Brown.From its inception in California in 1974 to its Broadway revival in 2022, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country for nearly fifty years. Passionate and fearless, Shange’s words reveal what it meant to be a woman of color in the 20th century. First published in 1975, when it was praised by The New Yorker for “encompassing…every feeling and experience a woman has ever had,” for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Now with new introductions by Jesmyn Ward and Broadway director Camille A. Brown, and one poem not included in the original, here is the complete text of a groundbreaking dramatic prose poem that resonates with unusual beauty in its fierce message to the world.

    Standing guard at his mother's door, this son of Parvati refuses to let anyone through. Even Lord Shiva is denied entry! This confrontation between father and son has one beneficial outcome - the emergence of Ganesha, the elephant headed god of wisdom.

    It sets out the principles and practice of Boal's revolutionary Method, showing how theatre can be used to transform and liberate everyone - actors and non-actors alike!This thoroughly updated and substantially revised second edition includes:two new essays by Boal on major recent projects in Brazil Boal's description of his work with the Royal Shakespeare Company a revised introduction and translator's preface a collection of photographs taken during Boal's workshops, commissioned for this edition new reflections on Forum Theatre.

    It is hard to believe that over 25 years have passed since A Chorus Line first electrified a New York audience. The memories of the show's birth in 1975, not to mention those of its 15-year-life and poignant death, remain incandescent and not just because nothing so exciting has happened to the American musical since. For a generation of theater people and theatergoers, A Chorus Line was and is the touchstone that defines the glittering promise, more often realized in lengend than in reality, of the Broadway way. This impressive book contains the complete book and lyrics of one of the longest running shows in Broadway history with a preface by Samuel Freedman, an introduction by Frank Rich and lots of photos from the stage production.

    This sturdily bound paperback contains the script of the TV special Really Rosie, the text of the four Nutshell Library volumes], and music arranged for easy piano and guitar chords for the seven Carole King songs from the program].A delight for TV fans of all ages.' 'Language Arts.

    When his tentative efforts at a relationship with elegant political campaign worker Betsy come to naught, Travis conceives of an assassination attempt upon her boss, Senator Charles Palantine. But as he cruises the streets at night, Travis encounters a hapless child prostitute, Iris, and her sinister pimp, sport. Travis's mounting psychosis acquires a new focus, and violence erupts . . .One of the key films of the 1970s and winner of the Palme d'Or at the 1976 Cannes Film Festival, Taxi Driver was the first of several potent collaborations between Paul Schrader and director Martin Scorsese. Inspired by Ford's The Searchers, Bresson's Diary of a Country Priest, the diaries of real-life gunman Arthur Bremer, and an especially tormented period in Schrader's own life, Taxi Driver remains a devastating portrait of a man in urban purgatory.

    Candy's first love was a character named Anthony Adley, but the series is remembered by the majority of fans as a result of her heartbreaking separation from her true love and soul mate, Terence "Terry" Grantchester. A recurrent story arc in the series is the "Prince of the Hill", a mysterious boy Candy met as a child and never saw again. His identity is revealed in the last pages of the manga.Once upon a time, there was a little orphan girl crying her heart out on a meadowy hill. It was during this time that she had met her prince--a handsome young boy who approached her, and told her gently to dry her tears and smile instead. The little girl never forgot that memory closest to her heart. Not even after several years later when she travels the path of self-discovery...believing that someday, she will meet her prince again and find true happiness once and for all.

    The journey was expected to take a matter of weeks, but ten days into the cruise, the party encountered a freak storm off the coast of northern California. When gale-force winds and fifty-foot waves capsized their boat, the voyage became a nightmare.   For seventy-two days, the trio was lost at sea. Challenged by nature and compromised by a bitter rivalry, their courage and will to live was put to the ultimate test. Jim, the owner and skipper of the boat, was a devout fundamentalist whose recognition of God’s will in every event brought him into increasing conflict with his brother-in-law. As the two men battled to take control of a dire situation, Linda kept a secret that would lead to heartrending tragedy.

    Trained and educated with the young braves, she develops strength and courage, and soon she will succeed the tribal chief—that is if she can at last overcome a series of ordeals which prove her worthy of the Scarlet Feather.

    Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the "Group" remains a permanent influence on American drama despite its brief ten-year life.It was here that method acting, native realism, and political language had their tryouts in front of audiences who anticipated--indeed demanded--a departure from the Broadway "show-biz" tradition. In this now classic account, Harold Clurman, founder of the Group Theatre and a dynamic force as producer-director-critic for fifty years, here re-creates history he helped make with Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, and William Saroyan. Stella Adler contributed a new introduction to this edition which remembers Clurman, the thirties, and the heady atmosphere of a tumultuous decade.

    Haunted by illness and obsessed with death, he moves to Mumbai from his village Udali, breaking away from his feudal roots. He encounters young men frustrated by the system but refuses to become one of them. Suddenly, he takes a fancy to education and pursues masters in Arts, without his family knowing about it.Bidhar is the story of a pessimist who struggles to move on in life.

    And when a smart DA came after him he did the (to his mind) logical thing: he sent two little kids out to kill him.

    

    

    A Greek actor and a writer are discussing how to end a play. Actors, including Doris Levine from Great Neck, Blanche DuBois, and Groucho Marx, pop out of the audience. Peppered with metaphysical and philosophical questions, the play skids along farcically until the actor and writer conclude that it lacks a beginning as well as an end.