These seemingly undistinguished possessions, stuffed into a worn-out suitcase, take on a riotously funny life of their own as Dovlatov inventories the circumstances under which he acquired them, occasioning a brilliant series of interconnected tales: A poplin shirt evokes the bittersweet story of a courtship and marriage, while a pair of boots (of the kind only the Nomenklatura can afford) calls up the hilarious conclusion to an official banquet. Some driving gloves—remnants of Dovlatov’s short-lived acting career—share space with neon-green crepe socks, reminders of a failed black-market scam. And in curious juxtaposition, the belt from a prison guard’s uniform lies next to a stained jacket that once belonged to Fernand Léger.Imbued with a comic nostalgia overlaid with Dovlatov’s characteristically dry wit, The Suitcase is an intensely human, delightfully ironic novel from “the finest Soviet satirist to appear in English since Vladimir Voinovich.”

    Extinction, his last novel, takes the form of the autobiographical testimony of Franz-Josef Murau. The intellectual black sheep of a powerful Austrian land-owning family, Murau lives in self-exile in Rome. Obsessed and angry with his identity as an Austrian, he resolves never to return to the family estate of Wolfsegg. But when news comes of his parents' deaths, he finds himself master of Wolfsegg and must decide its fate.Written in Bernhard's seamless style, Extinction is the ultimate proof of his extraordinary literary genius.

    After leaving the Soviet Union following a series of unsatisfying relationships, Marusya Tatarovich quickly becomes the center of the Russian community in Queens, New York, but finds that it mirrors in many ways the community she left behind

    Through rare interviews and with unique insight, Peter Guralnick tells the definitive story of the songs that inspired a generation and forever changed the sound of American music.

    Within hours, they held in their grasp what had eluded both British and French armies in over two years of fighting: they had seized the best-defended German bastion on the Western Front.How could an army of civilians from a nation with no military tradition secure the first enduring victory in thirty-two months of warfare with only 10,000 casualties, when the French had lost 150,000 men in their unsuccessful attempt? Pierre Berton's haunting and lucid narrative shows how, unfettered by military rules, civilians used daring and common sense to overcome obstacles that had eluded the professionals.Drawing on unpublished personal accounts and interviews, Berton brings home what it was like for the young men, some no more than sixteen years old, who clawed their way up the sodden, shell-torn slopes in a struggle they innocently believed would make war obsolete. He tells of the soldiers who endured horrific conditions to secure this great victory, painting a vivid picture of trench warfare. In his account of this great battle, Pierre Berton brilliantly illuminated the moment of tragedy and greatness that marked Canada's emergence as a nation.

    Protesting in the name of principles Hitler thought he had killed forever, Sophie Scholl and other members of the White Rose realized that the ‘Germanization’ Hitler sought to enforce was cruel and inhuman, and that they could not be content to remain silent in its midst.From its inception to its end, the captivating story of Sophie Scholl and the White Rose is an uplifting and enlightening account of German resistance to the Third Reich. With detailed chronicles of Scholl’s arrest and trial before Hitler’s Hanging Judge, Roland Freisler, as well as appendices containing all of the leaflets the White Rose wrote and circulated exhorting Germans to stand up and fight back, this volume is an invaluable addition to World War II literature and a fascinating window into human resilience in the face of dictatorship.

    This book is a study of the fundamental differences between these two trees, and how they still affect our lives today. This first book in The Divine Destiny Series has remained one of our bestsellers for more than fifteen years

    The accidental near-drowning of a child exposes the fragility of the trust between children and parents. A young man, remembering a terrifying childhood incident, wrestles with the responsibility he has always felt for his younger brother. In these and other stories Alice Munro proves once again a sensitive and compassionate chronicler of our times. Drawing us into the most intimate corners of ordinary lives, she reveals much about ourselves, our choices, and our experiences of love.

    A captivating blend of personal biography and public drama, The Wise Men introduces the original best and brightest, leaders whose outsized personalities and actions brought order to postwar chaos: Averell Harriman, the freewheeling diplomat and Roosevelt's special envoy to Churchill and Stalin; Dean Acheson, the secretary of state who was more responsible for the Truman Doctrine than Truman and for the Marshall Plan than General Marshall; George Kennan, self-cast outsider and intellectual darling of the Washington elite; Robert Lovett, assistant secretary of war, undersecretary of state, and secretary of defense throughout the formative years of the Cold War; John McCloy, one of the nation's most influential private citizens; and Charles Bohlen, adroit diplomat and ambassador to the Soviet Union.

    The Well of Darkness5. The Search for Ka6. Return to Eddarta WARNING*****I'M NOT SURE WHICH EDITION I HAD, BUT IT WAS PRINTED WITH #6 RETURN TO EDDARTA BEFORE #5 SEARCH FOR KA AND I GOT INTO 6 BEFORE REALIZING THAT IT WAS OUT OF ORDER IN THE BOOK, SO CHECK CAREFULLY

    In a voice at once elegiac and life-affirming, MacLeod describes a vital present inhabited by the unquiet spirits of a Highland past, invoking memory and myth to celebrate the continuity of the generations even in the midst of unremitting change.His second collection, As Birds Bring Forth the Sun and Other Stories confirms MacLeod’s international reputation as a storyteller of rare talent and inspiration.From the Trade Paperback edition.

    Maryse Condé's imaginative subversion of historical records forms a critique of contemporary American society and its ingrained racism and sexism." —THE BOSTON SUNDAY GLOBEAt the age of seven, Tituba watched as her mother was hanged for daring to wound a plantation owner who tried to rape her. She was raised from then on by Mama Yaya, a gifted woman who shared with her the secrets of healing and magic. But it was Tituba's love of the slave John Indian that led her from safety into slavery, and the bitter, vengeful religion practiced by the good citizens of Salem, Massachusetts. Though protected by the spirits, Tituba could not escape the lies and accusations of that hysterical time. As history and fantasy merge, Maryse Condé, acclaimed author of Tree of Life and Segu, creates the richly imagined life of a fascinating woman.

