With over 250 photographs, some of which have never been exhibited or published before, this is the only comprehensive monograph on Woodman. Original research by Dr. Chris Townsend relates Woodman's work to its American and European influences, from post-minimal sculptors such as Richard Serra to American 'gothic' photographers such as Ralph Eugene Meatyard. Included are extracts and facsimile pages from Woodman's journals, illuminating her thought processes and giving a unique insight into her methods of working.

    The fifty portraits featured are a poignant and loving tribute to all dogs.

    Flip over for fantasies in fetish with dramatic costumes and the allure of submission.Burlesque and the Art of the Teese"I advocate glamour. Every day. Every minute."I'm a good dancer and a nice girl, but I'm a great showgirl. I sell, in a word, magic. Burlesque is a world of illusion and dreams and of course, the striptease. Whether I am bathing in my martini glass, riding my sparkling carousel horse, or emerging from my giant gold powder compact, I live out my most glamorous fantasies by bringing nostalgic imagery to life.Let me show you my world of gorgeous pin-ups, tantalizing stripteases, and femmes fatales. I'll give you a glimpse into my life, but a lady never reveals all.Fetish and the Art of the TeeseYou may have come for the fetish. Or you may just be sneaking a peek at this mysterious and peculiar other side. No matter what you've come for, there is something for you to indulge in.My world of fetish may not be the one that you would expect. As a burlesque performer, I entice my audience, bringing their minds closer and closer to sex and then -- as good temptress must -- snatching it away. As a fetish star, I apply the same techniques. . . .An opera-length kid leather glove, a strict wasp waist, an impossibly high patent leather heel, a severely painted red lip. . . . Come with me into my world of decadent fetishism.

    Although Edward Steichen had exhibited some of Leiter's color photography at The Museum of Modern Art in 1953, it remained virtually unknown to the world thereafter. Leiter moved to New York in 1946 to become a painter, but through his friendship with Richard Pousette-Dart he quickly recognized the creative potential of photography. Leiter continued to paint, exhibiting with Philip Guston and Willem de Kooning, but the camera remained his ever-present means of recording life in the metropolis. None of Leiter's contemporaries, with the partial exception of Helen Levitt, assembled a comparable body of work: subtle, often abstract compositions of lyrical, eloquent color.

    "This is one life, and the personal pictures and the assignment work are all part of it." Portraits of well-known figures-Johnny Cash, Nicole Kidman, Mikhail Baryshnikov, Keith Richards, Michael Jordan, Joan Didion, R2-D2, Patti Smith, Nelson Mandela, Jack Nicholson, William Burroughs, George W. Bush with members of his Cabinet-appear alongside pictures of Leibovitz's family and friends, reportage from the siege of Sarajevo in the early Nineties, and landscapes made even more indelible through Leibovitz's discerning eye. The images form a narrative rich in contrasts and continuities: The photographer has a long relationship that ends with illness and death. She chronicles the celebrations and heartbreaks of her large and robust family. She has children of her own. All the while she is working, and the public work resonates with the themes of her life.

    Each of these 76 amazing anthropomorphic photographs will remind readers of someone they know.

    Join him as he travels across five continents for an up-close view of the astonishing variety and fascinating behavior of rainforest plants and trees, reptiles, birds, amphibians, insects, and mammals.

    Packed with astonishing, color-saturated, and provocative images, those titles both became instant collector's items and have since gone through multiple printings. Featuring almost twice as many images as its predecessors, LaChapelle Heaven to Hell is an explosive compilation of new work by the visionary photographer. Since the publication of Hotel LaChapelle, the strength of LaChapelle's work lies in its ability to focus the lens of celebrity and fashion toward more pressing issues of societal concern. LaChapelle's images ? of the most famous faces on the planet, and marginalized figures like transsexual Amanda Lepore or the cast of his critically acclaimed social documentary Rize ? call into question our relationship with gender, glamour, and status. Using his trademark baroque excess, LaChapelle inverts the consumption he appears to celebrate, pointing instead to apocalyptic consequences for humanity itself. While referencing and acknowledging diverse sources such as the Renaissance, art history, cinema, The Bible, pornography, and the new globalized pop culture, LaChapelle has fashioned a deeply personal and epoch-defining visual language that holds up a mirror to our times. Sumptuously packaged in the trilogy's boxed hardcover format, LaChapelle Heaven to Hell is a must-have for anyone interested in contemporary photography. It is also keenly priced, especially for those who have coveted TASCHEN's limited edition, LaChapelle, Artists & Prostitutes. The artist: Not yet out of high school, DavidLaChapelle was offered his first professional job by Andy Warhol to shoot for Interview magazine. His photography has been showcased in numerous galleries and museums, including Tony Shafrazi Gallery and Deitch Projects in New York, the Fahey-Klein Gallery in California, Camerawork in Germany, Sozzani and Palazzo delle Esposizioni in Italy. His unfettered images of celebrity and contemporary pop culture have appeared on and between the covers of magazines such as Italian Vogue, French Vogue, Vanity Fair, Rolling Stoneand i-D. LaChapelle has also directed music videos for artists such as Moby, Jennifer Lopez, Britney Spears, Christina Aguilera, and The Vines. His burgeoning interest in film saw him make the short documentary Krumped, an award-winner at Sundance from which he developed RIZE, the feature film released worldwide in 2005 to huge critical acclaim. American Photo recently ranked him as one of the top ten ?Most Important People in Photography.?

    When he and his wife and business partner, Barbara Cushman Rowell, perished in a small-plane crash in 2002, he had just completed a landmark assignment for National Geographic and had begun making stunning new images of his favorite old haunts in the Sierra Nevada.Fortunately for us, his productivity was immense and his photographs eticulously archived, making possible this first and only comprehensive retrospective of his work. It includes more than 175 images representing all phases and dimensions of Rowell’s singular career, chosen by the editors with whom he worked most closely, overseen by his family and studio colleagues, and reproduced to the highest standards of lithography from digital masters of his 35mm frames. Complementing and illuminating the pictures are essays and commentaries by Rowell’s friends and associates from the worlds of mountaineering, conservation, photography, and publishing, along with an in-depth biographical introduction by Robert Roper and an appreciation of his work by photography critic Andy Grundberg.

    The photos are somewhere between documentary and romanticism. Where he could have taken straight documentary photos of poverty and tattered Western/white clothing, he instead staged warrior meetings on horseback and the like.

    While some took their vote and joined the Woman's Christian Temperance Movement, others, well, took liberties. Compiled here for the first time are more than 200 publicity stills and photos of some of America's first "It" girls—the silent film-era starlets who paved the way for the cacophony of Monroes and Madonnas to follow. Accompanying these iconic images are the stories behind them, including accounts from surviving Ziegfeld Girls, as well as ads featuring them that helped perpetuate the allure of It girl glamour. When rare and striking portraits of these women surfaced on the internet in 1995, author Robert Hudovernik began researching their source. What he discovered was the work of one of the first "star makers" identified most with the Ziegfeld Follies, Alfred Cheney Johnston. Johnston, a member of New York's famous Algonquin Round Table who photographed such celebrities as Mary Pickford, Fanny Brice, the Gish Sisters, and Louise Brooks, fell out of the spotlight with the demise of the revue. A sumptuous snapshot of an era, this book is also a look at the work of this "lost" photographer.

    He made pilgrimages to true time capsules like a remote lagoon in Western Australia, spent time in research collections photographing forms of microscopic life, and even found ways to create visual parallels between the growth of organs in the human body and the patterns seen on the surface of the earth. The resulting volume is a glorious picture book of planet earth depicting the amazing biodiversity that surrounds us all. Lanting's true gift lies beyond his technical mastery: it is his eye for geometry in the beautiful chaos of nature that allows him to show us the world as it has never been seen before. From crabs to jellyfish, diatoms to vast geological formations, jungles to flowers, monkeys to human embryos, LIFE is a testament to the magical beauty of life in all its forms and is Lanting's most remarkable achievement to date. The photographer: Dutch-born Frans Lanting has been hailed as one of the great nature photographers of our time. For the past two decades he has documented wildlife and our relationship with nature in environments from the Amazon to Antarctica. Exhibits of his photographs have been shown at major museums in Paris, Milan, Tokyo, New York, Madrid, and Amsterdam. Lanting's previous TASCHEN titles include Eye to Eye, Jungles, and Penguin. The editor: Christine Eckstrom is a writer and editor specializing in natural history. She collaborates with Lanting on fieldwork, books, and other publishing projects from their home base in California.

