And J R is a book of comparable magnitude, substance, and humor--a rushing, raucous look at money and its influence, at love and its absence, at success and its failures, in the magnificently orchestrated circus of all its larger- and smaller-than-life characters; a frantic, forlorn comedy about who uses -- and misuses -- whom.At the center: J R, ambitious sixth-grader in torn sneakers, bred on the challenge of "free enterprise" and fired by heady mail-order promises of "success." His teachers would rather be elsewhere, his principal doubles as a bank president, his Long Island classroom mirrors the world he sees around him -- a world of public relations and private betrayals where everything (and everyone) wears a price tag, a world of "deals" where honesty is no substitute for experience, and the letter of the law flouts its spirit at every turn. Operating from the remote anonymity of phone booths and the local post office, with beachheads in a seedy New York cafeteria and a catastrophic, carton-crammed tenement on East 96th Street, J R parlays a deal for thousands of surplus Navy picnic forks through penny stock flyers and a distant textile-mill bankruptcy into a nationwide, hydra-headed "family of companies."The J R Corp and its Boss engulf brokers, lawyers, Congressmen, disaffected school teachers and disenfranchised Indians, drunks, divorcées, second-hand generals, and a fledgling composer hopelessly entangled in a nightmare marriage of business and the arts. Their bullish ventures -- shaky mineral claims and gas leases, cost-plus defense contracts, a string of nursing homes cum funeral parlors, a formula for frozen music -- burgeon into a paper empire ranging from timber to textiles, from matchbooks to (legalized) marijuana, from prostheses to publishing, inadvertently crushing hopes, careers, an entire town, on a collision course with the bigger world . . . the pragmatic Real World where the business of America is business, where the stock market exists as a convenience, and the tax laws make some people more equal than others . . . the world that makes the rules because it plays to win, and plays for keeps.Absurdly logical, mercilessly real, gathering its own tumultuous momentum for the ultimate brush with commodity trading when the drop in pork belly futures masks the crumbling of our own, J R captures the reader in the cacophony of voices that revolves around this young captive of his own myths -- voices that dominate the book, talking to each other, at each other, into phones, on intercoms, from TV screens and radios -- a vast mosaic of sound that sweeps the reader into the relentless "real time" of spoken words in a way unprecedented in modern fiction. The disturbing clarity with which this finished writer captures the ways in which we deal, dissemble, stumble through our words -- through our lives -- while the real plans are being made elsewhere makes J R the extraordinary novel that it is.--From the first-edition dustjacket

    The letters are addressed mainly to her mother, with whom she had an extremely close and confiding relationship, but there are also some to her brother Warren and her benefactress Mrs Prouty. Plath's energy, enthusiasm and her passionate tackling of life burst onto these pages, providing us with a vivid and intimate portrait of a woman who has come to be regarded as one of the greatest of twentieth-century poets. In addition to her capacity for domestic and writerly happiness, however, these letters also hint at Plath's potential for deep despair, which reached its crisis when she holed up in a London flat for the terrible winter of 1963.

    This classic work by the distinguished economist traces the history of nine American ethnic groups -- the Irish, Germans, Jews, Italians, Chinese, African-Americans, Puerto Ricans, and Mexicans.

    George Washington led the Americans in battle against British oppression. Thomas Jefferson led them in declaring independence. Virginians drafted not only the Declaration but also the Constitution and the Bill of Rights; they were elected to the presidency of the United States under that Constitution for thirty-two of the first thirty-six years of its existence. They were all slaveholders. In the new preface Edmund S. Morgan writes: "Human relations among us still suffer from the former enslavement of a large portion of our predecessors. The freedom of the free, the growth of freedom experienced in the American Revolution depended more than we like to admit on the enslavement of more than 20 percent of us at that time. How republican freedom came to be supported, at least in large part, by its opposite, slavery, is the subject of this book. American Slavery, American Freedom is a study of the tragic contradiction at the core of America. Morgan finds the keys to this central paradox, "the marriage of slavery and freedom," in the people and the politics of the state that was both the birthplace of the Revolution and the largest slaveholding state in the country.

