S. Eliot, and Jrgen Moltmann's new book is a powerful testament to personal hope in chaotic, even catastrophic times.As Moltmann's award-winning volume The Coming of God laid out the systematic framework of eschatology (the doctrine of the ''last things''), so here he explores the personal meaning of that fundamental affirmation for Christians. Debunking the classic images of Christian apocalyptic scenarios, the final struggle between God and Satan, Christ and the AntichristArmageddonMoltmann instead shows that Christian expectation of the future has nothing to do with these but everything to do with new beginnings and a horizon of hope. Three parts explore three particular beginnings: birth (childhood and youth), rebirth (failures and defeats), and resurrection (death, judgment, afterlife).This brief volume promises to be one of Moltmann's most personal and compelling books.

    Taking a careful look at those relationships where intimacy is most challenged--by distance, intensity, or pain--she teaches us about the specific changes we can make to achieve a more solid sense of self and a more intimate connectedness with others. Combining clear advice with vivid case examples, Dr. Lerner offers us the most solid, helpful book on intimate relationships that both women and men may ever encounter.

    Religion is usually about rules and codes, about “being good,” about what will get you embraced and what will get you shunned. But God, according to Dave, is all about how you can become a closer friend with him, with others, and with yourself.In the tradition of C. S. Lewis's "Mere Christianity" and G. K. Chesterton's "Orthodoxy" comes this illuminating collection of thoughts on faith in a postmodern world. "Not the Religious Type" bridges the gap between the two communities in which many of us live—the secular and the religious—and suggests a new, unexpected way of seeing the world and our place in it. Whether we're the religious type or not, there's a certain part of each of us that invariably wonders if it's true—if there's a God we can connect with who is alive and active, with the kind of perspective on our lives and futures that we could never have on our own. As Dave engagingly explores these most important questions, he invites his readers into “a new and warmer spring,” a way of thinking that will help both secularists who never imagined they would become people of faith and also people of faith who perhaps haven't experienced all from God that they've hoped.

    Yet this limited focus ignores the reality that people’s sexual and romantic lives differ widely, even among those who consider themselves devout believers. Church leaders have often refused to address the topic—or have preached in ways that are harmful to the emotional and spiritual growth of the faithful in the pews.Pastor McCleneghan is determined to reshape the issue—and fundamentally transcend this disconnect between sexuality and spirituality that has left many Christians feeling guilty and sinful. Written in her measured, non-judgmental voice, Good Christian Sex combines humorous personal anecdotes with theological research to transform how Christians think and talk about this basic human need, offering a new understanding that reconciles human love and religious faith.Breaking with outdated conventions, McCleneghan explains how the Bible and Christian tradition inform our beliefs about desire, pleasure, nudity, fidelity, premarital sex, and the variety of sexual practices, and encourages Christians to talk about their bodies, their sensuality, and their longings in a frank, positive, and realistic way. Warm, insightful, and honest, Good Christian Sex is a message of hope, that at last lifts the veil of shame felt by many religious people.

    Paul's epistles and sexism in today's church.

    With no distracting verse numbers or stiff, formal language, the 66 books of Scripture unfold like a gripping novel.

    She argues for the importance of recognizing---and archiving---accounts of trauma that belong as much to the ordinary and everyday as to the domain of catastrophe. Cvetkovich contends that the field of trauma studies, limited by too strict a division between the public and the private, has overlooked the experiences of women and queers. Rejecting the pathologizing understandings of trauma that permeate medical and clinical discourses on the subject, she develops instead a sex-positive approach missing even from most feminist work on trauma. An Archive of Feelings challenges the field to engage more fully with sexual trauma and the wide range of feelings in its vicinity, including those associated with butch-femme sex and AIDS activism and caretaking.An Archive of Feelings brings together oral histories from lesbian activists involved in act/up New York; readings of literature by Dorothy Allison, Leslie Feinberg, Cherrie Moraga, and Shani Mootoo; videos by Jean Carlomusto and Pratibha Parmar; and performances by Lisa Kron, Carmelita Tropicana, and the bands Le Tigre and Tribe 8. Cvetkovich reveals how these cultural formations---activism, performance, and literature---give rise to public cultures that both work through trauma and transform the conditions producing it. By looking closely at connections between sexuality, trauma, and the creation of lesbian public cultures, Cvetkovich makes those experiences that have been pushed to the peripheries of trauma culture the defining principles of a new construction of sexual trauma-one in which trauma catalyzes the creation of cultural archives and political communities.About the Author: Ann Cvetkovich is Associate Professor of English at the University of Texas at Austin. She is the author of Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism.

    They always have and always will. Nothing can change that. Nothing will. It is not a question of whether men will be ruling, but which ones and how.” ~From It's Good to Be a ManOur modern society has called for us to “smash the patriarchy,” and the church has not done much better.Instead of telling men how they can hone and refine their aggressive traits, the church has told men that they should aspire to be meek servant-leaders, and when a man shows any signs of independence, he is shown the door. This leaves most young men lost. They don’t know what to do or how to improve, so they watch Jordan Peterson videos on YouTube to learn how to grow in their masculinity and sense of mission.In this book, Michael Foster and Bnonn Tennant remind men that their natural aggressive instincts are gifts from God that are meant to be used for the kingdom. Men are supposed to found households, join brotherhoods, and work towards a mission.It's Good to Be A Man offers men a quick guide to where they are and how they can improve.God made men to be strong and aggressive risk-takers. This is a feature, not a bug. Foster and Tennant remind us that it’s good to be a man.