    His classic bestseller "A Child Is Born" featured stunning photographs of life in the womb and earned him the sobriquet "The da Vinci of medical photography" ("Chicago Tribune"). Now, in this major work, Nilsson's extraordinary images encompass a full human lifespan. Using the world's most exacting equipment, Nilsson reveals the interior form of the entire human body and its intricate workings as never seen before, in a book that is as stunning to behold as its contents. Featuring thoughtful essays by both a noted scientist and a renowned editor, "LIFE" shines a penetrating light on all of life's fundamentals.

    It features a range of photographs with brief captions and a short essay introduces the book.

    He is remembered for his brave and lonely stand to protect Chicago's great architecture, and for his dramatic death in the rubble of the Stock Exchange Building. He is remembered, too, for the photographs he left behind. This is a book about one man's relationship with his city, a remarkably personal story told through compelling photographs. Richard Nickel's Chicago is for people who love the city, and for people all over the world who value city life.

    A must for everyone with a Passion for the Southwest, Volume 2 takes you on a grand tour of Arizona, starting with an in-depth discovery of the Grand Canyon, from the rim and from the river, exploring the superlative landscapes of Navajoland, including Monument Valley and Canyon de Chelly, amazing narrows and slot canyons such as Antelope Canyon, the incredible swirls of Coyote Buttes and its crown jewel: The Wave, the colorful area around Sedona, all the national parks and monuments of the Sonoran desert, and finishing with a foray into the adjacent southern tip of Nevada.

    Volume 1 will take you to the heart of Southern Utah, home to some of the Colorado Plateau's most outstanding highlights. Beyond the National Parks of the famed ?Grand Circle?, you?ll discover many hidden locations of Red Rock Country as well as Indian rock art and cliff dwellings. The book also makes a quick side trip into Northeastern Utah to explore the remote area around Dinosaur National Monument. Enough for weeks of new discoveries in the area

    Presenting 119 images originally censored by the U.S. Army—the majority of which have never been published—Impounded evokes the horror of a community uprooted in the early 1940s and the stark reality of the internment camps. With poignancy and sage insight, nationally known historians Linda Gordon and Gary Okihiro illuminate the saga of Japanese American internment: from life before Executive Order 9066 to the abrupt roundups and the marginal existence in the bleak, sandswept camps. In the tradition of Roman Vishniac's A Vanished World, Impounded, with the immediacy of its photographs, tells the story of the thousands of lives unalterably shattered by racial hatred brought on by the passions of war.

    Henri Cartier-Bresson: Portraits is a dazzling selection of Cartier-Bresson's most memorable portraits, including such diverse personalities as Pablo Picasso, Carl Jung, Marilyn Monroe, Truman Capote, Lucian Freud, Susan Sontag, Coco Chanel, Jean-Paul Sartre, Che Guevara, Tony Hancock and the Dalai Lama.

    The photographs were made and the statements collected in the United States and Canada. Unique and powerful, they have been exhibited annually in many parts of North America since 1992 to extraordinary acclaim.

    This major new monograph presents the most comprehensive survey of Koudelka's work to date, bringing together more than 150 of his most eloquent images--from his earliest, many published here for the first time, to his most recent: mesmerizing studies of the European landscape made with a panoramic camera. Whether photographing Prague's avant-garde theater scene in the 1960s, the secretive world of the Eastern European gypsies, Czech resistance to the Soviet advance on Prague, or the environmental degradation of our postindustrial world, Koudelka has consistently produced transformative images that stand outside of time and place. In the words of the legendary French photography-world figure and Koudelka's longtime champion and publisher, Robert Delpire, "Koudelka brings an intense eye and full heart to each place, object, and person. This work proves once again that he is a photographer with unique personality and power." Beautifully produced with duotone printing and three gatefolds, this volume also contains eight original essays, each exploring a different aspect of Koudelka's work and illustrating the artist's constant evolution and intensity.

    In his own words, he was 'overcome by a deep impulse to help, to save, to soothe, but, being far away, there was nothing I could do. On his return, Meyerowitz soon made his way to the scene where, upon raising his camera, he was reminded by a police officer that this was a crime scene and that no photographs were allowed. Meyerowitz duly left the scene but within a few blocks the officer's reminder had turned into consciousness. To Meyerowitz, 'no photographs meant no history' and he decided at that moment to find a way in and make an archive for the City of New York. Within days, he had established strong links with many of the firefighters, policemen and construction workers contributing to the clean up. With their assistance he became the only photographer to be granted unimpeded access to Ground Zero. necessary demolition, excavation and removal of tens of thousands of tonnes of debris that would transform the site from one of total devastation to level ground. Soon after, the Museum of the City of New York officially engaged Meyerowitz to create an archive of the destruction and recovery at Ground Zero. The 9/11 Photographic Archive numbers in excess of 5,000 images and will become part of the permanent collections of the Museum of the City of New York. Meyerowitz takes a meditative stance toward the work and workers at Ground Zero, methodically recording the painful work of rescue, recovery, demolition and excavation. His pictures succinctly convey the magnitude of the destruction and loss and the heroic nature of the response. The images included here are a combination of prints from a large format camera, which allows for the greater detail, and standard 35mm, a format which provided Meyerowitz with the freedom to move easily around the site and capture each moment as it happened. destruction of the 9/11 attacks and the physical and human dimensions of the recovery effort. The aim of this book is to provide record of the extraordinary extent of the World Trade Center attacks and to documents the recovery efforts. The book will serve as both a poignant elegy to those that lost their lives and as a celebration of the tireless determination of those left behind to reclaim and rebuild the area known as 'Ground Zero'. Twenty eight of the images in from the archive were displayed in New York and then in over fifty cities around the world in a travelling exhibition entitled After September 11: Images from Ground Zero.

    It also contains photos from Hollywood's greatest stars, from the wonders of small-town America, from the terrible wars, as well as from the zestful years of childhood.

    The second of two extensive volumes, it completes Martin Parr and Gerry Badger’s study of the major trends and movements that have shaped the photobook genre since the birth of photography. It represents a valuable catalogue of rare and important photobooks. This volume continues where Volume 1 left off by bringing the story of the photobook fully up to date.

    We see cowboys and clowns, dancers and dog groomers, miners and models. On one page, drill sergeants bark orders to U.S. Navy recruits; on another, young Tibetan monks study Buddhist scriptures; and on another, Kenyan women spread coffee beans to dry. Work is a subject that is both worldwide and personal. It is a shared endeavor at the very core of our identity. From the glamour of a Parisian fashion show to the grit of an African diamond mine, there are countless ways to make a living. The book illuminates scores of them many in never-before-published photographs offering revealing glimpses into various eras and cultures and engaging the reader with entertaining text and informative captions. With a wonderful mix of the utterly unexpected and the instantly familiar, this vivid panorama takes an essential human activity and shows us myriad ways in which work is at once universal and delightfully, unforgettably unique."

    And as with his photographs of the Mississippi, these images are less about natural wonder than human desire. "I went to Niagara for the same reason as the honeymooners and suicide jumpers," says Soth, "the relentless thunder of the Falls just calls for big passion." The subject may be hot, but the pictures are quiet, the rigorously composed and richly detailed products of a large-format 8x10 camera. Working over the course of two years on both the American and Canadian sides of the Falls, Soth edited the results of his labors down to a tight and surprising album. He depicts newlyweds and naked lovers, motel parking lots, pawnshop wedding rings and love letters from the subjects he photographed. We read about teenage crushes, workplace affairs, heartbreak and suicide. Oscar Wilde wrote, "The sight of the stupendous waterfall must be one of the earliest, if not the keenest, disappointments in American married life." Niagara brings viewers both the passion and the disappointment--a remarkable portrayal of modern love and its aftermath.

    Having worked with the group since their emergence in the late 1970s, he became a part of the rollercoaster ride that saw Maiden conquer the world as the leading lights of the New Wave of British Heavy Metal. This book illustrates their story.

