Sticking out the tongue is still a polite sign of greeting in northern India and Tibet (see Body Parts).Cosmic Egg In ancient times the primeval universe-or the Great Mother-took the form of an egg. It carried all numbers and letters within an ellipse, to show that everything is contained within one form at the beginning (see Round and Oval Motifs).

    The authors have concentrated on Ethiopia and Egypt because the documents of the Nile Valley are voluminous compared to the sketchier records in other parts of Africa, but also because the imagination of the world, not just that of Africa, was haunted by these women. They are just as prominent a feature of European mythology as of African reality. The book is divided into three parts: Ethiopia and Egyptian Queens and Goddesses; Black Women in Ancient Art; and Conquerors and Courtesans. This second edition contains two new chapters, one on Hypatia and women's rights in ancient Egypt, and the other on the diffusion into Europe of Isis, the African goddess of Nile Valley civilizations. Black Women in Antiquity provides a dramatic account of the role black women have played in the history and development of civilization.

    Paul's epistles and sexism in today's church.

    Wade, the Supreme Court decision that legalized abortion. "Back Rooms" presents the moving testimony of women—and men - who cannot forget. This landmark oral history vividly conveys the stark choices women with unwanted pregnancies faced before abortion was legalized. Here are poignant stories of illegal 'back-room' abortions and harrowing accounts of self-induced miscarriages, as well as the testimony of women who were forced to give birth on society's terms, not their own. At a time when mounting pressure from anti-abortion activists increasingly challenges the Roe v. Wade decision, this book lends authority and moral clarity to the pro-choice position.

    A groundbreaking and controversial history of European women-- the first to give an original and revolutionary view of women's past as defined by gender and role.

    Sor (Sister) Juana Ines de la Cruz was acclaimed in her time as "Phoenix of Mexico, America's Tenth Muse"; a generation later she was forgotten. In our century she was rediscovered, her works were reissued, and she is now considered one of the finest Hispanic poets of the seventeenth century. She deserves to be known to English-speaking readers for another reason as well: she speaks directly to our concern for the freedom of women to realize themselves artistically and intellectually.Her poetry is surprising in its scope and variety. She handled with ease the intricate verse forms of her day and wrote in a wide range of genres. Many of her lyrics reflect the worldliness and wit of the courtly society she moved in before becoming a nun; some, composed to be sung, offer charming glimpses of the native people, their festivities and colorful diversity. Alan Trueblood has chosen, in consultation with Octavio Paz, a generous selection of Sor Juana's writings and has provided an introductory overview of her life and work. The short poems, and excerpts from her play The Divine Narcissus, are accompanied by the Spanish texts on facing pages. Her long philosophical poem, First Dream, is translated in its entirety, as is her famous autobiographical letter to the Bishop of Puebla, which is both a self-defense and a vindication of the right of women to cultivate their minds.The Anthology was conceived as a companion to the English-language edition of Octavio Paz's magisterial study of Sor Juana. On its own, it will be welcomed as the first representative selection in English of her verse and prose.

    From the preface by Randy Burns (Northern Paiute):Gay American Indians are active members of both the American Indian and gay communities. But our voices have not been heard. To end this silence, GAI is publishing Living the Spirit: A Gay American Indian Anthology.Living the Spirit honors the past and present life of gay American Indians. This book is not just about gay American Indians, it is by gay Indians. Over twenty different American Indian writers, men and women, represent tribes from every part of North America.Living the Spirit tells our story---the story of our history and traditions, as well as the realities and challenges of the present.As Paula Gunn Allen writes, “Some like Indians endure.” The themes of change and continuity are a part of every contribution in this book---in the contemporary coyote tales by Daniel-Harry Steward and Beth Brant---in the reservation experiences of Jerry, a Hupa Indian---in the painful memories of cruelty and injustice that Beth Brant, Chrystos, and others evoke. Our pain, but also our joy, our love, and our sexuality, are all here, in these pages. M. Owlfeather writes, “If traditions have been lost, then new ones should be borrowed from other tribes,” and he uses the example of the Indian pow-wow---Indian, yet contemporary and pantribal.One of our traditional roles was that of the “go-between”---individuals who could help different groups communicate with each other. This is the role GAI hopes to play today. We are advocates for not only gay but American Indian concerns, as well. We are turning double oppression into double continuity---the chance to build bridges between communities, to create a place for gay Indians in both of the worlds we live in, to honor our past and secure our future.Published by Stonewall Inn Editions in partnership with St. Martin’s Press, 1988.

    This international bestseller--condemned by New York's Cardinal O'Connor who, without reading it, likened it to "scrawling dirty words about the church on bathroom walls"--is a definitive, richly documented report on the oppression of women and sexuality in the Catholic Church.

    Recording the minutiae of family life, as well as meetings with aquaintances of her husband, Punch cartoonist Linley Sambourne.

    Winner of the 1988 Crossroad Women's Studies Award

    

    In this book, Christopher Anderson reveals many sides of Jackie Kennedy Onassis the world has never seen, including: her suicidal depression after Dallas; her virtually unknown affairs with Marlon Brando and Warren Beatty; her secret, stunning life with Aristotle Onassis; and her courageous final days.