    She was self-taught and obtained a degree of celebrity after the publication of several of her diaries written in the 1950s. Her book, Quarto de Despejo (The Garbage Room) sold over 90,000 copies in six months, was translated into five languages, and sold over 300,000 copies in English hardcover alone, as Child of the Dark. Her autobiography, drafted just prior to her death, covers her early life in the 1920s and 1930s. Originally published in French as Journal de Bitita and appearing now for the first time in the English language, Bitita's Diary is the most important document testifying to the hardships of lower-class black Brazilian women ever written. Offering extensive details about race and race relations, religion in rural Brazil (both Roman Catholicism and spiritism), life in small towns and cities of the interior, sexual intimidation, and the hardships of sharecropping, Carolina provides an insightful and moving glimpse of the Brazilian Revolution of 1930 from the vantage point of a poor person caught up in its promise.

    Throughout, Carver “has the astonished, chastened voice of a person who has survived a wreck, as surprised that he had a life before it as that he has one afterward, willing to remember both sides” (The New York Times Book Review).

    Here you will find a brief review of the astrological basics (planets, houses, signs and aspects) and then the heart of the book - Transits - the current positions of the planets in the sky compared to one's birth chart. Outer planets are discussed in terms of their "Teacher" or "Trickster" potentials. Also addressed is the cycle of the houses and the tasks represented by each. Progressions - a day symbolically equated to a year in one's life. Thorough explanations of progressed Moon through the houses and signs, and changing angles (Midheaven and Ascendant) are presented. The Art of Synthesis - how to put it all together. Also includes an appendix with valuable information on how to look up transits and calculate secondary progressions. This practical guide to predictive astrology shows the reader how to make better life choices, with a focus on personal freedom and responsibility.

    All are chronicled in a new chapter which, with a section of completely up-to-date color photographs, makes this edition a must.

    The Bodhran (pronounced bough-rawn), makers of the title are "poverty stricken people who never lost their dignity." Every January, they celebrate their Celtic ancestry with a festival of singing, drinking, and music making with the Bodhran, a drum made from goat skin.

    1. Six texts by Václav Havel --Letter to Dr Gustáv Husák --The power of the powerless --Six asides about culture --Politics and conscience --Thriller --An anatomy of reticence --pt. 2. Sixteen texts for Václav Havel --Catastrophe / Samuel Beckett --Courtesy towards God / Heinrich Böll --Prague : a poem, not disappearing / Timothy Garton Ash --Ex-prophets and storysellers / Jiří Gruša --From Variations and reflections on topics in Václav Havel's prison letters / Ladislav Hejdánek --Citizen versus state / Harry Järv --The chaste centaur / Pavel Kohout --Conversations 36 / Iva Kotralá --Candide had to be destroyed / Milan Kundera --I think about you a great deal / Arthur Miller --When I was still living in Prague / Zdena Salivarová --The sorrowful satisfaction of the powerless / Milan Šimečka --I saw Václav Havel for the last time / Josef Škvorecký --Introduction to The memorandum / Tom Stoppard --Letter to a prisoner / Zdeněk Urbǎnek --On the house / Lukvík Vaculík.

    As Edwin O. Reischauer, former ambassador to Japan, has pointed out, this book offers "a lesson that the postwar generations need most...with eloquence, crushing detail, and power."

    Truthful and magical, his poetry has captivated both Greek and foreign readers. Aptly described by Charlotte Du Cann as 'the unlocker of ancient stones and sea voyages', Seferis was for Peter Levi 'one of the greatest writers in this century in any language...From Seferis it was possible to learn...what seriousness about poetry is'.

    The narrative counterpoints life in a hospital ward of a writer crippled by a horrific skin disease with the plot of his atmospheric thriller to the point where fantasy and reality seem to exchange places. The result is the most painful and disturbing screen drama of the 1980s.

    Sloane and the farce hit Loot, and was completing What the Butler Saw; but less than three months later, his longtime companion, Kenneth Halliwell, smashed in Orton’s skull with a hammer before killing himself. The Orton Diaries, written during his last eight months, chronicle in a remarkably candid style his outrageously unfettered life: his literary success, capped by an Evening Standard Award and overtures from the Beatles; his sexual escapades—at his mother's funeral, with a dwarf in Brighton, and, extensively, in Tangiers; and the breakdown of his sixteen-year "marriage" to Halliwell, the relationship that transformed and destroyed him. Edited with a superb introduction by John Lahr, The Orton Diaries is his crowning achievement.

    From childhood he has lived in or near the Rockies, hiking, climbing and skiing; watching wildlife and enjoying wildflowers, wild places and wild weather. A desire to know more about the rock he climbed on led Ben to a degree in earth science. He is an independent interpretive guide in Jasper National Park and has written four other books.Ben carried the first edition of the Handbook everywhere in his pack, looking up things he couldn't remember and filling the margins of four copies with blooming times, animal sightings, ideas and corrections. He hopes that all of you with an interest in the Canadian Rockies will enjoy the updated information, new design and full color illustrations of this second edition of the handbook.Artist Matthew Wheeler did the 334 color pencil drawings of mammals, birds and butterflies. Matthew was first recognized for his art at the age of ten, when the Louvre exhibited his painting of children and farm animals watching a train pass by his family's Robson Valley, B.C. farm. Since then, and leading up to the brilliant work reproduced in the pages of this book, Matthew has refined and supported his art by reporting for a local newspaper, selling freelance photography and winning awards at art shows.

