This book chronicles each of the creatures in detail, with all the artistry and originality for which Froud and Henson are known.

    His distinctive and original posters and his decorative panels in le style Mucha became almost synonymous with French Art Nouveau. The admirer and iconographer of Sarah Bernhardt, he was also well known as the creator of familiar advertisements and as a book illustrator. Yet there was much more to Mucha’s achievement than this. At the height of his career as a decorative artist, he became convinced that art should serve ideas, he became chief artistic and cultural adviser to the interwar Czech government, and he completed a major and controversial fresco cycle, the Slav Epic, as well as portraits and large symbolic paintings.This book—the first full-scale treatment of Mucha’s entire oeuvre—includes discussions and reproductions of paintings, posters, panneaux decoratifs, pastels, drawings, and illustrations from throughout his career. In addition, the authors provide essays on Mucha’s Paris years; his association with Sarah Bernhardt; the importance of American patronage on his later work; his graphic and painterly techniques; and the problems connected with the conservation of the large canvases. This lavishly illustrated book is the catalogue for an exhibition of Mucha’s work that will tour the United States, beginning in San Diego in 1998.Published in association with Art Services International, Washington, D.C.

    Mikels, Larry Cohen, and others who dared to make independent feature films their way, without bowing to a committee or focus group. This is an oblique how-to manual, covering everything from financing, distribution, lighting, camerawork and acting, to publicity, marketing and screenwriting. Would-be filmmakers as well as scholars will find much inspiration and enlightenment in this volume, which has been used in college film classes. In-depth interviews focus on philosophy, while anecdotes entertain as well as illuminate theory. Lists of recommended films, an A-Z directory, and quotations are also included.

    

    Throughout Europe and America, artists and intellectuals banded together to portray women as static and unindividuated beings who functioned solely in a sexual and reproductive capacity, thus formulating many of the anti-feminine platitudes that today still constrain women's potential. Bram Dijkstra's Idols of Perversity explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including Zola, Strindberg, Wedekind, Henry James, Rossetti, Renoir, Moreau, Klimt, Darwin, and Spencer. Dijkstra demonstrates that the most prejudicial aspects of Evolutionary Theory helped to justify this wave of anti-feminine sentiment. The theory claimed that the female of the species could not participate in the great evolutionary process that would guide the intellectual male to his ultimate, predestined role as a disembodied spiritual essence. Darwinists argued that women hindered this process by their willingness to lure men back to a sham paradise of erotic materialism. To protect the male's continued evolution, artists and intellectuals produced a flood of pseudo-scientific tracts, novels, and paintings which warned the world's males of the evils lying beneath the surface elegance of woman's tempting skin. Reproducing hundreds of pictures from the period and including in-depth discussions of such key works as Dracula and Venus in Furs, this fascinating book not only exposes the crucial links between misogyny then and now, but also connects it to the racism and anti-semitism that led to catastrophic genocidal delusions in the first half of the twentieth century. Crossing the conventional boundaries of art history, sociology, the history of scientific theory, and literary analysis, Dijkstra unveils a startling view of a grim and largely one-sided war on women still being fought today.

    Never before has a book so thoroughly represented that variety: 110 lavish color plates and more than 200 halftones convey the brilliance of his portraits, the exuberance of his watercolors, the stately pomp of his murals. It is perhaps the watercolors that are most exciting to contemporary eyes — bold, spontaneous, and vividly hued, they have a breathtaking immediacy.Born in Florence in 1856 to American parents, Sargent spent a nomadic childhood before going to Paris to study painting. He learned quickly and by the 1880s had begun the steady climb to fame that ultimately placed him at the center of his world, with a circle of friends and rivals that included Henry James, Claude Monet, and James McNeill Whistler. When Sargent died in 1925, a childhood companion wrote in her memorial that "the summing up of a would-be biographer must, I think be: He painted." It is the strikingly beautiful results of that lifelong devotion to his art that glow throughout the pages of this incomparable book.

    His four-year painting odyssey resulted in a suite of magnificent compilations, all minutely detailed, masterfully rendered, and slightly surreal. Each image contains dozens, if not hundreds, of items all starting with the same letter.The Ultimate Alphabet: Complete Edition brings two best-selling volumes together in this deluxe slipcase edition. One volume presents the paintings with introductory text by the artist; the other offers numbered drawings and alphabetical lists of words. Accompanied by the key, you’ll delight in identifying all that Wilks has drawn—7,819 objects at last count!

    

    Laboriously written by hand and often sumptuously decorated, they have always been highly valued and remain as brilliant, fascinating and popular as ever.Christopher de Hamel vividly describes the circumstances in which such books were created - from the earliest monastic Gospel Books to the most lavish Books of Hours. For the second edition of this book, the text has been revised and updated and the whole volume completely redesigned with a striking wealth of new colour illustrations.

