quotes. Vividly capturing the scene's idealistic intensity, BANNED IN DC is an invaluable document of Washington hardcore's exuberance and aspirations.

    Sound reinforcement is the use of audio amplification systems. This book is the first and only book of its kind to cover all aspects of designing and using such systems for public address and musical performance. The book features information on both the audio theory involved and the practical applications of that theory, explaining everything from microphones to loudspeakers. This revised edition features almost 40 new pages and is even easier to follow with the addition of an index and a simplified page and chapter numbering system. New topics covered include: MIDI, Synchronization, and an Appendix on Logarithms. 416 Pages.

    The official Cure biography, illustrated throughout with masses of private and official photographs, press cuttings, and media articles.

    Matching folio to the best-selling album. Includes: Master of Puppets * Battery * Leper Messiah * plus photos.

    Riley offers a new, deeper understanding of the Beatles by closely considering each song and album they recorded in an exploration as rigorous as it is soulful. He tirelessly sifts through the Beatles discography, making clear that the legendary four were more than mere teen idols: They were brilliant innovators who mastered an extremely detailed art. Since the first publication of Tell Me Why in 1988, much new primary source material has appeared -- Paul McCartney's authorized biography, the Anthology CDs and videos, the complete Parlophone-sequenced albums on CD, the Live at the BBCsessions, and the global smash 1. Riley incorporates all the new material in an update that makes this a crucial book for Beatles fans.

    We do not sell ebooks, print on demand, or other reproduced materials. Each item you see here is individually described and imaged. We welcome further inquiries.

    Through the years, the group's trademark razor-sharp choreography, finely tuned harmonies, and compelling vocals made them the exemplars of the Motown style. This is the frank, revealing story of the legendary supergroup, told by its founder.

    Songs include: A Heart Full Of Love; A Little Fall Of Rain; At The End Of The Day; Bring Him Home; Castle On A Cloud; Do You Hear The People Sing?; Drink With Me (To Days Gone By); Empty Chairs At Empty Tables; I Dreamed A Dream; In My Life; Master Of The House; On My Own; Stars; Who Am I?

    This magnificent 6th edition coffee table collection is a Disney lover's dream come true! It is a guided tour through the many legendary years of Disney music, from "Minnie's Yoo Hoo" in 1930 up through "We're All in This Together" from High School Musical . The book begins with an extensive musical history of Disney, followed by beautiful piano/vocal arrangements of 68 Disney classics. Printed on deluxe stock with more than 100 stunning full-color illustrations accompanying the text and music, The Illustrated Treasury of Disney Songs is a keepsake to treasure for years to come! Songs include: The Bare Necessities * Beauty and the Beast * Breaking Free * Circle of Life * Go the Distance * It's a Small World * Look Through My Eyes * Mickey Mouse March * Reflection * Some Day My Prince Will Come * Under the Sea * When You Wish upon a Star * A Whole New World * Winnie the Pooh * You've Got a Friend in Me * You Are the Music in Me * Zip-A-Dee-Doo-Dah * and more.

    The event was surrounded by enigma and intrigue, allegations of poisoning and sexual scandal.

    His 1988 autobiography, newly expanded by his daughter Electra Yourke, tells the fascinating story of his journey from his native Russia to France and the United States, where he became known as a champion of modern music.

    This must-own collection includes 635 songs spanning all jazz styles from more than 9 decades from traditional to swing to modern jazz, carefully chosen chords with common practice chord substitutions, lyrics to accomodate vocalists, easy-to-read music, and composer and performer indexes. Songs include: Maple Leaf Rag * Basin Street Blues * A Night in Tunisia * Lullaby of Birdland * The Girl from Ipanema * Bag's Groove * I Can't Get Started * All the Things You Are * and many more! Editions also available in B-flat and E-flat.