    Josef Mengele, Auschwitz' infamous Doctor of Death. It was a cold December morning in 1942 when Jack, then known a Yakoff Skurnik, and his family were loaded onto a "resettlement train," in Mlawa, Poland. When the train stopped, Jack found himself at Auschwitz. For an interminable time, he survived the horrors of the camp. Using his wits, cunning, and inordinate will to live, he escaped from the Nazis during the Auschwitz death march in which the Nazis marched 58,000 prisoners from the camp before its liberation by the Russians on January 27, 1945. Overcoming incredible odds, Jack built himself a new life filled with success and accomplishment. This is the story of a man who is living proof that with persistence, determination, and belief in oneself, all things are possible.

    But it is more: Peter Nadas has given us a superb contemporary psychological novel that comes to terms with the ghosts, corpses, and repressed nightmares of Europe's recent past. "A Book of Memories" is made up of three first-person narratives: the first that of a young Hungarian writer and his fated love for a German poet; we also learn of the narrator's adolescence in Budapest, when he experiences the downfall of his once-upper-class but now pro-Communist family and of his beloved but repudiated father, a state prosecutor who commits suicide after the 1956 uprising. A second memoir, alternating with the first, is a novel the narrator is composing about a refined Belle Epoque aesthete, whose anti-bourgeois transgressions seem like emotionally overcharged versions of the narrator's own experiences. A third voice is that of a childhood friend who, after the narrator's return to his homeland, offers an apparently more objective account of their friendship. Together these brilliantly colored lives are integrated in a powerful work of tragic intensity.

    It is a protest at institutions that isolate, and a way of life that denies respect and responsibility for the weak.

    They and the critics agree that a trip to see any one of this master of comedy's stage triumphs ranks among the most wonderful experiences that the American theater offers. The eight plays in this, the second volume of The Collected PLays of Neil Simon, bear eloquent witness to the unique genius of this master playwright who so magnificently blends the joy of laughter and the love of life.

    They create a vibrant picture of the life of a black working woman in New York in the 1950s. Rippling with satire and humor, Mildred’s outspoken accounts capture vividly her white employers’ complacency and condescension—and startled reactions to a maid who speaks her mind. As Mildred declares to a patronizing employer that she is not just like one of the family, or explains to Marge how a tricky employer has created a system of “half days off” to cheat her help, we gain a glimpse not only of one woman’s day-to-day struggle, but of her previous ache of racial oppression. A domestic who refuses to exchange dignity for pay, Mildred is an inspiring conversationalist, a dragon slayer in a segregated world. The conversations in the book were first published in Freedom, the newspaper edited by Paul Robeson, and later in the Baltimore Afro-American. The book was originally published in the 1950s by in Brooklyn–based Independence Press, and Beacon Press brought out a new edition of it in 1986 with an introduction by the literary and cultural critic Trudier Harris.

    Following a format similar to that of The Oxford Illustrated History of Britain, this brings together the work of 30 authorities & organizes their contributions into three main sections. The 1st covers Greece from the 8th to the 4th centuries, a period unparalleled in history for its brilliance in literature, philosophy & the visual arts. The 2nd deals with the Hellenization of the Middle East by the monarchies established in the areas conquered by Alexander the Great, the growth of Rome & the impact of the two cultures on one another. The 3rd covers the foundation of the Roman Empire by Augustus & its consolidation in the 1st two centuries AD. A concluding essay discusses certain aspects of the later Empire & its influence on Western civilization, notably thru the adoption of Christianity. Within each section, chapters dealing with political & social history alternate with ones on literature, philosophy & the arts. Maps & chronological charts--not to mention over 250 illustrations, 16 in color--enrich the basic text, along with bibliographies & an index. John Boardman is Lincoln Professor of Classical Archeology at the University of Oxford. Jasper Griffin & Oswyn Murray are Fellows of Balliol College, Oxford.

    From President George Washington through President George H. W. Bush, the reader experiences the many colorful facets of life in the seat of presidential power: the etiquette, politics, architecture, décor, landscaping, cuisine, and more. A winner of five national awards, this is a treasury of the people, the plans, and the purposes that have shaped the White House from the very beginning.

    A seal sheds her skin and becomes a beautiful woman, but even after marrying and bearing a son she longs to return to her seal family in the sea.

    In the midst of the terrors which unfettered Enlightenment ideology unleashed on the West, Christian hope arose anew to bring true light to one of history’s darkest hours.

    A twentieth anniversary edition of Pauling's seminal work on the role of vitamins and minerals in preventing disease and achieving optimal health.

    Although she wins fame and fortune, Mei-li seeks a truer spirituality, and embarks on a pilgrimage that takes her to the death-soaked Europe of the First World War, to a utopian commune in the Santa Cruz Mountains in the 1920s, to the Depression-era migrant work camps and cannery strikes, and finally to the Napa State Hospital, where she finds wisdom and peace among the outcasts of the asylum.Mei-li’s modern-day epic is grounded in the history of Northern California in the first half of the twentieth century and peopled by comrades of many classes and cultures and by lovers both male and female. Yet her central odyssey remains one of inner discovery.In Confessions of Madame Psyche, Dorothy Bryant has created a character who is so honest in her search for truth, growth, and spiritual understanding that this quest becomes inherent to her survival.

    Fifteen-year-old Kate becomes aware of the class consciousness of her middle class family and friends when she falls in love with a boy from a working class family.