    Today, it is America's densest urban environment and most vital city, boasting one of the most recognizable skylines in the world.• New York Then and Now places today's post 9/11 cityscape within the context of history, reflecting the changing and enduring aspects of life in the Big Apple.• Remarkable past-and-present photographs showcase Manhattan's development and the amazing architecture that defines the city. See side-by-side images of the lavish Waldorf-Astoria, Radio City Music Hall, Union Square, St. Patrick's Cathedral, Penn Station, Empire State Building, and the Chrysler Building.• The Twin Towers, part of the World Trade Center, redefined the Manhattan skyline when they opened in 1976. After the tragedies of 9/11, the skyline is defined as much by their absence.• New York continues to be one of the most popular destinations in the world-everyone who has experienced the energy and magic of the Big Apple will want this compact edition of New York Then and Now. It's the perfect souvenir or gift!

    Through their own words and memories, 64 men and women transport readers to a time when people lived off the land and the sea, music and storytelling were essential parts of life, and a person was defined by their trade. Divided into five parts—Children of the Field, Children of the Music, Children of the Horse, Children of the Trade, and Children of the Water—this collection brings together the stories of those who lived through Ireland’s formative years. We hear of children harassed by the Black and Tans, céilís in kitchens, the rigors of working in the fields, the wonder of electricity, and the devastation of emigration. From coalminers to saddlers, farmers to fishermen, along with horse dealers, publicans, housemaids, and musicians, these remarkably poignant interviews and photographs, in their simplicity and honesty, will make readers laugh and cry but, above all, will provide a valuable chronicle that connects the 21st century Irish to a rapidly disappearing world.

    He found the streets deserted, and, without electricity, eerily dark. The next day he began to photograph, house by house: -All the places I went in, the doors were just open. They had been opened by what I collectively call Ithe army, ' of maybe 20 National Guards from New Hampshire, 15 policemen from Minneapolis, 20 firefighters from New York... On maybe half of them or a third of them that I went in, I think that the occupants had been there prior. And some of them did leave certain funeral-like mementos before they left. Maybe right after the waters receded they had the chance to just--to go back to their place and just see, and realize there's nothing worth saving.- Amidst all this, Polidori has found something worth saving, has created mementos for those who could not return, documenting the paradoxically beautiful wreckage. In classical terms, he has found ruins. The abandoned houses he recorded were still waterlogged as he entered and as he learned (by trial and error, a process that including finding a dead body) the language of signs and codes in which rescue workers had spray-painted each house's siding. He sees the resulting photographs as the work of a psychological witness, mapping the lives of the absent and deceased through what remains of their belongings and their homes.

    Neglected for almost fifty years, the buildings were in a state of extreme disrepair: lead paint peeled from the ceilings and walls, vines and trees grew through the floorboards, detritus and debris littered the hallways. In rooms long-abandoned, Wilkes captured a spirited new vision of this gateway to freedom. Twelve million people passed through Ellis Island. Approximately one percent were turned away for health reasons. Wilkes's powerful images of the underbelly of the island--a purgatory between freedom and captivity--ask us to reflect on the defining experiences of millions. With that rare combination of an eye that sees far beyond the lens with the technical acumen of a master draftsman, Wilkes takes us on an unforgettable journey through our collective past.

    From the cops patrolling the project roofs to the addicts overdosing on the streets, the text chronicles ghetto life in stark, heart-stopping images and intense testimonials."

    Today it's overwhelmingly the continent's biggest killer. In Hope in the Dark, photojournalist Jeremy Cowart documents the hope and pain of Africa's AIDS generation - a generation beset by poverty and fear, a generation in which children in some countries are more likely to die of AIDS than not. But despite the sickening odds, Cowart captures brief glipses of beauty, optimism and joy as he makes his way accross the continent. Through this collection of startling, remarkable images, his lens uncovers not just the magnitude of the problem, but also the places where God is undeniably present in the midst of it.

    With unimpeded access to the young performer, Wertheimer was able to capture the unguarded and everyday moments in Elvis' life during that crucial year, a year that took him from Tupelo, Mississippi to the silver screen, and to the verge of international stardom and his crowning as "The King of Rock 'n' Roll.” As Alfred Wertheimer photographed Elvis during 1956, and again in 1958, he created classic images that are spontaneous, unrehearsed and completely without artifice.Wertheimer’s photographs of Elvis are extraordinary and he appears almost ethereal, whether reading a newspaper while waiting for a cab, or washing his hands during one of his many train trips. After 1958 and Elvis’ induction into the army, the world seemingly forgot about Wertheimer’s magical photographs- for nineteen years- until Aug 16, 1977, the day Elvis died and Time Magazine called. “The phone hasn’t really stopped ringing in the last thirty years,” observes Wertheimer.Many of the photographs in this visual treasury are previously unpublished and some have become almost as famous as the man himself.

    Hookers, stooges, grifters and goons. Men and women, elderly and adolescent, rich and poor, but mostly poor. These are the Least Wanted. Their portraits make up a small part of Mark Michaelson's collection of over 10,000 American mugshots from the 1870s to the 1960s. Created as utilitarian instruments, and meant to be destroyed when obsolete, they survive as remnants of a bygone era of hard-copy originals, extraordinary visual windows on the past, and riveting physical artifacts, often accompanied by municipal ephemera. They are glued to cards and manuscripts, typed on and rubber stamped. Each suspect has been measured and fingerprinted, documented and classified. Bored, sheepish, proud, coy, tough, defiant, bounced, bloodied, bruised, broken and innocent faces--innocent until proven guilty--stare back at the camera with unmistakable individuality. This is central casting for the Late Late Show of unvarnished reality, and the lineup is full of small-timers, those who have fallen through the cracks. Each subject, each image, is a person, a portrait, a trace, a crime, a clue, a moment, an expression, a frame, a mustache, a mother, a father, a son or a daughter. Each image is evidence, documentation. A record of people and of stories dismissed by history and rescued here. A century of American souls, filed and forgotten, until now. Contributors include Ian McEwan and New Yorker contributor Malcolm Gladwell.

    But there is more. A native of Brazil, trained as an economist, Sebastiao Salgado has shown a constant faith in mankind, a solidarity that never wavers or flinches in the face of pan, an ability to analyze extreme situations, a fierce drive to affirm what he truly is, a humanist photographer. 63 duotone photos.About the series: The classic Photofile series brings together the best work of the world's greatest photographers in an attractive format and at a reasonable price. Handsome and collectible, the books are produced to the highest standards. Each volume contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography. Now back in print, the series was awarded the first annual prize for distinguished photographic books by the International Center of Photography.

    

    Although he is most often associated with--and recognized as a pioneer in--American color photography, he also works in an unorthodox mix of media that includes sculpture, drawing, painting and found-object assemblage. This comprehensive survey of his work considers all those practices together, and in doing so gives readers access to the full scope and complexity of his vision. In every medium, Christenberry's theme is unified: the history, the story of place, is at the heart of his project. His poetic documentation of vernacular architecture, signage and landscape captures moments of quiet beauty in a sometimes mythic terrain that, with its worn iconography and buildings turned ramshackle, evokes the form and power of the passage of time. Since relocating to Washington, D.C., in 1968, Christenberry has dutifully returned to photograph the same locations annually--the green barn, the palmist building, the Bar-B-Q Inn--fulfilling a personal ritual and documenting the physical changes wrought by the passing of a year. More than half the photographs in this comprehensive survey are previously unpublished, including new and vintage images and a stunning selection of never-before-seen Kodachrome work. An essay by Walter Hopps, the artist's lifelong friend and the founding director of the Menil Collection, who passed away in 2005, will draw attention as well.

    The photographer for Bruce Springsteen's Born to Run album art shares the photographic alternates and outtakes from that session--many published for the first time--in stunning black-and-white quadratones, which are coupled with the complete lyrics of this iconic album.

    While the book includes imagery typical of the Eggleston oeuvre-streetscapes, parked automobiles, portraits of the strange and disenfranchised-the book also offers never-before-published photographs taken in the nightclubs Eggleston used to frequent.