    NA

    From the 1890s through the present day, various forms of spirituality have influenced artists and inspired many important transitions from representational art to abstraction. Mystical and speculative philosophies with origins in both eastern and western cultures, as well as other utopian ideas, have been at the heart of the groundbreaking work of Paul Gauguin, Vasily Kandinsky, Piet Mondrian, Georgia O'Keeffe, Jackson Pollock, and Joseph Beuys. Published in conjunction with an exhibition organized by the Los Angeles County Museum of Art, this collection of essays by over a dozen distinguished art historians reveals the many aspects of this profound undercurrent of abstract art. Other Details: 523 illustrations, 122 in full color 436 pages 10 1/2 x 10 1/2" Published 1995 Author Biography: Maurice Tuchman is senior curator of 20th-century art at the Los Angeles County Museum of Art.

    The outrageous humor of cult favorite and syndicated cartoonist Lynda Barry--one of the world's "shrewdest chroniclers of sex, love and romance" (Mother Jones).

    Famous sitters included in the book are Marilyn Monroe, Grace Kelly, Brigitte Bardot and Richard Nixon.

    The argument is illustrated with examples ranging from penknives to computers and from sewing machines to railway carriages. In opening up new ways of appraising the man-made world around us, Objects of Desire is required reading for anyone who has any involvement with design and a revealing document about our society.

    The second journal of an artist by "an extraordinary woman: sensitive, intelligent, perceptive"--Doris Grumbach.

    

    When she starts to draw, her imagination takes off. Enter her world, look at her pictures, and watch her stories grow and grow—just like the forest of cherry trees she imagines right on her own block.

    A comprehensive guide to the Maya which reveals kingship rites, ritual warfare, with a vast array of color plates and drawings.

    interviews in Mexico, 1975-77, ed & tr Paul Lenti

    Both American and Japanese suppliers of traditional tools and materials are provided and substitutes are recommended for items not readily available.For centuries the West has admired Japanese books, but only now can we make them ourselves and take full advantage of their creative possibilities. Stunning and practical, these bindings are ideal for preserving calligraphy, letters, artwork, and poems, for adding a distinctive touch to limited-edition books, and for use as diaries or gifts.

    The best 300 of these photographs, in color and black-and-white, are featured in this sumptuous volume. This project will be the subject of a PBS documentary, a feature article in Newsweek, and a traveling exhibit.

    Covering historical as well as contemporary pottery, this book presents both philosophical and practical experiences from the 43-year-pottery-making-career of Robin Hopper, one of America's most recognized ceramic artists.

    

    From these, we have chosen several absolutely fabulous volumes, in the oversize coffee-table book tradition, that are sure to dazzle any gift recipient.

    For several months he drove the empty highways of Texas, Arizona, New Mexico and California, transfixed by the vastness of a country saturated with light and color and energized by the American cowboy mystique. Even in the twentieth century, it was a landscape that had lost none of its evocative, mythic power. This collection of lush, colorful photographs magnificently displays what Wenders' practiced eye sought out: dramatic and visually arresting images, haunting vistas, and the poetic dilapidation of a country touched by man but ruled by nature. An enlightening interview with the photographer reveals the many ways that Wenders, a European traveling in a distinctly American landscape, was both moved by and bemused by what he considers the heartland of the American Dream. It is this sensibility, along with Wenders enormous photographic talents, that lend this collection a unique quality, and that allow us to experience the West in a whole new, brilliantly colorful light.

    Some are nude, some rude and others explicitly erotic. In miniature format, the collection presents one of Mapplethorpe's most controversial and accomplished portfolios.

    Drawings

    The principal text included is 'The Relevance of the Beautiful', Gadamer's most sustained treatment of philosophical aesthetics. The eleven other essays focus particularly on the challenge issued by modern painting and literature to our customary ideas of art, and in turn revitalize our understanding of it. Gadamer demonstrates the continuing importance of such concepts as imitation, truth, symbol, and play for our appreciation of contemporary art, and thereby establishes its continuity with the Western tradition. The essays here are not technical and are readily accessible to the beginning student and the general reader. The collection as a whole serves to illustrate the practice of hermeneutics and to introduce Gadamer's thought. Robert Bernasconi provides an introduction clarifying the central aims of the essays and their relations to Gadamer's major work, Truth and Method, and to the philosophy of art since Kant. A bibliography of Gadamer's writings available in English is also included.

