Presents the script of a 1988 play about a group of women in Chinquapin, Louisiana, who learn to draw upon their underlying strength and love to meet the challenges of life.

    Published in its entirety for the first time and illustrated, The Complete Fawlty Towers will appeal to the millions of fans who have suffered through endless PBS fundraisers waiting for the next episode -- and anyone who has survived a package holiday tour. Fawlty Towers is the hotel of every traveler's nightmare. Basil Fawlty -- ill-tempered, henpecked, and conniving -- tries in vain to be master of his house under the disapproving and ever-watchful eye of his wife, Sybil. The hotel offers service by Manuel, the incompetent Spanish waiter whose feeble grasp of English makes for hilarious misunderstandings, and Polly, the unflappable chambermaid who is Fawlty Towers' only sane employee. Meals are scorched in the kitchen while adulterers consort upstairs and chaos reigns all around. For countless fans, Fawlty Towers is the best-loved bad hotel in the world, and with publication of The Complete Fawlty Towers they will all have a chance to relive its outrageous awfulness.

    Thievery and survival soon forced him into the Indian camp, where he began a dangerous adventure that changed his life forever. Relive the adventure and beauty of the incredible movie, Dances with Wolves.

    As Keating turns the boys on to the great words of Byron, Shelley, and Keats, they discover not only the beauty of language, but the importance of making each moment count. But the Dead Poets pledges soon realize that their newfound freedom can have tragic consequences. Can the club and the individuality it inspires survive the pressure from authorities determined to destroy their dreams?

    "Domina" and "Vital Signs" are written by the same author.

    Talking Heads is a series of dramatic monologues written for BBC television by British playwright Alan Bennett and later published as a series of books.

    In Sophocles' Oedipus Rex the king sets out to uncover the cause of the plague that has struck his city, only to disover the devastating truth about his relationship with his mother and his father.Medea is the terrible story of a woman's bloody revenge on her adulterous husband through the murder of her own children.

    They represent the crowning achievements of his career.O’Neill described Ah, Wilderness! as “the way I would have liked my boyhood to have been.” Set in the summer of 1906, it affectionately depicts the warm, close family of 16-year-old Richard Miller and the innocence with which he faces the trials of first love, strong drink, and sexual temptation.John Loving, hero of Days Without End, is split by his lack of faith into two selves: John and his Mephistophelian double Loving, who wears John’s death mask and plots his destruction. Burdened by guilt but desperately wanting to love, John struggles with Loving’s nihilistic hatred in what O’Neill termed his “modern miracle play.”In A Touch of the Poet, Irish tavern-keeper Con Melody is drawn by his proud past as a Byronic cavalry hero of the Napoleonic Wars toward a fatal confrontation with his wealthy Yankee neighbors, the Harfords.Throughout More Stately Mansions, the idealistic yet cunning Simon Harford, his wife, Sara Melody Harford, and his mother, Deborah, continually shift roles and alliances as they engage in an eerie psychological and sexual battle for possession of each other and their own maddeningly elusive dreams. This volume presents the never-before-published complete text of the revised typescript for this unfinished play.The derelict inhabitants of Harry Hope’s saloon in The Iceman Cometh find solace in their comradeship until their drifting calm is destroyed by the visiting salesman Theodore Hickey, who insists that they abandon all “pipe dreams” and face the truth about their lives. O’Neill carefully orchestrates the voices of over a dozen characters to form a chorus of overwhelming despair and surprising compassion.Hughie is a one-act dialogue between a reminiscing gambler and a weary hotel night clerk about the promise and loneliness of city life.Long Day’s Journey into Night unsparingly dissects the pain, rage, guilt, and love that drive a wounded family apart and bind it together. In their summer home the four Tyrones—James, a proud actor haunted by poverty, his devout, morphine-addicted wife, Mary, and their sons, Jamie, a cynical drunkard, and Edmund, an aspiring poet—slowly unveil the truth about their lives until they can no longer hope either to save or to escape one another. Published and produced posthumously, it won O’Neill his fourth Pulitzer Prize.In its elegiac coda, A Moon for the Misbegotten, Jamie Tyrone seeks the peace that has long eluded him in the arms of sharp-tongued Josie Hogan.The volume concludes with “Tomorrow” (1917), O’Neill’s only published short story.

