Khaled Abou El Fadl cites a series of injustices in Islamic society and ultimately proposes a return to the original ethics at the heart of the Muslim legal system.

    Coe, the noted Mayanist, and Mark Van Stone, an accomplished calligrapher, have made the difficult, often mysterious script accessible to the nonspecialist. They decipher real Maya texts, and the transcriptions include a picture of the glyph, the pronunciation, the Maya words in Roman type, and the translation into English. For the second edition, the authors have taken the latest research and breakthroughs into account, adding glyphs, updating captions, and reinterpreting or expanding upon earlier decipherments.After an introductory discussion of Maya culture and history and the nature of the Maya script, the authors introduce the glyphs in a series of chapters that elaborate on topics such as the intricate calendar, warfare, royal lives and rituals, politics, dynastic names, ceramics, relationships, and the supernatural world. The book includes illustrations of historic texts, a syllabary, a lexicon, and translation exercises.

    In On the Postcolony he profoundly renews our understanding of power and subjectivity in Africa. In a series of provocative essays, Mbembe contests diehard Africanist and nativist perspectives as well as some of the key assumptions of postcolonial theory.This thought-provoking and groundbreaking collection of essays—his first book to be published in English—develops and extends debates first ignited by his well-known 1992 article "Provisional Notes on the Postcolony," in which he developed his notion of the "banality of power" in contemporary Africa. Mbembe reinterprets the meanings of death, utopia, and the divine libido as part of the new theoretical perspectives he offers on the constitution of power. He works with the complex registers of bodily subjectivity — violence, wonder, and laughter — to profoundly contest categories of oppression and resistance, autonomy and subjection, and state and civil society that marked the social theory of the late twentieth century.This provocative book will surely attract attention with its signal contribution to the rich interdisciplinary arena of scholarship on colonial and postcolonial discourse, history, anthropology, philosophy, political science, psychoanalysis, and literary criticism.

    Drawing on neuroscience, psychology and sociology The Teacher's Toolkit provides an overview of recent thinking innovations in teaching and presents over fifty learning techniques for all subjects and age groups, with dozens of practical ideas for managing group work, tackling behavioural issues and promoting personal responsibility. It also presents tools for checking your teaching skills - from lesson planning to performance management.

    It is a country that presents many paradoxes. In this book the preeminent Romanian historian Lucian Boia examines his native land's development from the Middle Ages to modern times, delineating its culture, history, language, politics and ethnic identity. Boia introduces us to the heroes and myths of Romanian history, and provides an enlightening account of the history of Romanian Communism. He shows how modernization and the influence of the West have divided the nation - town versus country, nationalists versus pro-European factions, the elite versus the masses - and argues that Romania today is in chronic difficulty as it tries to fix its identity and envision a future for itself.The book concludes with a tour of Bucharest, whose houses, streets and public monuments embody Romania's traditional values and contemporary contradictions.

    It brings you clear coverage essential to understanding the clinical relevance of anatomical and physiological principles. Fully updated and written by respected veterinary technician educators, this popular textbook is the practical, comprehensive foundation for your success in veterinary technology.Clinical application boxes help you sharpen your skills and apply principles to practice.Test Yourself boxes throughout chapters emphasize important study points.An extensive glossary provides quick reference to hundreds of important terms and definitions.Over 300 new illustrations help you identify structures with rich, realistic clarity.A NEW full color format visually enhances your understanding of anatomic and physiologic concepts.Four NEW chapters give you the latest insight on the chemical basis of life, nutrition and metabolism, pregnancy, development, and lactation, and reptile and amphibian anatomy and physiology.A revised chapter on the cardiovascular system helps you most effectively comprehend the complex functions of the heart and blood vessels.

    Patton has created the most comprehensive, systematic and up-to-date review of qualitative methods available.Patton has retained and expanded upon the Exhibits that highlight and summarize major issues and guidelines, the summative sections, tables, and figures as well as the sage advice of the Sufi Master, Halcolm. This revision will help readers integrate and make sense of the great volume of qualitative works published in the past decade.