    Opening with letters written during Steinbeck's early years in California, and closing with a 1968 note written in Sag Harbor, New York, Steinbeck: A Life in Letters reveals the inner thoughts and rough character of this American author as nothing else has and as nothing else ever will.

    Ashberry reaffirms the poetic powers that have made him such an outstanding figure in contemporary literature. This new book continues his astonishing explorations of places where no one has ever been.

    

    When his tentative efforts at a relationship with elegant political campaign worker Betsy come to naught, Travis conceives of an assassination attempt upon her boss, Senator Charles Palantine. But as he cruises the streets at night, Travis encounters a hapless child prostitute, Iris, and her sinister pimp, sport. Travis's mounting psychosis acquires a new focus, and violence erupts . . .One of the key films of the 1970s and winner of the Palme d'Or at the 1976 Cannes Film Festival, Taxi Driver was the first of several potent collaborations between Paul Schrader and director Martin Scorsese. Inspired by Ford's The Searchers, Bresson's Diary of a Country Priest, the diaries of real-life gunman Arthur Bremer, and an especially tormented period in Schrader's own life, Taxi Driver remains a devastating portrait of a man in urban purgatory.

    One was Muhammad Ali, the aging but irrepressible “professor of boxing.” The other was George Foreman, who was as taciturn as Ali was voluble. Observing them was Norman Mailer, a commentator of unparalleled energy, acumen, and audacity. Whether he is analyzing the fighters’ moves, interpreting their characters, or weighing their competing claims on the African and American souls, Mailer’s grasp of the titanic battle’s feints and stratagems—and his sensitivity to their deeper symbolism—makes this book a masterpiece of the literature of sport.  Praise for The Fight  “Exquisitely refined and attenuated . . . [a] sensitive portrait of an extraordinary athlete and man, and a pugilistic drama fully as exciting as the reality on which it is based.”—The New York Times   “One of the defining texts of sports journalism. Not only does Mailer recall the violent combat with a scholar’s eye . . . he also makes the whole act of reporting seem as exciting as what’s occurring in the ring.”—GQ   “Stylistically, Mailer was the greatest boxing writer of all time.”—Chuck Klosterman, Esquire   “One of Mailer’s finest books.”—Louis Menand, The New Yorker Praise for Norman Mailer  “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times   “A writer of the greatest and most reckless talent.”—The New Yorker   “Mailer is indispensable, an American treasure.”—The Washington Post   “A devastatingly alive and original creative mind.”—Life   “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books   “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune   “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post

    Author of such landmarks of modern American fiction as Reflections in a Golden Eye and The Ballad of the Sad Café, Carson McCullers was the enfant terrible of the literary world of the 1940s and 1950s. Gifted but tormented, vulnerable but exploitative, McCullers led a life that had all the elements--and more--of a tragic novel.From McCullers's birth in Columbus, Georgia, in 1917 to her death in upstate New York in 1967, The Lonely Hunter thoroughly covers every significant event in, and aspect of, the writer's life: her rise as a young literary sensation; her emotional, artistic, and sexual eccentricities and entanglements; her debilitating illnesses; her travels in America and Europe; and the provenance of her works from their earliest drafts through their book, stage, and film versions.To research her subject, Virginia Spencer Carr visited all of the important places in McCullers's life, read virtually everything written by or about her, and interviewed hundreds of McCullers's relatives, friends, and enemies. The result is an enduring, distinguished portrait of a brilliant, but deeply troubled, writer.

    For Weer's imagination has the power to obliterate time and reshape reality, transcending even death itself.

    God even intervenes to assist Shakarian's dairy business, healing his cows of TB and supernaturally pointing out the best bulls to buy for breeding.There's also some Old Testament flavour: a prophecy prompts Shakarian's grandfather to leave Armenia for the west coast of the USA, where his son Isaac becomes an exceptionally prosperous farmer. Overlaying this is a mysterious story which even the authors call a "romance" - a tale of an illiterate Armenian prophet who received a secret message which remains sealed in an envelope until the right person comes along to open it: anyone else will be struck down dead!More prosaically, the book provides an account of Shakarian's activities as a revivalist impresario who arranged big tent meetings for the likes of Charles S Price and William Branham, before moving on to his establishment - with encouragement from Oral Roberts - of the Full Gospel Business Men's Fellowship International. The FGBMFI was conceived to involve more men in revivalism, and after a shaky start success of course follows, with branches across America and abroad. Among those Shakarian meets on his journeys are "Papa Doc" Duvalier and Fidel Castro.