    Her favorite destination was in Sudan, where she lived with and photographed the Nuba tribespeople, learning their language and becoming their friend. The Nuba were a loving and peaceful people who welcomed Riefenstahl as one of their own. Her images of the Nuba, as well as of the Dinka, Shilluk, Masai, and other tribes, are gathered in this monumental book. Riefenstahl remembers her experiences in Africa as the happiest moments in her life. Her beautiful, skilled photographs represent a landmark in the extraordinary career of the 20th century's most unforgettable artistic pioneer. * Interview by Kevin Brownlow * Extensive bibliography and biography section

    Digital photography has given this historical process new life. Now you can create negatives in your computer and develop the prints in the sun, combining one of the earliest photographic techniques with the latest. The cyanotype process is a perfect compliment to today's digital photography, whether you are making creative prints or fine art. It gives experienced photographers and artists a great excuse to take their eyes off the computer screen and get their hands dirty. Blueprint to cyanotypes is all you need to get started with cyanotypes. It is full of information and tips. It is also inspiration to see samples of 19 artists currently working with cyanotypes. Blueprint to cyanotypes is published by AlternativePhotography.com - a website and information center for alternative photographic processes, dedicated to education and research.

    Twelve years in the making, this joyous celebration features elephants from the wildest reaches of Botswana to the teeming cities of India. With aerial shots of the herds in motion, dramatic interactions between angry males, and tender moments between mothers and their calves, this collection features an intimate look at these animals who, though seemingly as distinct from humans as a creature could be, share surprisingly similar characteristics: They have family structures like our own, they show loyalty and allegiance to those closest to them, they grieve as well as express joy, andas these photographs showthey have strongly individual personalities. Outdoor Photography magazine called Steve Blooms photos, "the best case yet for the defense of the earth." See for yourself why these creaturesonce found in nearly fifty countries and now on the endangered species listare, according to Bloom himself, "the true kings of the jungle."

    Over the past ten years it has experienced radical changes, in part due to the rise of digital technologies. Photography is now often engaged in by artists who are not just printing in a darkroom, but using the medium as a single aspect of a larger ouvre, as one of several media under exploration. Vitamin Ph focuses on diverse global developments in 'art' photography through the work of 121 contemporary artists, who were nominated by 78 international critics, curators and artists. These selections will be accompanied by a 5000 word introductory text by TJ Demos, aiming to explore ideas relevant to contemporary photography with reference to the works included in the book. In addition, the work of each photographer/artist will be introduced by a short commissioned text of approximately 500 words. Similar in concept, scope and structure to Vitamin P and Vitamin D, Vitamin Ph presents, in A to Z order, artists who have emerged, or in some instances re-emerged, in the last five years using the medium of photography.

    In Cowboy Kate, a lyrical tale of the triumph of youth played out by cowgirls of the old west, Haskins reinvented the genre of the nude with stunningly well-executed photographs, a cinematic approach, and a subtly engaging narrative. Often copied but rarely equaled, Haskins has an exceptional ability to photograph women with a sensitivity that has won him accolades from men and women alike. The "Director's Cut" is revised to include new and previously unpublished photographs.

    Whether galloping full-speed through a grassy field, tenderly nuzzling a foal, or gazing calmly into our own eyes, these creatures embody a rare range of emotions and spirituality. This collection of the finest photographs taken by equine expert Gabrielle Boiselle showcases the world's most noble horses in some of the most spectacular natural settings on earth. Culled from her unmatched personal archive of equine photographs, these images are the fruit of several decades of intensive research and personal experience with horses. Breathtaking in their composition, the photographs in this volume serve to present a comprehensive portrait of a complex, multifaceted animal. A photograph of a massive wavy-maned Friesan galloping along a beach in the Netherlands expresses the sheer joy of unfettered movement, while a series of images of a white Lipizzan stallion performing aerial maneuvers reveals the remarkable discipline these creatures are capable of. Accompanying the glorious photographs is an insightful text that offers unique insight into horse behavior and emotion, based on the author's extensive research and real-life experience of the subject. A handsome tribute to the beauty—both physical and spiritual—of these magnificent creatures, this volume is a comprehensive work to be treasured by horse and animal lovers of all ages.

    Developed by Hawaiian islanders over five centuries ago, surfing began to peak on the mainland in the 1950s, taking America?and the world?by storm. Surfing became not just a sport, but a way of life, and the culture that surrounded it was admired and exported across the globe. One of the key image-makers from that period is LeRoy Grannis, a surfer since 1931, who began photographing the scene in California and Hawaii in the longboard Gidget era of the early 1960s. This collection, drawn from Grannis's personal archives, showcases an impressive selection of surf photographs?from the bliss of catching the perfect wave at San Onofre to dramatic wipeouts at Oahu's famed North Shore. An innovator in the field, Grannis suction-cupped a waterproof box to his board, enabling him to change film in the water and stay closer to the action than other photographers of the time. Equally notable is his work covering an emerging surf lifestyle, from ?surfer stomps? and hoards of fans at surf contests to board-laden woody station wagons along the Pacific Coast Highway. It is in these iconic images that a sport still in its adolescence embodied the free-spirited nature of an era?a time before shortboards and celebrity endorsements, when surfing was at its bronzed best. This unlimited popular edition is for readers on a budget or who were unable to get their hands on the original limited Collector's Edition (it sold out in record time and copies were being resold for up to double of the retail price!) The photographer: LeRoy Grannis's initial foray into surfing began at age14 with a six-foot slab of pine, but it wasn't until the age of 42 that he picked up a camera and made a career out of it. Under doctor's orders to take up a hobby, Grannis built a darkroom in his garage and began shooting surfers at Hermosa Beach, selling prints for a buck apiece. His photos soon started appearing in many of the burgeoning surf magazines, and ""Photo: Grannis"" quickly became a hallmark of the California surf scene of the 1960s. Grannis is considered one of the most important documentarians of the sport, and was inducted into the Surfing Hall of Fame in 1966. The editor: Jim Heimann is Executive Editor for TASCHEN America in Los Angeles and the author of numerous books on architecture, popular culture, and Hollywood history. The author: Over the past decade working as Surfer magazine's globe-roaming editor at large, photojournalist Steve Barilotti has made it his business to document the sport, art, and lore of surfing. A lifelong surfer and fourth-generation Californian, Barilotti's passion for West Coast beach culture runs deep. His writing has also appeared in The Perfect Day and the books of renowned surf photographers Art Brewer and Ted Grambeau. Between trips, Steve lives in San Diego, California.

    What began as cultural geography of Main Streets became a visual critique of the myth of upward mobility that created this car-centered, paved-over universe. Some images look outward to the edges of suburbia where sprawl is encroaching upon nature. Others turn inward, documenting the devastated inner cities. All the stunning color photographs reflect the complex beauty and desolation of visual life in our time.

    Beloved by the general public for signature photographs of his troupe of Weimaraners, Wegman is also an immensely important figure in the contemporary art world.A pioneer video-maker, conceptualist, performer, photographer, painter, draftsman, and writer, Wegman moves fluidly among various media: from conceptual works to commissioned magazine shots; from videos shown in museums to television segments made for Sesame Street and Saturday Night Live; from artist’s books parodying nineteenth-century naturalist studies to children’s books revealing tongue-in-cheek portraits of town and country life;  from photographic “landscapes” employing his canine muses to his most recent cycle of landscapes combining found scenic souvenir postcards with drawing, collage, and painting. Underlying all his creations is the light humor of “funny” mediating the darker human comedy of “strange.” Speaking to the absurdities of daily life, Wegman’s work is universally appealing.William Wegman: Funney—Strange is illustrated with some 250 images. It is the first retrospective volume to consider the artist’s entire career from the 1960s to the 2000s and is an essential book for any fan of Wegman’s work.

    "Different movies give different brightnesses. If it's an optimistic story, I usually end up with a bright screen; if it's a sad story, it's a dark screen. Occult movie? Very dark."

    Its photographs give a sun-drenched glimpse of what it might be like to be young and alive in the "suburban domestic incubator" of Orange County, conveyed in the idiom of Nan Goldin or Larry Clark (and with a sharp eye for the streets that recalls Garry Winogrand or Eugene Richards). For like his groundbreaking predecessors, Templeton is always a participant in the scenes he shoots. From the Alleged Press series curated by Aaron Rose, Deformer interweaves disciplinary letters from Templeton's grandfather and religious notes from his mother with sketches, snapshots, telling images and the occasional brutal tale, laying out an unresolved narrative that plunges readers headlong into Templeton's chaotic youth and his reliance on art and skateboarding to accommodate its stresses and joys. "Skateboarding allowed me to travel the world, and that showed me that where I live is totally messed up," he observes. "That perspective has fueled me and been a source for my art." Through photographs, stories and ephemera of all sorts from his youth and teenage years, Templeton offers readers an intensely close and personal look at an artist's coming of age. Deformer is also available in a boxed limited edition which comes with a signed and numbered photograph by Ed Templeton.