    The author also considers the stories of nations and how these may affect the way a national identity can emerge from stories. He looks at the stories of Romulus and Remus in the founding of Rome, the hidden agenda of stories in the antagonism between Britain and Ireland and how stories of alienation in film such as Aliens and Men in Black reveal often disturbing narratives at work in projections of North American national identity. Throughout, On Stories stresses that far from heralding the demise of the story, the digital and supposedly postmodern era opens up powerful new ways of thinking about narrative.

    Acknowledging that post-colonial theory draws on a wide, often contested, range of theory from different fields, Young analyzes the concepts and issues involved, explains the meaning of key terms, and interprets the work of some of the major writers concerned, to provide an ideal introductory guide for those undergraduates or academics coming to post-colonial theory and criticism for the first time.

    Offering a gripping narrative of language change, Solodow charts Latin's course from classical times to the modern era, with focus on the first millennium of the Common Era. Though the Romance languages evolved directly from Latin, Solodow shows how every important feature of Latin's evolution is also reflected in English. His story includes scores of intriguing etymologies, along with many concrete examples of texts, studies, scholars, anecdotes, and historical events; observations on language; and more. Written with crystalline clarity, this is the first book to tell the story of the Romance languages for the general reader and to illustrate so amply Latin's many-sided survival in English as well.

    Focusing on São Paulo, and using comparative data on Los Angeles, she identifies new patterns of segregation developing in these cities and suggests that these patterns are appearing in many metropolises.

    How their personal experiences of exile or diaspora translate into cinema is a key focus of Naficy's work. Although the experience of expatriation varies greatly from one person to the next, the films themselves exhibit stylistic similarities, from their open- and closed-form aesthetics to their nostalgic and memory-driven multilingual narratives, and from their emphasis on political agency to their concern with identity and transgression of identity. The author explores such features while considering the specific histories of individuals and groups that engender divergent experiences, institutions, and modes of cultural production and consumption. Treating creativity as a social practice, he demonstrates that the films are in dialogue not only with the home and host societies but also with audiences, many of whom are also situated astride cultures and whose desires and fears the filmmakers wish to express.Comparing these films to Hollywood films, Naficy calls them accented. Their accent results from the displacement of the filmmakers, their alternative production modes, and their style. Accented cinema is an emerging genre, one that requires new sets of viewing skills on the part of audiences. Its significance continues to grow in terms of output, stylistic variety, cultural diversity, and social impact. This book offers the first comprehensive and global coverage of this genre while presenting a framework in which to understand its intricacies.

    Schall cites Charlie Brown, Aristotle, and Samuel Johnson with the same sobriety-the sobriety that sees the truth in what is delightful and even amusing. Schall contends that singing, dancing, playing, contemplating, and other "useless" human activities are not merely forms of escape from more important things-politics, work, social activism, etc.-but an indication of the freedom in and for which men and women were created. Echoing philosophers such as Josef Pieper, Schall explains how the modern world has inverted the rational order of human affairs, devaluing the activities of leisure and placing an exaggerated emphasis on utilitarian concerns.  Though he does not deny the importance of those necessary and prosaic activities that take up the bulk of our daily lives, Schall puts these pursuits in perspective by asking, what do we do when everything we have to do is done? Defending the importance of simply wasting time, losing ourselves in play, and Chesterton's claim that "a thing worth doing is worth doing badly," Schall contends that the joy that accompanies leisure, festivity, and conviviality gives us a glimpse of the eternal.  Such activities also enable us to get beyond ourselves - indeed call us beyond ourselves - and are therefore essential if we are to rightly order our worldly concerns.  For as Schall reminds us, neither man nor his projects are the highest things in the universe, and it is only by understanding this fact that man can attain to his true dignity. Citing Aristotle, Samuel Johnson, Charlie Brown, and New Yorker cartoons with equal sobriety, Schall unfolds a defense of both Being and being, of the radi

    Often invoking the words of Blake's own contemporaries, G. E. Bentley describes the struggles of Blake's youth, his gradual embrace of the power of the spirit and visionary art and literature, and the serenity he achieved in his old age.