    His stunning novel reveals the making of doctors--what makes them tick, scheme, hurt . . . and love. From the crucible of med school's merciless training through the demanding hours of internship and residency to the triumphs--and sometimes tragedies--beyond, "Doctors" brings to vivid life the men and women who seek to heal but who must first walk through fire. At the novel's heart is the unforgettable relationship of Barney Livingston and Laura Castellano, childhood friends who separately find unsettling celebrity and unsatisfying love--until their friendship ripens into passion. Yet even their devotion to each other, even their medical gifts may not be enough to save the one life they treasure above all others. "Doctors" --heartbreaking, witty, inspiring, and utterly, grippingly real--is a vibrant portrait that culminates in a murder, a trial . . . and a miracle."A superior story . . . A moving and compelling novel of doctors and their fears--how they confront them or are confounded by them."-- "UPI.""Segal's best work to date."-- "New York Post"

     When the beautiful Sybilia is married off to the son of her town’s leader, she soon discovers that being a woman in 1940s Corisca comes with few freedoms. But when the Second World War reaches the remote island, Sybilia is pressed into service for her country as a spy and as an assistant to a new arrival in town: the American captain Robin Moore. The two fall into a passionate love, much to the anger of her cruel father-in-law. Pregnant with Moore’s child, she is left a pariah when her lover is posted abroad, never to return again. Sybilia lives out the next twenty-five years alone, burdened with a deep sadness at the betrayal and loss of her lover. It isn’t until long after the war ends when she discovers the true fate of Robin Moore. A fate that sets her on the path to vengeance…

    Now she could see it clearly. It bore just that one name: Tilly. . . . She couldn't take her eyes away. She didn't want to. She stooped down to look. Only one date. Only one. Nine years ago.Kathy and Dan Ross are just like any other young couple. No one would ever imagine what secrets lie buried in their souls until Kathy is captivated by that simple name on a tiny gravestone and their lives are changed forever. Originally presented as a radio drama on Focus on the Family, Tilly is a deeply moving novel-an unforgettable story of life, love, and Christ's forgiveness.

    A Midsummer Night's DreamFairy magic, love spells, and an enchanted wood turn the mismatched rivalries of four young lovers into a marvelous mix-up of desire and enchantment, all touched by Shakespeare’s inimitable vision of the intriguing relationship between dreams and the waking world.The Merchant of VeniceThis dark comedy of love and money contains one of the truly mythic figures in literature–Shylock, the Jewish moneylender. The “pound of flesh” he demands as payment of Antonio’s debt has become a universal metaphor for vengeance. Here, pathos and farce combine with moral complexity and romantic entanglements, to display the extraordinary power and range of Shakespeare at his best.Twelfth NightSet in a topsy-turvy world like a holiday revel, this comedy juxtaposes a romantic plot involving separated twins and mistaken identity with a more satiric one about the humiliation of a pompous killjoy. The hilarity is touched with melancholy, and the play ends, not with laughter, but with a clown’s plaintive song.Each Edition Includes:• Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English• Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography

    Formerly part of the World Dramatists series of play collections by classic and modern playwrights, including foreign works in workable and accurate translations, this title and seven others are reissued in a new format under the heading, World Classics.

    The play portrays each young woman before, during, and after her tour in the war torn jungle and ends as each leaves a personal token at The Wall in Washington.A Piece of My Heart premiered in New York at Manhattan Theatre Club, and now has enj

    The complete works of William Shakespeare which comes complete with illustrations to complement the text.

