This unique anthology, with fourteen superb examples of her fiction, journalism, folklore, and autobiography, rightfully establishes her as the intellectual and spiritual leader of the next generation of black writers. The original commentary by Alice Walker and Mary Helen Washington, two African-American writers in the forefront of the Hurston revival, provide illuminating insights into Hurston—the writer, and the person—as well as into American social and cultural history.

    An analysis of Victorian women writers, this pathbreaking book of feminist literary criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that "the personal was the political, the sexual was the textual."Contents:The Queen's looking glass: female creativity, male images of women, and the metaphor of literary paternity --Infection in the sentence: the women writer and the anxiety of authorship --The parables of the cave --Shut up in prose: gender and genre in Austen's Juvenilia --Jane Austen's cover story (and its secret agents) --Milton's bogey: patriarchal poetry and women readers --Horror's twin: Mary Shelley's monstrous Eve --Looking oppositely: Emily Brontë's bible of hell --A secret, inward wound: The professor's pupil --A dialogue of self and soul: plain Jane's progress --The genesis of hunger, according to Shirley --The buried life of Lucy Snowe --Made keen by loss: George Eliot's veiled vision --George Eliot as the angel of destruction --The aesthetics of renunciation --A woman, white: Emily Dickinson's yarn of pearl.

    It traces the development of one individual consciousness, "playing over such issues as motherhood, racism, history, poetry, the uses of scholarship, the politics of language". A. Rich has written a headnote for each essay, briefly discussing the circumstances of its writing. "I find in myself both severe and tender thoughts toward the women I have been, whose thoughts I find here".

    Nnu Ego is a woman who gives all her energy, money and everything she has to raising her children - leaving her little time to make friends.

    This definitive book on Chicago's masterwork, reveals more fully than ever before the art and the artist's expanded research into the rich history embodied in the installation.

    This collection of ancient images of women as goddesses and heroines brings together legends, rituals, and prayers from China, Celtic Europe, South America, Africa, India, North America, Scandinavia, Japan, and elsewhere.

    K. Rowling, Kelly Link, and other contemporary masters of supernatural fiction. In her masterpiece, The Bloody Chamber—which includes the story that is the basis of Neil Jordan’s 1984 movie The Company of Wolves—she spins subversively dark and sensual versions of familiar fairy tales and legends like “Little Red Riding Hood,” “Bluebeard,” “Puss in Boots,” and “Beauty and the Beast,” giving them exhilarating new life in a style steeped in the romantic trappings of the gothic tradition.

    She explains the obstacles as both external and surmountable and internal and insurmountable in the race for achievement.

    Men’s control over women’s jobs has often made coerced sexual relations the price of women’s material survival. Considered trivial or personal, or natural and inevitable, sexual harassment has become a social institution.MacKinnon offers here the first major attempt to understand sexual harassment as a pervasive social problem and to present a legal argument that it is discrimination based on sex. Beginning with an analysis of victims’ experiences, she then examines sex discrimination doctrine as a whole, both for its potential in prohibiting sexual harassment and for its limitations.Two distinct approaches to sex discrimination are seen to animate the law: one based on an analysis of the differences between the sexes, the other upon women’s social inequality. Arguing that sexual harassment at work is sex discrimination under both approaches, she criticizes the effectiveness of the law in reaching the real determinants of women’s social status. She concludes that a recognition of sexual harassment as illegal would support women’s economic equality and sexual self-determination at a point where the two are linked.

    It shows the unique yet universal experiences of contemporary women in dozens of countries around the globe in their progress from infancy to old age. It has been created to join "The Family of Man" and "The Family of Children".

    This edition includes a foreword by Linda K. Kerber, introducing a new generation of readers to Gerda Lerner's considerable body of work and highlighting the importance of the essays in this collection to the development of the field that Lerner helped establish.

    Womanspirit RisingThe classic anthology on feminist spirituality -- Now with an update preface in which the editors discuss its initial reception and continuing impact.

    This is the only single-volume edition containing all Wollstonecraft's known correspondence.

    Because I separated such opinions from the persons who were making them, I accepted them the way I accepted natural disasters; and I endured them as inevitable."-Mitsuye Yamada in “Invisibility is an Unnatural Disaster: Reflections of an Asian American Woman”

    In 1956 the African Party for the Independence of Guinea and Cape Verde (PAIGC) was founded by Amilcar Cabral and a few country people. At first PAIGC's goal was to organize workers in the towns, hoping that through demonstrations and strikes they would convince the Portuguese to negotiate for independence. It soon became clear that this approach to independence would not work. Each demonstration was met with violence, until the 1959 massacre of fifty dockworkers holding a peaceful demonstration at Pidgiguiti. This was a turning point for PAIGC: they realized that independence could not be won without an armed struggle, one that had to be based on the mass participation of the people. This book focuses on the way in which PAIGC ideology integrated the emancipation of women into the total revolution: the way it emphasized the need for women to play an equal political, economic, and social role in both the armed struggle and the construction of a new society.

    Wells, th firebrand journalist whose crusade against lynching awakened the consciousness of a nation; and Mary Church Terrell, a gifted and untiring leader in the movement for suffrage, civil rights, and world peace. Through painstaking research, Sterling not only produces a fascinating account of three outstanding leaders; she also documents the role hitherto "faceless, nameless millions of African-American women" have played in shaping our culture and history. Reflecting and connecting the historical struggle of the years 1826 through 1954, Black Foremothers will captivate and inspire readers, young and old.

    Includes a good section of illustrations.

    Writing with a keen eye for detail as well as a real empathy with the first generation of wage-earning women, Tentler reconstructs the day-to-day realities of life on the job, in the home, and in the industrial neighborhoods of major cities.