Focusing on the “orientation” aspect of “sexual orientation” and the “orient” in “orientalism,” Ahmed examines what it means for bodies to be situated in space and time. Bodies take shape as they move through the world directing themselves toward or away from objects and others. Being “orientated” means feeling at home, knowing where one stands, or having certain objects within reach. Orientations affect what is proximate to the body or what can be reached. A queer phenomenology, Ahmed contends, reveals how social relations are arranged spatially, how queerness disrupts and reorders these relations by not following the accepted paths, and how a politics of disorientation puts other objects within reach, those that might, at first glance, seem awry.Ahmed proposes that a queer phenomenology might investigate not only how the concept of orientation is informed by phenomenology but also the orientation of phenomenology itself. Thus she reflects on the significance of the objects that appear—and those that do not—as signs of orientation in classic phenomenological texts such as Husserl’s Ideas. In developing a queer model of orientations, she combines readings of phenomenological texts—by Husserl, Heidegger, Merleau-Ponty, and Fanon—with insights drawn from queer studies, feminist theory, critical race theory, Marxism, and psychoanalysis. Queer Phenomenology points queer theory in bold new directions.

    She soon finds herself rehabbing at her cabin in the mountains, soaking in the remote natural springs—which is exactly where Psychologist Nicole Westbrook vacations and soon stumbles across her...When Nicole leaves the next day, the two women know little more about the other than her first name—yet they are now lovers instead of strangers.When Jake returns to Denver, a serial murder investigation soon leads her to Nicole. As the investigation develops, their physical attraction threatens to compromise the case. Nicole finds herself struggling to remain in the professional closet that she's been hiding in for so long—a place where an out cop like Jake McCoy simply does not belong.Once the crimes are solved, will the women go their separate ways? Or will the physical attraction and the gentle tug of love prove that opposites do attract...

    It was not until college that Alison, who had recently come out as a lesbian, discovered that her father was also gay. A few weeks after this revelation, he was dead, leaving a legacy of mystery for his daughter to resolve.

    Still having male organs, Candy is housed with strong, masculine, handsome male inmates who haven't been around or touched a woman in years. Candy soon finds herself being caught in several love affairs with men with families, girlfriends and wives at home--waiting for them to be released. But Candy doesn't kiss and tell; she understands the code of silence: what happens in prison stays in prison... . CONVICT'S CANDY deals with sexual identity, prostitution and homosexuality within the prison system, the interactions and relationships between the inmates and officers, infidelity and most importantly, explains how the HIV virus spreads rampantly within the prison. It also reveals how the dangerous and deadly disease is transmitted within society, when infected inmates are released to go home.

    To cover is to downplay a disfavored trait so as to blend into the mainstream. Because all of us possess stigmatized attributes, we all encounter pressure to cover in our daily lives. Given its pervasiveness, we may experience this pressure to be a simple fact of social life.Against conventional understanding, Kenji Yoshino argues that the demand to cover can pose a hidden threat to our civil rights. Though we have come to some consensus against penalizing people for differences based on race, sex, sexual orientation, religion, and disability, we still routinely deny equal treatment to people who refuse to downplay differences along these lines. Racial minorities are pressed to “act white” by changing their names, languages, or cultural practices. Women are told to “play like men” at work. Gays are asked not to engage in public displays of same-sex affection. The devout are instructed to minimize expressions of faith, and individuals with disabilities are urged to conceal the paraphernalia that permit them to function. In a wide-ranging analysis, Yoshino demonstrates that American civil rights law has generally ignored the threat posed by these covering demands. With passion and rigor, he shows that the work of civil rights will not be complete until it attends to the harms of coerced conformity. At the same time, Yoshino is responsive to the American exasperation with identity politics, which often seems like an endless parade of groups asking for state and social solicitude. He observes that the ubiquity of the covering demand provides an opportunity to lift civil rights into a higher, more universal register. Since we all experience the covering demand, we can all make common cause around a new civil rights paradigm based on our desire for authenticity–a desire that brings us together rather than driving us apart. Yoshino’s argument draws deeply on his personal experiences as a gay Asian American. He follows the Romantics in his belief that if a human life is described with enough particularity, the universal will speak through it. The result is a work that combines one of the most moving memoirs written in years with a landmark manifesto on the civil rights of the future. “This brilliantly argued and engaging book does two things at once, and it does them both astonishingly well. First, it's a finely grained memoir of young man’s struggles to come to terms with his sexuality, and second, it's a powerful argument for a whole new way of thinking about civil rights and how our society deals with difference. This book challenges us all to confront our own unacknowledged biases, and it demands that we take seriously the idea that there are many different ways to be human. Kenji Yoshino is the face and the voice of the new civil rights.” -Barbara Ehrenreich, author of Nickel and Dimed“Kenji Yoshino has not only given us an important, compelling new way to understand civil rights law, a major accomplishment in itself, but with great bravery and honesty, he has forged his argument from the cauldron of his own experience. In clear, lyrical prose, Covering quite literally brings the law to life. The result is a book about our public and private selves as convincing to the spirit as it is to the mind.” -Adam Haslett, author of You Are Not A Stranger Here“Kenji Yoshino's work is often moving and always clarifying. Covering elaborates an original, arresting account of identity and authenticity in American culture.”-Anthony Appiah, author of The Ethics of Identity and Laurance S. Rockefeller University Professor Of Philosophy at Princeton University“This stunning book introduces three faces of the remarkable Kenji Yoshino: a writer of poetic beauty; a soul of rare reflectivity and decency; and a brilliant lawyer and scholar, passionately committed to uncovering human rights. Like W.E.B. DuBois's The Souls of Black Folk and Betty Friedan's The Feminine Mystique, this book fearlessly blends gripping narrative with insightful analysis to further the cause of human emancipation. And like those classics, it should explode into America's consciousness.”-Harold Hongju Koh Dean, Yale Law School and former Assistant Secretary of State for Human Rights“Covering is a magnificent work - so eloquently and powerfully written I literally could not put it down. Sweeping in breadth, brilliantly argued, and filled with insight, humor, and erudition, it offers a fundamentally new perspective on civil rights and discrimination law. This extraordinary book is many things at once: an intensely moving personal memoir; a breathtaking historical and cultural synthesis of assimilation and American equality law; an explosive new paradigm for transcending the morass of identity politics; and in parts, pure poetry. No one interested in civil rights, sexuality, discrimination - or simply human flourishing - can afford to miss it.” -Amy Chua, author of World on Fire“In this stunning, original book, Kenji Yoshino demonstrates that the struggle for gay rights is not only a struggle to liberate gays---it is a struggle to free all of us, straight and gay, male and female, white and black, from the pressures and temptations to cover vital aspects of ourselves and deprive ourselves and others of our full humanity. Yoshino is both poet and lawyer, and by joining an exquisitely observed personal memoir with a historical analysis of civil rights, he shows why gay rights is so controversial at present, why “covering” is the issue of contention, and why the “covering demand,” universal in application, is the civil rights issue of our time. This is a beautifully written, brilliant and hopeful book, offering a new understanding of what is at stake in our fight for human rights.” -Carol Gilligan, author of In a Different Voice

