Luring the reader down labyrinthine tunnels of myth, history, and magic, The Deptford Trilogy provides an exhilarating antidote to a world from where "the fear and dread and splendour of wonder have been banished."

    And J R is a book of comparable magnitude, substance, and humor--a rushing, raucous look at money and its influence, at love and its absence, at success and its failures, in the magnificently orchestrated circus of all its larger- and smaller-than-life characters; a frantic, forlorn comedy about who uses -- and misuses -- whom.At the center: J R, ambitious sixth-grader in torn sneakers, bred on the challenge of "free enterprise" and fired by heady mail-order promises of "success." His teachers would rather be elsewhere, his principal doubles as a bank president, his Long Island classroom mirrors the world he sees around him -- a world of public relations and private betrayals where everything (and everyone) wears a price tag, a world of "deals" where honesty is no substitute for experience, and the letter of the law flouts its spirit at every turn. Operating from the remote anonymity of phone booths and the local post office, with beachheads in a seedy New York cafeteria and a catastrophic, carton-crammed tenement on East 96th Street, J R parlays a deal for thousands of surplus Navy picnic forks through penny stock flyers and a distant textile-mill bankruptcy into a nationwide, hydra-headed "family of companies."The J R Corp and its Boss engulf brokers, lawyers, Congressmen, disaffected school teachers and disenfranchised Indians, drunks, divorcées, second-hand generals, and a fledgling composer hopelessly entangled in a nightmare marriage of business and the arts. Their bullish ventures -- shaky mineral claims and gas leases, cost-plus defense contracts, a string of nursing homes cum funeral parlors, a formula for frozen music -- burgeon into a paper empire ranging from timber to textiles, from matchbooks to (legalized) marijuana, from prostheses to publishing, inadvertently crushing hopes, careers, an entire town, on a collision course with the bigger world . . . the pragmatic Real World where the business of America is business, where the stock market exists as a convenience, and the tax laws make some people more equal than others . . . the world that makes the rules because it plays to win, and plays for keeps.Absurdly logical, mercilessly real, gathering its own tumultuous momentum for the ultimate brush with commodity trading when the drop in pork belly futures masks the crumbling of our own, J R captures the reader in the cacophony of voices that revolves around this young captive of his own myths -- voices that dominate the book, talking to each other, at each other, into phones, on intercoms, from TV screens and radios -- a vast mosaic of sound that sweeps the reader into the relentless "real time" of spoken words in a way unprecedented in modern fiction. The disturbing clarity with which this finished writer captures the ways in which we deal, dissemble, stumble through our words -- through our lives -- while the real plans are being made elsewhere makes J R the extraordinary novel that it is.--From the first-edition dustjacket

    We witness the gradual breakdown of a genius ceaselessly compelled to correct and refine his perceptions until the only logical conclusion is the negation of his own soul.

    The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology.Bakhtin uses the category "novel" in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, "novelness," which he discusses in "From the Prehistory of Novelistic Discourse." Two essays, "Epic and Novel" and "Forms of Time and of the Chronotope in the Novel," deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented "languages" in battle with one another.

    The Book of Sand was the last of Borges' major collections to be published. The stories are, in his words, 'variations on favourite themes...combining a plain and at times almost colloquial style with a fantastic plot'. It includes such marvellous tales as "The Congress", "Undr" and "The Mirror and the Mask". Also included are the handful of stories written right at the end of Borges' life - "August 25, 1983", "Blue Tigers", "The Rose of Paracelsus" and "Shakespeare's Memory".

    Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I. Amid the fever of the 1920s and the first chill of the 1930s, Nick Jenkins and his friends confront sex, society, business, and art. In the second volume they move to London in a whirl of marriage and adulteries, fashions and frivolities, personal triumphs and failures. These books "provide an unsurpassed picture, at once gay and melancholy, of social and artistic life in Britain between the wars" (Arthur Schlesinger, Jr.). The third volume follows Nick into army life and evokes London during the blitz. In the climactic final volume, England has won the war and must now count the losses.In this climactic volume of A Dance to the Music of Time, Nick Jenkins describes a world of ambition, intrigue, and dissolution. England has won the war, but now the losses, physical and moral, must be counted. Pamela Widmerpool sets a snare for the young writer Trapnel, while her husband suffers private agony and public humiliation. Set against a background of politics, business, high society, and the counterculture in England and Europe, this magnificent work of art sounds an unforgettable requiem for an age.Includes these novels: Books Do Furnish a Room Temporary Kings Hearing Secret Harmonies

    Fussell illuminates a war that changed a generation and revolutionised the way we see the world. He explores the British experience on the western Front from 1914 to 1918, focusing on the various literary means by which it has been remembered, conventionalized and mythologized. It is also about the literary dimensions of the experience itself. Fussell supplies contexts, both actual and literary, for writers who have most effectively memorialized the Great War as an historical experience with conspicuous imaginative and artistic meaning. These writers include the classic memoirists Siegfried Sassoon, Robert Graves and Edmund Blunden, and poets David Jones, Isaac Rosenberg, and Wilfred Owen. In his new introduction Fussell discusses the critical responses to his work, the authors and works that inspired his own writing, and the elements which influence our understanding and memory of war. Fussell also shares the stirring experience of his research at the Imperial War Museum's Department of Documents. Fussell includes a new Suggested Further Reading List.Fussell's landmark study of World War I remains as original and gripping today as ever before: a literate, literary, and illuminating account of the Great War, the one that changed a generation, ushered in the modern era, and revolutionized how we see the world. 14 halftones.