    Written in a cookbook format that requires little math, this practical, user-oriented book covers all the basics for working with digital logic and many of its end appilations.Whether you're a newcomver to logic and electronics or a senior design engineer, you'll find CMOS Cookbook and its examples helpful as a self-learning guide, a reference handbook, a project-idea book, or a text for teaching others digital logic at the high school through university levels.In the pages of this revised edition, you'll discover:*What CMOS is, who makes it, and how the basic transistors, inverters, and logic and transmission gates work*CMOS usage rules, power-suppy examples, and information on breadboards, state testing, tools, and interfacing*Discussions of the latest CMOS devices and sub-families, including the 74C, 74HC, and 74HCT series that streamline TTL and CMOS interfacing*An in-depth look at multivibrators - including astable, monostable, and bistable - and linear techniques*Clocked-logic designs and the extensive applications of JK and D-type flip-flops*A helpful appendix featuring a TTL-to-CMOS conversion chart

    Our matching folio to the historic hard rock album features complete note-for-note transcriptions with tablature. Twelve songs in all: Anything Goes * It's So Easy * Mr. Brownstone * My Michelle * Nightrain * Out Ta Get Me * Paradise City * Rocket Queen * Sweet Child O' Mine * Think About You * Welcome to the Jungle * You're Crazy.

    Volume 1 has unlocked the mysteries of jazz improv for a whole generation of musicians who previously had nowhere to turn for competent rhythm sections and accurate instruction. Features 9 demonstration tracks of Jamey playing the exercises and soloing. The importance of the basic exercises becomes more apparent when you actually hear how the phrases are supposed to sound, and Jamey's solos are the perfect demonstration of how to solo with the CD. Presented in a manner that is easy to understand and inspiring for all musicians wishing to explore the secrets of jazz improv. Includes chapters on scales/chords, developing creativity, improv fundamentals, 12 Blues Scales, Bebop Scales, pentatonic scales, time and feeling, melodic development, ii/V7s, related scales and modes, practical exercises/patterns and licks, Dominant 7th tree of scale choices, nomenclature, chromaticism, scale syllabus, and more! This set, along with Volume 24, MAJOR AND MINOR, can greatly open your ears and improve your playing. Music is fun and this set is the first step to enjoying it. CD includes Blues in Bb and F, Dorian minor tracks, four-measure cadences, cycle of dominants, 24-measure song, and ii/V7 in all keys. Book includes transposed parts for all instruments. RHYTHM SECTION IS: Jamey Aebersold, Piano; Rufus Reid, Bass; Jonathan Higgins, Drums.

    Filled with the witty aphorisms that have made Cage as famous as an esthetic philosopher as a composer, the book offers both an introduction to Cage's way of thinking and a rich gathering of his many thoughts on art, life, and music.

    A member of Cab Calloway's orchestra for sixteen years, he has played with most of the jazz greats of this century including Louis Armstrong, Count Basie, Duke Ellington, Billie Holiday, Benny Goodman, and Dizzy Gillespie. Throughout his career he has photographed artists and personalities in the music scene who have been his mentors, colleagues, and friends. In this book Milt Hinton presents in words and photographs an intimate view of the jazz world. This first person account of his life chronicles his early years in Vicksburg, Mississippi, his family's migration north, and his experiences growing up in Chicago's Southside. Colorful vignettes recall his first jobs as a professional musician and the texture of black urban life in the twenties. As Cab Calloway's bass player, Hinton was part of the New York City music scene in the thirties and forties. His memoir recalls his relationships with well-known musicians and band life on the road, especially as it was affected by segregation. His evocative descriptions of the Cotton Club, the golden age of Harlem, and the subculture of musicians portray a mythic era in the music world. From the mid-fifties to the late sixties, Milt Hinton worked as a freelance studio musician in New York. He describes the studio life, discusses the ways in which the music industry changed, and concludes with his recent activities in music. Throughout the book, approximately 200 photographs, most of which have never before been published, enhance the intimate stories that record a life, a way of life, and a cultural heritage.

    In a fast-paced narrative, Nelson George's book chronicles the rise and fall of "race music" and its transformation into the R&B that eventually dominated the airwaves only to find itself diluted and submerged as crossover music.

    It also features standard notation and tablature, tunes and exercises played at slow and performance speed, and detailed, thorough i

    This revised edition has been expanded to include over 60 Lloyd Webber songs, including: All I Ask of You * Buenos Aires * Close Every Door * Don't Cry for Me Argentina * Gus: the Theatre Cat * I Don't Know How to Love Him * Love Changes Everything * Memory * Oh, What a Circus * The Phantom of the Opera * Pie Jesu * Starlight Express * Tell Me on a Sunday * Unexpected Song * Whistle Down the Wind * You Must Love Me * and more. Includes 25 full-color pages, plus a bio, photo of Lloyd Webber, and table of contents by song and by show.