    Famous for posing as the subject of her own photos, Sherman's work addresses the role of the artist, the impact of the media upon the art world and the position of women in society. Organized in a roughly chronological path by theme, Cindy Sherman provides a comprehensive review of the artist's complete works, including her Bus Riders, Murder Mystery, and Untitled Film Stills series, and photographs on topics ranging from surrealist pictures, fairy tales, rear screen projections, the Old Masters, centerfolds, pink robes, clowns, dolls, and Hollywood. Fascinating archival material includes a notebook of personal snapshots that Sherman kept from an early age, on which she would circle herself and label each one: "That's Me." This monograph is the catalogue for an international exhibition that will be held in Paris, Denmark, Austria, and Berlin from 2006 through 2007.

    The shadowy, foreboding atmosphere of these works suggests still images from film noir subjects, and they depict urban locales.

    Nothing is left out, from choosing the right hardware and software and getting the photographs into the computer, to getting the finished photo out of the computer and preserving it for posterity.LEARN HOW TO: Scan faded and damaged prints or films Improve snapshots with Shadow/Highlight adjustmentCorrect uneven exposureFix color and skin tones quickly with Curves, plug-ins, and Hue/Saturation adjustment layersCorrect uneven exposure and do dodging and burning-in with adjustment layersHand-tint your photographs easilyCorrect skin tones with airbrush layersClean up dust and scratches speedily and effectivelyRepair small and large cracks with masks and filtersEliminate tarnish and silvered-out spots from a photograph in just a few stepsMinimize unwanted print surface texturesErase mildew spotsEliminate dots from newspaper photographsIncrease sharpness and fine detailandMaximize print quality

    In Where Jesus Walked, renowned photographer Ken Duncan introduces readers to awe-inspiring photos of places in and around Israel where Jesus lived, died, and rose again.

    Photo Trouvée is a unique and beautiful collection of 285 anonymous "amateur" photographs, found, collected and edited by the respected photo historian Michel Frizot.

    The first book on Leonard's full body of work, including portraits of Billie Holliday, Tony Bennett, Quincy Jones and Frank Sinatra.

    Seventeen species nest in the United States alone, and seven of those inhabit the Las Vegas area. But only one Black-chinned Hummingbird chose to nest on the back porch of Las Vegas residents Noriko and Don Carroll.When Noriko and Don Carroll moved from New York City to suburban Las Vegas, they found a tiny nest on a clothesline on their back porch. As the Carrolls settled into their new home, so did a female hummingbird they named Honey. For weeks, the Carrolls watched in fascination as they witnessed an event few humans are privy to-the birth and growth of two hummingbirds.First Flight is the beautifully photographed story of Honey and her two chicks, Ray and Zen. In over 50 stunning, full-color close-ups, it captures the grace, the beauty, and the simultaneous strength and fragility of one of nature's tiniest birds. Professional photographer Don Carroll's images of his tiny housemates are woven throughout with Noriko's charming narrative describing the mother bird and her developing brood. Not just for bird enthusiasts, First Flight is a magical mix of hummingbird field guide, personal story, and new life taking flight. Readers will be captivated by the inherent drama as it unfolds in miniature, and they'll cheer as babies Ray and Zen make their own first flights out into a bright new world.

    Known as the Jazz Baroness (she was born into the wealthy Rothschild family and later married a French aristocrat) she befriended such giants as Thelonious Monk, Charlie Parker, Barry Harris, Art Blakey, Miles Davis, Bud Powell, and many more. She inspired over twenty jazz compositions, bailed musicians out of jail, and even acted as a booking agent. She also collected wishes. Over the course of a decade, Koenigswarter asked three hundred musicians what their three wishes in life were, jotting them all down in a notebook. At the same time she took hundreds of candid photographs, saving them all. In Three Wishes, Koenigswarter’s forays into the psyches and lives of these legendary jazz artists are made available in America for the first time. With a foreword by celebrated jazz critic Gary Giddins, and a introduction from Nica’s granddaughter, Nadine de Koenigswarter, providing rare insights into the mysterious baroness’s life, this funny, eclectic, and moving compilation is a uniquely intimate look into the immortals of the classic era of jazz, and a must-have for any fan or afficianado.

    Selected from more than 18,000 entries representing photographers from at least 50 countries, these winning and commended images are a commemorative collection from the worlds largest and most prestigious wildlife photography competition. Each is accompanied by an informative and memorable caption, which includes photographic details.

    Though in his eighties, this great figurative artist continues to paint with undiminished energy and discipline.In 120 revealing black-and-white and color photographs taken in Lucian Freud’s London studio, and in a fascinating in-depth interview, we come to understand the stages of the artist’s work and the intensity of his interaction with his subjects—whether fellow artist David Hockney, the Queen of England, or performance artist Leigh Bowery, among others. Two remarkable photographers have been recording Freud at work over the past twenty years . The artist, uncharacteristically, allowed Bruce Bernard, the acclaimed picture editor, to photograph him in the studio, especially during the years he was working with Bowery as his model. Following Bernard’s death in 2000, David Dawson, the painter’s assistant, began photographing the daily life of the studio, showing us the progress of Freud’s paintings, his models—some naked, some famous—and the painter himself caught in moments of intense concentration. Though Freud has always been reluctant to give interviews, talk about the painters he admires, or discuss how he works, his conversation here with the Australian writer Sebastian Smee is frank and revealing. Unlike any other book we have seen about Freud—comparable to David Douglas Duncan’s books of photographs of Picasso—this important document invites us for the first time into the secret domain of the artist.

    This witty, wacky and wondrous collection of found vintage family and travel Kodachrome slides celebrates the cultural extravaganza that is America's golden era, the space age. After SOUTHERN CALIFORNIALAND hit the Los Angeles Times bestseller list, Phoenix has set his sights on the national lists. Readers experience both kitschy and classic places where often only a picture can tell the whole story. With his laugh-out-loud-funny text and colorful images Phoenix proves that Americana can definitely by coffee-table worthy.

    Originally published in 1936 and limited to only 500 copies, this is a stunningly beautiful collection of Ansel Adams' photographs of the Sierra made early in his legendary career.

    Their work--at once conceptual art, typological study, and topological documentation--has influenced German photographers of a younger generation, including Thomas Struth, Thomas Demand, Candida Hofer, Thomas Ruff, and Andreas Gursky. This compelling, exhaustively documented biography describes the Bechers' life and work and offers a critical assessment of their place in the history of photography.Becher scholar Susanne Lange, granted access to the photographers' archives and quoting extensively from interviews with them, writes the first sustained analysis and biography of the Bechers' extraordinary partnership. She discusses, among other topics, both the functionalist and aesthetic dimensions of the Bechers' subject matter, their typologizing (which she finds reminiscent of nineteenth-century naturalists' classificatory schemes), and the anonymous industrial building style favored by German architects. She argues that industrial building types impose themselves on our consciousness as the cathedral did on that of the Middle Ages, and that the Bechers' photographs--which seem at first glance only to record a vanishing landscape--serve to examine this shaping of our perceptions. Their work provides us with a rare opportunity to see how we see.Bernd & Hilla Becher: Life and Work, with 53 duotone plates and more than 200 additional illustrations, is the first book to delve deeply into the sources and vision behind the evocative and melancholy beauty of the Bechers' work. It will be indispensable both as a reference for students of postwar German photography and as a guide for readers who want to know how to approach the Bechers' monumental project."