    Now Is the Hour is the wondrous story of how Rigby John got to this point. It traces his gradual emancipation from the repressions of a strictly religious farming family and from the small-minded, bigoted community in which he has grown up during a time of explosive cultural change. Transforming this familiar journey from American Graffiti to On the Road into something rich and strange and hilarious is the persona of Rigby John himself. Intimately in touch with his fears, hesitantly awakening to his own sexuality, and palpably open to life's mysteries, Rigby John is a protagonist whom readers will fall in love with, root for, and be moved by.Now Is the Hour is a powerful, vastly entertaining story of self-awakening, of the complex bonds of family, and ultimately of America during a period of tremendous upheaval.

    Laden with wonderful metaphor, vivid imagery and the ever inspirational conclusions which I have come to expect from Andrea”

    But Rye is a poor builder's labourer with a teenage sister to raise, while Flora is a wealthy artist-celebrity with a tree-top condominium and a sporty, late-model flying carpet. If those aren’t obstacles enough to the scorching attraction that rapidly develops, Rye lives under the pall of a dark secret that has made her a fugitive in the very land where she sought freedom. The more Rye reveals to Flora, the more vulnerable she is to her past catching up with her. Can she and Flora find their way to loving one another in the face of their social and cultural differences while struggling with the dark forces that threaten Rye? Broken Wings is a soaring celebration of the power of love, family, and justice to triumph over intolerance, homophobia, and slavery.

    The zine helps to define consent, some letters that Cindy has received, listening, talking about sex, power dynamics, comics by Fly, and much more! A crucial resource that reads much like a regular issue of Doris.

    Try as he may, he cannot live up to the macho image expected of him by his family, by his heritage. At the age of 19 he is conscripted into the South African army and finds his every sensibility offended by a system close to its demise, and yet still in full force. Author André Carl van der Merwe transports the reader into this young man’s world with evocative realism - sometimes heart-rending, sometimes with humour, always with brush strokes of hope. This is a long overdue story about the emotional and physical suffering endured by countless young men."

    The best of the first 5 years of BUTT: Adventures in 21st century gay subculture Since its first legendary issue in 2001, international quarterly magazine BUTT has been bringing together groups of young alternative gay guys all around the world, connecting fashion, sex, and art with a good sense of irony.

    Tracing bloodlines from Sri Lanka's civil wars to Brooklyn and Toronto streets, these fierce poems are full of heart and guts, telling raw truths about brown girl border crossings before and after 9/11, surviving abuse, mixed-race journeys and high femme rebellions. Consensual Genocide celebrates our survival and marks our rebel memories into history.

    Koma appears before Norito, in accordance with the "Sigil Oath," a promise Norito made in his past life with Koma. The two are attracted to each other but Koma's siblings and his beautiful archenemy stands in their way...!? Yokai's Hunger is an eternal love story between a high school senior and a middle-aged beast brought together by fate!

    In fact, she's so adept at trying to stamp out her feelings that she could probably write a How-To guide on the subject. One, move 3,000 miles away from your best friend. Two, get a time-consuming job so you don't have time to think about your best friend. Three, hang out with new friends who aren't anywhere as enchanting as your best friend. Four, get involved with a striking woman who is smart, sexy, caring and, most importantly, available, unlike your best friend. Five, hope the new love interest doesn't find out about your pathetic best friend obsession before you have time to replace it with actual life-altering love. Even following her own step-by-step process, Austy may not be able to redirect all of her misguided feelings. Becoming involved with Elise Bridie helps her realize how pointless her pining has been. But when Elise suspects that she harbors feelings for someone else, will their new found love survive the unrequited infatuation of Austy's fantasies?

    As Katchoo's art career blossoms and Francine settles into married life, David devises a plan to reunite them, with Mary Midnight at the center of the plot As things heat up between Francine and Katchoo, David receives news that nobody wants to hear. Could Tambi be his only hope?

    She's a very successful real estate agent, happily married to a man who encourages her to live the independent life she loves; and they're actively working to have a baby.The wrench in the works is that Blair favors adoption, while her husband David desperately wants to have a biological child. The fates are against them, and they finally seek the help of a group of reproductive specialists. One of the doctors, a surgeon named Kylie Mackenzie, eventually becomes a good friend to Blair. And she needs all of the friends she can get when things start to go horribly wrong at home. As her marriage teeters on the brink of collapse, she relies more and more on Kylie's friendship.Kylie's happily gay; Blair's happily straight. But the way they structure their relationship leads friends and family to privately question whether the pair is setting themselves up for heartache. They eventually come to a crossroads, which could either destroy their friendship or turn it into what each of them has been seeking. The question is whether each woman can change her view of herself and her needs. The answer is all that matters.