    He and his pals, Josh and Buddy, hit them often, stealing for a fence. They have to. They're the soul support of their families. But when Josh is killed by a security guard (who gets his brains scattered by Buddy with nunchaku sticks), they are forced to look for other work. They find it with the underworld kings in Elliot Davis. But when Davis recruits Johnny's sister for his stabke and later OD's her, Johnny and Buddy come on with a vengeance.He lived by the code of the streets and his books vividly recreated the street jungle and its predators. --New Jersey Voice

    It is the story of Nedra and Viri, whose favored life is centered around dinners, ingenious games with their children, enviable friends, and near-perfect days passed skating on a frozen river or sunning on the beach. But even as he lingers over the surface of their marriage, Salter lets us see the fine cracks that are spreading through it, flaws that will eventually mar the lovely picture beyond repair. Seductive, witty, and elegantly nuanced, Light Years is a classic novel of an entire generation that discovered the limits of its own happiness—and then felt compelled to destroy it.

    Grounded due to a medical condition, Douglas has resigned himself to menial work as a desk clerk at a seedy hotel. But his fortune flips when he discovers a hotel guest dead from a heart attack and, next to him, a tube jammed with hundred-dollar bills. Douglas grabs the money and, with it, the chance to remake his life. In Europe, he meets Miles Fabian, an elegant and erudite con man with a flair for extravagance. Fabian recruits him for his latest ploy: robbing members of the idle rich. But what will happen when his bad behavior catches up with him?

    Impressed with his bravery, he was not killed but instead was taken to Ohio where he was adopted into the tribe and given the name Blue Jacket, from the blue shirt he was wearing at the time of his capture. The boy grew to excel as a warrior and leader and became the only white to be made a war chief of the Shawnee Nation. And the name Blue Jacket became famous throughout the Northwest Territory. The characters in this book were real people who lived the life and did the things herein recounted. Much of the dialogue is taken directly from historical records. Allan W. Eckert, author of The Frontiersmen and 39 other notable books, has taken all of the known facts of Blue Jacket's life and has woven them into a narrative of compelling interest, with a very different perspective on the way America was settled.

    24 stories, by the Master...

    He's up to his third drink of the morning when an attractive young woman walks into his office and asks him to find her brother. He takes on what seems a routine missing-person case in hopes of getting to know her better, but finds himself involved in what is most definitely the wrong case. Everyone is a victim, one way or another, of a crime that took place long before the novel begins.

    They take the reader from the backwoods roads of Georgia, to the high altitude of Ruidoso Downs in New Mexico; from the social decay of Atlantic City, to Scotland, where a pilgrimage for art's sake leads to a surprising encounter with history on a hilltop with a view of a fifth of the entire country. McPhee's writing is more than informative; these are stories, artful and full of character, that make compelling reading. They play with and against one another, so that Pieces of the Frame is distinguished as much by its unity as by its variety. Subjects familiar to McPhee's readers—sports, Scotland, conservation—are treated here with intimacy and a sense of the writer at work.

    Detail by detail their diaries record a world in which thought leads to action and action brings William G. and Neaera H. to their own open sea.

    Dorn is one of the few political poets in America; this fantasy about a demigod cowboy, a saloon madam, and a talking horse named Claude Levi-Strauss, who travel the Southwest in search of Howard Hughes, has become a minor classic.

    The New Orleans cookbook whose authenticity dependability, and wealth of information have made it a classic.

    From the ghettos of New York to the glittering hills of San Francisco, this is the tempestuous novel of a family you'll never forget.DAVID - who destroyed his past to live a life of power and glory.KATIE - who lived with her past, whose memories and roots were too deep for forgetfulness.MARK - their son, who had the courage to struggle towards the sacred heritage his father had denied him.MAGGIE - the successful and glamorous woman David wanted because she was everything Katie was not.A WORLD FULL OF STRANGERSA family in search of itself and the American dream.

