Misogyny encompasses the Church, witch hunts, sexual theory, Nazism, pro-life campaigners, and finally, today's developing world, where women are increasingly and disproportionately at risk because of radicalized religious beliefs, famine, war, and disease. Extensively researched, highly readable and provocative, this book chronicles an ancient, pervasive and enduring injustice. The questions it poses deal with the fundamentals of human existence — sex, love, violence — that have shaped the lives of humans throughout history, and ultimately limn an abuse of human rights on a nearly unthinkable scale.

    Magazine, Bitch was launched in the mid-nineties as a Xerox-and-staple zine covering the landscape of popular culture from a feminist perspective. Both unabashed in its love for the guilty pleasures of consumer culture and deeply thoughtful about the way the pop landscape reflects and impacts women's lives, Bitch grew to be a popular, full-scale magazine with a readership that stretched worldwide. Today it stands as a touchstone of hip, young feminist thought, looking with both wit and irreverence at the way pop culture informs feminism--and vice versa--and encouraging readers to think critically about the messages lurking behind our favorite television shows, movies, music, books, blogs, and the like. BITCHFest offers an assortment of the most provocative essays, reporting, rants, and raves from the magazine's first ten years, along with new pieces written especially for the collection. Smart, nuanced, cranky, outrageous, and clear-eyed, the anthology covers everything from a 1996 celebration of pre-scandal Martha Stewart to a more recent critical look at the "gayby boom"; from a time line of black women on sitcoms to an analysis of fat suits as the new blackface; from an attempt to fashion a feminist vulgarity to a reclamation of female virginity. It's a recent history of feminist pop-culture critique and an arrow toward feminism's future.

    Goldwyn’s incisive expose is a retrospective of the sights and spectacles of burlesque’s golden age—and an intimate look at the women whose sexuality, ambition, and verve brought the cabaret stage to life. Today, as burlesque enters a heady resurgence worldwide—with festivals around the globe, popular books like Burlesque Fetish and The Burlesque Handbook, and even a School of Burlesque in New York City—Pretty Things offers a unique and exciting look at its formative past and its earliest heroines.

    Female painters, sculptors, calligraphers, and printmakers, as well a growing community of hobbyists, have played a primary role in developing this new mode of artistic expression. The Book as Art presents more than 100 of the most engaging women's artist books created by major fine artists such as Meret Oppenheim, May Stevens, Kara Walker, and Renee Stout and distinguished book artists such as Susan King, Ruth Laxson, Claire Van Vliet, and Julie Chen.Culled from over 800 unique or limited-edition volumes held by the National Museum of Women in the Arts, these books explore the form as a container for ideas. Descriptions of the works are accompanied by colorful illustrations and reflections by their makers, along with essays by leading scholars and a lively introduction by the most famous book artist in our culture, best-selling author Audrey Niffenegger. The exquisitely crafted objects in the The Book as Art are sure to provoke unexpected and surprising conclusions about what constitutes a book.The Book as Art accompanies the exhibition of the same name at the Museum of Women in the Arts in Washington, D.C., beginning in October 2006.

    From dogs and cats to horses and birds, this book is everything you need to understand and appreciate the power of Reiki to heal and deepen the bond with the animals in your life.�Animal Reiki is a great introduction to the growing field of energy medicine. Written in an easy-to-read style, this book will be enjoyed by animal guardians and veterinarians alike.”--SHAWN MESSONNIER, DVM, author of The Natural Health Bible for Dogs & Cats�I learned a lot from Animal Reiki and highly recommend it to a wide audience.”--MARC BEKOFF, University of Colorado, author of Minding Animals and editor of the Encyclopedia of Animal Behavior�Fulton and Prasad have created a much needed guide to a method of helping animals heal that is gentle, intuitive, safe and powerful.”--SUSAN CHERNAK McELROY, author of All My Relations: Living with Animals as Teachers and Healers

    Exposing the consequences and significance of the systematic maltreatment of women, and its systemic condonation, this book takes us into the heart of the international law of conflict to ask - and reveal - why the international community can rally against terrorists' violence, but not against violence against women.