    Fantasy took over his life, in a world of battles ruled by his teddy bear, Alan Measles. He grew up. And in 2003, an acclaimed ceramic artist, he accepted the Turner Prize as his alter-ego Clare, wearing his best dress, with a bow in his hair. Now he tells his own story, his voice beautifully caught by his friend, the writer Wendy Jones. Early childhood in Chelmsford, Essex is a rural Eden that ends abruptly with the arrival of his stepfather, leading to constant swerving between his parents' houses, and between boys' and women's clothes. But as Grayson enters art college and discovers the world of London squats and New Romanticism, he starts to find himself. At last he steps out as a potter and transvestite.

    Emerging in early modern Europe to defuse violent religious conflict and reduce persecution, tolerance today is hailed as a key to decreasing conflict across a wide range of other dividing lines-- cultural, racial, ethnic, and sexual. But, as political theorist Wendy Brown argues in Regulating Aversion, tolerance also has dark and troubling undercurrents.Dislike, disapproval, and regulation lurk at the heart of tolerance. To tolerate is not to affirm but to conditionally allow what is unwanted or deviant. And, although presented as an alternative to violence, tolerance can play a part in justifying violence--dramatically so in the war in Iraq and the War on Terror. Wielded, especially since 9/11, as a way of distinguishing a civilized West from a barbaric Islam, tolerance is paradoxically underwriting Western imperialism.Brown's analysis of the history and contemporary life of tolerance reveals it in a startlingly unfamiliar guise. Heavy with norms and consolidating the dominance of the powerful, tolerance sustains the abjection of the tolerated and equates the intolerant with the barbaric. Examining the operation of tolerance in contexts as different as the War on Terror, campaigns for gay rights, and the Los Angeles Museum of Tolerance, Brown traces the operation of tolerance in contemporary struggles over identity, citizenship, and civilization.

    Coyote is one of North America’s most beguiling storytellers and the author of three story collections, including Loose End, which was shortlisted for the Ferro-Grumley Award for Fiction in 2006. Bow Grip, Coyote’s first novel, is a breathtaking story about love and loneliness; in it, a good-hearted, small-town mechanic struggles to deal with a wife who has left him for another woman until a used cello and an acquaintance’s suicide attempt compel him to make some changes in his life. With quiet authority, Bow Grip is about one man’s true rite of passage—trying to keep the ghosts of personal history at bay with a heart that’s as big as the endless prairie sky.

    At eight years old, Bettina Aptheker watched her family's politics play out in countless living rooms across the country when her father, historian and U.S. Communist Party leader Herbert Aptheker, testified on television in front of the House on Un-American Activities Committee in 1953. Born into one of the most influential U.S. Communist families whose friends included W. E. B. Du Bois, Paul Robeson, and Elizabeth Gurley Flynn, Bettina lived her parents' politics witnessing first-hand one of the most dramatic upheavals in American history. She also lived with a terrible secret: incest at the hands of her famous father and a frightening and lonely life lived inside a home wrought with family tensions. A gripping and beautifully rendered memoir, Intimate Politics is at its core the story of one woman's struggle to still the demons of her personal world while becoming a controversial public figure herself. This is the story of childhood sexual abuse, abortion, sexual violence, activism, and the triumph over one's past. It's about FBI harassment and persecution, Jewish heritage, and lesbian identity. It is, finally, about the courage to speak one's truth despite the consequences and to break the sacred silence of family secrets.

    Avoiding preconceptions about ancient sexuality, he explores the ethics of desire and marriage and pays careful attention to the original meanings of words, especially those used as evidence of Paul's opposition to homosexuality. For example, after a remarkably faithful reading of the scriptural texts, Martin concludes that our contemporary obsession with marriage--and the whole search for the right sexual relationships--is antithetical to the message of the gospel. In all of these essays, however, Martin argues for engaging Scripture in a way that goes beyond the standard historical-critical questions and the assumptions of textual agency in order to find a faith that has no foundations other than Jesus Christ.

    By examining the perilous intersections of identity, categorization, and community, contributors challenge societal mores and countercultural norms. Nobody Passes explores and critiques the various systems of power seen (or not seen) in the act of “passing.” In a pass-fail situation, standards for acceptance may vary, but somebody always gets trampled on. This anthology seeks to eliminate the pressure to pass and thereby unearth the delicious and devastating opportunities for transformation that might create.Mattilda, aka Matt Bernstein Sycamore, has a history of editing anthologies based on brazen nonconformity and gender defiance. Mattilda sets out to ask the question, “What lies are people forced to tell in order to gain acceptance as 'real'.” The answers are as varied as the life experiences of the writers who tackle this urgent and essential topic.

    Exiled in a dangerous and confusing world filled with monsters, bandits, and sorcerers, Tevi battles demons within and without as she searches for her place in the strange new world.Jemeryl has her future planned out - a future that will involve minimal contact with ordinary folk who do not understand sorcerers. Her ambition is to lead a solitary life within the Coven and to devote herself to the study of magic. It is all very straightforward - until she meets Tevi.Two unlikely allies join forces to defeat an insidious evil and on the journey find one another.

    Offering spare, tightly executed essays, this slim volume nonetheless succeeds in creating a spectacular, well-researched compendium of the transgender movement." -Law Library JournalOver the past three decades, the transgender movement has gained visibility and achieved significant victories. Discrimination has been prohibited in several states, dozens of municipalities, and more than two hundred private companies, while hate crime laws in eight states have been amended to include gender identity. Yet prejudice and violence against transgender people remain all too common. With analysis from legal and policy experts, activists and advocates, Transgender Rights assesses the movement’s achievements, challenges, and opportunities for future action. Examining crucial topics like family law, employment policies, public health, economics, and grassroots organizing, this groundbreaking book is an indispensable resource in the fight for the freedom and equality of those who cross gender boundaries. Moving beyond media representations to grapple with the real lives and issues of transgender people, Transgender Rights will launch a new moment for human rights activism in America. Contributors: Kylar W. Broadus, Judith Butler, Mauro Cabral, Dallas Denny, Taylor Flynn, Phyllis Randolph Frye, Julie A. Greenberg, Morgan Holmes, Bennett H. Klein, Jennifer L. Levi, Ruthann Robson, Nohemy Solórzano-Thompson, Dean Spade, Kendall Thomas, Paula Viturro, Willy Wilkinson. Paisley Currah is associate professor of political science at Brooklyn College, executive director of the Center for Lesbian and Gay Studies at the CUNY Graduate Center, and a founding board member of the Transgender Law and Policy Institute. Richard M. Juang cochairs the advisory board of the National Center for Transgender Equality (NCTE) in Washington, DC. He has taught at Oberlin College and Susquehanna University. He is the lead editor of NCTE's Responding to Hate Crimes: A Community Resource Manual and coeditor of Transgender Justice, which explores models of activism.Shannon Price Minter is legal director of the National Center for Lesbian Rights and a founding board member of the Transgender Law and Policy Institute.