    In telling his tale, the author blends together Romanian legends and myths with those of cultures from around the world. One can hardly find any noble and beautiful human aspiration from all the civilizations of the world whose reflection is not to be found in Legends from Vamland. The work is intended as one of fantasy and science fiction, as the author provides the image of the spiritual life of an imaginary people from an imaginary land. The result is a book of splendid originality.One of the first Romanian writers of science fiction, Vladimir Colin (1921-1991) was also an important representative of Jewish culture in Romania. Among his most important works of science fiction are Legends from Vamland, a work resemblant of J.R.R. Tolkein's The Hobbit. These tales have been abridged and retold for English readers by Luiza Carol, and the fascinating story they tell is brought to life by original illustrations from renowned Romanian artist Octavian Ion Penda.Luiza Carol is associate editor of the international poetry magazine Voices Israel. She is a writer, poet, and translator and a member of the Federation of Israeli Writers and the Academy of American Poets. She has published 11 books and received 9 literary prizes.

    Every cliff, inlet and headland reveals layers of myth and historical memory, and Robinson makes beautifully crafted observations about the habits of birds, plants and the humans who lived there and endured, leaving records in stone - on the walls, cairns and ancient forts - in story and in oral tradition.

    So there's this record producer Dennis Contrelle who was huge in the early 1960s, creating epic trash masterpieces from girl groups and surf bands, a veritable Wagner of pop, but he retired at the end of the decade and disappeared into his mansion of tack somewhere in L.A. He's still there, still married to the singer with his biggest group, a woman effectively held prisoner by the drug-damaged Svengali who can't let her go ... But remember: "This novel is a work of fiction ... any resemblance to actual persons, living or dead, events, or locales, is entirely coincidental." Our narrator is a hip late-night DJ, Scott Cochrane, who grew up on the music of Dennis Contrelle, and had a teenage crush on Sharlene, the singer for the Stingrays, whose classic '60s pop album, Fuel Injected Dreams, is tied up in his mind with his first girlfriend, Cheryl, who mysteriously disappeared the summer of the album's release. When the DJ belittles one of his tunes, the producer phones in a complaint, and Cochrane is soon lured into the Contrelles' world of sadomasochistic sexual intrigue.

    

    Transfixed by the beauty of a passing flock of white swans, a Japanese painter finds that he cannot work until he sees them again.

    Within a month of his arrival he became a prisoner of the Japanese, and after 14 months in a POW camp, was sent north to a work camp on the Burma Railway. In May 1944, he was sent to the notorious Changi Gaol in Singapore, becaming one of the few British soldiers to survive imprisonment there. Throughout his captivity he made drawings to record his experiences, which he smuggled from place to place, stained with the sweat and dirt of his captivity. A record of one man's war, they are among the most important and moving accounts of World War II.

    These famous methods are now available with access to online audio of piano accompaniments.

    

    Illustrated.

    100 potential treasures are described, including toys and games from all sorts of natural materials, decorations and even children's clothes.

    The language is, throughout, simple, sensuous, and direct. We can be grateful for this book and this poet." --Jay Parini"I have known the poetry of Edward Hirsch for some time, and have greatly admired it. But I even more greatly admire his Wild Gratitude as a general collection, and I am convinced that the best poems here are unsurpassed in our time." --Robert Penn Warren

    readers the story of a gentle man who became one of the indisputable Kings of Horror. Peter Cushing. Mr. Cushing discusses his childhood, his early acting career in films and on stage, his BBC television work and his renowned years at Hammerall with literary wit and charm. While Mr. Cushing's humor will tickle readers' funny bones, the everlasting love story between Mr. Cushing and his dear wife Helen will touch their hearts.

    IdeaIs There a Good Abstract Idea Underlying the Picture?What Details Could be Eliminated to Strengthen the Composition?Does the Painting “Read”?Could You Finish Any Part of the Painting?ShapesAre the Dominant Shapes as Strong and Simple as Possible?Are the Shapes Too Similar?ValueCould the Value Range be Increased?Could the Number of Values be Reduced?LightIs the Subject Effectively Lit?Is the Light Area Big Enough?Would the Light Look Stronger with a Suggestion of Burnout?Do the Lights Have a Continuous Flow?Is the Light Gradated?ShadowsDo the Shadow Shapes Describe the Form?Are the Shadows Warm Enough?DepthWould the Addition of Foreground Material Deepen the Space?Does the Background Recede Far Enough?Are the Halftones Properly Related to the Background?SolidityIs the underlying Form Being Communicated?Is the Symmetry in Perspective?ColorIs There a Color Strategy?Could a Purer Color Be Used?Do the Whites Have Enough Color in Them?Are the Colors Overblended on the Canvas?Would the Color Look Brighter if it Were Saturated into its Adjacent Area?PaintIs Your Palette Efficiently Organized?Is the Painting Surface Too Absorbent?Are You Using the Palette Knife as Much as You Could?Are You Painting Lines When You Should Be Painting Masses?Are the EdgesDynamic Enough?Is There Enough Variation in the Texture of the Paint?

    Piper & Co. Verlag, 19 78 ) and includes all poems that could be successfully rendered into English . Poems fromBachmann's youth , as well as i ntricately rhymed poems (such as the ten-part cycle "Von einem Land, einem Fluss und den Seen") had to be omitted . This is unfortunate , for much of Bachmann's strength as a poet derives from her fusion of a contemporary idiom with a rigorously crafted , classical form . But the criterion for any verse translation must be that the poem work in its own language . This principle has guided the selection of the poems presented here . Several short prose works relating to Bachmann's poetry , as well as a biographical note and chronology , have been added as an appendix. They should facilitate access to her verse and may also whet the reader's taste for her prose works, few of which have been translated into English.