    As activist and writer Cristina Page shows, the gains made by birth-control advocates (historically) and pro-choice organizations (currently) have formed the bedrock of freedoms few Americans would choose to live without. Now, not only is the future of legal abortion far from guaranteed, in many parts of the country ready access to many forms of contraception is in jeopardy as well. And that development, Page argues, should have everyone, regardless of moral or political persuasion, deeply concerned. For these basic freedoms are not just for the freewheeling gals of "Sex and the City," but are central to the lives of working mothers and fathers from Phoenix to Duluth, churchgoers and nonbelievers alike. Page crystallizes the thoughts and attitudes of a generation of women and men whose voices are seldom heard in the political arena. How the Pro-Choice Movement Saved America is the first book to address the positive transformation our society has undergone because of our ability to plan when and if to have children. It also exposes the anti-choice movement's far-reaching-and dangerous-agenda. Fresh, bold, and stocked with counterintuitive arguments, this is a book bound to form the basis for heated conversations nationwide.

    She has been a guest on "Oprah," has been interviewed by Katie Couric, Al Franken, and George Stephanopoulos, and has been profiled in the New York Times, The Washington Post, and People magazine. Her organization, Women for Women International, plays a vital role in helping to heal war-torn nations including Afghanistan, Bosnia, Rwanda, Congo, Sudan, and Colombia. With stunning images by award-winning photographers Susan Meiselas, Lekha Singh, and Sylvia Plachy, Salbi presents a riveting collection of letters and first-person narratives by amazing women who survived war's devastation and now must find the strength to rebuild families and communities. Throbbing with pain and loss yet glowing with courage and hope, The Other Side of War explores six regions where Women for Women International has helped survivors of the world's most tumultuous countries learn new skills, open small businesses and forge bonds with sponsors. Overviews by the author explain how each nation's history led to violent conflict; then, with searing eloquence, the women tell their stories—of horror, cruelty, and suffering but also of profound inspiration as they work toward renewal and toward the day their fierce determination is rewarded with productivity, prosperity, and lasting joy.

    When the wounds go deep, real help, honest encouragement, and tangible healing may be hard to locate. But it is there to find, and the search is worth the effort. Compassionate and experienced counselors Dr. Steve Stephens and Pam Vredevelt, LPC, have walked alongside women in pain for years—they’ve heard the stories, seen the tears, felt the pain, and entered into the devastation. They’ve also seen how wounded women can step out of darkness into hope, regain their feet, restart their lives, recover their energy, and even reclaim their joy. Real-life stories and proven, practical counsel serve as powerful tools to help you recover from past and present wounds, moving you into a new season of productive living. Hope Is Here “My pain is too deep for a Band-Aid.” “Will this heartache ever end?” “Why me?” Today is your day…a fresh season of living has arrived. Coming alongside as faithful friends, Dr. Steve Stephens and Pam Vredevelt meet you in the depths of your circumstances and uncover the pathway to healing. They offer an opportunity to regain your feet, restart your life, recover your energy, and reclaim your joy. These real-life testimonies and proven, practical counsel will guide you toward complete recovery and inspire you to press forward in newfound strength—not in spite of your wounds, but because of them. “I believe this is one of the most important books ever written for women. Every page is filled with nurturing wisdom and refreshing hope. At last, for every wounded woman, there is a pathway out of the hurt and pain.” -Alice Gray, author of Treasures for Women Who Hope, coauthor of The Worn Out Woman and The Walk Out Woman Story Behind the BookThe authors are licensed therapists who see an enormous number of women struggling with the same basic issue: wounds that result from living in an imperfect world with imperfect people. “Some are great at hiding their wounds,” they say. “Others are so overwhelmed by them that they are unable to recover and bounce back. We consistently meet women with incredible potential who are stuck in emotional pain. Unable to move forward, their wounds block them from becoming all they can be. We want to help them work through the process of letting go of this pain and progress in healing. The abundant life Jesus promises will be theirs!”