    Stressing that animation is a subtle and exacting art form which breathes life into inanimate drawings, Tony White, an award-winning animator, covers every aspect of the process. He provides technical information and explains in easy-to-follow text and step-by-step illustrations, how to capture movement, expression, and emotion. He shows you how to convncingly animate birds and animals and explores special effects - wind, water, fire, and solid objects - that can add realism, drama, and atmosphere to animation.This book takes the mystery out of the animation process and provides sound, reliable guidance and information. Topics include:ContentThe Process of AnimationThe Animator's ToolkitInbetweeningHead TurnsWalksRunsRealistic TouchesTechnical InformationExaggerated ActionThe Animal KingdomDialogueAnimated EffectsBackgrounds

    Her unique drawing program has created a revolution in the field of education and a sense of delight and pride among the thousands of students who have learned to draw through her Monart Method.This revised and expanded edition includes: - Information on multiple intelligence and the seven ways to learn - An inspirational chapter on helping children with learning differences - An integrated-studies chapter with projects geared for reading, math, science, ESL, multicultural studies, and environmental awareness - A sixteen-page color insert and hundreds of sample illustrationsThis invaluable teaching tool not only guides readers through the basics, but also gives important advice on creating a nurturing environment in which self-expression and creativity can flourish. Both practical and enlightening, Drawing With Children inspires educators and parents to bring out the artist in each of us.

    The author of the *Toot and Puddle* books has done lots more!

    Included are all the manual methods and also the mechanical processes that constitute the vast majority of printed images around us. In all, some ninety different techniques are described, both monochrome and color. Essential aspects of printing history and the printmaking craft receive full coverage, and examples are given of the features that reveal the type of print, such as varieties of line and tone. Of particular interest are the many illustrations of enlarged details showing the different appearance of various techniques under strong magnification. The one great change during the past twenty years has been the high-quality inkjet and laser prints that are now part of everyday life. How can one tell whether an attractive image is valuable in its own right or merely an appealing reproduction? As cheap printing becomes more sophisticated, it inevitably becomes harder to identify correctly an image of this kind. Bamber Gascoigne's new observations in this area, added for this revised edition, will prove invaluable. 275 illustrations, 40 in color.

    Now, with Chronicle Books' timely reissue of her best-selling volume, The Eternal Body, Bernhard's most evocative images are once again available in a superb collection, complete with an insightfill text, that pays tribute to a living legend. Hauntingly sensual yet classically reserved, the book's ethereal duotone photographs appear to be illuminated from within so that even the simplest lines of the human form -- a draped torso, a curved neck, an angled limb -- take on a complexity not often seen in work of this kind. A master artist whose technical prowess places her among the ranks of the greatest photographers of our time, Ruth Bernhard has created a masterpiece of expression and sensitivity in The Eternal Body.

    Mills's surreal creations are rarely literal renditions of the texts, but rather represent personal interpretations, sometimes informed by Eno's commentary. They therefore can stand independently of the songs. Each illustration is accompanied by Eno's lyrics (most published here for the first time), along with notes by both Eno and Mills and extracts from their notebooks, illuminating the thought processes and working methods behind the songs and images. Poynor contributes five essays on Eno's artistic theory and practice. A fascinating, visually beautiful document. Mark H. Sullivan, Univ. of Detroit Lib.

    In this eloquent and moving book, Sylvia Ardyn Boone describes the Society, its rituals and organization, and the mask worn by its members. Her book is an evocative account of Mende life and philosophy as well as a unique contribution to the study of African art, one based on African conceptions about the person and the human body."This is a beautiful and beautifully written book. … Boone writes in ways that reveal her evident devotion to Mende culture."—John Picton, African Affairs"A major contribution to our ethnographic understanding of Mende culture, and to understanding the way concepts of women’s bodies encode cultural messages about gender relations."—E. Frances White, Women’s Review of Books"A respectful approach to [the mysteries of the Sande], by an art historian who has tiptoed where anthropologists feared to tread. Radiance from the Waters deserves to be read. … It provides something more interesting than esoteric knowledge: an extended meditation on notions of beauty and decorum and the way in which these can be translated simultaneously into art and … advancement for women."—John Ryle, London Review of Books"The first text to illuminate the power of the feminine aesthetic in West African art."—Ms.

    is a collection of Drew Friedman’s earliest comic strips and illustrations, featuring his most obsessively stippled black-and-white panels and his most hilarious wise-guy takes on the stars and demi-stars and never-quite-stars of that swamp we like to call showbiz.In these strips, many of them written by his brother Josh Alan Friedman (both are sons of the legendary Bruce Jay Friedman: humor genes will tell!), the artist works out his obsession with such celebrities as Jim Nabors, Frank Sinatra Jr., Joe Franklin, Bob Hope, Andy Griffith... and Ed Wood, Jr. film star Tor Johnson, whom Friedman actually catapulted back into some sort of semi-fame when these strips were first published in the 1980s.Friedman is the kind of pop-culture aficionado whose Three Stooges worship is focused not on Moe, Larry or Curly but on Shemp (whose unmistakable mug graces the new cover of this edition), and whose teasing adoration can often be mistaken for mockery or contempt. But who but a worshipful fan would lavish quite so many dots on the loving delineation of these greats’ every pimple and wrinkle?