    In a time before air travel or radio, on the brink of a revolution in photography and filmmaking, Burton Holmes (1870-1958) set upon a lifelong journey to bring the world home. From the grand boulevards of Paris to China's Great Wall, from the first modern Olympics in Athens to the 1906 eruption of Mount Vesuvius, Holmes delighted in finding ?the beautiful way around the world? and made a career of sharing his stories, photographs, and films with audiences across America. As a young man, Holmes was mentored by John L. Stoddard, a pioneer of the U.S. travel lecture circuit, who passed on his well-established mantle when he retired. Holmes roamed the globe throughout the summer and traversed the United States all winter, transforming the staid lecture tradition into an entertaining show. He coined the term ?Travelogue? in 1904 to advertise his unique performance and thrilled audiences with two-hour sets of stories timed to projections of hand-painted glass-lantern slides and some of the first ""moving pictures."" Paris, Peking, Dehli, Dubrovnick, Moscow, Manila, Jakarta, Jerusalem: Burton Holmes was there. He visited every continent and nearly every country on the planet, shooting over 30,000 photographs and nearly 500,000 feet of film. This book represents the best of the Holmes archive, brimming with brilliant color photographs not published in decades. A rare window on the world of 100 years ago, Burton Holmes Travelogues will transport you to a time that has all but evaporated, and inspire you to strike out on a journey of your own. The author: In the 1960s, Genoa Caldwell wasthe New York-based photo researcher for the London Sunday Times, as well as photo editor for both Black Star and Magnum. While operating her own photo agency in Los Angeles in the 1970s, Caldwell was introduced to the work of Burton Holmes and became private archivist for the extensive and unique photographic collection. Caldwell has maintained the collection for over 30 years and has lectured and published on the life and work of Burton Holmes.

    He worked for French Vogue for over 30 years, from 1955–1987, and his images filled the pages of international fashion magazines during the 1970s and 1980s in groundbreaking campaigns for Charles Jourdan, Bloomingdales and Dior. His high-glamour, yet often surreal work revolutionized the genre of fashion photography, presenting fashion as the luxurious embellishment rather than the subject of his photographs, which foreground dark fantasies of lust, consumption and desire. Bourdin's legacy can still be seen in the work of photographers such as Stephen Meisel and Helmut Newton. This accessible monograph is the perfect introduction to his work.

    When they are inevitably invaded by forces of nature and decay, they become suggestive of an alternative literary universe. Noted photographer and collage artist Rosamond Purcell has been exploring this universe for the past thirty years, and in this extraordinarily beautiful collection, the first retrospective of her work, her images teach us to read in a new way. Here are two conjoined volumes transformed by a nesting mouse into a heap of disrupted plot and straw; a 19th century French economics text re-interpreted by foraging termites, and many other oddities from a fertile imagination. "Bookworm"'s 125 color reproductions are imaginative evidence of those processes that render literal meaning irrelevant.

    Here, Scott delivers great techniques on Photoshop Elements 5 that his readers understand and use to make the best possible images. With this newest release of Photoshop Elements, Scott shows readers how to work with their images like a pro, from importing to organization to correction to output. Readers will learn all they need to know about the digital photography workflow, as well as the latest secrets of the pros to help them create the best special effects, apply the most useful sharpening techniques, and avoid many of the hassles and problems that are encountered in digital photography (such as digital noise and color halos).

    'Animal Portraits' presents a collection of portraits from one of the world's top wildlife photographers, nearly 300 portraits, including images taken in extreme and exotic locations from the Antarctic to Africa, America and Asia.

    Lola Alvarez Bravo explored her calling through photojournalism, commercial work and professional portrait-making, even as she was creating intensely personal images of people, places and things throughout her native Mexico. In addition, she played a vital role in the Mexican cultural scene as an inspiring teacher, a friend of innumerable artists (many of whom she photographed), and as the owner of a prestigious gallery that presented the first solo show by her friend Frida Kahlo, the subject of some of Alvarez Bravo's most powerful portraits. Although some of her photographs reflect the influence of her husband, Manuel Alvarez Bravo they shared the same cameras and often the same roll of film Lola had achieved her own aesthetic by the 1940s and 50s, concentrating on two particularly vivid bodies of work, portraiture and street photography. In these two disciplines she found a way to reveal a lyricism in the world around her, producing quiet reveries on life lived in the moment. This first English-language book to encompass the full range of her work includes previously unpublished images and several of her little-known photomontages."

    Each image stands on its artistic own, but each also tells something about the fascinating artist who made it. In Eyes to Fly With, which includes both iconic images and previously unpublished work, Graciela Iturbide has assembled both a retrospective of her career and an introspective self-portrait--in short, an artist's art book.In the late 1960s, the great Mexican photographer Manuel Alvarez Bravo took Iturbide as his assistant. It was a fond and fruitful apprenticeship, but Iturbide eventually sought her own career because, as she says in a conversation with the writer Fabienne Bradu, "I had to have influences, but I also had to suppress them and achieve my own expression." This book pulls together Iturbide's most expressive work, including select self-portraits. Bradu's interview, which appears in both English and Spanish, reveals the stories behind classic images such as "Our Lady of the Iguanas." (Did she pose the iguanas on that woman's head, or was it photographic serendipity?) Bradu also draws out intimate reflections on photography, Mexico, M. A. Bravo, famous friends, indigenous mythology, death, and dreams, so that turning the page to a viejo gazing at airborne gulls, it's impossible not to hear Iturbide's words, "One day... I dreamed a sentence over and over: 'In my country I will plant birds.'" Filled with such personal images and Iturbide's own voice, Eyes to Fly With is the private tour of the artist's apartment that every admirer dreams of taking.

    The world-class painter--and author of a 1972 New York Times article called "'I'm Not Really a Photographer'"--has been known to refer to his work in this second medium as a "hobby," despite considerable, persistent critical interest. Whether he likes it or not, the small albums of plainly-shot, snapshot-sized images he produced in the 1960s and 70s, including Twenty-Six Gasoline Stations, intrigued his contemporaries and earned him an unshakable reputation. How? His subject matter was neither purely documentary nor solely artistic, in fact it was stereotypical and banal, with motifs drawn from the car-dominated western landscape. That rebellious material, along with his serial presentation, made for a mythical road-movie or photo-novel effect with Beat Generation overtones. The combination attracted artists and critics both, especially while serial logic was prominent in Pop art and Minimalism, and then retained that interest later as serial work became prominent in Conceptual art. Critics have remained attentive for decades, and Ruscha's influence remains apparent in new work in Europe and North America. Ed Ruscha, Photographer departs from earlier collections to explore how these images--and all of Ruscha's work in disciplines including painting, drawing, printmaking and photography--are guided and shaped by a single vision.

    In this one-of-a-kind collection, Platon World Press Photographer of the Year turns his lens on 150 current international leaders from across the political spectrum to create a profound portrait of global power. Shot within a twelve-month period at the United Nations, and captured with unique candor and insight, these photographs offer an intimate glimpse of the personalities behind the public faces of the world's most powerful decision-makers. With an incisive text by New Yorker editor and Pulitzer Prize winner David Remnick, this comprehensive historical record of our time is an essential volume for anyone interested in world politics.

    And what ghost stories he has! In pursuit of his lifelong passion, he has traversed the globe capturing images of the supernatural in his signature, atmosphere-charged photographs. His latest work documents fifty haunted sites in France, from the burial place of Paris's finest in the P�re Lachaise cemetery, to the Sun King's Ch�teau de Versailles, and from the eerie abbey of the Mont St. Michel to the ch�teaux that dot the harsh landscape of the Pyrenees. France is rich in lore surrounding the Knights Templar, and Marsden has featured their stories prominently in this collection of indelible images.Each mysterious site has a tale behind it that is brought to life not only by Marsden's spectacular photography but also by his narrative that is worthy of a suspense novel. The personal experiences of this spellbinding storyteller will inspire fellow ghosthunters and convince the staunchest skeptic to reconsider the supernatural world.

    It takes us from the golden era of the illustrated press--the heyday of Life and Picture Post magazines and the moment of The Museum of Modern Art's defining Family of Man exhibition--to the explosion of digital media in the twenty-first century. This history is told through the presentation of 125 photojournalistic features shot and published around the world. The stories are presented in context--reproduced from the pages of the newspapers and magazines where they originally appeared, as their contemporary public would have experienced them. In this way, Things as They Are reveals how the events of the world, the fine art of photography, and the interests of publishers and the press converged on the printed page. It traces how photojournalism has developed over time alongside changing technology, media, fashions in photography--and a changing world. Includes landmark photo-essays by W. Eugene Smith, Sebastiao Salgado, Mary Ellen Mark and James Nachtwey, among others, each accompanied by expert commentary.

