Wade In this deeply moving work, Ann Fessler brings to light the lives of hundreds of thousands of young single American women forced to give up their newborn children in the years following World War II and before Roe v. Wade. The Girls Who Went Away tells a story not of wild and carefree sexual liberation, but rather of a devastating double standard that has had punishing long-term effects on these women and on the children they gave up for adoption. Based on Fessler's groundbreaking interviews, it brings to brilliant life these women's voices and the spirit of the time, allowing each to share her own experience in gripping and intimate detail. Today, when the future of the Roe decision and women's reproductive rights stand squarely at the front of a divisive national debate, Fessler brings to the fore a long-overlooked history of single women in the fifties, sixties, and early seventies. In 2002, Fessler, an adoptee herself, traveled the country interviewing women willing to speak publicly about why they relinquished their children. Researching archival records and the political and social climate of the time, she uncovered a story of three decades of women who, under enormous social and family pressure, were coerced or outright forced to give their babies up for adoption. Fessler deftly describes the impossible position in which these women found themselves: as a sexual revolution heated up in the postwar years, birth control was tightly restricted, and abortion proved prohibitively expensive or life endangering. At the same time, a postwar economic boom brought millions of American families into the middle class, exerting its own pressures to conform to a model of family perfection. Caught in the middle, single pregnant women were shunned by family and friends, evicted from schools, sent away to maternity homes to have their children alone, and often treated with cold contempt by doctors, nurses, and clergy. The majority of the women Fessler interviewed have never spoken of their experiences, and most have been haunted by grief and shame their entire adult lives. A searing and important look into a long-overlooked social history, The Girls Who Went Away is their story.

    Now the largest multiracial, grassroots, feminist organization in the United States, INCITE! boasts chapters in more than 20 cities. Color of Violence: The INCITE! Anthology presents the fierce and vital writing of 32 of these visionaries, who not only shift the focus from domestic violence and sexual assault, but also map innovative strategies of movement building and resistance used by women of color around the world. At a time of heightened state surveillance and repression of people of color, Color of Violence: The INCITE! Anthology is an essential intervention.

    Focusing on the “orientation” aspect of “sexual orientation” and the “orient” in “orientalism,” Ahmed examines what it means for bodies to be situated in space and time. Bodies take shape as they move through the world directing themselves toward or away from objects and others. Being “orientated” means feeling at home, knowing where one stands, or having certain objects within reach. Orientations affect what is proximate to the body or what can be reached. A queer phenomenology, Ahmed contends, reveals how social relations are arranged spatially, how queerness disrupts and reorders these relations by not following the accepted paths, and how a politics of disorientation puts other objects within reach, those that might, at first glance, seem awry.Ahmed proposes that a queer phenomenology might investigate not only how the concept of orientation is informed by phenomenology but also the orientation of phenomenology itself. Thus she reflects on the significance of the objects that appear—and those that do not—as signs of orientation in classic phenomenological texts such as Husserl’s Ideas. In developing a queer model of orientations, she combines readings of phenomenological texts—by Husserl, Heidegger, Merleau-Ponty, and Fanon—with insights drawn from queer studies, feminist theory, critical race theory, Marxism, and psychoanalysis. Queer Phenomenology points queer theory in bold new directions.

    burst onto the science fiction scene in the 1970s with a series of hard-edged, provocative short stories. Hailed as a brilliant masculine writer with a deep sympathy for his female characters, he penned such classics as Houston, Houston, Do You Read? and The Women Men Don't See. For years he corresponded with Philip K. Dick, Harlan Ellison, Ursula Le Guin. No one knew his true identity. Then the cover was blown on his alter ego: A sixty-one-year old woman named Alice Sheldon. As a child, she explored Africa with her mother. Later, made into a debutante, she eloped with one of the guests at the party. She was an artist, a chicken farmer, a World War II intelligence officer, a CIA agent, an experimental psychologist. Devoted to her second husband, she struggled with her feelings for women. In 1987, her suicide shocked friends and fans. The James Tiptree, Jr. Award was created to honor science fiction or fantasy that explores our understanding of gender. This fascinating biography, ten years in the making, is based on extensive research, exclusive interviews, and full access to Alice Sheldon's papers.

    In this volume, Karen Barad, theoretical physicist and feminist theorist, elaborates her theory of agential realism. Offering an account of the world as a whole rather than as composed of separate natural and social realms, agential realism is at once a new epistemology, ontology, and ethics. The starting point for Barad’s analysis is the philosophical framework of quantum physicist Niels Bohr. Barad extends and partially revises Bohr’s philosophical views in light of current scholarship in physics, science studies, and the philosophy of science as well as feminist, poststructuralist, and other critical social theories. In the process, she significantly reworks understandings of space, time, matter, causality, agency, subjectivity, and objectivity.In an agential realist account, the world is made of entanglements of “social” and “natural” agencies, where the distinction between the two emerges out of specific intra-actions. Intra-activity is an inexhaustible dynamism that configures and reconfigures relations of space-time-matter. In explaining intra-activity, Barad reveals questions about how nature and culture interact and change over time to be fundamentally misguided. And she reframes understanding of the nature of scientific and political practices and their “interrelationship.” Thus she pays particular attention to the responsible practice of science, and she emphasizes changes in the understanding of political practices, critically reworking Judith Butler’s influential theory of performativity. Finally, Barad uses agential realism to produce a new interpretation of quantum physics, demonstrating that agential realism is more than a means of reflecting on science; it can be used to actually do science.

    Written for mothers and fathers, obstetricians, nurses, midwives, scientists, insurance professionals, and anyone contemplating having a child, this passionate exposé documents how, in the most expensive maternity care system in the world, women have lost control over childbirth and what the disturbing results of this phenomenon have been. Born in the USA examines issues including midwifery and the safety of out-of-hospital birth, how the process of becoming a doctor can adversely affect both practitioners and their patients, and why there has been a rise in the use of risky but doctor-friendly interventions, including the use of Cytotec, a drug that has not been approved by the FDA for pregnant women. Most importantly, this gripping investigation, supported by many troubling personal stories, explores how women can reclaim the childbirth experience for the betterment of themselves and their children.Born in the USA tells:* Why women are 70% more likely to die in childbirth in America than in Europe* What motivates obstetricians to use dangerous and unnecessary drugs and procedures* How the present malpractice crisis has been aggravated by the fear of accountability* Why procedures such as cesarean section and birth inductions are so readily used

    His book explains carefully and convincingly why--and how--men can become part of the solution, and work with women to build a world in which everyone is safer." --Michael Kimmel, author of Manhood in America, spokesperson, National Organization for Men Against Sexism (NOMAS)"If only men would read Katz's book, it could serve as a potent form of male consciousness-raising."--Publishers Weekly"This book leaves no man behind when it comes to taking violence against women personally....After reading this book you can see how important it is to be a stand-up guy and not a standy-by guy, no matter what race or culture you come from."--Alfred L. McMichael, 14th Sergeant Major of the Marine Corps and now serving as the Sergeant Major of NATO"A candid look at the cultural factors that lend themselves to tolerance of abuse and violence against women."--Booklist"These pages will empower both men and women to end the scourge of male violence and abuse. Katz knows how to cut to the core of the issues, demonstrating undeniably that stopping the degradation of women should be every man's priority."--Lundy Bancroft, author of Why Does He Do That?: Inside the Minds of Angry and Controlling Men

    Misogyny encompasses the Church, witch hunts, sexual theory, Nazism, pro-life campaigners, and finally, today's developing world, where women are increasingly and disproportionately at risk because of radicalized religious beliefs, famine, war, and disease. Extensively researched, highly readable and provocative, this book chronicles an ancient, pervasive and enduring injustice. The questions it poses deal with the fundamentals of human existence — sex, love, violence — that have shaped the lives of humans throughout history, and ultimately limn an abuse of human rights on a nearly unthinkable scale.