    There are some facts and figures, but they tell us nothing about the women themselves: their motives, their emotions, and the memories they passed on to their children. Gayl Jones's first novel is a gripping portrait of this harsh sexual and psychological genealogy....Jones's language is subtle and sinewy, and her imagination sure." —Margo Jefferson, Newsweek

    Deferred from military service, Chinaski travels from city to city, moving listlessly from one odd job to another, always needing money but never badly enough to keep a job. His day-to-day existence spirals into an endless litany of pathetic whores, sordid rooms, dreary embraces, and drunken brawls, as he makes his bitter, brilliant way from one drink to the next.Charles Bukowski's posthumous legend continues to grow. Factotum is a masterfully vivid evocation of slow-paced, low-life urbanity and alcoholism, and an excellent introduction to the fictional world of Charles Bukowski.

    It also includes a six-page introduction by Simak, and a three-page bibliography of his science fiction books. The book is edited by Angus Wells.Contents:1. A Death in the House2. Day of Truce 3. Final Gentleman4. Madness from Mars5. Shotgun Cure6. Small Deer7. Sunspot Purge8. The Autumn Land9. The Sitters10. The Thing in the Stone

    He hires two young male caretakers, Quintus Pearch and Potter Daventry, who look after his disability. They also act as a go-between with Garnet's childhood sweetheart, now the widow Georgina Rance, delivering her messages in a desperate attempt to restart their interrupted relationship.With vivid Gothic imagery and drama, Purdy explores the varieties of love and the powerful transformations it can make in anyone's life. Readers will not soon forget Garnet, Quintus, and Daventry for the genuine human love that they share—and reject—and how they discover their way in the world.

    As the day begins at First Mercantile American Bank, so do the high-stake risks, the public scandals, and the private affairs. It is the inside world where secret million-dollar deals are made, manipulated, and sweetened with sex by the men and women who play to win.

    As it turns out, thirty years later, Williams' look back at his life is not quite so scandalous as it once seemed; he recalls his childhood in Mississippi and St. Louis, his prolonged struggle as a "starving artist," the "overnight" success of The Glass Menagerie in 1945, the death of his long-time companion Frank Merlo in 1962, and his confinement to a psychiatric ward in 1969 and subsequent recovery from alcohol and drug addiction, all with the same directness, compassion, and insight that epitomize his plays.And, of course, Memoirs is filled with Williams' amazing friends from the worlds of stage, screen, and literature as heoften hilariously, sometimes fondly, sometimes notremembers them: Laurette Taylor, Gore Vidal, Truman Capote, Elia Kazan, Marlon Brando, Vivian Leigh, Carson McCullers, Anna Magnani, Greta Garbo, Elizabeth Taylor, and Tallulah Bankhead to name a few. And now film director John Waters, well acquainted with shocking the American public, has written an introduction that gives some perspective on the various reactions to Tennessee's Memoirs, while also paying tribute to a fellow artist who inspired many with his integrity and endurance.

    Made possible by the purest form of patriotism, led by a soldier whom everyone adored - George Washington - who, in turn, was guided by a caucus of political geniuses in Philadelphia - the Continental Congress - sturdy farmers raced from their plows to hurl themselves into conflict with British mercenaries. Never have so many great men, magnetic leaders, sprung from nowhere to guide a people infused with a beautiful enthusiasm for liberty.In this book, New York Times bestselling historian Thomas Fleming explodes this myth by examining all the dimensions of that year - particularly the least known aspects of the common, fallible humanity of the men and women of the Revolution.The year 1776 ended with both the Americans and the British stripped of their illusions. Both sides had been forced to abandon the myth of their invincibility and to confront the realities of human nature on the battlefield and in the struggle for allegiance to their causes.For the Americans, it had been a shock to discover that it was easy to persuade people to cheer for life, liberty, and the pursuit of happiness, but it was another matter to persuade them to take large risks, to make real sacrifices for these ideals. For the British, their goal of achieving proper subordination of America to England was frustrated forever.Seventeen seventy-six was a traffic year: Americans fighting in the name of liberty persecuted and sometimes killed fellow Americans who chose to remain loyal to the old order and its more circumscribed, yet sincere, commitment to freedom. Seventeen seventy-six was a heroic year: It brought forth the leaders who had the courage to fight for freedom. Seventeen seventy-six was a disgraceful year: Americans revealed a capacity for cowardice, disorganization, and incompetence.Here, in this masterful book, is the true story of 1776.