    Each poet is represented, in bilingual format, by approximately twenty poems and a biographical introduction. The volume also contains a detailed introduction to the Korean poetry scene by translator Don Mee Choi, with a focus on the historical and contemporary role of women poets in Korea.The poetry of Ch’oe Sung-ja, Kim Hyesoon, and Yi Yon-ju consistently violates the literary expectations of gentle and subservient yoryu (female) poetry through innovative language and depictions of Korean women’s identities and struggles.Ch’oe employs a confessional device that opposes and resists her outside world—the patriarchy. Kim employs conversational schemes that involve dialogues between multiple selves within a woman to discover her own identity, and Yi, before her suicide, embraced the language of decay and death, while her stark and powerful language was created in relation to the lives of economically and socially marginalized women in Korean society.By challenging literary and gender expectations, Ch’oe, Kim, and Yi occupy a marginalized position in Korean society as women and poets. In the context of South Korea’s highly patriarchal and structured society, their poetry is defiant and revolutionary.

    I's put you to live with Rufus for dat purpose. Now, if you doesn't want whippin' at de stake, you do what I wants." I thinks 'bout Massa buyin' me off de block and savin' me from bein' separated from my folks, and 'bout bein' whipped at de stake. Dere it am. What am I to do? So asks Rose Williams of Bell County, Texas, whose long-ago forced cohabitation remains as bitter at age 90 as when she was "just a ingnoramus chile" of 16. In all her years after freedom, she never had any desire to marry. Firsthand accounts of female slaves are few. The best-known narratives of slavery are those of Frederick Douglass and other men. Even the photos most people have seen are of male slaves chained and beaten. What we know of the lives of female slaves comes mainly from the fiction of authors like Toni Morrison and movies like Gone With the Wind. Far More Terrible for Women seeks to broaden the discussion by presenting 27 narratives of female ex-slaves. Editor Patrick Minges combed the WPA interviews of the 1930s for those of women, selecting a range of stories that give a taste of the unique challenges, complexities, and cruelties that were the lot of females under the "peculiar institution."Patrick Minges worked for 17 years for Amnesty International and Human Rights Watch. He teaches in Stokes County Schools and at Forsyth Technical Community College in Winston-Salem. He is also the author of Slavery in the Cherokee Nation: The Keetowah Society and the Defining of a People, 1855-1867 and Black Indian Slave Narratives.

    Wekker vividly describes the lives of these women, who prefer to create alternative families of kin, lovers, and children, and gives a fascinating account of women's sexuality that is not limited to either heterosexuality or same-sex sexuality. She offers new perspectives on the lives of Caribbean women, transnational gay and lesbian movements, and an Afro-Surinamese tradition that challenges conventional Western notions of marriage, gender, identity, and desire. Bringing these women's voices to the forefront, she offers an extensive and groundbreaking analysis of the unique historical, religious, psychological, economic, linguistic, cultural, and political forces that have shaped their lives.

    As shocking as contemporary feminist pin-ups are intended to be, perhaps more surprising is that the pin-up has been appropriated by women for their own empowerment since its inception more than a century ago. Pin-Up Grrrls tells the history of the pin-up from its birth, revealing how its development is intimately connected to the history of feminism. Maria Elena Buszek documents the genre’s 150-year history with more than 100 illustrations, many never before published.Beginning with the pin-up’s origins in mid-nineteenth-century carte-de-visite photographs of burlesque performers, Buszek explores how female sex symbols, including Adah Isaacs Menken and Lydia Thompson, fought to exert control over their own images. Buszek analyzes the evolution of the pin-up through the advent of the New Woman, the suffrage movement, fanzine photographs of early film stars, the Varga Girl illustrations that appeared in Esquire during World War II, the early years of Playboy magazine, and the recent revival of the genre in appropriations by third-wave feminist artists. A fascinating combination of art history and cultural history, Pin-Up Grrrls is the story of how women have publicly defined and represented their sexuality since the 1860s.

    Approaching the topic from varying perspectives — exile, longing, belonging, diaspora, idealization — they show that “homeland” isn't just a physical place. It can also be an imagined community, a part of one's identity, or simply a wavering memory. It’s a world we create and re-create every day.Among the contributors are Etel Adnan, who describes her life as an exile from Beruit after choosing to leave a city at war. Agate Nesaule, who as a youngster left Latvia under Nazi and Soviet threat, writes of envying a young Latvian girl's life, rich in place, language, and music. Sarah McCormic echoes the experience of many “American mutts” who can claim so many heritages that they feel a connection to none.The writers in this collection beautifully capture the complicated notion of homeland and reflect the diversity of women's realities in the world.