    

    (1740-1814) is unique and paradoxical. He was widely read in the nineteenth century, but his books disappeared almost completely from circulation in the century. Meanwhile the exegesis of Sade poured from the presses of the Western world in a flood of words in which the writer, the novelist, and the exceptional pet disappeared.In France today, J. J. Pauvert, who considers Sade “the greatest French writer,” is publishing a new edition of the complete works with a new introduction by Annie Le Brun. Sade: A Sudden Abyss is the translation of this introduction, which shows Sade as the inventor of an entirely new language through which he fathoms human nature, desire, and relationships of power.In this fresh and authoritative survey of Sade’s work as a whole, Le Brun frees it from such critics as Bataille, Blanchot, Klossowski, and Barthes (who see Sade’s language as a metaphor for history, society, or writing itself). She asks, Where is Sade himself in these texts? What exactly does Sade tell us? What is obscured when Sade’s writing is placed in a “universe of discourse” rather than understood as a manifestation of a life spent in eleven prisons over twenty-seven years? Like a powerful laser beam, her reflections cut through two centuries of intellectual hide-and-seek and let Sade for the first time be seen and read in his own light.Annie Le Brun is a French poet and literary theorist. Her books include Lâchez tout, a critique of the French neofeminist movement; A distance; and Les chateaux de la subversion, a study of the Gothic tradition.

    

    Join Lynn Andrews on her personal vision quest as she searches for an ancient knowledge to bridge the gap between the primal mind and white consciousness, guided by a white stallion which she rides into a world of illuminating visions--even to the dark side of her own spirit.

    Life with domineering Uncle John and his family did not always prove easy, however, and on Sunday Robert was glad to set off alone exploring the Durham countryside. At a friendly wayside inn he heard talk about Foreshaw Park, the sadly run-down estate of the once wealthy Thorman family, and walking home in the moonlight he had his first strange encounter with Millie, the ethereal girl-child of that house whose odd ways and nocturnal wanderings had led to her being known locally as 'Thorman's Moth'. The time came when a sudden and dramatic turn in Robert's affairs brought him a much closer involvement with the Thormans of Foreshaw, and especially with the elder daughter Agnes who shouldered so many of the burdens of this troubled household and who alone of all her family loved and protected the frail unworldly Millie. But this was 1913, and anything beyond the most formal relationship between servant and mistress had to face the barriers and injustices of a rigid social hierarchy that was soon to perish in the flames of war.

    As novelist Richard Ford has said, "Dubus is a patient, resourceful and profound writer who never gives in to convention--although his situations are our situations, and imminently recognizable. The great, addictive pleasure of reading him arises from our anticipation that he is always going to say something interesting."

    C.B. Irwin, a legend who rode the wild American west into a new frontier—the 20th century. From wagon trains and cattle drives to the birth of the railroads and airplanes, Burton shaped America's destiny.

    

    In this readable and richly detailed history of the conflict, the Belgian scholar Ernest Mandel (author of the acclaimed Late Capitalism) outlines his view that the war was in fact a combination of several distinct struggles and a battle between rival imperialisms for world hegemony. In concise chapters, Mandel examines the role played by technology, science, logistics, weapons and propaganda. Throughout, he weaves a consideration of the military strategy of the opposing states into his analytical narrative of the war and its results.The Verso World History Series:This series provides attractive new editions of classic works of history, making landmark texts available to a new generation of readers. Covering a timespan stretching from Ancient Greece and Rome to the twentieth century, and with a global geographical range, the series will also include thematic volumes providing insights into such topics as the spread of print cultures and the history of money.

    The core of his argument in this essay (and in those that follow) lies in the old opposition between theoria and aesthesis - terms that embody, on the one hand, a linguistic, specifically rhetorical approach to literature and, on the other, a phenomenological, aesthetic, or hermeneutic approach - and all the implications those two modes carry with them. The resistance to theory, says de Man, is a resistance to the use of language about language; it is a resistance to reading, and a resistance to the rhetorical or figurative dimensions of language. The six related essays in The Resistance to Theory were written by de Man in the few years that preceded his death in December 1983. Undertaken to find out why the theoretical enterprise is blind to, or "resists," the radical nature of reading, the essays share not only a theme but also the pedagogical intent that is central to most of his work. These concerns, implicit in the title essay, are openly argued in "The Return to Philology." Each of the remaining essays is devoted to a specific theorist: Michael Riffaterre, Hans Robert Jauss, Walter Benjamin, and Mikhail Bakhtin. The Resistance to Theory also includes a 1983 interview with de Man conducted for Italian radio, and a complete bibliography of his work. Wlad Godzich's foreword tells how de Man's late work was conceived and organized for publication, and discusses some of the basic terms in his discourse."Indispensable. . . . There is resistance to 'theory' and also confusion about its status with reference to both philosophy and criticism. De Man's defense of theory is subtle but uncompromising, and highly personal in its 'aporetic' conclusion."- Frank Kermode, Columbia UniversityPaul de Man was Sterling Professor of Comparative Literature at Yale University. His books include Blindness and Insight (1971; revised edition, Minnesota, 1983), Allegories of Reading ( 1980), and The Rhetoric of Romanticism (1984).

    This book is for a wide audience and calls for thoroughly rethinking current views on language, thought, and society from classical scholarship through modern philosophy, anthropology, and poststructuralism.”—Walter J. Ong“All in all, we have in this book the summary statement of one of the great pioneers in the study of oral and literate culture, fascinating in its scope and rewarding in its sophistication. As have his other works, this book will contribute mightily to curing the biases resulting from our own literacy.”—J. Peter Denny, Canadian Journal of Linguistics“An extremely useful summary and extension of the revisionist thinking of Eric Havelock, whom most classicists and comparatists would rank among the premier classical scholars of the last three decades. . . . The book presents important (though controversial) ideas in. . . an available format.”—Choice

    Each child in a group is different in a special way -- when eating or at play, while shopping, and in bedtime routines.

    The novels are distinguished by their high wit, restless inventiveness, and the sharp focus of a European humanist reflecting on that culture.