    

    Author of such landmarks of modern American fiction as Reflections in a Golden Eye and The Ballad of the Sad Café, Carson McCullers was the enfant terrible of the literary world of the 1940s and 1950s. Gifted but tormented, vulnerable but exploitative, McCullers led a life that had all the elements--and more--of a tragic novel.From McCullers's birth in Columbus, Georgia, in 1917 to her death in upstate New York in 1967, The Lonely Hunter thoroughly covers every significant event in, and aspect of, the writer's life: her rise as a young literary sensation; her emotional, artistic, and sexual eccentricities and entanglements; her debilitating illnesses; her travels in America and Europe; and the provenance of her works from their earliest drafts through their book, stage, and film versions.To research her subject, Virginia Spencer Carr visited all of the important places in McCullers's life, read virtually everything written by or about her, and interviewed hundreds of McCullers's relatives, friends, and enemies. The result is an enduring, distinguished portrait of a brilliant, but deeply troubled, writer.

    And Csardas is a deftly plotted saga of great power, beauty, and historical authenticity that follows the changing fortunes of three aristocratic European families--spanning two world wars and four countries, and brimming with richly drawn, unforgettable characters. Trying to found a dynasty against the inflexible caste system of the crumbling Austro-Hungarian Empire, stern Jewish banker Zsignmond Ferenc had married Marta Bogozy, a gay, charming woman of noble birth. Their daughters, "The two enchanting Ferenc sisters," Malie and Eva, are the most sought-after young women in their small society. Little do they realize that their secure world of privilege is soon to be consumed in the holocaust of the First World War and subsequent events.Masterfully, Diane Pearson interweaves the story of Malie and Eva with the lives of the other Ferencs, their relatives, and the history of the troubled times--the socialist, fascist, and finally communist regimes; the scattering of the family and its struggle simply to survive; and the joyous reunion after World War II of those who do.This is a superbly written, poignant epic of war and peace--the brave, dignified, and sometimes cruel story of living, breathing characters whose hopes, failures, and triumphs will entrance readers everywhere.

    "So, you're falsifying papers?" said Janna. "You belong to the Dutch Resistance." She looked at him curiously. The boy shrugged his shoulders. "You could call it that. I'm just helping the van Arkels rescue innocent people from certain death. They need these identification papers and food cards to keep alive. If you betray me, all these people will either starve or be forced to give themselves up to be sent to the gas chambers of a concentration camp." "Gas chambers?" Janna looked at the boy with horror. "You mean ... they are killed?" The book looked sternly at her. "Do you think," he said, "that Germany is sending Jews to a nice vacation spa, or to pretty villages with geraniums in the windows? That's what they told us at first, though in Holland we never believed it."

    This book was then and remained, for all practical purposes, Thomas's "collected" poems and in that sense complete. However, with the 1971 publication of the 192 poems in The Poems of Dylan Thomas (also now available in a revised edition), Thomas's Collected Poems has naturally evolved to become Thomas's Selected Poems.Thomas wrote his last poem, "Prologue," especially to begin this collection, and addressed it to "my readers, the strangers." Two unfinished poems are included in this edition: "Elegy," prepared by Vernon Watkins, and "In Country Heaven," prepared by Daniel Jones—both Welsh poets were life-long friends of Dylan Thomas. Textual corrections discovered over the course of forty years have now been incorporated, and a complete index of titles and first lines, as well as a brief chronology of the author's life, have been added.As it has for half a century, this book includes the best of Dylan Thomas's poetry—"Light Breaks Where No Sun Shines," "The Force that Through the Green Fuse Drives the Flower," "And Death Shall Have No Dominion," "Poem in October," "Do Not Go Gentle into that Good Night," "The Hunchback in the Park," "In My Craft or Sullen Art," "In Country Sleep," and Thomas's poignant reflection on his youth, "Fern Hill."

    For Weer's imagination has the power to obliterate time and reshape reality, transcending even death itself.

    The title is Latin for "Our earth". Modeled on James Joyce's Finnegans Wake, Terra Nostra shifts unpredictably between the sixteenth century and the twentieth, seeking the roots of contemporary Latin American society in the struggle between the conquistadors and indigenous Americans. -Terra Nostra is the spreading out of the novel, the exploration of its possibilities, the voyage to the edge of what only a novelist can see and say.- Milan Kundera

    Here the Irish experience is refracted through images drawn from different parts of the Northern European experience, and the idea of the north allows the poet to contemplate the violence on his home ground in relation to memories of the Scandinavian and English invasions which have marked Irish history so indelibly.

    It is the story of a spirited young woman of eighteen who has left an unhappy, uncertain past in England and made a new life for herself as a trapeze artist in a small touring circus...But that forgotten past will stumble upon her one day, beside a stream in Hungary, where the circus has pitched its tents for a time. It will come in the form of a mysterious young man-handsome, appealing, yet curiously remote-whose appearance is the beginning of a strange, dangerous intrigue that involves deception, romance, disappearance and, in the end, the revelations of a family's darkest secrets.

    

    Self-image is your child's most important characteristic. How to help create strong feelings of self-worth is the central challenge for every parent and teacher. The formula for how is spelled out in Your Child's Self-Esteem.A member of Phi Beta Kappa and other honoraries, Dorothy Corkille Briggs has worked as a teacher of both children and adults; dean of girls; school psychologist; and marriage, family and child counselor during the last twenty-five years. Since 1958 she has taught parent-education courses and training in communication and resolution of conflicts.

