"Important and innovative."--Feminist Bookstore News

    Le Guin retells the story of human origin by redefining technology as a cultural carrier bag rather than a weapon of domination.Hacking the linear, progressive mode of the Techno-Heroic, the Carrier Bag Theory of human evolution proposes: 'before the tool that forces energy outward, we made the tool that brings energy home.' Prior to the preeminence of sticks, swords and the Hero's long, hard, killing tools, our ancestors' greatest invention was the container: the basket of wild oats, the medicine bundle, the net made of your own hair, the home, the shrine, the place that contains whatever is sacred. The recipient, the holder, the story. The bag of stars.This influential essay opens a portal to terra ignota: unknown lands where the possibilities of human experience and knowledge can be discovered anew.With a new introduction by Donna Haraway, the eminent cyberfeminist, author of the revolutionary A Cyborg Manifesto and most recently, Staying with the Trouble and Manifestly Haraway. With images by Lee Bul, a leading South Korean feminist artist who had a retrospective at London's Hayward Gallery in 2018.

    Gerda Lerner argues that male dominance over women is not "natural" or biological, but the product of an historical development begun in the second millennium B.C. in the Ancient Near East. As patriarchy as a system of organizing society was established historically, she contends, it can also be ended by the historical process.Focusing on the contradiction between women's central role in creating society and their marginality in the meaning-giving process of definition and interpretation, Lerner explores such fascinating questions as: What can account for women's exclusion from the historical process? What could explain the long delay--more than 3,500 years--in women's coming to consciousness of their own subordinate position? She goes back to the cultures of the earliest known civilizations--those of the ancient Near East--to discover the origins of the major gender metaphors of Western civilization. Using historical, literary, archaeological, and artistic evidence, she then traces the development of these ideas, symbols, and metaphors and their incorporation into Western civilization as the basis of patriarchal gender relations.

    Grin, giggle, and guffaw your way through this celebrated cartoonist's graphic commentary of contemporary lesbian life.

    Throughout Europe and America, artists and intellectuals banded together to portray women as static and unindividuated beings who functioned solely in a sexual and reproductive capacity, thus formulating many of the anti-feminine platitudes that today still constrain women's potential. Bram Dijkstra's Idols of Perversity explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including Zola, Strindberg, Wedekind, Henry James, Rossetti, Renoir, Moreau, Klimt, Darwin, and Spencer. Dijkstra demonstrates that the most prejudicial aspects of Evolutionary Theory helped to justify this wave of anti-feminine sentiment. The theory claimed that the female of the species could not participate in the great evolutionary process that would guide the intellectual male to his ultimate, predestined role as a disembodied spiritual essence. Darwinists argued that women hindered this process by their willingness to lure men back to a sham paradise of erotic materialism. To protect the male's continued evolution, artists and intellectuals produced a flood of pseudo-scientific tracts, novels, and paintings which warned the world's males of the evils lying beneath the surface elegance of woman's tempting skin. Reproducing hundreds of pictures from the period and including in-depth discussions of such key works as Dracula and Venus in Furs, this fascinating book not only exposes the crucial links between misogyny then and now, but also connects it to the racism and anti-semitism that led to catastrophic genocidal delusions in the first half of the twentieth century. Crossing the conventional boundaries of art history, sociology, the history of scientific theory, and literary analysis, Dijkstra unveils a startling view of a grim and largely one-sided war on women still being fought today.

    Susan Forward draws on case histories and the voices of men and women trapped in these negative relationships to help you understand your man’s destructive pattern and the part you play in it.She shows how to break the pattern, heal the hurt, regain your self-respect, and either rebuild your relationship or find the courage to love a truly loving man.

    citizen, both at this time of her life and through the lens of her past.