    

    His work has included drawings, copper etching, painting and sculpture. Woodroffe has developed a variety of resourceful techniques to produce natural-media artwork over the years. Woodroffe's work also includes Tomographs; these are photographs that combine actual objects with cut-outs of his paintings.

    Clear descriptions with hundreds of drawings of small scale casting.

    1,243 illustrations, 736 in color. 111 line drawings. 12 maps.

    Traces the development of Homer as a watercolorist, shows a selection of his landscapes, seascapes, and portraits, and discusses his distinctive style and techniques.

    Once again employing a large format and lavish production to showcase the unique art and design of Roger Dean, this iconic book was a retrospective of the astonishing breadth of work accomplished since the publication of its predecessor. Through Views and Magnetic Storm, Roger Dean established a devoted readership, while Dragon's Dream (2008) demonstrates how his visionary work has continued to illuminate an age of digital animation, computer games, and virtual worlds. Embracing designs for record sleeves, rock stages, movie projects, architecture, games consoles, landscapes, and books, Magnetic Storm features everything from innovative aircraft livery to the Yes logo. This new edition streamlines the original format and retains the combination of concept sketches and the finished works. Featuring revised design and typography, a new foreword, and a newly finished painting that Roger supplied especially for the front cover of this edition, Magnetic Storm showcases and celebrates the art that defined an era.

    This extraordinary coffee table style book presents the finest carving examples by the most renowned carousel artists. The rarest horses and most unique menagerie animals were selected from America's premier private collections and antique operating carousels. Painted Ponies contains useful guides, charts, and directories for collectors, carvers, artists, and enthusiasts. This book contains over 650 color photographs, 256 pages, 9"x11.5", deluxe hardcover edition.

    

    

    128 pages of full-color photographs.

    Each picture in this book tells a story-childhood memories, my encounters with the Black Madonna in Europe, dreams and experiences of her during the years I lived in a monastery and, more recently, my awareness of her in the landscape of the American Southwest where I now live.

    Yorkshire by birth, resident of St Ives, Cornwall, for more than 30 years, scholarship student at the Royal College of Art at the age of 16, mother of triplets, Honorary Doctor of Letters of five universities, Cornish bard, Dame Commander of the Order of the British Empire, and world-famous sculptor: such was Barbara Hepworth, whose life always revolved around the demands of her creative work.

    These emphatically objective photographs from the years of the Kaisers, the Weimar Republic, the Nazi regime, and the early Federal Republic make up an unprecedented document of both the individual and the collective recent history of the Germans.

    Profusely illustrated with hundreds of instructional drawings and the work of master artists, this book is written for people with no previous experience in art.AH-HA! I SEE IT NOW! Everyone has experienced that joyful moment when the light flashes on -- the Ah-Ha! of creativity.Creativity. It is the force that drives problem-solving, informs effective decision-making and opens new frontiers for ambition and intelligence. Those who succeed have learned to harness their creative power by keeping that light bulb turned on.Now, Betty Edwards, author of Drawing on the Right Side of the Brain, the million-copy best-seller that proved all people can draw well just as they can read well, has decoded the secrets of the creative process to help you tap your full creative potential and apply that power to everyday problems. How does Betty Edwards do this? Through the power of drawing -- power you can harness to see problems in new ways.You will learn how the creative process progresses from stage to stage and how to move your own problem-solving through these key steps: * First insight* Saturation* Incubation* Illumination (the Ah-Ha!)* VerificationThrough simple step-by-step exercises that require no special artistic abilities, Betty Edwards will teach you how to take a new point of view, how to look at things from a different perspective, how to see the forest and the trees, in short, how to bring your visual, perceptual brainpower to bear on creative problem-solving.

    

    In the last months of his life he funnelled his waning energy into a series of remarkable still lifes - 16 small paintings of flowers - which are brought together in this book. An essay by Andrew Forge pays tribute to the artist's struggle and his legacy, and Robert Gordon's selections from Manet's letters add poignancy to this last glow of a brilliant artistic flame.

    Jim Burns’ intriguing illustration for The Ceremonies, which combines human figures with an evocative landscape, resonates powerfully with eerie lighting, unusual colors, beautifully characterized faces, and multiple narrative levels. Other fascinating works include the golden-toned cover for Born with the Dead and the cityscape for Rendezvous with Rama 3.

    Offers a detailed biography of the seventeenth century Spanish painter, looks at all of his paintings, and discusses the original technique Velazquez developed for his art.