    In Canada, the Caribbean, and the United States, black women inhabit diasporic locations marked by the legacy of violence and slavery. Analyzing diverse literatures and material geographies, McKittrick reveals how human geographies are a result of racialized connections, and how spaces that are fraught with limitation are underacknowledged but meaningful sites of political opposition. Demonic Grounds moves between past and present, archives and fiction, theory and everyday, to focus on places negotiated by black women during and after the transatlantic slave trade. Specifically, the author addresses the geographic implications of slave auction blocks, Harriet Jacobs’s attic, black Canada and New France, as well as the conceptual spaces of feminism and Sylvia Wynter’s philosophies. Central to McKittrick’s argument are the ways in which black women are not passive recipients of their surroundings and how a sense of place relates to the struggle against domination. Ultimately, McKittrick argues, these complex black geographies are alterable and may provide the opportunity for social and cultural change. Katherine McKittrick is assistant professor of women’s studies at Queen’s University.

    The Cow is a mother, a lover, and a murdered lump of meat, rendered in the strongest of languages. "I cannot count the altering that happens in the very large rooms that are the guts of her."

    Magazine, Bitch was launched in the mid-nineties as a Xerox-and-staple zine covering the landscape of popular culture from a feminist perspective. Both unabashed in its love for the guilty pleasures of consumer culture and deeply thoughtful about the way the pop landscape reflects and impacts women's lives, Bitch grew to be a popular, full-scale magazine with a readership that stretched worldwide. Today it stands as a touchstone of hip, young feminist thought, looking with both wit and irreverence at the way pop culture informs feminism--and vice versa--and encouraging readers to think critically about the messages lurking behind our favorite television shows, movies, music, books, blogs, and the like. BITCHFest offers an assortment of the most provocative essays, reporting, rants, and raves from the magazine's first ten years, along with new pieces written especially for the collection. Smart, nuanced, cranky, outrageous, and clear-eyed, the anthology covers everything from a 1996 celebration of pre-scandal Martha Stewart to a more recent critical look at the "gayby boom"; from a time line of black women on sitcoms to an analysis of fat suits as the new blackface; from an attempt to fashion a feminist vulgarity to a reclamation of female virginity. It's a recent history of feminist pop-culture critique and an arrow toward feminism's future.

    The wild and seductive energy in this collection never lets one put the book down. (In fact, any one who opens the collection in the bookstore and reads such poems as The Conversation and Job Requirements: A Supervillain's Advice will want to buy the book!) For her delivery is heart-breaking and refreshing, so the poems seduce us with the sadness, glory and entertainment of our very own days. Propelled by Jeannine Hall Gailey's alert, sensuous, and musical gifts, the mythology becomes all our own." -Ilya Kaminsky, author of the award-winning Dancing in Odessa

    The zine helps to define consent, some letters that Cindy has received, listening, talking about sex, power dynamics, comics by Fly, and much more! A crucial resource that reads much like a regular issue of Doris.

    Tracing bloodlines from Sri Lanka's civil wars to Brooklyn and Toronto streets, these fierce poems are full of heart and guts, telling raw truths about brown girl border crossings before and after 9/11, surviving abuse, mixed-race journeys and high femme rebellions. Consensual Genocide celebrates our survival and marks our rebel memories into history.

    Time was a straight line, stretching out before you. If you could create a golden kind of time and lay it right beside the other time, the time of horror, Bad History could just recede into the distance without ever having to be resolved.--from TorporSet at the dawn of the New World Order, Chris Kraus's third novel, Torpor loops back to the beginning of the decade that was the basis of I Love Dick, her pseudo-confessional cult-classic debut. It's summer, 1991, post-MTV, pre-AOL. Jerome Shafir and Sylvie Green, two former New Yorkers who can no longer afford an East Village apartment, set off on a journey across the entire former Soviet Bloc with the specious aim of adopting a Romanian orphan. Nirvana's on the radio everywhere, and wars are erupting across Yugoslavia.Unhappily married to Jerome, a 53-year-old Columbia University professor who loathes academe, Sylvie thinks only of happiness. At 35, she dreams of stuffed bears and wonders why their lives lack the tremulous sincerity that pervades thirtysomething, that season's hot new TV show. There are only two things, Sylvie thinks, that will save them: a child of their own, and the success of The Anthropology of Unhappiness, her husband's long-postponed book on the Holocaust. But as they move forward toward impoverished Romania, Jerome's memories of his father's extermination at Auschwitz and his own childhood survival impede them.Savagely ironic and deeply lyrical, Torpor explores the swirling mix of nationalisms, capital flows and negative entropy that define the present, haunted by the persistence of historical memory. Written in the third person, it is her most personal novel to date.

    By examining the perilous intersections of identity, categorization, and community, contributors challenge societal mores and countercultural norms. Nobody Passes explores and critiques the various systems of power seen (or not seen) in the act of “passing.” In a pass-fail situation, standards for acceptance may vary, but somebody always gets trampled on. This anthology seeks to eliminate the pressure to pass and thereby unearth the delicious and devastating opportunities for transformation that might create.Mattilda, aka Matt Bernstein Sycamore, has a history of editing anthologies based on brazen nonconformity and gender defiance. Mattilda sets out to ask the question, “What lies are people forced to tell in order to gain acceptance as 'real'.” The answers are as varied as the life experiences of the writers who tackle this urgent and essential topic.

    In this ground-breaking, lucid, and carefully constructed work, feminist Muslim scholar Dr Kecia Ali asks how one can determine what makes sex lawful and ethical in the sight of God.Drawing on both revealed and interpretative Muslim texts, Ali critiques medieval and contemporary commentators alike to produce a balanced and comprehensive study of a subject both sensitive and urgent, making this an invaluable resource for students, scholars, and interested readers.

    Exposing the consequences and significance of the systematic maltreatment of women, and its systemic condonation, this book takes us into the heart of the international law of conflict to ask - and reveal - why the international community can rally against terrorists' violence, but not against violence against women.

    Born in a rural village in 1940, Wangari Maathai was already an iconoclast as a child, determined to get an education even though most girls were uneducated. We see her studying with Catholic missionaries, earning bachelor’s and master’s degrees in the United States, and becoming the first woman both to earn a PhD in East and Central Africa and to head a university department in Kenya. We witness her numerous run-ins with the brutal Moi government. She makes clear the political and personal reasons that compelled her, in 1977, to establish the Green Belt Movement, which spread from Kenya across Africa and which helps restore indigenous forests while assisting rural women by paying them to plant trees in their villages. We see how Maathai’s extraordinary courage and determination helped transform Kenya’s government into the democracy in which she now serves as assistant minister for the environment and as a member of Parliament. And we are with her as she accepts the Nobel Peace Prize, awarded in recognition of her “contribution to sustainable development, human rights, and peace.” In Unbowed, Wangari Maathai offers an inspiring message of hope and prosperity through self-sufficiency.

    As activist and writer Cristina Page shows, the gains made by birth-control advocates (historically) and pro-choice organizations (currently) have formed the bedrock of freedoms few Americans would choose to live without. Now, not only is the future of legal abortion far from guaranteed, in many parts of the country ready access to many forms of contraception is in jeopardy as well. And that development, Page argues, should have everyone, regardless of moral or political persuasion, deeply concerned. For these basic freedoms are not just for the freewheeling gals of "Sex and the City," but are central to the lives of working mothers and fathers from Phoenix to Duluth, churchgoers and nonbelievers alike. Page crystallizes the thoughts and attitudes of a generation of women and men whose voices are seldom heard in the political arena. How the Pro-Choice Movement Saved America is the first book to address the positive transformation our society has undergone because of our ability to plan when and if to have children. It also exposes the anti-choice movement's far-reaching-and dangerous-agenda. Fresh, bold, and stocked with counterintuitive arguments, this is a book bound to form the basis for heated conversations nationwide.

    Playing with Fire is written in the collective voice of women employed by a large NGO as activists in their communities and is based on diaries, interviews, and conversations among them. Together their personal stories reveal larger themes and questions of sexism, casteism, and communalism, and a startling picture emerges of how NGOs both nourish and stifle local struggles for solidarity. The Hindi edition of the book, Sangtin Yatra, published in 2004, created controversy that resulted in backlash against the authors by their employer. The publication also drew support for the women and instigated a public conversation about the issues exposed in the book. Here, Richa Nagar addresses the dispute in the context of the politics of NGOs and feminist theory, articulating how development ideology employed by aid organizations serves to reinforce the domination of those it claims to help. The Sangtin Writers, Anupamlata, Ramsheela, Reshma Ansari, Richa Singh, Shashibala, Shashi Vaish, Surbala, and Vibha Bajpayee, are grassroots activists and members of a small organization called Sangtin in Uttar Pradesh, India. Richa Nagar teaches women’s studies at the University of Minnesota.