    Each book includes a step-by-step introduction to reading and writing in a new language as well as tips and practice exercises to build learners' skills. Thanks to the experts at Teach Yourself, script will no longer be all Greek to language learners--unless of course, it is Greek script! Teach Yourself Beginner's Script series books feature: Origins of the language A systematic approach to mastering the script Lots of hands-on exercises and activities Practical examples from real-life situations

    This book leads the reader through the main areas of phonetics, including how speech sounds are made and how phoneticians classify them in certain ways, the International Phonetic Alphabet, and how sounds are transmitted from speaker to hearer.

    Charting over 30 years of debate on the significance of gender in the making and understanding of art, this anthology gathers together 99 representative texts from North America, Europe and Australasia.

    Containing additions and corrections to the first edition, the book is a simple statement of how to do the job and is particularly suitable for reservoir/production engineers as well as those associated with hydrocarbon recovery. This practical book approaches the basic limitations of reservoir engineering with the basic tenet of science: Occam's Razor, which applies to reservoir engineering to a greater extent than for most physical sciences - if there are two ways to account for a physical phenomenon, it is the simpler that is the more useful. Therefore, simplicity is the theme of this volume. Reservoir and production engineers, geoscientists, petrophysicists, and those involved in the management of oil and gas fields will want this edition.

    It marks an innovative interdisciplinary approach to questions of embodiment and subjectivity′ - Disability and Society ′This is an elegantly written book which has, as its main aim, to rethink the idea of difference in the western imaginary through a consideration of two themes: monsters and how these have come to define, but potentially to deconstruct, normality; and the whole idea of vulnerability and the vulnerable and the extent to which such a state is one that all of us are constantly in danger of entering ... The theoretical and philosophical content - Derrida, Lacan, Foucault, Irrigaray, Butler, Levinas, and Haraway in particular - together with the range of empirical examples used to illustrate the arguments, make the book an ideal one for third level undergraduates and for post-graduates, particularly those studying the sociology of embodiment, feminist theory, critical theory and cultural studies. Shildrick accomplishes the task of making difficult ideas comprehensible without reducing them to the simplistic′ - Sociology Written by one of the most distinguished commentators in the field, this book asks why we see some bodies as `monstrous′ or `vulnerable′ and examines what this tells us about ideas of bodily `normality′ and bodily perfection.Drawing on feminist theories of the body, biomedical discourse and historical data, Margrit Shildrick argues that the response to the monstrous body has always been ambivalent. In trying to organize it out of the discourses of normality, we point to the impossibility of realizing a fully developed, invulnerable self. She calls upon us to rethink the monstrous, not as an abnormal category, but as a condition of attractivenes, and demonstrates how this involves an exploration of relationships between bodies and embodied selves, and a revising of the phenomenology of the body.

    The Short Century is a broad survey of cultural life in Africa from the independence movements through the post-colonial era to the end of apartheid in 1994. Expansive, wide-ranging, and lavishly illustrated, this book studies achievements in all areas of the performing and fine arts, photography, literature, theater, architecture, music, and film.The Short Century includes the works of over 50 artists from the paintings of Mancoba and Sekoto during the fifties, through the drawings and theater projects of William Kentridge up to the installations and video works of Kay Hassan and Oladele A. Bamgboye.The great writers of the continent -- Soyinka, Senghor, and Cesaire amongst others --, Africa's filmmakers, architects and musicians, all of whom left their mark on the process of decolonialization, are studied here in depth. Renowned historians and cultural philosophers discuss the background of developments and analyse the ideological strategies employed by Western colonial powers to preserve their grip on African countries and peoples. A chapter on photojournalism supplemented by a detailed chronology of events and political movements presents the main stages of Africa's political history. A comprehensive anthology in the appendix contains some 30 historical documents, such as essays, speeches and political manifestos, shedding light on the key issues of the period.