    104 songs from I-Y, including: If I Fell * In My Life * Lady Madonna * Let It Be * Lucy in the Sky with Diamonds * Maxwell's Silver Hammer * Norwegian Wood * Paperback Writer * Revolution * She Loves You * Things We Said Today * Twist and Shout * When I'm Sixty Four * With a Little Help from My Friends * Yesterday * You've Got to Hide Your Love Away * and more.

    It is a work of stunning power, one that musical artists and audiences worldwide have made a repertoire favorite, and it is reprinted here from the original full score published in Vienna by Universal-Edition in 1912.Based on a cycle of six poems translated from the Chinese by Hans Bethge, Das Lied von der Erde, scored for tenor, alto (or baritone), and orchestra, expresses a dualism of feeling — ecstatic pleasure shadowed by dark foreboding — that characterizes not only Mahler himself but the peculiarly autumnal mood of late Romanticism as well. Throughout, Mahler calls on the orchestra to suggest the exotic atmosphere summoned by the text, and to sustain and supplement the solos with all its resources, both in the accompaniment and the extensive connecting interludes.This sturdily bound, finely produced full score, containing an English translation of the song text is printed on fine-quality paper. It offers both amateur and professional singers and musicians — along with music lovers who enjoy following a love or recorded performance, score in hand — a lifetime of pleasurable study and intimate enjoyment of one of the most celebrated classics of 20th-century music.

    Included are spirituals, blues, work songs, and a variety of social and dance songs.This important volume was originally compiled in 1940 by Dr. John W. Work, the noted musicologist affiliated with Fisk University and the celebrated Fisk Jubilee Singers. In it, he discusses the origins and history of black American folk music, the influence of slavery and African cultures, and the lyric significance of such much-loved songs as "Swing Low, Sweet Chariot," Steal Away to Jesus," "Lord, I Want to Be a Christian," and "John Henry." These informative notes lead up to the heart of the book: the complete words and music for 230 religious and secular songs, including "Study War No More," "Keep Me from Sinking Down," "You May Bury Me in the East," "Rock of Ages," "Go Tell It on the Mountain," and many others.This is an indispensable treasury of music for singers, musicians and all readers seeking a comprehensive sourcebook of black American folk music. It will be equally welcomed at parties, family get-togethers, sing-alongs, church events, and other gatherings where people want to play and sing these classic folk songs that are an integral part of American musical history.

    This procedure is to assemble the New Testament texts on the topic and interpret them, then check this interpretation against usage in early Christian literature outside the New Testament, and finally to examine the doctrinal considerations to determine if the interpretation rests on solid biblical theology.Rather than gathering quotations from secondary literature, my approach is to read the source documents in the original and present the texts in their context. At the time of first edition of the book, mine was the fullest collection of historical statements on early church music readily available. Other studies since that time are largely supportive of the historical facts presented in my work, even if the authors do not consider the evidence normative for today.My conclusion is that the practice of unaccompanied congregational singing rests on good biblical, historical and doctrinal grounds.

    Complete piano/vocal arrangements with chord diagrams of over 20 of this poet/songwriter/actor's greatest hits including: Ol' 55 * Jersey Girl * Shiver Me Timbers * and more.

    This book is a transcription of this dialogue, containing illuminating advice on holding the viola, bowing, tone, fingering, and practicing, all supported by copious illustrations and musical examples, as well as insights on repertoire for the viola--an instrument without tradition--and on performances of the great concertos by Bartok and Walton. Punctuated with frankness and humor, this book is a tribute to one of the greatest artists of this century.

    Book of lyrics with black/white illustrations, rice paper inners & fold-out picture cover.

    Swinging in Paradise tells the story of jazz and nightlife in Montreal - from the arrival of the first black musicians from the United States; through the heady days of swing, show biz, big bands, and bebop; to the tumultuous 1960s and Montreal's unique experiments in free jazz and fusion. This is more than music history; it's a rich social history of Montreal after dark. John Gilmore spent 7 years tracking down veterans of Montreal's jazz community and weaving their memories into this fascinating history. He reveals why musicians from all over North America migrated to Montreal, and how they lived, worked, and created in the midst of organized crime, corruption, union battles, racism, and a nightclub industry hungry for music. "A hallelujah of a book" says Books in Canada. A reprint of the classic first edition, with a new afterword by the author. 70 photos.