    By the bestselling author of The Property of a Gentleman and Sara Dane.ANNA - the proud, determined Russian nightclub pianist. She was humiliated and rejected by the English aristocracy, and the man she loved. Anna must make a terrible sacrifice so that her daughter can have the life she herself was denied.NICOLE - the talented young American who seems destined only to fulfil other people's ambitions. She plays a celebrated, but reluctant, role in London's high society. Yet Nicole must keep her family secrets from the one she loves most.LYNMARA - the ancestral home of Lord Manstone and his dashing son, David. They form the link between past and present, mother and daughter.A compelling tale of passion and ambition, war and death, and the legacy of a mother's love.Praise for The Lynmara Legacy:"She tells her story remarkably well." Daily Telegraph"A compulsive heroine and family saga." She

    Now revised to include new words and updated essays, Keywords focuses on the sociology of language, demonstrating how the key words we use to understand our society take on new meanings and how these changes reflect the political bent and values of society.

    And so it has come to his Baas's final command to his Hottentot slave Adam, to flog his mother, because she refuses to prune the master's vineyard in order to attend her own beloved mother's funeral. And when he refuses to do so, and his Baas smashes his face with a piece of wood, Adam turns on him, and beats him almost to death. Then he flees to South Africa's veld. There he comes to the rescue of Elizabeth, a white woman, and the only person to survive her husband's expedition in the vast South African interior. Alone and terrified, she pleads with the runaway slave to bring her back to the Cape and her home. Adam agrees because he believes by rescuing Elizabeth, he will be awarded his own freedom. This, then is the stunning story of their trek together, how they find in each other their mutual need and humanity, and finally how their days together turn into an unforgettable, tender love story. Shortlisted for the 1976 Booker Prize

    It is the story of Nedra and Viri, whose favored life is centered around dinners, ingenious games with their children, enviable friends, and near-perfect days passed skating on a frozen river or sunning on the beach. But even as he lingers over the surface of their marriage, Salter lets us see the fine cracks that are spreading through it, flaws that will eventually mar the lovely picture beyond repair. Seductive, witty, and elegantly nuanced, Light Years is a classic novel of an entire generation that discovered the limits of its own happiness—and then felt compelled to destroy it.

    "Barthes par Barthes is a genuinely post-modern autobiography, an innovation in the art of autobiography comparable in its theoretical implications for our understanding of autobiography to Sartre's The Words."--Hayden White, University of California

    In this fourth edition, a new introduction and epilogue place the book in the context of contemporary issues and attitudes.

    Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I. Amid the fever of the 1920s and the first chill of the 1930s, Nick Jenkins and his friends confront sex, society, business, and art. In the second volume they move to London in a whirl of marriage and adulteries, fashions and frivolities, personal triumphs and failures. These books "provide an unsurpassed picture, at once gay and melancholy, of social and artistic life in Britain between the wars" (Arthur Schlesinger, Jr.). The third volume follows Nick into army life and evokes London during the blitz. In the climactic final volume, England has won the war and must now count the losses. Four very different young men on the threshold of manhood dominate this opening volume of A Dance to the Music of Time. The narrator, Jenkins—a budding writer—shares a room with Templer, already a passionate womanizer, and Stringham, aristocratic and reckless. Widermerpool, as hopelessly awkward as he is intensely ambitious, lurks on the periphery of their world. Amid the fever of the 1920s and the first chill of the 1930s, these four gain their initiations into sex, society, business, and art. Considered a masterpiece of modern fiction, Powell's epic creates a rich panorama of life in England between the wars. Includes these novels: A Question of Upbringing A Buyer's Market The Acceptance World "Anthony Powell is the best living English novelist by far. Hisadmirers are addicts, let us face it, held in thrall by a magician."—Chicago Tribune "A book which creates a world and explores it in depth, which ponders changing relationships and values, which creates brilliantly living and diverse characters and then watches them grow and change in their milieu. . . . Powell's world is as large and as complex as Proust's."—Elizabeth Janeway, New York Times "One of the most important works of fiction since the Second World War. . . . The novel looked, as it began, something like a comedy of manners; then, for a while, like a tragedy of manners; now like a vastly entertaining, deeply melancholy, yet somehow courageous statement about human experience."—Naomi Bliven, New Yorker

    The three-volume novel The Aesthetics of Resistance is the crowning achievement of Peter Weiss, the internationally renowned dramatist best known for his play Marat/Sade. The first volume, presented here, was initially published in Germany in 1975; the third and final volume appeared in 1981, just six months before Weiss’s death. Spanning the period from the late 1930s to World War II, this historical novel dramatizes antifascist resistance and the rise and fall of proletarian political parties in Europe. Living in Berlin in 1937, the unnamed narrator and his peers—sixteen- and seventeen-year-old working-class students—seek ways to express their hatred for the Nazi regime. They meet in museums and galleries, and in their discussions they explore the affinity between political resistance and art, the connection at the heart of Weiss’s novel. Weiss suggests that meaning lies in embracing resistance, no matter how intense the oppression, and that we must look to art for new models of political action and social understanding. The novel includes extended meditations on paintings, sculpture, and literature. Moving from the Berlin underground to the front lines of the Spanish Civil War and on to other parts of Europe, the story teems with characters, almost all of whom are based on historical figures. The Aesthetics of Resistance is one of the truly great works of postwar German literature and an essential resource for understanding twentieth-century German history.

    Outsiders, even their parents, cannot tell them apart, and call them Jean-Paul. The mysterious bond between them excludes all others; they speak their own language; they are one perfectly harmonious unit; they are, in all innocence, lovers.For Paul, this unity is paradise, but as they grow up Jean rebels against it. He takes a mistress and deserts his brother, but Paul sets out to follow him in a pilgrimage that leads all around the world, through places that reflect their separation--the mirrored halls of Venice, the Zen gardens of Japan, the newly divided city of Berlin. The exquisite love story of Jean-Paul is set against the ugliness and pain of human existence. " Gemini" is a novel of extraordinary proportions, intricate images, and profound thought, in which Michel Tournier tells his fascinating story with an irresistible humor.