    A one-of-a-kind guide to staying alive outside the box, Hello, Cruel World is a much-needed unconventional approach to life for those who want to stay on the edge, but alive.Hello, Cruel World features a catalog of 101 alternatives to suicide that range from the playful (moisturize!), to the irreverent (shatter some family values), to the highly controversial. Designed to encourage readers to give themselves permission to unleash their hearts' harmless desires, the book has only one directive: "Don't be mean." It is this guiding principle that brings its reader on a self-validating journey, which forges wholly new paths toward a resounding decision to choose life.Tenderly intimate and unapologetically edgy, Kate Bornstein is the radical role model, the affectionate best friend, and the guiding mentor all in one.

    Losing his mother when he is twelve, González must then confront his father’s abandonment and an abiding sense of cultural estrangement, both from his adopted home in the United States and from a Mexican birthright. His only sense of connection gets forged in a violent relationship with an older man. By finding his calling as a writer, and by revisiting the relationship with his father during a trip to Mexico, González finally claims his identity at the intersection of race, class, and sexuality. The result is a leap of faith that every reader who ever felt like an outsider will immediately recognize. 2007 Finalist, Randy Shilts Awards for Gay Nonfiction, Publishing Triangle Winner, American Book Awards, Before Columbus Foundation

    The novel was Cobalt Blue, the story of a brother and sister who fall in love with the same man, and how a traditional Marathi family is shattered by the ensuing events – a work that both shocked and spoke to Marathi readers.

    Accompanied by Alphonsus Lee's photography, SQ21 shows an unabashed straightforward honesty and celebrates the lives of these ordinary Singaporeans. Written in a light, readable style, these insprirational stories will touch the hearts of readers gay and straight, Singaporean and otherwise.

    Wekker vividly describes the lives of these women, who prefer to create alternative families of kin, lovers, and children, and gives a fascinating account of women's sexuality that is not limited to either heterosexuality or same-sex sexuality. She offers new perspectives on the lives of Caribbean women, transnational gay and lesbian movements, and an Afro-Surinamese tradition that challenges conventional Western notions of marriage, gender, identity, and desire. Bringing these women's voices to the forefront, she offers an extensive and groundbreaking analysis of the unique historical, religious, psychological, economic, linguistic, cultural, and political forces that have shaped their lives.

    White explores his neighborhood ? “queens: 6 percent; cranky 70-year-old Russians who give you the evil eye when you walk past: 2 percent; blonde girls with big, round, hard fakeys who think Jennifer Anniston just got lucky: 10 percent; miscellaneous cool kids, hustlers, and actual crazy people: 5 percent.” White gets gigs as a freelance writer, goes to the grocery store where his Russian neighbors ask him questions because they think he’s from the old country; and encounters Sara Gilbert at the Laundromat, Leonard Maltin at the movies, and Ben Affleck driving a Rolls-Royce so ridiculously conspicuous he might as well be driving Chitty-Chitty, Bang-Bang. What began as weekly diaries emailed to out-of-state family and friends evolved into a blog called “Dave White Knows” and in 2003 became a monthly column in Instinct called “Exile in Guyville.” Alyson Books now presents White’s blogs in expanded form with loads of new material that will be even more irritating to the Instinct readers who didn’t like his column. “They requested more fashion and skin-care features in its place, which makes me kind of proud.” Dave White is a freelance journalist specializing in music. His reviews and features have been seen in E! Online, IFILM, LA Weekly, Dallas Observer, Instinct, The Advocate, Glue, Cybersocket, Total Movie, Unzipped, and Frontiers. White lives in West Hollywood with his boyfriend, the Morocco Mole, and is locally esteemed as the “King of Pancakes.”

    "A paradox sets these disquieting and beautiful DISASTER SUITES into motion. They produce a music--'missing in the count now counts as one'--reaching for the disappearance of the very conditions that make it audible: war, so-called natural catastrophe, a 'public sphere where there is no / Public.' As in the songs of William Blake and the sci-fi novels of Octavia Butler, these Suites sing against their own beauty and their seemingly perpetual present--which is why they seem so strangely archaic and futuristic at once. In complex patterns of meter and rhyme, Disaster's lyric 'I' summons its own kind of 'counting' (prosody) against the physics of finance or exchange. Yet the music which results can only be heard--'the drowned and the bombed'--in between and against the other tracks that Halpern intricately lays down: the singing of capital, the burble of mass media, the daily noise of bodies who work, shit, fuck, and love. This stunning book has almost single-handedly made me love contemporary lyric poetry again"--Sianne Ngai.

    But the stories and art, while incredibly hot and masculine, show how gay men not only just hook up: they connect. TimeOut Chicago says "carnality and sweetness is the exactly the right combination that makes STICKY a real standout in the genre. Readers will find the material is both erotically charged and unabashedly romantic". In "The Bitch List", Bitch Magazine says "STICKY presents wordless, atmospheric vignettes of man-on-man action that are intimate and human while still indulging timeless tropes like leather daddies, hot cowboys, and improbably explosive money shots." Trusty Sidekicks joins the wide popular acclaim for this comic series: "I was actually pretty blown away by how well Dale Lazarov's script and Steve MacIsaac's artwork tell a story in exquisite, vivid detail...the kind of details you might notice when you're actually having sex with someone - a string of moments that can be hot, playful, tender, mischievous, and even a little funny. I think that's why [STICKY] works as both porn and as a comic... it wouldn't be quite so compelling if told (or shown) another way."