    These four volumes offer the original scripts from the series, including material edited from the broadcast versions that ran from 1977 to 1981 on PBS stations nationwide.Many believe that Meeting of Minds is the most brilliant series ever to be written for television. The show provides a groundbreaking opportunity to be exposed to ideas by way of a medium not normally known for its intellectual vigor.Indeed, Meeting of Minds grew out of Allen's frustration with the mediocrity of the average network program. He envisioned the show as a stimulating round-table discussion conducted like any other talk show - except that the participants would be actors portraying some of the greatest minds and most prominent figures of history. Accordingly, such characters as Aristotle, Catherine the Great, Oliver Cromwell, Emily Dickinson, Margaret Sanger, Gandhi, Thomas Paine, Cleopatra, Theodore Roosevelt, and St. Thomas Aquinas appear in startlingly effective juxtaposition, their characters revealed through brilliantly conceived dialogue.This first volume features appearances by President Theodore Roosevelt, Queen Cleopatra, Thomas Aquinas, Thomas Paine, President Ulysses S. Grant, Queen Marie Antoinette, Sir Thomas More, Karl Marx, Charles Darwin, Emily Dickinson, Galileo Galilei, and Attila the Hun.The scripts for Meeting of Minds make for excellent reading, distilling an enormous amount of research into a lively format that has the undeniable veracity of historical fact. The result is unfailingly witty, thought-provoking, and geniunely entertaining.Steve Allen's lucidity and fertile intelligence are evident on every page. Meeting of Minds remains one of the freshest, most delightful ways of gaining historical perspective ever devised, an incomparable tour de force with the power to make history come alive.

    "A cry of the heart. No one can fail to be moved".-- Boston Herald. 16 pages of photos.

    For more than four decades his work has challenged conventional definitions of theatre, ritual and performance. When this seminal collection first appeared, Schechner's approach was not only novel, it was revolutionary: drama is not just something that occurs on stage, but something that happens in everyday life, full of meaning, and on many different levels. Within these pages he examines the connections between Western and non-Western cultures, theatre and dance, anthropology, ritual, performance in everyday life, rites of passage, play, psychotherapy and shamanism.

    The Russian, Botvinnik, a seasoned veteran who has mastered the Soviet "hard line," is urbane and humorous but, at the same time, profoundly cynical about what the current sessions can accomplish. His young American counterpart, Honeyman, a newcomer to the arms-control talks, is a bit stuffy and pedantic, but also fervently idealistic about what can and must be achieved through perseverance and honest bargaining. They continue their informal meetings as the talks drag on and the seasons change, and through their absorbing and revealing conversations we become aware both of the deepening understanding between these two wise and decent men and also of the profound frustration that they increasingly feel. In the end, when Botvinnik announces that he is leaving his post, Honeyman is genuinely regretful, not only because of the friendship that has grown between them but also because he knows that he must now confront again the deep-seated mistrust and misconceptions which a "new man" will bring with him and that the elemental differences in their two systems of government will continue to exacerbate as long as the real power rests in the hands of those burdened by the bitterness of the past.

    Petersburg to Paris to find safety. Her entire world forever changed, she faces hard times and joins the Ballet Russe in Paris. And then, when life is kind to her, Zoya moves on to a new and glittering life in New York. The days of ease are all too brief as the Depression strikes, and she loses everything yet again. It is her career, and the man she meets in the course of it, which ultimately save her, as she rebuilds her life through the war years and beyond. And it is her family that comes to mean everything to her. From the roaring twenties to the 1980's, Zoya remains a rare and spirited woman whose legacy will live on.

    

    Delivered in summer 1942 at the University of Freiburg, this course was first published in German in 1984 as volume 53 of Heidegger's Collected Works. Revealing for Heidegger's thought of the period are his discussions of the meaning of "the political" and "the national," in which he emphasizes the difficulty and the necessity of finding "one's own" in and through a dialogue with "the foreign." In this context Heidegger reflects on the nature of translation and interpretation. A detailed reading of the famous chorus from Sophocles' Antigone, known as the "ode to man," is a key feature of the course.