    In addition to introducing audiences to the multiple imaginations and voices of today's African artists, Snap Judgments explores the ways photo-based art has developed across the dialectic of traditional African aesthetic values and Western influences. Contemporary African photography has emerged in the post-World War II de-colonization movements, the quest for independent national identity, and the effects of globalization and modernity. Snap Judgments organizes the work that grew out of all that into four thematic groups--landscape; urban formations; the body and identity; and history and representation--groups that reflect the issues around which Africa's experimental artists have been articulating new styles and visual languages. Nigerian independent curator and art historian Okwui Enwezor, widely recognized as one of the world's foremost experts on contemporary African art, has included an essay by art historian Colin Richard, an appendix on recent exhibitions of African photography, biographical notes on the artists, and a general bibliography.

    Georgia O'Keeffe was 79 years old at the time, Loengard was 32, and for three days he observed and photographed the private life of this pioneer artist who virtually redefined American painting. For this unique book, we selected almost fifty of the finest black-and-white pictures Loengard took of the grand, solitary woman in the desert, and juxtaposed them with selected paintings of hers. They record the course of a day in the life of Georgia O'Keeffe from sunrise to sunset, developing their own quiet, mysterious effect. It becomes clear how much the austere poetry of the landscape corresponded to the artist's own self-created world and how her artistic imagination was kindled by bleached bones and an infinite desert. Now available as a reduced size reprint.

    Through this radical evolution of the past decade, photographer Peter Ellenby has captured the bands and musicians that make up this vibrant scene. An impromptu shooter with a fan's eye, Ellenby uses an array of camerassome of the plastic toy varietythat reveal the energy and street ethic that these bands live and work by. Hundreds of pictures create a document of a vital music scene that has sent some to superstardom and defined a generation. Comes with a 21-track CD with music by Death Cab for Cutie, American Music Club, The Wedding Present, and other bands that created this groundbreaking phenomenon.

    This clothbound edition preserves the luxurious sensibility of the original with 22 extraordinary oversized daguerreotypes printed in rich tritone. Working with daguerreotype master Jerry Spagnoli to conquer the complexities of this venerable process, which yields images of astonishing detail and gravity, Chuck Close photographed many of the same artist-friends who have made regular appearances in his paintings over the years: Laurie Anderson, Lyle Ashton Harris, Cecily Brown, Gregory Crewdson, Carroll Dunham, Ellen Gallagher, Philip Glass, Bob Holman, Elizabeth Murray, Elizabeth Peyton, Andres Serrano, Cindy Sherman, James Siena, Lorna Simpson, Kiki Smith, James Turrell, Robert Wilson, Terry Winters, Lisa Yuskavage and himself. Each image is complemented by a poem on its subject by Bob Holman, the celebrated and widely published New York School poet who originated and hosted the famous Poetry Slams at the Nuyorican Poets Cafe and now runs the Bowery Poetry Club. With the counterpoint of Holman's engaging poetry, the collected work becomes a transfixing group portrait of Close's influential and highly creative circle of friends and colleagues, as well as an exploration of a challenging photographic medium. A traveling exhibition of the work will launch in November 2006 at the Aperture Gallery.

    Robert Bogdan and Todd Weseloh draw on extensive research and observation to address all aspects of the photo postcard from its history, origin, and cultural significance to practical matters like dating, purchasing, condition, and preservation.Illustrated with over 350 exceptional photo postcards taken from archives and private collections across the country, the scope of the Real Photo Postcard Guide spans technical considerations of production, characteristics of superior images, collecting categories, and methods of research for dating photo postcards and investigating their photographers.In a broader sense, the authors show how "real photo postcards" document the social history of America. From family outings and workplace awards to lynchings and natural disasters, every image captures a moment of American cultural history from the society that generated them.Bogdan and Weseloh's book provides an admirable integration of informative text and compelling photographic illustrations. Collectors, archivists, photographers, photo historians, social scientists, and anyone interested in the visual documentation of America will find the Real Photo Postcard Guide indispensable.

    An exponent of ‘straight photography’, Weston was committed to making photographs ‘free from technical tricks and incoherent emotionalism’ which were able to capture the essence of the subject. His series of self-portraits, nudes, landscapes and close-up still-lifes defined modernist photography in their formal elegance, simplicity and abstraction. The first photographer to win a Guggenheim Fellowship in 1937, Weston is among the most influential figures in the history of photography.

    Hyde acts as a guide to the natural history, behavior, and future chances of the wild horses that survive across the U.S.—from the mustangs of the West to the ponies of Assoteague and Chincoteague islands; he writes as well of his personal experiences with wild horses around the globe, from the ghostly white horses of the French Camargue to zebras in Africa.  Beautifully illustrated with the work of Rita and Charles Summers, renowned photographers of the world’s wild horses, this arresting book truly conveys the nature, and the plight, of these splendid animals.

    It has everything one would expect to find down an alley in the ghetto, with one addition: horses. The men and boys of Fletcher Street have used their passion for riding and bonds with their rides to build their and their community’s sense of worth. They describe their passion for horses as having kept them from the temptations of street life. Fletcher Street by Martha Camarillo documents the lives of these men and the boys they mentor, who board their horses in abandoned houses or makeshift stables, and ride them through the streets of Philly. Camarillo’s work is valuable not only because it illuminates a fascinating new aspect of culture, but also because it challenges those who see it. Her photographs force viewers to confront their own preconceptions of sport as representative of social status, and race as a demarcation of class. The power of Camarillo’s exploration of this underrepresented community is based on the strength of the men themselves: urban horsemen who have ridden away from the ’hood and toward a better future.

    Shot by Roberta Bayley, one of the New York punk scene’s most prominent photographers, the photographs chronicle the band from its earliest days, performing before hard-to-please crowds at Max’s Kansas City and CBGB’s, to global superstardom at the end of the 1970s. At every stage, Bayley was present to record Blondie’s swift, dramatic rise to the top. Featuring 235 candid photographs, many previously unpublished, Blondie Unseen 1976-1980 offers a fly-on-the-wall visual perspective of life with the band during these tumultuous years. Bayley’s talent for being in the right place at the right time ensures that her photographs capture the truth of the moment in a dramatic and revealing manner. The images, enhanced and complemented by Bayley’s own first-hand descriptions, provide an inimitable evocation of one of pop culture’s most creative and exciting periods.

    But the inventive Jewish immigrant Arthur Fellig (1899-1968), who assumed the self-mocking nickname Weegee, was also one of the most original and creative photographers of the twentieth century. His work for The New York Times, the Herald Tribune, World-Telegram, Daily News, Post, Journal-American and Sun, his images of the masses at Coney Island, the confrontation of wealth and poverty at opening night at the opera, and the aftermath of brutal crime scenes are, by now, classics. But beyond the iconic images that have been so widely circulated, what do we know of Weegee the photographer--his history, his methods, his meaning? Drawing on ICP's unique archive of nearly 20,000 prints by this celebrated master, Unknown Weegee presents 120 photographs that have never been made available to the public. They reveal a politically astute and witty social critic and attest to the seriousness and self-consciousness of his photographic endeavors. With essays by Luc Sante, ICP curator Cynthia Young, Paul Strand, and Ralph Steiner.

    Each picture, taken by a well-known photographer, captures bald women too intent on work or play to be bashful about their looks--among others, Melissa Etheridge belts out a Janis Joplin tune at the 2005 Grammys, a rodeo cowgirl poses with the cowboys, a surfer climbs a wave in Hawaii, and a nun scrutinizes her poker hand. A foreword and afterword by the author describe the genesis of the book, her own experience with cancer and hair loss, and the brave women who posed for pictures. Photo credits and profiles are provided for the photographers, who include Eddie Adams, Debbie Fleming Caffery, Reuben Cox, Rob Gauthier, Lauren Greenfield, David Hume Kennerly, Antonin Kratchovil, Harry Langdon, Gerd Ludwig, Jay Maisel, Catherine Opie, Harvey Stein, Nick Vedros, and Annie Wells.