    Their stories show just how varied the search for love can be—from singles' events and college flirtations to arranged marriages, all with a uniquely Muslim twist.These heartfelt tales are filled with passion and hope, loss and longing. One follows the quintessential single woman in the big city as she takes a chance on a Muslim speed-dating event. Another tells of a shy student from a liberal college town who falls in love online and must reveal her secret to her conservative family. A third recounts a Southern girl who surprises herself by agreeing to an arranged marriage, unexpectedly finding the love of her life.These compelling stories of love and romance create an irresistible balance of heart-warming and tantalizing, always revealing and deeply relatable.

    Magazine, Bitch was launched in the mid-nineties as a Xerox-and-staple zine covering the landscape of popular culture from a feminist perspective. Both unabashed in its love for the guilty pleasures of consumer culture and deeply thoughtful about the way the pop landscape reflects and impacts women's lives, Bitch grew to be a popular, full-scale magazine with a readership that stretched worldwide. Today it stands as a touchstone of hip, young feminist thought, looking with both wit and irreverence at the way pop culture informs feminism--and vice versa--and encouraging readers to think critically about the messages lurking behind our favorite television shows, movies, music, books, blogs, and the like. BITCHFest offers an assortment of the most provocative essays, reporting, rants, and raves from the magazine's first ten years, along with new pieces written especially for the collection. Smart, nuanced, cranky, outrageous, and clear-eyed, the anthology covers everything from a 1996 celebration of pre-scandal Martha Stewart to a more recent critical look at the "gayby boom"; from a time line of black women on sitcoms to an analysis of fat suits as the new blackface; from an attempt to fashion a feminist vulgarity to a reclamation of female virginity. It's a recent history of feminist pop-culture critique and an arrow toward feminism's future.

    Janell Carroll clearly conveys foundational biological and health issues, extensively cites both current and classic research, and addresses all material in a fresh and fun way; her book helps teach students what they need, and want, to know about sexuality. Her focus takes into account the social, religious, ethnic, racial, and cultural contexts of today's students. Dr. Carroll has used feedback from the first edition to add even further value to this popular title-streamlining student pedagogy and providing dynamic learning opportunities through Active Summaries at the end of chapters, a new online student tutorial, new video components, and content for Classroom Response Systems. This continues to be the text most representative of today's students, incorporating new sexual position art, a new pronunciation guide, and (for instructors) a new cross-cultural Slang Guide.

    She shows how we can reclaim true and lasting beauty—the kind that doesn’t depend on self-doubt, exploitation, or comparison—when we reflect God’s glory and embrace our value as he made us to be: strong, brave, and free. Only when we learn to see ourselves as God does can we leave behind our culture’s definitions and demands and find joy in The Other Side of Beauty.

    Essayist and theologian Candice Marie Benbow's essays explore universal themes like heartache, loss, forgiveness, and sexuality, and she unflinchingly empowers women who struggle with feeling loved and nurtured by church culture.Benbow writes powerfully about experiences at the heart of her Black womanhood. In honoring her single mother's love and triumphs--and mourning her unexpected passing--she finds herself forced to shed restrictions she'd been taught to place on her faith practice. And by embracing alternative spirituality and womanist theology, and confronting staid attitudes on body positivity and LGBTQ+ rights, Benbow challenges religious institutions, faith leaders, and communities to reimagine how faith can be a tool of liberation and transformation for women and girls.

    Valerie Solanas, the woman who shot Andy Warhol, self-published this work just before her rampage against the king of Pop Art made her a household name and resulted in her confinement to a mental institution. But the Manifesto, for all its vitriol, is impossible to dismiss as just the rantings of a lesbian lunatic. In fact, the work has indisputable prescience, not only as a radical feminist analysis light-years ahead of its timepredicting artificial insemination, ATMs, a feminist uprising against under-representation in the artsbut also as a stunning testament to the rage of an abused and destitute woman.The focus of this edition is not on the nostalgic appeal of the work, but on Avital Ronell’s incisive introduction, “Deviant Payback: The Aims of Valerie Solanas.” Here is a reconsideration of Solanas’s infamous text in light of her social milieu, Derrida’s “The Ends of Man” (written in the same year), Judith Butler’s Excitable Speech, Nietzsche’s Ubermensch and notorious feminist icons from Medusa, Medea and Antigone, to Lizzie Borden, Lorenna Bobbit and Aileen Wournos, illuminating the evocative exuberance of Solanas’s dark tract.

    Teresa Benedicta of the Cross O.C.D.) 2d ed., revised (1996), translated by Freda Mary Oben, Ph.D. Eight essays on the theme of woman and her vocation, with index.  With reason Edith Stein has been called "the most significant German woman of this century." Her writings on woman are the fruit of both reflection and debate with other leaders of the Catholic feminist movement in German-speaking countries between the World Wars.      This second revised edition of Essays on Woman includes textual corrections, important new supplementary data, and previously unavailable material on the spirituality of the lay and religious woman. These essays crystallize long hours of experience teaching in the classroom and on the speaker's platform in the pursuit of fulfilling roles for women in all walks of life. Reviews      "Every page of these essays reveals a mind, never doctrinaire or ruffled, but rather serene, graceful, wide-ranging, fearless, and deeply dedicated to a search for truth." - Keith J. Egan, Horizons      "This newly revised edition…is a valuable text." - Review of Metaphysics      "One would hope that these essays will be read widely and carefully by both men and women." - The Thomist