    This volume, the second of three, contains 13 plays written between 1920 and 1931, years in which O’Neill achieved his greatest popularity while experimenting with a wide variety of subjects and styles.In Diff’rent, The First Man, and Welded, egotistical characters have their illusions about love shaken by the force of other people’s desires. All God’s Chillun Got Wings depicts the web of racial hatreds and spiritual longings that surround the marriage of a black man and a white woman.The Fountain tells of Ponce de Leon’s search for the fountain of youth. Marco Millions satirizes American materialism by portraying Marco Polo as a hustling businessman blind to the riches of Eastern culture. Lazarus Laughed shows its Biblical hero preaching love, laughter, and the defeat of death.The stoker Yank in The Hairy Ape, the architect Dion Anthony in The Great God Brown, and the minister’s son Reuben Light in Dynamo all try to find a place for themselves in an increasingly soulless and mechanistic world. Yank believes that he “belongs” in his stokehold until a terrified heiress calls him a “filthy beast.” His rage turns to despair as he encounters a brutally indifferent society onshore. The Great God Brown uses masks to depict the divided souls of its hero, his wife, and his alter ego, the successful businessman William Brown. Betrayed by his mother, Reuben Light forsakes the God of his father for the new electrical god of the dynamo but finds no escape from the sexual conflicts that O’Neill characteristically intertwines with his hero’s religious doubts.Strange Interlude follows its heroine Nina Leeds through nine acts and 25 years of passionate and painful involvement with three men. Inspired by contemporary psychology, the novels of James Joyce, and the soliloquies of the Elizabethan theater, O’Neill uses spoken asides to reveal the shifting flow of his character’s inner thoughts. His most commercially successful play, it won him his third Pulitzer Prize.Ephraim Cabot, the patriarchal farmer in Desire Under the Elms, believes in a God as hard as the stony ground he works. He takes as his third wife sensual Abbie Putnam, who covets both his land and his resentful son Eben, unleashing passions that move with stark inexorability toward their fulfillment. In Mourning Becomes Electra, murderous lusts and hatreds wreak havoc upon the proud Mannon family, leaving the survivors pursued not by the avenging Furies of Greek myth but by their own scourging consciences. Searching desperately for peace, they repeatedly confront the temptation to choose oblivion that will haunt many of O’Neill’s last plays.

    

    "Wanda defies gravity, in both senses of the word, and redefines a great comic tradition." - Time "The meanest, most consistently hysterical film in ages ... the writing is sharply pointed and delightfully irreverent." - Gannett Newspapers

    Caught in an England convulsed by industrial change, they became the unwitting and unwilling pioneers of a new land.Framing them all is the story of the indomitable Susannah Watson who, trapped in the crowded filthy slums of Nottingham, stole because she "could not bear to see her children starving". Separated forever from her husband and four children, Susannah was transported for 14 years but served 16. She endured the convict system at its worst, yet emerged triumphant to die in her bed aged 83 singing Rock of Ages.First published by Macmillan in 1991, Babette Smith's timeless classic has been hailed as the greatest recounting of an extraordinary chapter in our colonial history.

    A beautifully illustrated tale following a day in the life of a Japanese park bench.

    Together with an Introduction, biographical notes, and commentary, the collection charts Artaud's work from his early association with surrealism, through his founding of the Th��tre Alfred Jarry, to the invocation of his compelling vision in his most famous manifesto, The Theatre and Its Double. Artaud's poetic and inspirational writings called for a fundamental regeneration of Western art. He wanted to return the theatre to its roots in ritual and to transform the audience through total emotional, psychic, and physical involvement. Anarchic and disruptive, he was misunderstood, silenced, and ostracized in his lifetime, but was later championed as an icon of the sixties counterculture. His ideas have inspired the work of Genet, Arrabal, The Living Theatre, Grotowski, Brook, and most of the experimental drama and performance work of recent decades. "One of the great daring mapmakers of consciousness in extremis."--Susan Sontag

    Norman, who works in a doughnut shop and is unable to resist the lure of the sweet pastries, takes great pride in the huge bundle of keys that dangles from his waist; Lucien P. Smith has the mind of a five-year-old but imagines that he is able to read and comprehend the weighty books he lugs about; Arnold, the ringleader of the group, is a hyperactive, compulsive chatterer, who suffers from deep-seated insecurities and a persecution complex; while Barry, a brilliant schizophrenic who is devastated by the unfeeling rejection of his brutal father, fantasizes that he is a golf pro. Mingled with scenes from the daily lives of these four, where "little things" sometimes become momentous (and often very funny), are moments of great poignancy when, with touching effectiveness, we are reminded that the handicapped, like the rest of us, want only to love and laugh and find some meaning and purpose in the brief time that they, like their more fortunate brothers, are allotted on this earth.