    When his father, a fundamentalist preacher, dropped dead at his son's eighth birthday party, Kevin already knew he wasn't supposed to cry.He also knew there was no salvation for homosexuals, who weren't "real men"—or Christians, for that matter. But Jennings found his salvation in school, inspired by his mother. Self-taught, from Appalachia, her formal education had ended in sixth grade, but she was determined that her son would be the first member of their extended family to go to college, even if it meant going North. Kevin, propelled by her dream, found a world beyond poverty. He earned a scholarship to Harvard and there learned not only about history and literature, but also that it was possible to live openly as a gay man.But when Jennings discovered his vocation as a teacher and returned to high school to teach, he was forced back into the closet. He saw countless teachers and students struggling with their sexual orientation and desperately trying to hide their identity. For Jennings, coming out the second time was more complicated and much more important than the first—because this time he was leading a movement for justice.Mama's Boy, Preacher's Son is that rare memoir that is both a riveting personal story and an inside account of a critical chapter in our recent history. Creating safe schools for teenagers is now a central part of the progressive agenda in American education. Like Paul Monette's landmark Becoming a Man, Dorothy Allison's Bastard Out of Carolina, and Rick Bragg's All Over but the Shoutin', Kevin Jennings's poignant, razor-sharp memoir will change the way we see our contemporary world.

    Approaching the topic from varying perspectives — exile, longing, belonging, diaspora, idealization — they show that “homeland” isn't just a physical place. It can also be an imagined community, a part of one's identity, or simply a wavering memory. It’s a world we create and re-create every day.Among the contributors are Etel Adnan, who describes her life as an exile from Beruit after choosing to leave a city at war. Agate Nesaule, who as a youngster left Latvia under Nazi and Soviet threat, writes of envying a young Latvian girl's life, rich in place, language, and music. Sarah McCormic echoes the experience of many “American mutts” who can claim so many heritages that they feel a connection to none.The writers in this collection beautifully capture the complicated notion of homeland and reflect the diversity of women's realities in the world.

    Rather than a verse-by-verse analysis, typical of more traditional commentaries, contributors to this volume focus specifically upon those portions of the book that have particular relevance for readers interested in lesbian, gay, bisexual and transgender issues such as the construction of gender and sexuality, the reification of heterosexuality, the question of lesbian and gay ancestry within the Bible, the transgendered voices of the prophets, the use of the Bible in contemporary political, socio-economic and religious spheres and the impact upon lesbian, gay, bisexual and transgender communities. Accordingly, the commentary raises new questions and re-directs more traditional questions in fresh and innovative ways, offering new angles of approach. This comprehensive, cutting-edge commentary is prefaced by an introductory essay by Professor Mary Tolbert. Contributors draw on feminist, queer, deconstructionist, utopian theories, the social sciences and historical-critical discourses. The focus is both how reading from lesbian, gay, bisexual and/or transgender perspectives affect the reading and interpretation of biblical texts and how biblical texts have and do affect lesbian, gay, bisexual and/or transgender communities. The commentary includes an extensive bibliography that directs the reader to a full range of literature relating to queer interpretation of scripture.

    Watching this debate unfold, William Stacy Johnson found that he could be silent no longer. The result is this finely honed book.In A Time to Embrace Johnson presents a brilliant analysis of the religious, legal, and political stakes in the debates over gay marriage, civil unions, and the place of committed gay couples in a democratic society. Carefully weighing the pros and cons from across th emoral and religious spectrum, Johnson here offers a fresh, thought-provoking examination of one of the most controversial issues in the West today.

    Young Niibia is enrolled in med school only to be abducted by the sexiest and horniest goddess of the school, Haruana. This wild vixen takes Niibia as a sex slave and forces him to do things to her that would make a porn star blush.Pink Sniper is filled with half animal people, flying sci-fi vehicles, loose women, and Haruana's giant breasts. Creator Kengo Yonekura's beautiful, lush art brings to life this wild tale of lust, sex, and strangeness. This is not a reprint book but a brand new graphic novel from Eros Comix and Studio Proteus.

    Gay and Lesbian Studies. Memoir. This collection of conversations and ruminations during walks around the city was first published in 1979 by Black Star Series, San Francisco. It was immediately recognized as a core text by a group of young writers known collectively as the New Narrative school, associated with Robert Gluck's workshops and other events held at Small Press Traffic. The anecdotal stories reveal what it was like to be gay and interested in intelligent literature in 1970's San Francisco. Dennis Cooper calls it "a seminal and perfect work," and for Camille Roy it is "a founding document, and the brilliant record of an opening in writing."

    Set in the drag underworld of Buffalo, 'Burning Dreams' chronicles the challenges faced by a young drag king and an older woman who share a love 'outside the bounds'.

    This controversial tale has given enormous comfort to many young people struggling with their own sexual identity.©1991 Bruce Coville; (P)2006 Full Cast Audio

    In addition to his father’s illness, Chin was managing his own health and medical annoyances and preparing for a looming US citizenship test. At the beginning of this difficult period, Chin quietly vowed not to speak publicly about his troubles until they had been suitably resolved. These poems mark the end of that resolution. Gutted is a document of growing older—a massively moving work of grief, loss, comfort, illness, and resolve—imbued with Chin's unique screwy perspective, ever-defective grace, and scabrous humor.Justin Chin is the author of two poetry collections, Harmless Medicine and Bite Hard (Manic D Press), and two collections of essays, Burden of Ashes (Alyson Books) and Mongrel: Essays, Diatribes and Pranks (St. Martin's Press). Chin’s writings have also been anthologized widely, notably in The Outlaw Bible of American Poetry (Thunder's Mouth Press), American Poetry: The Next Generation (Carnegie Mellon University Press), The World In Us: Lesbian and Gay Poetry of the Next Wave (St. Martin's Press), and Chick For A Day (Simon & Schuster). He has performed his work throughout the United States. He lives in San Francisco.