    Seuss, here is a compendium of his work--a picture book, a reference book and a biography all in one volume. More than 250 photographs, sketches and drawings.

    With the simple instructions and ready-made cut-out patterns attached, anyone can have fun making their own original and delightful pop-up greeting cards.

    When his studio was closed down shortly thereafter, his negatives were stored under the family home. Not until 1977 did a chance visit by a field archivist from the South Caroliniana Library at the University of South Carolina reveal the fact that Roberts's negatives still existed. Almost miraculously, most were still in good condition. In their scope and camera artistry they constitute an eloquent pictorial record, documenting the life and times of the black inhabitants of a southern city from just after the First World War until well into the Depression. Especially noteworthy is Roberts's depiction of the black middle-class community. Those unfamiliar with the South of the 1920s and 1930s are unaware that there was a flourishing black middle-class in the southern cities. Here, captured by Roberts's camera, is ample evidence of its existence. Some 200 of his best pictures have been chosen for publication in A True Likeness. They show men, women, and children in the studio and elsewhere, people at work and at play, their homes, automobiles, and other possessions. Roberts also traveled to other cities and into rural South Carolina, always with camera and film.

    69 full-color photographs and 4 black and white.

    Ask any "old timer" in the sign industry and they will tell you to get Mike Stevens' Mastering Layout. It teaches how to see, organize and manipulate graphic elements for unified, legible and visually appealing results. Over 80 illustrations demonstrate "before-and-after" results of applying the principles. Includes a troubleshooting checklist for isolating, analyzing and correcting layout weaknesses in your own designs. This book has literally taught thousands the principles and practices for excellence in sign design.

    An historical survey of the work of Black women photographers presents a selection of photographs from the past one hundred years, and comments on the career of each photographer.

    

    This work presents the work of 60 artists who have combined craft and art with the glamour of haute couture. 170 garments - each the product of intensive labour - are featured.

    But as this lavish monograph points out, he mostly portrayed the newly rich middle classes, not the aristocracy, and his pictures reflected their insecurities as well as their need to be flattered. Dismissed today by most critics as superficial and trite, his paintings nevertheless enjoy considerable popularity both for their period charm and their detailed mirroring of a society. London art dealer Wood, author of three books on Victorian painting, offers a wide-angled view: the painter's youthful medieval craze and his late religious canvases triggered by the death of his mistress get their full due, even though the latter look hopelessly stagey. Tissot's love scenes are mysterious dramas pregnant with emotion, and his pictures of shopgirls and circus performers have the offhand quality of works by his friends Degas and Manet. --from Publisher's Weekly Tissot is best known for his brilliant pictures of English and French society in the 1860's and 1870', depicting in minute detail the ravishing costumes, decorative interiors and riverside scenes of the period. More than any other Victorian painter Tissot's pictures mirror exactly the habits and preoccupations of his age. Here Christopher Woods's engagingly written and copiously illustrated book surveys Tissot's entire career, revealing the tensions and contradictions that often lay beneath the deceptively glossy surface .of his pictures. --amazon Tissot occupies a unique and ambivalent position in 19th-century painting. Born a Frenchman, he sought fame in England, and after a brilliant career as a society painter he turned late in life to religion. He set his glittering and minutely detailed scenes in elegant London ballrooms and conservatories and peopled them with chic young women in ravishing costumes, while at the same time investing them with a note of brooding melancholy. This became overwhelming in his many portraits of his mistress Kathleen Newton, and intensely romantic figure whom Tissot loved and painted obsessively until her tragically early death. Then, after returning to France, he experienced a dramatic religious conversion and devoted the rest of his life to spiritualism and illustrating the Bible, which brought him even greater fame. --www.amazon.de

    The art of William Blake unites visionary simplicity with profound complexity of thought. In this illuminating new study, illustrated throughout in colour, Raymond Lister provides an engaging and lucid approach to Blake's paintings, fully alive to their infinite power of suggestion and refreshingly unfettered by polemic. The biographical introduction, making extensive use of Blake's writings and of contemporary accounts of him, traces the vicissitudes of this absolutely individual artist's life; his very human nature is revealed, no less than his boundless creative energies. The seventy-five colour plates represent the whole span of Blake's working life and all the major areas of his art: his biblical pictures, his allegorical subjects and his illuminated books, which he wrote, engraved and decorated himself. The detailed commentary to each plate explores as much of his symbolism as is readily comprehensible, and explains his often idiosyncratic techniques.

    The cross-fertilization of ideas, paradigms and methodologies have led to technological developments in areas such as information processing, full colour semiconductor displays, compact biosensors and controlled drug discovery. Experts in their respective fields discuss the latest developments and the future of micro-nano electronics.