    Your act of power is the book or the story that you are creating. It is now time for you to bloom.-from Writing Spirit In Writing Spirit Lynn Andrews discusses her own path to becoming a writer, complete with all the struggles she has faced along the way. By giving examples from her life and examining specific pieces of her own work, she explores the process of writing from beginning to end, and imparts her knowledge to novice and experienced writers alike. Writing Spirit addresses particular issues such as: - Why are you writing? - Who are you writing for? - How can you be true to yourself as an artist? - What are some of the causes of and solutions to writer's block? Not straying from her spiritual roots, Andrews explains how being true to your spirit is the key to fulfillment in your work. She leads us on a journey to finding the truth within ourselves and teaches us what it really means to be a writer.

     Your body is comprised of energy pathways and energy centers that are in constant motion, a dynamic interplay with other energies and with your cells, organs, immune system, mood, and thoughts. If you can shift these energies, you can influence your physical health, your emotional patterns, and your state of mind. The Healing Power of Energy Psychology gives simple step-by-step instructions that will help you to: - overcome fear, guilt, shame, jealousy, or anger - change unwanted habits and behaviors - enhance your ability to love, succeed, and enjoy life The energy approach presented in this book can help bring about significant change in your life. With this strategy, stubborn phobias often fade in minutes; the lifelong effects of an early trauma can frequently be reduced or completely eliminated; uncontrollable anger can rapidly become manageable; even elusive physical problems may respond where other treatments have failed. The Healing Power of Energy Psychology is an amazing tool that puts the ability to effect change directly into your hands, and finally gives you control over your fears, pain, and destructive behaviors.

    Depicting the competing approaches to reproductive health that evolved on plantations, as both black women and white men sought to enhance the health of enslaved mothers, this book focuses on the health care of enslaved women.

    Kali N. Gross reconstructs black women’s crimes and their representations in popular press accounts and within the discourses of urban and penal reform. Most importantly, she considers what these crimes signified about the experiences, ambitions, and frustrations of the marginalized women who committed them. Gross argues that the perpetrators and the state jointly constructed black female crime. For some women, crime functioned as a means to attain personal and social autonomy. For the state, black female crime and its representations effectively galvanized and justified a host of urban reform initiatives that reaffirmed white, middle-class authority.Gross draws on prison records, trial transcripts, news accounts, and rare mug shot photographs. Providing an overview of Philadelphia’s black women criminals, she describes the women’s work, housing, and leisure activities and their social position in relation to the city’s native-born whites, European immigrants, and elite and middle-class African Americans. She relates how news accounts exaggerated black female crime, trading in sensationalistic portraits of threatening “colored Amazons,” and she considers criminologists’ interpretations of the women’s criminal acts, interpretations largely based on notions of hereditary criminality. Ultimately, Gross contends that the history of black female criminals is in many ways a history of the rift between the political rhetoric of democracy and the legal and social realities of those marginalized by its shortcomings.

    nation-state that privileges the propertied individual. However, African American, Asian American, and Chicano people experience the same stretch of city sidewalk with varying degrees of safety, visibility, and surveillance.The Ruptures of American Capital examines two key social formations—women of color feminism and racialized immigrant women’s culture—in order to argue that race and gender are contradictions within the history of U.S. capital that should be understood not as monolithic but as marked by its crises. Hong shows how women of color feminism identified ways in which nationalist forms of capital, such as the right to own property, were repressive. The Ruptures of American Capital demonstrates that racialized immigrant women’s culture has brought to light contested modes of incorporation into consumer culture.Interweaving discussion of U.S. political economy with literary analyses (including readings from Booker T. Washington to Jessica Hagedorn) Hong challenges the individualism of the United States and the fetishization of difference that is one of the markers of globalization.Grace Kyungwon Hong is assistant professor of English and Asian American studies at the University of Wisconsin, Madison.

    With the Master in the School of Tested Faith isn't for the faint-hearted who want their emotions tickled with sappy illustrations, but for thinking women who want to square off with the curriculum of real life in the school of Christ.