    Acting out diverse identities in scenes ranging from severely simple to elaborately staged, Cahun was a pioneer of the gender-bending role-playing now seen in works by artists such as Cindy Sherman (born the year Cahun died), Nikki S. Lee, and many others. Don't Kiss Me, the first comprehensive volume on Cahun, features many previously unpublished photographs and drawings, illuminating not only Cahun's work but also that of partner, Marcel Moore (1892-1972), and their intense forty-year collaboration. In Don't Kiss Me, seven authors examine Cahun and Moore's lives and art-making; their relationship with the Surrealist movement; and give the first thorough account of the Resistance operations, trial, imprisonment, and attempted suicides of the two artists during the German Occupation of Jersey, in the Channel Islands, during World War II. The wealth of new material in this compelling survey makes it essential for all those with an interest in Cahun and Moore, photography, gender studies, or Surrealism.Born in France, Lucy Schwob (pseudonym Claude Cahun) and Suzanne Malherbe (pseudonym Marcel Moore) met at school in their teens and became both lovers and collaborators, inseparable until Lucy’s death in 1954. Cahun is by far the better known of the two; this book establishes for the first time the extent of Moore’s contributions to the self-portraits. Their photographs, books, and documents were acquired by The Jersey Heritage Trust acquired the largest collection of their work in the world in the 1990s; this book is the first catalog of the collection.

    This illuminating chronicle includes interviews and documents that detail the compelling history, recovery, and wisdom of gay people in AA. The book examines the challenges AA faced as the fellowship endeavored to become a more inclusive and cohesive community. The first-person accounts narrate the important work of influential gay and straight AA members that led key events in AA's history. The author includes material on the steps and traditions of AA, and on becoming an ally to LGBT people on the road to recovery.Topics in The History of Gay People in Alcoholics Anonymous include: the gay origins of AA's Third Tradition a comparison of treatments for alcoholism and homosexuality compelling portraits of sober gay life in the 1950s and 1960s the debate in AA over meetings for gay alcoholics interviews with members and co-founders of the first gay AA meetings the history of the first gay AA/Al-Anon conference interviews with pioneering gay addiction professionals the history of AA pamphlet "AA and the Gay/Lesbian Alcoholic" Alcoholics Together, and why a parallel AA organization for gay alcoholics formed in southern California strategies AA's gay members developed to make their meetings simultaneously safe and public--and why some of them are still necessary today much more The History of Gay People in Alcoholics Anonymous is an enlightening book for members of the LGBT and heterosexual recovering community, alcoholism and addiction professionals, as well as physicians, counselors, psychiatrists, psychologists, social workers, clergy, historians, sociologists, educators, students, and anyone interested in learning more about AA or this aspect of the community's history.

    African American Studies. This first collection of poetry from Nigerian born poet Uchechi Kalu contains the fire and immediacy of a true witness for justice. Whether she is speaking outrage to Shell Oil in her native Nigeria, or to the pain of a brother lost--Uchechi's powerful voice emerges with a rare clarity and grace. Strong as an African orchid--Ruth Forman.

    Bound into a soft black embossed cover and adorned with three black ribbon bookmarks and black gilt edges, the book features 345 pages of facsimiles of the zine, expanded texts, new collages, and prefaces by Genesis Breyer P-Orridge of Throbbing Gristle and Scott Treleaven. With its unique combination of punk aesthetics, Blakean mysticism and sexually explicit, radical queer posturing, the zine immediately attracted press, suspicion, and a loyal cult following. During its initial three year run, the Salivation Army spawned a number of spin-off zines, set up headquarters in Toronto, Prague, London, and New York, and held a series of public and private occultural events aimed at putting the Army’s magical theory into practice. Co-published by Art Metropole, Toronto and Printed Matter, NYC in a signed and numbered edition of 666 that includes sixty copies with a limited edition silkscreen insert, and six deluxe edition copies with collaged silkscreens.

    Wojnarowicz was then at the peak of his notoriety as the fiercest antagonist of morals crusader Senator Jesse Helms--a notoriety that Wojnarowicz alternately embraced and rejected. Already suffering the last stages of AIDS, David saw his dialogue with Lotringer as a chance to set the record straight on his aspirations, his personal history, and his political views. The two arranged to have this three-hour dialogue video-recorded by a mutual friend, the artist Marion Scemama. Lotringer held on to the tape for a long time. After Wojnarowicz's death the following year, he found the transcript enormously moving, yet somehow incomplete. David was trying, often with heartbreaking eloquence, to define not just his career but its position in time. The subject was huge, and transcended the actual dialogue. Lotringer then spent the next several years gathering additional commentary on Wojnarowicz's life and work from those who knew him best--the friends with whom he collaborated. Lotringer solicited personal testimony from Wojnarowicz's friends and other artists, including Mike Bildo, Steve Brown, Julia Scher, Richard Kern, Carlo McCormick, Ben Neill, Kiki Smith, Nan Goldin, Marguerite van Cook, and others. What emerges from these masterfully-conducted interviews is a surprising insight into something art history knows, but systematically hides: the collaborative nature of the work of any "great artist." All these respondents had, at one time, made performances, movies, sculptures, photographs, and other collaborative works with Wojnarowicz. In this sense, Wojnarowicz appears not only as a great originator, but as a great synthesizer.