    Deconstructing memory, history, and myth as received wisdom, the volume critically examines racism, sexism, poverty, and stereotypes.

    We Are the Ones We Have Been Waiting For takes on some of the greatest challenges of our times and in it Walker encourages readers to take faith in the fact that, despite the daunting predicaments we find ourselves in, we are uniquely prepared to create positive change.The hardcover edition of We Are the Ones We Have Been Waiting For included a national tour that saw standing-room–only crowds and standing ovations. Walker’s clear vision and calm meditative voice—truly "a light in darkness"—has struck a deep chord among a large and devoted readership.

    Young argues that addressing these structural injustices requires a new model of responsibility, which she calls the social connection model. She develops this idea by clarifying the nature of structural injustice; developing the notion ofpolitical responsibility for injustice and how it differs from older ideas of blame and guilt; and finally how we can then use this model to describe our responsibilities to others no matter who we are and where we live.With a foreward by Martha C. Nussbaum, this last statement by a revered and highly influential thinker will be of great interest to political theorists and philosophers, ethicists, and feminist and political philosophers.

    Used Book in good condition. No missing/ torn pages. No stains. Note: The above used product classification has been solely undertaken by the seller. Amazon shall neither be liable nor responsible for any used product classification undertaken by the seller. A-to-Z Guarantee not applicable on used products.

    At eight years old, Bettina Aptheker watched her family's politics play out in countless living rooms across the country when her father, historian and U.S. Communist Party leader Herbert Aptheker, testified on television in front of the House on Un-American Activities Committee in 1953. Born into one of the most influential U.S. Communist families whose friends included W. E. B. Du Bois, Paul Robeson, and Elizabeth Gurley Flynn, Bettina lived her parents' politics witnessing first-hand one of the most dramatic upheavals in American history. She also lived with a terrible secret: incest at the hands of her famous father and a frightening and lonely life lived inside a home wrought with family tensions. A gripping and beautifully rendered memoir, Intimate Politics is at its core the story of one woman's struggle to still the demons of her personal world while becoming a controversial public figure herself. This is the story of childhood sexual abuse, abortion, sexual violence, activism, and the triumph over one's past. It's about FBI harassment and persecution, Jewish heritage, and lesbian identity. It is, finally, about the courage to speak one's truth despite the consequences and to break the sacred silence of family secrets.

    A provocative analysis of the new contours of Black nationalism and feminism in the context of the changing politics of race in America.

    Justine Larbalestier has collected 11 key stories--many of them not easily found, and all of them powerful and provocative--and sets them alongside 11 new essays, written by top scholars and critics, that explore the stories' contexts, meanings, and theoretical implications. The resulting dialogue is one of enormous significance to critical scholarship in science fiction, and to understanding the role of feminism in its development. Organized chronologically, this anthology creates a new canon of feminist science fiction and examines the theory that addresses it. Daughters of Earth is an ideal overview for students and general readers.Content: 1. The Fate of Poseidonia - Clare Winger Harris, 19272. The Conquest of Gola - Leslie F. Stone, 19313. Created He Them - Alice Eleanor Jones, 19554. No Light in the Window - Kate Wilhelm, 19635. The Heat Death of the Universe - Pamela Zoline, 19676. And I Awoke and Found Me Here on the Cold Hill Side - James Tiptree Jr., 19717. Wives - Lisa Tuttle, 19768. Rachel in Love - Par Murphy, 19879. The Evening and the Morning and the Night - Octavia E. Butler, 198710. Balinese Dancer - Gwyneth Jones, 199711. What I Didn't See - Karen Joy Fowler, 2002

    In Witness, Amalia Mesa-Bains and bell hooks invite us to reexamine this politically popular binary and consider which differences are manufactured and which are real.In Witness, Mesa-Bains and hooks explore their own similarities and differences, sharing the ways their childhoods, families, and work have shaped their political activism, teaching, and artistic expression. Drawing on shared experiences of sexism, classism, and racism, hooks and Mesa-Bains show how people from divergent cultural backgrounds can work together for radical social change.While the black/Latino divide and the increasing cross-community political collaboration has been addressed in progressive newspapers and magazines, Witness, an inclusive call to reflect and act, is the first of its kind to look at these issues in depth. And Amalia Mesa-Bains, a pioneer scholar and producer of Chicana art, with bell hooks, one of the most acclaimed of African American theorists—prove an unparalleled match for the job.bell hooks is one of the leading public intellectuals of her generation. She has written extensively on the emotional impact of racism and sexism, particularly on black women, as well as the importance of political engagement with art and the media. In her recent work on love, relationships, and community, she shows how emotional health is a necessary component to effective resistance and activism.Amalia Mesa-Bains is an artist, curator, and writer who has initiated comprehensive exhibitions of Latino art, including Chicano Art: Resistance and Affirmation and Mi Alma, Mi Tierra, Mi Gente: Contemporary Chicana Art. Her artwork incorporates various aspects of Chicano/a history, culture, and folk traditions, exploring religion, ritual, and female rites of passage. She won a MacArthur Fellowship in 1992.

    And this is the good news. But only if you are not seeking security as the point of your life.”–Eve EnslerWhen her stage play The Vagina Monologues became a runaway hit and an international sensation, Eve Ensler emerged as a powerful voice and champion for women everywhere. Now the brilliant playwright gives us her first major work written exclusively for the printed page. Insecure at Last is a timely and urgent look at our security-obsessed world, the drastic measures taken to keep us safe, and how we can truly experience freedom by letting go of the deceptive notion of vigilant “protection.”Ensler draws on personal experiences and candid interviews with burka-clad women in Afghanistan; female prisoners in upstate New York; survivors at the Superdome after Katrina; and anti-war activist Cindy Sheehan–sharing unforgettable snapshots that chronicle a post-9/11 existence in which hyped obsession for safety and security has undermined our humanity. The us-versus-them mentality, Ensler explains, has closed our minds and hardened our compassionate hearts. Provocative, illuminating, inspiring, and boldly envisioned, Insecure at Last challenges us to reconsider what it means to be free, to discover that our strength is not born out of that which protects us. Ensler offers us the opportunity to reevaluate our everyday lives, expose our vulnerability, and, in doing so, experience true freedom and fulfillment.

    "Memories Flow in Our Veins" commemorates the CALYX legacy and their contribution to the landscape of literature, while exploring the perennial themes of place and politics, aging and caregiving, and discovery and self-reckoning.Featuring poetry and fiction by some of the most renowned and decorated women writers of the past four decades, "Memories Flow In Our Veins" is a triumphant showcase of the work published by CALYX Press through the years.

    As shocking as contemporary feminist pin-ups are intended to be, perhaps more surprising is that the pin-up has been appropriated by women for their own empowerment since its inception more than a century ago. Pin-Up Grrrls tells the history of the pin-up from its birth, revealing how its development is intimately connected to the history of feminism. Maria Elena Buszek documents the genre’s 150-year history with more than 100 illustrations, many never before published.Beginning with the pin-up’s origins in mid-nineteenth-century carte-de-visite photographs of burlesque performers, Buszek explores how female sex symbols, including Adah Isaacs Menken and Lydia Thompson, fought to exert control over their own images. Buszek analyzes the evolution of the pin-up through the advent of the New Woman, the suffrage movement, fanzine photographs of early film stars, the Varga Girl illustrations that appeared in Esquire during World War II, the early years of Playboy magazine, and the recent revival of the genre in appropriations by third-wave feminist artists. A fascinating combination of art history and cultural history, Pin-Up Grrrls is the story of how women have publicly defined and represented their sexuality since the 1860s.

    It is a literary tour de force, returning anew to challenge necessity itself, the most implacable of human certainties: you die in the end - and that's the end. For you, for me.