    Until recently, the Haitian practice of Vodou was often identified with devil worship, dark curses, and superstition. Some saw the saint images and the Catholic influences and wrote Vodou off as a “Christian aberration.” Others were appalled by the animal sacrifices and the fact that the houngans and mambos charge money for their services. Those who sought Vodou because they believed it could harness “evil” forces were disappointed when their efforts to gain fame, fortune, or endless romance failed and so abandoned their “voodoo fetishes.” Those who managed to get the attention of the lwa, often received cosmic retaliation for treating the lwa as attack dogs or genies, which only further cemented Vodou’s stereotype as “dangerous.” Kenaz Filan, an initiate of the Société; la Belle Venus, offers extensive background information on the featured lwa, including their mythology and ancestral lineage, as well as specific instructions on how to honor and interact fruitfully with those that make themselves accessible. This advice will be especially useful for the solitary practitioner who doesn’t have the personal guidance of a societé available. Filan emphasizes the importance of having a quickened mind that can read the lwa’s desires intuitively in order to avoid establishing dogma-based relationships. This working guide to successful interaction with the full Vodou pantheon also presents the role of Vodou in Haitian culture and explores the symbiotic relationship Vodou has maintained with Catholicism. Kenaz Filan (Houngan Coquille du Mer) was initiated into Société la Belle Venus in New York City in 2003 after ten years of solitary service to the lwa. Filan’s articles on Vodou have appeared in newWitch, PanGaia, and Planet magazines and in the pagan community newspaper Widdershins.

    Best known for her exquisite collection of love sonnets, Labé played off the Petrarchan male tradition with wit and irony, and her elegies respond with lyric skill to predecessors such as Sappho and Ovid. The first complete bilingual edition of this singular and broad-ranging female author, Complete Poetry and Prose also features the only translations of Labé's sonnets to follow the exacting rhyme patterns of the originals and the first rhymed translation of Labé's elegies in their entirety.

    The contributors in this anthology hail from Yemen, Iran, Palestine, Afghanistan, Kashmir, Pakistan, India, Bangladesh, Malaysia, Thailand, China, Canada, and the United States.Sarah Husain conceptualized this collection as a means of redefining the stereotypical depictions of Muslim women that inundate current western discourse on the Islamic “other.” She seeks to dispel the image of the veil as the age-old symbol of Muslim women's repression and move beyond sterile representations and narrow debates about the contemporary realities of Muslim women. These women engage in discourses concerning their bodies and their communities. A woman mourns the death of a cousin killed in a suicide bombing; a transsexual remembers with fondness the donning of the veil he no longer wears as a Muslim man; a woman confronts sexism and hypocrisy on a pilgrimage to Saudi Arabia; and the experience of being judged on the basis of skin color and political and religious affiliation that is far more blatant and ubiquitous since the September 11 terrorist attacks.

    Block analyzes the legal, social, and cultural implications of more than nine hundred documented incidents of sexual coercion and hundreds more extralegal commentaries found in almanacs, newspapers, broadsides, and other print and manuscript sources. Highlighting the gap between reports of coerced sex and incidents that were publicly classified as rape, Block demonstrates that public definitions of rape were based less on what actually happened than on who was involved. She challenges conventional narratives that claim sexual relations between white women and black men became racially charged only in the late nineteenth century. Her analysis extends racial ties to rape back into the colonial period and beyond the boundaries of the southern slave-labor system. Early Americans' treatment of rape, Block argues, both enacted and helped to sustain the social, racial, gender, and political hierarchies of a New World and a new nation.

    Ida B. Wells-Barnett, who was born a slave and fought against lynching; Mother Jones, an Irish immigrant who organized coal miners and campaigned against child labor; Alice Hamilton, who pushed for regulation of industrial toxins; Frances Perkins, who developed key New Deal legislation; Virginia Durr, who fought the poll tax and segregation; Septima Clark, who helped to register black voters; Dolores Huerta, who organized farm workers; Dr. Helen Rodriguez-Trias, an activist for reproductive rights; and Gretchen Buchenholz, one of the nation’s leading child advocates. Gore Schiff delivers an intimate and accessible account of the nine trail-blazing women who deserve not only to be honored but to have their example serve as beacons.