    Not the Paris of the guidebooks, but the City of Light's lurid backways and backwaters, the dens of vice where he could slough off the pale cast of American puritanism and embrace the hedonistic facts of life. The Parisian life of Miller was a turbulent quest for new sensations and avenues, a roisterous, slumming exploration of the soul. This world Miller shared with Brassai, one of the greatest photographers of our century. Miller and Brassai's friendship was a recognition of kindred spirits, born of mutual admiration for each other's tireless, restless fascination with Paris and its inhabitants. In Miller, Brassai found his most compelling subject. Using unpublished letters, recollected conversations, and references to Miller's work—and featuring sixteen unforgettable examples of Brassai's photography—"Henry Miller: The Paris Years" is an intimate account of a writer's self-discovery, seen through the unblinking eye of a master photographer. Brassai delves into Miller's relationships with Anais Nin and Lawrence Durrell, as well as his hopelessly tangled though wildly inspiring marriage to June. Brassai remembers Miller's favorite cafes and haunts, revives Miller's idols and anathemas, and evokes their shared passion for the street life of a Montparnasse and Montmartre captured, even during those depression years, in a dazzling moment of illumination.

    Vargas Llosa's first work of non-fiction will send the reader back to Flaubert's masterpiece with renewed interest.

    Grounded due to a medical condition, Douglas has resigned himself to menial work as a desk clerk at a seedy hotel. But his fortune flips when he discovers a hotel guest dead from a heart attack and, next to him, a tube jammed with hundred-dollar bills. Douglas grabs the money and, with it, the chance to remake his life. In Europe, he meets Miles Fabian, an elegant and erudite con man with a flair for extravagance. Fabian recruits him for his latest ploy: robbing members of the idle rich. But what will happen when his bad behavior catches up with him?

    Omer is the seraskier, commander in chief of the Sultan’s armies, and as the book begins he arrives from Istanbul, dispatched to bring Sarajevo’s landowners to heel, a task that he accomplishes with his usual ferocity and efficiency. And yet the seraskier’s expedition to Bosnia is a time of reckoning for him as well: he was born in the Balkans, a Serb and a subject of the Austro-Hungarian Empire, a bright boy who escaped his father’s financial disgrace by running away and converting to Islam. Now, at the height of his power, he heads an army of misfits, adventurers, and outcasts from across Europe and Asia, and yet wherever he goes he remains a stranger.Ivo Andrić, who won the Nobel Prize in 1961, is a spellbinding storyteller and a magnificent stylist, and here, in his final novel, he surrounds his enigmatic central figure with many vivid and fascinating minor characters, lost souls and hopeless dreamers all, in a world that is slowly sliding towards disaster. Omer Pasha Latas combines the leisurely melancholy of Joseph Roth’s The Radetzky March with the stark fatalism of an old ballad.

    It's most often found listed as nonfiction, however. A guide to social climbing and survival in the asphalt jungle as only Donleavy could write. Not for the easily offended and wonderfully about as non-politically correct as could be. Also rife with illustrations by the author. Humor, Literary Studies, Social Studies

    "Nothing more beautiful and moving has been written in years". -- New York Times Book Review

    Despite early losses, Israel managed to outfight its opponents. The brief and bloody Yom Kippur War stands as a unique chapter in modern military history. Fought primarily by tank units, the war became a story not only of battle strategy and tactics, but also one of human discipline, endurance and sacrifice.While many historians have chronicled the events of the Yom Kippur War, few have been seasoned by actual combat. Avigdor Kahalani, commander of a tank battalion on the Golan Heights during the Yom Kippur War, describes this experience in The Heights of Courage. Beginning with a description of the initial Syrian offensive, he recounts the personal endeavors of his men, their fears and their ambitions, as well as their emotional and physical hardships. His stark account traces the efforts of the Israel Armored Corps as they struggle to overcome extreme difficulties and setbacks. The author describes their ultimate penetration into enemy territory and their approach to within forty kilometers of Damascus.

    Despite the starvation and disease that claimed 50,000 lives per year, the Jews were not dying swiftly enough to suit Heinrich Himmler, who ordered in 1942 that the Warsaw Ghetto be dismantled and the 450,000 inhabitants be deported to the gas chambers at Treblinka. On April 19, 1943, the first day of Passover, two thousand German troops, singing confidently, marched into the ghetto to round up the remnant of remaining Jews. Suddenly, a fifteen-year-old girl tossed a grenade in their midst. Within minutes the German army had been routed. The Warsaw Ghetto Uprising had begin.This is the first full-scale, step-by-step account of the climatic twenty-eight-day struggle of the poorly armed Jews against their Nazi exterminators. The Bravest Battle took more than two years to write and involved interviewing more than 500 people, including most of the surviving fighters. This moving history cannot be matched for its authenticity and drama. The Bravest Battle is a testament to the Warsaw Jews, who fought for survival with dignity and courage.

    In 1994 we published the first English-language translation of the classic French edition of 1975, which accompanied an exhibition of Virilio's photographs at the Centre Pompidou. In Bunker Archeology, urbanist Paul Virilio turns his attentionand camerato the ominous yet strangely compelling German bunkers that lie abandoned along the coast of France. These ghostly reminders of destruction and oppression prompted Virilio to consider the nature of war and existence, in relation to both World War II and contemporary times. Virilio discusses fortresses and military space in general as well as the bunkers themselves, including an examination of the role of Albert Speer, Hitler's architect, in the rise of the Third Reich.

    Nobel laureate Eugenio Montale considered La Bufera e Altro (The Storm and Other Poems) his best book.