    Including such perennial favorites as H.M.S. Pinafore, The Pirates of Penzance, and The Mikado, the operettas of Gilbert and Sullivan have endured and increased in popularity to this day. Now renowned author and long-time G & S fan Isaac Asimov brings his masterful wit and understanding to a complete annotation of these classic works.Lucid, authoritative, and thoroughly entertaining, ASIMOV'S ANNOTATED GILBERT & SULLIVAN offers a fresh and illuminating interpretation of the artists' fourteen famous operettas. Here, Dr. Asimov skillfully guides the reader through every word, reference, and innuendo that needs clarification. With enthusiasm and insight, he identifies all the major characters, describes specific settings, and brings to light pertinent background information, such as when and where each play opened, how it was received by critics and audiences at the time, how its title was derived, and more.Like Asimov's Annotated Don Juan, Asimov's Annotated Paradise Lost, and Familiar Poems Annotated, this meticulously detailed volume provides a wealth of information essential for a full appreciation of the timeless works. Beautifully illustrated and written in the good doctor's inimitable style, ASIMOV'S ANNOTATED GILBERT & SULLIVAN at last makes the endearing charm of the world's favorite operettas accessible to armchair music lovers and seasoned theater aficionados alike.(Description from inside the book jacket flaps.)

    A Roman general, to appease the spirit of his dead son, sacrifices the son of a captive Goth queen—and sets in motion a remorseless cycle of revenge and counterrevenge. The play’s vivid spectacle of violence stuns audiences with rape, murder, mutilation, and unmitigated cruelty. Timon of AthensThis stark drama—in some ways Shakespeare’s most bitter play—is a brilliant psychological portrait of a wealthy Athenian lord whose extraordinary trust and love for others turns to hate and spite when, bankrupted by his generosity, he is overwhelmed by the indifference and ingratitude of those he had thought friends. CoriolanusThe arrogance of a Roman military hero puts him in conflict with the people of Rome when the aristocrat is unwilling to compromise with the commoners he so despises. Compellingly relevant today, Shakespeare’s last tragedy—from its opening scene of popular unrest to its chilling climax of betrayal and murder—takes an unwavering, ironic look at political extremism.

    The Glory of the Lord approaches revelation from the standpoint of the beautiful. The final part of the trilogy, the Theo-Logic, will treat Christian revelation from the standpoint of the true.In this first volume von Balthasar shows how many of the trends of modern theology (e.g. "event", "history", "orthopraxy", "dialogue", "political theology") point to an understanding of human and cosmic reality as a divine drama. He will then consider objections to such a theological dramatic theory and also the relationship between the Church and the theatre. This volume assembles the materials and the themes that will make it possible in subsequent volumes to develop this theological dramatic theory.

    In Robin Norwood's thoughtful responses to the letters she received from her readers, she provides understanding and guidance t o those who are working at putting the principles of her previous book into action.

    Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England is a sustained and powerful exemplification of this innovative method, offering a new way of understanding the power of Shakespeare's achievement and, beyond this, an original analysis of cultural process.

    Harold Shand has made it from Whitechapel to running his own corporation, even forging links with the Mafia. Everything indeed is coming up roses, until the Easter weekend when enemies unknown embark on a series of lethal outrages against him.

    Corner shops nestle beside the tiny terraced houses and two minutes away is the lively Tower Road market, where it is said, if you can't buy something then it's not made. Once World War Two breaks out, however, life in Conner Street changes dramatically - for ever...

    An exciting new edition of the complete works of Shakespeare with these features:  Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages.

    

    

    This version of Alan Bennett's popular stage play, starring Sir John Gielgud, Alan Bennett and Paul Eddington, is paired with one of his famous monologues starring Patricia Routledge as Margaret.

    The "ordinary" existence of an upper middle class family is shattered with the death of the older son and the struggle of the younger son against guilt and suicide.