    Many scientists, including two Nobel winners, said it wasn't possible. But they were quickly drowned out by the ecstatic response from activists, government-funded researchers, a relieved public and, especially, the pharmaceutical industry, which quickly offered a treatment for HIV--a drug called called AZT. Within four years, the entire first group of AZT test subjects was dead. But the idea that HIV caused AIDS became so entrenched that international policy was being based on it, while big pharma raked in billions. Scientists who disagreed found themselves ostracized, their funding cut off. Journalist who raised questions were subject to vicious attacks from politicians and activists. Celia Farber has covered the tumultuous story in all its facets for over 20 years, including: disastrous National Institutes of Health drug tests on mothers and children in Africa, Tennessee and New York City; extensive interviews with blacklisted researchers and scientific dissidents such as Berkeley's Peter Duseberg and NIH renegade Jonathan Fishbein; and reporting from South Africa on the influence of pharmaceutical companies on foreign aid and policy. It is an astonishing and largely unknown story, and in Serious Adverse Events, Farber chronicles the entire history of AIDS, its triumphs and its failures, with astonishing research and mind-opening candor.

    This important volume, whose title combines Gertrude Stein's famous motto, "Rose is a rose is a rose is a rose," with the name of Marcel Duchamp's feminine alter ego, Rrose Selavy, features portraits, self-portraits and photomontages in which the gender of the subject is highlighted through performance for the camera or through technical manipulation of the image. In many of the works, photography's strong aura of realism and objectivity promotes a fantasy of total gender transformation. In other pieces, the photographic representation articulates an incongruity between the posing body and its assumed costume. Features work by Cecil Beaton, Brassa', Claude Cahun, Marcel Duchamp, Hannah H�ch, Man Ray, Janine Antoni, Matthew Barney, Nan Goldin, Lyle Ashton Harris, Robert Mapplethorpe, Annette Messager, Yasumasa Morimura, Catherine Opie, Lucas Samaras, Cindy Sherman, Inez van Lamsweerde and Andy Warhol.

    Woolf and Sackville-West produced some of the most vibrant and acclaimed work of their respective careers during their passionate affair, and Sproles demonstrates how this body of work was a collaborative project - a partnership - in which they promised to reinvent one another.Sproles argues that in all they wrote during their affair - essays, criticism, novels, poems, biographies, and personal etters - Woolf and Sackville-West struggled to represent their desire for one another and to resist the social pressures that would deny their passion. At the centre of this literary conversation is Orlando, Woolf's biography of Sackville-West. Sproles restores Orlando to the context of Woolf and Sackville-West's discussion of gender and sexuality and demonstrates its importance in Woolf's oeuvre. Sexy and provocative, Desiring Women re-imagines Woolf and Sackville-West as daring, funny, beautiful, and bent on resisting the repression of women's desires.

    One of the hallmarks of Benjamin Britten's music is his use of boys' voices, and John Bridcut uses this to create a fresh prism through which to view the composer's life. Interweaving discussion of the music he wrote for and about children with interviews with the boys whom Britten befriended, Bridcut explores the influence of these unique friendships - notably with the late David Hemmings - and how they helped Britten maintain links with his own happy childhood. In a remarkable part of the book Bridcut tells for the first time the full story of Britten's love affair in the 1930s with the 18-year-old German Wulff Scherchen, son of the conductor Hermann Scherchen. As Paul Hoggart of The Times commented, 'this type of love belonged to an emotional landscape that has vanished for ever, and we are the poorer for it'. Since making the film, the author has extended his research to include friendships Britten had with children which have not previously been documented.The documentary Britten's Children won the Royal Philharmonic Society's 2005 Award for Creative Communication: 'this serious and beautiful film explored one aspect of a composer's life in great depth. Avoiding the temptation of sensationalism, Britten's Children was imaginatively researched and both touching and revelatory'.

    Jocelyn Saidenberg's third book of poetry begins in a "dusky" wood, but instead of descending to hell she journeys through the negativity of earthly relations. We hear of friends, lovers, and a declining country--all filtered by a consciousness equally troubled by its own suffering and the suffering of others. Saidenberg has written some of the most accomplished, grounded and reflective poetry of the last decade. She is previously the author of CUSP (2001) and MORTAL CITY (1998), both available from SPD, and the founder and publisher of Krupskaya Press.

    Other Men's Sons contains the best of his creative non-fiction written between 2000 and 2005. The journalism includes profiles of the coming-out story of Playgirl magazine's 30th anniversary centerfold, Scott Merritt; Philip Ing, creative director of the legendary MAC Cosmetics AIDS fundraiser, Fashion Cares; and exclusive interviews with diverse trailblazers, from openly gay horror superstar Clive Barker, to firebrand minister and gay rights activist The Reverend Brent Hawkes. The personal essays cover a range of subjects including the power of erotica, the beauty of men, the real reason for gay marriage, and the importance of the chosen family; these will resonate with many readers, gay and straight alike. The collection ends with a powerfu

    

    Charmed Lives offers readers a collection of over thirty short works of fiction and personal essays as an alternative to the stories that society often tells about gay men. Some are whimsical with a touch of enchantment, some profoundly spiritual, others romantic--all offer insight into modern gay life that will inspire and shed light on the grace of being gay with tales of hope against adversity and love over loneliness. A finalist for the Lambda Literary Award for Best LGBT Anthology!

    In Our Fire Survives the Storm, Daniel Heath Justice traces the expression of Cherokee identity in that nation’s literary tradition. Through cycles of war and peace, resistance and assimilation, trauma and regeneration, Cherokees have long debated what it means to be Cherokee through protest writings, memoirs, fiction, and retellings of traditional stories. Justice employs the Chickamauga consciousness of resistance and Beloved Path of engagement—theoretical approaches that have emerged out of Cherokee social history—to interpret diverse texts composed in English, a language embraced by many as a tool of both access and defiance. Justice’s analysis ultimately locates the Cherokees as a people of many perspectives, many bloods, mingled into a collective sense of nationhood. Just as the oral traditions of the Cherokee people reflect the living realities and concerns of those who share them, Justice concludes, so too is their literary tradition a textual testament to Cherokee endurance and vitality. Daniel Heath Justice is assistant professor of aboriginal literatures at the University of Toronto.