    These changes can be seen in every field of life. For instance, the way of supplying basic needs or the way how to make own life better, but also certain norms and values are quite different today. Instead of visiting a theatre in order to be entertained, people can watch TV or use the internet. If a man and a woman live together unmarried, hardly anybody will be shocked about that fact. But often certain attitudes are anchored in society and can hardly be changed. One example is the determination which individual role men and women are likely to play as members of a society and how their image appears in every culture. It is especially interesting to see how the media represent women, the so called -weaker sex-. The following pages respond with the representation of women through the years. Additionally, they deal with problems and consequences coming up because of the difference between men and women.

    Tracing the spiritual "mother line" of these holy women of centuries past--Julian of Norwich, Saint Catherine of Siena, and Saint Catherine of Genoa--to contemporary women whose lives have been lives with a similar passion for and dedication to improving the human condition, Flinders explores the spiritual journeys of: - Jane Goodall, a world-renowned scientist, environmentalist, and humanitarian, whose groundbreaking work runs parallel to a deeply realized spiritual vision for our times.- Etty Hillesum, a Jewish intellectual in Amsterdam who documented in her diaries an abiding vision for the eventual triumph of humar good over evil, even as she faced the horror of Auschwitz.- Sister Helen Prejean, a Roman Catholic nun who befriended death-row inmates and accompanied them to their ends with the grace of her certainty that "God dwells in the people that we most want to throw away." (Sister Helen Prejean was portrayed by Susan Sarandon in the Oscar-winning film Dead Man Walking.)- Tenzin Palmo, a Tibetan Buddhist nun, whose twelve years of meditation in a Himalayan cave led her to emerge with a finely articulated road map for ending human suffering.With these fascinating profiles of four contemporary women of faith, Carol Flinders illuminates the heart of the feminine sacred and provides inspiration for female spiritual seekers everywhere.

    Charting the course of womanist theory from its genesis as Alice Walker's African-American feminism, through Chikwenye Okonjo Ogunyemi's African womanism and Clenora Hudson-Weems' Africana womanism, to its present-day expression as a global, anti-oppressionist perspective rooted in the praxis of everyday women of color, this interdisciplinary reader traces the rich and diverse history of a quarter century of womanist thought. Featuring selections from over a dozen disciplines by top womanist scholars from around the world, plus several critiques of womanism, an extensive bibliography of womanist sources, and the first ever systematic treatment of womanist thought on its own terms, Layli Phillips has assembled a unique and groundbreaking compilation.

    In a radical break with the Freudian school that dominated psychology, Gilligan and her peers went on to identify relationships rather than the notion of "self" as the foundation of our psychological and physical states. Pulitzer Prize-winning journalist Christina Robb recounts the untold efforts of a pioneering group of psychologists--Carol Gilligan, Jean Baker Miller, and Judith Lewis Herman--whose groundbreaking work really did change everything.

    But you’ve got to step out, or you’ll never get anywhere. And you keep on going, one step at a time. You have to have faith to go barefooted—you don’t know what you might step on, what pain might come—but you keep on walking. And it makes you tough. Sometimes you skip and jump and run. Sometimes you get a thorn in your toe or trip over a limb, but there’s no turning back. Barefootin’ means getting mud between your toes and dancing on the water! Your spirit is in your feet, and your spirit can run free.In 1933, Unita Blackwell was born in Lula, Mississippi, a tiny town in the Delta where living was as hard as it gets, the stuff of the blues music that originated there. Like the other black people in Lula, Unita grew up in a sharecropping family, riding on her mother’s cotton sack before she was old enough to pick cotton herself. Having left school at age twelve in order to make a living, Unita was trapped in menial jobs, and a bright future seemed beyond her reach. But Unita was forever changed in the summer of 1964 when civil rights workers came to her town of Mayersville, Mississippi. Electrified by the movement, Unita transformed her life from one of despair to one of hope, and in Barefootin’ she details her inspirational rise from poverty to power, from silence to outspokenness, from oppression to freedom.From her rebirth as a freedom fighter and social activist to her tenure as mayor of her home town, to her work as an international peacemaker and presidential advisor, here are all the unlikely turns of Unita’s remarkable life. The lessons she shares affirm and motivate us all, whether it’s to remember that ordinary people can do extraordinary things, that world-changing movements are the result of many small steps, or that freedom means taking responsibility for our own lives and helping to make the world a better place for all. Infused with the language and rhythms of the Delta, Barefootin’ is at once the stirring memoir of an exceptional woman and a guide to living a full and meaningful life from someone who knows how.

    In the 12 essays and introduction that constitute Blue Studios, DuPlessis continues that task, examining the work of experimental poets and the innovative forms they have fashioned to challenge commonplace assumptions about gender and cultural authority. The essays in “Attitudes and Practices” deal with two questions: what a feminist reading of cultural texts involves, and the nature of the essay itself as a mode of knowing: how poetry can be discursive and how the essay can be poetic. The goal of “Marble Paper,” with its studies of William Wordsworth, Ezra Pound, and Charles Olson is to suggest terms for a “feminist history of poetry.” “Perspectives must be fashioned that displace and estrange the world,” Theodore Adorno wrote, and in the section "Urrealism" DuPlessis examines the work of poets from several schools (the Objectivists, the New York School, the surrealists) whose work embodies that displacement, among them George Oppen, Lorine Niedecker, H.D., and Barbara Guest. These writers’ radical deployment of line, sound, and structure, DuPlessis argues, demonstrate poetry’s power not as a purely literary, artistic, or aesthetic force but as a rhetorical form intricately tied to issues of power and ethics. And in "Migrated Into,” the author probes the ways these issues have informed her, as a poet and a critic; how the political has “migrated into” and suffused her own work; and how the practice of poetry can be an arousal to a deeper understanding of what we stand for.

    In The Matrixial Borderspace Ettinger works through Lacan's late works, the anti-Oedipal perspectives of Deleuze and Guattari, as well as object-relations theory to critique the phallocentrism of mainstream Lacanian theory and to rethink the masculine-feminine opposition.Edited and with an afterword by Brian Massumi

    Written in 1926-27—before Beauvoir met Jean-Paul Sartre—the diaries reveal previously unknown details about her life and times and offer critical insights into her early intellectual interests, philosophy, and literary works. Presented for the first time in translation, this fully annotated first volume of the Diary includes essays from Barbara Klaw and Margaret A. Simons that address its philosophical, historical, and literary significance. It remains an invaluable resource for tracing the development of Beauvoir’s independent thinking and her influence on philosophy, feminism, and the world.

    She pursued a musical career in Boston, where she met Martin Luther King, Jr. The Montgomery bus boycott in 1955 brought Dr. King and his wife into national prominence. Since then the nation has seen the beauty and composure of Coretta Scott King as she has continued to speak and act on behalf of civil rights. First published in 1970 by Fortress Press, this commemorative edition has been thoroughly updated, includes a black and white photo gallery, and is full of warmth and human interest, telling the story of Coretta Scott King from her childhood to her death in February 2006.

    M. Verchick. In this outstanding primer, the authors introduce the diverse strands of feminist legal theory and the array of substantive legal issues relevant to women's and gender studies. The book centers on feminist legal theories--including equal treatment theory, cultural feminism, dominance theory, critical race feminism, lesbian feminism, postmodern feminism, and ecofeminism. The authors also address feminist legal methods, such as consciousness raising and storytelling.The primer demonstrates the ways feminist legal theory operates in real-life contexts, including domestic violence, reproductive rights, workplace discrimination, education, sports, pornography, and global issues of gender. Levit and Verchick highlight a sweeping range of cutting edge topics at the intersection of law and gender, such as single sex schools, women in the military, abortion, same sex marriage, date rape, and the international trafficking in women and girls.At its core, Feminist Legal Theory shows the importance of the role of law and feminist legal theory in shaping contemporary gender issues.