    This is universally recognized as the definitive competition for photographic reporting, and photojournalists, newspapers, and magazines throughout the world submit thousands of images in the race to win. The World Press Photo Competition 2006, the forty-ninth contest to date, brings together some 200 images. The best pictorial journalism from an eventful year, this selection brings us face to face with contemporary world events--an impressive visual record of social, political, cultural, scientific, and, above all, human milestones. 200 photographs, 80 in color.

    His attention was diverted to a large metal sculpture in the courtyard: Richard Serra's Joe. A torqued spiral, Joe allows viewers to walk in through a narrow passage between towering, sloping walls. The path leads to a surprising central space from which only the spiral and the sky are visible. Combining extremely soft light and blurred darkness, Sugimoto's pictures in this book capture the undulating, elliptical nature of Serra's piece. His images are complemented by the words of Jonathan Safran Foer, whose affecting prose poem-about an "average Joe" experiencing the circular passage of time-echoes, without directly referencing, Serra's sculpture.Designed by Takaaki Matsumoto, this beautiful, large format book features tritone reproductions printed on luxurious uncoated stock. The result is an eloquent and visually arresting commentary on time, impermanence, and memory.Hiroshi Sugimoto's exhibitions have been shown at the Metropolitan Museum of Art, the Museum of Modern Art, LAMoCa, and MCA Chicago. The Hirshhorn Museum and the Mori Art Museum were joint organizers of a 2005 Sugimoto retrospective.Jonathan Safran Foer is the bestselling author of Everything Is Illuminated and Extremely Loud and Incredibly Close. He lives in Brooklyn, New York.Takaaki Matsumoto is an internationally acclaimed designer whose book designs have showcased the work of artists and designers from Roy Lichtenstein toGiorgio Armani. For the past decade he has been the exclusive designer of books featuring the photographs of Hiroshi Sugimoto.

    

    "The intention of this edit and layout," Fulford explains, "is to create as many relationships as possible between the pictures as well as the chapters. I like the idea of a meticulously planned-out event that remains unpredictable." The work in Raising Frogs for $ $ $ was selected from the photographer's personal archive, from images taken in various countries between 1997 and 2005. Fulford's photographs have been used on book covers by Don Delillo, John Updike, Bertrand Russell, Terry Eagleton, Ha Jin and many others. His work frequently appears in Harper's and The New York Times Magazine. He lives in Brooklyn and Scranton, PA, and is a cofounder of J&L Books.

    This book captures these moments, from the shattering events of September 11 2001, the Asian tsunami and the London bombings, to the startling, surprising and humorous images of the worlds of politics, sport, art and entertainment.

    During that brief time, while working for the Farm Security Administration (previously the U.S. Resettlement Administration) photographing the consequences of the Great Depression, he refined a hybrid style that combined documentation with sly personal comment. He delighted in traveling incognito as an artless photojournalist, but with the independence to satisfy his own artistic designs. Walker Evans: Lyric Documentary presents these seminal images for the first time as a comprehensive, cohesive body of work, in chronological order. These are prime examples of Evans's alchemy, his seemingly effortless transformation of mundane fact into sweeping lyricism. They not only define his mature style, but also offer a path for artists of future generations. Evans has been called the most important American artist of his century, and the impact of his vision reaches well beyond the province of photography. With texts by John T. Hill, Heinz Liesbrock and Allan Trachtenberg.

    The magic field of macro photography comes alive through digital cameras and Photoshop programs, as simple instructions combine with jargon-busting tips to demonstrate each essential technique. Over 200 full-color photos and 750 illustrations showcase the possibilities for making spectacular images with ordinary equipment. Besides ideas for making framed photos, special sections show how to create greeting cards, stationery, and other practical items and gifts.

    This book presents the FSA's catalogue of documentary photography - a collection of images documenting America's cultural and economic conditions.

    You do not need to be an artist. The process of creating a fabric portrait requires no paint at all. The realistic effect is achieved strictly with fabric, repositionable fusible web and thread painting. With the step-by-step help provided in this book you will learn how to select a workable photograph, use the computer to enhance the photograph, choose and apply fabric, bring the portrait to life with thread painting, and complete all of the final touches. With this book you can successfully produce a fabric portrait that you will be proud to hang in your home.Marilyn Belford is an award winning creator of portrait quilts.

    Their images fill this book, and their stories bring to life their pictures from the 125 years that photographers have explored the Canyon. Stephen Trimble interviewed 21 of the finest contemporary Grand Canyon photographers, and these profiles bring to life the relationship between artist and landscape, between dedicated artists and an American icon they have helped to create. A fascinating narrative history of photography at Grand Canyon places these contemporary photographers in context. Lasting Light celebrates what all of us learn every time we peer through a viewfinder at this enduring treasure we call Grand Canyon.The Early & Middle Years: Timothy O’Sullivan, Jack Hillers, Robert Brewster Stanton, Ellsworth and Emery Kolb, Eliot Porter, Ansel Adams, Josef Muench, Ernst Haas, Philip Hyde, Bob Clemenz, Dick Dietrich, David MuenchThe Contemporaries: Jerry Jacka, Robert McDonald, John Running, Jack Dykinga, James Cowlin, John Blaustein, Gary Ladd, Sue Bennett, Tom Bean, Alfredo Conde & Sherri Curtis, Liz Hymans, Tom Till, Larry Ulrich, Michael Collier, Stephen Trimble, Mark Klett, Michael “Nick” Nichols, Randy Prentice, Tom Brownold, George H.H. Huey, Dugald Bremner, Kate ThompsonExtending the View: David Edwards, Larry Lindahl, Raechel Running, Marc Muench, Christine Keith, Geoff Gourley, Kyle George, Paul Leatherbury, Mike Buccheit, Jay Showers

    When photographer Knox began noticing the growing colony of cats in the alley behind his Atlanta music studio, he entered a complex world of feline families struggling for survival. In many ways brutal, this world, he discovered, was also filled with strong family bonds, intriguing personalities, and fun. Urban Tails, featuring Knox's striking images and Sara Neeley's lively text, celebrates these survivors at the intersection of nature and industry as they play in the sun one minute and crouch dramatically beneath a semi the next. Urban Tails is a powerful testament to such operations, giving readers a glimpse into a hidden world of lives that, while not ideal, can be filled with beauty and love.

    Bringing into focus all the fast-paced and dramatic developments that have transformed the world in the first few years of the 21st century, 'The State of the World' features spectacular, intimate, witty and sometimes disturbing photographs together with essays by Reuters journalists.

    Details about the artisans and their materials and methods are recorded, and stories abound of the spirited competition by towns for the trophy of being designated as the county seat.

    Called a ?family album of planet earth, ? 1000 Families is a vast collection of portraits taken by Ommer in over 130 countries in all corners of the world. Naturally, a voyage of such epic proportions bears its fair share of anecdotes, adventures, mishaps, and souvenirs, and Transit traces the experience via stories and images. From closed borders and broken bridges to late rainy seasons, curious customs officers, thieves, coups d??tat, raging fevers, and a far from ?unbreakable? Land Rover, Ommer found truth in the maxim ?just about everything that can go wrong, will.? This amusing and original compilation paints a vivid picture of what it's like to travel to the most remote corners of the globe for four years, meeting countless people and observing the great cultural and social similarities and differences that mark the human race. The photographer: Uwe Ommer was born in Bergisch-Gladbach, Germany, in 1943. Ommer became fascinated with photography at a young age and in 1962 moved to Paris, where he initially worked as a photographer's assistant. Within a few years, he opened his own photography studio, primarily shooting fashion and advertising photos. Quickly gaining respect for his work in Paris, Ommer began showing in local galleries and eventually published his first book Photoedition Uwe Ommer in 1979, a collection of personal and advertising works. In the following years, he would publish five more books of his photographs.In 1995, Ommer drastically changed gears and decided to embark on an ambitious project: to document all types of families on every continent at the turn of the millennium. Armed with a Landrover, Rolleiflex camera, portable studio, and one assistant, Ommer visited 130 countries in the following four years, interviewing and photographing over 1000 families. Returning to Paris in 2000, Ommer had an enormous collection of photographs illustrating the human ?family? in its current and diverse state. TASCHEN published 1000 Families in 2000, coinciding with the first public exhibition of the portraits, in Cologne. Since then, the exhibition has toured the world. In 2002, Uwe Ommer was awarded an Honorary Fellowship to the Royal Photographic Society for the impact of his lifetime of work.