    It holds that for too long, elements unnatural to Native American ways of knowing have been imposed on the study of Native America. Euro-American discourse styles, emphasizing elite male privilege and conceptual linearity, have drowned out the democratic and woman-centered Native approaches. Even when the damage of western linearity is understood to occur, analysis of Native American history, society, and culture has still been relentlessly placed in male custody, following the western assumption that Euro-American men speak ably for all. This book seeks to redress that balance, allowing, as editor Barbara Alice Mann writes, the Daughters of Mother Earth to reclaim their ancient responsibility to speak in council, to tell the truth, to guide the rising generations through spirit-spoken wisdom.The recovery of women's traditions is an important theme in this collection of essays that helps reframe Native issues as properly gendered. Thus, Paula Gunn Allen looks at Indian lifeways through the many stitches of Indian clothes and the many steps of their powwow fancy-dances. Lee Maracle calls for reconstitution of traditional social structures, based on Native American ways of knowing. Kay McGowan identifies the exact sites where woman-power was weakened historically through the heavy impositions of European culture, the better to repair them. Finally, Barbara Mann examines how communication between Natives east and west of the Mississippi came to be so deranged as to be dysfunctional, and outlines how to reestablish good east-west relations for the benefit of all.

    However, full evidence of their roles has until nowremained scant and dispersed, eclipsed in historical opinion formed through thetexts of men.In magisterial scale Red Velvet Seat restores this film culture tovisibility, using women’s written accounts from the beginnings up to 1950 tounderstand the significance of cinema for them. Sources include fashion andparenting magazines, newspapers and literary journals, memoirs and etiquetteguides, while contributors range from novelists such as Virginia Woolf, Coletteand Rebecca West to psychoanalysts, poets, social reformers, labor organizers,film editors, screen beauties, and race activists. For each section, AntoniaLant and Ingrid Periz provide an introduction, explaining the historicalcontext and linking their themes to the major social and political movements oftheir time, as well as to more traditionally feminine concerns. Compendious and absorbing, Red Velvet Seat is an invaluablecontribution to the history of cinema.

    Originally produced in the 1970s, this is a newly revised and much expanded edition that includes recent scholarly articles, Dunham’s essays on dance and anthropology, press reviews, interviews, and chapters from Dunham’s unpublished volume of memoirs, “Minefields.” With nearly a hundred selections by dozens of authors, Kaiso! provides invaluable insight into the life and work of this pioneering anthropologist and performer and is certain to become an essential resource for scholars and general readers interested in social anthropology, dance history, African American studies, or Katherine Dunham herself.

    When she died in 1695, she was arguably the greatest writer working in any European tongue, though she never lived outside her native Mexico. Juana was a child prodigy whose beauty and wit provoked a sensation at the vice-regal court in Mexico City. At nineteen, though still a royal favorite, she chose to enter a convent. In the twenty years that followed, Juana created plays, theological arguments, and graceful, often sensuous poetry — insisting upon a life of the mind for women, while jousting with the enforcers of the Inquisition. Then, at forty, Juana signed a vow of silence in her own blood, five years before succumbing to plague. This book plumbs the mystery of why such a gifted writer silenced herself. In his remarkable debut, Anderson unfolds three intimate journeys: a great poet's withdrawal from the world; a man's forced march to self-knowledge; and a mystic's pilgrimage into modern Mexico, where the bones of the past continually intrude into a present built on the ruins of the vanquished.

    criminal justice system is well documented. Far less well-documented are the entrenched systems and beliefs that shape punishment and other official forms of social control today. In Race, Gender, and Punishment, Mary Bosworth and Jeanne Flavin bring together twelve original essays by prominent scholars to examine not only the discrimination that is evident, but also the structural and cultural forces that have influenced and continue to perpetuate the current situation. Contributors point to four major factors that have impacted public sentiment and criminal justice policy: colonialism, slavery, immigration, and globalization. In doing so they reveal how practices of punishment not only need particular ideas about race to exist, but they also legitimate them. The essays unearth troubling evidence that testifies to the nation's brutally racist past, and to white Americans' continued fear of and suspicion about racial and ethnic minorities. The legacy of slavery on punishment is considered, but also subjects that have received far less attention such as how colonizers' notions of cultural superiority shaped penal practices, the criminalization of reproductive rights, the link between citizenship and punishment, and the global export of crime control strategies. Uncomfortable but necessary reading, this book provides an original critique of why and how the criminal justice system has emerged as such a racist institution.