    This time he focuses on major jazz instrumentalists and bandleaders. In a vivid series of portraits, Lees introduces the clientele of Jim & Andy's, one of the most popular New York musicians' haunts in the sixties. This unforgettable gallery of individualists included Duke Ellington, Artie Shaw, Woody Herman, Art Farmer, Billy Taylor, Gerry Mulligan, and Paul Desmond among many others. Lees, himself a noted songwriter, writes about these musicians with vividness and intimacy. Far from being the inarticulate jazz musicians of legend, they turn out to be eloquent indeed as the inventors of a colorful slang that has passed into the American language.

    This matching folio showcases Satriani's chilling guitar technique. Ten songs in all, including: Always With Me, Always With You * Satch Boogie * and more.

    Each of these masterly works is included in this complete collection, reproduced from recent, authoritative Russian editions. They include: Prelude, Op. 3, No. 2; Ten Preludes, Op. 23; Thirteen Preludes, Op. 32; Eight Etudes-tableaux, Op. 33; Nine Etudes-tableaux, Op. 39. Among these are the enormously popular C-sharp minor prelude, Op. 3, No. 2; the G-minor prelude, Op. 23, No. 5; and the B-minor prelude, Op. 32, No. 10 — classics that have made Rachmaninoff one of the most performed and recorded modern composers.Each of these works reflects Rachmaninoff's emotional intensity, his thrilling gifts as a melodist and his ability to crystallize perfectly a particular mood or sentiment. In their sonorous textures and rich embellishment, they reflect as well his sovereign command of keyboard technique and his spectacular gifts as a pianist (he was one of the very greatest pianists of the 20th century). This beautifully produced yet inexpensive edition will provide both amateur and professional pianists a lifetime of study and enjoyment, and will afford music lovers as well the deep pleasures of following, music in hand, live and recorded performances of these keyboard masterpieces.

    Truly the definitive collection of 120 Broadway classics, revised to include songs from the latest blockbusters such as Wicked, The Producers, Mamma Mia, and many more. Songs including: All I Ask of You * And All That Jazz * Another Op'nin', Another Show * Camelot * Close Every Door * Consider Yourself * Dancing Queen * Day by Day * Don't Cry for Me Argentina * Edelweiss * Hello, Dolly! * I Could Have Danced All Night * I Wanna Be a Producer * Kids! * Let Me Entertain You * Memory * My Funny Valentine * On My Own * People * Popular * Seasons of Love * Seventy Six Trombones * They Live in You * Tomorrow * Try to Remember * What I Did for Love * and more.

    

    

    Cindy Berry has combined hymns and gospel songs with classical favorites in this collection of piano solos. Designed for offertories, preludes, postludes, or personal worship, songs texts are provided for enrichment and devotional use. Titles include: Jesus, the Very Thought of Thee * Crown Him with Many Crowns * Great Is Thy Faithfulness * Come, Thou Fount * It Is Well with My Soul * Guide Me, O Thou Great Jehovah * and more. Intermediate level.

    Clarke Tin Whistle Since 1843

    Based on extensive interviews, Oscar Peterson is a well-informed and provocative exploration of Peterson's music.

    Journalist Alanna Nash speaks in candid interviews with performers about Nashville's music industry, changes in the country audience over the past thirty years, and their own releationships to their music. Nash's interviews showcase the diversity of the performers (from college-educated professionals to ex-convicts) and their audiences. Interviewees include Tammy Wynette, Merle Haggard, Brenda Lee, Reba McEntire, Loretta Lynn, Dolly Parton, Conway Twitty, Naomi and Wynonna Judd, Bill Monroe, Steve Earle, Emmylou Harris, Hank Williams Jr., Chet Atkins, and Willie Nelson.

    Cohan, Irving Berlin and Jerome Kern, the names of their black counterparts - Will Marion Cook, George Walker and Bob Cole, among others - are virtually unknown today. Allen Woll aims to remedy that neglect in this book, offering a thoroughly researched account of the evolution of black musical theatre from the turn of the century to the present day.

    The articles are arranged in chronological order, with ample annotation, demonstrating not only Schumann's development as a writer and critic but also the evolution of music in Europe during a decisive decade.In addition to such major set pieces as "Florestan's Shrovetide Oration," the essays on Berlioz's Symphonie Fantastique and Schubert's Symphony in C Major, and the imaginative and literate "The Editor's Ball," this volume offers discerning observations on Mendelssohn, Chopin, Beethoven, Liszt, Cherubini, and other giants. Also included are critical considerations of an ensemble of minor masters: Sphor, Hiller, Moscheles, Hummel, and Gade, among others. The result is a rich and representative picture of musical life in the mid-19th century.Schumann's criticism has long been famous for its perceptiveness and literary style. Those qualities are in ample evidence in this treasury of his finest critical writings, now available to every music lover in this inexpensive, high-quality edition.

