A collection of her speeches and writings which address the political and social changes of the past decade as they are concerned with the struggle for racial, sexual, and economic equality.

    Free love, common-law and transient marriages, serial partners, cohabitation outside of wedlock, queer relations, and single motherhood were among the sweeping changes that altered the character of everyday life and challenged traditional Victorian beliefs about courtship, love, and marriage. Hartman narrates the story of this radical social transformation against the grain of the prevailing century-old argument about the crisis of the black family.In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship that were indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work.Beautifully written and deeply researched, Wayward Lives recreates the experience of young urban black women who desired an existence qualitatively different than the one that had been scripted for them—domestic service, second-class citizenship, and respectable poverty—and whose intimate revolution was apprehended as crime and pathology. For the first time, young black women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, Wayward Lives recovers their radical aspirations and insurgent desires.

    Feminist, political, and activist writers alike will present their ideas for a paradigm shift from the “No Means No” model—an approach that while necessary for where we were in 1974, needs an overhaul today.Yes Means Yes will bring to the table a dazzling variety of perspectives and experiences focused on the theory that educating all people to value female sexuality and pleasure leads to viewing women differently, and ending rape. Yes Means Yes aims to have radical and far-reaching effects: from teaching men to treat women as collaborators and not conquests, encouraging men and women that women can enjoy sex instead of being shamed for it, and ultimately, that our children can inherit a world where rape is rare and swiftly punished. With commentary on public sex education, pornography, mass media, Yes Means Yes is a powerful and revolutionary anthology.

    These essays explore and illuminate the roots of Lorde's intellectual development and her deep-seated and longstanding concerns about ways of increasing empowerment among minority women writers and the absolute necessity to explicate the concept of difference—difference according to sex, race, and economic status. The title Sister Outsider finds its source in her poetry collection The Black Unicorn (1978). These poems and the essays in Sister Outsider stress Lorde's oft-stated theme of continuity, particularly of the geographical and intellectual link between Dahomey, Africa, and her emerging self.

    Since then, the growing popularity of BDSM, and the blossoming of the Internet as a source of information and connection, have created a whole new universe of possibilities for players. Now, the completely updated revised New Bottoming Book gives even more insights and ideas, updated for a new millennium, about how to be a successful, popular bottom!

    But what about kids who fall outside the boundaries of prescribed roles? This book is a guide for parents in the practical application of Gender Neutral Parenting - a parenting style based on respect for a child's self-identity and providing latitude in exploring their own version of gender and gender expressions. In Gender Neutral Parenting you'll learn the Five Skills Essential for GNP:Skill #1: Become Aware of GenderizationSkill #2: Become Aware of Your Gender BiasSkill #3: Create a Gender Diverse EnvironmentSkill #4: Start a Dialog About GenderSkill #5: Dealing With Family and Friends and Dispelling MythsWith practical examples and real world scenarios, this book will give you the strong foundation needed to implement GNP in your home and with your children. You'll learn about gender stereotypes for boys and girls and how to counteract them as a parent. Stereotypes covered include;Girl Genderization Stereotypes:Stereotype: Girls Are More Social and Less PhysicalStereotype: Girls Are PrincessesStereotype: Girls Are Boy Crazy, Sexual TemptressesStereotype: Girls Are Pure and VirginalBoy Genderization Stereotypes:Stereotype: Boys Are Physically Active But Behind Socially and VerballyStereotype: Boys Are Emotionally StuntedStereotype: Boys Are Slaves To Their Sex DriveStereotype: Boys Will Be BoysYou'll also learn how to deal with family and friends (and strangers) that don't understand your parenting approach. I'll answer questions like;“Are you trying to make her androgynous?”“Won’t that make him gay?”“Why are you so anti-feminine/anti-masculine?”“Do you think she’s trans*?”“You’re raising a person not a social experiment.”“She’s going to hate you and need therapy.” Or, “He’ll be bullied.”“I can’t believe you let her play with Barbies! Don’t you even care about her future?”This book is for any parent, grandparent, or childcare teacher that wants a guide to raising kids without the strict limitations of gender roles and who wants to engage kids in conversations that will make them savvy media consumers and critical problem solvers around issues or gender and equality.

    But why is it that some people experience dissonance between their biological sex and their personal identity? Is gender something we are, or something we do? Is our expression of gender a product of biology, or does it develop based on our environment? Are the traditional binary male and female gender roles relevant in an increasingly fluid and flexible world? Sally Hines, whose work on transgender issues draws on the intersections and disconnections of gender, sexuality, and their biological embodiment, is an ideally well-informed author to explore these questions. Supplementing this text are numerous illustrations that provide an accessible and informative visual component to the book.This intelligent volume in the Big Idea series considers the relations between gender, psychology, culture, and sexuality, examining the evolution of individual and social attitudes over the centuries and throughout the world.