    Lola Alvarez Bravo explored her calling through photojournalism, commercial work and professional portrait-making, even as she was creating intensely personal images of people, places and things throughout her native Mexico. In addition, she played a vital role in the Mexican cultural scene as an inspiring teacher, a friend of innumerable artists (many of whom she photographed), and as the owner of a prestigious gallery that presented the first solo show by her friend Frida Kahlo, the subject of some of Alvarez Bravo's most powerful portraits. Although some of her photographs reflect the influence of her husband, Manuel Alvarez Bravo they shared the same cameras and often the same roll of film Lola had achieved her own aesthetic by the 1940s and 50s, concentrating on two particularly vivid bodies of work, portraiture and street photography. In these two disciplines she found a way to reveal a lyricism in the world around her, producing quiet reveries on life lived in the moment. This first English-language book to encompass the full range of her work includes previously unpublished images and several of her little-known photomontages."

    Also, it is funny and of a pleasing form and light but increasing heft, perfect for spiriting away in one’s back pocket for an evening of street stenciling or shopdropping.This Questionably Diagrammed Edition features updated texts, an introduction and a postface by radical literarists Liz Mason and Mikki Halpin, and several medical illustrations of little sense and less value, by the author. Written and illustrated by Anne Elizabeth Moore.

    Here, for the first time, an author weaves together threads that explain the mysterious disappearance of ancient cultures in which women and the environment were at the center, a loss that has dramatically influenced 3,500 years of Western history.

    Block analyzes the legal, social, and cultural implications of more than nine hundred documented incidents of sexual coercion and hundreds more extralegal commentaries found in almanacs, newspapers, broadsides, and other print and manuscript sources. Highlighting the gap between reports of coerced sex and incidents that were publicly classified as rape, Block demonstrates that public definitions of rape were based less on what actually happened than on who was involved. She challenges conventional narratives that claim sexual relations between white women and black men became racially charged only in the late nineteenth century. Her analysis extends racial ties to rape back into the colonial period and beyond the boundaries of the southern slave-labor system. Early Americans' treatment of rape, Block argues, both enacted and helped to sustain the social, racial, gender, and political hierarchies of a New World and a new nation.

    The contributors in this anthology hail from Yemen, Iran, Palestine, Afghanistan, Kashmir, Pakistan, India, Bangladesh, Malaysia, Thailand, China, Canada, and the United States.Sarah Husain conceptualized this collection as a means of redefining the stereotypical depictions of Muslim women that inundate current western discourse on the Islamic “other.” She seeks to dispel the image of the veil as the age-old symbol of Muslim women's repression and move beyond sterile representations and narrow debates about the contemporary realities of Muslim women. These women engage in discourses concerning their bodies and their communities. A woman mourns the death of a cousin killed in a suicide bombing; a transsexual remembers with fondness the donning of the veil he no longer wears as a Muslim man; a woman confronts sexism and hypocrisy on a pilgrimage to Saudi Arabia; and the experience of being judged on the basis of skin color and political and religious affiliation that is far more blatant and ubiquitous since the September 11 terrorist attacks.

    Ida B. Wells-Barnett, who was born a slave and fought against lynching; Mother Jones, an Irish immigrant who organized coal miners and campaigned against child labor; Alice Hamilton, who pushed for regulation of industrial toxins; Frances Perkins, who developed key New Deal legislation; Virginia Durr, who fought the poll tax and segregation; Septima Clark, who helped to register black voters; Dolores Huerta, who organized farm workers; Dr. Helen Rodriguez-Trias, an activist for reproductive rights; and Gretchen Buchenholz, one of the nation’s leading child advocates. Gore Schiff delivers an intimate and accessible account of the nine trail-blazing women who deserve not only to be honored but to have their example serve as beacons.

    Believing that all life is valuable and that some are not more worthy of it than others, these women have given birth in the face of disapproval and hostility, defied both the creed of perfection and accepted medical wisdom, and given the issue of abortion a complexity beyond the simplistic pro-life/pro-choice dichotomy. As it questions the accuracy of screening procedures, the definition of a worthwhile life, and the responsiblity for determining the value of an imperfect life, this book trenchantly brings to light many issues that for years have been marginalized by the mainstream media and restricted to disability activism.

    Encountering Eva Hesse presents new writing on the work of Eva Hesse (1936-70) by international artists, curators, and art historians who examine the varied framings of exhibition, studio, and writing for their encounters with these still challenging works of art.

    They pored over magazines that described the dangerous pleasures of corporal punishment. A few had sexual relationships with each other, exchanged rings and vows, willed each other property, and lived together in long-term partnerships described as marriages. But, as Sharon Marcus shows, these women were not seen as gender outlaws. Their desires were fanned by consumer culture, and their friendships and unions were accepted and even encouraged by family, society, and church. Far from being sexless angels defined only by male desires, Victorian women openly enjoyed looking at and even dominating other women. Their friendships helped realize the ideal of companionate love between men and women celebrated by novels, and their unions influenced politicians and social thinkers to reform marriage law.Through a close examination of literature, memoirs, letters, domestic magazines, and political debates, Marcus reveals how relationships between women were a crucial component of femininity. Deeply researched, powerfully argued, and filled with original readings of familiar and surprising sources, Between Women overturns everything we thought we knew about Victorian women and the history of marriage and family life. It offers a new paradigm for theorizing gender and sexuality--not just in the Victorian period, but in our own.

    For while Boucher's art charmed nouveau riche buyers and titled patrons, this was not always the case with critics, and modern scholarship has done little to challenge Diderot's eventual judgment that to admire Boucher's work is to be a stranger to "real taste, to the truth, to just ideas, and to the seriousness of art." This engaging study examines the motives behind the contemporaneous critical response to Boucher's picturesque repertoire of amorous peasants, blithe aristocrats, and fanciful mythological scenes, and to the rococo style in general. The vision of t rococo (feminine, aristocratic, decadent) and of Boucher (facile, libertine, debauched) that lingers in modern art history was invented by eighteenth-century critics bent on reform, both aesthetic and political. Exploring how the discrediting of Boucher and his school intersected with cultural debates about gender and class, this account of Boucher's art should persuade critics and admirers alike to take another, more considered look.

    To others, they embody a whole tradition of masculine mastery and feminine display. Yet others find in the bathers a feminine fantasy of bodily liberation. The points of view are many, various, occasionally startling--and through them, Linda Nochlin explores the contradictions and dissonances that mark experience as well as art. Her book--about art, the body, beauty, and ways of viewing--confronts the issues posed in representations particularly of the female body in the art of impressionists, modern masters, and contemporary realists and post-modernists.Nochlin begins by focusing on the painterly preoccupation with bathing, whether at the beach, in lakes and rivers, in public swimming pools, or in bathtubs. In discussions of Renoir, Manet, Cezanne, Bonnard, and Picasso, of late-twentieth-century and contemporary artists such as Philip Pearlstein, Alice Neel, and Jenny Saville, of grotesque imagery, the concept of beauty, and the body in realism, she develops an interpretive collage incorporating the readings of differing, strong-willed, female viewpoints. Among these is, of course, Nochlin's own, a vantage point subtly charted here through a longtime engagement with art, art history, and artists.In many ways a personal book, Bathers, Bodies, Beauty brings to bear a lifetime of looking at, teaching, talking about, wrestling with, loving, and hating art to reveal and complicate the lived and felt--the visceral--experience of art.

    It would detail a single tangibility if that did not entail all sensation. Stacy Doris charts the invisible, investigates the unborn, and describes everything not yet imagined. The tightly constructed verses of Knot weave imagery of decay and birth, science and culture: the warp and weft of cloth, digestion, wave particles, and a talking cat. Linguistic play abounds, and Doris presents us with a human double bind: to cling to the stability of the tangle or to participate in the circuits of entanglement.From "Under Fire, i.VII": "Each moment, fifteen pounds of air pin us by gravity. Then / anyone / Needs sixteen pounds of lightness to ever budge. Such compliance / Demands levitation, must generate excitement, which passion enact; / Thus dreams have all they can handle. From a stone, anchored, / is how / We rise, where faith is placed only in potential, miracle without / Dimension's measure so opening, unhinged at least, where each "they" / Is porous, in penetrability dunked and enriched.