    From Charles Darwin and nineteenth-century racism to black nationalism and the Nation of Islam, from Baptist women's groups to James Baldwin; E. Frances White takes on one institution after another as she re-centers the role of black women in the United States' intellectual heritage. White presents identity politics as a complex activity, with entangled branches of race and gender, of invisibility and voyeurism, of defiance and passivity and conformism.White's powerful introduction draws on oral narratives from her own family history to illuminate the nature of narrative, both what is said and what is left unsaid. She then sets the historical stage with a helpful history of the inception and development of black feminism and a critique of major black feminist writings. In the three chapters that follow, she addresses the obstacles black feminism has already surmounted and must continue to traverse. Confronting what White calls "the politics of respectability," these chapters move the reader from simplistic views of race and gender in the nineteenth century through black nationalism and the radical movements of the sixties, and their relationship to feminist thought, to the linkages between race, gender, and sexuality in the works of such giants as Toni Morrison and James Baldwin. No one who finishes Dark Continent of Our Bodies will look at race and gender in the same way again.

    Focusing on the twelfth and thirteenth centuries, but with an eye toward antiquity and the present, Caroline Walker Bynum explores the themes of metamorphosis and hybridity in genres ranging from poetry, folktales, and miracle collections to scholastic theology, devotional treatises, and works of natural philosophy. She argues that the obsession with boundary-crossing and otherness was an effort to delineate nature's regularities and to establish a strong sense of personal identity, extending even beyond the grave. She examines historical figures such as Marie de France, Gerald of Wales, Bernard Clairvaux, Thomas Aquinas, and Dante, as well as modern fabulists such as Angela Carter, as examples of solutions to the perennial question of how the individual can both change and remain constant. Addressing the fundamental question for historians--that of change--Bynum also explores the nature of history writing itself.

    Based on sound research and first-hand experience in the field, the book focuses on generally accepted practice but identifies current points of contention, takes regional and medium-bound variants into consideration, and traces new developments that may have an influence on the evolution of the profession. The individual chapters cover the rules of good subtitling practice, the linguistic and semiotic dimensions of subtitling, the professional environment, technical considerations, and key concepts and conventions, providing access to the core skills and knowledge needed to subtitle for television, cinema and DVD. Also included are graded exercises covering core skills. "Audiovisual Translation: Subtitling" can be used by teachers and students as a coursebook for the classroom or for self-learning.It is also aimed at translators and other language professionals wishing to expand their sphere of activity.While the working language of the book is English, an accompanying DVD contains sample film material in Dutch, English, French, Italian and Spanish, as well as a range of dialogue lists and a key to some of the exercises. The DVD also includes WinCAPS, SysMedia's professional subtitling preparation software package, used for broadcast television around the world and for many of the latest multinational DVD releases of major Hollywood projects.

    It can be used for self-teaching, as a reference text and as a companion to basic courses in medical statistics.

    This unique watercolor artist's guide offers easy to follow, plant-specific information on how to realistically paint over 50 of the most popular flowers.

    Chaos of Disciplines reconsiders how knowledge actually changes and advances. Challenging the accepted belief that social sciences are in a perpetual state of progress, Abbott contends that disciplines instead cycle around an inevitable pattern of core principles. New schools of thought, then, are less a reaction to an established order than they are a reinvention of fundamental concepts. Chaos of Disciplines uses fractals to explain the patterns of disciplines, and then applies them to key debates that surround the social sciences. Abbott argues that knowledge in different disciplines is organized by common oppositions that function at any level of theoretical or methodological scale. Opposing perspectives of thought and method, then, in fields ranging from history, sociology, and literature, are to the contrary, radically similar; much like fractals, they are each mutual reflections of their own distinctions.