    

    Henri Matisse the early years in Nice

    The aim of this book is to show how collage can help the artist to achieve dynamic compositions, use line, emphasize texture, and rescue unsuccessful paintings.

    Providing an exploration of feminine identity, the photographs focus on three main themes: the female staged, the female as spectacle and the female as image.

    In their ceremonial beadwork and in large murals that cover the exterior walls of their mud dwellings, these women have created designs that are at once ancient and modern in their simplicity, bright colours and abstract patterns.

    IdeaIs There a Good Abstract Idea Underlying the Picture?What Details Could be Eliminated to Strengthen the Composition?Does the Painting “Read”?Could You Finish Any Part of the Painting?ShapesAre the Dominant Shapes as Strong and Simple as Possible?Are the Shapes Too Similar?ValueCould the Value Range be Increased?Could the Number of Values be Reduced?LightIs the Subject Effectively Lit?Is the Light Area Big Enough?Would the Light Look Stronger with a Suggestion of Burnout?Do the Lights Have a Continuous Flow?Is the Light Gradated?ShadowsDo the Shadow Shapes Describe the Form?Are the Shadows Warm Enough?DepthWould the Addition of Foreground Material Deepen the Space?Does the Background Recede Far Enough?Are the Halftones Properly Related to the Background?SolidityIs the underlying Form Being Communicated?Is the Symmetry in Perspective?ColorIs There a Color Strategy?Could a Purer Color Be Used?Do the Whites Have Enough Color in Them?Are the Colors Overblended on the Canvas?Would the Color Look Brighter if it Were Saturated into its Adjacent Area?PaintIs Your Palette Efficiently Organized?Is the Painting Surface Too Absorbent?Are You Using the Palette Knife as Much as You Could?Are You Painting Lines When You Should Be Painting Masses?Are the EdgesDynamic Enough?Is There Enough Variation in the Texture of the Paint?

    The chance discovery of two boys in France in 1940, the cave was soon overwhelmed by tourists and in the early 1960s showed inescapable evidence that its radiant frescoes of bison, aurochs, horses, and deer were dimming with molds and fungi generated by bright lights and the warmth and breath of countless visitors.Lascaux was sealed in 1963 by the French government, which later commissioned the distinguished prehistorian and television producer MARLO RUSPOLI to create a record of its now permanently inaccessible wonders. In the early 1980s, hemmed in by infinite precautions, Ruspoli carefully filmed and photographed Lascaux. Here, complete with discussions of the content and meaning of the frescoes by Ruspoli and other experts in prehistoric art, is the thrilling result: the last view of the Stone Age life and world of Lascaux.

    It talks about materials, equipment, composition. direct painting, drybrush, using opaque, wash-over-wash, different types of flowers, lighting etc.

    The text is by zoologist and paleontologist, Nancy Neff.

    Whether they stitch, quilt, weave, work in macrame, hook rugs, knit, crochet, or experiment in mixed media, the artists will benefit from the authors' techniques for solving color problems. Color and Fiber is divided into three sections. The first section presents essential terminology, ideas, and definitions about light and color as preparation for the problems, projects and ideas which follow. The second section describes how light, dye and pigment work with fibers because individual fibers, yarns and fabrics differ in their responses to light and color. The ability to solve color problems depends on the artists' understanding of the fiber's light and color relationships. The third section presents the practical applications for the information gained in the first two sections. Besides color mixing and special effects such as iridescence and opalescence, this section examines projects that artists or classes can do to understand color's part in determining spatial effects, emotional impact and color systems.

    Several of the classics of the style are represented in this volume, including: Sphinx and the Strawman by Oskar Kokoschka, Sancta Susanna by August Stramm, From Morn to Midnight by Georg Kaiser, Ithaka by Gottfried Benn, The Son by Walter Hasenclever, The Transfiguration by Ernst Toller, Crucifixion by Lothar Schreyer.

    Brown has produced a thoroughly researched study of the Lunts that powerfully evokes a romantic age of the theatre ... A worthy testament to their art." -New York Times Book Review "Their story is an irresistibly appealing one, and Brown's telling of it will help to speed their return to our common consciousness. As darkness threatens to fall on Broadway, we are more than ever in need of the memory of who they were and what they achieved." -The New Yorker (Brendan Gill) "A must for anyone involved with or interested in theatre and a fascinating, well-written book even for the general reader." -Washington Post Book World "For those fortunates who missed seeing them, this book about the Lunts describes their wonder; for those of us who knew them, saw them, and were magicked, it is a surpassing souvenir, a shining memory." -Garson Kanin "I was dazzled by the book ... It almost amounts to an American theatre history from the turn of the century through the fifties and, of course, provides a badly needed sense of heritage for young artists." -Uta Hagen "I can testify that one's theatre library would not be complete unless it included The Fabulous Lunts. This book is a must for all theatre lovers " -Carol Channing

    Van Gogh in Saint-Remy and Auvers, by Pickvance, Ronald

    One of the most popular fantasy artist in the world, Chris Achilleos’ near photo-realistic paintings of fantasy, science fiction, stunning women and nature in all its forms have illustrated hundreds of books, magazines and posters for almost 40 years.Sirens collects the cream of Achilleos’ illustrations, including Doctor Who and Star Trek, movies, amazons, fighting fantasy and pin-ups, accompanied by a discussion of the artist’s techniques and influences, in a feast for the eyes.Packed with an eye-popping gallery of full-colour illustrations, this fantastic collection will delight old fans and thrill a whole generation of new ones!

