Both entertaining and incisive, SHOGUN is a stunningly dramatic re-creation of a very different world.Starting with his shipwreck on this most alien of shores, the novel charts Blackthorne's rise from the status of reviled foreigner up to the heights of trusted advisor and eventually, Samurai. All as civil war looms over the fragile country.

    Thrust into the closed society that is seventeenth-century Japan, a land where the line between life and death is razor-thin, Blackthorne must negotiate not only a foreign people, with unknown customs and language, but also his own definitions of morality, truth, and freedom. As internal political strife and a clash of cultures lead to seemingly inevitable conflict, Blackthorne's loyalty and strength of character are tested by both passion and loss, and he is torn between two worlds that will each be forever changed.Powerful and engrossing, capturing both the rich pageantry and stark realities of life in feudal Japan, Shōgun is a critically acclaimed powerhouse of a book. Heart-stopping, edge-of-your-seat action melds seamlessly with intricate historical detail and raw human emotion. Endlessly compelling, this sweeping saga captivated the world to become not only one of the best-selling novels of all time but also one of the highest-rated television miniseries, as well as inspiring a nationwide surge of interest in the culture of Japan. Shakespearean in both scope and depth, Shōgun is, as the New York Times put it, "...not only something you read--you live it." Provocative, absorbing, and endlessly fascinating, there is only one: Shōgun.

    

    The shocking and blisteringly memorable stories of The Cake Tree in the Ruins are based on his own experiences as a child in Japan during the Second World War.They are stories of a lonely whale searching the oceans for a mate, who sacrifices himself for love; of a mother desperately trying to save her son with her tears; of a huge, magnificent tree which grows amid the ruins of a burnt-out town, its branches made from the sweetest cake imaginable.Profound, heartbreaking and aglow with a piercing beauty, they express the chaos and terror of conflict, yet also how love can illuminate even the darkest moment.

    Its people joined the industrial age when the Chisso Corporation built a chemical factory there. The disaster that then befell them, and the ways in which some have managed to respond, reach far beyond Japan. Their courage is a flag of hope for all life - but it will have signaled no victory unless it awakens other people to action in every corner of this planet. An uneasiness developed in the town in the early 1950's. Many individuals fell ill with the same symptoms: limbs and lips tingled and then became numb; speech slurred; motor functions went out of control. Some died. Was this strange new disease contagious? Nobody knew.Minamata's disease was recognized as methyl mercury poisoning from industrial wasters. The mercury reached people through contaminated fish. Some doctors suggested that the number of persons affected might reach 10,000. So far 103 have died and some 700 others have been verified seriously - and permanently - damaged. As groups of victims pressed a turbulent, multi-sided crusade to force industry and government to take responsibility, W. Eugene Smith and his wife, Aileen, moved to Minamata. The result of their collaboration is an enduring document that crowns the work of one of the world's great photographers.

    Morris then turns his attention to the kamikaze pilots of World War II, who gave their lives in defense of their nation in the full realization that their deaths would have little effect on the course of the war. Through detail, crystal-clear prose and unmatched narrative sweep and brilliance, Professor Morris takes you into the innermost hearts of the Japanese people.

    Oka's books? The eminent American designers George Nelson suggested one answer when he wrote as follows in his foreword to the earlier book: "We have come a long, long way from the kind of thing so beautifully presented in this book. To suit the needs of super mass production, the traditional natural materials are too obstreperous...and one by one we have replaced them with the docile, predictable synthetics....What we have gained from these [new] materials and wonderfully complicated processes to make up for the general pollution, rush, crowding, noise, sickness, and slickness is a subject for other forums. But what we have lost for sure is what this book is all about: a once-common sense of fitness in the relationships between hand, material, use, and shape, and above all, a sense of delight in the look and feel of very ordinary, humble things. This book is thus...a totally unexpected monument to a culture, a way of life, a universal sensibility carried through all objects down to the smallest, most inconsequential, and ephemeral things."Another question, implicit throughout the book, has been put thus by Mr. Oka: "If the craftsmen and 'designers' of old Japan could create beauty with their materials, are we today to accept defeat when faced with ours?"But beyond all questions and words and theories there always remains the sheer visual appeal of the book's 244 photographs in matte gravure and full color. The book is indeed a feast for the eyes.

    

    The text explores the aesthetics, techniques and unique lifestyle of one of the 20th century's influential craftsmen.

    What emerges from this one is in fact the first inside view of Japanese films, directors, and artists published in English. Among the great directors whose views are presented here are Kon Ichikawa, Masaki Koayashi, and the great master, Akira Kurosawa.Also included, Hiroshi Teshigahara, Nagisa Oshima, Susumu Hani, Shuji Terayama, and others.

    Used for self-study or in the classroom, this text shows the reader how to read and translate technical Japanese texts by providing graded readings, explanatory notes, and translation aids.

    

    Herbert Norman had established himself as the pre-eminent Western interpreter of early modern and modern Japan. This present edition includes the classic Japan’s Emergence as a Modern State. It also introduces materials by Norman never before made widely available in the West, including an essay on the role of the historian and chapters from an unpublished book, Feudal Background of Japanese Politics.—from the back coverIncludes John W. Dower’s introductory essay, “E.H. Norman, Japan and the Uses of History”The Pantheon Asia LibraryNew Approaches to the New Asia