    Whether performing music, listening to music, or creating music, this bond with our emotions is always there. The nature of this relationship is clearly complex however, and emotional aspects of music have received surprisingly little attention in the 45 years since the publication of Leonard Meyer's classic work 'Emotion and meaning in music.' During that time, both 'music psychology' and 'emotion' have developed as vibrant areas of research, and the time is fitting therefore to try and bring together this multidisciplinary interest and take stock of what we now know about this powerful relationship.A new volume in the Series in Affective Science, Music and Emotion: theory and research brings together leading researchers interested in both these topics to present the first integrative review of this subject. The first section reflects the various interdisciplinary perspectives, taking on board views from philosophy, psychology, musicology, biology, anthropology, and sociology. The second section addresses the role of our emotions in the composition of music, the ways that emotions can be communicated via musical structures, the use of music to express emotions within the cinema. The third section looks at the emotions of the performer - how do they communicate emotion, how does their emotional state affect their own performance. The final section looks at the ways in which our emotions are guided and influenced while listening to music, whether actively or passively.A state of the art account of the subject, Music and emotion is a book long overdue, one that will fascinate psychologists, musicologists, music educators, and philosophers.

    Beginning with Ida B. Wells and the campaign against lynching in the 1890s, Fairclough chronicles the tradition of protest that led to the formation of the NAACP, Booker T. Washington and the strategy of accommodation, Marcus Garvey and the push for black nationalism, through to Martin Luther King, Jr., and the Civil Rights Movement of the 1960s and beyond. Throughout, Fairclough presents a judicious interpretation of historical events that balances the achievements of the Civil Rights Movement against the persistence of racial and economic inequalities.

    His provocative work has stimulated debate and received major retrospectives in museums, galleries, and cinematheques around the world. William Beard's The Artist as Monster was the first book-length scholarly work in English on Cronenberg's films, analyzing all of his features from Stereo (1969) to Crash (1996). In this paperback edition, Beard includes new chapters on eXistenZ (1999) and Spider (2002).Through close readings and visual analyses, Beard argues that the structure of Cronenberg's cinema is based on a dichotomy between, on the one hand, order, reason, repression, and control, and on the other, liberation, sexuality, disease, and the disintegration of self and of the boundaries that define society. The instigating figure in the films is a scientist character who, as Cronenberg evolves as a filmmaker, gradually metamorphoses into an artist, with the ground of liberation and catastrophe shifting from experimental subject to the self.Bringing a wealth of analytical observation and insight into Cronenberg's films, Beard's sweeping, comprehensive work has established the benchmark for the study of one of Canada's best-known filmmakers.

    It provides guidelines that can be applied in fields such as economics, sociology, and psychology. It applies to problems such as those in finance (How much is this company worth?), marketing (Will a new product be successful?), personnel (How can we identify the best job candidates?), and production (What level of inventories should be kept?). The book is edited by Professor J. Scott Armstrong of the Wharton School, University of Pennsylvania. Contributions were written by 40 leading experts in forecasting, and the 30 chapters cover all types of forecasting methods. There are judgmental methods such as Delphi, role-playing, and intentions studies. Quantitative methods include econometric methods, expert systems, and extrapolation. Some methods, such as conjoint analysis, analogies, and rule-based forecasting, integrate quantitative and judgmental procedures. In each area, the authors identify what is known in the form of `if-then principles', and they summarize evidence on these principles. The project, developed over a four-year period, represents the first book to summarize all that is known about forecasting and to present it so that it can be used by researchers and practitioners. To ensure that the principles are correct, the authors reviewed one another's papers. In addition, external reviews were provided by more than 120 experts, some of whom reviewed many of the papers. The book includes the first comprehensive forecasting dictionary.