    Elizabeth Martin is sent there to spend a summer with an aunt who seems more concerned with Robinsheugh's eighteenth-century owners than with her own niece, though a few years back the two of them had enjoyed a warm friendship. To Elizabeth, desperately lonely, unsure of herself and of others, the old house itself offers a strange alternative to misery — but one for which a harsh price has to be paid.

    It also includes a six-page introduction by Simak, and a three-page bibliography of his science fiction books. The book is edited by Angus Wells.Contents:1. A Death in the House2. Day of Truce 3. Final Gentleman4. Madness from Mars5. Shotgun Cure6. Small Deer7. Sunspot Purge8. The Autumn Land9. The Sitters10. The Thing in the Stone

    Detail by detail their diaries record a world in which thought leads to action and action brings William G. and Neaera H. to their own open sea.

    In The Rule of Metaphor he seeks 'to show how language can extend itself to its very limits, forever discovering new resonances within itself'. Recognizing the fundamental power of language in constructing the world we perceive, it is a fruitful and insightful study of how language affects how we understand the world, and is also an indispensable work for all those seeking to retrieve some kind of meaning in uncertain times.

    Vernon McGee delighted and enthralled listeners for years with simple, straightforward language and clear understanding of the Scripture. Now enjoy his personable, yet scholarly, style in a 60-volume set of commentaries that takes you from Genesis to Revelation with new understanding and insight. Each volume includes introductory sections, detailed outlines and a thorough, paragraph-by-paragraph discussion of the text. A great choice for pastors - and even better choice for the average Bible reader and student! Very affordable in a size that can go anywhere, it's available as a complete 60-volume series, in Old Testament or New Testament sets, or individually.

    The theories of that era reflected this belief and used it in an attempt to explain an increasing number of phenomena. It was not until the 1950s that it became irrefutably clear that much of human motivation is based not in these drives, but rather in a set of innate psychological needs. Their physiological basis is less understood; and as concepts, these needs lend themselves more easily to psycho- logical than to physiological theorizing. The convergence of evidence from a variety of scholarly efforts suggests that there are three such needs: self-determination, competence, and interpersonal relatedness. This book is primarily about self-determination and competence (with particular emphasis on the former), and about the processes and structures that relate to these needs. The need for interpersonal relat- edness, while no less important, remains to be explored, and the findings from those explorations will need to be integrated with the present theory to develop a broad, organismic theory of human motivation. Thus far, we have articulated self-determination theory, which is offered as a working theory-a theory in the making. To stimulate the research that will allow it to evolve further, we have stated self-determination theory in the form of minitheories that relate to more circumscribed domains, and we have developed paradigms for testing predictions from the various minitheories.

    It looks as if it's going to be the longest holiday ever, until Martha discovers something about Christine that changes everything.

    Four years later, Susannah left her covert job with the CIA, still wondering where Novak had been sent, what important and dangerous assignment claimed him. Then - on an innocent vacation in Bulgaria - she watches as Novak is shot down on a street in Sofia. But Susannah already has his message, an urgent message that she alone must deliver to the President of the United States.And Susannah is back in the business again - with no one to trust, no one to help her, and one of the best agents in the Russian KGB pursuing her. As this shrewd, handsome, magnetic man comes closer to her secret, Susannah finds herself irresistibly attracted to the one man who can destroy her.

    Redfield presents an imaginative perspective not only on the Iliad but also on the whole of Homeric culture. In an expansive discussion informed by a reinterpretation of Aristotle's Poetics and a reflection on the human meaning of narrative art, the analysis of Hector leads to an inquiry into the fundamental features of Homeric culture and of culture generally in its relation to nature. Through Hector, as the "true tragic hero of the poem," the events and themes of the Iliad are understood and the function of tragedy within culture is examined. Redfield's work represents a significant application of anthropological perspectives to Homeric poetry. Originally published in 1975 (University of Chicago Press), this revised edition includes a new preface and concluding chapter by the author.

    Ranging over a period of some six years, the story is set during the late 1930s and early 1940s; but it is not so much a tale of this period as Herbert's analysis and indictment of the steps by which we came to the Australia of today. Herbert parallels an intimate personal narrative with a tale of approaching war and the disconnect between modern Australia and its first inhabitants. With enduring portraits of a large cast of local and international characters, Herbert paints a scene of racial, familial, and political disparity. He lays bare the paradoxes of this wild land, both old and wise, young flawed. Winner of the Miles Franklin Award on first publication in 1975, Poor Fellow, My Country is masterful storytelling, an epic in the truest sense. This is the decisive story of how Australia threw away her chance of becoming a True Commonwealth. It is undoubtedly Herbert's supreme contribution to Australian literature.

    The origins of the war in the turbulent history of competing powers in the Middle East are fully explored, as are the build-up of Arab forces that almost caught Israel by surprise, and the realization of the Israeli leadership that they would once again have to fight against overwhelming odds for the survival of their state. A gripping narrative of the conflict itself, punctuated by first-hand accounts and interviews with combatants, The War of Atonement is full of drama and tales of inspirational bravery. An analysis of the political implications of the conflict brings this epic tale to a close. For this edition Chaim Herzog's son, Colonel Michael Herzog, has written an Introduction which places the book in the context of his father's achievements and gives a revealing insight of the man himself. This is the most comprehensive work on a conflict that has had major implications for our own troubled times.

    This much sought-after book is finally available again, revised and updated for 2010, the centenary year of its first publication, and this new edition has lost none of its homely charm.

    Special care has been taken with the color illustration to reproduce the artist's uniquely sumptuous palette.

    His fantasies obstinately refuse to become reality, and in a world of unyielding girls and ruthless Nazi invaders, jazz is his only solace. By the author of "The Bass Saxophone" and "The Engineer of Human Souls".