    Students can increase their musical understanding while they are away from the ke

    Tony Trischka and Pete Wernick spent four years researching, organizing and fine tuning this project with staggering results: over 400 pages of interviews, tunes, photos and analysis, covering every conceivable aspect of the three-finger style. Players at every level will benefit immeasurably from the information gathered here. Though not an instruction book, per se, these pages contain a wealth of information and music. This book focuses on eighteen banjoists who have made significant contributions to their field, including the legendary Earl Scruggs. Each chapter contains a short biography, a lengthy interview, illustrative photos (detailing hand position, pick placement and banjo of choice), and a selection of their best-known tunes in tablature (with accompanying analyses).

    This is a transcript of their conversations, with numerous musical examples. This edition also deals with the two piano concertos." The value of Ravel According to Ravel is obvious, but the comprehensive background notes which are woven into the conversational fabric give it a much wider appeal. Performers and listeners alike will find it a fascinating guide to the magical sound-world of Ravel's piano music. This book also pays tribute to another great musician - Vlado Perlemuter, who served for so many years, with distinction, the whole art of music.

    Complete with sheet music, guitar chords, and lyrics, Volume 1 gives you 103 Beatles songs from A-I, including "All My Loving", "All You Need Is Love," "And I Love Her," "Back In The U.S.S.R.," "Blackbird," "Can't Buy Me Love," "Come Together," "A Day In The Life," "Day Tripper," "Do You Want To Know A Secret?," "Drive My Car," "Eleanor Rigby," "The Fool On The Hill," "Getting Better," "Got To Get You Into My Life," "Hello, Goodbye," "Here Comes The Sun," "Here There and Everywhere," "I Feel Fine," "I Want To Hold Your Hand," "I'm A Loser," "I've Just Seen A Face."

    This book, designed to guide the reader to a deeper understanding and appreciation of these enigmatic works, charts the musical, cultural, and social context inwhich they were written--the tastes and expectations of the contemporary opera audience, Mozart's intentions and aspirations in a period of rapid intellectual and political change, Da Ponte's views of opera, and the practical logistics of opera production at the time. Together, these strandsprovide illuminating insights into Mozart's creative process and the functions of eighteenth-century opera.

    Here are all the familiar favorites, along with a wealth of rare gems - an Ambrosian chant from the sixth century, medieval lullabies, dance carols from France and Sweden, a somber Spanish song, a majestic air from Poland, a bagpiper's tune from Naples, gay and haunting German and Austrian music, American folksongs and many others.

    ...a great resource for training and teaching local church music teams of flow in the spiritual and practical applications of praise and worship" - Kent Henry, Editor, The Psalmist Mag. A companion study guide to the EXPLORING WORSHIP book. Written in short answer and fill-in-the-blank style, the purpose is to help small groups absorb and work systematically through EXPLORING WORSHIP.

    

    The collection reflects the view that from whatever age music emanates there is a close link between music, mysticism and magic and as illustration the author includes the spiritual and philosophical dimensions of the work of Plato, Plutarch, Kepler, Balzac, Gurdjieff, Schopenhauer and Stockhausen, Wagner and Schumann - none of these names may appear related but the common ground is shared through music.

    The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.

    He helped bring black music to America's consciousness. He could make people laugh in times when there seemed little to laugh about. An Arkansas traveler and radical minstrel, he commented wryly on events and impaled reactionary southern congressmen on their own words. A kind of Mark Twain of the left, people said. But Lee Hays, for all his great size and talents and humor, was also a difficult man, plagued by self-doubts and a driving need to discombobulate any person or group that struck him as self-satisfied. Lonesome Traveler is the story of a prodigious talent with a zeal for changing the world. With Pete Seeger he formed the popular folksinging group the Weavers, which sang songs of social justice just as a tidal wave of red-hunting hit America. The rest of his legendary story will anger, touch, and delight.