    The best sex, say thousands of women, doesn't just happen in the body. It is multidimensional, connecting body, mind, heart, and soul. In The Heart and Soul of Sex, Ogden coaches readers to fully realize the physical, emotional, mental, and spiritual aspects of sex, making what she calls the "ISIS Connection."Throughout the book are firsthand stories of survey respondents, offering examples of how ordinary women--from ages eighteen to eighty-six and from many backgrounds--have found their own way to sexual expression that is deeply satisfying and even life-changing. The Heart and Soul of Sex takes the reader on a journey beyond the usual emphasis on performance, including practical exercises that can be done alone or with a partner. Ogden shows us that we can be much more than we've been told--not just fun and exciting but deeply healing, magical, and transformative.Click here to read an interview with Gina Ogden on Oprah.com.

    From Nasra Abubakar, a Somalian camel-farmer’s daughter who is the first in her family to go to college to Anita Khemka, who reflects on the generation gap between yesterday’s and today’s teenage women in urban India, the young women in this book will inspire and encourage you to take action to transform your own life and the world around you.Enlightening, uplifting, challenging, and funny, Imagining Ourselves demonstrates the power of each individual life and the collective power of today’s generation of women as a whole.

    Add on to that a culture that tells us to be flirtatious, shameless, and powerful. What's a woman to do?Covering issues from gossip and feminism to PMS and legalism, biblical counselor Martha Peace, best-selling author of The Excellent Wife, offers insight on problems women face—problems with others, ourselves, and the world. Mining the truths of Scripture, she helps us find peace in our chaos and embrace our Creator's beautiful design for us.Whether you are single or married, you will benefit from these practical solutions, ideal for personal reading or group study.

    They pored over magazines that described the dangerous pleasures of corporal punishment. A few had sexual relationships with each other, exchanged rings and vows, willed each other property, and lived together in long-term partnerships described as marriages. But, as Sharon Marcus shows, these women were not seen as gender outlaws. Their desires were fanned by consumer culture, and their friendships and unions were accepted and even encouraged by family, society, and church. Far from being sexless angels defined only by male desires, Victorian women openly enjoyed looking at and even dominating other women. Their friendships helped realize the ideal of companionate love between men and women celebrated by novels, and their unions influenced politicians and social thinkers to reform marriage law.Through a close examination of literature, memoirs, letters, domestic magazines, and political debates, Marcus reveals how relationships between women were a crucial component of femininity. Deeply researched, powerfully argued, and filled with original readings of familiar and surprising sources, Between Women overturns everything we thought we knew about Victorian women and the history of marriage and family life. It offers a new paradigm for theorizing gender and sexuality--not just in the Victorian period, but in our own.

    Despite their importance in Buddhist thought and practice, female deities have received relatively little scholarly attention, and no comprehensive study of the female pantheon has been available.Buddhist Goddesses of India chronicles the histories, legends, and artistic portrayals of nineteen goddesses and several related human figures and texts. Beautifully illustrated and drawing on a sweeping range of material, from devotional poetry and meditation manuals to rituals and artistic images, Shaw reveals the character, powers, and practice traditions of the female divinities in this definitive and essential guide.

    New and insightful, this investigation of one of the most important state cults in ancient Rome is an essential addition to the bookshelves of all those interested in Roman religion, history and culture.

    

    In looking at the early film industry as an industry—a place of work—Mahar not only unravels the mystery of the disappearing female filmmaker but untangles the complicated relationship among gender, work culture, and business within modern industrial organizations.In the early 1910s, the film industry followed a theatrical model, fostering an egalitarian work culture in which everyone—male and female—helped behind the scenes in a variety of jobs. In this culture women thrived in powerful, creative roles, especially as writers, directors, and producers. By the end of that decade, however, mushrooming star salaries and skyrocketing movie budgets prompted the creation of the studio system. As the movie industry remade itself in the image of a modern American business, the masculinization of filmmaking took root.Mahar's study integrates feminist methodologies of examining the gendering of work with thorough historical scholarship of American industry and business culture. Tracing the transformation of the film industry into a legitimate "big business" of the 1920s, and explaining the fate of the female filmmaker during the silent era, Mahar demonstrates how industrial growth and change can unexpectedly open—and close—opportunities for women.