    But nobody pauses to consider the historical antecedents and root causes of these tragedies. Discourses of Denial uncovers how racism, sexism, and violence interweave deep within the foundations of our society. Using examples from the lives of immigrant girls and women of colour, Yasmin Jiwani considers the way accepted definitions of race and gender shape and influence public consciousness. In linking race, gender, and violence, this book makes an important contribution to our understanding of the complex and interconnected influences that shape the violence of contemporary social reality and that contour the lives of racialized women.

    They took their suffrage message out to the remotest Yorkshire dales and fishing harbours, to win Edwardian hearts and minds. 16-year-old Huddersfield weaver Dora Thewlis on arrest was catapulted onto the tabloid front-pages as 'Baby Suffragette'. Her life was transformed. Dancer Lilian Lenton waited till her twenty-first birthday - then determined to burn two buildings a week until the Liberal government granted women the vote. Rebel Girls shows how this daring campaigning shifted from community suffragettes to militant mavericks.

    While devoting attention to women of all classes, religions, and ethnicities, the text examines political, economic, intellectual, and social history through the lens of gender. The narrative emphasizes women's agency over oppression and makes cutting-edge scholarship in women's history accessible to a wide audience. Five major themes run throughout the narrative: the relationship between key historical events and ideas and women's lives, the history of the family and sexuality, the social construction of gender, cultural assumptions about women (versus their actual lives), and self perception and women's place in western societies. A rich collection of primary sources and biographies reinforces these themes.

    This investigation addresses the changing debates within gay, lesbian and queer discourse in relation to the dissemination of musical texts -performance, cultural production and sexual meaning - situating music within the broader patterns of culture that it both mirrors and actively reproduces.The collection is divided into four parts: queering bordersqueer spaceshidden historiesqueer thoughts, mixed media.Queering the Popular Pitch will appeal to students of popular music, Gay and Lesbian studies. With case studies and essays by leading popular music scholars it provides insightful discourse in a growing field of musicological research.

    However, full evidence of their roles has until nowremained scant and dispersed, eclipsed in historical opinion formed through thetexts of men.In magisterial scale Red Velvet Seat restores this film culture tovisibility, using women’s written accounts from the beginnings up to 1950 tounderstand the significance of cinema for them. Sources include fashion andparenting magazines, newspapers and literary journals, memoirs and etiquetteguides, while contributors range from novelists such as Virginia Woolf, Coletteand Rebecca West to psychoanalysts, poets, social reformers, labor organizers,film editors, screen beauties, and race activists. For each section, AntoniaLant and Ingrid Periz provide an introduction, explaining the historicalcontext and linking their themes to the major social and political movements oftheir time, as well as to more traditionally feminine concerns. Compendious and absorbing, Red Velvet Seat is an invaluablecontribution to the history of cinema.

    UNTANGLED offers a fresh look into the minds of women and girls with 288 pages of honest poetry, shocking fiction and emotional nonfiction as well as inventive tips and a chapter of writing "experiments" from all the writers. Stephanie Almendarez, 18, muses over her coming-of-age struggles and revelations. Seventeen-year-old Shauna Herron explores the role of women in society, while Melissa Castillo conveys wisdom beyond her 15 years with vivid descriptions of her daily life, including her grandmother's intoxicating kitchen. In UNTANGLED, girls take a magnifying glass up to themselves and their worlds. This book breaks the rules of what writing has to be - there is a sense of abandonment in the variety of styles and subjects covered. It's like going on an adventure since every page takes you somewhere else.WriteGirl's anthology, UNTANGLED: Stories & Poetry from the Women and Girls of WriteGirl, is the award winner for Fiction & Literature: Anthologies in the Best Books 2006 Book Awards.

    Now, in Our Bodies, Ourselves: Menopause, the editors of the classic guide discuss the transition of menopause. With a preface by Vivian Pinn, M.D., the director of the Office of Research on Women's Health at the National Institutes of Health, Our Bodies, Ourselves: Menopause includes definitive information from the latest research and personal stories from a diverse group of women. Our Bodies, Ourselves: Menopause provides an in-depth look at subjects such as hormone therapy and sexuality as well as proven strategies for coping with challenges like hot flashes, mood swings, and night sweats. In clear, accessible language, the book dispels menopause myths and provides crucial information that women can use to take control of their own health and get the best care possible. Our Bodies, Ourselves: Menopause is an essential resource for women who are experiencing -- or expecting -- menopause.

    For those who now receive public assistance, "work" means pleading with supervisors for full-time hours, juggling ever-changing work schedules, and shuffling between dead-end jobs that leave one physically and psychically exhausted.Through vivid story-telling and pointed analysis, Not Working profiles the day-to-day struggles of Mexican immigrant women in the Los Angeles area, showing the increased vulnerability they face in the welfare office and labor market. The new "work first" policies now enacted impose time limits and mandate work requirements for those receiving public assistance, yet fail to offer real job training or needed childcare options, ultimately causing many families to fall deeper below the poverty line.Not Working shows that the new "welfare-to-work" regime has produced tremendous instability and insecurity for these women and their children. Moreover, the authors argue that the new politics of welfare enable greater infringements of rights and liberty for many of America's most vulnerable and constitute a crucial component of the broader assault on American citizenship. In short, the new welfare is not working.

    When she died in 1695, she was arguably the greatest writer working in any European tongue, though she never lived outside her native Mexico. Juana was a child prodigy whose beauty and wit provoked a sensation at the vice-regal court in Mexico City. At nineteen, though still a royal favorite, she chose to enter a convent. In the twenty years that followed, Juana created plays, theological arguments, and graceful, often sensuous poetry — insisting upon a life of the mind for women, while jousting with the enforcers of the Inquisition. Then, at forty, Juana signed a vow of silence in her own blood, five years before succumbing to plague. This book plumbs the mystery of why such a gifted writer silenced herself. In his remarkable debut, Anderson unfolds three intimate journeys: a great poet's withdrawal from the world; a man's forced march to self-knowledge; and a mystic's pilgrimage into modern Mexico, where the bones of the past continually intrude into a present built on the ruins of the vanquished.

    It includes a specially commisssioned work of fiction, `Iphigeneia's Wedding', by the poet Elizabeth Cook.

    

    Featuring extensive extracts from eight Dalit women's life-narratives—or testimonios—on issues such as food, hunger, community, caste, labor, education, violence, resistance, and collective struggle, the book brings to vivid life voices that unequivocally show that Dalit feminism, far from being silent as so often presumed, is rich, powerful, and layered—as well as highly articulate.

    For Helen,a painter reawakening after a long period of self-destruction, peace is the choice between the love of her life and her new-found freedom. For Carmen, addiction will define the final throes of her broken heart. And for Frieda, the perfect housewife, catharsis is defined by sex and murder. Three Fallen Women unapologetically weaves graphic adventure with heartbreak and sweetness to fashion a new brand of fiction. Equal parts feminist battle cry, anti-love story, and twisted metamorphosis, this is a novel that refuses conventional storytelling and lands a hard suckerpunch in the gut of the patriarchy. Amy Guth has garnered a solid reputation in indie-lit circles as a consistently dynamic and entertaining live performer. Her readings are nothing short of performance art spectacles, including audience participation, props, and a punk rock energy that always attracts a large and enthusiastic crowd. Her debut novel brings that same energy to print.

    Check the Rhyme features eighteen chapters, revealing poetry that is a representation of both emerging and established poets who write on a variety of themes including: beauty and self esteem, empowerment for youth, hip hop culture, love relationships, the memory and meaning of home, the state of our society, Hurricane Katrina s impact, artistic and political contributions of legendary artists, healing from violence, family and motherhood, jazz music, Black history, and spirituality. The pages of Check the Rhyme are filled with insights, experiences and challenges of women who walk the warrior path, intending to shape the world with the passion that fuels their dreams.

    Jesus has today's queer sensibilities and psychological sophistication as he lives out his mythic story. Readers can relate to the struggles he faces: He feels like his real self is both male and female. He falls in love with people of both sexes. Society doesn't understand him. Jesus, the narrator, speaks in an engaging, up-to-date tone as he reveals his intimate relationships with John the beloved disciple (a gay man mourning his lover's death), Mary Magdalene (a highly intelligent survivor of sexual abuse) and the multi-gendered Holy Spirit. The novel shows how Jesus grows over a one-year period-from his decision to get baptized until the day he sends his friends away to teach others. Ultimately he leads disciples of both sexes to a place where sexuality and spirituality are one. Jesus in Love frees the reader to imagine and experience Christ in new ways.