    The trauma in question is slavery, not as an institution or as personal experience, but as collective memory--a pervasive remembrance that grounded a people's sense of itself. Ron Eyerman offers insights into the intellectual and generational conflicts of identity-formation which have a truly universal significance, and provides a new and compelling account of the birth of African-American identity.

    By spending just twenty minutes a day, students not only maintain when they’ve learned in their first-year class, but will also build their working vocabulary and gain practice with extended Greek New Testament passages.This volume is perfect for students who want to begin reading complete passages of the Greek New Testament while avoiding the complexities encountered in intermediate and advanced studies. A Summer Greek Reader encourages readers to memorize new words while applying the essentials of Greek to translating larger blocks of the New Testament text.• Passages are selected for their straightforward syntax.• Unfamiliar words are cross-referenced or defined in footnotes eliminating the need for lexical work.• English translations are provided for each passage so students can check their work.Self-contained and easy to use, A Summer Greek Reader is a rewarding means of strengthening the knowledge first-year Greek students have worked so hard to acquire. By eliminating then need to rebuild old foundations and by minimizing the mad dash for a bigger vocabulary during the first weeks of second-year Greek, this book will quickly prove its worth to students and educators alike.

    This new edition has been updated throughout, with a new introduction contextualizing the development of the CDA approach, and two entirely new chapters on the ′social actor approach′ to CDA and the use of quantitative corpus linguistic methods. The editors have brought together contributions from leading experts in the field, who each introduce their own approaches to CDA. Examples are included throughout, demonstrating the value of the method in analyzing a variety of genres of written material on a whole range of topics, including global warming, leadership in management, and globalization.

    Vivid photographs and stunning dialogue that will entertain, inspire, and engage nature lovers and photography enthusiasts alike.

    The socialist ideal was, he suggests, embedded in Western civilization and its progenic cultures long before the opening of the modern era - and socialist thought did not begin with or depend on the existence of capitalism. Robinson proposes that the cultural, economic and social circumstances which spawned socialism are so diverse that the notion of socialism is best understood as a genetic phenomenon of resistance and should be treated in terms of "socialisms" rather than an enduring singular world-view. Paying particular attention to the impact of social conflicts and political competitions, the book interrogates the social, cultural, institutional and historical materials from which socialisms emerged. In doing so, it exposes the conceptual boundaries and restraints, and the definitive narrative and discursive structures, imposed on and by Engels and Marx in the process of giving a "destiny" to scientific socialism.

    As one review put it, it is simultaneously a textbook, casebook, handbook and reference work . As such it is ideal for criminal law and criminal justice courses as a teaching text, combining as it does primary sources with extensive critical commentary and a contextual perspective.It is likewise indispensable to practitioners for its detailed coverage of substantive law and its extensive references and inter-disciplinary approach make it a first point of call for researchers from all disciplines.This fifth edition strengthens these distinctive features. All chapters have been systematically updated to incorporate the plethora of legislative, case law, statistical and research material which has emerged since the previous edition. The critical, thematic, contextual and interdisciplinary perspectives have been continued.

    . . . This study provides a fresh new lens through which to reinvestigate the whole of early modern English literature."—Library JournalIn this striking social history, Barbara M. Benedict draws on the texts of the early modern period to discover the era's attitudes toward curiosity, a trait we learn was often depicted as an unsavory form of transgression or cultural ambition.

    Contributions analyze examples from Algeria, Canada, Israel and South Africa.