    Teresa Benedicta of the Cross O.C.D.) 2d ed., revised (1996), translated by Freda Mary Oben, Ph.D. Eight essays on the theme of woman and her vocation, with index.  With reason Edith Stein has been called "the most significant German woman of this century." Her writings on woman are the fruit of both reflection and debate with other leaders of the Catholic feminist movement in German-speaking countries between the World Wars.      This second revised edition of Essays on Woman includes textual corrections, important new supplementary data, and previously unavailable material on the spirituality of the lay and religious woman. These essays crystallize long hours of experience teaching in the classroom and on the speaker's platform in the pursuit of fulfilling roles for women in all walks of life. Reviews      "Every page of these essays reveals a mind, never doctrinaire or ruffled, but rather serene, graceful, wide-ranging, fearless, and deeply dedicated to a search for truth." - Keith J. Egan, Horizons      "This newly revised edition…is a valuable text." - Review of Metaphysics      "One would hope that these essays will be read widely and carefully by both men and women." - The Thomist

    Maryse Condé's imaginative subversion of historical records forms a critique of contemporary American society and its ingrained racism and sexism." —THE BOSTON SUNDAY GLOBEAt the age of seven, Tituba watched as her mother was hanged for daring to wound a plantation owner who tried to rape her. She was raised from then on by Mama Yaya, a gifted woman who shared with her the secrets of healing and magic. But it was Tituba's love of the slave John Indian that led her from safety into slavery, and the bitter, vengeful religion practiced by the good citizens of Salem, Massachusetts. Though protected by the spirits, Tituba could not escape the lies and accusations of that hysterical time. As history and fantasy merge, Maryse Condé, acclaimed author of Tree of Life and Segu, creates the richly imagined life of a fascinating woman.

    It gives a history of the related processes of colonization and "housewifization" and extends this analysis to the contemporary new international division of labor and the role that women have to play as the cheapest producers and consumers. First published in 1986, it was hailed as a major paradigm shift for feminist theory. Eleven years on, Maria Mies' theory of capitalist patriarchy has become even more relevant; this new edition includes a substantial new introduction in which she both applies her theory to the new globalized world and answers her critics.

    It demonstrates how recent writers have changed the aesthetic constructs and social content of fairy tales to reflect cultural change since the 1960s in area of gender roles, socialization and education. It includes selected works from such writers as Angela Carter, Margaret Atwood and Jay Williams, and critical essays from Marcia Lieberman and Sandra Gilbert.

    A probing account of the honored place of older women in ancient matriarchal societies restores to contemporary women an energizing symbol of self-value, power, and respect.

    This moving and insightful bestseller, based on in-depth interviews with 135 women, explains why they feel this way. Updated with a new preface exploring how the authors' collaboration and research developed, this tenth anniversary edition addresses many of the questions that the authors have been asked repeatedly in the years since Women's Ways of Knowing was originally published.

    This pioneering work, first published in 1986, documents the continuing vitality of American Indian traditions and the crucial role of women in those traditions.

    A ground-breaking work both of feminist SF and of world-building hard SF, it concerns the Sharers of Shora, a nation of women on a distant moon in the far future who are pacifists, highly advanced in biological sciences, and who reproduce by parthenogenesis--there are no males--and tells of the conflicts that erupt when a neighboring civilization decides to develop their ocean world, and send in an army.

    It is a thoughtful, analytical, and critical examination of friendship...it provides a reference point for any continuing debate about women, the effective and affective uses of power and our relationships to each other.' -Belles Lettres

    She demonstrates how the thriving and militant feminism of late nineteenth and early twentieth centuries was undermined, and asserts that the decline of this feminism was due largely to the promotion of a sexual ideology which was hostile to women’s independence. The circumstances about which she writes are frighteningly familiar in the present political climate.

    

    Intimacy and access make rebellion very dangerous.”In The Problem With Rich Women, Gloria Steinem explores how and why feminism failed to reach women in powerful families, and provides an urgent and persuasive argument for rebellion among upper-class women.The Problem With Rich Women was originally published in Ms., June 1986. Cover design by Adil Dara.