    He hires two young male caretakers, Quintus Pearch and Potter Daventry, who look after his disability. They also act as a go-between with Garnet's childhood sweetheart, now the widow Georgina Rance, delivering her messages in a desperate attempt to restart their interrupted relationship.With vivid Gothic imagery and drama, Purdy explores the varieties of love and the powerful transformations it can make in anyone's life. Readers will not soon forget Garnet, Quintus, and Daventry for the genuine human love that they share—and reject—and how they discover their way in the world.

    Shattering a half-century of silence, From Under the Rubble constitutes a devastating attack on the Soviet regime, a moral indictment of the liberal West, and a Christian manifesto calling for a new society — one whose dominant values would be spiritual rather than economic. Personally edited by the Nobel Prize-winning author, fired by his own substantial contributions, From Under the Rubble articulates Solzhenitsyn’s most fervent call to action. His daring, and the remarkable courage of his colleagues, is testament to the seriousness of their demand for a revolution in which one does not kill one’s enemies, but in which “one puts oneself in danger for the sake of the nation!” With an introduction by Max Hayward, and translated under the direction of Michael Scammell. The contributors: Alexander Solzhenitsyn, Mikhail Agursky, Evgeny Barabanov, Vadim Borisov, F. Korsakov, A.B., Igor Shafarevich.

    Whether the setting is a brief encounter in Persia or a wife-swapping party in the suburbs, a pre-war English tennis party or an Irish wedding. William Trevor reveals himself once more as a master of regret and betrayal: and a master of telling a story which is never false to the human heart.Contents: In Isfahan/The Distant Past/Angels at the Ritz/Mrs Silly/The Tennis Court/A Complicated Nature/Teresa's Wedding/Office Romances/Mr McNamara/Afternoon Dancing/Last Wishes/Mrs Acland's Ghost

    Professor Branestawm is still hard at work on his inventions, and still causing calamity after calamity and laugh after laugh.

    In this autobiographical work, Solzhenitsyn tells of his ten-year war to outwit Russia's rulers and get his works published in his own country.

    

    

    A collection of poems focusing on Sarmatia, an ancient name for a part of Eastern Europe near Russia, dealing with the guilty spirits of this place that the author loved as a child, and helped destroy as part of the Nazi army.

    R. Braithwaite ("To Sir, With Love") chronicles the brutality, oppression, and courage he witnessed as a black man granted "Honorary White" status during a six-week visit to apartheid South AfricaAs a black man living in a white-dominated world, author E. R. Braithwaite was painfully aware of the multitude of injustices suffered by people of color and he wrote powerfully and poignantly about racial discrimination in his acclaimed novels and nonfiction works. So it came as a complete surprise when, in 1973, the longstanding ban on his books was lifted by the South African government, a ruling body of minority whites that brutally oppressed the black majority through apartheid laws. Applying for a visa--and secretly hoping to be refused--he was granted the official status of "Honorary White" for the length of his stay. As such, Braithwaite would be afforded some of the freedoms that South Africa's black population was denied, yet would nonetheless be considered inferior by the white establishment.With "Honorary White," Braithwaite bears witness to a dark and troubling time, relating with grave honesty and power the shocking abuses, inequities, and horrors he observed and experienced firsthand during his six-week stay in a criminal nation. His book is a personal testament to the savagery of apartheid and to the courage of those who refused to be broken by it.

    It tells the tale of Reginald Iolanthe Perrin, a senior sales executive at Sunshine Desserts, who behaves more and more strangely, until eventually he leaves all his clothes on a beach, goes off to lead a new life.

    You will see what dolphins eat, and how they protect themselves from sharks, killer whales, and other enemies. Learn about these intelligent mammals who live under the waves.

    Also living in Zurich at this time was a British consula official called Henry Carr, a man acquainted with Joyce through the theater and later through a lawsuit concerning a pair of trousers. Taking Carr as his core, Stoppard spins this historical coincidence into a masterful and riotously funny play, a speculative portrait of what could have been the meeting of these profoundly influential men in a germinal Europe as seen through the lucid, lurid, faulty, and wholy riveting memory of an aging Henry Carr.

    Marcia Falk’s rich and lyrical translation, praised by poets and scholars alike, is paired here with the original Hebrew text.

    SOUTH STREET, where would-be "proletarian poet" Adlai Stevenson Brown comes together with pimps and whores, working men and wanting women, winos and junkies, preachers and con men in unpredictable combinations of impotence and empty rage; laughter, brassiness and pride.SOUTH STREET, charged with jazz rhythms, jive talk, and a brutal emotional power born of the raw realities and rich humanity of ghetto life.

    At first reluctant to go to Africa, Margaret Nicholl Laird came to know it as the land of miracles, where God’s love won over both hostile tribes and skeptical officials.

    A magician who wants to go to the moon sells his soul to the devil to accomplish his objective.

    Alf, the donkey, takes drastic measures to find out that he is loved as much as the old folks' other animals.

    If you've ever yearned to gallop a golden palomino along the cowboy trails or dreamed of leaping into the saddle from an upper window of the Golden Nugget Saloon and quitting town in a hail of bullets, this is the book for you.Slipped under the Stetson it could mean survival if you should - by any chance - bounce your head at the rodeo. Stuffed up the shirtfront, it might even stop a bullet at twenty paces.

    Serge had direct access to Trotsky's personal archives.

    When it was first published, Doubling and Incest/Repetition and Revenge proved to be a seminal work in the psychoanalytic study of Faulkner's fiction, especially of The Sound and the Fury and Absalom, Absalom! This softcover reissue of John Irwin's masterful exposition unwinds the mystery of unconscious desire and doubling that inform the novels.