    By placing their stories side by side with narratives about the groups in question, Nelson arrives at some important insights regarding the nature of identity. She regards personal identity as consisting not only of how people view themselves but also of how others view them. These perceptions combine to shape the person's field of action. If a dominant group constructs the identities of certain people through socially shared narratives that mark them as morally subnormal, those who bear the damaged identity cannot exercise their moral agency freely.Nelson identifies two kinds of damage inflicted on identities by abusive group relations: one kind deprives individuals of important social goods, and the other deprives them of self-respect. To intervene in the production of either kind of damage, Nelson develops the counterstory, a strategy of resistance that allows the identity to be narratively repaired and so restores the person to full membership in the social and moral community. By attending to the power dynamics that constrict agency, Damaged Identities, Narrative Repair augments the narrative approaches of ethicists such as Alasdair MacIntyre, Martha Nussbaum, Richard Rorty, and Charles Taylor.

    Neither a survey of masterpieces nor a biographical sourcebook, The Companion to Southern Literature treats every conceivable topic found in southern writing from the pre-Columbian era to the present, referencing specific works of all periods and genres. Top scholars in their fields offer original definitions and examples of the concepts they know best, identifying the themes, burning issues, historical personalities, beloved icons, and common or uncommon stereotypes that have shaped the most significant regional literature in memory.Read the copious offerings straight through in alphabetical order (Ancestor Worship, Blue-Collar Literature, Caves) or skip randomly at whim (Guilt, The Grotesque, William Jefferson Clinton). Whatever approach you take, The Companion's authority, scope, and variety in tone and interpretation will prove a boon and a delight. Explored here are literary embodiments of the Old South, New South, Solid South, Savage South, Lazy South, and "Sahara of the Bozart." As up-to-date as grit lit, K Mart fiction, and postmodernism, and as old-fashioned as Puritanism, mules, and the tall tale, these five hundred entries span a reach from Lady to Lesbian Literature.The volume includes an overview of every southern state's belletristic heritage while making it clear that the southern mind extends beyond geographical boundaries to form an essential component of the American psyche. The South's lavishly rich literature provides the best means of understanding the region's deepest nature, and The Companion to Southern Literature will be an invaluable tool for those who take on that exciting challenge.Description of Contents 500 lively, succinct articles on topics ranging from Abolition to Yoknapatawpha 250 contributors, including scholars, writers, and poets 2 tables of contents -- alphabetical and subject -- and a complete index A separate bibliography for most entries

    Jeffrey Dahmer, Timothy McVeigh, and O. J. Simpson were all monsters if we are to believe the mass media. Even Bill Clinton was depicted with the term during the Monica Lewinsky scandal. But why is so much energy devoted in our culture to the making of monsters? Why are Americans so transfixed by transgression? What is at stake when the exclamatory gestures of horror films pass for descriptive arguments in courtrooms, ethical speech in political commentary, or the bedrock of mainstream journalism? In a study that is at once an analysis of popular culture, a polemic on religious and secular rhetoric, and an ethics of representation, Edward Ingebretsen searches for answers. At Stake explores the social construction of monstrousness in public discourse-tabloids, television, magazines, sermons, and popular fiction. Ingebretsen argues that the monster serves a moralizing function in our culture, demonstrating how not to be in order to enforce prevailing standards of behavior and personal conduct. The boys who shot up Columbine High School, for instance, personify teen rebellion taken perilously too far. Susan Smith, the South Carolinian who murdered her two children, embodies the hazards of maternal neglect. Andrew Cunanan, who killed Gianni Versace, among others, characterizes the menace of predatory sexuality. In a biblical sense, monsters are not unlike omens from the gods. The dreadful consequences of their actions inspire fear in our hearts, and warn us by example.

    Cultural Sociology collects 31 seminal essays by renowned social thinkers that introduce cultural sociology to an emerging generation of students and scholars.

    But it's not cool to talk like a geek. Even a Geek Can Speak shows anyone how to express complex ideas in ways that are simple, that connect with listeners, and that persuade. Focusing Your Message: One internet security executive won over non-technical business owners by focusing on the importance of internet security to the business world. Result: Listeners said - I'm buying that stock.Keeping it Simple: A software consultant steered clear of the technical details when pitching to a CEO and focused on three key points: saving money, security and competitiveness. Result: He won the business.Telling Stories: A telecommunications saleswoman spoke to a users' group and illustrated her points with stories, rather than dwelling too much in detail. Result: A jump in new orders.Not Looking Like a Geek: An internet executive learned to connect with his audience merely by energizing his voice. Result: He received praise unlike any he'd received before.