    In these poems, food feeds both disease and celebration, sometimes in the same breath. Whether we are eating out of necessity or pure desire, these poems have something to say about our most internal -- and often inexplicable -- impulses.

    This volume is the first to gather in one collection Brett’s searching and provocative work on the great British composer. Some of the early essays opened the door to gay studies in music, while the discussions that Brett initiated reinvigorated the study of Britten’s work and inspired a generation of scholars to imagine “the new musicology.” Addressing urgent questions of how an artist’s sexual, cultural, and personal identity feeds into specific musical texts, Brett examines most of Britten’s operas as well as his role in the British cultural establishment of the mid-twentieth century. With some of the essays appearing here for the first time, this volume develops a complex understanding of Britten’s musical achievement and highlights the many ways that Brett expanded the borders of his field.

    This book draws on groundbreaking new material to present a comprehensive survey of all things gay, stretching back to ancient Sumeria and ranging to the present day. Critically acclaimed historian Robert Aldrich and ten leading scholars juxtapose thought-provoking essays with an extensive selection of images, many never before seen. This masterful combination reveals the story behind gay culture from the industrialized world to the remotest corners of tribal New Guinea. Among the contributors are noted names in GLBT studies such as Brett Beemyn (author of Bisexuality in the Lives of Men), Charles Hupperts (expert on classical antiquity at the University of Amsterdam), Helmut Puff (University of Michigan expert on the medieval world), and Florence Temagne (author of A History of Homosexuality in Europe). The book covers such topics as the Old Testament relationship between Jonathan and David, the Age of Confucius, Native American berdaches, Polynesian mahus, Berlin in the '20s, Stonewall and the disco-flavored hedonism that followed, and the advent of AIDS, Act Up, and Angels in America. This book is an important contribution to understanding what makes gay life and culture universal throughout human culture and across time.

    This brief text is suitable for courses with coverage of gender and sexuality in sociology, psychology, women's and gender studies, and human development. The only book of its kind to address sexualities from a social perspective, Plante's analysis of the context of sexuality, sexual behaviors, and identities is both intelligent and readable. With contemporary topics, such as 'hooking up,' sexual fantasies, and bisexualities, along with examples of how to apply critical thinking, students are empowered to think outside their comfort zones and encouraged to explore the topic of sex in a new context. Employing useful pedagogical features like end-of-chapter questions and suggested projects, this is the ideal text to help students see that sex is not only personal but social and political as well.

    The author provides a historical overview and critical analysis of the black church and its current engagement with lesbian and gay Christians, and shares ways in which black churches can learn to reach out and confront all types of oppression - not just race - in order to do the work of the black community.

    Femmes who date femmes occupy a unique place, half in and half out of the lesbian world; we can bond with our straight sisters over the makeup counter, ask strangers to tell us if something matches, and be taken for straight on sight. I've always been drawn to glamorous, decadent, decked-out women, curvy lovelies with seductive smiles. I think femmes have a universal allure, a siren call that can catch almost anyone off guard. I wanted to create a book filled with women like me, in some ways-women who go after fellow femmes, who have been on both ends of the femme pleasure ride-and some who are not like me, who'd surprise me, who'd show me varied, often surprising ways of being a femme who's into other femmes, because contrary to popular belief, there's more than one way to be that kind of girl."Mostly, I wanted to reflect the varied, rich realities of femme-on-femme desire, ones far removed from the 'girl-girl' porn images so clearly implanted in the public psyche. I wanted to see and read hot, authentic, girlie-girl sex that confounded the stereotypes of both butch/femme and femme/femme. And I wanted to do so in a way that would not detract from butches, androgynous women, bois, transmen and transwomen, and any number of queer folks who are not femme-identified, because this book is, above all, a celebration and an exploration."Some of the stories and women you'll encounter inGlamour Girls:a wonderfully complex sexual trio, where jealousy, lust, and history, not to mention striptease, combine in an explosive way in Jen Collins' "The G String"a girl is inducted into her sexuality by her father's mistress in Lori Selke's "Diary of a Lost Child, Part I"myths about bisexuality, sex work, and porn are skewered in Khadijah Caturani's "Schooled by a Straight Girl""Lap Dance Lust," by editor Rachel Kramer Bussel, explores the visceral erotic power of those who use their flirtation skills and their bodies to earn a living."Zenda," by Anna South, is a complex, sexy, and nuanced look at the power dynamics between a college professor and her student, each one trying to outguess the other and figure out their erotic quirksWith these stories plus 21 more tales of femme/femme attraction and explicit, unfettered sex, Glamour Girls is more than just a collection of truly hot erotica-it's a celebration and exploration of sameness and difference, of the fact that women who may look alike may or may not think, act, and desire alike, about looking beyond the surface, and about attractions that run deeper than lipliner. Glamour Girls is much more than a simple girl + girl formula, or something we're programmed to do by watching Madonna kiss Britney and Christina. What makes this collection truly special is that the contributing authors respect and value femmeness in their portraits of bold femme women who desire other femmes, and explore the glorious confusion and arousal that their desires bring them. Glamour Girls is sexy and sensual while it explores issues of bisexuality, burgeoning desire, gender roles, appearance, and power-all within an erotic context. It gives voice to femme-loving femmes and acknowledges their well-deserved place within the queer community, showing that femme/femme desire is far more than a male-authored fantasy-it is an authentically lesbian experience.

    Offering a shameless and thrilling archive of radical queer sexuality, these photographs span from 1978 to the present day.

    It starts with the lingering looks across the room at an interesting stranger, romantic e-mails, flowers, and wearing leather on your first date. Then once you have her, stage two kicks off with all night sex sessions that leave you sore but still wanting more. Soon you don't even want to leave the house for months, and some of your friends even forget your name. Then, if you're lucky (and not on the second date, mind you), the third stage comes around and you've settled into the comfy couch of your relationship. Come join Nghosi Books down memory lane or take this journey for the very first time as we introduce you to ultimate pleasure in our New Voices Series of longing, lust, and love!