    Full of exclamation and exaggeration but also graced with dry wit and comic sophistication, these poems contain some of Kenneth Koch's most original work. When the Sun Tries to Go On is a young man's radical song of himself and his freshly discovered and expanding universe. Ko, or A Season on Earth is an epic invention filled with such memorably powerful characters as a rookie baseball star whose pitches knock down grandstands, and Joseph Dah, whose poems transform him into whatever he writes about. In The Duplications Koch's inventions expand into Ovidian twists as Commander Papend builds a life-sized replica of Venice in Peru and a chemist discovers a way to make young women out of the soil of Finland. In the elegiac Seasons on Earth and in two meditative autobiographical sequences, Impressions of Africa and On the Edge, Koch's protean expressions of emotion make obvious his genius for evoking the mystery and excitement of the fact of existence and the passage of time. Distinctly and irrepressibly Koch throughout, these works heighten our appreciation of his achievement. On the Edge is the perfect companion volume to the critically acclaimed Collected Poems of Kenneth Koch, about which John Ashbery, in Publishers Weekly, said, The products of a lifetime are on display in this awe-inspiring banquet of a book.

    The Torpedo, along with his constant companion, Rascal, reeks swift and terrible underworld justice on all those unfortunate enough to cross their paths. Abuli's stories are full of cruel and morbidly dark humor, and Bernet's art style is perfect for showcasing New York as a both stylish and grim. Together they work seamlessly to create a classic and timeless series.

    I managed to prevent Stalin's dark and murky ambition from taking root - his desire to hide from the world that we had found Hitler's corpse" - Elena Rzhevskaya "A telling reminder of the jealousy and rivalries that split the Allies even in their hour of victory, and foreshadowed the Cold War"- Tom Parfitt, The Guardian On May 2,1945, Red Army soldiers broke into Hitler's bunker. Rzhevskaya, a young military interpreter, was with them. Almost accidentally the Soviet military found the charred remains of Hitler and Eva Braun. They also found key documents: Bormann's notes, the diaries of Goebbels and letters of Magda Goebbels. Rzhevskaya was entrusted with the proof of the Hitler's death: his teeth wrenched from his corpse by a pathologist hours earlier. The teeth were given to Rzhevskaya because they believed male agents were more likely to get drunk on Victory Day, blurt out the secret and lose the evidence. She interrogated Hitler's dentist's assistant who confirmed the teeth were his. Elena's role as an interpreter allowed her to forge a link between the Soviet troops and the Germans. She also witnessed the civilian tragedy perpetrated by the Soviets. The book includes her diary material and later additions, including conversations with Zhukov, letters of pathologist Shkaravsky, who led the autopsy, and a new Preface written by Rzhevskaya for the English language edition. Rzhevskaya writes about the key historical events and everyday life in her own inimitable style. She talks in depth of human suffering, of bittersweet victory, of an author's responsibility, of strange laws of memory and unresolved feeling of guilt.

    The mothers of the young couple had been childhood friends, but the differences in outlook of the children are exacerbated by the political polarisation that has come over France at the time. We are in the 1930s with Communists and fascists fighting in the streets. The marriage does not last and France goes to war. Bertrand, now a Prefect, is refused permission to join the army; but after France’s defeat and the armistice with the Germans, he decides that he cannot serve under Marshal Petain. He escapes over the Pyrenees and eventually reaches London where he places himself at the disposal of General de Gaulle. Bertrand’s life in France has introduced the reader to spies, priests, academics, criminals, politicians, prostitutes, policemen and refugees from the Spanish Civil War. In London, he becomes involved with the English and, when sent back to France by de Gaulle, with the different factions in the French Resistance. Bertrand becomes enmeshed in political infighting and mired in moral paradox as the story proceeds to a dramatic denouement. Awarded the Enid McLeod Literary Prize by the Franco-British Society

    

    The Swiss-German theologian Karl Barth (1886-1968) was the most original and significant Reformed theologian of the twentieth century. Barth began the Church Dogmatics in 1932 and continued working on its thirteen volumes until the end of his life. Barth's writings continue to guide and instruct the preaching and teaching of pastors and academics worldwide. The English translation was prepared by a team of scholars and edited by G. W. Bromiley and T. F. Torrance and published from 1936. A team of scholars at Princeton Theological Seminary have now provided the translation of Greek, Latin, Hebrew and French passages into English. The original is presented alongside the English translation. This makes the work more reader friendly and accessible to the growing number of students who do not have a working knowledge of the ancient languages. This new edition with translations is now available for the first time in individual volumes.>

    The poems included here richly demonstrate why Robert Bly has been such a major force in American poetry during the past three decades.

    

    It is a vivid portrait of the poet and her times as well as a fascinating interpretive study of the poems that will enable every reader to approach them with new understanding and delight.

    Determined to exorcise the Nazi "beast" from their shattered lives and prepare for a second holocaust he knows is coming, Momik increasingly shields himself from all feeling and attachment. But through the stories his great-uncle tells him—the same stories he told the commandant of a Nazi concentration camp—Momik, too, becomes "infected with humanity." Grossman's masterly fusing of vision, thought, and emotion make See Under: Love a luminously imaginative and profoundly affecting work.