    Leonard Feather, writing in the Los Angeles Times, said no other writer now living can write with comparable grace and equal enthusiasm about everyone from Jack Teagarden and Art Tatum to Cecil Taylor and Ornette Coleman. And Bruce Cook in The New Leader called the book the quintessential Whitney Balliett, the cream of the cream, a collection that leaves no doubt about his strength. That book gathered together all of Balliett's profiles of jazz instrumentalists. Here, in the revised edition of American Singers, Balliett has added thirteen new biographical profiles to double the size of the book and provide the perfect complement to American Musicians. It now contains all the profiles on singers that Balliett has written for The New Yorker. Alongside original chapters on such great vocalists as Ray Charles, Tony Bennett, Joe Turner and Alberta Hunter, Balliett has added fresh portraits of Mel Torme, Julius La Rosa, George Shearing, and Peggy Lee. To his study of four masters of the cabaret (Hugh Shannon, Mabel Mercer, Bobby Short, and Blossom Dearie) he has joined a fifth, Julie Wilson. There are new chapters on singer-pianists Cleo Brown and Nellie Lutcher, as well as on Carol Sloane, Betty Carter, and David Frishberg. Perhaps most notable is his extended profile of Alec Wilder, one of America's most lyrical and moving songwriters and composers. In the three decades that he has written for The New Yorker, Whitney Balliett has earned the reputation as America's foremost jazz critic. The late Philip Larkin described him as a writer who brings jazz journalism to the verge of poetry, and Gene Lees called him one of the most graceful essayists in the English language on any subject. He has an unsurpassed ability to convey in words the sound of a singer's voice, and he makes readers feel, as one observer put it, that they are sitting with Balliett and his subject and listening in.

    New G. Schirmer Library editions of these well-known Rachmaninoff pieces for piano. Contents: Op. 33: Nos. 1-6 * Op. 39: Nos. 1-9

    

    This book contains a variety of songs and dances, originally written in the 12th through 16th centuries, arranged for the harp. The majority of the pieces are drawn from the medieval period and often existed in their original form as melody line only. All of the pieces in this book are playable on the folk harp.

    Songs include: Sultans of Swing * Twisting by the Pool * Walk of Life * Money for Nothing * and more.

    Every chord you'll ever need to play shown clearly in diagrams and notation. Special selection on inversions, substitutions, chord voicings and progressions.

    

    From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility.Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum's detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi...". is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." --American Music Teacher"Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." --Journal of Musicological Research"The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." --Early Keyboard Journal"Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." --The Musical Times"Its importance to thoughtful musicians cannot be overstated." --Choice..". thoroughly musicological." --Performance Practice Review..". indispensable... " --New York Times

    Book of poems by the Soft Cell frontman with illustrations.

    Ragtime arrived on the upswing of Tin Pan Alley, when the popularity of pianos in the home was reaching its peak and an endless stream of sheet music flowed out to meet the demand. In the early 1900s, no name was more prominent on those sheet-music covers and no one wrote ragtime music more brilliantly than Scott Joplin. This wonderful book brings together in one superbly produced playing edition all thirty-eight of Scott Joplin's piano rags, including his six collaborations, plus Joplin's own primer on how to play ragtime, the "School of Ragtime." Each rag has been reprinted, along with its sheet-music cover, from the original publisher's edition. At the Williams' Brothers saloon in Sedalia, Missouri, Scott Joplin was known as "The Entertainer," and in 1897, in the upstairs room called the Maple Leaf Club, he wrote the rag that would one day be the first to sell over a million copies in sheet-music form. In time the "Maple Leaf Rag" also became the most recorded composition on piano roll, with forty known versions. Most of Joplin's other rags were hits as well. Many bear the playful names that were given most rags, names like "The Strenuous Life," "Heliotrope Bouquet," and his last published piece, the "Silver Swan Rag." One of them, "The Entertainer," triggered a major revival of interest in his work when it was incorporated into the score of the popular film The Sting. All of them are here, each bearing the mark of Joplin's supreme originality. As ragtime authority David A. Jasen observes in his Introduction: "For pianists everywhere, this folio contains ragtime masterpieces which, when learned, will provide unlimited joy."

    It was where songwriting became a profession, and songs were made-to-order for the biggest stars. Selling popular music to a mass audience from coast-to-coast involved the greatest entertainment media of the day, from minstrelsy to Broadway, to vaudeville, dance palaces, radio, and motion pictures. Successful songwriting became an art, with a host of men and women becoming famous by writing famous songs.