    One is a familiar and majestic capital; the other is a city less well known and often taken for granted.

    Helps readers trace the development of Greek art in the immensely creative period from the eighth to the fourth century BC - the period between the composition of the Homeric poems and the conquests of Alexander the Great.

    

    Colorful three-dimensional pictures vividly depict the joys of life throughout the year on an early American farm.Pop-up book

    Led by James Guthrie, John Lavery, Arthur Melville, George Henry, and E.A. Hornel, the Glasgow Boys, as they came to be known, shared an enthusiasm for strong, fresh colors, naturalistic subject matter, and a willingness to travel outside Scotland for subjects and settings. Their enthusiasm for naturalism was equaled only by their dislike of the Scottish arts establishment. In this widely acclaimed book, Roger Billcliffe describes not only the work of the individual artists but also their rejection by local collectors and officialdom before European success caused their work to become much in demand. First published 20 years ago, the book rekindled interest in the group and their work. Now redesigned with more than 200 illustrations in color, it introduces the collective to a new generation of readers and collectors.

    The zone system was designed to provide photographers with a precise and intuitive way to control the dynamic range of their negatives to produce printable results regardless of the contrast of the subjects they are shooting.What Chris Johnson has done in this new edition is completely update his approach to teaching the zone system with new film/developer testing data and new illustrations and examples.Most importantly, he has added an extensive new chapter that provides a detailed explanation for how the zone system's conceptual approach and terminology can help digital photographers achieve the highest possible quality from digital image processes. The emphasis is on subjects that include: optimizing digital camera exposure, color management and a fine printing workflow.Other important updates include: * Workflow for fine digital printing* Contemporary images* Updated film/developer test data* New film/developer tests* Updated Appendixes

    They captivate the imagination and tantalize the viewer with their mysterious fascination. They illuminate something of the remarkable process of vision, as our brain is forced to accept a situation of visual conflict which it never encounters in the outside world. Amongst the first to concern themselves with impossible objects were Oscar Reutersvärd and M.C. Escher.When Bruno Ernst - the pseudonym of J.A.F. Rijk began preparing an exhibition of the work of these artists in 1983, it emerged that many other artists all over the world had also discovered impossible and ambiguous objects as a source of inspiration. The publication of more than one hundred articles since 1970 is incontrovertible evidence of the close attention which the subject has attracted amongst theoreticians, too. This interest prompted the author to undertake an exhaustive study of the field, in the course of which he encountered no less than fifty artists working with impossible objects. The results of his investigations are found in this book, in which Bruno Ernst guides the reader, with the aid of numerous examples and illustrations, through the wonderful world of optical illusions and visual realities.

    Reproduces the major works of this photorealist artist and traces his life history.

    Popples, Popples, where are the Popples? They're in Pop Meadmore's candy store, ready to cheer him up with giggles and good feelings!

    

    Frank H. Netter's works, this fully illustrated single book from the 8-volume/13-book reference collection includes: hundreds of world-renowned illustrations by Frank H. Netter, MD; informative text by recognized medical experts; anatomy, physiology, and pathology; and diagnostic and surgical procedures.