    His account of this time perfectly captures the city-dweller's naivety and wonder both at the workings of nature and the toughness of life on a farm. Collis's thoughtful curiosity leads him to explore a broad variety of subjects - from humorous sketches of the characters he works alongside to beautifully written pieces such as Contemplation Upon Ants, The Mystery of Clouds, Colloquy on the Rick and celebrations of the earthworm, the pea and potato.Includes While Following the Plough (1946) and Down to Earth (1947).Cover illustration by Angie Lewin.

    J.G.A. Pocock suggests that Machiavelli's prime emphasis was on the moment in which the republic confronts the problem of its own instability in time, and which he calls the Machiavellian moment.After examining this problem in the thought of Machiavelli, Guicciardini, and Giannotti, Pocock turns to the revival of republican thought in Puritan England and in Revolutionary and Federalist America. He argues that the American Revolution can be considered the last great act of civic humanism of the Renaissance. He relates the origins of modern historicism to the clash between civic, Christian, and commercial values in the thought of the eighteenth century.

    In his 1967 classic essay "Civil Rights in America," Bellah argued that the religious dimensions of American society—as distinct from its churches—has its own integrity and required "the same care in understanding that any religion." This edition includes his 1978 article "Religion and the Legitimation of the American Republic," and a new Preface.

    atomic diplomacy toward the Soviet Union.In his Preface to this new edition, the author describes and evaluates the lengthening trail of new evidence that has come to light concerning these often emotionally debated subjects. The author also invokes his experience as a historical advisor to the controversial, aborted 1995 Enola Gay exhibit at the National Air and Space Museum of the Smithsonian Institution. This leads him to analyze the impact on American democracy of one of the most insidious of the legacies of Hiroshima: the political control of historical interpretation.Reviews of Previous Editions"The quality of Sherwin's research and the strength of his argument are far superior to previous accounts."—New York Times Book Review"Probably the definitive account for a long time to come. . . . Sherwin has tackled some of the critical questions of the Cold War's origins—and has settled them, in my opinion."—Walter LaFeber,Cornell University"One of those rare achievements of conscientious scholarship, a book at once graceful and luminous, yet loyal to its documentation and restrained in its speculations."—Boston Globe

    Now we are not so sure.” So wrote Robert Nisbet in the first edition of Twilight of Authority , published by Oxford University Press in 1975. “The centralization and, increasingly, individualization of power is matched in the social and cultural spheres by a combined hedonism and egalitarianism, each in its own way a reflection of the destructive impact of power on the hierarchy that is native to the social bond,” he writes.Robert Nisbet (1913–1996) taught at Columbia, the University of California at Berkeley, Smith College, and the University of Bologna.Robert G. Perrin is Professor of Sociology at the University of Tennessee at Knoxville.

    

    The story of a woman facing the nightmare of mental breakdown, who finds brief happiness in an idyllic but doomed love affair.

    Official name and abbreviation, and any code name, is given for every piece, with a summary of its history and career, followed by extensive tables with technical specs, and details of performance, ammunition, projectiles, and propelling charges.

    Also included is The Trouble with Nigeria, Achebe's searing outpouring of his frustrations with his country. GREAT IDEAS. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

    Alive with feeling and intelligence, endearing characters and feminist insights, this is one of the very best by an immensely gifted author.

    Eighteen traditional fairy tales representing women as intelligent, brave, and versatile human beings.

    The winds whistled through the ruins of Treglad, echoing the name of a long-forgotten goddess. In the city of Treclere, the Deathless Queen slowly drew all the land under her spell of dark sorcery. In the city of Tredana, a Prince pledged himself to a quest that would make his destiny--or would take his life. In a tower on an island of glass, a Princess was imprisoned by her own mother's decree. In the ice of the north the Kermyrag burned in eternal flames, with a crown between his white-feathered wings and tears of blood in his dark eyes. And in Massachusetts there was a window to Otherworld, and a young woman named Sibby was about to step over the sill.

    Diagrammed instructions for performing twenty magic tricks such as "The Vanishing Ghost," "The Lie Detector," and "Frankenstein's Toothache."

    This accurate, complete, and concise tool is a necessary addition to the library of anyone involved in audio engineering. Sound Systems Engineering is a a comprehensive text useful in the day-to-day work of designing sound systems. It is a practical manual that carefully examines a step-by-step method of accurately predicting such variables as acoustic gain, speech intelligibility, and required electrical input power while plans are still on the drawing board. This approach, described in 19 heavily illustrated, information packed chapters, can save your clients thousands of dollars.

    He describes his encounters with those philosophers and literary authors (most of them his contemporaries) whose writings have most significantly contributed to the construction of his own philosophy of “Otherness”: Agnon, Buber, Celan, Delhomme, Derrida, Jabès, Kierkegaard, Lacroix, Laporte, Picard, Proust, Van Breda, Wahl, and, most notably, Blanchot.At the same time, Levinas’s own texts are inscriptions and documents of those encounters with “Others” around which his philosophy is turning. Thus the texts simultaneously convey an immediate experience of how his intellectual position emerged and how it is put into practice. A third potential function of the book is that it unfolds the network of references and persons in philosophical debates since Kierkegaard.The essays in this volume are both philosophical and literary, yet the mode of approach always remains philosophical. In treating those figures with whom Levinas most fruitfully engaged, he seeks the theoretical perspectives most helpful in clarifying their work, but his main concern is to bring out what he sees as the significance of their writings. Throughout, the predominant leitmotif in the essays is the precarious role of poetic and philosophical language in making possible the encounter with "the Other."

    G. Wells to 1975 and J. G. Ballard, subtitled "A Historical--Critical Anthology of Science Fiction.

    

    The chicken's child is an adopted baby alligator whose insatiable appetite causes him to be banished from the farm.