    16 pages of full-color photos.

    The provocative collection includes the widely anthologized essays “On Being a Cripple” and “On Not Liking Sex.”

    In richly diverse essays, stories, memoirs, poems, and interviews, the contributors to this collection affirm the depth of Jewish women's participation in Jewish life and give strength to feminist struggles in the Jewish community.

    Suggestions for resolving the problem of an exclusively male God-image that are both faithful to the tradition and liberating for women.

    Gay & Lesbian Studies, Homosexuality, Women's Studies

    

    In this courageous, controversial, and groundbreaking work, the poet, feminist, and philosopher Susan Griffin examines rape as an inevitable result of a culture that celebrates and rewards aggressive sexual behavior in men, and one in which male dominance and female submissiveness have long been considered natural.   With razor-sharp intelligence, clear-eyed candor, and surprising lyricism, Griffin explores the psychological, historical, political, and societal underpinnings of this devastating act, which cruelly denies a victim her self-determination. By viewing the dark phenomenon of rape through the lens of her personal experience—and through the words of injured parties, writers, legal agencies, and the media—Griffin’s powerful discourse is an essential contribution to feminist thought and literature.

    

    

    As Zinn writes in his Introduction, Emma Godman "seemed to be tireless as she traveled the country, lecturing to large audiences everywhere, on birth control ("A woman should decide for herself"), on the falsity of marriage as an institution ("Marriage has nothing to do with love"), on patriotism ("the last refuge of a scoundrel") on free love ("What is love if not free?") and also on the drama, including Shaw, Ibsen, and Strindberg. This book will be of immense interest to feminists, American historians, and people interested in the long history of resistance and protest in the United States.Howard Zinn is professor emeritus at Boston University. He is the author of the classic A People’s History of the United States. A television adaptation of the book is currently being co-produced by Matt Damon, Ben Affleck, and Chris Moore for HBO. Zinn has received the Lannan Foundation Literary Award for Nonfiction and the Eugene V. Debs award for his writing and political activism. Zinn is the author of the internationally acclaimed play Marx in Soho, which has been touring the country in performance since its release.

    For she has been given, by virtue of her membership in the Church and her companionship with the Holy Ghost, powers beyond the wildest dreams of the most aspiring women of our day. The early sisters of the restored Church showed remarkable spiritual powers: speaking in and interpreting tongues - prophesying - receiving revelations, visitations and other manifestations - healing and being healed - casting out evil spirits. Women of today are searching for models of righteous strength. We can find them nowhere better than in our own historical heritage.

    In de Hoyos' poems that tension is always erotically charged, always threatening tone sex or the other, always reveberating in the political.

    In this collection of essays, poems, and stories, they write about their search for identity, about growing up Jewish in a Catholic world, about their response to the Israeli invasion of Lebanon, and other subjects.

    An outstanding array of scholars—literary critics, art critics, and historians—reexamines the role of women and their relations with men during the Renaissance. In the process, the contributors enrich the emerging languages of and about women, gender, and sexual difference. Throughout, the essays focus on the structures of Renaissance patriarchy that organized power relations both in the state and in the family. They explore the major conequences of patriarchy for women—their marginalization and lack of identity and power—and the ways in which individual women or groups of women broke, or in some cases deliberately circumvented, the rules that defined them as a secondary sex. Topics covered include representations of women in literature and art, the actual work done by women both inside and outside of the home, and the writings of women themselves. In analyzing the rhetorical strategies that "marginalized" historical and fictional women, these essays counter scholarly and critical traditions that continue to exhibit patriarchal biases.

    

    Evans and Harry C. Boyte argue for a new understanding of the foundations for democratic politics by analyzing the settings in which people learn to participate in democracy. In their new Introduction, the authors link the concept of free spaces to recent theoretical discussions about community, public life, civil society, and social movements.