    She then focuses on those Arab societies that played a key role in elaborating the dominant Islamic discourses about women and gender: Arabia during the period in which Islam was founded; Iraq during the classical age, when the prescriptive core of legal and religious discourse on women was formulated; and Egypt during the nineteenth and twentieth centuries, when exposure to Western societies led to dramatic social change and to the emergence of new discourses on women. Throughout, Ahmed not only considers the Islamic texts in which central ideologies about women and gender developed or were debated but also places this discourse in its social and historical context. Her book is thus a fascinating survey of Islamic debates and ideologies about women and the historical circumstances of their position in society, the first such discussion using the analytic tools of contemporary gender studies.

    She wrote it but she shouldn't have. She wrote it but look what she wrote about. She wrote it but she isn't really an artist, and it isn't really art. She wrote it but she had help. She wrote it but she's an anomaly. She wrote it BUT..." How to Suppress Women's Writing is a meticulously researched and humorously written "guidebook" to the many ways women and other "minorities" have been barred from producing written art. In chapters entitled "Prohibitions," "Bad Faith," "Denial of Agency," Pollution of Agency," "The Double Standard of Content," "False Categorization," "Isolation," "Anomalousness," "Lack of Models," Responses," and "Aesthetics" Joanna Russ names, defines, and illustrates those barriers to art-making we may have felt but which tend to remain unnamed and thus insolvable.

    Objectivists idealize the former; most of America practices the latter. Though Objectivists are fundamentally against relating to their fellow human beings with various methods of control (bribery, threats, manipulation, slavery), many do not hesitate to relate in that way to the young human beings we temporarily refer to as children. In this short book, Ross examines the contradiction and proposes a theory of Objectivist parenting.

    An analysis of Victorian women writers, this pathbreaking book of feminist literary criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that "the personal was the political, the sexual was the textual."Contents:The Queen's looking glass: female creativity, male images of women, and the metaphor of literary paternity --Infection in the sentence: the women writer and the anxiety of authorship --The parables of the cave --Shut up in prose: gender and genre in Austen's Juvenilia --Jane Austen's cover story (and its secret agents) --Milton's bogey: patriarchal poetry and women readers --Horror's twin: Mary Shelley's monstrous Eve --Looking oppositely: Emily Brontë's bible of hell --A secret, inward wound: The professor's pupil --A dialogue of self and soul: plain Jane's progress --The genesis of hunger, according to Shirley --The buried life of Lucy Snowe --Made keen by loss: George Eliot's veiled vision --George Eliot as the angel of destruction --The aesthetics of renunciation --A woman, white: Emily Dickinson's yarn of pearl.

    Features a new chapter and afterward on recent biological breakthroughs.

    Schulman takes us back to her Lower East Side and brings it to life, filling these pages with vivid memories of her avant-garde queer friends and dramatically recreating the early years of the AIDS crisis as experienced by a political insider. Interweaving personal reminiscence with cogent analysis, Schulman details her experience as a witness to the loss of a generation’s imagination and the consequences of that loss.

    To address this void, they started a blog. Now with an annual readership of nearly one million, their posts foster dialogue about activist methods, intersectionality, and sisterhood. And the writers' personal identities—as black women; as sisters, daughters, and lovers; and as television watchers, sports fans, and music lovers—are never far from the discussion at hand.These essays explore "Sex and Power in the Black Church," discuss how "Clair Huxtable is Dead," list "Five Ways Talib Kweli Can Become a Better Ally to Women in Hip Hop," and dwell on "Dating with a Doctorate (She Got a Big Ego?)." Self-described as "critical homegirls," the authors tackle life stuck between loving hip hop and ratchet culture while hating patriarchy, misogyny, and sexism.Brittney Cooper is an assistant professor at Rutgers University. In addition to a weekly column in Salon.com, her words have appeared in the New York Times, the Washington Post, Cosmo.com, and many others. In 2013 and 2014, she was named to the Root.com's Root 100, an annual list of Top Black Influencers.Susana M. Morris received her Ph.D. from Emory University and is currently an associate professor of English at Auburn University.Robin M. Boylorn is assistant professor at the University of Alabama. She is the author of the award-winning monograph Sweetwater: Black Women and Narratives of Resilience (Peter Lang, 2013).

    Exhausted and desperate, she takes shelter in a cave, only to witness a series of events so unbelievable that she promptly writes them off as a dream.Addie awakens in the home of a man who introduces himself as Adam. Her handsome rescuer explains that since the snowfall has made the journey out of the valley impossible, she will need to stay with him until spring. Irritated by his commanding tone, Addie responds rudely to Adam, but to her shock he pulls her over his knee and spanks her bare bottom soundly.Despite her fury at being punished in such a shameful fashion, Adam's dominance ignites desires in Addie that she never would have expected, and soon she is begging for more as he takes her long and hard. Addie's situation becomes far more complicated, however, when a huge, ruggedly attractive brute of a man named Armel confronts Adam and attempts to claim Addie for himself.As events unfold around her, it eventually becomes clear to Addie that what she saw back in the cave was no dream. Adam and Armel are both shifters, one a wolf and the other a bear, and they both want her as their own. Will Addie be forced to choose between them, or can the two fiercely dominant beasts find a way to share their headstrong little human?Publisher's Note: Taken by the Alphas includes spankings and sexual scenes. If such material offends you, please don't buy this book.