    Yet many Americans -- both observant and secular -- are alarmed by this trend, especially by the religious right's attempts to erase the boundary between church and state and re-make the U.S. into a Christian nation. But most Americans lack the tools for arguing with the religious right, especially when fundamentalist conservatives claim their tradition started with the Framers of The Constitution. Fighting Words is a tool-kit for arguing, especially for those of us who haven't read the founding documents of this nation since grade school. Robin Morgan has assembled a lively, accessible, eye-opening primer and reference tool, a "verbal karate" guide, revealing what the Framers and many other leading Americans really believed -- in their own words -- rescuing the Founders from images of dusty, pompous old men in powdered wigs, and resurrecting them as the revolutionaries they truly were: a hodgepodge of freethinkers, Deists, agnostics, Christians, atheists, and Freemasons -- and they were radicals as well.

    In Radical Gestures, Jayne Wark situates feminist performance art in the US and Canada in the social context of the feminist movement and avant-garde art from the 1970s to 2000. She shows that artists drew from feminist politics to create works that, after a long period of modernist aesthetic detachment, made a unique contribution to the re-politicization of art. Wark brings together a wide range of artists, including Lisa Steele, Martha Rosler, Lynda Benglis, Gillian Collyer, Margaret Dragu, and Sylvie Tourangeau, and provides detailed readings and viewings of individual pieces, many of which have not been studied in detail before. She reassesses assumptions about the generational and thematic characteristics of feminist art, placing feminist performance within the wider context of minimalism, conceptualism, land art, and happenings.

    history, and they are creating media texts in virtually every format currently possible--magazines, films, musical recordings, and websites. Girls Make Media explores how young female media producers have reclaimed and reconfigured girlhood as a site for radical social, cultural, and political agency. Central to the book is an analysis of Riot Grrrl--a 1990s feminist youth movement from a fusion of punk rock and gender theory-and the girl power movement it inspired. The author also looks at the rise of girls-only media education programs, and the creation of girls' studies.This book will be essential reading for anyone seeking to understand contemporary female youth in today's media culture.

    In Amazon Grace, Daly weaves quantum theory with radical feminism and challenges women to see themselves as Life-Savers and Life-Enhancers during the current Global Ecological Collapse. Discussing nanotechnology, the eugenics movement, and the strength of Wild Women on Earth, Daly offers her fans yet another fascinating, unique, quixotic, and confrontational view of the world in which we live.

    In Invoking Mary Magdalene, religious scholar Siobhan Houston invites you to develop your own personal relationship with one of Jesus' closest disciples, as she instructs you in a daily devotional practice of prayers, meditations, and visualizations from around the world. With the exercises in this book and on the accompanying CD, Houston offers step-by-step guidance for accessing the wisdom of the Divine Feminine that Mary Magdalene represents, as you explore: Novenas, rosaries, and seasonal rituals from the Gnostic, Kabbalistic, and Grail traditions, How to connect to Mary Magdalene in her Dark Goddess aspect to unleash your own fierce power-the energy that turns fear and illusion into healing and renewal, "Reveling in bliss": realizing a euphoric adoration of the Divine that eclipses all earthly concerns, and much more.

    Deeper Shades of Purple explores the achievements of this movement over the past two decades and evaluates some of the leading voices and different perspectives within this burgeoning field.Deeper Shades of Purple brings together a who's who of scholars in the study of Black women and religion who view their scholarship through a womanist critical lens. The contributors revisit Alice Walker's definition of womanism for its viability for the approaches to discourses in religion of Black women scholars. Whereas Walker has defined what it means to be womanist, these contributors define what it means to practice womanism, and illuminate how womanism has been used as a vantage point for the theoretical orientations and methodological approaches of Black women scholar-activists.Contributors: Karen Baker-Fletcher, Katie G. Cannon, M. Shawn Copeland, Kelly Brown Douglas, Carol B. Duncan, Stacey M. Floyd-Thomas, Rachel Elizabeth Harding, Rosemarie Freeney Harding, Melanie L. Harris, Diana L. Hayes, Dwight N. Hopkins, Ada Mar�a Isasi-D�az, Cheryl A. Kirk-Duggan, Kwok Pui-Lan, Daisy L. Machado, Debra Majeed, Anthony B. Pinn, Rosetta Ross, Letty M. Russell, Shani Settles, Dianne M. Stewart, Raedorah Stewart-Dodd, Emilie M. Townes, Traci C. West, and Nancy Lynne Westfield.

    Twenty-seven profiles of the lives and struggles of women who find themselves married to gay men.

    Wade, the supreme court case that legalized abortion in 1973.Abortion Under Attack addresses a spectrum of personal and social influences, ranging from dealing with remorse to the impact that economics, race, and culture have on a woman's right to choose. Krista Jacob, longtime advocate for reproductive rights and former abortion counselor, has compiled an impressive collection of writings by a diverse group of pro-choice activists who go beyond the same old analysis of reproductive rights to present the current issues facing the pro-choice movement. Feminist activist Amy Richards challenges supporters of reproductive rights to adopt language that strips conservatives of their moral authority as defenders of �life.” Author Laura Fraser writes about the dangers of a government that restricts Mifepristone, a drug that has proven effective in treating fibroids, endometriosis, and depression, because of its controversial use in terminating pregnancies. Gloria Feldt, the former President of Planned Parenthood, writes about how her personal experiences led to her role as a leader in the fight for reproductive justice, and offers strategies for preserving legal abortion.

    So rather than endure years of dull matrimony, she sells the family jewels, buys a ship, and escapes to sea with her ladies-in-waiting as crew. When Portia hear news that her favorite cousin is also being set up for an unsuitable marriage, she and her crew swing into action and set off to the rescue. Soon Portia's services are in high demand from indignant princesses worldwide. Pleas for escape are delivered by the ship's parrot, Squawk. But while Portia's busy rescuing princesses, her own jilted groom has sent someone in pursuit of her. Count Nasty's ship is on the horizon, and he's not giving up easily.

    Further, Lengermann and Niebrugge explain how the women came to be erased from the history of sociology and identify the political and intellectual currents that now make their recovery both possible and important. The volume focuses on 15 women in eight chapters. Each chapter begins with a biographical sketch situating each thinker's ideas in a historical, social, and cultural context. Next, the authors analyze the woman's theory, summarizing its underlying assumptions, explicating its major themes, and introducing key vocabulary. The chapter concludes with excerpts from the original texts of the women founders. All the theories discussed in this text share a moral commitment to the idea that sociology should and could work for the alleviation of socially produced human pain. The ethical duty of the sociologist is to seek sound scientific knowledge, to refuse to make the knowledge an end in itself, to speak for the disempowered, to advocate social reform, and to never forget that the appropriate relationship between researcher and subject is one of mutuality.

    Traci West argues for a liberative method of Christian social ethics in which the discussion begins not with generic philosophical concepts but in the concrete realities of the lives of the socially and economically marginalized.

    This anthology collects the private reflections of 25 well-known women writers, some of whom speak under the liberating cloak of anonymity. They reveal the truth about their marriages, their divorces, and sometimes, their decisions to remain single. The essays here chronicle the highs and lows of romantic relationships, the ebb and flow of love and desire, and the many alternatives to traditional matrimony. With topics ranging from infidelity and true love to orgasms, children, career power struggles, race issues, and aging, these are stories that empower women to make sense of their own lives.

    Complete with numerous exercises, the book helps singles and couples increase their self-awareness, partner awareness and respect, and appreciation for difference. It also helps foster effective communication and conflict resolution skills, showing readers how to develop and maintain healthy relationships, marriages, and families. No ground is left uncovered in Dixon's thoughtful and considered analysis.

    The Reader can be packaged with the Norton Anthology of Literature by Women, Third Edition, at a substantial discount.