    The first chapter describes mechanisms found in bacteria, and two subsequent chapters discuss which of these is most highly exploited in higher organisms. A final chapter relates these molecular strategies to other enzymatic processes, including those involving kinases, RNA splicing enzymes, proteases, and others.

    And that memorable remark is probably in here. More than 5,000 amusing quotations, arranged alphabetically under 1200 thematic headings, will break the ice for any toast, speech, or presentation. All the quotes are drawn from a world-class cast of wits and humorists that range from Oscar Wilde and Dorothy Parker to Groucho Marx, Stephen Fry, and Woody Allen. There are aphorisms and epigrams; retorts and putdowns; quips and one-liners; sayings and proverbs; and gaffes and malapropisms. Fascinating source notes tell the stories behind the bons mots. Who told novelist H.G. Wells "It is all very well to be able to write books, but can you waggle your ears?" (J.M. Barrie, author of Peter Pan.) Which star stated, "An actor's a guy who, if you ain't talking about him, ain't listening"? (Marlon Brando.) A wonderfully entertaining and useful collection.

    Ciane Fernandes combines Laban movement analysis and the writings of Jacques Lacan and Michel Foucault to investigate repetition in the works and creative process of Pina Bausch (b. 1940), who is considered to be one of the most important choreographers of the twentieth century. This book examines repetition in Bausch's pieces as both method and subject, exploring its power in the metamorphosis of meaning. Repetition is used to subvert its own process of domination over the body at aesthetic, cognitive, and social levels. The body simultaneously becomes natural and linguistic, experiential and automatic, personal and social, constantly repeating and transforming the history of its domination.

    This is an issue of major concern nationally, for the Black community, and for leaders in higher education. The fifteen scholars who contribute to this volume trace the trajectory of Black women in education, with a particular focus on higher education. These scholars combine research and personal narratives to explore educational issues ranging from historical accounts of Black female teachers in the nineteenth century, to the challenges and triumphs of being an activist researcher at the turn of the twenty-first century. The essays in this volume address specific historical, social, cultural, political, and academic issues that affect Black women in the academy, and provide readers with tangible examples of how these scholars have transcended some of the challenges in their pursuit of academic excellence. While these essays do not claim to provide the "magic solution" or a "how-to-guide" to success in higher education, they do raise thought-provoking issues that are critical to the success of Black women in higher education. This book uncovers issues, and proposes remedies, which will be of vital interest for anyone concerned with diversity and equity in higher education. It celebrates emergent scholars of African descent, who have used the challenges they have encountered in their journeys through the academy to create opportunities for success.

    In this groundbreaking new study, Darrin McMahon demonstrates that, on the contrary, contemporary resistance to the Enlightenment was a major cultural force, shaping and defining the Enlightenment itself from the moment of inception, while giving rise to an entirely new ideological phenomenon-what we have come to think of as the Right. McMahon skillfully examines the Counter-Enlightenment, showing that it was an extensive, international, and thoroughly modern affair.

    It covers the full range of practices from the identification of topics through to strategies for writing up research findings in diverse ways.

    It explores the relationship between AAE and other varieties of English (namely Southern White Vernaculars, Gullah, and Caribbean English creoles), language use in the African American community (e.g., Hip Hop, women's language, and directness), and application of our knowledge about AAE to issues in education (e.g., improving overall academic success). To its credit (since most books avoid the issue), the volume also seeks to define the term 'AAE' and challenge researchers to address the complexity of defining a language and its speakers. The volume collectively tries to help readers better understand language use in the African American community and how that understanding benefits all who value language variation and the knowledge such study brings to our society.