    

    Women's Studies. Introduction by Ben Lerner. "Josef and Frederika Seifert made a bad marriage--he so metaphysical, she, furious frustrated singer, furious frustrated femme fatale, unfaithful within two months of the wedding day. The setting is small town Germany between the wars; the Seiferts are just those 'ordinary people' who helped Hitler rise, bequeathing their daughter, who tells their story, a legacy of grief and guilt. Rosmarie Waldrop's haunting novel, superbly intelligent, evocative and strange, reverberates in the memory for a long time, a song for the dead, a judgment."--Angela Carter

    Inspired by the “new novel” developed by Zola and Flaubert, Norris adapted its methods to American settings, adding his own taste for exciting action and a fascination with the emergent sciences of economics and psychology.Born in Chicago in 1870, Norris moved with his family to San Francisco in 1885. After studying art in Paris and literature at Berkeley and Harvard, he worked as a journalist and foreign correspondent, was expelled from South Africa in 1896, and reported on the Spanish-American War from Cuba in 1898, where he met Stephen Crane. Joining the publishing firm of Doubleday & McClure in 1898, he met William Dean Howells, Hamlin Garland, and Theodore Dreiser, and published six novels between 1898 and 1902. He died following an attack of appendicitis in October of 1902.Vandover and the Brute (1914) was published posthumously but written in 1895 during Norris’s year at Harvard. Drunkenness, sensuality, gambling, and debauchery reduce young Vandover, once a fashionable playboy and aspiring artist, to virtual bestiality. His dissipation is described with shocking realism, as Norris paints each level of San Francisco society he encounters in his descent.The novel McTeague (1899) represented a radical departure for American fiction of its era in its frank treatment of sex, domestic violence, and obsession. McTeague is a huge, simple dentist who dreams of having a giant tooth to hang outside his office and who carries his pet canary wherever he goes; Trina is his gentle, diminutive wife, who wins a lottery and compulsively hoards her money. They live on Polk Street in San Francisco, where the new middle class struggles with its pathological underside. Erich von Stroheim based his classic film Greed (1924) on this immensely powerful and grimly realistic novel.The Octopus (1901), the first work in Norris’s unfinished trilogy “The Epic of the Wheat,” is a novel about the ranchers and wheat producers of California. Pitted against the railroad monopoly and political machine, the members of the ranching community are forced to take up arms against the state. Inspired by the Mussel Slough Massacre of 1880, it depicts a band of strong ruthless Westerners who are crushed by inexorable forces of nature and capital they had sought to control.The twenty-two essays in this volume cover the years 1896–1902. They include book reviews, articles, literary columns, and parodies of popular authors in the hilarious “Perverted Tales.” They address theories of literature, the state of American fiction, and the social responsibilities of the artist.

    For advanced students. In Russian.

    Stolen from a temple in Egypt, a mother cat finds her life changed forever when she shares the humble stable where the Christ Child is born.

    He started as an errand boy at age fifteen at the Bray studio but went on to become president of his own company and later head of the animation studio at Paramount. Talking Animals and Other People is both a memoir of Culhane's life and career and a history of the art, taking readers from the earliest days of animation, the creation of the flipbook, and the first animated motion picture to the "assembly-line" Saturday morning TV cartoons and recent advances in computer animation. Culhane gives an unsparing insider's view of the industry: from harsh labor relations and brutal internal politics to comical anecdotes and frank portraits of animation giants. Filled with over 150 photographs and illustrations, Talking Animals also includes detailed descriptions of the craft, technique, and processes of cartoon-making. Entertaining and informative, this book brings to animated life the everyday world of this beloved art form and the man who helped build it.

    In this courageous, controversial, and groundbreaking work, the poet, feminist, and philosopher Susan Griffin examines rape as an inevitable result of a culture that celebrates and rewards aggressive sexual behavior in men, and one in which male dominance and female submissiveness have long been considered natural.   With razor-sharp intelligence, clear-eyed candor, and surprising lyricism, Griffin explores the psychological, historical, political, and societal underpinnings of this devastating act, which cruelly denies a victim her self-determination. By viewing the dark phenomenon of rape through the lens of her personal experience—and through the words of injured parties, writers, legal agencies, and the media—Griffin’s powerful discourse is an essential contribution to feminist thought and literature.

    It contains his highly acclaimed epic "Factory," described by Allen Ginsberg as "a definitely powerful epic by one of Whitman's 'poets and orators to come.'"Antler was born in Milwaukee and grew up in Wauwatosa, Wisconsin. He "worked his way through college" in various factories. As John Muir left the University of Wisconsin at Madison for "the University of the Wilderness" in 1863, Antler left the Milwaukee campus for the same destination in 1973. Besides factories, he has explored wildernesses in Upper Peninsula Michigan, Minnesota, Ontario, Colorado, and California."Factory" is only one of his many amazing poems--poems no less profound for their generous humor, fugitive lines dashed in factories and leisurely lines breathed into wilderness vistas."I think Walt passed on his humanity to you, and now you are passing it on to this and future generations."--Gay Wilson Allen, author of The Solitary Singer: A Critical Biography of Walt Whitman

    Born in Paris in 1947, Redonnet taught for a number of years in a suburban lycée before deciding to pursue a writing career full time. Since her volume of poetry Le Mort & Cie appeared in 1985, she has published four novels, a novella, numerous short stories, and three dramatic works.In translator Jordan Stump's words, these three novels, "unmistakably fit together, although they have neither characters nor setting in common. Redonnet sees the three novels as a triptych: each panel stands alone, and yet all coalesce to form a whole." Each is narrated by a different woman. Hôtel Splendid recounts the daily life of three sisters who live in a decrepit hotel on the edge of a swamp; Forever Valley is about a sixteen-year-old girl who works in a dance-hall and looks for the dead; Rose Mellie Rose is the story of another adolescent girl who assembles a photographic and written record of her life in the dying town of Ôat.Redonnet's novels have been compared to those of Annie Ernaux, Alain Robbe-Grillet, and Samuel Beckett. She has since acknowledged the crucial influence which Beckett's work has had upon her literary work. And yet she is also notably different from the great master of modern literature. "Where Beckett's characters slide almost inevitably toward extinction, resignation, and silence," Stump points out, "Redonnet's display a force for life and creation that borders on the triumphant. . . . [They] retain even in the darkest situations a remarkable persistence, openness, and above all hope, a hope that may well be, however unspectacularly, repaid in the end."