    Lydie Tristan, a renegade born into a postwar European world that craves stability, is nourished in childhood by exotic fantasies while menaced by real-life teachers and parents who lash out with the fury of primitive demons.In the soon-to-end innocence of the early 1960s, Lydie's world is shaped by: Polline, her friend in arms, with whom she discovers Rin Tin Tin, boys in black leather, and the famous Drugstore; the prostitute Hughette, who talks of philosophy as easily as of the hair-raising episodes of her own youth and the tricks she turned; Abel, her stand-in pimp, a homosexual who exposes Lydie and friend to the world of art and culture and Willhelm Reich; her Aunt Ro, sweet and spacey, a fairy godmother who facilitates her revolt, herself rumored to have murdered her husband soon after their wedding; and her grandfather, who bequeaths to her deluxe editions of the Iliad and the Odyssey, which she cherishes as talismans of her future calling. With the rigor and tenderness that characterize Francois Truffaut's film The 400 Blows, Cerf follows her innocent enfant terrible along the path of rebellion through the early '60s, which ultimately leads her, in joy and sorrow, across the borders of her homeland, the whole world now her home. Street Girl is a vision of youth to come in the '70s and '80s, expressing a raw anger at the world of adults, school, authority, and society. "A novel that provides a non-stop read since it is compelling to say the least. We are mirrored in this '60s generation, which went into ecstasies at the first strains of rock and became flustered by kisses exchanged at dance parties. No regret shows through in this novel; on the contrary, there's a certain sense of triumph. Muriel Cerf is happy to have been among those in whom was germinating May 1968 and life 'on the road.' Since her memories are not bitter, they foster desires rather than regrets. And for once a teenage discovers her sexuality (in particular her period) without dread, but with curiosity and satisfaction, differing by far from other guilt-ridden stories." (Le Magazine du maisis) "The author drinks in life through all her pores: everything that can be breathed in, seen, touched, tasted finds an echo within her, the slightest fact triggers a whole series of sensations and evocations which shoot from her pen like a spray of sparks. . . . It is Proust revised by a cultured school kid, unconventional, with a solid sense of humor and an unbridled imagination." (Bibliotheque pour tous) "Memories of childhood, of adolescence like so many others, but memories transmuted by Muriel Cerf's writing, her style, her vocabulary. . . . A cascade of words, a torrent of images, accurate and funny, a cataract of expressions, a deluge of evocations." (Le Magazine litteraire) "[Street Girl is] told by Muriel Cerf with a bold and ravishing virtuosity . . . a verve, an intelligence, a style and a tone which already give her a mark of individuality." (Elle)

    Recounts the life of the painter and the three women who shaped his life: his tragic wife, Ida; his muse and model, Dorelia; and his mysterious sister, Gwen, an artist of at least equal stature.

    There are some facts and figures, but they tell us nothing about the women themselves: their motives, their emotions, and the memories they passed on to their children. Gayl Jones's first novel is a gripping portrait of this harsh sexual and psychological genealogy....Jones's language is subtle and sinewy, and her imagination sure." —Margo Jefferson, Newsweek

    But nothing comes close to the working machine gun Chas McGill pulls out of a downed bomber. While the police search frantically for the missing gun, Chas and his friends build a secret fortress to fight the Germans themselves.

    At the time of Bill's funeral, a reporter remarked that seeing John walking the streets of Oxford, Mississippi was like encountering the ghost of his brother. Indeed, John and Bill were mirrors of one another in many ways. In this memoir we find an intimate and at times humorous portrait of William and his brothers from childhood through adulthood. John provides a keen view of the local characters and situations which Bill later used in his novels.

    In the meantime, the stock market is crashing and he has more urgent concerns on his mind.

    Cavafy revised the poem in 1910, and it was first published in 1911. The first English translation was published in 1924, and there have been a number of different translations since then. The poem can be found in Cavafy’s Collected Poems, translated by Edmund Keeley and Philip Sherrard, edited by George Savidis, Princeton University Press, 1980.“Ithaka” is an unrhymed poem of five stanzas that employ conversational, everyday language. The narrator, probably a man who has traveled a lot, addresses either Odysseus, the hero of Homer’s epic poem the Odyssey, or an imaginary modern traveler or reader. The narrator tells the traveler that what is really important is not Ithaka, the island home that was the goal of Odysseus’s years of wandering, but the journey itself. It is the journey that must be fully enjoyed at every moment, using all the resources of senses and intellect, because the goal itself is likely to be disappointing.Cavafy enjoys a reputation as one of the finest of modern Greek poets. “Ithaka” is one of his best known poems and is considered to express his outlook on life" (From "Poetry for Students", various contributors and sources.)

    

    His long illness made it necessary that he find a job less tiring than the one he had in the city. But, to be an accountant for a large, privately-owned estate would be against all his principles. He had grown up as the son of a poor farm laborer, and he remembered the oppression and hardships endured by estate tenants. Yet when he was told that Romansgrove was different, out of need, he accepted.Romansgrove was different. It was idyllic. Clare and Richard wandered about, hardly believing their good luck. Yet, only two days after they arrived, they discovered that Romansgrove hadn't always been the place it was now. A path through the lovely old wood led to an old manor house, and by some strange chance, to the year 1902, Clare and Richard suddenly find themselves seventy years in the past. There Emily Roman and her family lived in almost feudal grandeur. Clare and Richard were appalled.Day after day they went back to meet with Emily Roman, to tell her of the future and pass on some of their father's views - which came as a shock to the patrician Miss Roman. And it wasn't until this strange tie with the past was broken that Clare and Richard learned how much impact they made, not only on Emily, but on their own lives.

    

    The first—and only—book to have interviewed all survivors of the blitzkrieg and those who launched it.