    In addition to his long public service as a diplomat, Irving was amazingly prolific: His collected works fill forty volumes that encompass essays, history, travel writings, and multi-volume biographies of Columbus and Washington. But it is Irving’s mastery of suspense, characterization, tempo, and irony that transforms his fiction into virtuoso performances, earning him his reputation as the father of the American short story. Charles Neider has gathered all sixty-one of Irving's tales, originally scattered throughout his many collections of nonfiction essays and sketches, into one magnificent volume. Together, they reveal his wide range: besides the expected classics like "Rip Van Winkle," "The Spectre Bridegroom," "The Legend of Sleepy Hollow," and "The Devil and Tom Walker," his fiction embraces realistic tales, ghost stories, parodies, legends, fables, and satires. For those familiar only with secondhand retellings of Irving's most famous tales, this collection offers the opportunity to step inside Washington Irving's imagination and partake of its innumerable and timeless pleasures.

    . .” —Detroit News“A totally enjoyable novel with at least one laugh on every page.” —Fresno Bee“. . . you’ll never forget it.” —Publishers WeeklyGrowing up on Chicago’s South Side in the 1960s, Eddie Ryan is learning a lot—and not just from the Brothers at his all-boys Catholic high school. Eddie’s world is populated by peculiar adults, oddball classmates, and puzzling girls—the greatest mystery of all. He takes it all in through the prism of his Catholic upbringing, which often deepens the mystery, but sometimes clarifies it, too. Entering Eddie Ryan’s world will delight not only readers who grew up there with him, but also those too young to remember.This new edition of Do Black Patent Leather Shoes Really Reflect Up? includes a new introduction as well as discussion questions designed to help deepen the reading experience for both individuals and reading groups.

    A Greek actor and a writer are discussing how to end a play. Actors, including Doris Levine from Great Neck, Blanche DuBois, and Groucho Marx, pop out of the audience. Peppered with metaphysical and philosophical questions, the play skids along farcically until the actor and writer conclude that it lacks a beginning as well as an end.

    From Sir Barton in 1919 through Affirmed in 1978, each Triple Crown winner has exhibited a true personality and charisma befitting of super stardom and renowned author Marvin Drager's prose brings to life these 11 remarkable stories. The Most Glorious Crown is a unique and fascinating inspection of each champion, their jockeys, owners, and trainers, as well as a riveting account of each race and the events leading up to each historic event. This magnificent oversized book includes more than 150 archival, authentic black-and-white photographs of each thoroughbred throughout different stages of its career. It also includes actual racing forms from each race for the Triple Crown.

    In these columns Gardner introduced hundreds of thousands of readers to the delights of mathematics and of puzzles and problem solving. His column broke such stories as Rivest, Shamir and Adelman on public-key cryptography, Mandelbrot on fractals, Conway on Life, and Penrose on tilings. He enlivened classic geometry and number theory and introduced readers to new areas such as combinatorics and graph theory.Now, this material has been brought together on one, searchable CD. Martin Gardner is the author of more than 65 books and countless articles, ranging over science, mathematics, philosophy, literature, and conjuring. He has inspired and enlightened generations with the delights of mathematical recreations, the amazing phenomena of numbers, magic, puzzles, and the play of ideas. He is our premier writer on recreational mathematics, a great popularizer of science and a debunker of pseudoscience.A profile and interview with martin Gardner is included in this collection.

    comes a brilliant collection of critical essays. "The critic and the poet in him are at no odds with the novelist".

    This powerful story of the sea is also a resonantly symbolic account of the relations between man and nature.An adventure story and a deeply considered meditation upon the sea itself.

    The "book as book" has been removed from the oral tradition by such features as prefaces, footnotes, and indexes. Books have become voiceless in some sense - they are to be read silently, not recited aloud. How this mechanical change affected the possibilities of fiction is Kenner's subject.