    Greek Nobel laureate, tr Olga Broumas

    A midwestern Roots . . .

    

    This unique congregation represents the struggle of individuals to maintain their dignity, independence, and faith over the years.In The Miracle of Intervale Avenue, Jack Kugelmass tells the inspiring story of a community that continues to see the area as its own, as a place they steadfastly refuse to abandon despite a major shift in the ethnic demography of the South Bronx and an increase in violent crime.A classic ethnography of American Jewish life, The MIracle of Intervale Avenue has now been brought up to date. In a new closing chapter and epilogue, Kugelmass shows how the congregation has adapted to the radical changes in the neighborhood, bringing closure to this poignant work. Now with 38 photographs of the community over the years, the book covers the slow econmic resurgence of the South Bronx and discusses the revitalizing effect of the congregation's new members, including blacks and Latinos.

    Professor Lamberton argues that this tradition of reading was to create new demands on subsequent epic and thereby alter permanently the nature of European epic. The Neoplatonist reading was to be decisive in the birth of allegorical epic in late antiquity and forms the background for the next major extension of the epic tradition found in Dante.

    

    Baxandall surveys the main themes of their art criticism and describes how their language conditioned their insights into painting.

    Children's Short Stories

    A classic study of an influential American religion....Provides both the specialist in religion and the general reader with a thoughtful history of this complex religion.

    A Harvard student from New Jersey investigates her roommate's mysterious death.

    Introducing a ground breaking perspective, Greenberg and Safran's compelling new work argues that the presently-felt experience of emotional material in therapy forms a vital underpinning in the generation of change. By including emotion as a psychotherapeutic catalyst, the book offers a more complete and encompassing approach to the process of psychotherapy than has ever before been available.EMOTION IN PSYCHOTHERAPY draws from the literature of both clinical and experimental psychology to provide a critical review of theory and research on the role of emotion in the process of change. Providing a general theoretical framework for understanding the impact of affect in therapy, this unique volume describes specific change events in which emotions enhance the achievement of therapeutic goals. Case examples and extensive transcripts vividly portray a variety of affective modes--such as completing emotional expression, accessing previously unacknowledged feelings, and restructuring emotions--and illustrate in clear, practical terms how certain processes apply to particular patient problems. Moving beyond the standard approaches to therapy, this volume offers an integrated approach that carefully considers the client's state in the session that must be amenable to intervention as well as any given intervention and its resulting changes. Its attention to both the theoretical and practical considerations of implementing a balanced psychotherapeutic approach--combining behavioral, cognitive, and affective modes--makes this an invaluable volume for practitioners and researchers of all orientations. The book will be of particular interest to clinicians seeking integrative approaches to psychotherapy, and to academic psychologists concerned with expanding the paradigm of cognitive psychology.

    Mark, haunted by terrible memories of the Russian Civil War and of the beautiful woman he loved and lost, arrives in Shanghai to investigate and rebuild a collapsed railway bridge; but he comes under extreme pressure from Alexandra's ruthless father to falsify his report, and at the site of the bridge itself has to contend with a violent colleague, and hostile coolies who believe that the place is protected by legendary dragons.As Mark struggles to complete the bridge, he has to fight his attraction for Alexandra, who alternately angers and delights him, and with the reappearance in his life of Marie, and aristocratic Russian emigree, he finds himself painfully torn between the rival claims of his past and present loves. But personal troubles are swept aside as the three are tragically caught up in the rapid advance of the Kuomintang revolutionary army and violence intrudes shockingly on all their lives.Based on true accounts and memoirs of the Shanghai emergency of 1927, THE BRIDGE OF A HUNDRED DRAGONS is a gripping story of love, heroism and tortured human relationships set against the background of an exotic and mysterious country.

    "Enormously powerful."--New York Times Book Review.

    Through a set of tenaciously detailed readings, the book illuminates a number of persistent problems or conflicts in Shakespearean drama - in particular a contradiction between words and things, body and language, which is also explored in terms of law, sexuality and Nature. Language and desire, Terry Eagleton argues, are seen by Shakespeare as a kind of 'surplus' over and above the body, stable and social roles and a fixed human nature. But the attitude of the plays to such a 'surplus' is profoundly ambivalent; if they admire it as the very source of human creativity, they also fear its anarchic, trangressive force. Underlying such ambiguities, the book convincingly shows, is a deeper ideological struggle, between feudalist traditionalism on the one hand, and the emergence of new forms of bourgeois individualism on the other. This book revels how, in the light of our own contemporary theories of language, sexuality and society, we can understand the issues present in Shakespeare's drama which previously have remained obscure.

    Nametoko.

    Tells the story of his writer's crisis after the initial failure of Sister Carrie and how he survived it to become one of the most influential American writers. Offers glimpses of journalism in the pre-Yellow and Yellow eras and of 20th century literary tides and social crosscurrents. Chronicles Dreiser's personal history through the backdrop of America in the age of enterprise and the age of progressivism.

    It examines the individual achievements of Brunel, Joseph Paxton and Robert Stephenson among others, and explains how industrialization changed the face of the environment. The book concludes by considering why the Victorians' mood of optimism turned to one of disillusionment. It argues that the Victorians failed to come to terms with the consequences of industrialization, and that many of the innovations of British engineers found their best expression in other countries.

    

    Arnold A. Offner’s approach most closely resembles that of a fourth group of historians, who have tried to examine American foreign policy in a multinational political context, assessing the interaction of each nation’s policies with those of other nations and drawing on foreign as well as American sources