    Wade legalized abortion. Yet while the medical procedure is legal-and safe-many women across the country do not have the ability to exercise this reproductive right. Melody Rose examines abortion as a social regulatory policy, thoughtfully and thoroughly chronicling the erosion of abortion rights and availability since Roe. Paying respect to all views of this controversial topic in her engaging new book, Rose explores the success of the right-to-life movement in accumulating local and national policies that restrict access to abortion while enhancing fetal protections. In addition to a basic and brief primer on the practice and history of abortion, Rose considers the roles played by the courts, political parties, and interest groups in constructing barriers to abortion.

    The basic question informing this volume is "Can a person be Christian and feminist at the same time?" The authors aim to demonstrate that a person can, and go on to illustrate the various ways current thinkers are working this out. This collection is unique in its gathering of Christian perspectives from both Catholic and Protestant traditions.

    Today many of these barriers have been breached, but the female pioneers who overcame discrimination and became major players in their fields remain largely in the shadows. Their names deserve to be known and the importance of their work, achievements and contributions to science warrant recognition. Originally published in 2006, Out of the Shadows provides an accurate and authoritative description of the women who made original and important contributions to physics in the twentieth century, documenting their major discoveries and putting their work into its historical context. Each chapter concentrates on a different woman, and is written by a physicist with considerable experience in their field. The book is an ideal reference for anyone with an interest in science and social history.

    A pioneer throughout her life, she was an early activist in the civil rights movement; a professor of law at Brandeis, a poet and author of two acclaimed memoirs, a cofounder of the National Organization of Women; and finally at age 66, the first African-America woman ordained in the Episcopal Church.

    

    But the new hybrid culture of diaspora Iranians has produced a prolific literature by women that reflects a unique perspective and voice. Let Me Tell You Where I've Been is an extensive collection of poetry, fiction, and nonfiction by women whose lives have been shaped and influenced by Iran's recent history, exile, immigration and the formation of new cultural identities in the United States and Europe. These writings represent an emerging and multi-cultural female sensibility. Unlike many flat media portrayals of Iranian women—as veiled, silenced—these writers offer a complex literary view of Iranian culture and its influences. These writers interrogate, challenge, and re-define notions of home and language and their work offers readers an experience of Iranian diaspora culture. Featuring over one hundred selections (two-thirds of which have never been published before) by more than fifty contributors--including such well-known writers as Gelareh Asayesh, Tara Bahrampour, Firoozeh Dumas, Roya Hakakian and Mimi Khalvati--the collection represents a substantial diversity of voices in this multicultural community. Divided into six sections, the book's themes of exile, family, culture resistance, and love, create a rich and textured view of the Iranian diaspora. The poems, short stories, and essays are suggestive of an important conversation about Iran, Iranian culture, the Persian and English languages, and the dual identities of many of its authors. This powerful collection is a tribute to the wisdom, insight, and sensitivity of women attempting to invent and articulate a literature of in-betweenness.

    Based on anthropological fieldwork, the book describes and analyses rituals that mark religious anniversaries and life course events in Iran today. Arguing that the ritual performances are powerful forums where ideas develop, and where rules, symbols and discourses are contested, this book discusses the values and beliefs underpinning gender constructions in a rapidly changing and complex society. The ambiguous metaphorical language of the rituals is examined, revealing how gender ideologies are projected and renewed, but also challenged, destabilized and ridiculed. Thus the rituals provide possibilities for self-expression, innovation and incremental change. This study goes beyond questions of meaning and culture to interrogate the dynamics of gender performance as products of power and politics.

    This unique tale of an all women's tribe facing life-altering decisions bespeaks a time when women were free to be strong and capable, independent and resilient. This is a tale of clever, competent, joyful women whose lives are neither easy nor free of conflict, but their sense of safety and their overt strength shine through making this a delightful read for women in particular and anyone who would like to experience a time before the dominance.

    In looking at the early film industry as an industry—a place of work—Mahar not only unravels the mystery of the disappearing female filmmaker but untangles the complicated relationship among gender, work culture, and business within modern industrial organizations.In the early 1910s, the film industry followed a theatrical model, fostering an egalitarian work culture in which everyone—male and female—helped behind the scenes in a variety of jobs. In this culture women thrived in powerful, creative roles, especially as writers, directors, and producers. By the end of that decade, however, mushrooming star salaries and skyrocketing movie budgets prompted the creation of the studio system. As the movie industry remade itself in the image of a modern American business, the masculinization of filmmaking took root.Mahar's study integrates feminist methodologies of examining the gendering of work with thorough historical scholarship of American industry and business culture. Tracing the transformation of the film industry into a legitimate "big business" of the 1920s, and explaining the fate of the female filmmaker during the silent era, Mahar demonstrates how industrial growth and change can unexpectedly open—and close—opportunities for women.

    This answer sets the stage for analysis throughout the book, as it explores the questions of how and why the oppressed join in their oppression. Cudd argues that oppression is an institutionally structuredharm perpetrated on social groups by other groups using direct and indirect material, economic, and psychological force. Among the most important and insidious of the indirect forces is an economic force that operates through oppressed persons' own rational choices. This force constitutes thecentral feature of analysis, and the book argues that this force is especially insidious because it conceals the fact of oppression from the oppressed and from others who would be sympathetic to their plight. The oppressed come to believe that they suffer personal failings and this belief appears toabsolve society from responsibility. While on Cudd's view oppression is grounded in material exploitation and physical deprivation, it cannot be long sustained without corresponding psychological forces. Cudd examines the direct and indirect psychological forces that generate and sustain oppression. She discusses strategies that groupshave used to resist oppression and argues that all persons have a moral responsibility to resist in some way. In the concluding chapter Cudd proposes a concept of freedom that would be possible for humans in a world that is actively opposing oppression, arguing that freedom for each individual isonly possible when we achieve freedom for all others.

    But there has been surprisingly little substantive analysis of her influence on social, political, and feminist theory. In Feminist Interpretations of Emma Goldman, Weiss and Kensinger present essays that resist a simplistic understanding of Goldman and instead attempt to examine her thinking in its proper social, historical, and philosophical context. Only by considering the sources, influences, and specific significance of Goldman's ideas can her proper place in feminist theory be truly understood. In addition to the editors, the contributors are Martha A. Ackelsberg, Kathryn Pyne Addelson, Lynne M. Adrian, Berenice A. Carroll, Voltairine de Cleyre, Janet E. Day, Candace Falk, Kathy E. Ferguson, Marsha Aileen Hewitt, Lori Jo Marso, Jonathan McKenzie, Alix Kates Shulman, Craig Stalbaum, Jason Wehling, and Alice Wexler.

    They show how religious identity in diaspora is mediated by many other factors such as:Gender Class Ethnic origin National status A central aim is to understand Diaspora as an agent of social and cultural change, particularly in its transformative impact on women. Throughout, the book advances a more nuanced understanding of the notions of ethnicity, difference and rights. It makes an important contribution to understanding the complex processes of formation and adoption of transnational identities and the challenging contradictions of a world that is being rapidly globalized in economic and political terms, and yet is increasingly localized and differentiated, ethically and culturally.Muslim Diaspora includes contributions from outstanding scholars and is an invaluable text for students in sociology, anthropology, geography, cultural studies, Islamic studies, women's studies as well as the general reader.

    Exploring women's lives as "errant females," this volume maps out the connections between the choices women make and their environment as linked to the wider socio-political context and considers feminist strategies used to address the conditions inside women's prisons, defend criminalized women's human rights, and draw attention to the systemic abuses against poor and racialized women.

    International in scope, each title is devoted to one topic: Crime and Punishment Environmental Issues Family in Society Gender Issues and Sexuality Government, Politics, and Protest Human and Civil Rights Immigration and Multiculturalism Medicine, Bioethics, and Health Social Policy Terrorism Each title contains approximately 175 full or excerpted documents---speeches, legislation, magazine and newspaper articles, essays, memoirs, letters, interviews, novels, songs, and works of art---as well as overview information that places each document in context. Entries are organized into chapters that feature a general overview of the chapter's subtopic. The following standard subheads are included in each entry: Date Source About the Author Introduction Primary Source Significance Further ResourcesAll titles contain an introduction to its topic, a chronology of major events associated with the topic, and a general index. A comprehensive subject index is included with print set purchases only.