    Wells and fictional characters like Henrietta Stackpole, the lady-correspondent in Henry James's Portrait of a Lady. It chronicles the exploits of a neglected group of American women writers and uncovers an alternative reporter-novelist tradition that runs counter to the more familiar story of gritty realism generated in male-dominated newsrooms.Taking up actual newspaper accounts written by women, fictional portrayals of female journalists, and the work of reporters-turned-novelists such as Willa Cather and Djuna Barnes, Jean Marie Lutes finds in women's journalism a rich and complex source for modern American fiction. Female journalists, cast as both standard-bearers and scapegoats of an emergent mass culture, created fictions of themselves that far outlasted the fleeting news value of the stories they covered.Front-Page Girls revives the spectacular stories of now-forgotten newspaperwomen who were not afraid of becoming the news themselves--the defiant few who wrote for the city desks of mainstream newspapers and resisted the growing demand to fill women's columns with fashion news and household hints. It also examines, for the first time, how women's journalism shaped the path from news to novels for women writers.

    This charming book puts a new twist on the phenomenon by showcasing female Buddhist deities in a delightfully unusual format. Designed to resemble a Tibetan temple, the book presents stunning three-dimensional renderings of traditional thangka paintings. It features doors that open from the middle of the front cover, a sturdy tab-insert closure, and elastic loops to hold each altar firmly in place. Four important goddesses appear here. White Tara pacifies illness and removes obstacles; Vanshudara increases prosperity, fertility, and happiness; Kurukulla helps attract and influence through the power of love and desire; and Vajrayogini aids in developing the enlightened union of Great Bliss and Emptiness. With the assistance of these colorful altars and an informative text about the symbolic art, visualization can blossom into multidimensional meditation.

    Given the title the "courtesan poet," Tullia was loved and desired by many. This collection includes fifty-five of Tullia's best poems and a selection of pieces written to her and about her.Accompanying Tullia's poems is a series of risposte (responsive letters) written by well-known men of her dayincluding Girolamo Muzio, Benedetto Varchi and Lattanzio Bennucciwho offer poetic tributes to her honor, talent, and wit.In these poetic dialogues, Tullia shows herself a match to her male contemporaries in verbal and intellectual dexterity. In a poem written to Piero Manelli, Tullia argues for a female poet's equal right to fame and literary immortality. In a tribute of gratitude to her muse, friend, and editoraptly named Muzioshe claims that loving such a talented writer reflects well upon her: "the worth / was yours; but in loving you, the glory mine." Muzio, in turn, writes an introduction to Tullia's dialogue on love, praising the beauty of her mind and the brightness of her soul's "flame," refined by hardship and virtue.The quality of craftsmanship, the originality of thought, and the fiercely proud ambition in these poems set Tullia d'Aragona in a category apart from other women poets of the era. Her wish to be immortalized in print, renowned in her own "eternal lines to time," will be fulfilled through this bilingual edition. Retaining the music of the Italian, these translations bring Tullia's work to life for an English audience.

    The author of nearly 400 sonnets remarkable for their subtlety, intricate narrative structure, and learned allusions, Battiferra, who was married to the prominent sculptor and architect Bartolomeo Ammannati, traversed an elite literary and artistic network, circulating her verse in a complex and intellectually fecund exchange with some of the most illustrious figures in Italian history. In this bilingual anthology, Victoria Kirkham gathers Battiferra's most essential writing, including newly discovered poems, which provide modern readers with a valuable social chronicle of sixteenth-century Italy and the courtly culture of the Counter-Reformation.

    Filled with scenes of intense and suspenseful battles contrasted with romantic episodes, Scanderbeide combines the action and fantasy characteristic of the genre with analysis of its characters’ motivations. In selecting a military campaign as her material and epic poetry as her medium, Margherita Sarrocchi (1560?–1617) not only engages in the masculine subjects of political conflict and warfare but also tackles a genre that was, until that point, the sole purview of men. First published posthumously in 1623, Scanderbeide reemerges here in an adroit English prose translation that maintains the suspense of the original text and gives ample context to its rich cultural implications.

    The dizzying complexity of modern life, with all its scientific, technological and scientific breakthroughs, can easily lead to anxiety and stress , even mental and physical exhaustion, symptoms of our disembodied way of living. To regain our balance and rediscover what is truly worth having, author Carollanne Crichton advocates deepening our experience of our bodies and developing the often dormant faculty of intuition.