    Onstage, she shares the music and the limelight with her Kentucky-born mother Naomi. Together, the Judds have become the hottest country-western duo singing today. They’ve brought country back to its roots with a rockabilly beat and helped bring Nashville renewed success as a music capital.   Author Bob Millard traces the colorful lives of mother and daughter, from Naomi’s tragic loss of her brother in childhood, to her escape into early marriage, through the “U-Haul years” when Wynonna and her sister Ashley were toted through countless cities in search of their mother’s dream. Theirs is a wild, inspiring story of love and devotion, fights, reconciliations, and bald ambition. But most of all, it’s a story of finding harmonies—in music and in the women themselves.

    Pioneers of Conceptual Art and Minimalism, the Fluxus artists were known for their environments, performance art and mass-producible objects. This book is a study of the Fluxus movement.

    Contains enjoyable games and quizzes that reinforce the principles presented in the Lesson Books. Students can increase their musical understanding while they are away from the keyboard.

    

    This updated edition features a fresh selection of the greatest rock songs of all time so you can have every classic at your fingertips! Includes melody, lyrics and chord diagrams, plus authentically transcribed guitar parts in notes & tab for 200 must-have tunes: Against the Wind * All Right Now * Anarchy in the U.K. * Bark at the Moon * Barracuda * Brown Eyed Girl * Cheap Sunglasses * Clocks * Complicated * Detroit Rock City * Evil Ways * Fortunate Son * Hot Blooded * Jack and Diane * Livin' on a Prayer * Mony, Mony * More Than Words * Photograph * Pour Some Sugar on Me * Refugee * Rock You Like a Hurricane * Should I Stay or Should I Go * Smells Like Teen Spirit * Smooth * The Space Between * Summer of '69 * Take Me to the River * Thriller * Tush * What a Fool Believes * White Wedding * Ziggy Stardust * and scores more!

    One of the great music theory books of the 20th century, by a thought-provoking composer.

    In a career spanning six decades he composed a glittering sequence of works of astonishing diversity, from the three, vividly colourful early Russian ballets, through the sharp wit and purity of his 'neo-classical' scores and the powerful spirituality of works like the Symphony of Psalms and the Mass, to the highly individual application of serialism in the late works. Here is a critical survey of Stravinsky's entire output in chronological order from an authoritative lucid guide. Its author, Stephen Walsh, has effortlessly assimilated the new literature on the composer, has examined many of Stravinsky's letters and sketches, and is able, in continuously questioning received views, to provide fresh insight into Stravinsky's works. He argues persuasively that Stravinsky needs to be seen as a whole, and that the works are more closely connected in style and method than is generally acknowledged, with changes in stylistic posture secondary in importance.

    An expanded version of the style sheet for the well-known journal 19th-Century Music, this small volume covers some of the thorniest issues of musical discourse: how to go about describing musical works and procedures in prose, the rules for citations in notes and bibliography, and proper preparation of such materials as musical examples, tables, and illustrations. One section discusses program notes, another explains the requirements of submitting manuscripts written on a word processor. An appendix lists common problem words.

    Robinson A Hazy Shade of Winter America Cecilia At the Zoo 59th Street Bridge Song (Feeling Groovey) and more. These are authentic and accurate piano and vocal arrangements with guitar chord boxes and full lyrics, taken from the original recordings.

    

    A retrospective of England's underground culture of the 1960s, through the recollections and reflections of 101 people who were part of it.

    In 33 essays originally published in the Village Voice, the L.A. Reader, and L.A. Weekly, he counts the ways he hates L.A.

    And in Mahler Remembered, Norman Lebrecht, an acknowledged authority on the life and work of the seminal composer, compiles a unique volume that the Birmingham Post called breathtakingly interesting, a collection of what [Mahler's] friends, rivals and enemies said about the inspired . . . man . . . whose symphonies are now played more often than Tchaikovsky's.

    Contents include: Jingle Bells * O Come, All Ye Faithful (Adeste Fideles) * When Santa Claus Gets Your Letter * Silent Night * Away in a Manger * The First Noel * Joy to the World * Rudolph the Red-Nosed Reindeer * A Holly, Jolly Christmas * The Night Before Christmas Song * Rockin' Around the Christmas Tree * We Wish You a Merry Christmas.

    It describes music as a metaphor of the society in which it takes place.