    His work is known throughout the world for its depiction of the black American experience from the Civil War to the civil rights movement and beyond. But Lawrence's paintings are more than a chronicle of this history. He has created a uniquely American vision that affirms the place of all individuals in our society and honors the struggle for independence. Jacob Lawrence has given us powerful, lasting images which, when seen as a whole, constitute a narrative of epic proportions.This major book celebrates the creative genius of Jacob Lawrence. It is the most comprehensive survey ever made of his work and traces his developments as an artists as well as places his work within the tradition of American modernism. In this context it examines for the first time works he has completed since 1974, when he was honored with a retrospective at the Whitney Museum of Art.The paintings reproduced here illustrate a broad array of moods and subjects. Representing each of the artist's significant periods, they range from fond portraits of Harlem street life in the 1930s to angry depictions of racial injustice during the 1960s, from images of people working in harmony to bleak depictions of civilization shattered by nuclear war. Yet together they reveal an essential unity in Lawrence's work. His distinctive cubist-expressionist style and his basic humanist credo remain intact throughout fifty years of changing artistic fashion.The artist's life encompasses a broad spectrum of experience that formed the character of three American generations. He was raised in the Depression, and his first art training was through social programs under FDR's New Deal. In the late 1930s he was employed as a painter by the WPA, then served in the Coast Guard in World War II.From the start of his career, he achieved success and recognition in the competitive world of New York artists and galleries, all the time maintaining a powerful representational style that went counter to prevailing forces of Abstract Expressionism.Ellen Wheat examines Jacob Lawrence's life as an integrated whole. She discusses the cultural and political grounding of 1930s Harlem, effects on artists of the Depression and New Deal, art in New York, all in relations to Lawrence's long-standing commitment to depicting the history of black Americans and to the narrative series format he adopted to convey it. Among other subjects, he has dealt with Toussaint L'Ouverture, Harriet Tubman, the community of Harlem, the American South, Nigeria, civil rights, and John Brown. Wheat also documents and analyzes developments in the artist's technique and style in relation to the work of some of his teachers and peers (Charles Alston, Claude McKay, Romare Bearden) and those who influenced his work (Orozco, Albers, Grosz, Giotto).Throughout these pages Lawrence speaks of his work and development in the first person. The author draws on her numerous interviews with the artist since 1982, as well as other sources. This chronological overview of Lawrence's career is enhanced by over 150 illustrations of his work, 85 in color, and a generous selection of photos that place him in his studio, in the art world at large, and among his friends and colleagues.

    But let us beware of American architects!" declared Le Corbusier, who like other European architects of his time believed that he saw in the work of American industrial builders a model of the way architecture should develop. It was a vision of an ideal world, a "concrete Atlantis" made up of daylight factories and grain elevators.In a book that suggests how good Modern was before it went wrong, Reyner Banham details the European discovery of this concrete Atlantis and examines a number of striking architectural instances where aspects of the International Style are anticipated by US industrial buildings.

    

    edition. Contains 82 illustrations with 54 in color. Introduction by Bernard C. Middleton. Excellent for professionals and amateurs. Shows the technique of marbling paper in the classic tradition, using ox gall and water colors on a size of carragheen moss. Review copy with slip inserted. Half title toned along edges. 88 pages. stiff paper wrappers.. 8vo..

    With their complex geometrical patterning and bold colours, these works of art were used in a variety of ways by the Shoowas, as status symbols, dowries, shrouds, religious vestments or as a type of currency. Genuine production ceased around 1905, with the result that they have become collectors' items.

    

    Equally influential, and still tremendously popular today, are the designs of the Wiener Werkstatte, or Vienna Workshop, a group that was at the heart of the city's cultural scene and whose collaborators included such luminaries as the architect Josef Hoffman, the designer Koloman Moser, and the painters Gustav Klimt, Oskar Kokoschka, and Egon Schiele. This guide to the arts and crafts of fin-de-siecle Vienna is an excellent introduction to their work in all media - from architecture, furniture, ceramics, and glass, to silver, fashion, and textiles, bookbinding, toys, painting, and the graphic arts - as well as a survey of the cultural development of this pivotal period.

    Designated by the NEA in 1987 as one of the "best independent press books of the year," this book is compilation of the texts, scores, and ideas of seven American composers who use words as an integral part of their compositions. Each chapter includes a text in the form of libretto or lyrics, often with complete score. Also included are interviews with each composer about her or his ideas on music, daily life, consciousness, the future, and possibilities. "If you buy only one book on the contemporary, experimental performing arts, this is unquestionably the one to get"--Dean Suzuki, Option Magazine.

    Explores elementary tessellations including polygons, Escher-type tessellations, Islamic art designs and tessellating letters. Provides step-by-step directions. A complete resource book with hundreds of design examples.

    He gives us, in this spectacular volume, his famous early portraits of Pee Wee Russell, Red Allen, Earl Hines, and MaryLou Williams, written in their brilliant twilight years; his reconstructions of the lives of such legends as Sidney Bechet, Coleman Hawkins, Jack Teagarden, Zoot Sims, and Sidney Catlett; his brief but indelible glimpses into the daily (or nocturnal) lives of Duke Ellington and Charles Mingus; andhis vivid depictions of such on-the-scene masters as Jim Hall, Ornette Coleman, St�phane Grappelli, Elvin Jones, Art Farmer, the Modern Jazz Quartet, and Tommy Flanagan. He also includes his thoughts on such lesser known but invaluable players as Art Hodes, Jabbo Smith, Joe Wilder, Warne Marsh, Gene Bertoncini, and Joe Bushkin. American Musicians is at once a history of jazz, a biographical encyclopedia of many of its most important performers, and a model of American prose.