Presents the script of a 1988 play about a group of women in Chinquapin, Louisiana, who learn to draw upon their underlying strength and love to meet the challenges of life.

    Its sturdy leatherette binding will stand up to years of constant use.The third edition updates this popular reference book with new terminology and materials, and adds dozens of new illustrations of grip hardware, film lighting equipment and painting tools. Backstage Handbook includes chapters on Tools, Hardware, Materials, Electrics, Shop Math, Architecture and Theatre. There are hundreds of illustrations, tables and charts which cover everything from the stock sizes and specs of wood screws, to safe working loads for several kinds of rope, to illustrations of twenty-two types of standard lamp bases.

    Formerly part of the World Dramatists series of play collections by classic and modern playwrights, including foreign works in workable and accurate translations, this title and seven others are reissued in a new format under the heading, World Classics.

    The play portrays each young woman before, during, and after her tour in the war torn jungle and ends as each leaves a personal token at The Wall in Washington.A Piece of My Heart premiered in New York at Manhattan Theatre Club, and now has enj

    Writtn with passion and in Stellar Adler's own voice, this book is rich in insight and complete with concrete exercises and examples taken directly from her celebrated classes.

    For more than four decades his work has challenged conventional definitions of theatre, ritual and performance. When this seminal collection first appeared, Schechner's approach was not only novel, it was revolutionary: drama is not just something that occurs on stage, but something that happens in everyday life, full of meaning, and on many different levels. Within these pages he examines the connections between Western and non-Western cultures, theatre and dance, anthropology, ritual, performance in everyday life, rites of passage, play, psychotherapy and shamanism.

    

    Norman, who works in a doughnut shop and is unable to resist the lure of the sweet pastries, takes great pride in the huge bundle of keys that dangles from his waist; Lucien P. Smith has the mind of a five-year-old but imagines that he is able to read and comprehend the weighty books he lugs about; Arnold, the ringleader of the group, is a hyperactive, compulsive chatterer, who suffers from deep-seated insecurities and a persecution complex; while Barry, a brilliant schizophrenic who is devastated by the unfeeling rejection of his brutal father, fantasizes that he is a golf pro. Mingled with scenes from the daily lives of these four, where "little things" sometimes become momentous (and often very funny), are moments of great poignancy when, with touching effectiveness, we are reminded that the handicapped, like the rest of us, want only to love and laugh and find some meaning and purpose in the brief time that they, like their more fortunate brothers, are allotted on this earth.

    Caught in the rift between his father's and his mother's families, Horace is separated from what family he has left to spend a horrifying year on a decaying plantation worked by black convicts from a nearby prison. Even more devastating is the reunion with his mother, his sister Lily Dale, and his new stepfather-a reunion that will leave him an orphan in spirit, if not in name.

    Fourteen actors describe the Shakespearean roles they played in productions between 1982 and 1987. A brief biographical note is provided for each of the contributors and an introduction places the essays in the context of the Stratford and London stages, and of the music and design for the particular productions.

    This book is aimed at clowns and would-be clowns who want to improve their skills. Included are comedy routines as well as instructions on riding a unicycle, juggling, stilt-walking, applying makeup, mime, puppetry, and magic. The advice on employment possibilities is less useful than that on acquiring specific skills. Anyone interested in being a clown or becoming a better one will find this a treasure trove.

    Together with an Introduction, biographical notes, and commentary, the collection charts Artaud's work from his early association with surrealism, through his founding of the Th��tre Alfred Jarry, to the invocation of his compelling vision in his most famous manifesto, The Theatre and Its Double. Artaud's poetic and inspirational writings called for a fundamental regeneration of Western art. He wanted to return the theatre to its roots in ritual and to transform the audience through total emotional, psychic, and physical involvement. Anarchic and disruptive, he was misunderstood, silenced, and ostracized in his lifetime, but was later championed as an icon of the sixties counterculture. His ideas have inspired the work of Genet, Arrabal, The Living Theatre, Grotowski, Brook, and most of the experimental drama and performance work of recent decades. "One of the great daring mapmakers of consciousness in extremis."--Susan Sontag

    Extends the feminist analysis of representation to the realm of performance

    Truly the definitive collection of 120 Broadway classics, revised to include songs from the latest blockbusters such as Wicked, The Producers, Mamma Mia, and many more. Songs including: All I Ask of You * And All That Jazz * Another Op'nin', Another Show * Camelot * Close Every Door * Consider Yourself * Dancing Queen * Day by Day * Don't Cry for Me Argentina * Edelweiss * Hello, Dolly! * I Could Have Danced All Night * I Wanna Be a Producer * Kids! * Let Me Entertain You * Memory * My Funny Valentine * On My Own * People * Popular * Seasons of Love * Seventy Six Trombones * They Live in You * Tomorrow * Try to Remember * What I Did for Love * and more.

    The most important German playwright since Brecht.-John Rockwell, New York Times

    Cohan, Irving Berlin and Jerome Kern, the names of their black counterparts - Will Marion Cook, George Walker and Bob Cole, among others - are virtually unknown today. Allen Woll aims to remedy that neglect in this book, offering a thoroughly researched account of the evolution of black musical theatre from the turn of the century to the present day.

    Six Characters in Search of an Author is Pirandello's best known work. The reality of the theater and the unreality of life cross over as the dramatist steps in and out of the framework of stage convention. In All for the Best the principle character discovers that his daughter is illegitimate and that he is the only one not to have known. Clothe the Naked is another study of the nature of reality and unreality in the loneliness of the principle character and the fictitious existence she creates for herself. Limes from Sicily is Pirandello's first produced play that movingly captures the nostalgia of Sicilians in exile.

    

    16-page insert.

    A collection of monologs for use in junior high and high school drama classes.

    His previous works have established him among the foremost innovators in the world of drama. His system, based on the Stanislavsky method but going far beyond it, begins with an exploration of consciousness and the instrumental needs of the actor and expands to dozens of practical techniques that enable the actor to utilize the full range of his talent. With complete sections on characterization, rehearsing and ensemble, this is a book that all stage or screen actors--beginning to advanced--should read, absorb and practice.

    

    Eighteen-year-old Jacob Mercer has returned from Toronto to the tiny Newfoundland outport, hoping to win back his former sweetheart, Mary Snow. But Mary has become engaged to wealthy Jerome McKenzie, and she is still hurt and bewildered by Jacob’s abrupt departure a year earlier. She will not be easily wooed.Cast of 1 woman and 1 man.

    Butoh is a form of expression that draws upon traditional Japanese movements, such as the mincing steps that one must take when wearing a kimono, and by allowing the body to speak for itself through unconscious and improvised movement. By combining these and other elements such as, mime, theatrics, Noh, Kabuki and even the Chinese arts of Chi kung and Tai chi, hybrid movements have developed that belong neither to Western dance nor to traditional Japanese dance. Thus, Butoh’s powerful imagery and its radical new approach have stirred the imagination of a growing audience and become a strong source of inspiration for dancers the world over.