    Of the 350 Teton Sioux Indians there, two-thirds were women and children. When the smoke cleared, 84 men and 62 women and children lay dead, their bodies scattered along a stretch of more than a mile where they had been trying to flee. Of some 500 soldiers and scouts, about 30 were dead—some, probably, from their own crossfire. Wounded Knee has excited contradictory accounts and heated emotions. To answer whether it was a battle or a massacre, Rex Alan Smith goes further into the historical records and cultural traditions of the combatants than anyone has gone before. His work results in what Alvin Josephy Jr., editor of American Heritage, calls "the most definitive and unbiased" account of all, Moon of Popping Trees.

    The Problem of Slavery in the Age of Revolution, the sequel to Davis's Pulitzer Prize-winning The Problem of Slavery in Western Culture and the second volume of a proposed trilogy, is a truly monumental work of historical scholarship that first appeared in 1975 to critical acclaim both academic and literary. This reprint of that important work includes a new preface by the author, in which he situates the book's argument within the historiographic debates of the last two decades.

    Studies the cultural devastation of Atlantic coastal Indian tribes by European civilization, particularly New England Puritans, and the creation of an ideology to justify the cruelty.

    His most important published work is collected here, together with several new and substantial studies, in two volumes. The first deals with the philosophy of mathematics and of science and the nature of philosophical and scientific enquiry; the second deals with the philosophy of language and mind. Volume one is now issued in a new edition, including an essay on the philosophy of logic first published in 1971.

    One day while he's up there reading, he meets Wingman, the most wonderful hero a boy could have. Wingman has a cape, gray feathers, and armor, but best of all, he's Chinese.

    Screenplay written by Lawrence Hauben & Bo GoldmanBased on the novel One Flew Over the Cukoo’s Nest by Ken KeseyThe Play One Flew Over the Cukoo’s Nest by Dale Wasserman1975 Shooting Script140 pages | 160 Kb | Digital PDF FormatReleased on November 19, 19751976 Academy Award for Best Adapted ScreenplayDramaUpon arrival at a mental institution, a brash rebel rallies the patients together to take on the oppressive Nurse Ratched, a woman more a dictator than a nurse.

    Now we are not so sure.” So wrote Robert Nisbet in the first edition of Twilight of Authority , published by Oxford University Press in 1975. “The centralization and, increasingly, individualization of power is matched in the social and cultural spheres by a combined hedonism and egalitarianism, each in its own way a reflection of the destructive impact of power on the hierarchy that is native to the social bond,” he writes.Robert Nisbet (1913–1996) taught at Columbia, the University of California at Berkeley, Smith College, and the University of Bologna.Robert G. Perrin is Professor of Sociology at the University of Tennessee at Knoxville.

    Emma Bell Miles, however, had two advantages that most of the writers lacked: her familiarity with the region that lent insight and subtlety to her analysis; and a consciously dual perspective on her own life and the lives of mountain people gave her writing a generous scope and fine balance. First published in 1905, The Spirit of the Mountains remains one of the few books about Appalachia that neither romanticizes nor condescends not depends on the unconscious acceptance of middle-class, mainstream American values for its analysis.Although Miles lived on Walden's Ridge in the southern Cumberlands with her husband and family, her work as a writer and painter involved her with the wealthy society people of Chattanooga and she was a perceptive observer of the complex interplay between mountain life and life elsewhere. Her feelings about both were ambivalent; however, her intelligence, integrity, and honesty made her acutely conscious of the strengths and weaknesses as well as the coherence and contradictions of both mountain people and those of the city. This intimate awareness of the cultural and social fabric of mountain life reveals itself in the book's skillful and realistic portrayal of the music, religion, traditions, and lore of the mountains.Publisher: New York, J. Pott Publication date: 1905 Subjects: Appalachians (People)

    Rose in the introduction suggests that Reinhardt's ultimate value is as 'a prophet of the realization that high art can only endure as spiritual art.' Well, maybe, but his copious writings are also exuberant, ironic, rancorous and parodistic and, as such, a marvelous commentary of the recent art world.

    

    Battling the untamed perils of nature, they embark on a heart-stopping journey of courage, strength, and endurance against all odds.

    The rites are described and explained and the symbolism and myth they express thoroughly explored.